#tanaka akio

[aoki553]

no context torisai and makokuu (+tanaka-san)

i was having too much fun with this app fr

[scenesandscreens]

Ghost in the Shell (1995)

Director - Mamoru Oshii, Cinematography - Hisao Shirai

"There's nothing sadder than a puppet without a ghost, especially the kind with red blood running through them."

[universalthaumaturge]

ok i get why anthy has creature of delirium now

[maddiesflame]

Tokyo Ever After headers

like/reblog if saved © maddiesflame

[adamwatchesmovies]

Paprika (2006)

Paprika is a fever dream blast of inspiration that is simultaneously wonderful to behold and nightmare-inducing. It ends on a low note but the trip to that conclusion ensorcels you so completely you may not even care.

In the near future, Doctor Atsuko Chiba (voiced by Megumi Hayashibara) uses the experimental DC Mini device to hop into her patients’ dreams and treat their subconscious using her alter-ego, Paprika. When people exposed to the device, including her boss, Doctor Toratarō Shima (Katsunosuke Hori), start exhibiting erratic behaviour culminating in suicide attempts, Paprika must explore the increasingly bizarre dreams they collectively share to find out who is responsible. How does the strange parade of creatures and living objects connect to her patient, Detective Toshimi Konakawa (Akio Ōtsuka), the scientists responsible for creating the DC Mini, Doctor Kōsaku Tokita (Tōru Furuya), and Kei Himuro (Daisuke Sakaguchi). More importantly, why is this happening?

The medium of animation is perfect for this kind of story. You would need so many special effects to bring the otherworldly sights of the dream world to life it would’ve basically turned into an animated movie anyway. Director Satoshi Kon has so many visual tricks up their sleeve. Paprika’s movements are inhibited only by her imagination. This is shown in the mind-blowing opening scene in which she moves from reflections on windows, to pictures on T-shirts to billboards and anything you could think of to get from one place to another. Many scenes show characters morphing or changing as their consciousness gets sucked into the never-ending parade of weird objects invading everyone’s dreams. When you see it, you don’t know whether to run for the hills screaming or force your eyes open so you don’t miss a second. The colours and creativity in these visuals are so dazzling it doesn’t even matter that sometimes you'll have difficulty understanding the plot.

The film ensnares you in this whirlwind of wonder and unease. You have difficulty differentiating reality from dreams, except when someone wakes up and points out how crazy things were a second ago. That’s the power of this story. And then, we get to the conclusion, which is a major letdown. Not only can you decipher the mastermind behind this big thing based on the character's design, the reason for everything doesn’t really make much sense. You’re left wondering if maybe the translation was bad, or if this story really wasn’t all that good and you were just swept up in all the razzle-dazzle. Ultimately, I say there is more to the film than just what you see. The mystery is compelling and the twist keep you guessing. It’s just everything before the conclusion was so great that when this generic ending comes around, it feels even worse than it is.

The last few minutes of Paprika will split audiences. Either you’ll love it and it’ll become a new favourite, or it’ll leave you with mixed feelings, meaning you’ll be blown away by the movie but content with just seeing it once... maybe two or three times. The sights within are nothing short of incredible so regardless of how you may feel about that finale, it’s worth seeing. (English Dub on DVD, May 24 2019)

[japanfilmclub]

The Watcher in the Attic (1976) 『 江戸川乱歩猟奇館　屋根裏の散歩者 』 Written by Akio Ido いどあきお Directed by Noboru Tanaka 田中 登

[aokuro-san]

I don't know why today I was reminded of a manga that, just thinking about it, makes me tremble. No, it's not horror, in the strict sense of the genre, but I could classify it that way because of all the things that happen from the beginning. I mean SHAMO by Izo Hashimoto and Akio Tanaka, a manga that talks about violence in all its forms through the protagonist, Ryo, a boy sent to prison who learns martial arts and evolves into a monster. Is very good! But I also think you have to have the stomach to read it.

