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#that post has two notes
marlynnofmany · 2 months
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If you're curious what Tumblr looked like over a decade ago
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I just found this screenshot from September 24, 2013.
We used to have our notifications show up in the middle of the dashboard, between the posts. Great for newbies like me who were excited when anything got attention, but as soon as something got just a little bit popular, uh, stuff got weird.
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aesthetic-uni · 1 year
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Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT
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yuri-puppies · 1 month
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We really get to see Kabru exercise his social awareness and his story-crafting skills this episode, like how he tailors his backstory differently to Toshiro and Namari (and the Floke twins out of frame!) - framing the massacre of his people as a result of elven interventionism and focusing on his personal tragedy; contrasting his hardworking mother to the faceless, dispassionate elven forces
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vs how he talks about Utaya with the elves, first by making them take him seriously pay proper attention to him, indirectly invoking Milsiril's social capital to present a nepo-baby persona* that paints Kabru as not-like-the-other-tallmen, why he's practically a Canary
*i said persona. if you call him a nepo baby in my notes i will send a squad of trained skunks to your house to eat your plants and spray your kitchen counters and also block you
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(baffles me. BAFFLES ME that there are readers who fell for it. at least the Japanese VA did a great job of making it sound just fake enough for the audience to clock it as a successful deception check, so it should be clearer now)
Only then he appeals to their emotion, framing Utaya as being about the elves' misplaced best efforts and the losses they suffered, framing the death of imperial soldiers as equal to the brutal massacre of a large city's worth of people. That emotional appeal and successful positioning of himself as aligned with the Canaries is what allows him to ultimately propose his plan to evacuate the dungeon.
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deerteatime · 2 years
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im having very strong feelings about AI art in this chilis tonight. [ID in alt.]
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shaylogic · 8 days
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Okay, so we know that Charles' polo goes red>burgundy>black and back by the end of the season.
Because there's so much going on, I always missed the exact transitions. This time I specifically tracked them down. (Apologies if this has already been done.)
Charles shirt is bright red through the majority of the Devlin House, even in Hope's Diary scene, when he opens up to Crystal.
Even when he first swings at Mr. Devlin and gets knocked back, his shirt is red.
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The very subtle shift to burgundy is after he disappears and first reappears in the loop.
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It remains burgundy throughout the entire lighthouse leapers episode and beginning of the two dead dragons.
I finally realized the very last moment we see of Charles in the burgundy is with Crystal. She tells him after the confusing makeout night, "But I think we should be friends," and kind-hearted Charles, of course, respects that and puts on a friendly smile.
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It's difficult to see in the next scene with him because of his jacket, the angle he sits at on the ladder, and the lighting, but it's immediately after that when we first see him in the black polo.
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My brother in death, you are NOT doing well.
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here's another song from Jayden Revri's official Charles playlist, that I think is about this conflict with Crystal:
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His shirt is still black during the "I don't wanna be a bad guy" scene.
After Edwin's affirmation of Charles' inherent goodness, it is directly after this scene that the shirt goes back to burgundy!!!
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He's still wearing the burgundy during the confession:
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BUT IT GOES BACK TO BRIGHT RED LITERALLY RIGHT AFTER EDWIN'S CONFESSION AND THEY ESCAPE HELL TOGETHER!
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Yo I equally love Cryland and Payneland but the show canonly said "Crystal hit him in the loneliness and Edwin hit him in the loved"
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acefulbwa · 9 months
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World's Worst polycule lmao
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poorly-drawn-mdzs · 3 months
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I started reading Dungeon Meshi last week, became instantly charmed and captivated, and blitzed through the entire manga in 4 days (and changed my profile picture about it). With that in mind, I would just like to say...
I love your dungeon meshi art so so much
CHILCHUCK!!!!!!!!
Thank you kindly! I love Dungeon Meshi a lot, so I'm happy to see so many people get into it for the first time.
CHILCHUCK!!!
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lotus-pear · 8 months
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i think you guys are onto smth..
