#the artist the got popular through a different fandom is posting outside of the fandom again! /lh

[sirenetica]

It's time for spring... ...We'll try again next fall

[thisliminalspacedaydreams]

Do not confuse Enthusiasm with Entitlement.

Hello!

I’m relatively unknown in the fanfiction world which is great, but I’ve got some friends who are known, and I’ve got things to say, from an outsider perspective.

I’m a writer, but I’m also a reader. I participate in the fandom in the way I know how, which is through writing stories.

Here’s what fandom should be. It’s a village, called Fandom, and people all interact in the village in some way. Write, Art, Ideas, Comments, Reblogs, Kudos, Podfics, Bookbinding, Etc etc etc. It’s a Smurf village, because currency doesn’t exist, and everyone does what they can for the community to thrive, for fucking free. They offer gifts, and encouragement, and once a week we all gather round in the center of the village and scream about it in a very unhealthy way. Some people are more active than others, some like to be known, some prefer to remain anonymous, some watch from the sidelines and everything is done with care and a warm heart between our teeth.

There are pockets of that, which, great.

Here’s what fandom is, sometimes.

1/People elevating others to the point of God, sometimes dragging other writers down (for no reason, no one asked to be rated as the best fic writer of all time) to make a point. What is the point? Is there one?

2/People harassing writers for more things. Write an epilogue, write another chapter, write this and that. Writers aren’t your own personal AI machine to make what you want to write. A lot is blamed on age, and perhaps there is an element to it, but I believe it’s just decency. An 18 years old kid is capable of making sensible decisions, just like a 24 years old, just like a 14 years old. Your age doesn’t give you a passe-droit to be a dick to people you admire (!!!???!)

3/I won’t even touch on the subject of hate reading because that’s just straight up insanity.

But it’s just… hate and tantrums and anger breeds more hate and tantrums and anger. There isn’t a virtuous way out of that, and I’d love for people to…just, cater to a more positive experience for everyone.

When your fingers are typing rot on your computer, you are venomizing everything that it touches: the people who will read it AND the people who will respond to it.

So far, from what I have seen, this behaviour leads to only one thing: depressed writers/artists/etc who stop writing/drawing/etc, or pull their work, or take breaks, or retreat from the limelight because it is too much.

You are pushing too much.

Enthusiasm is wonderful. It’s a powerful tool and should be used, everyone on this fandom is posting because we looked at The Thing and thought, “yeah.” No one in the history of the world (I hope) has posted after thinking “that is straight up shit and I hate it with a passion.”

Enthusiasm does need to be curated in a healthy way. I understand that Fandom is for fans, but it is also by fans. No one here is better, everyone here is different.

Some writers have a voice that resonate with more people, or stories that resonate with more people, and that is perfectly fine, but, once again for the people in the back, do not confuse Enthusiasm with Entitlement.

In what universe, in what galaxy do you believe complaining about someone’s work will make them go “oh right, nevermind all the work I put into this thing I love, let me just do the thing a random stranger is asking me to do.”

Do not confuse Enthusiasm with Entitlement.

Maybe I sound like bitch, but by god, the shit I’ve heard from my “popular” friends the past few months is absolutely mad. Mad, people.

You are normal people, and SO ARE THEY.

They have lives and interests and they are people. Treat them as such.

Do not confuse Enthusiasm with Entitlement.

Thank you for coming to my TED talk, I hope everyone enjoys Le Mange Dieu et le Dévoreur de Mondes, which we wrote and enjoyed writing, and which does not mean other writers weren't doing their own thing and writing other stuff in the meantime, and I HOPE we can all start to have some fucking respect for the people who spend hoursdaysweeksmonths pouring over a project and posting it for fucking free, all at once, so it’s not stressful for the reader. YOU.

Because against all fucking odds, we actually care about our readers. When you’re being nice.

Thank you and good day from a Fandom Elder.

[fanstuffrantings]

About you getting hate for liking the Freezerburn ship and then getting even more hate for politely asking to be left alone:

idk what the fndm's been drinking lately to get like this but it's kind of everywhere nowadays, which is one reason I no longer participate in things like the freezerburn ship week or stuff like that. It's become so popular to cyberbully people in this fandom, especially if they hold any opinion outside the extremely limited and strictly enforced one-way-only 'acceptable' opinion, and for some inexplicable reason, Freezerburn has been declared Unacceptable and Wrong and Bad, and that goes double for the shippers.

I once saw someone say that shipping Freezerburn was "homophobic."

A ship... between two female main characters... is "homophobic..."

