#that´s what matters to him

[marvelstars]

Star Wars: Hidden Empire

So Palpatine is following Vader in one of his adventures, he´s excited like a kid in a sweet shop because there may be an ancient Sith trapped in the Fermata Cage and he could use their power.

Vader is looking at this like this is just another day on the job and isn´t nearly as excited to meet an ancient Sith who most probably will just try to kill both him and his master and then it will be his job to put the Sith back in the cage.

Then possessed Aphra appears, trapped by a spirit seeking revenge against the Sith and Vader is like, I guess this may as well happen.

Time to use one of his unused powers, the one who allows him to deposses people with the force:

Vader´s life is just like this and he stopped trying to make sense of it a long time ago. He must really like Aphra, I don´t think this is what Palpatine meant when he told Vader to deal with it but he is taking some creative licenses in the wording of his master.

[kineticallyanywhere]

Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next ) Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.

[bbnibini]

I find it so painfully heartbreaking that Solomon just...laughs off all the derision, the name-calling, and possibly even did "evil" things on purpose because it's expected of him at this point. (He had not always been like this as Thirteen pointed out before). There was a time when he was "innocent". When his soul sparkled. When it resembled the kind of soul everyone in these god forsaken (pun intended with spite) three realms seemed to associate with the ever loved MC. He's just...worryingly carefree. And because he's like that, he feels even more of a tragic character to me.

Sometimes it even seems that he himself would seemingly make up excuses on why he's hated. Oh, it's because I'm a sorcerer this. I might have won a war against Devildom single-handedly this. I have forgotten. But maybe, I did something bad, that. Hon, you were doing that to SURVIVE. You don't have to be a faultless person to deserve compassion. You don't have to be MC to deserve to be loved.

[mewtwo24]

I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.

Turns out that was a perilous mistake.

Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me

What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:

LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"

The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--

How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls

And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:

Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.

Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)

Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:

Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me

Unrelated, but I physically can't hold this information in anymore:

I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.

And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...

I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.

How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.

Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[stuffedsand]

As an alternative to my last question post, hello again milgramblr, who are you entirely certain you Will Not vote guilty in trial 3, no matter what is revealed?

[gojuo]

WAKE UP PEOPLE SUNFYRE THE GOLDEN THE MOST BEAUTIFUL DRAGON IN THE KNOWN WORLD CONCEPT ART IS HERE !!!!

[r0bita]

Everybody saying Cahara is the only character who didn't get their S ending because he would have been the only character left to have taken the girl to the depths are probably overlooking an equally, or even more, depressing implication.

Any of the playable characters would have achieved their S endings, but the girl still becomes the God of Fear and Hunger - no matter what. The girl's fate was set the moment she was born and everyone else was simply an unwilling participant in the grand scheme, even Le'garde.

[padfootastic]

please say more about jilypad + diverging parenting styles... perhaps even a possible scenario >:) i imagine harry has very cunning tactics for using this to his advantage

helloooooo <3 thank u for this ask bc i love talking about these three and harry. i went looking thru the archives to find this post; my first foray into this side, and really, i’ve never looked back after that.

so i’ve talked ab this a bit before but i fully think that james was a very overprotective ‘mother hen’ type parent. i tend to read his behaviour in lily’s bday letter to sirius as being scared of his child on a broomstick and i fully, fully think he’ll never be able to let go of that as harry grows up. he’ll be anxious and suspicious and paranoid, and his first instant will always be to wrap harry up in cotton wool and hide him away. (i low-key connect this to his childhood as well; going from being spoiled and sheltered to dropped in the middle of a war, black & white thinking, living in extremes etc etc makes it v hard for him to be Normal about his child. as he shouldn’t be, really, but yeah) that’s why he thrives during the initial years; he never minds the hard parts of being a new parent, loves it in fact, and it makes it better that he can keep harry close to him at all times w/o coming off as a helicopter parent (not that the notion bothers him ofc).

it’s good, then, that he has two partners to even the scales, no? i think lily was the most…balanced out of the three. she had a relatively normal childhood, grew up in a working class family/neighbourhood and had to deal w adversity from a young age so she’s developed a nice, thick skin. she also has a sibling with whom she has a v rocky relationship so she knows that kids are, ykno, a bit unhinged. and a little bit of hardship is not a problem. i hc her as needing time to get used to parenthood, unlike james who stepped into it natural as breathing, or even sirius who loved harry on much on first sight that it made up for everything else. ofc lily loved her son, but it didn’t come w the same blinding intensity of her partners and made her feel really shitty in the beginning. but, i think she’d shine during his teen years actually, because she’s not overbearing or intense and becomes the quiet, calm strength that a hormonal, spotty teen boy would probably need.

