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#that is part of my reluctance
fishylife · 1 year
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when you get invited to go out and happen to be free then 😭
i should make myself go but...i don't wanna 😭
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tippenfunkaport · 5 months
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I like to headcanon that Melog is just the biggest busybody. It's been bored and alone on a dead planet for decades with no one to talk to, the mundane day to day drama of other people is such a novelty to it, it can't get enough. Plus it can become invisible and doesn't have a great grasp of privacy so it's forever listening in on conversations and generally getting way too invested in everyone's personal business.
Which means Catra, to her vast dismay, knows everyone's secrets. She would really REALLY rather not and has tried to teach Melog about boundaries but the creature does what it wants. But it means that sometimes she finds out about some misunderstanding or missed connection going on that is so downright stupid that it's just going to drive her nuts if she lets it continue so she begrudgingly has to insert herself into this drama to match-make or clear up an argument literally just so she doesn't have to hear about it anymore.
Which means, to her absolute horror she gets this reputation of being near psychic, so good at resolving personal drama that people come to her with their problems no matter how she tries to deter them and meanwhile it's really because Tealog over here is addicted to gossip.
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stil-lindigo · 2 years
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the candle.
a comic about rediscovering passion and recovering from burnout.
creative notes:
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kankuroplease · 5 months
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Kawarama can use lava element, which is created from the element fire and earth and I think to see read that kawarama in your Au was good at handling both elements
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He’s the fire of the Senju. Which is why I made him so at home with the Uchiha in the AU.
Like “you burn stuff? LET’S BURN SOME THINGS 🤩”
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darewolfcreates · 2 months
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My book still isn't here. Every day it says it will arrive today, and every night it says tomorrow. So I'm beating the shit out of bill till he gives me my book.
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greenerteacups · 9 days
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Hi GT,
Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!
So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)
I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.
#greenteacup asks#my beef with Y/A is mostly expressed in a dissonance between tone and content#LOVE the content. dystopia fantasy horror sex and blood — awesome. but question. why are they all saying 'darn'?#like in the vampire diaries where they'll watch people get eaten and then 2 episodes later be like 'omg SCHOOL DANCE'#(EDIT: actually in fairness. on the vampire diaries. it was mostly just caroline that did that. unfair example my apologies)#& i distinguish this critique from a common bitch-and-moan complaint about tv shows being interested in 'girly' things#like relationships and social standing. that is not my complaint. that shit is delicious. i will chomp that shit for days#my issue is that when the stakes oscillate wildly from episode to episode and i can't tell what the main thing is#like sorry. a story with murder in it is always going to be about murder. you can't make it not about murder#unfortunately! many have tried.#and in general i have difficulty reading about teenagers bc—#(she says having written 600k words about them OKAY I KNOW. i contain multitudes.)#because they're either mini-adults (preferred flavor. jude in the cruel prince nails this) or like leetol babies to me#and unless it's something like the hunger games where the Leetol Baby thing is part of the story#i'm like. hang on. you're 12 what are you doing here#percy jackson was hard for me to re-read as an adult for this reason#which is why they're enjoyable for teenagers! because as a teenager you DO feel like an adult#and you like reading books that treat you like one! nothing wrong with that! healthy even!#only then you get past the teenage years (mashallah) and you get stuff like twilight#where of COURSE bella doesn't think twice about 117 year old man falling in love with her#because he looks like a rich mysterious 17-year-old hottie#but you reread it later and it's like um well. that. could be explored a little more maybe.#i'm not even necessarily opposed to it. candidly. still team edward. i just think the dynamic should be more fucked up and juicy.#which Y/A authors are often reluctant to do. like. COWARDS! face the nasty consequences of your narrative decisions!#anyhow. you didn't ask for any of this. please give me your recs lovely person you seem very nice.
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whomeidontknowthem · 2 days
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Reluctant Whumper hurriedly gives local anesthesia to Whumpee right before the torture session, to make sure they can't break and spill the secrets they'd been trying to convey when the main Whumper is around.
It also means that no matter how overwhelming pain becomes, even if they are willing to do anything to stop it, they can't.
Would they feel grateful afterwards, knowing the secret was saved thanks to Reluctant Whumper? Or would the cost for saving it be too much?