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i unironically got invested in this HELP
#WHERES THE FIC AT IF SOMEONE WRITES THIS I WILL PAY THEM A HUNDRED DOLLARS😭😭#kunikida serving the country while dazai's serving cunt😔#dazai was born to malewife but forced to manipulate and i think that's the greatest tragedy of bsd#anyway some facts i would like to share abt this au thay i came up w while drawing!!#takes place in 1939 (start of wwii) and there was a mandatory draft that required one male over eighteen from each house to serve#both of them are still twenty two and had been engaged for abt two years before getting married that year#newlyweds! unfortunately kuni had to go fight and they were seperated :(#before the war kunikida was a math teacher at the local high school and dazai obviously managed the household and didn't work#he's hopeless at cooking and meal prep even w recipie books so they either get those prepackaged meals or kuni makes dinner when he gets ba#so like when he's making lunch for kunikida he normally just packs a basic sandwich w raw fruit#kunikida always appreciates the effort even tho hes probably sick of having the same thing everyday but he won't complain abt it#when kunikida joined the army he was relieved that the mess hall had better food than dazai#he was the only one in his platoon that never complained abt the food so his fellow soldiers assumed it was bc he came from a tough bg#when in reality he was just used to being poisoned on a daily basis from his dumbass husbands cooking and was hardly fazed from army ration#they write to each other although its more dazai sending and kuni receiving bc hes off fighting and doesnt have time to write back#dazai talks abt life on the homefront and how he has to grow a victory garden (everything is DYING HE CANT EVEN RAISE TOMATOES)#and kuni writes abt his fellow soldiers and how the war is going and when he thinks he'll be home and how he misses sleeping in a bed#ANYWAY yea thought i'd share sry for infodumping in the tags again#this post is for like the four ppl that care abt this specific flavor of knkdz so hopefully this gets four notes at least#bungou stray dogs#bungo stray dogs#dazai osamu#osamu dazai#kunikida doppo#doppo kunikida#kunikidazai#knkdz#lotus draws#bro sry for posting at two in the morning i couldnt sleep until i got this out of my head they have infested my brain
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harbingersecho · 4 months
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READY AIM FIRE
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trashyshrew · 10 months
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brambletakato · 1 month
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I got bored so I made a little chart of frequently seen eyes and their details in Professor Layton!
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setaflow · 2 years
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Won't lie, I've been on Tumblr for a decade now and I've given this website a lot of flack for the stupid stuff it's done, but watching it take unabashed potshots at Twitter like this is making me kinda proud. Like I set up real estate here in 2013, suffered through years of stupid policy revisions and new re-zoning laws, and now we all get to come together as a community and shit on all the people in the city and their new idiot mayor. I've never felt this kind of camaraderie on this website before and honestly I kinda hope it never ends.
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wren-kitchens · 5 months
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it was not your fault but mine
in which joel tries to kill scott and ends up having a panic attack. (3641 words)
content warnings: panic attacks, lots of mentions of death
i’m being so normal about traffic scott and joel rn guys
joel’s breath is coming too fast and too shallow for him to be able to convince himself that he’s fine, even as it tears at his throat. tears blur and warp his vision, welling up in his eyes faster than joel’s ability to wipe them away with his sleeve. his ribs threaten to crack against his heart, hammering against the inside of his chest like it’s trying to escape. joel can’t blame it.
it’s been hours- okay, it’s been four stupid hours, and he still can’t calm himself down from today’s events. everyone else has been able to sleep, to rest, to patch themselves up and recuperate with their team- or what’s left of it. everyone else is fine, they’re all fine, and they’re going to be fine until they die in whatever unjust, careless death they can’t escape anymore.
for the past four hours (four fucking hours- it’s so stupid-) joel has been failing to get a firm grip on the last remaining threads of his sanity. he thought he was fine- he thought he was safe from that bloodlust, that agony, that grief. but as always, the looming threat of his inevitable breakdown hangs over his head like an anvil-
(mumbo tried to turn on them, mumbo tried to send them to their graves with anvils, mumbo failed and then he died-)
not an anvil. just- anything but an anvil. dripstone- hangs over his head like dripstone-
(joel can see the spot where lizzie dropped dripstone on his head, lizzie dropped it on him because he was the last resort, lizzie was here and joel asked her to hurt scott, and she tried and was killed-)
scratch that metaphor entirely.
just- void, he’s so tired of waiting for that snap, of fearing what will inevitably make something inside of him break and lose himself in the grief-fuelled bloodlust. maybe dying first wouldn’t be so bad; you don’t have to watch as everyone else leaves you.
even through his yellow sanity, joel’s mind seems to be on its way out, and he finds himself wanting to give in. just give in- kill some people, lose a battle and die in a crushingly painful way. it’s easier, isn’t it, than trying to hold onto the threads that slice at his hands once he has a secure hold. besides, if he dies, he can be with them again.
before he even registers the action, joel finds himself gripping his axe with a kind of determination he hasn’t felt in a little while. sure, he’s yellow, but he can’t imagine the big winged fuckers getting too pissy if he went and killed someone. he’s just starting the party early, after all.