and sirius <3 our poor baby falls in love with harry, perhaps even more quickly than james, with such startling speed that it shakes his entire foundation. he doesn’t regret it but he’s constantly discombobulated. i also imagine that…it takes him longer to settle into the role of parent, esp bc he’s not biologically one ykno? not like it matters to anyone, ofc, but it takes him a long time to truly accept his authority and place, to believe that he has just as much right as j&l to be there, to parent harry. this has the consequence of him always being more indulgent than the other two; after all, he considered himself a godfather before a parent and a lot of that thinking stayed. he lets harry get away with stuff the others might not (and the little mf figures this out later); some of it also comes from sirius seeing so much shit, and facing so much shit himself, that he rationalises a lot of stuff as ‘well, this isn’t the worst it can be, so what’s the harm’ (because his life has been such a roller coaster that he’s forgotten that not everyone’s like that, if that makes sense?)

its obviously not this clear cut but i imagine harry looks at it like this: if he needs unconditional love, he goes to james; rationality and logic, lily; acceptance and calm, sirius. when someone has to be beat up for hurting harry, james steps in. if he needs help burying a body, it’s sirius. dealing with some asshole boss/teacher/classmate’s mother who’s making harry’s life hell? lily. i can keep going but,,,u get the idea, right? this makes sense, i hope lol

i actually think harry’s first birthday is a great example. sirius pushes the boundaries by gifting lil harry a broom; james loses his mind running after him; lily places an industrial sticking charm on harry’s butt, leans back with a glass of wine, and enjoys the show. even as he grows up, lily and james act as the disciplinarian, and sirius is the emotional outlet. all of them fill in each other’s cracks so well, and it’s only when harry grows up that he realises how effortlessly they worked off each other to parent him.

also oh man o man. harry being cunning is,,,,,see, i’ve not considered it this far but it makes perfect sense. i think canon harry actually had so much manipulative energy and it’s often overlooked for his goofier traits but! this is the same dude who used his dead parents to trick slughorn into revealing sensitive info! imagine if that could be channelled into his jilypad interactions 😈

it’s like, it takes him a bit, because his three parents r so smooth, but once he realises that all of them have certain weak spots, he does NOT hesitate to exploit them. (it has the unintended consequence of truly strengthening the jilypad relationship into an unbreakable one bc one thing their kid taught them is to have ironclad communication going at all times so nothing they’ve said, or not said, is used against them). so like, he knows if he wants to sneak out to a party, it has to be sirius and in a specific way—‘i’ll be totally safe, papa, plus i really wanna see what it’s like and idk when it’ll get a chance to again’. if he widens his eyes to pitiful levels, pouts a little, and blinks faster than usual, then james is putty in his arms as long as he’s separated from the other two. divide and conquer becomes the main tool in harry’s arsenal, actually. lily’s the toughest nut to crack, purely bc she doesn’t run on emotions or irreverence, but harry soon learns that if he comes up with a solid, logical case that proves his argument has unbiased merit then he has a good chance of getting her to say yes. (this is good, bc u can arrange words in the correct order, but u can’t always control emotions)

so overall yeah, you’d think one kid + 3 parents would be an easy bet, but harry keeps them on their toes all the fkn time.

[triple-starsss]

i am SOOOO INVESTED in this au like im about to start a stan twitter account i'm about to make one of those one direction imagines IM!!! SO NORMAL ABOUT THEM!! i'm curious though how do triple s leave eggman's management and how do they continue as a band following that since you mentioned it in your answer about the music?? and seriously tysm for making this au it drives me insane /pos

AAAH IM GLAD TO HEAR THAT LOL i should make a Triple☆S fancam at this rate (also wooo on a roll with asks today asbdjf)

AND OUGHH still working out the finer details of this but i have a sort of vague idea of how i want it to play out!! (also brace yourself this is long as hell)

This is during a period where they start touring and are essentially at the peak of their fame!! They're all incredibly exhausted from the almost daily concerts - mentally and physically. It gets bad enough that Silver ends up fainting live (this was their sort of wake up call that okay shit, we seriously can't be doing this anymore)

With Rouge's help they manage to sneak away from their tour bus prior to the concert happening the next day (which would've been one of the bigger ones in terms of ticket sales). They stay at her place for the mean time, THOUGH OBVIOUSLY THIS CAUSES A PROBLEM FOR EGGMAN!!! Can't exactly have a concert without Triple☆S performing and there were already a shit load of people waiting within the venue - he promptly cancels the event and has to refund all the tickets they sold for this concert (causing a significant dent in his profit as well as reputation).