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softichill · 7 months
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You put sans jevil and spamton in a room who makes it out alive?
PS: spamton does get [[Power Of Neo]]
(My own reasoning in the tags)
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extasiswings · 1 month
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Nitpicky pet peeve for published books, I find it extremely grating when a character isn’t doing something they otherwise would and it’s obvious the only reason is the author has decided “X can’t happen yet for the plot”. Because it’s totally fine and reasonable if X can’t happen yet for the plot, but then…come up with a legitimate reason for the character not doing X? Don’t be lazy about it!
(This complaint brought to you by the fact that the protagonist of the book I was listening to was confronted by what he thought was the dead body of the love of his life and went into a blind rage and tried to murder the antagonist who was responsible for her death and he…stopped himself for Reasons that seem to boil down to “she wouldn’t want me to kill someone” except that a) he regularly kills people who have done far less than the antagonist, b) she knows this and is fine with it, c) she would definitely support him avenging her with murder (to be clear she is not actually dead but neither he nor the antagonist know that), and d) this motherfucker (the antagonist) definitely deserves to get murdered. Like…it would have been extremely easy to write it as “he was stopped by the guards in the room” or “the antagonist managed to escape” so the fact that the reason the antagonist is still alive is because the protagonist had a bizarre crisis of conscience resulting in a complete and total personality change is just???????? Please be so fucking serious rn)
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musubiki · 4 months
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i have like 3 pages of my sketchbook dedicated to taffy timeskip hairstyle
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the-bitter-ocean · 4 months
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I apologize to all of my followers who initially followed me for Aurora content (I still like the comic it’s very cool) I just have no desire to draw for it bc of recent stuff + ISAT is my main focus atm lol!
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jonathanbyersphd · 5 months
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Thinking thoughts about Joyce & Jonathan again
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hephaestuscrew · 11 months
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Listening to fiction podcasts with my dodgy headphones is so humiliating because when there's a long pause in what I'm listening to, I'm sat there trying to guess if it's for dramatic effect or a scene transition, or if my headphones have just decided to stop working.
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the funny thing about kyuushi is how it drops lore in akajas instead of the main manga but because it’s an episodic gag manga, i guess you can’t help it. but with all the lore i got so far (and what a difficult thing it is. thank you dedicated fans) i think i like how the central theme really is the human-vampire (esp hunter) relationship.
am i really writing meta about the vampire cock and boobs show? of fucking course. though less than meta it’s just me writing my thoughts
but with the recent akaja with northdin, it really occurred to me that the lore’s narrative had always hung on the fact that the 1800′s was a difficult time for everyone and now times are changing. how the vampire-human conflicts probably had so many casualties and how what we’re seeing is the aftermath of the event. a post-war recovery, if you will and it’s been centuries sure but vampires live so long it might as well be just five years ago to them. the vampire lore seems to be a story about how you deal with the after effects of conflict when you live so damn long. in fact, it’s so deep in the dragon clan’s narrative, that their feelings of loneliness, failure, and frustrations all goes back to that time.
Grandpa misses his friend (who is a hunter lmao) and thinks wistfully about how the time has changed and humans and vampires working together is such a lovely sight (as seen when he played tag with everyone in shin-yoko). he misses helsing so much and hopes he was still around to show what humans have done in the present. “Take care of your human friend” he says to Draluc, looking so sad most of the time but trying to connect with humans due to his fondness for them.
Mira doesn’t care much for humans but because of the conflicts and her hopes to make a better world for her son, she ended up not seeing him throughout his childhood and not even knowing him 200 years later. she doesn’t know the man he’s become. she doesn’t know he has a familiar. she doesn’t know he loves his friends and he’s happier with them. she knows he was lonely but simply thought it was her failure that made it so. so she selfishly kidnapped her own son and turned him into a kid again to fulfill her own desires. she was worried and frustrated at the fact that she seemed to have missed her chance to be with him until draluc pointed out that there was still time to get to know each other
Draus sheltered his son and did all he could to keep him safe knowing he was weak. (when northdin mentioned how seeing draluc die was so chilling, he understood why Draus was like that) the human-vampire conflict worsened his anxiety for his son who could not use the dragon blood’s powers due to how weak he was. so he ended up spoiling him, his only son. he even made a ring to ensure the kid’s protection from other clans. he met with the other clan leaders and in his own way and influence, tried to make the world a better place for him. By the time his son sought independence, he still couldn’t help but worry about him.