joel seems to be zoning in and out, as moments later, he finds himself treading the well-known path to scott’s, knowing that- well. if he’s going to kill anyone, it may as well be scott, right?
smug, crude, stupid scott; who stood by and watched as lizzie was flung into the void, who laughed as joel failed his tasks, who has either won or almost won three out of four of these stupid games. he deserves to be knocked down a peg or four, really. it’s only fair.
out of the corner of his eye, however, joel spots scott’s nametag behind the secret keeper’s statue. oh, of fucking course. scott ‘30-full-hearts’ smajor just couldn’t resist a chance to show off by walking around in the dead of night, huh? piece of shit- like he doesn’t even care that he just let lizzie die.
well, if scott wants to play with fire, he ought to know he’s going to get burned.
-
he’s making a fucking grotto.
scott smajor, winner of one of these stupid games, top three in all games but one, is out in the middle of the night after a wither and warden fight, building a goddamn magic grotto underneath the secret keeper statue. of fucking course he is- fucking show off.
joel watches with utter distain as he prances about with his stupid azalea bushes and his stupid moss and- where the hell did he even get moss in the first place?! honestly, does he not realise this is a death game? they don’t have time to be making places pretty.
finally- finally, scott backs up against one of the stone walls, surveying his stupid pond like it actually means anything. joel creeps along the shadows, the (surprisingly still alive) grass muffling his careful steps towards scott- towards where joel is going to put an axe through his stupid throat and kill him.
“is this really worth the time?” joel says, because he has to- he can’t let scott have all the stupid quips and one-liners, because he would just go insane.
joel might already be insane.
scott looks up, eyes widening in fear as they land on joel’s figure. his whole body lurches away, but joel is too quick—in an instant, joel is in front of scott, pinning him against the wall with the blade of his axe pressed against scott’s throat. joel grins; all manic eyes and sharp teeth and the sweet smell of blood on his breath.
“looks like someone wanted to push his luck, huh scott?” joel says—and even he can admit he sounds a little hysterical now—but scott is trembling, eyes darting all over to find a way out, and that’s all joel cares about right now. “got a little big for our boots on our midnight stroll?”
“joel-“ scott gasps, and even his voice is shaking. “please-“
and- okay, it’s not exactly what joel was expecting. don’t get him wrong- he loves the fear and the trembling and the pleading, but- it’s weird. scott doesn’t fear joel, and he especially doesn’t plead with him, and- now that he’s actually looking at scott, the guy seems kind of- well, pathetic seems too cruel a word. disheveled. weakened. whatever.
“what’s wrong with you?” joel spits, looking him up and down with a distinct sinking feeling in his chest.
the tips of scott’s fingers—currently grasping at the axe’s handle—are a poisonous black, tendrils spidering up his veins. he looks exhausted, as if he’s been up all night, but- scott isn’t that dumb to have not slept. as irritating as it is, scott is a survivor, a strategist. he wouldn’t be in this state if there wasn’t something wrong.
“wither.” scott manages, and joel can’t pretend to himself that he didn’t know- “what’s wrong with you.”
joel’s rage seizes him like a fist again, and he shoves the axe further into scott’s throat. “nothing’s wrong with me you piece of- who the fuck do you think you even are? coming here, middle of the night, flaunting your thirty goddamn hearts-“
“half a heart.” scott breathes, and joel’s mind goes searingly blank.
“what?” joel’s voice is infuriatingly quiet.
scott’s hands have stopped clawing at the hilt of the axe. when did that happen? “i’m- i’m on half a heart.”
“you’re- no you’re not.” joel half mutters because- he can’t be. scott was going to die a long and painful death by his hand, but if he’s going to fall the second blood is drawn- what’s the point? “no, you’re- you’re not.”
“why do you even care?” scott says. “you’re going to kill me anyway.”
“i don’t.” joel says, far less certain than he ought to be. “I don’t care, i’m- i’m happy.”
“tell your face that.” scott mutters.
joel slams his fist against the wall, inches from scott’s face, practically breathing smoke. “you can shut the fuck up, or i’ll kill you where you stand.”