The reason given as to why it was "homophobic" to ship those two characters was because the person making the declaration irrationally declared that every single Freezerburn shipper is also a BlackSun shipper and furthermore declared that the "only reason" anyone could ever possibly claim to like Freezerburn was if they were "pairing Yang off with a random girl so they could force Blake to belong to a man without being accused of homophobia"

I also once saw someone say that shipping Freezerburn was "disrespectful" and "egotistical" and "ungrateful" and - again - "homophobic" because Yang kisses Blake in canon and apparently that means that every viewer is legally obligated to praise the ship and make it the center of all their fics and fanart, because anything less is you "choosing to hate bumblby because you're a homophobe" and "failing to show the proper gratitude and reverence to the writers" and "stuck up and conceited and arrogant enough to think you could come up with better ideas than the writers" and "disrespecting all their hard work"

Aaaaand I've also seen people post lists of "rules" that every fic-writer or fan-artist is apparently required to follow, and if they don't then they get written off as "part of the HTDM" and they become a socially-acceptable target for cyberbullying and harassment, on the grounds that "the HTDM refuses to respect rwby, so why should we respect them?" And what'd'ya know, one of the many rules every fan is now expected to follow is literally "you must ship bumblby and you must make Blake and Yang get together, and you cannot pair either character with anyone else in the series."

I'll tell you what; the show claims to be about artistic expression, freedom of speech, and trusting love - but the biggest fans never got the memo.

No one is allowed to make art unless it is Canon-Compliant

No one is allowed to express an opinion unless it is a Glowing 5-Star 10/10 Two Thumbs Up monetizable recommendation

And no one will choose kindness if you break either of those two rules. Differences and Dissent are the enemies in this fndm, and if you get pronounced guilty of them, you become an acceptable target.

Because you ship two female main-characters with each other

Just not the ones that became canon

And the fndm seems unwilling to confront the fact that "doesn't ship bumblby" isn't included in the definition of Homophobia - but "attacking people and inciting hate against them through smearing their reputation and getting them branded as a toxic monster for no other reason than they posted content about a wlw ship on their tumblr" kind of is

Anyway Freezerburn is awesome

Ah. Yeah I've been out of the fandom for a minute, fell out around volume 4 and came back in with a recent rewatch so I was around when Shipping freezerburn was less controversial I guess. That and one of the only people in this fandom I've been following for the past decade is a multishipper who only posts postive content.

But this all does track. I did at one point ship Blacksun but it's been years since that happened and I find a lot of enjoyment in Blake and Sun's sibling/friend dynamic more than anything.

Even funnier since my post that started this mentioned that I support Yang having two girlfriends, but I have seen how serious rwby fans get about people criticizing the show even before I left. I remember when there were wars about posting in the rwde tag and fans who would start fights with bloggers for posting in it because they didn't think people were being nice enough in the rwde tag despite it being labeled that way for a reason.

I appreciate you taking the time to explain fandom history I missed out on to me.

Been a freezerburn shipper since volume 2, and surprisingly, that hasn't changed even after 6 years of being gone. If there's one thing I'll always support, it's Yang and her many suitors.

[tired-fandom-ndn]

I got your post about lolita fashion and fujoshis reccomend to me through the tags and would you mind explaining to me how the fujoshi community accomplished any of those things? I don't mean this in a negative way, I feel like I may have the wrong idea on what fujoshis are.

Putting this in a list for my own ease.

The term fujoshi translates to "rotten woman/women" (Japanese words are both plural and singular, so fujoshi is already pluralized!). The specific kanji are 腐女子, which is important because people interpret "rotten" to mean "bad" or "disgusting", when 腐 actually refers to literal decay, fermentation, spoilage, etc. It's a play on the term 婦女子, pronounced and written the same way, which translates to "respectable woman/wife".

Despite popular belief, it has never been used to mean "homophobic" or "fetishistic". I've also seen the claim that it's the Japanese equivalent of "fag hag" but that's also not true (that's actually okoge/お焦げ, which is a play on a nasty slur).

The term itself was coined in the early 2000s on a website called 2channel, a forum site that was essentially the Japanese equivalent of 4chan (at the time, idk what it's like currently). The term was created by straight men as a way to degrade women in fandom, telling them that they're "spoiled" or "past their expiration date" because of their interests and therefore ruined for marriage.

(The term fujoshi, at the time, was applied to women who "ruined" fandom for men, usually women who liked shipping or creating romantic fan content for media mostly enjoyed by men. It was never, as people like to believe, about protecting gay men because the people who coined it saw m/m ships as ruining their favorite characters.)

The cultural context for this is really important because, even now, there's incredibly strict and misogynist ideas about a woman's role in Japanese society. Fandom, and other personal interests, are seen as something childish that Japanese women are expected to abandon as they get older. Those women are often expected to put their full focus on finding a husband, starting a family, and becoming a homemaker. Even now, women working outside of certain careers is controversial.

When Japanese men call women fujoshi, what they're saying is that unmarried women will never find husbands (failing at what they should see as their purpose) and that married women are shaming their husbands and children (again failing their supposed purpose) by partaking in fandom at all.

Fujoshi became a reclaimed label though! Japanese women took that misogynistic term and said, "You know what? Okay. If having interests makes me spoiled, then I'll be as rotten as I want". It became a way for those women to fight against the idea that all they're good for is being wives and mothers or that they should care more about being desirable than happy.

