I came across your story "Flypaper" about the superhero convention (Fun read! Highly recommend!) and I was just wondering if you had any other interaction headcanons that didn't make the final draft?
Oh thank you... and oh, yes. I didn't include him because I knew no one would know who he is, but I love one special, incredibly charming boy... King Off-Putting himself... Bruno :)
He is so very... uncomfortable to be around.
I had one line referencing Bruno and Danny in "Flypaper" but hhh... Dead Boy Duo, my beloved... I want them to be friends so bad, I want them to be sassy partners in the field, I want this with all my soul. They're brothers in spirit... Their moms have the same voice actor... Please, they would be so funny together.
I know there are oodles of fictional spy agencies in media, but I've always been a Bruno the Kid fan at heart. Ever since I first watched Danny Phantom, I've loved the idea of Globe getting in touch with Danny post-"Phantom Planet" and inviting him into the agency... Sometimes Bruno's villains canonically die instead of going to jail and I think Bruno and Danny would be a silly pair. Two "dead" (they got better!) cartoon boys goofing off and takin' names.
Specifically, Chick E. Love would have a flippin' field day burning holes in the Ghost Zone, unleashing wave after wave of ghosts into the world, and I just really want Bruno to do his "If I ever use a spy gadget the way it's intended I will die" schtick while Danny keeps dumping all the Fenton ghost-hunting gear on him...
I want the sassy boys to drive everyone up the wall. Bruno tolerated being bullied for about 5 seconds and then ruined that kid's life slkdjf. Cheerfully told Cy what he wanted to put on his tombstone. He does not mess around. I want Bruno to straight-up kill a man again and Danny to lose his mind.
Bruno is the boy who ran gleefully towards an electric fence with intent to climb it. He literally targeted HIMSELF with a missile in an attempt to win a chess game. I want the crossover joy of Danny throwing himself at everything that might kill Bruno and Bruno just Does Not Sweat It... Stupid.
[More under the cut]
Anyway yeah I have very normal feelings about "Dead Boy Walking" as an episode. Bruno's enemies pinning him down and injecting a terminal disease in his system... Bruno stumbling around until he hallucinates his best friend giving him self-care advice... Bruno quietly sitting down and staring into the void, separating himself from the ongoing conversation, instead of engaging in his usual banter... Boy crosses Australia on borrowed time, his legs give out beneath him at the worst moment, he's still wheezing about how he's going to do everything in his power to save others, just a little kid lying on the cold floor alone while Sydney gloats that he only has minutes left to live... His enemies making out over his unmoving body... I am so normal about this episode.
I just want Bruno and Danny to be friends :) I think they would vibe with each other even though they'd both want to bonk the other on the head. I so very badly want to see the first moment Danny realizes "Oh... Oh, this guy's, like... serious. He will kill people if I take my eyes off him." sldkfj Bruno's so intense and I love him. Danny is so tired and I love him. I want to see the first moment Bruno blearily wakes up to realize Danny just saved him from a ghost's revenge attack in the middle of the night. I love the Dead Boy Duo.
I only threw one line about these two hanging out in "Flypaper," but in my heart they spent the whole convention together because they're co-workers... they are buddies, your honor.
I do not think WordGirl would like Bruno at all because he comes off as a smarmy, know-it-all creep to those who aren't familiar with his sense of humor... Kid Math should not be left alone with him because he's very impressionable and Bruno is a terrible influence slkjdf.
Here's a little deleted scene I had:
I also had a loose draft for a scene of WordGirl and Super Why getting milkshakes with some other hero friends when Kid Math finds them again. WordGirl greets him like "Oh, how's your day going?" and Kid Math is just... very overwhelmed from his experience of interacting with two fast-paced sassy kids while he's still struggling to grasp the concept of superhero banter. Like. Bruno and Danny would destroy him. Blow his mind. There's no coming back from that.
So yeah, Bruno was definitely at the convention... I just didn't show him apart from that one-liner about him hanging out with Danny. "Flypaper" was really fun to write. I don't plan to do a crossover like this again any time soon, but the convention was a cool setting to explore and I'm glad you enjoyed! <3
One of my favorite stupid jokes in "Flypaper" is that Romeo was being a troublemaker in the daytime and WordGirl asked if he was "even allowed to do that" since he's supposed to be a "nighttime villain" in the PJ Masks lore... But tbh I watched a lot of Romeo clip compilations before this story and ?? apparently it's just a thing that Romeo regularly commits crime during the day and the PJ Masks literally hang back and wait until nightfall before they fight him?? That's SO funny to me.