[beautyakamatsu]

Akio Tanaka Fun Facts (Korekiyo Shinguji Headcanons)

He Is Bigender

He Is Omnisexual

His Pronouns are She/He/They

He Is the son of Sonia And Gundham, Chieko (Kaede) and Kotoko Is Her younger sisters

He Is 17 Years old

He has a passion For the occult along side Hanako (Himiko)

He Is Born in autumn

He joined Team Danganronpa BC he loves the attetion and Is Kinda selfish

He Is Spanish, Japanese And Colobian

He has black, short hair

He has dark skin

He has Blue eyes

Akio Is calm, creepy and selfish

He hates antropology (kinda ironic)

Wants to be An actor

Has a Scar on His mouth and Is insicure about it

He likes green Chinese tea

[lucasisneverhere]

Lilliput Steps

[lupincentral]

The upcoming live-action spin-off film, Jigen Daisuke 「次元大介」, has a brand-new action-packed trailer!

Narrated by the current Japanese voice actor of the animated Jigen, Akio Ōtsuka, the trailer gives a better look at what we can expect from the film, along with a glimpse at its supporting cast.

Yōko Maki is due to play Jigen's arch-enemy, Adel, an assassin who has lost both a leg and her voice - neither of which stop her from being a formidable foe for our hero.

Kotoka Maki features as Oto, a young girl targeted by the villainous Adel's organization.

Masatoshi Nagase stars as Takeshi Kawashima, an assassin and right-hand man of Adel who possesses impressive mimicry and disguise abilities.

Honami Satō plays Ruri, Kawashima's lover, and Mitsuko Kusabue plays Chiharu Yaguchi, the world's best gunsmith whose run-down watch repair shop serves as a front for her services.

The film is releasing “worldwide” (exact locations to be revealed) on October 13th, 2023, exclusively on Amazon Prime Video. Tetsuji Tamayama, who previously portrayed the character in the 2014 released feature film, will be returning to the role of Jigen. He is the second actor to take the role of Jigen in a live action Lupin III film, with Kunie Tanaka being the first in 1974’s Strange Psychokinetic Strategy.

Yoshimasa Akamatsu (BD ~Akechi Tantei Jimusho, Corpse Party: Book of Shadows) has produced the script for the upcoming film, and Hajime Hashimoto (The Detective Is in the Bar franchise, AIBOU: Tokyo Detective Duo, Shimauma, Signal) is on directing duties.

Watch the trailer on YouTube here: https://youtu.be/UD13qp8-LfE

[aoki553]

it's pride month ruchi

[scenesandscreens]

Ghost in the Shell 2: Innocence (2004)

Director - Mamoru Oshii, Cinematography - Miki Sakuma

"There's loyalty that protects secrets and loyalty that projects the truth. You cannot serve both masters, so which loyalty is yours?"

[karinta-agogobell-unified]

Five underappreciated anime that I would recommend!

1. Canaan (2009)

This is, from what I understand, an adaptation of a side-story chapter for the visual novel series 428: Shibuya Scramble, guest-written by Nasu Kinoko and guest-illustrated by Takeuchi Takashi. That is to say, the Type-Moon guys — the creators of Tsukihime, Kara no Kyoukai, and the now-legendary Fate/Stay Night. However, Canaan doesn’t take place in the Type-Moon shared universe(s), since it’s for another company’s property.

That being said, the anime adaptation is quite comprehensible on its own terms, likely due to the adaptation being written by the prolific and highly skilled screenwriter Okada Mari (Hanasaku Iroha, O Maidens In Your Savage Season, Mobile Suit Gundam: Iron-Blooded Orphans, Maquia). Her writing imbues the narrative with enough emotional intensity to make up for the occasionally-convoluted nature of the plot, and the backstories of the characters are hinted at just enough so that the viewer can understand their relevance, without taking up too much precious screen time. It can be a little hard to follow at points, but I ended up understanding it decently well anyway.

The production values are very high indeed, due to the anime being produced by P.A. Works, and directed by Andoh Masahiro (Sword of the Stranger, Hanasaku Iroha, O Maidens In Your Savage Season). The action animation is consistently stunning, the characters are beautifully expressive, and the overall look of the show is fantastic.