It also became a way for Japanese women to explore their sexuality. In Japan, the "female" body (the sex binary is fake, but you get what I mean) is highly stigmatized, especially the vagina. There's strict laws about how women's bodies can be shown in media, and many women have been arrested and jailed for creating vagina imagery. With that in mind, fujoshi often use BL (boys love, more commonly known as "yaoi" in the West) as a way to explore their own sexuality, attraction, and desires within the extremely strict confines they have.

(Edit to put in a quick note: while it isn't EXPLICITLY illegal to depict vaginas and vulvas in Japanese art, it's way more likely that the artists will be fined or arrested for violation of obscenity laws compared to artists who depict penises in their works. This is something that a lot of women in Japan, like artist Igarashi Megumi, have been challenging both in social situations and in court. While this stigmatization exists in the West as well, including the US, it manifests in different ways in Japan and it's important that we have full cultural context in this discussion.)

These days, when used as a self identifier in fandom, fujoshi literally just means "woman who likes m/m content". There's male and gender neutral versions (fudanshi/腐男子, fujin/腐人) and even versions for f/f content (himejoshi/姫女子, himedanshi/姫男子, and himejin/姫人). None of these terms have any moral weight, nor do they indicate how someone treats real queer people.

Over the years, and with the rising popularity of manga and anime in the West, the label fujoshi has been shared with Western fans. Unfortunately, it took on its misogynistic origins in this new space too and became another weapon to basically tell women to go back to the kitchen. Which was how it was used originally. Now we're at the point where that misogyny is being framed as progressive, to protect gay men from these supposedly straight cis girls who are obsessed with them. It's also become a very popular insult for radfems to throw at trans fans, particularly trans guys, to frame them as cishet girls who are "pretending" to be men because they "fetishize" "real" gay men.

And that's basically the gist of it. Hope this helps, anon!

[evas-apartment]

would love your thoughts on death of the author, separating art from its creater, etc.!

as someone who enjoys critically thinking about what i read & watch, i love the idea that i control the lens thru which i view plots & characters. maybe the author didn't mean to write these two women as potential love interests or create an allegory for transitioning, but i can, thru my own lens, see it in the story. however, i can also understand that when another author creates a "dark skinned evil race" for their story (very common example in fantasy) it is reflecting real world prejudices that harm real people & that needs to become a discussion imo of the author, their purpose in writing, & its broader effect on other media

This might be a long answer, but I got a lot to say here.

Long story short: Depending on the severity of the of offense, it can become impossible to "separate the art from the artist". But frankly, I've never attached such a large part of myself or my personality to a piece of media, or a celebrity such that I find it impossible to detach myself from something that can hurt people.

Thankfully, I was never that into Harry Potter, but the fact that it's author is a TERF amongst a bunch of other bigoted things like being blatantly racist and blatantly antisemitic should be enough for people. It's basically the "I don't know how to tell you you should care about other people". It's largely about having empathy for groups that you aren't a part of. It's about listening to the people who have been affected by a shitty person's shitty behavior/views/attitudes. Being really into something is special, but being so into something that you blindly defend a bad person in the face of overwhelming evidence to the contrary leads people to believe that you're bad too. And Harry Potter isn't worth that.

I was VERY into Five Nights at Freddy's, but then Scott Cawthon was revealed to donate money to demonstrably bad people, and I felt my love for something just ebb away into indifference, but that's just me. I LOVED Alton Brown until I saw reports that he made a bunch of shitty jokes (which I haven't been able to substantiate beyond two blog posts, but still) and I was able to just....stop interacting with it. I don't really listen to Michael Jackson's music anymore, but I can admit that it's objectively good music. But the love isn't there anymore. And I'm not going to praise a person that AT THE VERY LEAST shared a bed with and gave alcohol to minors. To relate it to my current hyper-fixation, wrestling, I can watch the matches of Chris Benoit, and admit that he is a phenomenal wrestler, and seller, but outside of that, I wouldn't go out of my way to praise the guy, to buy merch of him, which I've seen someone in real life do, or to say something so stupid as to say he should be in the Hall of Fame, like he killed people. That should be enough.

I feel like there is a greater conversation to be had about fandom culture, about how fans consume media, and attach themselves to whatever golden calf they're into that week. But TONS of people have said that, and this response is long enough, so I guess that's a conversation for another day. (Or another ask if you wanna keep hearing me ramble :P)

So, to answer the original ask, Yes. Viewing a piece of media through your own lens can be great. As a trans woman, it materialistically hurts nobody to headcannon someone as trans, and it makes me feel good. Being aware of stereotypes in otherwise beloved media franchises (the Gerudo in tLoZ, Jinx in Pokemon) is something everyone should be aware of, but go beyond that and actually listen as to why these depictions are offensive. Wonder why the original Fire Temple Chanting was offensive in Ocarina of Time and just have the empathy to hear different people out. As for "death of the author", everything is written with intent, whether intentional or not, and people's worldviews, ingrained biases, and privileges will shine make it through a person's work regardless of genre or medium. People's writing has intent, regardless of what people's interpretations of it is. Basically I don't agree with the idea of "death of the author" cause things made by bad people are usually ingrained with their shit views. Separating the art from the artist is a privilege afforded to those willing to listen to us. But when people like JKR not only include horrifically offensive depictions of people like me, get called out for it, then DOUBLE DOWN ON IT, you lose that right. And that's when we call it. And that's when we call it for people that continue to contribute to that.

