#that’s just how metaphors and symbolism work

[afyrian]

line three - lovely little detail m.list

    "i just can't get a handle on him," you lean against the employee lounge's counter, fingers clenching a small stir stick as it swirls around the contents of your mug.

  the creamer and sugar disappear into the dark cup of coffee, your mug feeling warm against your knuckles. biting your lip, you watch as sakusa talks to atsumu. there's an air to him, the way he stands with his arms crossed over his chest, a warm smile on his lips. while atsumu looks likes he's coming from the pits of hell, bags heavy underneath his eyes. 

  his late night talk show typically ended when yours started, giving the two of you to chat before he left for the day. and yet you had never seen sakusa with him, never smiling, joking about something you'd love to hear. "no, you just love a mystery," yachi exclaims, holding her tea close to her, the small paper tag resting off to the side. 

  "no-" you start, looking over at her, shaking your head, "no. he's a new coworker who won't talk much. you know how much bo- my old sound engineer talked. i miss it sometimes and it makes me more jittery in between calls," you shrug, pursing your lips in an attempt to come off as nonchalant. 

  "and him being attractive is what? just a lovely little detail," she rolls her eyes, smiling over at you as her eyebrows arch upwards.

  shaking your head, you look up at the station's old clock above the door. it has seen the test of time, but some of the managers like to say it's been there since the station opened. that it's there as a good luck symbol. the chipped glass and cobweb weaving between it and the ceiling would seem to differ though. 

  "don't you have some sewing to do?" you question, knowing you have just under ten minutes before you have to reconvene in your booth. 

  “don’t you have some sewing to do?” yachi mocks, grabbing a small packet of honey for her tea, “fine, you don’t want to admit it. but just know i do know the office’s code of conduct about employee relations and my lips are sealed.”

  bringing her index finger and thumb up to her lips, she runs it along her lips, flicking her index finger as they reach her cheek. her eyes move rapidly between you and sakusa, tilting her head slightly in his direction. before yachi can make it out the door to get back to work, she calls out to sakusa and atsumu. “you guys are coming to that celebration thing tonight, right? i’m trying to talk y/n into coming,” she smiles, knowing full well you never wanted to go. 

  “oh yeah, the twenty-fifth anniversary? i’m going to be late, but i think sakusa’s gonna be there early to help get some seats,” atsumu nods, knocking his knuckles against the table, letting out a short echo in the lounge.

  “really? y/n should join him, she always has good luck with those sorts of things,” yachi waves her hand, like it’s no big deal, and she’s not feeding you to the metaphorical wolves. 

  feeling your whole body go jittery, you want to blame it on the coffee in your hand, but you know better. the thought of something as daunting as sitting silently with sakusa, without your gear around you, is terrifying. “oh y/n, you should meet him down there, he’ll be getting there around five,” atsumu brings his hand up, hitting sakusa in the stomach. 

  “okay.. i’ll think about it, but we should get heading to the booth, get ready for the show,” you nod, running your finger around the rim of your mug, trying to change the subject and hopefully get back to work.

  getting to know sakusa and truly working with him sounds like a dream… but the way yachi is going about it sends your heart rate spiking. “i’m right behind you,” he mutters, following you out of the lounge, sliding past yachi as she looks over to atsumu with an odd expression.

  sakusa says something behind you, talking quieter than he expected he would, his long legs carrying him over to you. he scratches his eyebrow as he catches up to you, grimacing as you look back at him, “what’d you say?”

  “you don’t have to come tonight… sorry if atsumu made it seem like you have to,” sakusa shrugs, hands pushing into his jean pockets. 

  “oh no, it’s okay. yachi’s right, for some reason every time we go to a restaurant i have the impeccable luck of always having seats available. and with most of the crew coming, you’re probably gonna want you,” you smile, nodding as you talk.

  the slightly hidden humor in your voice brings a small smile to sakusa’s own face. “okay, that would be cool,” he mutters, following you into the booth, shutting the door behind him, “it’ll be at the restaurant and bar down by onigiri miya, atsumu’s brother’s restaurant.”

