#that is all please discuss

[callsign-daydream]

Amelia: Basia coquum. Or whatever your motto is. Maverick: It’s non sibi sed patriae. “Not for self, but country.” You just said “kiss the cook.” Amelia: Darn, I knew Bradley was screwing with me.

[danielnelsen]

while i get where this comes from and it’s true to an extent, i reeeaaaally don’t like how people try to explain “trans men don’t [necessarily] have male privilege” with things like “some trans men don’t pass”.

like sure that’s the most obvious example (someone who is seen as a woman won’t have the privilege that comes with being seen a man) but you’re still acting like being a passing trans man is just a free opt-in to male privilege which is………kinda the issue.

[transgenbur]

OKAY so what ive been thinking about for ages is ctommy and being soft vs quiet . because i feel like it's one of those things in his fandom characterisation that sparks the most debate and in my opinion theres a huge difference between the two but i keep seeing people mix them together.

ctommy is soft but he's not quiet, and to disregard either of those things is what makes him less believable in fanworks imo

because on one hand, of course he's not quiet, that's the most obvious and i think one of the most commonly accepted qualms that we have with general fan interpretations of him. he doesn't just lie down and take shit, he's always committed to being an annoying shit, he's straight up rude so often, and even just. vocally. man's loud as fuck. i think that's pretty easy to establish .

but then what i find is that sometimes we veer into the other opposite, by completely denying that ctommy is also very soft sometimes. and by this i don't mean he turns into strawberry shortcake or starts being polite or whatever, but it's the fact that he's not just crass and rude. he's very considerate a lot of the time, he just shows it. uh. in his Own Way let's say. he cares for animals so so much, he's always so apologetic when he thinks he's hurt one of them, for fuck's sake he sung to the FLOWERS. he's very soft with nature, with things he's attached to, with things he perceives as weaker than him and needing protection.

the complexity of ctommy and what makes him so hard to grasp is that he's loud, he's brash, he is NOT a perfect quiet victim who suffers in silence, he asks for help, he's rude, he steals stuff, he's annoying as shit; but he's also soft, and incredibly empathetic, and he has no shame in showing that softness for animals or nature or his friends.

ctommy, and this is very much because cctommy himself acts like that a lot, is constantly vacillating between someone with the maturity of a thirteen year old boy who shouts and swears and pretends not to give a shit, and a boy who will stop everything he's doing to look at the sky or a flower or an animal (which does contrast his stereotypical rude teenager persona, because lots of aforementioned thirteen year old boys Would be embarrassed or whatever to do that).

he does BOTH. he's not just quiet and nice and sad and lonely; but he's not just rude and loud and """uncaring""" (if there is one thing ctommy is not i think we can all agree its UNCARING).

and i think this is why a lot of debates around "woobifying" ctommy (who remembers the july 2021 trenches . the butterfly clips.) tend to point any ctommy design that portrays him as soft, cozy, or even leaning into his feminine side as the be-all end-all of reducing his character.

in reality i think that misses the mark a bit because while there IS something to be said for sure about people turning ctommy into Blonde Anime Child #249824 and stripping him of his Very Vibrant character, i don't think that putting him in butterfly clips and skirts erases him in the same way. i think he could very much lean into that kind of thing . as long as he's still flipping off the camera we're all good

TLDR : fans strip ctommy of his loud-and-annoying persona but in avoiding that some forget that he's a character who's not afraid to be soft

[sparrowposting]

Ik halsin was a last minute addition but I kinda wish he had a full romance route ngl. Like. He's not normally my type of man but I am not immune to his treetrunk arms, kindhearted gentle trustworthiness, and stupid whittling of wooden ducks. The old worn sadness in his eyes. The burden of unwanted leadership. The hundreds of years of work to correct a past percieved mistake. The unending compassion for literally everyone, but esp children & the tiefling refugees. The wanderer and free spirit who, without giving up his freedom, finally finds a purpose, a reason to stop wandering, a devoted goal for his heart. He's SAFE and KIND and I like that in a man.

[fireladybuckley]

I can’t believe a boyfriend made a silly sex joke to lighten the mood after both partners had a moment of vulnerability. The audacity. The horror. The normalcy! Unbelievable. How dare a conversation about feelings turn to levity. How dare a couple have a light chat about trauma-related things over dinner that doesn’t turn into an incredibly deep heart to heart instead of a joke and moving on. Unbelievable. I’m never watching this show again! 👎🏻

[simplyender]

just some gifs of spot making his own solar (spotlar?) flares

[royalarchivist]

Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

-

Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

[engagemythrusters]

“Anakin Skywalker was the best Jedi” uh no that was Mace Windu. Mace was the best Jedi.