And just as a little addendum for the end, saying Miku made something popular instead of the actual creator is worthless, and pirating Harry Potter media helps nobody but yourself.

All that being said, I do enjoy asks, and like receiving and answering them. Thanks for this!

[griffinblogsgw2]

What Killed The GW2 Tumblr Fandom?

(And I do just mean the tumblr fandom. I’ve not really noticed the fandom as a whole having this problem.)

So full disclosure before I talk about what I’ve noticed personally and why I think this jazz is happening: I’ve never been the most active in this fandom. I’ve tried to be in the past but even at my peak I’ve always felt a lil outside of everything? I’ve been playing GW2 since launch and I’ve been making a Gw2 comic at @torasteals for the fandom for almost 5 years at this point. For most of that time I’ve felt like some weirdo tossing shit into the void and only vaguely being aware of what else was going on in the tumblr fandom beyond the few blogs I followed. I want y’all to keep this in mind cause it does paint my perception of what I’ve seen as different from someone who may have been far more involved in the fandom than me.

Okay with that in mind...

Here’s what I’ve noticed:

The death of engagement within the GW2 fandom as I’ve noticed it seems tied to at least three things: Tumblrpocalypse of 2018, the migration to FFXIV, and the Pandemic of 2020.

Tumblrpocalypse of 2018

Does anyone else remember this shit? Tumblr had that change of policy around nsfw art and changed how they treat links that basically murdered a bunch of creators on tumblr? Everyone remember the mass exodus of artists and creators leaving tumblr for twitter? Yeah tumblr has definitely chugged along alive since, somehow miraculously, but the effects of this can still be felt to this day. We lost a large chunk of creators for the fandom during this. I wouldn’t be surprised if a large chunk of fans, who don’t create fan works, left for this reason as well.

Personally, tumblr’s changes in policy and algorithm during this time nearly killed my comic. I lost a lot of readers and a lot of engagement with my work. I wouldn’t be surprised if other artists went through something similar here.

Even so, I do recall there still being a lot of creators that held on during this time and who persisted to create works on tumblr. But then...

The Migration to FFXIV

From what I’ve seen, a lot of people, creators and just fans alike, have simply moved on from GW2 to FFXIV. Like, a LOT of them. Nearly every artist that I used to follow for GW2 content just doesn’t do that anymore. Nearly all of them have moved onto FFXIV (and sometimes some other game entirely, but it’s usually FFXIV). I don’t know what this says about the state of the game itself right now, but I’m not sure we’re getting as many new fans as we’re losing right now. That might change when End of Dragons is released, since expansions have always historically brought in an influx of new blood, but I’m no fortune-teller.

As it currently stands, I legitimately don’t know how many of us are left in this fandom. Hell, I still regularly make content for this fandom weekly and I can tell you I’ve been burned out on the game and needing a break from it for awhile now. I wouldn’t be surprised if this isn’t a common feeling.

Pandemic of 2020

I would honestly argue that this is what put the nails in the coffin for the fandom at present. I couldn’t begin to tell you exact reasons why, but I can tell you that as soon as shit really hit the fan last year, engagement in this fandom basically died. My posts that used to get a handful of reblogs, have turned to nearly zero over the course of this crisis.

My dashboard used to be littered in GW2 posts. So much so that even if I didn’t directly follow them, I could tell you who the big names in the tumblr fandom were. I can’t do that anymore. I have no idea who is big and popular on here anymore. It’s not just that people have stopped engaging, it’s that people have stopped creating as well. I’ve seen honest to god radio silence from creators who used to dominate the GW2 tag.

Again I’ve got nothing but guesses as to why this is? COVID has done a number on all of us I think. It’s harder to create and it’s harder to engage. It’s incredibly depressing on a number of fronts.

So is this it then?

I’d like to hope it isn’t?

I don’t really want to end this on such a doom and gloom note, and I’m sorry for that. I don’t think the fandom will straight up die forever but I do think we’re havin’ it rough right now. And there’s no guarantee of when shit’ll pick back up again as far as I’m aware.

If anyone else has thoughts on this, I’d love to hear it. I’m sure my picture of what I’ve been seeing is incomplete, so if anyone has stuff to add or has noticed things I’ve straight up been blind to, I’d be very curious to know.

[hijitae]

HijiTae Poll #2 Results

Thank you to all those who voted in the second HijiTae Blog Poll! This poll closed on January 31. Here are the results:

I expected the majority of votes to go to “Thought about them and their moments while reading/watching Gintama” because that’s how it usually happens. And, wow, did Sorachi ever surprise and bless us!