  “okay, i will see you there, sakusa. make sure to bring a good attitude and an affinity for bar food,” you point at him, suddenly feeling an air of confidence as you sit in your chair, the cushions feeling comfortable against your back. 

  nodding, he walks into the sound booth, hiding his face from you. pulling the microphone down to you, you pull your headphones on, smiling to yourself. watching as the timer counts down to when you’re starting. glancing towards the sound booth, his hand is up by his mouth, eyes adamant about staring down at his equipment.

  tapping the table with your finger, you wonder if possibly you’ve gotten through to him. if possibly you’ve broken the shell that he keeps himself hiding behind. as the clock ticks down to one, you take in a deep breath, “hello everyone and welcome to talk it out. today, before we begin our usual conversations, i have a bit of an announcement. it’s the stations twenty-fifth anniversary!” 

  a short cheering noise carries through your headphones as sakusa sets it off. “today between our talks, i’ll be giving some facts about the station and my time here. but that’s for when the time comes, line one, what would you like to talk it out about with me today?” 

taglist (open): @eggyrocks @causenessus @applepi25 @softpia @bakery-anon

@jadeoru @yessimo @lale-txt @writing-for-the-hell-of-it @sugacor3

@quikhs @todorokiskitten @mollyrolls @honeyfewr @pookiebearcave

@phoenix-eclipses @madiexuberant @kameyyy @cr4yolaas @asrichin

[sitp-recs]

Wield Me by @tackytigerfic (E, 10k)

Drarry, pre-Tedrarry

Draco Malfoy, blacksmith, is renowned through the magical world for his skill and exquisite creations. He could quite easily spend the rest of his days making pretty trinkets for the fae court, and being handsomely rewarded for the privilege. But why take the easy route when instead he could get involved in a dangerous mission with Unspeakable Harry Potter (who also happens to be Draco's... well, he's something, isn't he?). A little story about learning to strike while the iron is hot.

“It’s deep magic, you know. It doesn’t recognize anything quite so specific as a particular location. It’s more conceptual, I suppose. You remember.” He knew they did, the long night of casting, Teddy carelessly throwing azaleas and yellow roses into the quench pool along with all the others; azaleas for homesickness and the desire to return to a place of safety, yellow roses for family. Not to mention all the runework they spent hours working on. Draco rolled his eyes at them. Othala. Harry had traced it over and over in the water, and then Draco had hammered the essence of it into the metal with his sweat and his fire. Homecoming. It would be enough.

Because one birthday rec wasn’t enough I am back, this time reccing the fic Tacky gifted me on my last birthday so we’re coming full circle with the love show :D it’s hard to put into words all the feelings this fic inspired in me. I could not believe my sneaky friend (who’s pretty monogamic about their Drarry btw) had crafted something so special bringing together my two OTPs! I remember reading this in a haze, too eager to unravel that delicious summary and get to the promised Teddy kissing, but also not ready for it to be over after 10k and dreading the emotional devastation that was sure to follow. I realize that Harry/Teddy is not everyone’s jam (yet 😏) and might discourage some people to check this out, so I thought I’d follow my previous rec format and list a few reasons why I loved this so much:

1. The world: I kid you not, 10k feels like 30k once you get introduced to this magical world Tacky so masterfully crafted - vibrant, intriguing, creative, a main character in itself. I was already losing my mind over buff blacksmith Draco in a leather tunic (🥵) but then his stance against weaponry and the magical theory behind his forgery?? What an unexpected (but very much welcome) turn on. I am fascinated by this verse and wanna learn all about Draco’s backstory, about this society, its power structure, about Harry and Teddy’s job and the gritty dangers that Teddy is about to face, and whether or not he’ll find his way back home - back to Harry - safe and sound. So many questions left unanswered and this thrill, an adventurous feeling about their quest that kept me engaged until the end. What a masterclass in world building!

