#that was incredible seriously this episode was fantastic and not just because i have a soft spot for laura lee's ghost

[muchanmocha]

Round 7 (and beyond)

I never intended on releasing a prediction post bc Team Vivinos is capable of excellent plot twists and there wasn't enough to go on imo to really have any solid guesses. But the recently released teaser gave me enough confidence in my current theories to put this out there. (Apologies if it's incoherent bc I'm basically just reposting a discord spiel I gave to an unfortunate friend a while ago lol.)

In sum:

Luka will be the winner of season 50 but Till won't die.

Bonus half-crack prediction:

Luka will win against Till, but Till won't die and Hyuna crashes the party to win season 50.

I can't recall the source but I believe Team Vivinos has mentioned that we're entering the main plot/part 2 of the story. Everything in this post is formulated based on this premise.

The artbook synopsis also seems to back up the claim that a bigger plot is coming.

Luka wins

Fairly sure Luka will win because that's his role. He is the epitome of this system. He is the symbol of Alien Stage. He cannot fall this easily.

Him maintaining his position at the top means he and the segyein enter part 2 with a strong presence.

Alien Stage may be fractured — 2 current participants have escaped to the rebels alive — but the system is still standing. It's scandalous, sure, but they have a winner and they will eventually go on to have Season 51.

Till survives

Till won't die because that's just weak sauce writing, plot, and character and we know Team Vivinos isn't capable of weak sauce writing, plot, and character.

Fact of the matter is, if Till dies in the next round he and his personal story will forever be overshadowed by Ivan's.

The climax of Round 6, Ivan's narrative and ending, it was executed so goddamn well. It was compelling. It was incredible. We are still not over it. And so—

There is nothing Till can do in the space of one episode ending in his death that can overpower Ivan's momentum from the previous episode. (Ofc everything in this series was somehow packed into 4 minute spurts that leave us emotionally wrecked so I am fully prepared to eat my words)

If Till dies here, regardless of what he does on stage before it happens, Till will be reduced to "the character who dies of guilt and regret after being the subject of someone else's obsessive love and sacrifice." He'll end up a passive player in his own story.

But if Till survives:

Till from here on out

Imo it would be FAR more interesting to see where his feelings and relationship with Mizi develops and shifts from here because Ivan has effectively tainted his idea of love.

Why do I say this?

Well Till's love for Mizi is... very innocent, very pure, very "first love"y. It's all things naive and fantastical and shoujo manga heart-shaped bubbles.

Meanwhile Ivan's love for Till is dark and gritty. It's obsessive. It's all things murky and ugly (I mean it in the best of ways don't come at me with your pitchforks) — the complete opposite of Till's impression of love.

Which makes it all the more impactful when Ivan forces Till to come face to face (literally) with that deep, obssessive love in Round 6 with his last moments.

After this incredibly traumatic eye-opener — an intimate, violent look into a different kind of love — I don't think Till can look at Mizi the same way again. (No not because he does or should be obligated to return Ivan's feelings, and that's a hill I'll die on regardless of pitchforks. If Till develops feelings for Ivan it should be on his own terms. If Till falls out of love with Mizi that should also be on his own terms.)

Hyuna wins Season 50 (jk)

Look it'll be funny.

Luka facing off against Till and then Hyuna crash the party, stomps him (vocally), effectively wins Season 50, and then yeets with Till and Mizi — one over each shoulder, hauled like sandbags.

(In all seriousness tho, not a very high chance of happening. They clearly have a lot of issues to sort out that'll prob happen later in part 2.)

"Never come back again"

The whole reason why this post is up. The caption for the new promo art gives me more confidence in the theory that everyone leaves except Luka.

'Never come back again.' I feel like there's a good chance this is Luka saying or thinking this to Hyuna (and co). If indeed it is, there's a lot to unpack there.

Tl;dr

Hyuna and Mizi busts Till outta there, Luka is left utterly alone seated on the throne again, Sua and Ivan eventually come back wrong to wreck emotional havoc as zombie androids

[lesbianlotties]

i feel like everything about yellowjackets could be summarized in what teen Nat and Lottie did this episode like. it was so stupid, it was so necessary, they almost died, it was survival, it was insane visions, it was the ghost of their dead friends, it was everyone alive coming together, Marie's obsession, Tai's skepticism, everyone taking sides, Nat giving Lottie the bath and bandaging her hand, still lovingly insulting each other!!!

[harukamitsuki]

Ugghh been consuming some bnha stuff and I'm reminded of why I largely prefer fanfiction over the actual story. I have so much hate and pettiness within me. Even so, I am never going to change my mind on how much I hate how bnha is just an amalgamation of wasted potention. Search the definition of wasted potential up and there's just an image of bnha.

I remember watching it as the first season was coming about because it was made by Bones and I just have to watch it in that case. I watched episode one and was so excited.

We have our mc, Midoriya Izuku, being powerless in a world full of quirks.

His childhood friend turned bully, Bakugou Katsuki, is shown to be favoured by literally everyone and this feeds into his ego.

All Might, the number one hero, is jaded and powerless for 21 hours of the day because of a fight nobody knew existed. Izuku is attacked and helpless, but saved by All Might. All Might tells him he can't become a hero. A much needed reality check because Izuku didn't work out a single bit before then and it's so incredibly hard to fight someone who has something you lack.

Then Bakugou is attacked and helpless. Bakugou, who is so much stronger and who people love, is left useless, only able to make the situation worse with his explosions creating a fire hazard. The pro-heroes can't do anything. All Might and Izuku both hate themselves for the part they played and how useless they are. Then Izuku sees how scared Bakugou is. He runs in, inspiring All Might as he mocks himself for breaking Izuku's dream yet forgetting the core of heroism.

Then, after all is said and done, All Might goes back to Izuku. And he tells him he can become a hero.

...

Then he offers him One for All. Now, when I was watching this for the first time, I was so disappointed. You set up a powerless mc in a world full of powers and you just give him the power of the strongest hero? Great. But, I kept watching.

I watched Izuku work to get his power, struggle even after getting a quirk. I watched as Izuku finally stood up for himself and win against Bakugou. I watched as the series went on and I... I started noticing more and more missed opportunities.

See, bnha is supposed to be a zero to hero story. It's supposed to be about the mc going from powerless to powerful. But it does it so quickly. Suddenly, it's not about Izuku finding his own form of strength, or realising how being quirkless may not give any advantages but it also has no disadvantages, or even any commentary on quirk discrimination or fantastic racism or anything.

It turns into a story about controlling your power. It's not what I signed up for.

That's just one missed potential. There's so many more. Horikoshi clearly tries to make some commentary on quirk discrimination and female heroes/sexism in the workplace and entertainment over peace. There's some effort put into making a comment on how heroes are glorified and people don't see them as public workers, they see them as celebreties.

But it's never delved into. We don't see how bad people with mutant or 'villainous' quirks are treated, and we don't see how people with weak quirks are treated, or how the quirkless are treated (because the only reason Izuku was treated so horribly was because of Bakugou). We don't see how female heroes need to have a bit of allure in their personas to have any sort of support.

Yuuei is literally a camp for making child soldiers, yet there's no controversy over it? There's no such things as heroes having to take lethal action and no moral dilemmas over it? There's nobody speaking out about how Midnight flirts with students?

We have literally no information about how heroes work. We don't know how their salaries are decided, how they're ranked, how undergound heroes work. if twilight heroes are a thing, how anybody but Rock Lock feels about bringing children into adult matters, (seriously, why do people hate Rock Lock for being rightfully worried about having 15 year olds in a raid against the yakuza), we don't know how villains work and how to decide if one's a criminal or a villain.

Heck, the only laws we know of are fanon, and the canon stupid idea that you can't use your quirk in self-defense.

It's just. Incredibly infuriating.

Also, analysis as a whole is so under-utilised. Both Izuku and Shigaraki are deemed creepy for their analysis, which is such a useful tool. I mean, Izuku accurately guesses Stain's quirk, which is useful because, otherwise, they wouldn't be wary about Stain licking their blood or cutting them. Shigaraki accurately guesses the time intervals between Aizawa's blinks, which helps him a shit ton.

But is it ever used outside of these situations? No. The thing is, quirks are scientific in nature, not magic. Therefore, they're not restricted like magic is. Fire doesn't always have to be fire, it can be smoke or just heat. Ice can be water or steam. Acid can melt through anything or just be used as a mario kart banana peel.

There was so much missed potential and that's exactly why there's so much fan content.

Horikoshi leaves so much out, and everything he misses tends to be the interesting parts. He willfully explains Bakugou's quirk in detail, but everyone else? Nah. Fuck them.

I mean, let's look at Ochako's quirk.

Gravity negation. Or is it? See, if it were just gravity negation, then two things, in particular, would happen. First of all, Izuku would have fucking died when she saved him from falling. Second of all, she would not have been able to get infinity in the ball throw.

Negating gravity does not negate the forces. Therefore, when she saved Izuku from falling, he would have still been affected by the force of his fall. It would have been no different from hitting the concrete. Additionally, when she threw the ball, it kept going. Air drag would have made it so that she couldn't possibly get an infinity.

More accurately, rather than force negation as some fanfics suggests, she's telekinetically accelerating whatever she touches. She telekinetically accelerates Izuku's body to stop him falling, and does the reverse for the ball, making it so that it continues to accelerate after she throws it.

See what I mean? Because Horikoshi gave Bakugou's quirk a scientific explanation with him sweating a nitroglycerin-like substance and being able to spark it, you have to look at every quirk with scientific knowledge. He could have said 'oh, yeah, I store energy from my quirk in these gauntlets' but Hori just had to be a smartass.

By the way, because of Bakugou's explanation, it's possible that his quirk is not what is named. Yes, it's possible to have two sides of a quirk, as we see in Shouto, but Bakugou's quirk isn't explained in the same way.

Rather than his quirk being creating explosions, his quirk is more like creating sparks in his palms. Why? Well, you see. Bnha never delves into actual quirk theory, but there's more than enough canon evidence that you have one main quirk and then one or more quirk mutations. For example, Ashido Mina's quirk is secreting acid that she can manipulate the acidity and viscocity of. Her appearance is not related to her quirk at all, meaning it's a quirk mutation from her parents. Same with Tokoyami Fumikage. Quirk is Dark Shadow, so there's no need for the bird head.

Why does this relate to Bakugou? Let me explain: Bakugou explains that he recieved a mutation from his parents with his mother secreting glycerin and his father sweating acid with combustive properties. In other words, Bakugou inherited nitroglycerin-like sweat from his parents, but his actual quirk is being able to create sparks.

His quirk is 'Sparks'. Not Explosions.

Why am I ranting about this? Because bnha completely misses all of this! It makes no sense which is a shame because the concept is so interesting! But then it throws away any scraps of potential left when it becomes 'My Kacchan Academia'.

Seriously, why do people and why does Horikoshi love abusive pieces of shit so much? Why did he throw away the potential to look into Shouto and his siblings' feeling about Endeavour? Why did he make Dabi's plot all about Endeavour instead of Shouto?

It's so easy to compare the ways Dabi and Shouto handle their trauma and their ways of revenge. It's so easy to look at Dabi and think about how easy it would have been for Shouto to become like him.

Shouto was transfixed on Endeavour. Everything he did related back to his hate for Endeavour. Using his quirk, fighting, grades, social interaction, everything. His only reason for becoming a hero is to spite Endeavour. It's only because Izuku reaches out to him and saves him from his own toxic mindset that he's able to move one and do things for himself.