And then there’s northdin who does not like humans at all. like Draus, he worries for Draluc in his own way even when the kid had no respect for him. (like fucking hell that akaja) he’s anxious about trying to make the kid stronger because the human conflict is getting worse, which was why he took the kid under his wing to begin with. He cared for the kid to the point of running straight to them when he found out an exorcist had found draluc, even begging that he could drive a stake to his heart if he promised to keep the kid safe. and it was this that changed clergy at the time of the human-vampire conflict too! which led to northdin turning him and how he’s lived with the regret when he didn’t wake up to the point that his diary is a mess (again that fucking akaja) and now they met and there’s closure to it.
and then there’s draluc who is caught in between. being young and sheltered to not know enough about the conflict (i mean he sat and had tea with a goddamn exorcist lol) and having experiences that’s indirectly caused by the conflict. his weakness and sheltered life in the middle of the fights had isolated him from others, but also made him lonely. his mother couldn’t see him due to her work. he didn’t have friends and he was treated as a delicate thing. his first friend was John, who he was reluctant to take with him due to the fear of trapping him forever in a life of eternal loneliness with him (even though he was so overjoyed at finally having a friend!) “im not lonely. i have john” but it’s different now that he’s in shin-yoko. everyday has been fun for him.
and now, in the present you can see how these people are trying to heal from the aftermath and how ronaldo and draluc’s relationship is somehow central to it, the proof of the future they had aspired, or the closure they had always wanted. ronaldo and draluc’s easy friendship has touched grandpa, who had always wanted the easy friendship between vampires and humans (edit: i reread the grandpa tag chapter and he had a flashback of his friend through ronaldo?? god fucking dam), how ronaldo and hinaichi looking for draluc when mira took him made her understand that his son is not the kid he used to know, that she didn’t really know him but it’s not too late to. How Ronaldo being there to take care of draluc had reassured Draus that his son would be okay and he won’t be lonely. (northdin is a work in progress lol. but he’s also working on his issues with his guilt for clergy. which draluc was responsible for ahaha) 
and now Draluc is no longer lonely and has someone to be with. someone who is always fun and doesn’t treat him like a delicate flower (for better or worse) but is also reliable enough to save him (ranging between kidnapping to the getting flushed down the drain lol) and they’re trying to love happy now. a lot of vampires are. so i think it’s nice. i have no idea what im saying.
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wrenhavenriver · 6 months
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overhearing the students i was helping in class today say "she's so sweet!" as they leave and then the professor coming up to ask me if i'm going into education because he thinks i'm really good at teaching
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youngpettyqueen · 5 months
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Hi! I'm back and saw the bad injury prompts you reblogged. 👀 Could you please do "I can't feel my legs" with Julian saying it? ❤️
thank you for your patience!! its been. a wild week. but I finally have the energy to sit and get this written out. ive been pondering it all week hehe
I went through a couple ideas before I settled on doing a missing scene style of thing set in The Siege of AR-558. this is set after battle, but before the conversation we see between Sisko and Worf right at the very end. ive talked about it on this blog before but it makes me absolutely feral that Julian gets shot and just. gets up and keeps going. forever chewing on that but I digress ill save my insane rambling for the tags
I hope you enjoy! I like writing Julian and Worf a lot, and I hope you enjoy reading them <3
Doctor Bashir can be a very difficult man to find.
Worf isn't surprised. This is a battlefield in its aftermath, naturally a doctor would be difficult to locate, especially one as quick and efficient as Julian. He stops to ask a few people who look to have been treated, and they all give generally the same answer; that they just saw him, and he went over that way.
Worf follows the general direction of all the pointing, and he finds himself in a tunnel leading to another part of the caverns. He starts to walk through, figuring he'll find the elusive doctor on the other side, where other wounded surely lie.
Instead he damn near trips over him.