2. The tenderness: as per their trademark, Tacky gives this fic a lot of emotional depth and nuance, showing how easily love can multiply when Harry is the recipient (seeing how wanted he is here makes me feral) while keeping this unmistakably a Drarry romance. 40yo fuck buddies who are so obviously into each other they make me giggle and kick my feet, plus a careful balance between all dynamics in play - Teddy’s crush on Harry and respect for Draco, Draco’s longing for Harry and understanding of Teddy, Harry’s trust in Draco and tenderness for Teddy, the overall affection and sexual tension fueling all those relationships making it impossible not to cheer for them. If you’re a Teddy fan like me you’re in for a treat: I adore his edgy personality, bold, brave, painfully young and so damn lovely, a perfect fit for Harry and Draco’s mellow and steady love.

3. The symbolism: this plays into the exquisite lore created within such elegant and contained writing, I just keep thinking about the possibilities, metaphors, the way recurrent themes like family and homecoming show up in Draco’s forgery work intertwining his, Harry’s and Teddy’s lives in such a definitive way you find yourself thinking “well it must be fate so it can’t be avoided, they gotta bang” 🤷🏻‍♀️ okay so maybe not everyone is horny for this triad as I am, but the implications behind the symbology go beyond lust, diving into something deeper and more meaningful like familial love. And because I’ve read everything else from Tacky’s (“Harry deserves roots” / “I’d be your mate” / “I like my choyse” / “Is tú mo Rogha” / “Queen Anne’s lace, it means sanctuary, home.”) and so on, I can’t help but get emotional here. Harry’s longing for a family is such a quintessential Tacky theme and seeing it expand to include my beloved Teddy in their sacred Drarry kingdom makes my heart sing.

TL;DR: I feel like I could spend days talking about this fic but then nobody would read it and I really, really want more people to fall in love with these clever, competent, brave and lovable characters and with the rich, fascinating world that makes you wish you could live inside it forever and see what happens next. So run don’t walk and go treat yourself today!

[starzzmissthesun]

i think you should totally drop whatever hc/ideas you have lying around honestly...i would love to see more into ur brain...pls <33

:DD

Hi!!!! Sorry this is a little late, I got so distracted with an animatic im working on(😈) and then a stupid essay😭😭 being honest rn... Almost all of what I've been thinking about is my fic.. 😔

But!! I can still go a little into that without spoilers. I've finally figured out The Perfect ending for this story that I feel fits with the overarching themes I wanted to tell. I've been making sure that every little detail fits with the themes I wanted to show, I wanted it to overlap Regulus and barty's characters and their overarching themes with PD. I also didn't want to just replicate PD cause I feel like that doesnt have the depth or commentary I want to out into it. Idk ive always thought it's super fun to put everything as some sort of symbol or metaphor or foreshadowing. I'm like literally so close to being done drafting and then I can actually talk about it a little more😭

Anyways! I've also been thinking about barty post regs death 😔(when am I not) But more specifically how every memory he had would almost be tainted, everything now would have an air of questioning and unsureness. Even memories where Regulus isn't there, just wondering where was he? What was he thinking? Am I remembering this right? What could've I changed? What was the domino that caused all of this to happen? Eventually finding it hard to accept the way it really was, having the "I guess it was" and feeling it, but overintellectualizing it. His logic and reasoning is his downfall in this situation, that's what makes him go crazy. (Side note I NEED to make a little post about his intersection between intelligence and madness) Hes doing a complicated version of when there's a task that seems so simple that you think it's a trick, but it's not, it's just that. What happened with Regulus was just that.