Dabi, or Touya, on the other hand, doesn't get that. He doesn't get that person who recognises how far he's gone, how, in trying to spite Enveavour, he's living a life centred on him. How he's jealous of his little brother for being abused and tormented.

While Shouto became a hero to spite Endeavour, Dabi became a villain.

They're both full of hatred at first, but Shouto is saved from that spiral. Izuku helps him. Dabi doesn't have that. It would have been so interesting to see these two face of as parellels, but nope. It's all about Endeavour. Shouto is nothing more than an accessory.

I understand Dabi being hung up on Endeavour, but to outright replace Shouto with the abusive flaming trashbag? No.

Also, if Horikoshi wanted Dabi to be seen as sympathetic or redeemable, don't make him kill innocent people. Don't make it so that he unlocks an ice aspect to his quirk in a life-or-death situation because all that means is that Endeavour was right to hurt Touya the way he did. All that says is Endeavour should have hurt him more.

AND DON'T EVEN GET ME STARTED ON BAKUGOU.

This piece of shit bullied Izuku relentlessly for years, used his quirk on him (yes that is canon), told him to end his life, tried to assault him in Yuuei, tried to kill him, threw a tantrum at an abused kid for not being magically okay with using a quirk that reminded him of his abusive father, assaults Izuku when he tries to work together but still magically gets a pass for being carried out unconcious which Sero was failed for, and the list just keeps growing.

Oh, but my bad. He has a sad backstory. You see, he fell in a river.

[nipuni]

Doctor Who report!! We are all caught up with NuWho and in time to watch the new season when it comes out!! mission accomplished, It took us around 6 months total and we loved every minute of it 🥰

Now that we have watched all eras I can share our tastes and opinions nobody asked for under the cut 😌

We can confidently say RTD's era is our favourite and for Doctors 10 (and 14) followed by 12, but honestly there isn't a single Doctor (or Master!) that we didn't love.

We've also started rewatching the first four seasons now with more context and there is just something so special about them. They almost feel like a different show from all the later ones. The silliness and the way the story doesn't take itself seriously at all until all of a sudden it does and then the pain hits you twice as hard because of it. How with just with a line or deed and it's implications the Doctor can be so unbelievably inspiring. The way the narrative seems to place you in the role of a companion trying to catch up with the Doctor and figure him out yet never quite managing to do so creates this distance but also admiration and reverence in you too and you can't help but adore him flaws and all. It has just the right amount of room for every side character and relationship to develop and feel human and the right amount of exposition to keep the pace quick and don't hold your hand. The glimpses behind the doctor's cheerful childish façade into an unsettling calculating alienness and immeasurable trauma but also a weary wisdom. The complete selflessness to the point of martyrdom. The reckless irresponsible acts of devotion from both the companions and the Doctor. The near apotheosis of the companions the closer they get to him. The contagious feeling of awe and wonder and hope for life. The way it's so unabashedly centered around love of every kind 😭 ARGHH I don't know man there is nothing like it!! Ultimate comfort show for us, just.. healing really. There is so much more I can say and gush about but I'd be here typing all day so I'll draw more about it instead!! We would also like to get started on classic Who soon! and try to get our hands on the audio episodes and comic books and all the extra stuff as well 😊

We also watched more David Tennant works since the last report!

Blackpool was hilarious, infuriating and horny, the singing was a choice but overall so fun!! The Escape Artist was great, very sad and tense, would have loved for it to be longer, these miniseries are always so good but so short!! Mad to be Normal is so underrated? we enjoyed it a lot!! RD Laing's portrayal was so compelling, it's beautifully shot and the 60's setting is really immersive and well done. Einstein and Eddington was also really good, incredibly accurate historical setting!! the costuming was fantastic, one of the best I've seen!! These last two films are biographical and sort of no plot just vibes so maybe this is why they are not everyone's cup of tea but we enjoyed them very much. David just never misses, I'm sure we can watch anything with him in it and we will love it no matter what lmao what a guy 😭

Anyway that's all for now! I hope you are all doing well, spring/autumn is almost here! best bits of the year 😊

[whumpsday]

3 whumpy anime to check out this spring!

Go Go Loser Ranger is a heroes vs. villains anime where the villains are the good guys and the heroes are downright evil. Having wiped out all the powerful monsters more than a decade ago, the heroes keep the weakest monsters captive, to parade around and torment on a weekly basis while the public believes otherwise. Because they're immortal when hit with most weapons, they'll always reform to be hurt over and over again, despite feeling all the pain.

Footsoldier D is one of those weak monsters, an immortal shapeshifter made of dust, called a "duster". After escaping the heroes' arena, he forms a plan to kill the heroes and steal the few weapons they have that can permanently kill dusters, freeing the rest of his kind. Given that he has the constitution of a porcelain doll, he can't use strength to fight: he has to rely on wits, stealth, shapeshifting (despite knowing very little about humans or the outside world), and a shaky alliance with a double-agent ranger who seems to be taking advantage of him for her own gain.

Whump tags: villain whumpee, hero whumper, immortal whumpee

Watch it on Hulu, Disney+, or any unofficial anime site.

And if you don't have time to check out a whole anime, the Go Go Loser Ranger opening theme video is also really good, with fantastic visuals symbolizing D's struggles!

An Archdemon's Dilemma is a romantic comedy stuffed to the brim with popular whump tropes. Zagan is a demonic sorcerer who attends an auction for the possessions of another recently-killed sorcerer, when he sees that one of those "possessions" is an elf slave, Nephelia. Having had a destitute, harsh past himself, he feels a rush of sympathy and buys her way out, vowing to ensure her safety. However, Nephelia is terrified, believing she's about to be used as a sacrifice in a dark magic ritual. And unfortunately for both of them, Zagan is a socially awkward loser who sucks at communicating.

It's surreal seeing something that looks like it could be a caretaker-new-master whump fic as an actual, fully-realized anime. It definitely doesn't take itself too seriously despite the premise, leaning heavily on the "comedy" part of romantic comedy, and is mostly just a silly time with lots of whump-adjacent stuff thrown in. Fanfic-y to the point of "there's only one bed" being an actual line.

Whump tags: fantasy slavery (very pet-whump-esque in its tropes), caretaker new master

Watch it on Crunchyroll or any unofficial anime site.

The Grimm Variations is an anthology of horror retellings of several Brothers Grimm fairy tales. With each episode being written and directed by different people, it varies wildly in quality, with episodes ranging from laughably bad to incredibly good, but I'm here to talk about episode 2: Little Red Riding Hood.

The Little Red Riding Hood takes place in a dystopian future where the upper and middle class use virtual reality technology to augment their reality. One man, Grey, is tired of this and craves the real: specifically, the feeling of real blood spraying him as he murders countless women, his wealth and connections protecting him from consequences. But when this serial killer makes the mistake of targeting a woman called Scarlet, he finds himself on the other side of the knife. This episode is a complete and utter gorefest with multiple onscreen torture scenes.

This isn't even my favorite episode of the series, it's like my 3rd favorite. But episode 2 is the one with the gruesome torture scene, so it's the one that goes in this post.

Little Red Riding Hood whump tags: whumper-turned-whumpee, torture, gore

Little Red Riding Hood warnings: sexual assault, eye gore, fingernail gore, violence against women, major character death

Watch it on Netflix or any unofficial anime site. Orrrr if you just wanna watch the big torture scene without any of the context, it's on Youtube.

that's all I have for now :)

(P.S: Dungeon Meshi, while not really whumpy as a whole, is also currently airing and very very good and I might write whump fanfic for it at some point in the near future. Netflix or any unofficial anime site.)

[avelera]

Oh GOD you, too, are an online lectures geek pls consider this your invitation to talk about favs--ones that stuck with you, current obsessions--the more the better! In trade, I'll tell you the two things I'm currently adoring: Yale's Open Course podcast on The Civil War to Reconstruction done by David Blight (man forgot more than ten other civil war historians know even if he mumbles *constantly*) and A History of Christianity by Diarmaid MacCulloch (so! worth the Prime BBC free trial <3)

Hiya! Don't mind if I do!

So 99% of the lectures I've watched lately are on the Great Courses Plus which was recently and stupidly renamed "Wondrium", which I find profoundly stupid because instead of just saying, "Hey, check out the Great Courses, yeah you can kinda guess what the streaming service offers," I have to instead explain what this nonsense term "Wondrium" means, ANYWAY, they've got lectures about basically everything.

Essentially, it's Netflix but for college lectures. YouTube has become so unreliable as far as what's actual information and what's completely made up or even racist conspiracy theory BS that I find it completely untrustworthy. Also, most documentaries are trying to prove something new, or offer a new angle on something, OR they're SO rudimentary and 101 that even for topics I know less about in history I tend to already know everything they're going to say.

So I pivoted to college lectures because 1) it's a whole series so like, dozens of hours I can just throw on in the background while doing something mindless and 2) I know it's going to be trustworthy, reliable, and provide me a baseline on a topic instead of some "new controversial spin" on it. Like, goddammit, sometimes I just want to better understand the history of Ancient Egypt, not your stupid theory about how they were secretly all space aliens or that we've got the carbon dating all wrong or whatever made up nonsense.

So, here's a list of some of my favorites!

Hannibal: The Military Genius Who Almost Conquered Rome - I consider myself about as near an expert as a non-academic can get on Rome and this lecture actually taught me some things, which is rare, so I recommend it as a fantastic deep dive!

How the Crusades Changed History is a pretty good short version that I recommend to anyone who enjoyed The Old Guard's Nicky and Joe BUT, for the best Crusades lecture, I'd recommend this History of the Crusades podcast. Sharyn Eastaugh is not just insanely informative, but her dry wit made me laugh out loud at least once an episode at the sheer hapless ineptitude of the Crusaders.

In the Wake of the Plague is a fantastic new lecture by Wondrium, the lecturer is amazing and it provides a lot of objective insights into how humans react to plagues that is VERY relevant to current events, BUT their lecture on **The Black Death in general is the one that got me obsessed with their lecture series. I watched it in the first week of Covid lockdown and let me tell you, having this super in-depth, objective look into how people behaved during the Black Death was incredibly valuable (and chilling) going into those years because it all played out with astonishing similarity. Also, anything by that lecturer, Dorsey Armstrong, is awesome. She's a Medievalist of the highest order. I also recommend her lecture on King Arthur.

**The Birth of the Modern Mind: The Intellectual History of the 17th and 18th Centuries - this one wins the award for "Lecture I thought most likely to bore me to tears that ended up being the single most fascinating I've heard in YEARS." Seriously, the way it explores the evolution of how we think in the modern era, through the philosophers who first conceived of these ideas, was jaw-droppingly fascinating. I also recommend it to writers of historical fiction and fantasy for a crash course, by proxy, of how to write people who think differently than you.

The Other Side of History: Daily Life in the Ancient World - I once had beef with a post here on Tumblr that claimed that academic Classicists don't care about slaves or normal people during the Roman Empire, which is just profoundly absurd. I pointed out this lecture to them if they actually wanted to learn more about the subject instead of complaining that an art history professor may not have been prepped for a lecture about the lives of enslaved people in Ancient Rome. If that is a subject of interest, this lecture is great.

The Real History of Pirates - a must-listen for OFMD fans who want to get an introduction to historical pirates and the history of pirates in literature, which "Our Flag Means Death" owes as much if not more to than the historical figures.