And the voice acting is an absolute treat, with the lead role of Canaan herself taken by Sawashiro Miyuki, the antagonist role of Alphard taken by Sakamoto Maaya, and Nanjou Yoshino in the role of Oosawa Maria, the POV character for a lot of the story. The supporting voice cast is packed with talent too — Hamada Kenji, Tanaka Rie, Nakata Jouji, Tomatsu Haruka, Hirata Hiroaki, Noto Mamiko, and even Ootsuka Akio in a minor role!

The premise is sort of a science fiction type of thing, but set in the (quasi-)contemporary location of 2000s China, where outside of the sci-fi conceit, the setting is largely realistic. The tone and mood is mostly that of an action thriller, with some nail-biting suspense here and there, but there are some beautifully soft and tender moments as well — often involving Canaan and Maria. Yes, folks, this has yuri in it, although it’s (strongly) subtextual.

Anyway, I would recommend this to people who love Ghost in the Shell: Stand Alone Complex, Kara no Kyoukai, Fate/Zero, and probably also Cowboy Bebop.

2. Tetsuwan Birdy OVAs (1996)

This is distinct from the later adaptation of the original Tetsuwan Birdy (Birdy the Mighty) manga, called Tetsuwan Birdy Decode, which came out in the late 2000s — this one came out in 1996 and was produced by Studio Madhouse in their prime.

The main characters are Senkawa Tsutomu (voiced by Iwanaga Tetsuya), a hapless teenager who gets accidentally killed(!) by an alien spaceship on his way to school one day, and Birdy Cephon Altirra (voiced by Mitsuishi Kotono), a human-looking alien and an intergalactic government agent who saves Tsutomu by merging her body with his. Effectively, they become two people in one body, which can shift between the forms of Birdy and Tsutomu…. except Birdy still needs to deal with all the rogue aliens who threaten the safety of the galaxy, while Tsutomu needs to study for his high school entrance exams. From what I’ve been told, the premise is fairly reminiscent of Ultraman and other classic tokusatsu series.

It’s four tight episodes of classic ‘90s OVA goodness, with a fun and slightly silly sci-fi concept that is nonetheless wrung for some surprisingly effective drama at times. The main thrust of it, though, is action comedy — and it definitely delivers on that front. The fight scenes are superbly animated, including some early-career work from now-legendary animator Suzuki Norimitsu, and the character designs by Takahashi Kumiko (Witch Hunter Robin, Snow White with the Red Hair, Cardcaptor Sakura) are amazingly expressive. Birdy’s striking asymmetrical design is a particular favourite of mine. The direction by Kawajiri Yoshiaki (Cyber City Oedo 808, Ninja Scroll, Vampire Hunter D) is solid, and the writing is quite serviceable despite the brevity and premise.

Overall, I wouldn’t say it’s much of an intellectual watch, but if you just want a fun action-comedy ride with an extremely charismatic female protagonist and stunning animation quality, Tetsuwan Birdy is likely to be your jam. I’d recommend it to people who enjoy classic tokusatsu series, the original ‘90s Sailor Moon anime, and the less-depressing parts of Neon Genesis Evangelion.

3. Noir (2001)

This anime series is perhaps not as underappreciated as the others on this list, but I do still feel that not enough people have seen it. It was made by the studio Bee Train, and it’s the first entry in their so-called “Girls with Guns” trilogy (which isn’t actually a coherent trilogy, since they’re three different stories). The series was made right at the end of the cel-anime era, before the transition to digital colouring and compositing, so the masters were shot on film, but it was also made at the beginning of the slow transition to widescreen TV broadcasts, so it’s one of the very rare cel anime that’s in 16:9. This allows for a beautifully detailed look that, IMO, serves to offset the occasionally-limited animation and the frequent re-use of footage.