Also, I've recently self reflected and realized that a lot of my barty characterization is similar to how I think of Leonard Cohen's art(who I LOVE LOVE LOVE) Idk if you've listened to him or read any of his work, but I HIGHLY suggest it, it's perfect for fall. Anyways, a lot of his songs and poems carry themes of having a twisted self image, not completely self deprication though it may seem, but something else. It's closer to understanding and knowing that you are. Different. And unconventional. It's an uncomfortablility he has with himself. Being soemthig twisted from what you should've been. A lot of his stuff is also to do with tragically losing someone, out of their own choice, and still feeling very loyal yet bitter. Also of loving something so much that it turns dark, or it goes too quick, it spirals. Also his love songs are very barty's perspective on bartylus to me. And like, obvious war mentions. I could give some specific recs similar to barty or them if you'd like.

Another thing is of Regulus and his relationship with his dad. Though I see it completely reasonable if his dad was just kind of, not there and neglectful, it could give very interesting implications to his character, I like it the other way around. Orion seeing what a more carefree attempt at raising a child does and keeping Regulus even closer than he did before. I think Orion always liked Regulus more, despite him being the second, because he was a model son. I don't think he wanted this life or even to have kids, so Regulus being so complacent and in line with what he was supposed to be as a pure blood made him the decided favourite(as much as he could have one). He was always keeping a close eye on Regulus and he could feel it, but he didn't do anything out of place anyways. Orion could tell when he was even thinking something he wasn't supposed to. I believe that, no matter how much she tried, walpurga was too caught in her own head about her duty as a mother to see S+R as anything other than Her Kids, as property that she was supposed to care for and tend to, she obviously loved them, but couldn't see through them. But Orion was there around every corner looking through regulus' eyes into his soul to search for any thing out of his perfect kid.

Anyways.... That's all I can think of rn😭 but if you have questions about ANY of them lmk!!! I love yapping about my little thoughts 😁😁

[featherymainffins]

Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?

[incidentalblr]

listen valvert is a better exploration of les mis’s themes than enjoltaire could ever be

[pennyserenade]

being a writer is crazy because you’ll be dissecting your biggest issues in life and out of nowhere you’ll think “hey that was a good line i should use that” can’t even read the room for myself 😭

[mars-ipan]

i am entering a point of good omens hyperfixation where i am actively starting to choke on the amount of content i am consuming but i Will Not Stop

[mishkakagehishka]

I guess i'm at that age where all i want to write about is commentary on society

[nebulaleaf]

horrified tails meme .png

[snazum]

Working on a little (big) project, finally figured out the storyline I want to go with, that's all I'll say, it's called IYKYK. Literatly thats the project name, it might change but it's quite what it means. but if you don't know? That's okay too! I'm hoping to tell a compelling story anyways. This is probably gonna take a couple years to do though XD

If you are interested this is the playlist I'll be working with. Yes I'm planning on making video visuals for this project (I'd say animating but I'm gonna be using a bunch of different techniques, also animating is hard af and takes a long time and I'm not exactly an animator.) Also you get to learn a little bit of my music taste now XD

[lanymme]

God I forgot how good Pokemon Sun and Moon were.

The like. background alolan sovereignty stuff and the frankly startlingly sensitive discussion of child abuse and the way they entertwine? Team Skull being kids failed by the system, and that social ill giving room for the Aether Foundation to sort of push its way in and establish a hold in Alola to "do good"? The fact that the stuff the Aether Foundation is doing is really good work from a certain perspective, but is also disruptive, controlling, and not in alignment with the Alolan way of doing things? Guzma being abused as a kid, and ending up pushed around and manipulated by Lusamine, an abuser herself, who knows how to push his buttons?

The whole subplot of looking for a champion, which probably would've been Kukui or Guzma if their own hero and rival story hadn't been shattered by the stuff that happened to them? Guy whose dad broke golf sticks over him develops a perfectionist obsessed with being strong enough that nobody can beat him again, and constantly proves to himself he's safe by throwing that strength around? The way their relationship starts to repair when those societal problems start to be addressed?

