#that he isnt the only one

[divinebunni]

i don’t know who needs to hear this but good men do exist, they are soft and gentle and respectful, they hold you when you cry and pet your hair and place gentle kisses over your whole body and learn every little thing they can about you and strive to keep you safe and be a friend as well as a lover and they treat everyone and animals with respect and don’t say misogynistic sexist racist phobic things and they sing with you loudly in the car and let you braid their hair as practice and say i love you without you having to say it first and express their love for you in front of everyone and they look at you deeply and support your every decision and lowest moment and wish nothing but greatness for your health and mental betterment and treat women and men and all with such kindness. good men exist, good men deserve the same love and respect and kindness and support that you would give to anyone with a good soul. good men understand, and they will always be here with genuine hearts

[opikiquu]

[tedlebred]

this is probably all the tgcf you're ever gonna get out of me

[ominous-semicolons]

i keep drawing them with absolutely no detail whatsoever

[afterthelambs]

In another (happier) world, I think Muhen would've been Akechi's Sojiro. Akechi would've lived above Jazz Jin just like how Joker lived above Leblanc. Muhen would've taught him how to make the drinks and close up at night. They would've bonded over music. And Akechi would finally have an adult looking after him. Because Muhen does care about him in-canon. He's the only character in the epilogue that mentions Akechi, he notices who Akechi spends time with, and he wishes to see him again.

It's so sad that Akechi assumes nobody cares about him or wants him around and yet this random jazz club owner does. Do you ever think about Muhen seeing Akechi at the Jazz Jin sometime in December, not knowing it would be the last time he ever would

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 6

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5]

[errorwarblesrr]

I know it's a comedy manga, but the ww manga probably has one of my favorite manga interpretations of Link. Mainly because he feels accurate to his games. He's quiet, he can talk, but he mostly just communicates his thoughts through his actions and body language. He's also just a silly little guy.

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[0vergrowngraveyard]

i just dont think the transition from being around someone you raised since he was 4 and having someone to come home to after a solo adventure or a few weeks of exploration to that person being gone for an indeterminate amount of time and always returning to an empty house wouldn't be very smooth-

[gunstellations]

something to tell you

[yuwuta]

please feed us some yuuji blurbs there’s a lack of him rn :(

ofc… sweetest boy all time… here’s something was was meant to be a longer project but got lost in the editing whirlwind… love him so bad... 

NEVER LOST IN TRANSLATION, BECAUSE YOU KNOW WHAT I WANT 

notes: reader is implied to be american/english-speaking, yuuta and megumi are bilingual, yuuji, bless his soul, is not. i didn’t use italics for conversations between yuuji and megumi because it would all be in japanese, but when they get mixed later in the scene, japanese is differentiated with italics. hope that’s not too confusing lololll

Honestly, Yuuji tried his best in school. Some things came easier than other, but with a bit of hard work, and help from his friends, he always managed to pull pretty good grades. But right now, his biggest regret is not taking english more seriously in high school, because it’s been about three weeks since he met you, and he’s only been able to say maybe five full sentences to you without the help of Yuuta or Megumi translating. 

He was excited when Yuuta said his friend from abroad would be coming to visit and study, but god, he didn’t expect you to be so pretty. To have such pretty eyes, and pretty lips, and pretty hair, to have the prettiest voice in the world despite him only understanding every eighteenth word you say. You’re beautiful to him, and Yuuji thinks that even if he could speak your language fluently, the words would still get caught in his throat. He’s so lovesick, it’s embarrassing—his friends have been harping on him blushing and stuttering over you for the past month, and he can’t even blame them.

“What does she say to you when you guys talk,” Yuuji whines, hovering around Megumi, and not-so-discreetly looking back at you where you’re still sat in the living room laughing with Yuuta, “Does she ever say anything about me? I mean—probably not right? Which is fine! Actually, dont tell me—no, do. Or maybe—”

“She asks about you,” Megumi says, matter-of-fact in delivery, as he places a bag of popcorn in the microwave, but that doesn’t curb Yuuji’s enthusiasm. He’s practically bouncing, if he weren’t already—begging Megumi to spill the details, “What did she ask? Tell me! Tell me!” 

“She once asked if you dye your hair.”

“That’s it?!” Yuuji screams, heartbroken, and visibly deflating.

Megumi shrugs, “Yuuta probably knows more. She’s his exchange buddy friend thing, so ask him.”