Fans are incredibly worried (and frustrated)- they don't hear from the band themselves for about a week as they keep missing the tours, Eggman is continuing to lose A LOT of money and his patience!!

this is the part that i'm still working out BASJDHF but eventually they make an appearance again, on a little stage in the middle of the city center. People quickly take notice, crowding around them, barraging them with questions and complaints ETC ABSDJ. They encourage people to start recording and they talk about Eggman, his cruelty (to not only them but his other workers), greed, unethical practices THE WHOLE LOT. This info spreads like wildfire and eventually Eggman is taken away to be put on trial (and is clearly guilty) - effectively ruining his whole business and severing them from his management (yippee!!)

after all that they take a LOOOONGGG ass break from the spotlight absjdhf but they've grown to really enjoy the band and each other's company - choosing to instead be a bit more of an underground (ha sonic underground) group, performing music more catered to their tastes and initial vision for the band (this does dwindle their popularity but they find comfort in that).

They do obviously end up losing their apartment too absjdf - Sonic lives with Tails again, Silver finally gets his own place and Shadow sort of bounces between living with Rouge and back with Gerald and Maria!!

[pantsaretherealheroes]

i love snw so much except for how it's deathly afraid of kirk/spock and has like three different female love interests for spock (jesse james keitel seems to use she/her pronouns, it's not specified as of the end of s1 if her character uses different pronouns)

and when they finally bring kirk in for a cameo they make sure that the characters barely interact (on a star trek show. they were like, you know what people are sick of? seeing kirk and spock meet in a new scenario with new actors. that's boring no original or new fans are interested in that.) and that their interactions bear no tension whatsoever, good or bad. they are indifferent to each other.

even if you don't ship it, and i can't claim to be the world's biggest spirk shipper or star trek fan, their FRIENDSHIP is literally the cornerstone of this whole thing! it's been famous for sixty years, it's one of the (if not THE) most well known elements of this very well known property.

making sure they barely interact or have any memorable moments, making them indifferent?? insane to me. sweaty behaviour. so obviously betraying a fear that anyone might see it not the way THEY want. akiva goldsman i'm coming for you, you've done enough film and tv crimes.

[peridots-pixiwolf]

[Start ID. A digital drawing of Minos Prime from Ultrakill, who's wearing a strapless slit dress and sandals of the same deep purple. He faces towards and slightly to the right of the camera, his head is tilted further right. With one hand he gestures in a vague pointing motion, his arm folded and held close to his body. There is nothing in the background, but bracing himself on one arm, Minos is implied to be leaning against something about the height of a countertop. The background is a blank purplish black, save for three diagonal stripes in the colors of the bisexual flag. End ID]

Shading study that quite literally came to me in a dream two weeks ago, after this post apparently beamed itself into my mind

(also a few edits below the cut! they're very slight but whatever :])

[Start ID. Three different versions of the previous drawing. The first changes the tone of the lighting from blue to pink, and similarly the shading from pink to blue. The second replaces the faint black border with pink, purple and blue, syncing with the stripes in the background. The third combines both these changes. End ID]

[pinacoladamatata]

"if you fancy Astarion, you might want to consider therapy. He's so damaged I must have him! Enjoy the fantasy and then call a therapist. It's a two step thing and it's very important you do both." - Amelia Tyler what do your narrator eyes see? 😂😂😂

[mewtwo24]

Something about Hua Cheng's expression here is killing me--I know this is supposed to be a delicate moment of reassurance but the pure hater energy radiating off of him is just immaculate

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.

[thedevotionaltour]

even for period typical ableism it still drives me nuts for karen to go oh poor matt how can he deal and get around as if he hasn't been blind most of his life at this point and living on his own by himself as an adult for his entire adult life after college and has also lived in the city his whole life like girl use your damn brain he can get around by himself just fine. good god. like take five seconds to use your brain. literally adult man who lives by himself if nothing else that should tell you he is fine and when he needs assistance has the knowledge and ability to go get it you act as if he can't even walk on the sidewalk by himself. he literally shows up to work by himself. it drives me up the wall sometimes how she sees proof of him functioning fine independently literally witnesses it on the daily and still thinks these things. like again foggy isn't great either bc again the period typical ableism (and just general ableism in the world outside of this period as this is a common attitude of viewing disabled people as helpless and unable to function even if they are people who do live independently (and im not touching on people who do need extra support and caretaking in this context. as this post is about these characters in the context of a story. so im talking about what we see there instead of any truly meaningful nuanced way) but the writing here is like. Particularly this way due to the time) he has a modicum more of understanding that matt is literally a capable grown adult man. literally told karen matt is a big boy who can handle himself and then karen went b-b-but you forget he's blind as if foggy hasn't known him for years of his life and is his best friend like PLEASE SEE HIM AS AN ADULT. I AM GOING TO GO INSANE. PLEASE RESPECT HIM IF YOU LOVE HIM SO DEARLY. AND EVEN IF YOU DIDN'T. JUST RESPECT HIM AS A PERSON!!!!!!