“oh, so you came here and put an axe to my throat because you wanted to protect me?” scott sneers, and- this is all wrong- how has scott gotten the upper hand? joel is threatening to kill him, and scott has the goddamn upper hand.
and it’s so easy- it’s so easy. push the axe in, slide it across scott’s skin and slit his throat. he’d be dead in an instant—it’d barely take a second—it’s so easy. the axe is firm in his grip, there’s no danger of someone interrupting, scott is far too weak to push him off and get away- it’s all so fucking easy.
there’s something distantly satisfying about the way scott flinches as joel gives a scream of frustration, flinging the stupid axe across the goddamn secret grotto. it sticks in the muddy banks of the river at an odd angle, sinking ever so slightly as the earth gives way.
he can’t do it.
he can’t fucking do it.
joel’s breath is coming too shallow again, tearing at the inside of his lungs as he gasps against this invisible force that seems to be sucking the wind from every breath he takes. tears burn in his eyes and it’s only after joel notices how damp the knees of his trousers have become that he realises he’s dropped to the ground, hyperventilating.
is this what a panic attack is? joel is pretty sure this is a panic attack. he is having a panic attack. how does he stop having a panic attack?
he tries desperately to slow his breathing, to straighten up and pretend it never happened, but his thoughts clamour inside his mind far too loudly for him to even begin to calm down. lizzie dead, jimmy dead, mumbo dead- joel nearly killed scott. what if he had done it- what if he killed someone else? there’s too much death, joel can’t be the cause of another death. joel nearly killed scott. lizzie is dead because of scott-
no- lizzie is dead because of joel. he let her- he didn’t tell her he failed- she tried to kill scott and then she died and now she’s gone and joel killed her just like he was about to kill scott and he still can’t fucking breathe-
there’s a hand on his shoulder (he can’t breathe-), squeezing gently through the fabric of joel’s hoodie (lizzie is dead-). scott is saying something- scott is telling him to look at him, and joel thinks his hands are going numb.
“i’m sorry, i didn’t-” joel’s voice is nothing but a broken whisper. he can barely hear himself over the rush of blood in his ears, the taste of iron in his mouth. “I can’t-“
“it’s okay.” scott is saying and he’s wrong because it’s not okay- it’ll never be okay. “you’re okay. you’re gonna be okay.”
“they’re all-“ joel chokes on his words. he can’t even say it. fucking pathetic.
scott takes a trembling breath, which- void, it’s so strange to see him having any emotion at all. “yeah.” he glances down, and the uncertainty of it all is what brings joel back to the present.
joel’s hands are shaking uncontrollably, regardless of how much he tries to stop. scott holds his own out in an unspoken offer, and joel grabs them embarrassingly quickly. their eyes meet, and joel doesn’t look away.
“but they’ll be back.” scott says, quiet. “they’re not lost—they’re still here.”
“but they’re not here.” joel almost winces at how raw he sounds, but he can’t bring himself to. now is not the time for embarrassment, however deeply he is going to regret that later.
scott’s eyes seem somehow more sunken, the bags underneath more pronounced—the scars of nightmares. joel knows those scars well. “I know.”
and- despite it all, it just seems so strange for scott to share that sign of grief with joel. scott, who hides his feelings so well from the outside world, not even jimmy knows all of him; whom joel has contemplated on numerous occasions if he is a robot or not because of this fact; who won’t let himself die to anyone but his allies’ hands since double life.
so joel decides to do what he does probably the worst, and tries to lighten the mood.
“you- maybe he is here. jimmy, I mean.” he blurts. “he- y’know when you wake up after you die and he’s laughing at you for whatever dumb death you just had?”
something flickers in scott’s eyes—almost like candlelight. “usually he’s just annoyed I lasted so long.” he says, a note of amusement lacing his tone. joel jumps on it.
“I reckon he’s here- with lizzie maybe.” joel says, scrutinising every detail of scott’s expression for any signs of reassurance. when did he start caring about scott? “they’re both making fun of us for being so sappy about them- and they’re gonna go tell mumbo so he can join in.”
scott glances down at his hands—still holding joel’s. when he looks back up, there’s something warm in his eyes. “you don’t comfort a lot of people, do you?”
“I- what’s that supposed to mean?” joel says, but it’s too softly spoken to come across as a threat.
“nothing.” scott says, and he sounds like he means it, which is- fucking weird. “you’re doing a good job.”
“yeah, too right I am.” joel says haughtily. he can feel his hands again; his mind isn’t so loud anymore. “thanks.” he says, quieter.
“you’re- you’re welcome.” scott says, apparently taken aback by joel’s humility.
there’s a long pause, and a silence stretches out between the two. it’s not strictly an uncomfortable silence, but it’s extremely strange—silence in these games is a luxury that too often means trap to be trusted.