And then Gladion and Lillie. God. The way Gladion is the older child who figured out what was happening first and got out of there, went no contact, and had to do what he could to stay off the street. The way Lillie is just starting to figure out and unpack the things her mother taught her, and beginning to become braver and show more independence? How her fucking mother DRESSED HER UP AS THE NIHILEGO, and then her big moment is to put together her own trainer-like outfit, to start picking her own clothes?? The way Lusamine treats her pokemon with zero humanity but pretties up and preserves them horrifically for show, the way the Aether Foundation is engaging in torturous unethical experimentation, as metaphors for the way she abuses each of her children???

The ways in which Guzma, Gladion, and Lillie all bond with Pokemon that sort of symbolically resonate with the kinds of abuse they received and the way they learned to deal with it--Guzma picking bugs, traditionally the weakest type, and Wimpod who runs from everything--showing the kindness deep down in him, and the way he grew up to be strong. Gladion, whose pokemon was more overtly abused, and evolves through his care into Silvally who can take on any type the way Gladion is forced to learn how to adapt to being by himself, and then to being a member of the community? And Lillie with Nebby, who starts out weak and defenseless, helpless, imprisoned, and escapes despite that and gets by through relying on other people, until she learns to take care of herself--and her buddy evolves into the legendary that defends the Alola Region from alien threats like her mother????

fuck that game was good. it fit so well with the themes and aesthetics of pokemon. I really wish they'd make more like it.

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[dathen]

We’re so used to the sexual reading of the entire book of Dracula, which takes the sensuality of the early chapters and jams everything that follows it into the same metaphor no matter how poorly it fits, but I feel the segment we’re approaching works much better with a lens of chronic illness and disease.

Vampire legends are inextricably intertwined with disease. Many of them are said to have been birthed by burying victims of disease too soon, who later seem to rise from the dead. But what’s more is that Stoker and his family have deep-seated trauma over disease: his mother had to flee her hometown at the age of 14 because of a horrific cholera epidemic, and Stoker himself was bedridden as a child from an illness that no one could identify.

Found this quote from Irish Historian Mary McGarry:

Bram as an adult asked his mother to write down her memories of the epidemic for him, and he supplemented this using his own historic research of Sligo’s epidemic. Scratching beneath the surface (of this essay), I found parallels with Dracula. [For instance,] Charlotte says cholera enters port towns having traveled by ship, and can travel overland as a mist—just like Dracula, who infects people with his unknown contagion.

I bring this up because a lot of academic analysis insists that Lucy sleepwalking is proof of her being the Slutty Woman archetype that needs to be punished. This suggested symbolism is hilarious when put next to the text saying she inherited it from her father, but I’d like to suggest a different angle from the lens of disease suggested earlier:

Lucy’s sleepwalking is a condition that predates Dracula but makes her an easy target for him to prey on. Through the lens of disease symbolism, she now is someone with chronic illness or disability who is especially vulnerable to infectious disease. This becomes a cross-section of Stoker’s trauma regarding disease: his own mystery illness and his mother fleeing a plague.

To wind down my rambles with a bit of a soapbox, I feel this adds a very poignant layer to the struggle to keep Lucy alive. The COVID pandemic showed a horrifying level of casual ableism vs disabled and immunodeficient individuals, shrugging off their vulnerability and even their deaths with “well COVID only kills them.” There’s something deeply gratifying at seeing the way everyone around Lucy fights to the bitter end to protect her and refuses to just give her up to Dracula, whether it’s Mina physically chasing him away or the suitor squad pouring their blood into her veins or Van Helsing desperately searching for cures. The vulnerable deserve no less than this. They’re not acceptable casualties.