“Read fan fic about them” and “Through meta posts” were the next couple of reasons to gain the most votes. Fan fic for rare pairs is a blessing; not every rare pair is lucky to have even one. There have been a few meta posts over the years, sometimes found as brief comments in old forum topics in places like Yorozuya Soul, Crunchyroll, and others. I’ve written a fair amount myself, and I’m glad they have helped to bring in new fans.

Next were the reasons: “Discovered fan art featuring them”, “I love shipping rare pairs”, and “Through fandom edits”. Luckily, HijiTae fan art has existed since forever, basically, though quite a bit has been lost over the years as old fan sites went offline. Some artists have re-uploaded to Pixiv now, some to DeviantArt. I’ve commissioned two HijiTae art pieces among the latest batch of new art. Hope we get more fan art soon!

I completely relate to those who voted for “I love shipping rare pairs,” because so do I. I have plenty of other faves in different fandoms. I love going against the norm, going with my instincts on possibilities, and thinking outside the box. Sometimes, it’s just more fun to go that route.

Fandom edits, like gifs, fan vids, and more -- here I want to give a special shout-out here to @arirna​, who has contributed much to the HijiTae fandom with gifs. Thank you so much! I’ve no doubt that those gifs of yours and other fandom edits have brought in more HijiTae fans.

“Other reasons” also had the same number of votes. No one came forward to share what other reasons got them into HijiTae. I think I covered all the major reasons – although I did forget to include old HijiTae fan listing site as an option. It lasted from 2007 to 2009, if I recall correctly. It was started by an old friend of mine, and I have her to thank for being the first to provide a place for HijiTae fans to gather in the international fandom.

“Through the HijiTae Tumblr blog” (yay!) and “A friend got me into them” were the last reasons to receive votes. I’m glad my side blog has introduced someone to HijiTae, because that’s one of the reasons I created it.

“Through general fandom discussion” didn’t receive any votes, but I’m not surprised – you mostly see the same crop of ships pop up in general discussions and rarely anything that deviates from the norm. HijiTae doesn’t even qualify as a “Pair the Spares” kind of thing since they’re both tied to more popular ships. Fewer people will object to spare, “leftover” characters being paired together since the new ships won’t interfere with the popular ships of majority preference. Unfortunately, not everyone is open to different or unpopular ships, so I don’t blame people for not bringing their rare pairs up in general discussions. I know from experience.

Well, that was a fun poll and useful for determining how people find their way to HijiTae. Thanks again for voting! Please feel free to make new content for this tiny fandom – art, fic, edits, etc.

[duitle]

Swampcon - Remastered

No waaaaaay, they turned pikachu into a real thing???

Welcome to my Swampcon post! This last weekend, I had the opportunity to attend and volunteer at the first Swampcon since 2019. So many cool cosplay, a lot of dangerously tempting merch, and amazing artwork! Not to mention the fascinating panels, performances, and contests. Honestly can’t wait for next year!

I think the biggest interaction I had with a fandom was seeing one of the vendors cosplaying at the convention. In the vendor hall, one of the ladies had a stand selling keychains and marketing herself as a custom cosplay designer. Not only did she have costume components of other characters, she was also cosplaying as Big Mom from One Piece. I had seen her walk into the hall previously and just assumed she was another attendee. She had her sword, the cloud, and the costume to go along with it. Despite what she had on her stand, the thing that stood apart was her presentation of these One Piece stickers. It didn’t fit in with the rest of her items on display, but seeing her cosplay, I’m assuming she really likes the series. Honestly, I can’t blame her, One Piece is my main pull into anime. Seeing her cosplay and be so open about what fandom she prefers was pretty cool and made me kinda wish I had cosplayed as something too. On top of that, I overheard a lot of people in the hall just talking about the series. People were popping in and out of this one conversation despite them being strangers. Seeing how a fandom is able to form such a close community without these people ever knowing each other was a amazing. Similarly, I saw people, and I was people, asking to take pictures with cosplayers that I thought were either the most well-made or of characters I really loved. Its just an overall appreciation for art that people want to reproduce and share through cosplay and discussion.

But apart from the cosplayers and actual people in the convention, the idea of Fandom was also prevalent in the actual products being sold. The most apparent of these were the art vendors. All of the artists there had impressive skills and reproduced depiction of the things they most loved. The people who loved the same series / characters bought their items. It was just like in Eizouken, when the students were buying fan made products. I for one got some stickers and a etching of a cat. Its through these physical artistic means that the elements of a series are reproduced and a fandom begins to appropriate these characters into a culture outside of the original authors canon. It helps expand a community and strengthens it at the same time. Though, when it came to the vendors, I had an interesting converstation with a figurine seller. The man talked about the figure brands and how different ones produce different figures that can range in quality. He was a real connoisseur when it came to this stuff and reminded me of the idea of cultural capital. Outside of these conventions, fandom, and their communities, that type of knowledge isn’t really useful in the sense of producing an income. Its because these fandoms exists that he can use that knowledge to make a living for himself, outside of the mainstream capital.