[shitpostingkats]

The world ends with you gave the depressed 2000s tweens so many gifts, and one of the greatest is introducing the player to a cast of fun, well rounded, and deeply human feeling background characters, only for the very premise of the game to be that all of these people are dead, leaving the player to grapple with the fridge horror and possibly fill in the blanks with their own ideas.

[iridescentmirrorsgenshin]

An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

[sherbetyy]

UPDATED! MORE PARTS AVAILABLE ‼️📢

I’M HOSTING A DHMIS REANIMATION COLLAB FOR THE JOBS SONG!!! (for the late anniversary.. yuay!!)

READ HERE FOR INFO AND UPDATES ON AVAILABLE PARTS.. (REMINDER ⚠️ SOME PEOPLE’S REBLOGS OF THIS MIGHT NOT BE UP TO DATE)

each animator will be assigned to a job of their choice to animate!! (unless you’d like to work 2 jobs..)

HERE ARE THE JOBS!! (‘HELP WANTED’ means the part is available and ‘POSITION FILLED’ means it’s taken. if there’s a name beside it it means it’s finished)

1: school (POSITION FILLED) astronomalyy

2: office job (POSITION FILLED)

3: football (HELP WANTED)

4: judge (POSITION FILLED) pizza-feverdream

5: doctor (POSITION FILLED) billypeacockart

6: lumberjack (POSITION FILLED)

7: crypto bro.. (POSITION FILLED) solchle

8: sitting on a chair! (POSITION FILLED)

9: army (POSITION FILLED) transredguy

10: ice cream truck (POSITION FILLED) sn33zy

11: barber (POSITION FILLED) dhmis-autsim

12: fishing (POSITION FILLED) yippeepy

13: astronaut (POSITION FILLED) fluffybirdcentral

14: petersons (POSITION FILLED) totally average kid

15: mailman (POSITION FILLED) retrocandyfloss

16: artist (POSITION FILLED)red-string-and-patches

17: toolmaker (POSITION FILLED)

18: therapist (POSITION FILLED) cosmicxd

(if you’d like to quit your job please dm me!)

here is a video so you know where your part stops and ends!!

and here’s the discord for you guys to discuss it!! i will not be there unfortunately, but the co-director mtsodie will :o]

RULES🐞

-keep it SFW obvs..

- don’t make your animation just one frame/a still image.

-don’t directly trace anything

-please don’t ask for a job if you aren’t actually going to participate !!

-AS A NOTE.. the slide transition at the end of your animation to the next will be up to you to animate! :o]

-please don’t use stuff like gacha club/life for your part

-make sure your animation is as long as your clip!!

ONCE YOU’VE FINISHED YOUR ANIMATION EMAIL IT TO huhwhattt420@gmail.com !! (please ignore the name of my old weird ass email ..) i’m not very good at this sort of thing, so i’d appreciate as much support and reblogs as i can get for this!!

and by all means …. GET CREATIVE‼️‼️‼️‼️‼️‼️‼️

[am00eba]

Hello!! Me and @m4rtinsstuff were talking about the onceler's factory and we noticed some pretty nice details!

I have no idea if everyone in the fandom already knew this, I'm pretty sure someone already pointed it out, but onceler's current house was right near the factory! It was either a part of it, where he then decided to stay at after the rest of it collapsed (for unknown reasons we'll talk about later) or maybe that was just the place he slept, ate and lived in while the businness was running.

We can also compare the concept art and the movie, which help showing us better how that is indeed his house.

This means that these stairs function is to connect his office to his house..(?)

..but that's where I asked myself, what was his typical day as a rich guy like? Did he spend his time in his house, did he go there after finishing his work? The movie shows literally NOTHING about that. I think that what we see in "How bad can I be" is all just for the song, the environments are not well defined and realistic enough to tell us how the story actually went.

Did this guy do nothing but have fun all day? Did he even work, was he really that clueless about everything? I have SO many questions, I wanna know everything about this story and his character!

And mostly, how did that whole factory disappear..people already said that the land just fell or that it was Thneedville's residents who destroyed it. To prove how these are by far the most correct theories, we can once again take a look at concept arts. I don't know what else I should add, since the images are so clear they talk for themselves:

The point is, I wish the movie itself showed us everything instead of (as much as I liked it) "resuming" it in a 3 minutes song. The Onceler's life in his successful era and his factory interest me so much, it's a shame how little things we got!