The premise is basically “secret assassins in France are caught up in weird intrigue and conspiracies”; as such, there’s a lot of very fun gunplay and kickass fight scenes, but also a lot of suspense and mystery. The writing is a little bit slipshod at times, but it ends up holding together, and the characters and (especially) the fantastically moody vibe make the show worth watching.

The characters are imbued with a lot of life and colour, both by their extremely attractive designs and by their voice actors’ wonderful performances. Mireille Bouquet, a young Corsican assassin and one of the two protagonists, is voiced by Mitsuishi Kotono; Yuumura Kirika, the other main protagonist who is a Japanese schoolgirl who has seemingly lost all her memories (but not her exceptional assassin skills), is voiced by Kuwashima Houko; and the mysterious Chloe, who shows up partway through the show, is voiced by Hisakawa Aya. There are definite yuri vibes between Mireille and Kirika, but as with Canaan, it’s all subtextual.

The main draw of the show, though, is its phenomenal soundtrack, courtesy of Kajiura Yuki (.hack//Sign, Kara no Kyoukai, Fate/Zero, Sword Art Online, Demon Slayer) in her very first anime scoring gig. It’s at times propulsive, at times dark and moody, at times beautifully serene, at times melancholy and nostalgic — and it’s utterly memorable.

I would recommend Noir to anyone who likes Canaan, Witch Hunter Robin, Ghost in the Shell, or anyone who just wishes that James Bond were a woman.

4. Flip Flappers (2016)

This anime was produced at Studio 3Hz and directed by Oshiyama Kiyotaka, in a dazzling yet underappreciated directorial debut that was presaged by his impressive animation work on Dennou Coil, Space Dandy, A Letter to Momo, The Secret World of Arietty, and The Wind Rises. Owing to this extremely solid animation background, Oshiyama was able to recruit a lot of prime animation talent for Flip Flappers, and it definitely shows in the stunning sakuga of the wild action sequences that pepper the show’s narrative.

While the fantastic animation is a key draw of this show, the sheer creativity in the worldbuilding, conceptual, and visual design spheres also contribute to its inimitably psychedelic look and feel. The landscapes of the worlds contained in Pure Illusion — the dream-realm that the protagonists enter each episode at the behest of a mysterious scientific organisation — and of the “real” world are whimsical, storybook-like, and slightly “off” in a slightly unsettling but compelling way.

The dreamlike atmosphere pervades the narrative as well — very little about the mechanics of the world is specified out loud, relying heavily on symbolism and visual storytelling to do the heavy lifting for the audience’s understanding. This might be a turn-off for audiences who prefer to have things spelled out for them clearly, but the point of this story is not always to make perfect logical sense, but rather to work on an emotional and metaphorical level. And work, it certainly does.

The episodic structure involving the various worlds of Pure Illusion explores the concept of the Umwelt (the individual sensory “world” of a person or organism), as well as some Jungian concepts and archetypes, in order to express the strange and sometimes-scary developmental stage of adolescence. The characters of Cocona (voiced by Takahashi Minami) and Papika (voiced by Ichimichi Mao) undergo a metaphorical and literal puberty, a coming-of-age similar in some ways to that experienced by the protagonist of FLCL, but with significantly more yuri. In fact, this show has the most outright yuri of any of the anime on this list. But that isn’t very strange for what is essentially a psychedelic magical-girl show: lots of magical-girl anime seem to include homoerotic vibes in some form or another, from Sailor Moon to Nanoha to Madoka.

There are some minor flaws in the storytelling towards the end, IMO, but overall it’s a wonderfully impactful emotional journey to watch Flip Flappers. Plus, the OP and ED are both extraordinarily catchy tunes that I’ve found myself humming on many an occasion.

I’d recommend this anime to anyone who loves weird magical-girl stuff, weird yuri, and/or amazing action animation.

5. Claymore (2007)

An adaptation of the manga by Yagi Norihiro, this anime is considered by many to simply be “basic”, or at least simply “inferior to the manga”. Now. I haven’t read the original Claymore manga (yet! I plan to eventually), but I found this anime to be compelling nonetheless. And if it really is the case that the manga is better, then I definitely look forward to diving in.