When it comes to the formation of youth culture, I think the most interesting experience I had was seeing someone wearing a My Little Pony outfit. I didn’t know that series was still something people thought about or liked in the present. Similarly, I saw a girl cosplaying as Amy from the Sonic series. Apart from them, most of the people there were part a series that could be identified throughout the entire con. The idea of a series losing popularity, a fandom dying, and a culture disappearing hadn’t really occurred to me. What happens then? I think modern youth culture is great in that things that were old or past their prime can become mainstream again. Repping the cosplay for these old series is a way to find others who still love it and, like Grave of the Fireflies, commemorate that fandom.

[sledgefuweek]

Each year we take a close look at the prompts for Sledgefu Week, for those who may be stuck for ideas or not quite sure about what the prompts could entail. Below the readmore are all seven prompts, as well as a short write-up exploring what they mean and some ideas to help get the creative juices going. Enjoy!!

Sickfic

This is a really popular and well-known fanfic trope that I feel probably needs little explanation, but I’ll write a little bit about it anyway! It essentially covers fic where one character is ill and the other cares for them -- it could encompass any kind of illness at all, (including chronic illnesses) and there’s a lot of room to get creative with it. You can go for angst, hurt/comfort, or fluff: it’s just a really good general prompt that I think works nicely to kick the week off!

It suits for Sledgefu pretty well, considering Snafu’s canon mild hypochondria, as well as the fact that Eugene’s dad is a doctor. It could be fun to lean into it: make Eugene play doctor for an actually-sick Snafu, and it could be just as fun to subvert it! There’s really endless options for canon fic: shrapnel wounds turned bad, heat-sickness, seasickness, illness from bad food or bad water or any kind of tropical disease you can think of (malaria is a big one!). You could make one of them (or both) a medic; you could genderswap them and write the gay field nurse fic this fandom sorely needs. And of course if you choose to branch out into modern AU you can begin to think of what might afflict them outside of a war setting: has Eugene been working too much and come down with a cold? Are they hungover, and need mutual care (and lots of takeout)? A lot of the time sickfic focuses on one character doing the comforting and the other character feeling unwell, but there’s nothing to say they can’t both be feeling shitty! I think we say this every year but there’s really no rules at all, you do whatever you feel inspired to do. With Sickfic, just be mindful to tag anything that others might be affected by eg. vomiting, blood, needles, etc.

Tarot

I feel like Tarot is pretty well-known to the Sledgefu fandom, or at least to those who like to write Snafu or his family a little witchy. In case you just have a vague idea of what Tarot actually is and what its purpose or origins are, I’ll explain it as concisely as I can! Tarot decks started life in Europe as playing cards, but eventually began to be used for divination. It’s made up of four suits, or the Minor Arcana, (Wands, Cups, Swords, and Pentacles) as well as a twenty-two card Major Arcana (the imagery of which you’re probably very familiar with). Commonly, tarot decks and tarot reading is used as a means of communicating with the higher self, deities, or with the universe. They can be used as a way to see the future, answer questions, or to give/receive advice. There are different ways of reading them too, depending on how one lays out the cards: I don’t want to make this too wordy, but if you’re curious I encourage you to check out this site to learn more!

For writers, there’s a lot of places this prompt could take you! Probably the most obvious will be fortune teller fic; a classic. Lean into Snafu’s Louisiana roots and have him telling fortunes in the depths of the French Quarter, or go against the grain and have Eugene reading cards and palms and tea leaves as a practice passed down through his family. Or maybe more casual: modern AU Sledgefu flirting through amateur tarot readings with a deck picked up from a junk shop. If you read Tarot and have a connection to it, you can express that through writing! It’s a pretty open-ended prompt, especially if you consider some of the meanings of the cards; you could even write a story inspired by that! The Hermit: Snafu withdrawing, leaving Eugene on the train to spend the next few months in solitude, working through things. The Moon: Snafu and Eugene hitting a rough patch, hiding things from each other. The opportunities really become endless once you start taking the readings of the cards into account! And for visual artists, this must be such a fun prompt: I feel like it’s so a visually rich, whether you’re re-drawing the cards to encompass Snafu and Eugene within them, or making a collage based around some of the things mentioned above: fortune tellers shops, witches cottages, etc.

Trinket

Every Sledgefu Week we tend to have a couple prompts that are a little more open to interpretation, and this year’s ‘Trinket’ is one of those. It might be difficult to try and think of something to base a whole fic or piece of art around, but we really encourage you to let your imagination run wild! There’s already some great trinkets in the show itself: Eugene’s ring, the lighter that Gunny Haney gave him, Snafu’s stolen gold teeth, or their dog tags. Think of small, special objects that you might have: what imbues them with comfort or meaning? What makes you love them? You could have Eugene giving Snafu his ring, or have Eugene musing over war and death and loss while smoking a cigarette lit by his lighter. If you’re into Modern AUs, how could these objects carry through to modern day? Once you start thinking about it, the ideas start rolling in. Feel free to invent special trinkets for them: or maybe trinkets that they hate and want to get rid of, trinkets that remind them of bad times. Trinkets that remind them of each other, or family, or war. So much meaning can be held in the things we own, and I think it’s such a lovely concept to explore!