**Turning Points in Middle Eastern History - One of the first lectures I listened to and still one of my enduring favorites. It's the first one I picked up for writing my Old Guard fic, Lights Out, when I wanted to write Joe from a more informed angle and I learned so much.

Understanding Japan: A Cultural History - One of my favorite lectures based on format, the lecturer picks a literary work or cultural concept as the entry point to explore the timeline of Japanese history. It's a fantastic way to give a wider and more holistic look at each era, pairing it with a cultural touchstone.

Shout-out to "The Mysterious Etruscans" because I just think they're neat. The lecturer is also very good and I highly recommend his lecture on ancient cities as well which taught me a lot that I didn't know.

Also a shout out to, "Warriors, Queens, and Intellectuals: 36 Great Women before 1400" for its subject and the lecturer who is great and she also has a really fascinating talk about the history of Spain.

Ok, I THINK that's some of the top ones! ;D

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 3)

Hi! Welcome back to The Lady Whistledown Papers, where I'm taking an in-depth look at Penelope Featherington and Colin Bridgerton's character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Girls Like You

Jumping back in, we start off with a montage of suitors for both Daphne and Marina set to Maroon 5's Girls Like You. Usually, I have some great thoughts on the use of music within shows but this one feels... just like a fun little pop song to put to a montage? Most of the lyrics involve -- needing a girl like you -- and -- yeah yeah yeah. It's not the most profound song, but it works nicely for the montage.

Also, I love when they match the Featherington girls' dresses. I'd love the backstory as to why Portia is obsessed with citrus fruits.

As a nice touch, when the LW voice over starts, the camera pushes in on Penelope. I kind of love all the hints they give that LW is Pen -- it's incredibly obvious once you start looking for them. Anyway, Penelope is so devilish here. She loves the attention Marina is getting - not only because she finds Marina a nice person, but because it's pissing her mother off. I love that the LW narration is Pen's way of throwing salt in her mothers' wound. It's a bit wicked. And delicious.

What's somewhat wild, though, is that LW goes after the Queen about her choice of Daphne as a diamond. THE QUEEN! Like, that is bold, Pen. Incredibly bold. She even throws shade at King George, like wow. It's no wonder the Queen is obsessed to track her down. Pen's playing with fire here. But I wonder if she doesn't realize, yet, that there can be consequences to her words? I mean - right now, LW is almost like her journaled words being published -- unedited thoughts that aren't necessarily filtered, but are done so anonymously. The only reactions she's really getting are her mother's frustrations -- which she delights in.

It'll be interesting to watch the LW development as the show continues...

Courting I

Awww, it's our first real Polin scene of the show! And it's... like ten seconds long. But! Still plenty to dig through.

Colin's decided to call on Marina - I'm assuming he's the one (or one of the ones really) who brought her flowers. And during one of the suitor's atrocious poems, Colin's throwing Pen (and you could argue Eloise) looks. Like, can you believe this guy? Seriously?

But, no, I love that there's this layer of non-verbal communication right off the bat. Colin isn't just some random dude Pen has had a crush on from afar. They have an established relationship from the onset (which I'll talk about more in a sec) and how many times -- cutting through the ridiculous nature of the society they live in, do they shoot each other knowing looks.

They grew up together, and while Colin probably very much thinks of her as an additional sister at this point -- there's a comfort there that he can express how he's feeling over the situation to her.

A quick second about the dog - it took me a sad amount of times to realize that one of the suitors had brought it as a gift. It also doesn't show up after this episode (I think) so I really hope it's safely living at a neighbor's house after Portia decides to get rid of it.

Anyway... I was thinking about Eloise in this scene. Why is she even in this scene, she doesn't need to be. Well, actually, in a way, she does! First of all - we can appreciate Claudia Jessie's fantastic comedic skills (Btw - anyone else up for a buddy comedy with Claudie Jessie and Nicola Coughlan? Because I sure am here for it).

Secondly, it helps reestablish that Pen and Eloise are bffs. Which helps establish why Colin would otherwise randomly come up to talk to her after calling hour is over. This is the first episode of the series, and all of these relationships are being established. And it can be done without dialogue having to confirm it. It's all subtle, but it's better than the trap of over explaining things in expository dialogue.

Anyway, I want some backstory... How often do Eloise and Pen sneak over to each other's houses? They were children when they met - how often did Pen play over at the Bridgerton house? It's interesting that children are allowed some freedoms that once you get older, aren't allowed anymore. I have to wonder - if one reason that Pen and Colin are so free with each other later on is that because they they were children together, and probably played together as kids, they don't feel as bound by society's rules because they didn't have to when they were younger.

And now I just have all of these headcanons about a much younger Colin chasing his sister(s) and Pen who is visiting around the house in the way siblings do. And Eloise deciding she wants to take revenge, and she and Pen coming up with plots to play pranks on her brother(s). Think of Gregory and Hyacinth at the beginning of the episode, running around causing havoc. And I can just imagine that Eloise and Colin are a lot like that, too. And of course, Pen, who wanted to be away from her own family, from her own sisters who treated her like a disease, would want to be a part of it as much as she could.

Before I get into their exchange, a small, but important detail is what Portia says a moment before -- she encourages the young men to acknowledge her other daughters in hopes that someone will notice Prudence or Phillipa. But the way she includes Penelope's name -- "or even Penelope" -- it's an after thought. It's like, oh yeah, I have a third child I guess if you really want to acknowledge her, go ahead, but meh, who cares. It's so sad, really that Portia thinks so little of her at this point in time.

But then here's the kicker -- not one of these suitors even takes a glance over in Prudence or Phillipa's direction. But Colin takes a moment to full on have a short aside with Penelope. He makes it a point to go over to her to share a laugh -- because they'd probably been rolling their eyes at each other during all of this suitor business, and now that the official courting moment is over, they can have an exchange.

The fact that Portia is so blind to what goes on with her youngest daughter is the reason LW works. Penelope is left to really be on her own - and while that's devastatingly lonely, it also allows her a freedom that other women her age and place in society don't get.

Anyway, back to Colin -- and the fact that the first thing he does is seek out Penelope. He could address his own sister, who is sitting right there, but he doesn't. Because Eloise probably usually ignores him. Penelope doesn't. She latches on to pretty much everything he says, and that's gonna be a big deal for Colin (but we'll get there...)

Their exchange is only a couple of lines, but they're able to be witty with each other. Penelope mentions that the suitor is no Lord Byron (and -- guys, as an aside, if you want a wild time, look up the life and times of Lord Byron and the Shelleys. It's just... a good time...) Anyway, Colin's face subtly shifts in this moment. Her wit and intelligence is impressive, and he clocks that. It's why he keeps coming back to her - because they can share similar thoughts - but also she's deeply amusing on top of that.

And, oh, dear Penelope... Her eyes never leave him. She is just so, so gone. Not only is she just over the moon that he comes to stop to talk to her, not only is she gazing adoringly up at him during the quick exchange, her look lingers as he leaves. Of course, part of this is visual storytelling to show the depths of her feelings. But, we're beyond crush stuff here -- this girl has got it bad.

Seriously -- how does Eloise not notice all of this? I mean, plot purposes, yes, and the fact that Eloise is usually caught up in her own drama to really notice other things. But you'd think you'd notice your best friend being moony for brother after a while. Because, Pen, girl, you wear your heart on your sleeve...

Courting II

Before we get into the meat of this short, little moment - I have to mention the transition. In the scene before, Simon and Anthony were talking, and Anthony mentions that he's not worried about taking a wife because he has brothers... And we cut to this scene where Colin is courting Marina. And, I think it's a neat little transition because - we see Colin doing something that Anthony is actively not doing. Looking for a wife. (Or at least a romantic partner)

That's the thing about Colin -- he is a romantic. Unlike Anthony, whose position is different because he is the oldest and therefore there's more responsibility there, and therefore he'd rather not deal with it at all (and who has a ton of trauma going on in addition) and unlike Benedict, who is kind of caught up in finding himself more than anything, Colin (who is young still at this point) likes the idea of a wife and a partner and a domestic home.

It's one (of many - I'll get to it) reason he is so quick to propose to Marina. It's why he doesn't fuck around ages later when he figures out his feelings for Penelope. It's actually something Colin and Penelope have in common -- they both have a shared love of romance.

Okay, so onto this moment, I want to note the blocking of the scene. Notice how Penelope is on the floor, playing with the dog? It's purposeful! It positions her to reflect that she's still a child, or at least a child when compared to Colin and Marina on the couch, deep in their courting moment. It highlights the chasm currently between them -- something Marina will bring up later, that Penelope is still a child, a younger sister, not serious marriage prospect in Colin's eyes.

There's Lady Whistledown narration going over this scene -- where LW proclaims that Colin might be rewarded with the prize of Marina. And we see Penelope watching with a mix of emotion.

Penelope was having fun with all the suitors back when there were a ton of them and they were spouting bad poetry. But now that it's just Colin and Marina, the knife twists a bit in Pen's heart. She's playing with the puppy, as a way to pretend she's not that interested, but she's dutifully watching. And yes, a small part of it is her LW ways. A bigger part of it is to watch the development of this particular courtship. And, a third part of it is that there's a twisted sense of -- I may hate every thing about what's happening, but we're still in the same room together. She doesn't miss opportunities to be near Colin whenever she can.

The LW narration is somewhat brutal and almost petty. Pen is mocking Marina through the guise of carefully placed compliments. (Note - Julie Andrews doesn't oversell it the narration, but the hint of sarcasm is there.) Again, they did a great job at layering the narration over Pen's face, so we literally are hearing what she's thinking.

Here's the other thing about the narration :: 'It has come to my ears that Mr. Colin Bridgerton will win the grand prize when he sweeps Miss Thompson off her pretty, little, slippered feet.'

There's a lot in that little sentence. Pen is watching Colin and Marina laugh together. And that is hard for Pen -- because we saw it even in the first scene they have together. They laugh, have in-jokes, seek each other out and share cute, sweet little moments. Sure -- we know (or will be told) that Colin is flirty in general, he cracks jokes, makes people seem at ease, and is genuinely kind to everyone. But Pen has taken a lot of those interactions for herself, has buried them away as something special between the two of them.

Colin flirting out during promenades (or whenever) is kind of a distant thing. Pen having a front row seat to watch Colin lay his natural charm at a serious romantic partner is something else entirely. She hates it. And that's why she turns away, because it's a bit too much. And yet, she doesn't leave -- because she can't.

Also, ALSO! The - sweep her off her feet - comment in the narration. Marina will find Colin a bit fun, but it's a nice connection. And I do think she likes Colin. But she's not really swept off her feet. Pen was the one who got swept off her feet. I just... think they did a great job keeping up the duality of having LW be her own thing and having it really reflect Pen's inner thoughts.

So on that angsty note... one more post about the first episode to wrap it up, then we can move on!! See -- I told you there's a lot in this first episode!

[highfantasy-soul]

Things I LOVED in NATLA Episode 7 - The North

Lt Jee actually being worried for Zuko!!!!

And Iroh tenderly bandaging Zuko's head 🥺

Zuko desperate to make sure his father doesn’t truly think he's turned against him!!!!!

A FANTASTIC set-up for his eventual ACUTAL turn against his father

Zuko genuinely thanking Lt. Jee 😢

And aaggghhhh!!! Zhao being a tricky slimey mf

This is a slick way to get Zuko being blown up without the pirates - though they're fun characters, I think this set-up enhanced the themes they were exploring in the season more

TEAM AVATAR!!