(I also don't understand when the PJ Masks sleep and if anyone has the answer, please drop it in my inbox because I'd love to know but I also don't want to binge the series over this, ha ha)
I also wanted to make a joke about Alphapig being 5 years younger than the rest of the Super Readers because the amount I lost my mind when I saw that on the [unsourced] Super Why wiki was indescribable. POV: One of your friends is a princess, at least one is in college, and you're starting high school.
(I'm dying at the idea of three 10-year-olds running around Storybrook Village and there's a 5-year-old tagging along with them. The mental image of 7-year-old Whyatt taking a 3 or 4-year-old pig under his wing as his new friend... Such a good boy.)
After Tobey launched Romeo off his robot, I had WordGirl catch him, but I'd originally hoped to have Kick Buttowski catch him because I thought writing cool skateboard rescue mission would be fun. It seemed like it would just be shoving in an extra character who didn't need to be there, though, and it risked dragging down the scene with introductions and descriptions, but in my heart, Kick was at the convention too. Extreme.
I think another of my fave dumb jokes was just... WordGirl approaching the superhero panel she's supposed to speak on, she looks out into the crowd, but then she's like "Oh no the entire Paw Patrol are watching me, this is so much pressure."
Nothing to see here, just Baby Dog Squad taking notes... I still think about that randomly throughout the day and giggle. I love this 'fic.
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i feel like we have given good, healthy air time to the relationship variations between parents and children (close, distant, abusive, complicated) and how it is okay to not feel about that dynamic the way everyone seems to suggest You Are Supposed To, but like...
kinda think we could stand to do that a little more for sibling relationships tbh. you see a lot of very broadly applied sentiments about how no one will be there for you like your siblings and no one will want to kill you like your siblings, or siblings having secret languages and having your back against others only to gleefully stab it at home.
but sometimes you are just Not Like That with your siblings. sometimes you're not very close, or don't understand each other, you don't share interests, or you had wildly disparate experiences growing up in the same house in a way that is difficult to impossible to bridge.
sometimes your siblings are horrible and you don't have to like them, and you don't have to keep letting them come back and try again. sometimes siblings are abusive to one another, hurtful to the point of scarring instead of healing.
it's okay to not feel about them the way it always seems You're Supposed To.
when we push back against the too-often damaging nonsense that is "but family is family", i think we could do better to remember and make room for that not just being relationships between parents and children, but between siblings and other family relationships too.
there's nothing wrong with you, if you don't feel close to your siblings, if you can't relate to the fond posts with tongue-in-cheek threats and teasing aggravation. you're not obligated to manufacture or even pretend that sort of bond if it doesn't exist or has been broken.
you are not the only one on the outside of a warmer world that everyone but you inherently understands. and the ones inside that world could sometimes stand to remember that those doors are closed (or barricaded shut) for others, and that it's no personal flaw, failing, or grotesque strangeness that you've not had the same experiences they have.
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🚀🧪💌 - For the fic ask (was gonna send these last night and passed out instead a;ldkj;flkf)
Hfjdjdjxhjss s l e e p
🚀- Do you like to outline your fic first or create as you go?
Little bit of both! The first wall of text just happened in my phone notepad while I was 100% supposed to be putting books away, but when I got back to my pc I put together an outline cus frankly the last fic I got any distance into fell apart cus I wrote myself into a corner and I don't want that to happen again. That being said, the oneshot was a 3 hour manic episode that just sorta poofed into my head fully formed, so ¯\_(ツ)_/¯ bit of both! I think I prefer an outline though, for the sake of my sanity lol
🧪- do you research for your fics?
Er. Yes and no. Did I spend an ungodly amount of time pouring through literal actual medical journals that I have access to as a librarian to make sure I knew what the fuck i was talking about? Yes. Did i throw that information out the window later because it was inconvenient and fuck it they're both deities anyway? Also yes fjdjdksk i've gone over entirely too much in game stuff to make sure I'm not making up toooo too much, but I also have a tendency to throw accuracy into the wind for the sake of either simplicity or 'this is a bit handwavey but Vibes Harder'
💌- is there a favorite trope you like to write?