Crossover

So this prompt was born from the sheer number of suggestions we had for various movie, TV, and book AUs. We didn’t want to put them all to the poll and risk a lot of you feeling disappointed over the one you wanted not being selected, so thought it’d work best to condense them into a ‘Crossover’ prompt so everyone could do whatever they liked. So this is a very very broad one! It would be impossible for me to really go through the prompt and highlight some things that you could do for it, because you can really do anything you want to! Anything! It encompasses movies, video games, TV, books, musicals... if something tells a story, you can do a crossover. So if there’s ever been a film/book/etc. AU you wanted to do for Sledgefu Week but couldn’t quite get it to match the prompts, now is the time!

Vacation

A pretty self explanatory prompt, and one that I think can appeal to people who prefer canonverse and those who like modern AU too! Do you want to send Snafu and Eugene on the holiday of their dreams, or are they gonna be bickering in a gas station over who gets control of the map? Is Snafu gonna drive across a couple states to surprise Eugene by visiting? Is Eugene gonna do the same? There’s a lot of scenarios you can apply to the backdrop of them vacationing, and a lot of emotional journeys you can take them through! And for the canonverse crowd, you have the extra addition of letting them go have fun on an R&R, or taking a road trip post-war, visiting 1950s Paris... you can really do whatever you like!

Historical

This was another prompt like ‘Crossover’ that came from a lot of various suggestions that all boiled down to a similar thing: different historical events or periods. So like Crossover, I won’t linger too long on it (this post is long enough already) except just to say again: do whatever you’re inspired to do! There’s no rules here, you could even take everyone out of the Pacific and put them over in Germany: give them a different experience of war. In fact, you can do that with any war if you wanted to! Wanna do a M*A*S*H AU but made something else for Crossover? You could do it here! Want to put them in the 1920s? You got it. In the 1850s? Yeehaw, they’re cowboys now. 1969, Summer of Love? 1600s, make Snafu a prince? Literally the world is your oyster!

Horror

Past Sledgefu Week prompts have included things that could come under the horror umbrella (Supernatural, for example) but didn’t necessarily have to be made 'horrific’. For the ‘Horror’ prompt this year, we want to see frightening! Disquieting, uncomfortable; creations that either cross over with existing horror franchises, or lean on horrific things you come up with yourself. Horror movies, or TV shows, or books or podcasts or pieces of art all seek to elicit a sense of fear: this can be done by tapping into common phobias, or nightmares, those things which are universally and almost instinctively scary. We want to see things which lean into that, in whatever way you want to do it! 

I’m no horror media expert (not by a long shot) but the opportunities for this prompt are really vast simply because horror has so many subgenres to work with. You could go gothic horror; Dracula, Frankenstein, Wuthering Heights (a personal favourite AU -- Eugene soaked out on the moors, searching for Heathcliff-Snafu? Divine). Or you could go to the opposite end of the spectrum: Jennifer’s Body AU, Final Girl AU -- there’s no set way to do horror, in fact you could even bring horror into canonverse if you don’t like AUs. Think the Terror: some unknown beast lurking beyond the borders of their camp on Pavuvu, or Okinawa. Or you could even take the prompt entirely literally and explore the horrors of war and the toll it takes on them both. Please don’t feel stuck into needing to do Scary: horror is about fear and revulsion and dread, and these feelings don’t necessarily need to come from a haunting! (This is also a prompt ripe for monsterfucking, just FYI).

                                                - - - - - - - - - -

So that’s the prompts for this year! They’re all really really great, and have a lot of potential to make some fantastic stuff :~) And to reiterate something I said right at the start, there are no rules here! I think every year we normally get at least one person unsure whether their idea will be okay for the prompt they’d like to make it for, so I just wanna say here: don’t second-guess yourself! As long as it can be linked back to the prompt in some way or another (can literally be the vaguest way possible) you’ll be absolutely fine. We don’t vet submissions at all, especially not for their content relating to the prompts. All we ask is that you remember to stay respectful in what you’re writing, and when the time comes to post it, you tag and warn appropriately :~)

On the subject of writing respectfully, we’d like to just take a moment to link the document on mindful writing re: race and gender that was made last year. Please take a look at it, even if you read it last year! It’s always good to keep these things at the front of your mind, as fandom is a community sport and we want to keep it fun and safe for everyone involved! So thank you if you’ve made it this far through this whole post, check out the doc, and enjoy the rest of the run-up to Sledgefu Week!

[break-slash]

Puzzleship JP & KR Fancomic Recommendation List

UPDATE (19-12-2020): Added two more artists and two more titles on the Japanese lists!