So cute that Aang excitedly tells his friends he made a connection with Zuko - Sokka is unimpressed while Katara has hope that people can turn out to be good.

Agna Qel'a!!!!

It looks GORGEOUS! And love that it has a name now!!

Apparently it was given a name in one of the books, but they never did name it in the show, so I'm glad they did it here

I don't even care that they know it's the Avatar right off bat and they're ready to welcome them in - it was cool as shit flying over the city on Appa

Maybe they had scouts out that saw Appa flying and brought news to the city, same as the scouts who saw the Fire Nation fleet - I'll accept that

Them treating Aang like a weapon rather than a person 😡

It's something that comes up a lot in the series and I'm glad they aren't shying away from it

Lol Katara's sibling jibing at Sokka staring at Yue 🤣

I love these little sibling moments - they're just so cute

And Sokka now hard-core staring at the ground instead of at Yue because Katara said he looked like a weirdo doing that 😅

Zhao's overacting at how pissed he is 🤣

Then his 'omg I can yes and this. I can SO yes and this!' as Iroh tells him what he 'think's happened

Oooohhh Iroh's understated insults at Zhao's qualifications

And Zhao's comeback about no record of failure unlike Iroh😐 bitch, that still doesn't make you qualified!

More Azulaaa!!!!

I really love this added storyline to see exactly why Azula is the way she is

It's great to see that her place as next-in-line isn't a shoe-in here - she's desperate to show her father that 'she's the one' and will do anything to get there

Sokka's heart eyes 😍

Stewed sea prunes 😭😭😭

"It tastes like home" 😢

I like this intro to Pakku - like with Sokka, they're not doing a comical level of sexism, they're making it more realistic

YUE IS A BEEENNDDEERR!!!!!!

Also, using it for the most important things: dessert

Sokka's absolutely abysmal (bet very endearing) interaction attempts with Yue 😅

Her little fake gasps as he keeps saying the wrong thing, but smiling because she knows what he means, she's just teasing him 🥺 incredibly adorable

Love that they have a conversation that actually has substance!

Don't hate me, but in the cartoon, they never had a substantive conversation ONCE. It was just Sokka flirting, Yue giggling, then Yue freaking out and running away - rinse and repeat like, 5 times in the course of 3 episodes.

Omg Hahn isn't a dick!!!

I like the more mature tone they've taken in the live action - they can have jokes, but for serious topics like…idk, a battle against the Northern Water Tribe being genocided, they make the characters take it seriously

GOOOOODDDD the adults expecting Aang to be a master strategist and offensive weapon!!

This actually makes sense that they'd believe he could do it - Aang is the culmination of all the past Avatars, so they'd assume he has all their knowledge and power.

The poor kid just got out of his iceberg, though!!!

"Airbending is primarily a defensive discipline"

You tell them, Aang!!

"But you're not JUST an airbender" :( don't bring logic and reality into this, Arnook

"I did it with the help of my friends 😊"  sweet baby Aang

And here's Pakku, telling Aang what a lot of watchers were frustrated about this season: uuhh maybe you should have been focused on your training

While that's a legit comment, I think the live-action showed why Aang didn't pretty well

Love love LOVE that we're introduced to healing with respect rather than the distain it was shown in the animated series

Healing is a wonderful and beautiful skill and I'm glad we got to see Katara interested in it (and it being used) rather than Katara sadly moping into the igloo filled with children learning healing

Sometimes, when people try to make things less sexist, they end up making it more-so. I think that happened with the animated series where healing was actually put up in conflict with combat - where combat was clearly shown as the 'better' skill and healing was 'stupid and bad, we don’t want to do that'. The live-action showed that healing is an important and powerful skill, the only issue comes when you aren't ALLOWED to do anything else. Healing itself isn't the issue, the fact the women are kept from combat IS the issue.

Nice Hahn and Sokka fishing for info about Yue

Avatar Kuruk RESPECT!!!!

LOVE Yue getting more character here!

She can pop into the spirit world! It makes so much sense with her having part of the moon spirit inside her!

The live action fleshed her out soooo well!

Poor Sokka not understanding AT ALL why someone would want to go to the Spirit World for fun 😂

"Don't do that. Don't make it less than what it is"

Such an important message for EVERYONE. You don’t have to have the most tragic of backstories for your trauma to be important. This isn't the oppression olympics - we aren't doing the whole 'well someone else has it worse so you can't complain' bullshit.

Everyone has hurt in their lives and everyone deserves to have their hurt taken seriously and healed. It isn't 'strength' to pretend it's nothing - it's strength to face it and accept that it was important, not something to shove under the rug

Yue reminding Sokka about what makes him special - his care for his friends! He's not a selfish guy - just because he wasn't the best leader or warrior when he was 13 doesn't mean he has nothing to offer the world

"Hahn is everything a girl could want. But he is not the boy of my dreams" 😭😭😭

"Being the Avatar means being the one who bears the burden: alone."

The thing is: like in the animated version, this advice MAKES SENSE! But it's how you USE the advice that makes the difference

No, you can't put all the weight of responsibility on your friends, but neither can you do it without any help - or without caring for others. It's very much advice coming from pain: all the Avatars got hurt because they DIDN'T abandon their friends and so they're giving a skewed version of the advice onto Aang to try to spare him the pain they went through.

It's Aang's job to find the balance

Sokka's fish carving that Yue thinks is a bear 😭😭😭

I wanna see it, props department!!!!

Yeess!! Katara's first confrontation with Pakku!

I like how she still tries to lead with diplomacy, making her case, and Pakku has 'reasonable' excuses not to let her fight

Instead of him being cartoonishly sexist, he's much more realistic giving 'logical' reasons for Katara not to be in combat, but she stands up anyways because she knows it's wrong.

I can see how some might find Aang not wanting Katara to fight to be jarring, but this is in line with the animated series

When they're going into particularly dangerous missions, Aang does have a tendency to try to do it himself and tell Katara to sit this one out - he does it in The Winter Solstice: Part 2.

He's just been told a past life's love was killed because he didn't keep her out of his fight, he has no idea how he's going to win this battle, and he's realizing that he does see Katara as someone incredibly important to him. It's in line with who Aang is to try to keep her safe and away from the battle

Zhao coming up with nicknames for himself 😑

Iroh straight up calling Fire Nation 'info' propaganda!!

While some people could see this as 'treason', when you're in positions of power in high-control groups, you KNOW it's propaganda - you HELP CREATE the lies and when people are going to do something stupid (like attack the North without a solid plan), you let them know that they're being stupid if they're going to make battle plans based on the lies you've helped spread.

Zhao and his dumb bitch destiny 🙄 he's such a great villain - he's one who's bought into his own lies

"The plan is to prove my father wasn't wrong to trust me with this mission. The plan is to go in and capture the Avatar once and for all. The PLAN is to reclaim what is rightfully MINE!! 😤" - "So, no plan? 😐" - "I'm working on it uncle 🥺"

This exchange = gold. Pure gold.

"It's almost as if he's working for someone else - someone much smarter"

WOOOOWWW Iroh, throw that shade a little more, why don't ya 🤣

Though I LOVE that they're giving Azula her brainy due - she's smart and she's the one not to be underestimated.

AZULA'S LIGHTNING!!!!!!!

Love how she stood up to her father, but because she was able to 'prove' her strength, he respected it rather than punished it

"Set me loose" AAAAHHHHHHH

SUPPORTIVE BROTHER SOKKA!!!

Love how matter of fact Katara is "I'm going to challenge Pakku to fight" - just like that. She's decided, so it's going to happen.

Sokka admitting Katara was right 😭😭😭😭😭

"Who's talking sense? What I'm trying to say is: go kick his ass" FUCK YEAH THAT'S RIGHT!!!!

Aang trying to go forward and help Katara, but Sokka holds him back

Love the sibling solidarity!!

The fight is almost beat for beat the one from the animated series!!!

I love that the live action knew exactly which sequences to put in almost 1-1 from the animated - this fight being one of them

"Is that all you got?!?!" FUCK YEAH!!

"They'll just say I lost" "Did you?"

The fact that it wasn't just Pakku's opinion that would change everything - Katara's actions inspired everyone else, even if Pakku didn't want to change his decision.

Change isn't made by changing one man's mind - it's about standing up to them and inspiring others (like in the Imprisoned storyline) to stand up too

Even inspiring Aang to realize that the conclusion the other Avatars came to from their pain was wrong - that Katara was right and that EVERYONE gets to choose whether to fight or not for themselves

Avatars aren't the only ones who worry about protecting people - it's a human, family thing, not just a mystical force of balance thing

Only Aang can write his own story - not anyone else.

This is a great through-line for the whole series where everyone has expectations put on them and they have to decide themselves who they want to be

Don't eat the sooty snow, Momo!!!!!

"Ok, time to fight"

I like that we end on the fire nation ships arriving: next episode is going to be THE BATTLE

[Masterlist of my NATLA thoughts]

[cere-mon-ials]

2023 in kdramas

*that i finished

**in order of how deep and lasting the brainrot was/is from barely a smidge to stitched to my soul

[12] I figured See You In My 19th Life would be trying when I couldn’t understand why an extraordinary individual in her 18th life—18 incredible lives lived over some of history’s most happening centuries—would fixate on one pesky schoolboy. I bought it because (a) Shin Hye-sun was selling it (b) the show tried to make it clear that while she remembered her past lives, it is not the same as living the one she is in. So when the young Ju-won meets Seo-ha, she is still a 12-year-old who happens to fall for a 9-year-old, except she has heightened emotional maturity.

The plot follows Ju-won, who is reincarnated as Ban Ji-eum, her 19th life after her 18th was cut short in a car accident with Seo-ha. Then, the show fumbles its own logic, unable to choose if the real gift is living in the present or remembering how we got there. We are told that Ji-eum is determined to fix the life she didn’t get to live as Ju-won and because Ju-won’s family and Seo-ha are still alive, that’s who she seeks out. She also finds a dear one from her 17th life. The twist is that the 18th life was meant to be a fated reincarnation of two lovers, who in their time—the first life—were wronged. In the end, when the sins are atoned for, Ji-eum loses the memories of her past lives. She is Ji-eum, smart and talented, daughter of an abusive man and born destitute, free of karmic obligations. But who is this Ji-eum? Who does she love? Why are the memories of everyone who knew her as the extraordinary Ju-won/Ji-eum so valuable and hers isn’t? Milquetoast writing and a genuine lack of interesting characters in the rest of the show.

[11] I didn’t finish the first season of Dr. Romantic because I had a violent reaction (derogatory) to Yoo Yeon-seok’s character. I went straight to the additional episode ft. Kim Hye-soo who is ~flails~ and warmed up to this fantastic ensemble, thanks to a YYS-less sequel. Season 3 is ambitious and follows the raggity crew of overworked doctors in a country hospital now coping with its expansion into an elite trauma centre. The show does neither this premise nor the incredible cast they managed to bring back together (at least four of who could demand three times what they were paid in S2) any real justice. It had all the ingredients and an emotional core that is most pleasing to me. Seriously, it was so good: in reaching for the Michelin stars of healthcare, ostensibly Kim Sabu’s legacy, both he and his colleagues find that they may need to reassess what he taught them. Look at the implications. Doldam is a hospital that has run for two seasons on the strength of close-knit interpersonal relationships in ways (some might accuse) hazardous to professional codes. Something's gotta give.