“this is- this is fucking weird, right?” joel says, barely managing a grin.
scott rolls his eyes, but a smile plays at his lips. “you always have to ruin the moment, don’t you?” he pauses. “but- yes, this is very strange.”
“I don’t like it.” joel says, and.. maybe that was a tiny lie. okay- a big lie, but. just- oh, whatever. shut up. “feels unnatural.”
“I can go back to killing you if that makes you feel better.” scott grins.
joel scoffs. “how about I kill you and we call it even.”
scott huffs a quiet laugh, and the two drift back into a comfortable silence. only- there’s something in scott’s eyes that makes joel think he hasn’t said everything he wants to say. how does he know this, you may ask? well, joel isn’t exactly the most.. open with his feelings; he’s seen that look in his own eyes too many times not to recognise it.
“what?” he asks, and scott practically startles.
“I- what do you mean?” scott says, that look still plastered all over his face. joel isn’t feeling anything at all about the fact scott has started to let his guard down around him. shut up.
“you have that look.” joel gestures vaguely. “like you want to say something but it sounds stupid in your head and you can’t decide if it’s worth it.”
scott blinks at him. “you- how did you-“
“I know everything, scott.” joel says, some of that swagger back in his voice as he half-grins. “but what is it?”
“it’s- I mean you hit the nail on the head.” scott chuckles. “it sounds stupid and I can’t decide if it’s worth saying.”
“well, in my expansive worldly knowledge,” joel says pompously, grinning as scott scoffs at him. there’s something very strange going on in his chest as he notes the fond undertone of it. is he having a heart attack or is he just happy? hard to tell. “it’s almost always worth it. and if it’s not- well, I just had a panic attack because I almost killed you, so.”
“okay, well- you’re not allowed to laugh.” scott preempts, as if joel even has any right to laugh after scott helped him through his breakdown. “but, um. can I hug you?”
joel’s brain seems to have gone entirely blank, and so it’s a surprise to even himself when he says, “yeah- yes. you can.”
scott seems to be genuinely scared of doing anything that might upset joel, which- okay, that’s a whole other thing to have a crisis over later, but it also is kind of funny. oddly enough, it makes it easier for joel to shuffle so he can lean against scott’s shoulder, grinning as scott practically freezes.
“y’know, you asked.” joel nudges him.
scott scoffs a little. “yeah- I know, I just- I assumed you weren’t very.. huggy.”
“why does everyone always say that?” joel huffs. “etho said it, grian and jimmy said it-“ joel is interrupted (very rudely) by scott snorting, and hurriedly covering his mouth. “what?”
“nothing, nothing, just-“ scott grins. “eefo.”
“wh- oi!” joel exclaims, digging an elbow into scott’s side. “i’ve heard enough about that from him, I don’t need you joining in.”
“you’re gonna end up killing me if you do that again.” scott says, exasperated. joel does notice him relaxing though.
“oh no, what a shame.” joel says sarcastically, cackling as scott elbows him back.
there’s a pause, and joel is beginning to notice that there are a lot of pauses with scott. he kind of appreciates it. before joel has time to unpack that, he takes the opportunity to shift into a more comfortable position, which apparently startles scott, if the momentary tense is anything to go by. joel doesn’t get a chance to apologise before scott relaxes and puts his arms around him.
“this whole.. murder thing,” scott starts. “it hasn’t been red bloodlust since- well, ever, has it?”
and- joel wasn’t expecting to be asked that by scott- probably ever in his life, in all honesty. but. he can’t lie and say he doesn’t have an answer.
“I don’t think so.” he admits, quiet. “how long ago did you figure that out?”
“limited life.” scott says, and- yeah. that makes a lot of sense. “I was surprised that you hadn’t gone- well. batshit. and then jimmy died, and you were losing time like there was no tomorrow.”
“yeah.” joel leans a little closer to scott, almost unconsciously. “jimmy is- he’s- well. you know what he’s like.”
“I do.” scott says, a little distantly.
“I don’t- it’s never really.. on purpose.” joel says. “I mean- suddenly someone’s gone, or i’m on my own, and then it’s kind of like- why does it just have to be me? and then that turns into, maybe I should just go. get it over with, y’know?”
“pick fights you know you’ll lose.” scott realises, and joel hums in agreement. “get someone to do it for you so you can pretend it’s accidental.”
“ding ding.” joel says, emotionless. maybe he should feel a little more.. anything about that. he doesn’t.