[wordsinhaled]

just musing about how niko was one of edwin's biggest unconditional supporters and gentle guides in his self-discovery of his sexuality, and i think it's so interesting that we still never saw edwin confide in her overtly about his feelings for/attraction to charles, though he easily could have at any time.

before the cat king ever shapeshifts into monty or charles to tempt edwin to realization, niko's there to tell edwin that it's okay for two boys to like each other, to let him know it's okay if he noticed monty when they first met, or if he enjoyed the idea of monty liking him; and she plainly tells him that he's completely allowed to want explicit things with another boy.

they talk about edwin's feelings and desires multiple times - he admits to her he's never kissed anyone, and even that the idea of kissing has become appealing to him. she asks him, does he want to kiss monty? does he want to kiss the cat king? but she never asks him directly, does he want to kiss charles? charles is the elephant in the room of that conversation, so to speak; the only other boy they know, the one she knows edwin is actually closer with than anyone else.

but she doesn't ask edwin about charles.

i think it's actually one way niko shows her love and care for edwin, her perceptive understanding of his boundaries, and her respect for his comfort, that she never pushes him to open up to her about this most vulnerable and newly-developing aspect of his truth—that his feelings are for charles—who is already the most important person in his life, and thus so much more life-alteringly consequential to him. even though she hasn't known edwin a long time she seems to grasp that he needs both the push and the personal space to come to his deepest realizations, even as she opens the door for him to come to them.

(i did consider for a split-second that maybe she never realizes it's charles that edwin's in love with, but i vetoed that thought immediately because... edwin just seems too deeply unsubtle for that to ring true. monty can see he's been passed over for charles. the cat king knows it immediately and asks about their 'special friendship,' and not just because he can literally read edwin's desires. crystal is going through amnesia and an identity crisis, and she still clocks that edwin and charles are like a married couple. so it only makes sense that niko can see it as well.)

plus, niko's got excellent reading comprehension, by her own admission; and she and edwin bond over both being great, astute detectives—getting to the bottom of a case is a love they share. and so i just think it's neat that between niko and edwin, the conversation about charles seems to remain deliberately unspoken even when it could easily become overt.

instead she speaks to edwin about charles in metaphors. she starts their conversation about physical intimacy and romance specifically with drawing edwin's attention to the red and blue starfish. "isn't it romantic? they're in love." they proceed to talk about monty, and about the cat king, but i doubt either she or edwin could fail to notice the color symbolism there. and when edwin tries to get scientific about it, she reminds him, "luckily, love requires no logic." and finally she gives him the red sea glass, for courage. courage to help him come to terms with what—and whom—he really wants, whoever it could be.

and in the end... edwin tells niko, "i did actually tell the boy i like that i like him." this is directly after niko tells edwin she's sorry monty turned out to be an evil spy crow and she and edwin commiserate about how things with monty didn't work out for him. and obviously, it was never the cat king edwin really liked. so, just like that, through process of elimination, edwin can only be talking about charles. and even then, they never say his name. they never have to.

i just think there's something awfully soft about how edwin's feelings for charles are first so deeply ingrained and natural to him as to be something he had to be woken to rather than something that happened to him suddenly. then once he was awake to what he felt and wanted, there's something i find lovely about the deep bond niko has with him, that she understands and honors his need to speak around his feelings for charles while holding space for him to still share them with her in his way. something about how charles is so deeply loved that it is easily understood, that he is there in the conversation without his name ever needing to be spoken.

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[asidian]

Alright. It is time. Buckle up.

Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.

Meet the leads, our two ghost boys:

Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.

Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.

Some highlights:

/slaps hood you can fit so much trauma in these two

Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying

Both leads get much-needed hugs

The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades

I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here

The protective way Charles puts himself physically between Edwin and damn near every threat in the show

They're just fun together. Their interactions and banter and how they work as a team is a delight

Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues

The symbolism. God. They are metaphorically and literally one another's light in the darkness

But what about stuff that isn't the main duo? Just wait, there's more:

This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it

So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.

[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing

Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry

There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous

All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal

A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads

There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal

It's only eight episodes. The time investment barrier to entry could not possibly be lower

Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.

Dead Boy Detectives is well worth your time. It's easily my favorite show in years.