DRR S3 does not trust the emotional tensions that these ideas can provoke and instead, throws in spectacle after spectacle. A bloodbath on a ship carrying illegal migrants, a raging forest fire, a building collapse. And there are villains, written as yangs to yings, in a main character's father played by an actual trash person, and then groan a politician. I mean, the vagaries of ill fortune and death is right there. Isn’t that enough? Makes you wonder just how did Lee-Shin partnership accomplish what they did with HosPlay. Someone who loves DRR’s characters will sit through it. But it’s junk food.

[10] Lee Bo-young is a force in Agency. It's a tried and tested formula: a brilliant creative person with abandonment issues in fantastic clothes. I enjoyed the snippy dialogues, peppered with refreshing metaphor and irony reminiscent of vintage Hollywood flicks. The writing isn’t confident about what it wants to say about an ambitious single woman in a workplace (and other women too including working mothers, women who find no need in dressing up to do their jobs, expert women who still have to struggle when they want to build something). But perhaps you, like me, can let it pass. It is not ideal to fetch a real answer to women’s struggles amidst capitalist excess.

[9] Our Blooming Youth begins with a cursed prince (Park Hyung-sik) and a noblewoman (Jeon So-nee) accused of murdering her entire family joining hands to free each other. Lurking behind is a national conspiracy spearheaded by several degenerate officials who wish to erase a people and their history—interesting that OBY and My Dearest later in the year featured the most marginalised being branded as traitors. The prince and noblewoman (cross-dressed as a eunuch of course) are joined by four young individuals who feel a sense of duty. I adored this band and their shenanigans. The show is kind to the youth in question, to their capacity to chase freedom and friendship. I was moved by such love for characters in this story about nationhood as an ongoing project.

But enjoying OBY means reading in between the lines because the show doesn’t know what to do with its 20-episode length or the depth of its interest in the scars of unacknowledged genocide. I felt impatient and unfulfilled more times than I’d like. I wish OBY was more meaty because it had the opportunity to be radical and chose to be inoffensive. Hyung-sik, very dear to me. So-nee, GOSH. I have loved her since Encounter (2018) and she fills a frame like nobody’s business. If there is such a thing as female gaze, she’s got it. I caught her in the little I watched of Soulmate (2023) recently. A marvel, just like Kim Da-mi.

[8] One Day Off is whimsical and celebrates the mundane in eight chapters following the wanderings of a school teacher, played by the luminous Lee Na-young. Japanese entertainment does discovering minor joys and its everydayness so well that it’s a genre in itself. I have seen it in a handful Korean variety shows too. As a drama, this is new to me and ODO felt special. It giveth in multitudes taking us to a monastery, an art exhibit, a film festival, a planetarium, many bakeries. At other times, it puts us in the middle of a rainy day and ancestral rites and a bus station where the teacher is stuck with condescending boomers. It's lovely.

[7] King The Land benefitted from low expectations of prestige. Junho lovers were tuning in to see him frolic after his Baeksang-winning performance as King Jeongjo, I can’t speak for Yoon-A lovers. The makers wanted to bank on these beloved actors and there is minimal friction between who they are and what they play on-screen. Junho, handsome, rich, kind. Yoon-A, pretty, hardworking, warm. There is a good chance that this show was part of a joint marketing campaign by Dior and Estee Lauder. And also, possibly, Thailand's tourism department. KTL is classic popcorn, easy on the eyes, easy on the mind (save for that irritatingly stupid arc with the ‘Arab prince’), designed to be innocuous. Here’s the thing, though: the cast and crew were not messing around with that dough. They chose to inject this fan + consumer service with an earnest desire to entertain missers of fluff romance. Lee Junho, permanent resident of my heart.

[6] Going in with low expectations helped when I watched My ID is Gangnam Beauty too. Kang Mi-rae is starting college with a new face, having shed her old one at the surgeon’s table because of life-long bullying at being conventionally unattractive. But Mi-rae now has to deal with gossip and judgement about the extents she has gone for what’s deemed as a vanity project. When Mi-rae says that it matters what people think of her, I can't object. It’s because Gangnam Beauty tells a story about familiar feelings and yet, it is also defiantly about Mi-rae. You can walk with her but you’re aware that not all of us walk in her precise shoes, and it’s not about measuring who’s having it worse either. I loved watching her settle into her skin, remaining compassionate in whatever is the opposite of noble idiocy.

Very sweet romance. I may not have noticed Cha Eun-woo if I hadn’t been derailed to the hilt by him in Island—also a show I finished but you will not find it on this list For Reasons.

[5] I wanted to love My Dearest a lot more. It was promising what with Namgoong Min as the perfect Lee Jang-hyun and Ahn Eun-jin as the perfect Yoo Gil-chae. NGM’s ability to smirk in a way that elicits both a punch and a blush is unparalleled. He owns the role of clever playboy merchant who sees the rules of polite society as impositions and who values human life above platitudes. AEJ's Gil-chae is stubborn and witty and audacious and has no interest in anything that distracts her from her desires. I loved them, and that became one of my problems when Part 1 ended. NGM is the perfect Jang-hyun and AEJ is the perfect Gil-chae but I wasn’t able to root for their romance. I never quite got over how the desire that they shared, which war put a damper on before it got a chance to bloom, gets cheapened at the end of Part 1—please read @elderflowergin's excellent post about this. In Part 2, that conversation isn’t adequately addressed but I was there to watch these two actors earn their Baeksang nominations. I found myself willing to move with the tides when Jang-hyun and Gil-chae let each other in after they learn to devote themselves to the people who make their community.

I cannot fault MD, however, on its commentary about how war disrupts ordinary life. There is nothing more moving in the show than the Joseon slaves in Qing singing their songs and harvesting rice, yearning for home while the King and his scholars commit to preserving standing and write these countrymen off. It’s a sharp critique of an upper class that delude themselves about their importance. MD is courageous enough to say that the nation does owe something to its people and the nation must prove itself worthy of sacrifice before it can demand such a thing. I haven’t stopped feeling the pangs of this love letter to a people and their land. The first seven episodes, set during the invasion and in the early days of the Joseon surrender, is real television. It’s what I watch sageuks for.

What else? Great telling of Crown Prince So-hyeons’s story. Lee Chung-ah is captivating. MD would have risen in my heart and on this list if it were more attentive to Ryang-eum. Double amnesia was comically exhausting to watch but I do feel generous now. The first time round Jang-hyun regains his memory because of a tangible article that proved Gil-chae’s love for him. The second time he traces back the arc of his life that spawned enduring memories of love and dreams. He’s not looking to retrieve what he doesn’t know he has lost. He knows he has lost and he is piecing together what he can. That’s a bold note to conclude on by makers who have risen to question the state of a nation in the hands of incompetence and cruelty and obscene pride. The racism is unsurprising—I wish this meant that I had better tolerance for it. I also wish the story knew better than to push Eun-hye to the sidelines. My favourite scene is Gil-chae finding Jang-hyun clawing to life by a string on a pile of corpses and proceeding to play dead while holding him tight to escape.

[4] I kept tuning in to Moving week after week despite my reservations about high school life, superheroes, and gore because it is a feat of storytelling. A rewarding first act, an absorbing second, and a near perfect third. It’s a compelling story on its own about superhero parents who will go to any lengths to protect their superhero children. But it’s also poignant in how it tackles passive peace.

Critiques of the state’s abuse of power often turn fangless in the face of this idea about national security, the notion that secures our future. Writers fumble because they feel forced to provide an alternative: how else do we protect what we must? Moving kills the question by letting you see past that what (national security) and takes you to a who (our children, our literal future). It dismantles the illusions with its central stage as a highly-surveilled school where undercover secret agents observe and train gifted children. The litmus test isn’t going to be the abstraction of a nation. It’s going to be whether our children can grow up, can learn, can be free to be who they want to be, irrespective of talents they may or may not possess.

A state which can’t imagine freedom as such is a failed state and a failed state resorts to joining hands with those who have every interest in keeping us from seeing that we do in fact want the same things as our neighbours. The real world bleeds in when the story of two Koreas becomes apparent. It’s acutely observed in a way that’s trope-y but perhaps not untrue. But the show is more interested in the shared Koreanness, in their love for their children, and for the unimpeachable desire to make their lives better.

Park Hee-soon had me hugging myself from his first frame to the last. Electrifying performance. Han Hyo-joo, oh my god.

[3] My Lovely Boxer was made for me. It’s about Gwon-sook (Kim So-hye), a boxing prodigy who disappeared from public eye after failing to show up for a championship game and Tae-young (Lee Sang-yeob), a ruthless sports agent at the cross hairs of matchfixing. Tae-young has messes to clean, payments to make, and he finds Gwon-sook to bring her back to the limelight for one final game to lose. Gwon-sook wants nothing to do with the sport and Tae-young promises that if disappearing for good is what she wants, then this plan would work for her too. It’s exactly as angsty as it sounds.

The show works because it doesn’t touch a thing that it isn’t willing to gnaw into. It doesn’t merely dangle matchfixing as plot omen—it explores the emotional and economic damages for the sportsmen with heft. Gwon-sook feels no love for boxing but she isn’t the only boxer in the world and that feeling is hardly universal. One of my favourite characters this year is Ah-reum, the opponent of that championship game for which Gwon-sook didn’t show up. That day, Gwon-sook may have chosen to leave the game for self-preservation but she also took away Ah-reum’s right to fair play. MLB is at its best when it navigates Gwon-sook seeking Ah-reum’s forgiveness because therein lies sportsmanship and what it means to tirelessly push your body for a shot at the ring. It’s an exhilarating journey with these two girls because (a) you want Ah-reum to have her moment (b) you don’t want Gwon-sook to lose and let the matchfixing bookers pocket money (c) you begin to wish Gwon-sook could win because she is too good. The stakes are delicious because the bookers are also a tad bit murderous and the final match had me at the edge of my seat.

Lee Sang-yeob was a shock to my system with his intense stare and a thespian interpretation of a man in shades of grey. Sexy bitch. I want to see Kim So-hye and Shin Se-kyung play sisters one day.

[2] Into The Ring tops my list of kdrama romcoms. Nana is a star and the fact that Se-ra cannot walk straight to save her life makes me giggle. She is blunt in the wrong ways, sharp in the wrong ways, and honest in all the right ways. Her heart is big and she has a sense of service to the people around her as though she really believes she was raised by a village. I loved Se-ra’s parents who reminded me of my own in their warmth and clownery. Park Sung-hoon’s Gong-myung is the dream guy: competent at work, loser in everything else. There’s only one kind of valid workplace romance and it’s this: accidentally becoming an elected representative and your childhood nerd friend volunteering to be your secretary to cover your ass. Perfect, no notes.

I happened to be reading Sara Ahmed’s Complaint! around the same time and I think it made me love the show's take on political action more. This is where Se-ra begins, just her and her complaint diary. That early episode where it dawns on her that she wants this job as much as she needs it got to me. There’s much to love in a show that is okay with however small a population she represents, as long as they are fun about joy and serious about justice.

[1] At the outset, Call It Love sounded like the makjang I avoid—a relationship between a woman and the son of her father’s mistress? Turns out, it's possible to tell that story like an accomplished spare poem with meticulously composed frames overdoing headroom and pared down dialogues. In effect, CIL is beautiful to look at and inviting to spend time with. This is kdrama caviar. Debut writer Kim Ga-eun has a gift for writing loneliness and solitude as not mutually exclusive to being a loved and loving person. She’s drawn comparisons to the extraordinary Park Hae-young who is the master at this sorcery. To my mind, the comparisons hold merit in subject but they operate with different intentions and styles. I hope they meet one day and I get to be a fly on the wall.