“fuck.” scott breathes. he squeezes joel a little, almost as if he wasn’t thinking about it- as if it was natural. “I didn’t- I never realised.”
“well, I only just realised.” joel says. “I never really.. clocked it, I guess.”
“and so now.. was that part of it?” scott asks, almost cautiously. oh. gently.
“might’ve been.” joel shrugs. “though, I might just not like you.” he manages a grin and scott rolls his eyes. “who’s to say it’s not both?”
“can I.. tell you something?” scott says, almost hesitantly.
joel gives a soft laugh. “somehow, I feel like you probably can. just a feeling.”
“you have a knack for making things so unserious.” scott tells him, but there’s a smile in his voice. “well, I was gonna say that.. winning is probably the worst thing you can do in this game.”
joel frowns, looking up to peer at scott’s face. to his surprise, he’s entirely serious. “what do you mean?”
“just- it’s all fine until it’s just you, and everyone you know is dead, and you killed half of them, and then- and then it’s all gone.” scott says, suddenly quiet. “you never.. you don’t recover from that. when you’re the only person alive in a sea of blood and bodies that used to be your friends.”
joel gives a long exhale. “fuck.”
“sorry, that’s probably- a bit much.” scott says suddenly, apparently realising the depth of what he just said.
“it’s- well, it’s a lot.” joel says. “but what I- I mean, are you okay?”
scott is silent for a moment. “can you ever be okay in these games?”
“true.” joel says, more to himself than to scott. there’s a long stretch of silence, and joel finds himself wondering whether he should have more silences in his life. he’d tried to avoid them, especially when he was on his own; if he kept making noise, he couldn’t be entirely alone, right? now though, he thinks he’s starting to like them. “i’m sorry i’m always such a dick to you.”
“you- that’s- I don’t mind.” scott says, sounding slightly taken aback. he does sound pleased though, and joel decides to take that as a win. “I mean, I keep killing you. it’s fair enough.”
joel snorts. “yeah, well. still.” he closes his eyes. “I am sorry.”
another stretch of silence fills the little cavern, but this time, it isn’t broken. as the quiet settles on them both like a flurry of snow, it dawns on joel just how tired he is. after all, he’s had a hell of a couple days with very little rest in between them, and- yeah, he definitely needs a nap at some point.
as joel’s eyes begin to close and he nudges closer to scott, ‘at some point’ is starting to look a whole lot more like ‘right this second’. he’s about to sit up again, but scott wraps an arm around him and leans against him as well, and he gets the impression that he’s allowed to sleep here.
it is kind of bizarre that, just earlier today, joel was trying to murder scott—only half because of his task—and now here they are. void, death games are so weird.
joel kind of loves it.
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daftmooncretin · 7 months
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rip to rian johnson but star wars sequels would be way better if ben solo was just kinda cowardly and han solo coded so he defected from the jedi and went to be a fun swashbuckling anarchist space cowboy instead
and finn and poe have to find him and try to convince him to come back to the rebellion but hes afraid who he is and what he could become
also instead of luke trying to kill his nephew for NO REASON (so insanely out of character it boils my blood) he just realises after ben dips thats hes not cut out for teaching. and is living on a mandalorian colony as rebellion liason/ambassador with chewie and sometimes lando i guess (din djarin is there) he aids the rebellion (because of course he would fuck that plotline) but he wont stay on the rebel base because he doesnt like all the chosen one clout and mandalorians are very chill and mind their own business
han and leia are still together and play active parts in the rebellion because fuck that plotline too although they do disagree about the ben situation (leia is annoyed and han is understanding) poe and ben childhood friends and for what.
in this au, rey is raised in the empire and is a sith lord but she has doubts and isnt as abjectly disgusting as kylo ren because of course not. (appears slightly too interested in the rebellion when poe is captured and maybe??? possibly lets finn and poe escape but thats up for debate.) rey gets more evil over course of movies before turning to light for plot drama and a satisfying zuko arc.
force awakens timeline
prophecy that a new jedi will rise and take down the dark side. rey and sith lord (dk who but fuck snoke im writing him out) assume it is the missing ben solo (its finn and rey tho fr) and are intent on finding him. movie opens on rey being evil probably and capturing poe. also finn as a character actully needs no real changes hes great. and then next scene space pirate ben solo doing his thing (but without identity revealed so we dont know who he is yet he may go by kylo because funny)
instead of luke poe has a lead on missing almost-jedi before he dipped ben solo and is searching for him on leias orders.(rebellion also believe the prophecy is about him. but nuh uh) torture scene and escape scene doesnt need to change but show reys nuances and how lost she is.