[sunflowerdigs]

Loki is in love with someone he can never be with and y'all are still asking why he's wearing depression loafers with his jammies for all eternity. He may be a full god and a hero now, but he's still Loki.

[poisonheiress]

Vivziepop and Queer Rep

As we all know, many fans and media reps alike have commented on the apparent "queer rep" seen in both Helluva Boss and Hazbin Hotel with many sighting their MLM relationships and use of Sallie May as proof of Vivzie's dedication to queer rep. Yet for how much this idea is spouted across social media, I cannot say that Viv truly cares about Queer Representation in her shows. The apex of this disagreement comes from phrase that man people seem to not remember when it comes down to queer rep: Representation for one is not Representation for all.

In her hyperfocus on thin, cis mlm relationships, Vivzie creates rep for only those relationships, leaving behind countless other queer identities and relationships that also heavily need queer rep. The largest dismissal of queer individuals/relationships in HH or HB appears in characters that fall into one of three categories, The Fat, Sapphic, and The Nonbinary.

The Fat

When some of you look at this, you may be confused as to what fatness has to do with queer rep, I would tell you that it has a lot to do with it. Fat people are not inherently removed from queerness and have been there since the beginning, the creation of the term Bear is proof of that. This is the first strike on HH and HB's records.

As many other creators have thoroughly pointed out, fat representation is abysmal in both HH and HB with either shows either lacking fat rep completely or having fat characters made using more fatphobic stereotypes than I could count. With this poor managing of fat representation, its no surprise that Vivzie pop ignores all possible avenues of queer rep with fat people involved. This also impacts her presentation of mlm ships with all those in these ships only appear as thin cis men, not a single bear or trans man in sight.

The Sapphic

The second largest and arguably most obvious strike against Viv comes in her disturbing lack of sapphic relationships in both shows. While HH has at least one sapphic ship (Charlie and Vaggie), HH has none to speak of. As a result, Viv's ratio of Sapphic to Achillean relationships is heavily one-sided.

It shouldn't take me having to say this for many of you to realize that you cannot claim to have true or complete queer representation when you ignore a whole side of the queer community. While this issue in sapphic relationships likely tied to Vivzie's smaller amount of women in her stories, this does not excuse it. Having one or two of these secondary characters be in a sapphic relationship (especially Sallie May) be shown or even mentioned in passing (not random background shoots) has having a girlfriend would fix this issue, but we cannot even get that.

The Nonbinary

The final strike against Vivzie's queer rep comes in both shows ignoring the existence of nonbinary characters as a whole. While we get some presentation for the binary trans community (even though most are background characters never seen again besides Sallie May), we have yet to see a single nonbinary character in either show's canon.

This is honestly fucking ridiculous. To ignore an entire gender identity because its easier or you simply don't want to is ridiculous and should strip any claimed queer rep media from their title. Nonbinary people have always existed throughout time in different countries and cultures. To think that they're wouldn't be a single nonbinary sinner or demon in hell after all this time does not make sense.

Trans people on the binary and nonbinary side have the right to representation equally, and even if we were to ignore the concerns about Viv's current trans rep, trans people deserve more rep than random background characters and a one dimensional trans woman.

The Finale

As I end this essay, I do want to say that I wanted to discuss HH and HB's treatment and ignorance of asexuality and aromanticism as they are both highly relevant to the discussion. However, I need to do more digging on Alastor and his ace situation first before I do so in order to prevent spreading misinformation.

But even without this section, I still stand on my belief that neither of Viv's shows should be paraded around as good queer media or as truly supporting queer rep. While HH has a little more leeway with Viv's only sapphic ship, HH and HB still ignore large sections of the queer community. It feels more like Viv is picking at the parts of the community she likes more, grabbing at the more marketable identities and appearances until she has enough to call her show queer.

I hope one day Viv will listen to her fans and critiques about this lack of other queer identities but I will not hold my breath. All that is left to say is that queer people deserve better especially in adult shows and in animation. Picking and choose what queer people you include in your media simply because you like one more is the farthest thing from queer rep.

[hurglewurm]

me: we are Not going to worsen our life while in a minor depressive episode

the brain: :/

[neverswungonswingingstars]

Interview with the Vampire season 2