I was struck by how Lee Sung-kyung played Woo-joo as the responsible middle child, the one most burdened by the timing of her family’s collapse. The show is about her revenge but often, you see her struggle with the coldness this demands of her. She cannot resist what comes easiest to her and that’s her ability to see people having bad times as a reflection of the times, not the people. It's why she can forgive the aggrieved man who harms her, and why she tidies Dong-jin’s ex’s house while the ex is recouping from the heartbreak of losing the same man she is falling in love with.

No one has gotten the allure of the quiet guy, the shy guy, the good guy who is too awkward to be nice like Kim Young-kwang has. Dong-jin knows he has to work very hard to keep up with the pace of the world. He knows his mind but is afraid to impose it, because he doesn’t think it matters and because he doesn’t want to be a bother. Young-kwang just gets that line between clarity and low-esteem. I will never forget his teary eyes and total submission to loving Woo-joo in the single word he lets out with a hitched exhale. He slouches a lot but he will look you in the eye when he has to say something he doesn’t want to repeat. I loved him for that dignity. Special kisses to him for ditching neck ties.

It is true pleasure to see two male leads, majestic and towering in physique, composed to look tiny and frail. At one point, the costume department steps up Woo-joo’s wardrobe as her feelings intensify and it doesn't come across as a makeover. It is presented as the ordinary consequence of paying attention. I loved everything and everyone. The siblings. The ex-girlfriend, the bad mother and also, the generous & kinda clueless one. The stepfather who lingered, the best friends, the loyal & competent manager lady. Favourite kiss.

*

I am currently watching four dramas: A Good Day To Be A Dog (cute & fun), My Demon (silly & fun), Park's Marriage Contract (testing my patience), and Tell Me That You Love Me (relishing but for some reason not investing). I missed Not Others and The Eighth Sense when they were airing and they are the two shows from 2023 that I am adding to my watchlist. I am looking forward to 2024 because we seem to be getting at least one release from several greats and beauties. See you then! I hope no one emails you for the rest of the year and you eat well.

[risingshards]

Spring 2024 anime review!

It's time for my annual anime season review! I had a lot more shows to watch this season than last, which at times got a bit hectic! It's not quite done yet but it's done enough that I think I can put this up. Warning: Long post incoming where I ramble about the many anime shows I watched and personal reflection about how Going Through It™ affected my watching.

Laid Back Camp Season 3: My fav of the season, I'm obsessed with these camping girlies and any more time with them is always a treat. The combo of the suspension bridge arc with the wacky over the top arc is a fun jarring one, and the last trip was so sweet. Rin and Nadeshiko felt even gayer this season which is impressive, they're the most girlfriends to me, Chiaki and Aoi too (or maybe I should just ship full camping polycule???) It was only a few second scenes too but I love that they added Aya into the later arcs as well. I've been in a rough place mentally for a while and it kicked into a new gear this summer, so the comfort vibes of the show hit differently. I'm a super anxious person so chill times where everything is OK is such a nice escape from the world. Shout out to the OP/ED for being my favs this season! Also highly recommend both sub and dub, because the dub cast is SOOOO good once more. Celeste Perez is so fantastic as Rin, and Morgan Laure Garrett does an incredible performance as Nadeshiko. The whole cast is so great I could ramble on and on about them.

Whisper Me a Love Song: Not technically done yet as eps 11 and 12 are delayed, but in spite of the production woes this one has my heart this season in that "I love the manga and am happy to see this animated, I am hyperfixated, and warts and all I love watching it and get way way WAYYYY too sensitive about it seriously chiral go touch grass instead of having anxiety attacks about an anime" kind of way. The voice cast is SO perfect and everyone fits their characters so well and it's a treat to see the manga adapted. Himari and Yori's fluffy relationship was so sweet and I teared up a lot at their big moments. My beloved Aki got so many delicious angsty scenes while also showing her as not a bad person, just someone who's caught up in a crush while heartbroken about her true love leaving her (a true love that she didn't even realize was true love). Speaking about that true love, Shiho getting to be a feral cat storming into the proceedings is a treat, and I love that we get to see her earlier in the anime than in the manga.

The downsides ofc are the production that delayed two of the episodes, and now has the last two pushed to a later date, and my big qualm is the festival getting skipped over (well still kinda animated in the visual comic they released with the voice actors doing great on it), that's a bummer. I can see structurally what they were going for, 6 eps for Himari/Yori and 6 eps for the very popular Aki/Shiho storyline, and having the 'lost' ep voice acted helps a bit. But ughghggh even with all that...IDK it's still my babg and they're my babygorls so I'm rooting for 11 and 12 to be really great and for me to not engage with any fandom discussion about it LOL. Like I said this one had my heart this season, and when something latches onto your heart like that, I think it's good to cherish that a bit.

Jellyfish Can't Swim in the Night: I heard the buzz a few episodes in about this and was hooked pretty quickly. The animation quality was great, I adored the characters, and I loved the queerness in it with the nonbinary talks, trans yakuza ladie, the kiss, and while I wish they went more in on the romance, we still got a lot of queerness that I don't want to count out. It's another case where I really need to disengage with what people think about something when it's special to me (that might be the moral of the season, honestly). My big downside for this is it got a little too stressful for me, the big fight towards the end of the show kept me up at night. I might be going through it pretty bad if watching anime does that to me BUT we stay silly.

Train to the End of the World: I didn't realize until I saw a post about it like yesterday that this had the same director as Kill la Kill and Gurren Lagann and in hindsight yeah that tracks. This was such a wild ride, I love a good journey story and this scratched that itch well. A group of girls go on a weird, hilarious, and heartfelt journey via train through a bizarre world? It made me really want to write a journey story. Funniest show of the season by far, crazy visuals, fun action, each episode being a strange little journey on its own helped the vibe.

The Many Sides of Voice Actor Radio: This was a really cute one, bubbly gyaru x stoic girlie is a fun dynamic. Going by the structure, I assume this was the first 3 light novels adapted, since each arc was 4 eps IIRC. I hope the light novels get translated here because I'd love to see where the story goes next. My downside to this is this one also got STRESSFUL stressful in that like social kind of way as the main duo deals with stalkers, assholes online, shitty voice directors (I hope that voice director that was giving Yasumi a hard time gets super fired in season 2) and that took away from the fluff at times. Still was a definite highlight of the season.

Nijiyon Animation 2: Maybe even weirder than the first season, I was really glad to get more of this one, weekly 3 minute adventures of a wacky gay harem really is good for the soul. I love the vibe of like "yeah we're doing this premise this week let's just go with it" that a lot of the episodes had. Do Season 3 cmon!

Vexations of a Shut in Vampire Princess dub: I am a big stan for Vexations, and this dub has not disappointed so far (I think just one or two episodes to go for it), VERY well cast with Brittney Karbowski (of Railgun fame) putting in a STELLAR performance as Komari, showcasing all the facets of Komari's personality, like her spoiled bratty princess side, her anxious about being plopped into a dire situation side, the theater kid performance that helps her through this, and many other sides, it's really fantastic work by her. Vill, Sakuna, and Millicent are standouts as well (every Millicent scene I needed to pause afterwards because wow 🥵).

I also watched the back half of Dungeon Meshi (which is so big rn that I feel like I don't know what to add? It's great!), the new Spice and Wolf which was nice, Bartender: Glass of God which was VERY chill, and a coworker friend rec'd Condition Called Love, but I did not really enjoy that one.

All in all despite the bumpy road, I was really happy with this season and got SO much yuri. I do still need to watch Girls Band Cry and will rectify that soon, I just had way too many shows to watch at once.

Next season I am mainly looking forward to My Deer Friend Nokotan, and started watching Suicide Squad Isekai mainly for the ED lol. Next season big goal also: Chiral touches grass and her hypersensitive ass stops getting so worried about what other people think of the anime she watches and to just enjoy the anime hyperfixation while it's in full swing like this.

[wolfofansbach]

Personal thoughts and meditations upon the occasion of the Riverdale series finale. 

Probably like four people are going to read this but I feel compelled to write it out anyway. This show has genuinely been a massive part of my life. I watched the first episode because some high school friends encouraged me to (IRONICALLY, BRO). I was in high school when I started this show. Those friends of course long ago fell away, unable to continue, unable to wacth anymore, but I have kept the faith. All seven seasons. Every. Single. Episode.

I’m not even entirely sure what captivated me so much about the show. I loved the atmosphere of season 1. I genuinely wanted to find out who killed Jason Blossom. Was genuinely fucked up by episode 1 x 12 and the first season finale.

I have such fond memories of watching the first season. I distinctly remember a road-trip I Tok with my friends the summer of 2017, and joking about  maple syrup drug empires and the “weirdo” line back when that was the wildest scene on the show. Joking about how sick of the song ‘Believer’ by Imagine Dragons (2017) we were. 

And then I decided to get involved in a fandom for the first time in a couple of years, and so I revived my old Tumblr, and I began Posting. And reading posts.  

That was my last summer after high school and I was so nervous about college but this show and this fandom helped me get through it. My freshman year I lived in a dorm, and if you wanted to watch TV you had to go down to this common room, so every Thursday I would go down there like an hour ahead of time and occupy the place to make sure the remote was in my hands by 7 PM. A few times I failed, and I missed an episode because of it. But rarely! 

I remember that slowly dawning feeling as season 2 progressed. Scrolling my Tumblr feed and slowly seeing people come to the realization: “wait…is it just me or does this show actually suck.” Was kind of frustrating at the time, realizing that the writers just like…were bad, but in retrospect? Beautiful. Incredible. Legendary. 

And you could even say that’s where the fun really began. Yes, there’s plenty to hate, but also Riverdale is brilliant. The show of all time. For real. No other show has done it like Riverdale. They just haven't, and they never will. The age of the cable television teen drama is ending, and what a hell of a last hurrah Riverdale has been.

The Red Circle. Jingle Jangle. The Gargoyle King. Edgar Evernever and his fantastic rocket. Bret Weston Wallis and Donna Sweett (genuinely cannot say their names without giggling). Jughead getting hit in the head with a rock and faking his death for like…some reason? I genuinely can’t remember, something to do with the Hardy Brothers idk. Tabitha sprinkling the devil with the tears of the Virgin Mary. The normies can laugh all they want about “epic highs and lows” but do they remember the even funnier lines like “if there’s no wedding, that means the gargoyle king has won” or “word of my exploits serving Nick his comeuppance…” THEY NEVER WILL. ONLY THE TRUE FAITHFUL UNDERSTAND. 

And is silly as it all was, I have genuine affection for these characters. Like Betty, Veronica, Jughead, Archie, Cheryl, Toni, actually mean a lot to me. YES they’re fake but I want the best for them (and for Beronica to be canon but you know we can’t win them all). I’m genuinely grateful that this show has existed and been a part of my life for the past six years. 

Moreover, I credit this show for seriously getting into writing. I’ve actually written almost a million words of Riverdale fanfiction. Much of it will never see the light of day, but it exists. Maybe I even have one or two left in me, I don’t know. At the very least I’d like to finish a few uncompleted fics. But I’ve also branched out. Since I started seriously writing in 2017, I’ve also finished several original manuscripts, and who knows, maybe one day I’ll get one published. Stranger things have happened. 

So, thanks Roberto.

And thanks to all of the very cool people I’ve run into in this fandom. I honestly wish I’d gotten to know most of you better, but them’s the breaks. Hopefully this isn’t weird but I’m going to tag a few people in particular. 