Having been produced by Studio Madhouse in the mid-2000s, it’s unsurprising that the vast majority of this anime was outsourced to Korean animation studio DR Movie, a longtime powerhouse subcontractor for both Japanese and American animation alike. That said, the direction of Tanaka Hiroyuki (director of a portion of Hellsing Ultimate and frequent close collaborator of Attack on Titan director Araki Tetsurou) remains sharp, compensating for the sometimes-limited animation with good storyboarding and a strong sense of mood and atmosphere.

Another aspect of Claymore which helps make up for the occasional visual shortcomings is the soundtrack by Takumi Masanori. The compositions are a mix of harder rock and electronic elements with a strong orchestral backbone, as befits a dark-fantasy setting and mood — the faster pieces are edgy and propulsive, very appropriate for the bloody action scenes, and the calmer pieces have a melancholic beauty to them that sticks in one’s memory. I wish the soundtrack were on Spotify, but alas, it is not.

The other sonic element that helps this anime out immensely is its absolutely STACKED voice cast. The main character, Clare, is voiced by Kuwashima Houko, in a fantastic yet understated performance. The other main character, Raki, is voiced by the less-well-known Takagi Motoki, but nearly all the other roles — including many bit parts — are filled with industry legends. Teresa is voiced by Park Romi, Miria is voiced by Inoue Kikuko, Irene is voiced by Takayama Minami, Rubel is voiced by Hirata Hiroaki, Priscilla is voiced by Hisakawa Aya, Ophelia is voiced by Shinohara Emi, and Jean (whom I cannot help but ship with Clare: there’s so much homoerotic tension there!) is voiced by none other than Mitsuishi Kotono. Yes, they got three of the original Sailor Senshi VAs — and I don’t know why that’s funny to me, but it is. And all of the voice actors deliver killer performances.

The premise of the show, before I completely forget to explain it, is that of a dark fantasy world where demons called youma ravage human settlements, with only the titular Claymores to protect humanity. They are a guild of platinum-haired and silver-eyed warrior women who possess superhuman fighting abilities, due to the fact that they’ve been fused with youma essence, and wield the massive broadswords that give them their name. Basically, (s)he who fights monsters must become (partly) a monster to do so.

I’ve heard the vibe of Claymore compared to manga like Berserk, and I don’t know how true that is (not having read the latter for myself), but there’s certainly a lot of bleakness and monstrosity in this fantasy tale. However, the Claymore manga was published in none other than Weekly Shounen Jump, so it’s perhaps unsurprising that the story remains resolutely forward-looking, the protagonists’ arcs focussing on the power of grit, determination, true friendship and loyalty, and protection of the weak and downtrodden. It’s never cynical or sarcastic — always straightforward and sincere despite the frequent darkness of the story.

The writing is consistently solid, even through the controversial anime-original ending (the manga continues long past the point where the anime cut things off), so I’m not sure who to point to for that: Yagi Norihiro for writing the original material, or Kobayashi Yuuko (JoJo’s Bizarre Adventure, Attack on Titan s1-3, Kakegurui, Casshern Sins) for adapting it cleanly for the screen? Either way, it made me want to read the manga to experience more of these compelling characters and their travails.

I would recommend this anime to those who enjoy Kill La Kill or RWBY, or just to those who enjoy powerful women hacking at monsters with massive weapons and making lots of blood spray out.

[sai-birthdays]

The Official Certified Ψ Birthdays List™

If there's anything I missed or a character you'd like me to add, let me know!

January:

1.01 - Mineo Nobunaki (Saiki Kusuo No Ψ Nan) 6.01 - Kouno Jun (Our Hero Studies) 8.01 - Tadatsugu Takayuki (Mikami Case Files) 25.01 - Satou Hiroshi (Saiki Kusuo No Ψ Nan)

February:

14.02 - Rifuta Imu* (Saiki Kusuo No Ψ Nan) 22.02 - Saitou Marietta (Kanata Seven Change) 25.02 - Kouno Fukue (Our Hero Studies) 28.02 - Arisu Makino (Saiki Kusuo No Ψ Nan)

*Imu has two different birthdays in the manga and a later released guidebook, so she celebrates twice! The February ones comes from the guidebook, the April Date comes from the manga (likely outdated).