Worf thinks it's a rock, or a dropped weapon, at first. But then, as he's taking a second to regain his balance, he hears a low, quiet groan. He looks down, expecting to find a wounded officer, and that's exactly what he finds.
Except the wounded officer is none other than Doctor Bashir.
Julian is half-concealed by the shadows, tucked right up against the tunnel wall and lying flat on his stomach. One arm is outstretched, like he was reaching for the other side, while he has his face buried in the crook of the other elbow. Worf had tripped over one of his legs, which is bent at the knee, like he'd fallen mid-step.
Worf drops to a crouch beside him. "Doctor Bashir," He says, but gets no response, "Doctor, can you hear me?" He places a firm hand on the doctor's shoulder, in case the touch might rouse him.
Julian flinches under his hand. Then he stirs, and he lifts his head, trembling with the effort of it. "Worf...?" He looks up at him, eyes squinted in the dark.
"Yes, Doctor," Worf replies, "What happened? Are you injured?" He questions.
Julian's head drops back against his arm, but he keeps it turned so that he's still facing Worf. "'Fraid so," He grimaces, "I was... I was shot. My side..." He manages to give a weak, indicative nod.
Worf nods. "I will assist you," He tells him. He gets a hold of Julian and, carefully, he maneuvers him onto his back. Julian grabs onto his arm, and there's a surprising strength to his grip. A strangled sound of pain escapes him, grinding out through tightly-clenched teeth. Worf can feel him trembling still, so he pulls him a bit closer, supports the doctor's weight against his own body, "Try to hold still. I must see the wound."
Julian nods wordlessly. He faces the pain well. It's difficult to make out, in the dark, but there's just enough light from the tunnel's exit for Worf to be able to see the large hole burnt away from Julian's uniform jacket. It's burnt right through, both jacket and undershirt gone, leaving raw, angry skin exposed to the dusty air of these caverns. He can see the glisten of blood, can feel it saturating the jacket as he places a bracing hand by the wound.
It's bleeding badly. Julian will have already lost a lot of blood, he needs to slow it until he can get him to one of the medical officers. He shifts his hand over and presses it firmly against the wound, and he keeps a firm grip on the doctor as his entire body jolts with the action. Julian continues to face the pain bravely, turning his face into Worf's chest and screaming against his teeth.
There's a part of him that threatens to get very, very angry at seeing Julian wounded. There's no honour in harming a healer, even some of the most bloodthirsty Klingons he's known would spit at the idea. It's an instinctual reaction, one he has to bite back. He has to remind himself that Julian was here not only as a doctor, but also as an officer. He was wounded as a warrior on the battlefield.
"I don't- I don't think I like that look, Commander." Julian wheezes, his weak voice drawing Worf back out of his thoughts. He's managing a small smile, teasing and boyish even in agony, but it's clear that he's struggling.
"The wound is severe," Worf replies. He doesn't see the point in trying to soften that information, he's sure that Julian, as a doctor, is all too aware of his current condition, "Why did you not seek medical assistance?" He asks.
"Didn't realize it was... this bad," Julian rasps, "My brain does this... funny thing, where I'll see people who need me, and... and nothing else really matters," He rests his head against Worf's chest, his throat bobbing as he swallows hard. He looks nauseous, his brow pinched tight and sweat glistening on his forehead, "I hardly felt it till I collapsed." He manages to finish.
"I fail to see how that is funny," Worf gruffs, "Your dedication to your patients is admirable, Doctor. But now, it is you who requires assistance. Are you able to stand?" He asks.
Julian shakes his head. "No, I... I can't," He replies honestly, "I'm... afraid I can't feel my legs, Commander." He admits.
"Then you will be carried," Worf adjusts his hold, gets an arm under Julian's knees and pulls him against his chest. He pushes himself up with ease, the doctor's weight inconsequential as he cradles him securely, "Hold on, Doctor." He instructs.
Julian's arms come up to wrap around his neck. His head drops against Worf's shoulder, his face half-buried in his neck. He can feel Julian's shallow, quick breathing against his skin. He doesn't have time to waste.
Worf sets off, ducking out of the tunnel and moving into the next open cavern. With the injured doctor in his arms, he makes a brisk pace as he seeks out the first medical officer he can find.
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