@village-skeptic. I know you’re not in the fandom anymore (lucky you), but thank you for, once upon a time, reading every one of the 200,000+ words of a 17-year-old kid’s turgid, indulgent, Riverdale Spanish Civil War fan fiction. I never, ever would have finished that story without you, and I credit it with giving me the confidence to keep writing, and in fact to write everything I’ve written since then. You’re brilliant and awesome. 

@satelliteinasupernova. Thank you for also reading Interbellum (are we noticing a pattern), and more importantly for all of your wonderful drawings. INCLUDING fanart of some of my fics. You have no idea how happy that Strange Death of Elizabeth Cooper piece made me. You rule. 

@sullypants. You were a perennial presence on my feed. Always wonderful to see. I love your taste in art, and I love those ‘penguin classics’ covers you made for a few of my fics. Thank you also for beta reading a few fics for me back in the glory days. And thank you for chatting with me a couple times over the years, including a few times when I was in quite unhappy places. 

@stillhidden. I’m not sure if we’ve ever actually talked, but you like or reblog everything I post and it makes me feel like I’m not just shouting into the void. Same goes for @frauleinfunf Thank God for dutiful mutuals. 

@sonyascomet. I can’t remember when I started following you but you have a really good sense of humor. And I’ll always remember when you kept posting about “Greg” for Succession and I, not knowing anything about Succession, kept imagining Greg Heffley. 

@stillhidden thank you for your world-weary Riverdale posts. You truly understand fandom like few others.

@halcooper. Your devotion to the neglected parents of Riverdale is truly admirable. Every time I see Lochlyn Munro in some weird low budget horror movie I’ll think of you.

I hope I didn’t forget anyone who would be offended by my forgetting, but I doubt it. 

All this to say this show has been a genuinely huge part of my life for six years. SIX YEARS. I graduated college, my God. I wish I could say I became a millionaire or a successful author in that time, but nah. Maybe one day, but for now I’m just kind of vibing. And unfortunately, I’ll have to vibe without Riverdale from now on. 

But as I sit myself down to watch the very last episode of this show, I remind myself that we’ll always have the memories. And I’ll always be an unapologetic Riverdale enjoyer. As a great man once said, snakes don’t shed their skins so easily. 

[vaile-elenya]

3, 12 and 19 for the trop ask game? :) (-elswing)

Thank you so much for the ask! 🫶

3. Favorite side character?

I think it has to be Nori Brandyfoot, mainly because I deeply connected with her longing for adventure!

Haven’t you ever wondered, what else is out there? How far the river flows or where the sparrows learn the new songs they sing in spring? I can’t help but feel there’s wonders in this world. Beyond our wandering.

The way she was portrayed was also fantastic. I didn't always agree with her choices (trying to fit a giant into a cart??? seriously???), but her character is incredibly endearing, and her friendship with Poppy is just so sweet and adorable 🥹

A close second would be Elendil, because he's just too hot. There's this little edit I keep replaying sometimes that makes me go absolutely asdfghjklsjdkdls.

12. Which outfit do you like the most?

First thought: all of Galadriel's dresses and Eärien's orange dress! But I'm also absolutely IN LOVE with Elrond's teal-blue robes. I mean, the design??? The embroidery, the golden patterns??? THE BROOCH??? Everything about it is just SO FREAKING COOL. The material looks so soft, too. I just wish he could wrap me in it 😭

19. Is there a dynamic or a story arc you would have liked to see explored in more detail? Any character you would have liked to get more screen time?

This question was really tough for me because I'm the kind of person who could happily watch 485738 filler episodes with just world-building and everyday moments, so of course, I'd love to see everything in more detail! 🙈

But if I had to pick one thing, it would be... the Southlands. We only got a brief look! What was their life like before the events we saw in the show? How did the elves arrive there? Was Waldreg always so grumpy, or did something happen to make him hate the elves? So many questions, and hardly any answers 😭

Also Elrond. Because Elrond. There's never too much Elrond.

(list of questions is here if anyone wants to ask me anything!)

[goldendoodlerlockerlove]

Are y'all ready to see my updated wall of art??

But Doodler, won't you have to take all of that down when you have to move out of your dorm for the summer??

Hush. Let me have this. I worked too hard for this beautiful art wall, and I don't want to think about when I'll have to take it down yet.

I'm going to go from the top left all the way to the bottom right, tag every artist who made all the art you see here, and give a little backstory to the art!!

--Starting at the top left, we have Gene as Cat Stevens, which is an adorable sketch that @koko-raccoon made for me for Halloween when I invaded their inbox for trick-or-treating.

--This is a mini-comic I just Commissioned from @drawthethingdoppelganger of Gene and my Bob's Burgers OC, Alexis. I gave her the roughest and most rushed reference sketch to work with, and she did an incredible job. I'm never getting over the fact that she put a Mickey Mouse on Alexis' shirt and a music note on Gene's overalls. It's so beautiful and perfect and adorable and precious and--

--Here's a sketch I requested from @jae-is-drawing of Bob and Linda in the rain and Linda giving Bob a lil' kiss on his cheek 🥺 They seriously went above and beyond for this sketch, it's so freaking gorgeous and sweet. I can't believe they laid down colors, and did some shading, and lighting too!! They're so talented.

--Then, below the Cat Stevens drawing, is another piece from @koko-raccoon that they surprised me with. They made an adorable piece of my Gravity Falls, OC, Maggie, and her younger, triplet siblings, Dipper and Mabel!! It's the cutest thing ever, I'm so obsessed.

--Then we've got a sketch request that I got from @devilh0rnsinc, and it's so freaking adorable!! I asked them to draw Gene and Alexis sharing a milkshake, and they delivered. I can't stop thinking about them going on a milkshake date now.

--Then, below the Mystery Triplets piece, we've got a Commission I got from @alyssaerin of my sister's and my Animal Crossing characters, who is an extremely sweet and talented artist. I have to thank her once again for being so patient with me throughout the process of when I Commissioned her because I had to cancel my first request, and then when I actually got a request moving, I was a bit picky about the details, pfffft. But it turned out amazing and wonderful.

--Next to that, we've got another @drawthethingdoppelganger piece, and this piece she completely surprised me with. She drew up this fantastic, gorgeous, and colorful piece of Gene (inspired by AJR) and dedicated it to me!! I'm still not over it. Look at his wonderful, flowy hair and his outfit!!

--Then, we've got a Gravity Falls piece I Commissioned from @itscalliebeanie (she's only on Instagram, she doesn't have a Tumblr), of my OCs Maggie and Sydney being adorable dorks together. It came out so sweet and it makes me so happy looking at it. I adore Sydney's guitar. She also did such a good job drawing the shoes!!

--Then we've got the first piece I Commissioned from DT, which yes, I am still not over. It's Bob and Linda based on my "Linda is deaf" AU, and takes place during the episode Something Old, Something New, Something Bob Caters For You, which explains the super cute outfits. But if you've seen my Tumblr at all, you already know all of this, as I've rambled about this piece way too much. But she just did the greatest job on it. Their expressions?? The way you can see Bob signing "yes" with his hand?? Perfect. No notes.

--Next to that, we've got a Boblin piece that DT sketched up and dedicated to me and it makes me so 🥺 Look at them being so happy together. I swear, I am so unwell about Boblin.

--And finally, at the very bottom, we've got a piece I Commissioned from @carnivaldemon of Gene and Alexis. It came out so cute I actually squealed, giggled, and kicked my legs when she sent it to me. The way Alexis is holding an ice cream cone and has a heart on their shirt?? The way Gene is wearing overalls and holding his keyboard and leaning over to kiss Alexis on the cheek?? I can't. Yes, all of those things are things I specifically requested, but still--

[k-martins]

Ah, about today's episode… I liked? I saw so many people talking about the substandard quality, especially since we just saw one of the best episodes (wow, the Choso vs. Yuji fight was fantastic!) and that's okay, I guess. Everyone can have their opinions. Particularly, I liked how this episode was handled, from Mei Mei's fight to Dagon's dominance. Could be better? I think so. To be honest, I don't know much about animation and I'm very oblivious (I only noticed that there were scenes with ghosting when they pointed it out in the grasshopper episode, until then I hadn't even noticed it T-T), so I'm not speaking as an artist or master on the subject. . I also joined the JJK fandom not long ago and the anime community even less time ago, so I'm not that attached to the manga adaptation (seriously, I saw people arguing over camera angles and I was so confused, until I remembered the scenes from my book that were never adapted in the film). But it's not the episode itself that I came to talk about. It's just… I saw so many people criticizing the animation, making cruel jokes about the scenes, and saying terrible things to the animators. This makes me a little sad. This gets worse when I see the animators themselves, people who worked their hardest to do the best they could with an inhumane deadline, apologizing. Seriously, there was one of them who said "sorry for ruining such an incredible work". This made me so sad, especially because this episode was made at the last minute. One of the animators had to work on this scene below in two days. TWO DAYS!!!! While working on another project!!!! Seriously, what the fuck???? And the worst thing is that the episode wasn't bad! The scenes in Dagon's domain were my favorites. I liked how Naobito's ability was adapted and the action scenes were fun to watch. Maki was doing very well and Nanamin even more so. Megumi was also amazing. In the end, the only opinion that matters is mine. If I liked it, I'm going to shout about it whether or not everyone is against me. What I'm trying to say is that, in the end, most people are going with the flow when commenting on the episode. It's a herd effect. One person starts saying something and then another person agrees, and then another and another until a large number have the same thought. It's like theories. That's okay, after all, human beings are social animals. Anyway, just to say that it's okay to like something that the majority didn't like (and vice versa). It's okay to follow the "herd" or have your personal opinion. And most importantly, be kind to the people working on the anime, even if it isn't meeting your expectations. There's no reason to hate someone who's just doing their job, let alone harass them and make them feel like crap. These people have dreams, desires and families to support. If you want to blame anyone, blame Mappa for giving a ridiculous deadline (seriously, it still shocks me that the previous episode was ready two days before it aired!). Anyway, I'm only posting this because I know that my posts have gotten a little further than I expected (I love you all for that, it's very exciting to see my notification box full) and I also know that most people have no idea what that's happening behind the scenes. So yes, be kind and discuss amicably with people on the internet.