March:

2.03 - Hinoki Nozomi (Our Hero Studies) 3.03 - Kurusu Yayumi (Our Hero Studies) 3.03 - Daigo Domon (Kanata Seven Change) 4.03 - Teruhashi Makoto (Saiki Kusuo No Ψ Nan) 7.03 -Jaga Yokota (Saiki Kusuo No Ψ Nan) 3.10 - Kimura (Our Hero Studies) 24.03 - Saiki Kumi (Saiki Kusuo No Ψ Nan) 25.03 - Saiki Kumagoro (Saiki Kusuo No Ψ Nan)

April:

10.04 - Shinoda Takeru (Saiki Kusuo No Ψ Nan) 12.04 - Takahashi (Saiki Kusuo No Ψ Nan) 12.04 - Koriki No.2 (Saiki Kusuo No Ψ Nan) 13.04 - Imu Rifuta (Saiki Kusuo No Ψ Nan) 15.04 - Mera Chisato (Saiki Kusuo No Ψ Nan) 24.04 - Mikami Aiko (Saiki Kusuo No Ψ Nan)

May:

5.05 - Ikari Keinosuke (Kanata Seven Change) 9.05 - Nendou Riki (Saiki Kusuo No Ψ Nan) 13.05 - Saiki Kuniharu (Saiki Kusuo No Ψ Nan) 14.05 - Saiki Kurumi (Saiki Kusuo No Ψ Nan) 19.05 - Kongou Tsuyoshi (Saiki Kusuo No Ψ Nan) 24.05 - Yoshida (Our Hero Studies)

June:

6.06 - Iridatsu Yuuta (Saiki Kusuo No Ψ Nan) 8.06 - Oono Ishio (Our Hero Studies) 10.06 - Haganeno Ken (Our Hero Studies) 10.06 - Yarizaki Hideo (Our Hero Studies) 11.06 - Yumehara Chiyo (Saiki Kusuo No Ψ Nan) 14.06 - Kouki Sawakita (Saiki Kusuo No Ψ Nan) 16.06 - Saiki Kuusuke (Saiki Kusuo No Ψ Nan) 18.06 - Hairo Kineshi (Saiki Kusuo No Ψ Nan) 19.06 - Zolbe (Saiki Kusuo No Ψ Nan) 27.06 - Nakanishi Kouta / Chouno Uryoku (Saiki Kusuo No Ψ Nan)

July:

7.07 - Kanata Aoki (Kanata Seven Change) 7.07 - Ruchi Shizuru (Kanata Seven Change) 7.07 - Holy Lance Academy Headmaster (Our Hero Studies) 12.07 - Cafe Mami Manager (Saiki Kusuo No Ψ Nan) 29.07 - Nakanishi Shinya (Saiki Kusuo No Ψ Nan)

August:

6.08 - Teruhashi Kokomi (Saiki Kusuo No Ψ Nan) 16.08 - Saiki Kusuo (Saiki Kusuo No Ψ Nan) 24.08 - Shuuji Murata (Saiki Kusuo No Ψ Nan) 28.08 - Suzumiya Hii (Saiki Kusuo No Ψ Nan)

September:

2.09 - Kuboyasu Aren (Saiki Kusuo No Ψ Nan) 5.09 - Akechi Touma (Saiki Kusuo No Ψ Nan) 5.09 - Takeuchi Riki (Saiki Kusuo No Ψ Nan) 7.09 - Aiura Mikoto (Saiki Kusuo No Ψ Nan) 8.09 - Saiko Metori (Saiki Kusuo No Ψ Nan) 10.09 - Toritsuka Reita (Saiki Kusuo No Ψ Nan) 21.09 - Matsuzaki (Saiki Kusuo No Ψ Nan) 23.09 - Soul Shout (Saiki Kusuo No Ψ Nan) 26.09 - Kazuya Ikemi (Saiki Kusuo No Ψ Nan) 29.09 - Kase Hinako (Kanata Seven Change)