in the interest of narrative poe and finn still crash on tatooine but finn manages to pull poe out of the crash. (finn still gets the jacket at some point because i say so) poe is too injured to fly so they seek out help and and meet ben solo who saves them from pirates or something idk. (but neither know who the other is)
finn and poe convince ben solo to be their pilot still thinking hes a random smuggler named kylo. they get along very well, especially finn and ben. rey by this point is tracking their whereabouts
they end up on that lightsaber planet and ben gets the weird darth vader nightmare and freaks out, (hes afraid of being evil or something idk) poe is getting suspicious now also finn feels the force and takes up the lightsaber. rey comes and finn trys to hold her off. finn get hurt and drops lightsaber. ben is forced to take it up and his identity is revealed as rebel reeforcements led by han and leia arrive and they see him fighting. rey and ben have a weird charged moment (yes i guess i am still making reylo a thing but its reyben now and its woke so shh) and in a dramatic desperate effort he manages to knock her lightsaber away with the force. poe crawls into a plane at somepoint and blows up reys ship. the rebels destroy the stormtroopers but rey captures finn and escapes in a stolen ship.
ben has a oh-shit-i-said-id-never-use-the-force-again related existential crisis which makes him freak out and leaves. a distraught finn-less poe calls him a coward. poe picks up the discarded lightsaber and the jackettm and sadly packs them up. leia tells him about the starkiller and poe volunteers to go on the starkiller and save finn. han and leia have a sweet moment and han decides to go with poe on the suicide mission, chewie goes too.(chewie arrived at somepoint i guess)
mid hostage situation finn blocks reys force attempt and shes shook up. he sees something in her (finn is a beautiful sweetheart) and he trys to appeal to her. she force chokes him and books it out of there. but it is clear she fears him a little. he escapes with mind tricks and runs into han poe and chewie on the deck. finnpoe moment fr. poe gives him his jacket back in order to get the keep it it looks good on you line.
meanwhile ben is back on his ship(i guess its the falcon?) and he thinks about finn and his mom and luke or something.. a dream maybe?? idk something emotional and motivational for his arc. and he goes to a box under the floor in his ship and pulls out a green lightsaber. he turns the ship around.
on the ship poe finn han and chewie are planting the bombs and escaping when they get stopped by stormtroopers ordered by rey. poe is about to be shot by a big droid thing when it is cut in half by ben wow big reveal hes here oooo ah. rey is shot in the shoulder by chewie and angrily orders more stormtroopers. they cant take them all. han sacrifices himself by blowing up the bridge. he tells finn and poe to find luke in the mandolorian colony ben is distraught him and han have an emotional goodbye he tells him to tell leia he’s sorry and that he loves him and he proud of him then he makes chewy get ben out of there and he blows himself up. leia senses it v sad rip man but he had to die to intensify plot drama
rey chases them onto the ice planet and another weird charged moment. mind link established??? this time ben is too angry and grieving though so its not a good match and she wounds him real bad all over hes v scarred now. poe shoots at rey and throws lightsaber at finn. he gets ben onto the ship and finn and rey have the big force awakens show down. finn uses the force v powerful all that jazz the good guys get away. on the ship finn mentions how he felt a connection with rey to poe and claims he sees good in her
movie ends with meeting luke on mandolore. ben is very traumatised wont really speak to finn or poe and avoiding luke. finn returns lukes lightsaber and rey has doubts movie over. movies ends with ominous rey ben mind link
final notes (on first movie and overarching rewrite plans)
finn
finn is the protagonist of this movie so it would be much more character heavy on him them the original. more in depth on his stormtrooper trauma, how he always chooses the people he loves over the cause and his reluctance to join the rebellion. his friendship with poe and the han/leia parallel’s especially. relationships with han and ben important for his character exposition and he plays a key role in supporting both rey and bens character progression. possesses the strong sense of mercy and kindness at the heart of the star wars franchise.
rey
rey is raised in the first empire and does not know anything different. when she meets finn who was able to rebel and escape from the same system she is trapped in she becomes plagued by doubts and projects all of her hatred and resentment onto finn to compensate, but it is clear she fears him. to escape from her doubts she fixates on finding and capturing ben solo imagining him to be a frightening and terrible adversary. however when she meets him they see eachothers minds, and she sees how plagued by doubt and fear he is, how he runs from everything and he sees her too. they connect and develop a strange mutual fascination/understanding. this is put askew by finns appearance at the end of the movie in defence of ben. reys fear of finn increases when she sees the true extent of his power. she fears and hates equally finns strength of character and easy goodness and by extension hates ben for his alliance with finn. she blames finn for “taking” ben from her.