[snorlaxlovesme]

this is called giving Live Action Avatar a fair chance

the Netflix live action Avatar has always been a strange beast. it's a thing no one wanted after the disastrous 2010 movie. public perception of it was extremely low after Bryke walked out on it because of creative differences (disheartening as well as concerning). people tore apart the teaser stills and completely thrashed the early trailers. the news that Sokka's sexism plot was being altered had fans frothing at the mouth. the show seemed to be caught in this limbo where it had an incredibly low bar to rise above, in terms of trouncing The Last Airbender Movie, and infinitely high bar it would be impossible to reach, in terms of the original A:TLA.

now. if i can't go into a live action adaptation with an open mind, i will not watch it. live action Yu Yu Hakusho came out several months ago, and the vibes I got from trailer were not what I wanted, so I shelved it. if I'm going to sit down and watch a re-telling of one of my favorite pieces of media, I'm going to do my damnedest to go in with as open of a mind as a I can bear, because I like to have a good time and I can't do that constantly dogging on something.

so. my rule of thumb is generally this: treat any live action adaptation as fanfiction. if i can recognize the characters and recognize the plot, that's fine. i'm not looking for anything crazy, just interesting fanfiction. that's the level of closeness to canon i'm expecting. bar is on the floor.

and in terms of Good Television, my expectations are also incredibly low. good TV has 1. good writing 2. good acting 3. good action/SFX. for adaptations the best i'm looking for is ONE out of three. the lower my expectations, the more fun i get to have.

i'm explaining all of this because, while I have not seen reviews of Netlix Avatar yet, I know just how brainless the masses can be and i need you to know that THESEEE are the expectations you should be having when going into these things. Avatar: The Last Airbender is hailed as an example of a nearly PERFECT show. if you are expecting that kind of excellence from an adaptation you are simply deranged and I will not be reading your bad faith interpretations of the show.

with these expectations in mind, it's easy to see why i'm loving Netflix Avatar so much. why? because it cleared one of my very low expectations. the bending in the show looks pretty good! the writing of the show is average! some of the actors are quite charming! i am pleased!

i have seen 3 episodes so far ("Aang" through "Omashu", and yes these episode titles DO suck, I'll concede to that)

so, now that i've gotten that little manifesto out of the way, let's get into some actual Thoughts So Far:

-the way the first episode was structured was very cool. i like that they didn't throw us in at the same spot we started in A:TLA. and to avoid the horrible exposition dump the movie gave us, instead they just showed us the start of the war. i like the tactical inclusion that Sozin let word get out that the Fire Nation would attack the Earth Kingdom first to throw the Air Nomads off his scent. i also thought it was cool so show us a day in the life at the Easter Air Temple. the setting was gorgeous and I loved seeing all the monks doing their own thing. it made you feel so attached to the Air Nomads and their kindness and gentleness, so when they were attacked you truly felt for them.

-Monk Giatso's actor was fantastic. i was gagged that they had my crying less than 20 min into the first episode, what the fuck

-Gran Gran reciting Katara's opening speech line by line was funny, hokey, and exactly what I wanted. loved that for her and loved that for ME

-i like the change that Katara has to waterbend in secret for her own safety, not simply because she doesn't have a master

-it felt appropriate that they made Sokka take his warrior/protector role more seriously. the "i gotta go potty" bit from that like 6 year old in the original is hilarious but I don't think that sort of humor would have translated well to live action. i like that Sokka really was a leader to the ragtag group of kiddos and like one teenage boy. and him asking Zuko to duel with him one and one!! a very sweet early act of bravery

-in general i'm just really liking how they're approaching Sokka's character. all the fuss over "they're taking out Sokka's sexism" arc felt idiotic to me for weeks because like of course they did?? let's be SO real here, if you have never seen the original and are watching Netflix Avatar blind for the first time, are you going to rock with the protagonist who makes "girls' only jobs are cooking and sewing" jokes? in 2024? in this sociopolitical climate that shit would NOT fly and people would drop the show for stuff like that. no one would wait to see his character growth, people's attention spans aren't long enough for that these days. plus, for all the naysayers boohooing because that's Sokka's whole character arc, it's literally not! that nasty personality trait sticks with Sokka for FOUR episodes. having his character arc revolve around his identity as a warrior is much more in-line with Sokka's ACTUAL arc. he can skip the "sew my pants" jokes so we can get to his real root of his conflict, being a non-bender and a novice warrior in a world of extreme violence and feeling inferior because of it

-i don't mind that they made Zuko less aggressive. again, with the bar of the original A:TLA being SO fucking high, ESPECIALLY because of Zuko, Netflix was never going to reach that level of excellence. so I'm okay with this Zuko being a little more level-headed and more of a mindless Fire Nation Greatness truther because it's a decent interpretation of his character, for fanfiction. consider everybody on planet earth know that Zuko will eventually be a Good Guy, we don't have to go out of our way to show that he's a giant asshole. we already know he's a good boy.

-on that note I love the bait and switch with the Jet introduction. seeing a cute boy flirting with Katara, I couldn't immediately tell if that merchant boy was just a one-off kind character, or maybe Haru because of his clothing and the way his hair was styled. to have him turn out to be Jet was FUN because it showed me that despite knowing the original canon forwards and backwards, this show can still find ways to surprise me. i had been talking with my sister about whether or not they were going to include Bumi (and his shenanigans) because that's a plot twist that worked when the show originally aired, but wouldn't hit at all in an adaptation where we all know who Bumi is already. where I'm currently at in the show I'm still not sure if we'll see his inclusion or not, but i still appreciated that new bait and switches are possible.

-this meant basically all the Omashu episode was very fun. they way they wove the Freedom Fighters and Mechanist's stories together was very interesting and i liked how fresh it felt

-Suki's actor is incredibly gorgeous. with and without the make-up. that needed to be it's own point because oh my god

-i love that she gave Sokka and fan and i'm DYINGGG to see him use it in a battle

-THEY INCLUDED KYOSHI NOVEL LORE AND I SCREAMED

-they included AVATAR KYOSHI FIGHT SEQUENCES AND I SCREAMED

-i probably should have mentioned this way sooner but Aang's actor is such a little cutie. he's doing such a great job capturing Aang's energy. both wise and playful and so so sweet. i love him

-i found it hilarious that they waited three episodes for Katara to bring up her dead mom. we all know that the super generic and boring critiques of Katara are 1. too much dead mom talk 2. too much hope talk 3. too motherly. i feel like the show intentionally waited two and a half episodes for Katara to bring up Kya and that's so funny to me. they also have only let her mention hope like twice lol. my girl is being STIFLED

-special effects are honestly really good? some of aang's flying is a little wonky but the firebending and waterbending so far as looked fantastic. i haven't seen much earthbending so far besides that opening sequence but i was impressed by that too. and Aang and Zuko fighting in Omashu with Zuko not using his bending? SO much fun. the choreo was awesome, i loved the set piece of fighting amongst all those scarves.

-building off that, Appa and Momo are very cute. the creatures al look pretty good too. ostrich horses look great

all in all, lots of really good stuff so far. i only have minor criticisms, and they're mostly things I can deal with. Iroh's acting is weird to me. it sounds like it's putting on a silly voice instead of speaking how he normally would, so it scans as off-putting. also in terms of costuming, Iroh's wig is WIGGING so much more than other cast members. it looks so glued on and shaped with hairspray. Mai and Ty Lee (one seen them for a moment so far) also just look like random cosplayers who wandered on set. and i guess both Monk Giatso's reveal of Aang being the avatar, as well as Gran-Gran's immediate understanding that Aang is the avatar, both happened extremely fast.

but yeah! those are my thoughts so far. again, I have no idea what public perception of this show is. i'm trying to avoid reviews and probably won't be back on tumblr until i've at least made it to episode 6. then maybe i'll come back and write more if my opinion drastically changes or I think the world will need another stern talking to about what to expect from an adaptation

[azazelsazaleas]

I finished watching through DS9 a few weeks ago and I’ve been meaning to do a rundown of my thoughts on it. Here goes:

- Oh my god that was fantastic. I really wish it’s given it a fair shake back when it was on the air; I was a dumb teenager who resented it for not being TNG and was going through a weird self-loathing phase where I didn’t want to admit to myself that I was the massive nerd that I am. This seriously lived up to the hype. I may have to do a TNG rewatch because this might just have upstaged it as my favorite 90s Trek.

- Andrew Robinson should’ve been made a full cast member. Ditto Max Grodenchik and Aaron Eisenberg.

- Damar’s transmission at the end of The Changing Face of Evil lives rent-free in my head. I cheered out loud at that.

- One thing the show did fantastically that a lot of other SF/fantasy properties don’t quite get right is that it lands a pitch-perfect balance of “these characters are major, important figures in the larger multinational conflict” and “this conflict is absolutely massive and not everything revolves around the same small group of people.” The fact that Sisko, Worf, Kira, Odo, et al are so important is entirely plausible and it never feels like the writers are trying to gratuitously bring everything back to them.

- That said, I kind of love that Admiral Ross’s leadership approach during the Dominion War eventually consists of doing whatever the hell Sisko tells him to do.

- God, the acting was incredible. Andrew Robinson, Armin Shimerman, Nana Visitor, Marc Alaimo, and Louise Fletcher were real standouts, but everyone was just so damned good.

- Actually, I really need to give special mention to Shimerman. The man went above and beyond to make Quark be something more than a joke character, despite how obvious it was that basically the entire production team wanted him to just be cartoonish comic relief. He worked harder to flesh out his character and show his race as a race of *people* (not just caricatures) than just about any actor playing an alien on Star Trek before him except for maybe Nimoy. Give the man a goddamn Emmy. Don’t believe me? Go rewatch the iconic root beer scene from The Way of the Warrior.

That said: I do have a few criticisms:

- Pretty much all of the (canon) romantic subplots were just…yikes. The only major exception I can think of Sisko/Yates, where they actually seemed to have a healthy dynamic, fall legitimately in love with each other, and generally treat each other like adults in a serious relationship, not bickering teenagers.

- Seriously, Worf/Jadzia got so hard to watch and then the fallout with Ezri was just ugggghhhhhhhhh stop please for the love of god

- Why did the writers need to try to romantically pair off all the female characters? Just, why?

- Kira had more sexual tension with that Romulan lady in half an episode than she did with any of her bucket-of-paint boyfriends over the course of seven years.

- I totally get the behind-the-seasons reasons why things panned out the way they did, but (hot take) I think Dax’s whole arc would’ve worked better if they had killed Jadzia off after the first season or two and brought in Ezri earlier. Jadzia was fun, but she was just too perfect to get many interesting stories and her relationship with Worf felt too much like manufactured drama. Having a trill who didn’t want to be joined, agreed to in a life or death emergency situation, and now has to reckon not only with taking on this symbiotic relationship with no preparation whatsoever but also succeeding this beloved person in the eyes of her loved ones is such a better setup for a character and it’s a pity we didn’t get to see that play out properly.

- Sisko deserved a better conclusion to his story. Give the man his damned house on Bajor and let him raise his kid with Kasidy. He’s more than earned it.

- Next time I rewatch the series, I’m skipping the mirror universe episodes and the ones with the genetically enhanced walking-90s-neurodivergent-stereotypes.

Other random thoughts:

- Dukat’s storyline should’ve ended with him getting killed at the end of Waltz. Either by Sisko, or by deluding himself so thoroughly that he does something suicidal. The pah-wraiths subplot felt like a lazy afterthought (except for the episode where he pretends to be Bajoran and starts fucking Kai Winn) and as much as I liked watching Marc Alaimo act, his story arc was basically over at the end of Sacrifice of Angels….which, incidentally is when Damar actually starts to get interesting.

- I loved the O’Brien must suffer episodes but I thought Hard Time was kind of overrated. Mostly for the plot line with the cellmate; I think I’m a little burned out on seeing stories that have a moral of “deep inside us is a line between humanity and savagery and when pushed to the limit, even the best of us would turn to murder.” It’s been done to death, and it’s really not truthful, at least for many people.

- I think I may have a little bit of a crush on Major Kira. It would never work out if I met someone like that in real life, though. I’m a laid-back, atheist, creative type; she’s a deeply devout former insurgent. Given certain real-life crushes I’ve had recently; maybe I’m just into strong women with big, expressive eyes who wear their hearts on their sleeve and have a spine made of fuckin’ steel. I have no idea what this says about me.

- MORN

- Favorite Episodes: In the Pale Moonlight, The Visitor, Improbable Cause/The Die is Cast, In Purgatory’s Shadow/By Inferno’s Light, In the Cards, Duet, The Wire, Civil Defense, The Magnificent Ferengi, basically the entire Dominion War arc.