“I can’t ask him, he’s right next to her!” Yuuji pouts, “Wait, what does ‘exchange buddy friend thing’ mean? You don’t think they’re more than friends, right…? I can’t blame her, senpai is really pretty, too, and he can actually talk to her… so unfair.” 

“You know, she’s not fluent, but she can understand some Japanese,” Megumi reminds him, “So, she can definitely hear you, and probably understand you.”

Yuuji’s shoulders slump, and once again, he turns around to look back at you. This time, you two make eye-contact, and that instant, Yuuji’s cheeks go pink, a nervous hand raised to wave at you, and instant internal regret at his actions; but, then you smile, and wave back, and Yuuji stays like that, dumbfounded and lovestruck and on autopilot as he waves with hearts in his eyes until Yuuta looks up from his phone and catches him.

Embarrassing. He knows he’s not the brightest, but he’s at a record high of self-embarrassment since he’s met you.

Yuuta finds himself chuckling when Yuuji spins around and goes back to prodding Megumi with questions. When you turn to face him again, it’s with a shy smile.

“I told you you’d like him,” Yuuta grins—the kind that seems sweet and innocent, but has just a kiss of that all-knowing tease to it; the kind that reminds you that he’s truly related to Satoru.

“Oh, be quiet,” you grumble, tucking your legs in and resting your chin on your knee. You spare another glance in Yuuji’s direction, for once, grateful for the language barrier between the two of you, when you turn back to Yuuta to proclaim: “I can like someone and not do anything about it. You’re real good at that, aren’t you?”

Yuuta’s slightly cocky grin falls into a scowl, and now you get to smile when he argues back, “We said not to bring up he who shall not be named in the presence of my friends!”

“Then don’t bring up my he who shall not be named in the presence of him!”

“Aren’t Americans all about forging new frontiers and chasing after your dreams?” he taunts, “Well, your dream is right in front of you.”

“My dream right now is to kill you.”

“Lucky for me, you’re going to have to hold off on that because your lover boy is approaching.”

You don’t have time to argue back with Yuuta when Megumi and Yuuji approach the living area with snacks in tow. Yuuta scoots to the tail end of the couch under the guise of giving Yuuji space to place the popcorn and nuggets in the center of the coffee table, but he has just enough time to flash you a wink before Yuuji settles in between. Megumi opts for the loveseat closets to Yuuta’s end of the couch, and you do your best not to reach over Yuuji and strangle Yuuta.

The boys decide on watching a movie you’ve never heard of, but Megumi reassures you it’ll be easy to follow and has English subtitles. You don’t mind, settling in to your corner of the couch with a handful of popcorn just as the title-screen for Human Earthworm 3 rolls across the TV.

You can follow along well-enough—even without subtitles, you get the gist of the movie. What you really find entertaining is Yuuji, who occasionally blurts out a comment or exclamation, or audibly coos whenever something sad is happening on screen. He’s almost as animated as the characters; you’re more of the silent-watcher type, but you find yourself endearing by this commentary, even if you can only understand parts of it.

You particularly appreciate the way that after every comment, he either motions to Megumi, or turns to you himself to repeat his thoughts in his best broken English, and even when you don’t understand his words, you understand him. His emotions are all on his sleeve: frustration, happiness, confusion, curiosity—communication between you two should be more difficult, but Yuuji makes it easy.

It gives you the confidence you cough out your own observation, “You, um… you’ve… seen the others? You seem to like this series.”

Across the room, Megumi and Yuuta hold their breaths, opting to not translate for you when you switch from Japanese to English. Yuuji is quiet for a moment, turned to face you with a slightly confused look on his face that makes you nervous, until his eyes brighten up and he smiles and begins nodding fervently—“Yeah—yeah, I do! It’s my… hm how do I say it… Oh! It’s my favorite!”

Between the smile on his face, the blush on his cheeks, and sincerity in his voice, you feel like you’re wrapped up in his world. It’s a little confusing, and scary, but it’s not all that bad. Maybe you can do something about it, eventually.

“I.. I think I like it, too.”

[shigayokagayama]

a moment i think about a lot is the bit in 7th division arc where mob wakes up in the cursed room and gives ritsu a hug bc a little detail i never see anyone talk about

teru breathes a sigh of relief. like. he barely knew anything about their interpersonal situation before they went in, all he knew is ritsu went mad with power then got kidnapped. based on the fact that ritsu was up an about when mob got up and that they're all untied, i assume ritsu's probably been up for a while. did he tell teru about their situation? their history? his fear that his brother wouldn't forgive him? idk it sticks out in my mind a lot.

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)