I was gonna say this is a hard one to answer because I just haven't written that much But-
There's a very Whumpy lean to everything I've written, finished or unfinished, and it frequently takes a sort of long term inevitability bend at some point. In the One fic I've posted (and abandoned since) Bakugo was going to recover, eventually, but he was going to have to figure out either how to be a hero without his eyes or ears, or find another purpose to strive towards. There's a pile of AAA in my notes about Fi, and how the master sword slowly rotting away over tens of thousands of years must have felt, when she hadn't been able to speak since the very first hero, when she'd been imprisoned inside this rusting breaking frigid metal. The oneshot is essentially a trauma flashback, the whole thing; and the big one is a fistful of excuses and headcanons for why the statues work the way they do, why the traveler can increase their stamina by making offerings to them, what effects having a massive part of yourself sealed away might have, where the energy to wield elements even comes from etc all balled up into a very specific kind of whump and my utter bullshit nonsense shenanigans to heal said specific whump fjdjdkdkk it's a whole mess
Tldr I like to hurt the characters I love, apparently :kermit scream:
Thank you for asking!! This is fun, i have more to say than I thought I would fjfjdk
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bee , could you talk about your stella / hansen family in general head canons... i saw it in your tags once on ao3 and now im curious
It’s like 3 am so apologies if this isn’t coherent or is just a scattered mess. Also most of these are not very happy sorry
- Stella n Bryce’s relationship with their mom was. Rocky for a long while. She was kinda one of those folks who just wasn’t really cut out to be a parent. She didn’t dislike em, not by a long shot, but it took her a long time to deal w her issues enough to really be a proper parent to them, in a meaningful way.
- the three of them did eventually reach an ok place though. There was still a definitive distance, but when bryce was like a sophomore in high school or so they started reconciling a bit
- I maintain my old headcannons that the extended hansen family is Big. He has like a billion cousins but he hasn’t seen the majority of them in years. I do think he tries to reconnect with some of them at least like wayyy after one is over tho.
- bradley is like. A family friend on stellas side. She was closest with him but eventually he grew into almost a second sibling to bryce after a while
- they lived in the suburbs outside hartford. Can’t be bothered to look up where specifically so just pick the absolute most middle ground neighborhood possible
- stella absolutely taught him how to drive and she did so approximately fifteen minutes before his drivers test
- at some point bryce became the one in the house who cooked, mostly cause he was the only one who was particularly good at it. For a brief period of time, probably when he was like a senior, the three of them would sorta bond over it as he tried to teach stella n his mom how to not suck at it.
- at one point in that process, not long before stella died, his mom gave him a couple of old family recipes, scribbled on napkins and receipt backs and the like. This was the most solid ground they’d ever had up to that point. He still has them. He refuses to make any of them.
- stella died like three days after he graduated high school, give or take. If I wanna get really specific, and also kinda mean, she died durning a graduation party someone was throwing for him and a couple other kids on the block who’d also graduated. Total freak accident
- To say it put a damper on his relationship with his mom is putting it mildly. About a week after stellas death, Bryce and his mom has a really really nasty fight, both about her death and just about eachother. Lot of poorly-aired grievances and not-so-nice things were said, resulting in both bryce storming out of his own volition and his mom in effect kicking him out. He went south to crash with Bradley for a while, who was (and still is) living around bridgeport. He and his mom haven’t spoken since.
- he was thinking of going to community college. That didn’t happen.
- probably should’ve mentioned this up too but there’s no dad in the picture really. He vanished for one reason or another before bryce was even born rip
- his mom. Is aware of what happen on the smokestack. And she feels. Some sorta way about it I’m sure.
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So, the thing about Don Quixote.
The thing about Don Quixote is that he tilts at windmills - tilts in the archaic sense of ‘charge at with a lance,’ because it’s the story of a guy who read so much chivalric romance that he lost his mind and started larping as a knight-errant. He was, if you’ll pardon the phrasing, chivalrybrained.
The thing about Don Quixote is, sometimes people take it as this story of whimsical and bravely misguided individualism or ‘being yourself’ or whatever, and they’re wrong. If it took place in the modern day, Don Quixote would absolutely be the story of a trust fund kid who blew his inheritance being a gacha whale until his internet got cut off so now he wanders around insisting that people refer to him as ‘Gudako.’
But the real thing about Don Quixote is that it was published in the early 1600s, and the thing about the 1600s is that Europe was one big tire fire. This is because 1600s Europe was still organized around feudalism (or ‘vassalage and manorialism’ if ya nasty), which assumed that land (and the peasants attached to it) were the only source of wealth. And that had worked just fine (well, ‘just fine,’ it was still feudalism) for a long time, because Europe had been a relative backwater with little in the way of urbanization or large-scale trade.
That was no longer true for Europe in the 1600s. The combination of urban development, technological advances, and brutal Spanish colonialism meant that land was no longer the sole source of wealth. Sudden there was a new class of business-savvy, investment-minded upwardly-mobile commoners, and another new class of downwardly-mobile gentry who simply couldn’t compete in this new fast-paced economy. Cervantes saw this process with his own eyes.
One of the symbols of this new age was the windmill, a complicated piece of engineering that was expensive to build but would then produce profits indefinitely - in other words, a windmill was capital.
The thing about Don Quixote is, when he tilts at windmills, he has correctly identified his nemesis.
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