October:

3.10 - Kaidou Shun (Saiki Kusuo No Ψ Nan) 10.10 - Tanaka Akio (Kanata Seven Change) 14.10 - Mrs Kaidou (Saiki Kusuo No Ψ Nan) 24.10 - Madouichi Jou (Our Hero Studies) 24.10 - Nendou Midori 25.10 - Mikami Mei (Mikami Case Files)

November:

13.11 - Hitori Shuu (Our Hero Studies) 29.11 - Anpu (Saiki Kusuo No Ψ Nan)

December:

3.12 - Itano Yoriko (Saiki Kusuo No Ψ Nan) 4.12 - Watsuki Madoka (Our Hero Studies) 8.12 - Ibaraki Muchiko (Our Hero Studies) 26.12 - Asou Shuuichi-sensei

[skippersthecat]

Because we all hate fandom wiki, here are the birthdays of every Saiki K. character that had one listed:

January 1: Mineo Nobuaki (Alphonse Calcifer Raiden)

January 4: Kumi Kouji

January 7: Azuma Muto

January 7: Kanda Pinsuke

January 8: Tadatsugu Takayuki

January 25: Satou Hiroshi

February 20: Masuda Shuuji

February 28: Makino Arisu

March 4: Teruhashi Makoto

March 7: Yokota Jaga

March 21: Saiko's Father

March 24: Saiki Kumi

March 25: Saiki Kumagoro

March 28: Morikawa Minoru

April 5: Nakamaru Kousaku

April 6: Mishima Nobuaki

April 9: Hanako (the tiger)

April 10: Shinoda Takeru

April 10: Makishima Seiya

April 13: Imu Rifuta

April 12: Takahashi

April 12: Koriki No. 2

April 15: Mera Chisato

April 24: Mikami Aiko

May 4: Tanaka Ichirou

May 9: Nendou Riki

May 9: Pushi (the cat)

May 13: Saiki Kuniharu

May 13: Busujima Susumu

May 13: Clairvoyance Mikiko

May 14: Saiki Kurumi

May 19: Kongou Tsuyoshi

June 3: Yuuta Iridatsu

June 11: Yumehara Chiyo

June 14: Kouki Sawakita

June 16: Saiki Kuusuke

June 18: Hairo Kineshi

June 19: Zolbe

June 27: Chouno Uryoko

June 29: Tanihara Kenji

July 12: Café Mami's Manager

July 12: Manabe Baiku

July 20: Akanishi Shinichi

July 23: Niwayama Kyuuji

July 29: Nakanishi Shinya

August 1: Kihachi Bunta

August 6: Teruhashi Kokomi

August 16: Saiki Kusuo

August 18: Haruno Akio

August 24: Murata Shuuji

August 28: Suzumiya Hii

August 29: Nishi Soujirou

September 2: Kuboyasu Aren

September 5: Akechi Touma

September 5: Takeuchi Riki

September 7: Aiura Mikoto

September 8: Saiko Metori

September 10: Toritsuka Reita

September 19: Oohori Kouichi

September 21: Matsuzaki

September 23: Soul Shout

September 26: Ikemi Kazuya (Michael)

October 3: Kaidou Shun

October 14: Mrs. Kaidou

October 14: Ooshima Yuuji

October 22: Kuramochi Shinsuke

October 31: Nendou Midori

November 10: Hotei Tomotaka

November 20: Takizawa Kazushi

November 29: Anpu

December 3: Itano Yoriko

December 13: Shima Kyouka

December 15: Honekawa Kinsuke

December 16: Matsuda Ippei

December 24: Onimatsu Gokuya

December 27: Sugiyama Haruo

[the-bad-taste-aquarium]

Kraken of the Sea | Earthbound | Akio Ohmori, Ritsuo Kamimura, Keiichi Suzuki, Hirokazu Tanaka