ben solo
kylo ren is a disgusting blight on the star wars names so ben solo is being completely reclaimed by me into a different character because i fucking hate that stupid pretentious eboy. instead ben solo is an incredibly han solo coded character with a heart of gold and deep love and loyalty to his friends and family. his main weakness as a character in this rewrite is his fear and lack of self belief. ben is terrified of being a jedi and of his own power. he fears his own nature and was so afraid he would become his grandfather that he ran from the jedi altogether. ben solo is a runner that wont face his problems, he runs from the jedi and from his parents to avoid failing or becoming something terrible. finn and ben recognise the need to run in eachother (although important distinction finn runs because he doesn’t want to fight for a cause. and ben runs because hes afraid he will be the reason the cause fails) and ultimately encourage eachother to break the cycle and stand their ground (well finn motivated ben in this movie, finns not fixed yet.) Bens arc in these movies is about learning to live with his own nature and fighting for what he believes in despite his fear. also dealing with mommy issues (ben is kind of jealous of poe and leias relationship the son she wanted or something blah blah blah etc) and being a malewife to his murder girlfriend. his job is kind of to support and fight with finn and later rey and help them save the world
finnpoe (will be a gay couple)
their friendship will be front and centre in these movies because they represent duty vs personal loyalty. poe puts the cause above all else and values his own life and personal relationships little. finn on the other hand is disillusioned with establishment cause of stormtrooper trauma and wants to protect himself and others from it. poe is the first person that finn truly bonds with and loves. he puts poe above everything, including being a jedi and the rebellion. this leads to a lot of fighting and discord between finn and poe as finn doesn’t understand how important the rebellion is to poe and poe doesnt get why finn is trying to protect him from it. ultimately though poe teaches finn faith and belief and finn teaches poe to accept love and value himself. (also many hanleia parallels) the two of them are the harbingers of a new age. poe as future leader of the new republic and finn as the jedi messiah or whatever. in terms of romance, im thinking slowburn. baity first movie, kiss at the end of the second and established relationship by the halfway mark of the third.
also when rey eventually joins the light in the beginning she refuses to talk to ben (cause of romantic drama i havent thought of yet but centres around some sort or betrayal in the second movie) or finn (because hes her narrative foil and slow burn best friend forever) so her first friend is poe and she kind of follows him around in her first few months before she eventually bonds with finn 4eva. her poe shadowing has lots of cute friend moments where they fly together and he tries to talk her down about finn and the ben drama but also more importantly it foreshadows her leadership ability and tactical mind as she gives him advice and aids him with the rebellion behind the scenes (also leads to leia taking rey under her wing probably because poe is her surrogate son and mirror) which will eventually lead to her and poe leading the republic together because in my mind rey is a jedi but actively a member of republic government because ben can’t do politics and finn won’t but shes great at it so she’d be a perfect jedi liason and vice president to poe. meanwhile finn and ben lead the jedi. finn as a knight travelling across the galaxy and ben as a teacher. (luke is happy in retirement rn on mandalore but leia is still probably an advisor in the republic because retirement is definitely not for her) and everyone is happy the end. force ghost han solo is clapping.
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raticalshoez · 7 months
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SECRET LIFE SPOILERS!!!
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Some Secret Life traditional sketches of Session 6! My digital art was looking doodoo so I tried to fight artblock by going back to paper. MY CAMERA SUCKS THOUGH. Maybe I'll transfer to digital someday.
Edit: FUCK. I FORGOT JOEL HAS THE LIFE MERCH ON THIS SEASON.
Close-ups under cut!:
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bananonbinary · 3 months
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as a certified Diagnosed Autist(TM) i cannot stress enough that i am not only pro- self-diagnosis, but also pretty anti- legal medical diagnosis. it is, at best, a cruel hoop we have to jump through so privileged people will deign to give us what we need. don't fucking do that shit unless you have to, it was disgustingly expensive, fucking humiliating, infantilizing, and dehumanizing, and would probably actively cause problems in my life if i didn't have some really good allistic (-passing) people in my corner and also wasn't so fucking disabled that it mostly doesn't matter.
literally get that diagnosis if you need it for job/school accessibility shit or SSI or whatever, and otherwise dont tell the government SHIT about yourself. there is zero good reason for them to want that information. that's between you and the people you want in your life.
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