I don’t consider myself as someone very tidy and organized, but I just like making lists of the things I love, somehow. Hence this post. I haven’t been in the fandom for long but I thought I’d share some of my favorites primarily from two sites: pixiv and postype. Most of the postype ones are behind paywall, and I will mark them differently.

Some of my favorites come from the same artists, so I’ll also link their pixiv profile on top of my favorite work of them.

(I actually bookmarked a lot and picking them isn’t an easy task, so I will update this step by step. If you see only a link of an artist, that’s the reason, but I can guarantee you will love their works! Feel free to recommend me yours through reblogs or DM as well!)

Japanese

Artist: CYHGM

She is a Chinese and is more active on Weibo (she posted tons of puzzleship there, but my Mandarin is beyond rusty so I could only cry in despair lmao), but she has two fancomics that I absolutely adore of. Those two mentioned fancomics are:

The Past and The Future. You can check my translation for this one here. It tells about Atem who gets transported to 3000 years later before his coronation, and that’s where he met post-canon!Yugi. Just... everything about this comic is so wonderful. I teared up at the last page, not gonna lie ;_;

The Pharaoh and The Fairy: An Ancient Egypt-slash-fantasy AU featuring the S0/TOEI casts. The fairy Yugi was saved by Atem, and it’s an obligatory for fairies to grant their savior’s wishes. However, Atem doesn’t exactly have something he wants of, and this confuses Yugi on how he should repay him back. Pure undiluted sugar, and fairy!Yugi is just so cute.

Artist: Fushitas

Arguably one of the most popular Puzzleship fanartists in the JP fandom (look at their number of followers on Twitter, man), but maybe it’s also due to the fact they were in AoT fandom too. They’re mostly active on Twitter, and if you also watch Zexal, they draw tons of Yuma-centric pairings too. They have released lots of books, and their prices on the reseller sites are... well, let’s just say, unbelievable. Just to show how famous they are. 

From everlasting to everlasting: Set after DSOD. A mysterious figure appears in front of Atem, claiming to be his queen. Everyone in the after life somehow acknowledges this person, which makes him even more confused because he’s the only one unaware of this. On the living realm, Yugi who is on the way to his home got hit by a truck (isekai much??) and when he woke up, he suddenly plays the role of Atem’s queen. I’ve always adored Fushitas’ drawing, and this is no exception. The story is pretty simple, but is still good! The ending of this comic is everything I’ve always wanted from the canon lol. 

The King’s Guest: Ancient Egypt AU. The councils are starting to get worried because Atem shows no interest in marrying someone, so Shimon opens up a “chance” sort of for civilians to become “someone for the Pharaoh to talk with”. The civilian Yugi takes this chance right off the bat, and stuff happens? This one is just so sweet and the misunderstanding later in the story kinda cracks me up. I really love the way they build the two’s chemistry in here.

Artist: usi 

They only draw two puzzleship fancomics, but both are so good and explores the themes I’ve loved from the pairing.

The Lotus’ Devil: Set post-canon with a flashback. It tells about Yugi’s regret in the past where he wanted to show Atem a small pool supposed to be full of lotus flower only to arrive seeing them not blooming. Fast forward to the post-canon, he found out that there’s actually a monster residing on that pool. I really, really loved the ending scene of this one.

Who’s The Detestable, Fortunate Guy Here: I think this is set sometime in the canon story, although the exact timing is unclear. It’s a short comic of Yugi asking Atem to pretend to be his date and go on a “dating practice”. A very pleasant hurt-and-comfort kind of story, and who doesn’t love a story of them dating anyways? :”D

Artist: Houzuki Anzu

She doesn’t draw much YGO, but she has some Arc-V and 5D’s fanarts too if you watch the series! 

Hourglass: Sets after the Memory World arc. Yugi keeps hearing a strange sound inside his mind, and he finds out there’s a huge hourglass standing there, guarded by the will of Millenium Puzzle. Apparently, the hourglass is linked to Atem’s remaining time in the living realm? Anyways, the ending of this comic might look like a cliffhanger, but I personally think it isn’t. I love the theme this comic picks to explore and the way it is presented.

Present: Same setting with Hourglass, but this one focuses more on Atem sorting out his feelings about the Ceremonial Duel and what he has learned from Yugi in general. It’s a very nice extra detail that the canon slightly lacks of, and I just love... bittersweet stuff in general haha.

Artist: Chiriko

Are you the type who wants puzzleship to be full of happiness and fluff and nothing else? Well, she has a number of comics to fill that need! I actually love all of her works, but if I have to pick, these two are my favorite:

...Don’t Ever Leave Me Again: A short story about Yugi having a nightmare of where he was stuck in the fire accident at Otogi’s store. Well... this isn’t a fluff sort of, but it’s... a happy ending still? /shot

[Untitled]: A dialogue-less comic, but this is the sort of post-canon what-if that I really, really like. Atem stroking Yugi’s face while sleeping is just... so soft man....

Artist: Komori Nea

Their art style was one of those that’s very noticeable and has a certain charm on it. They are pretty active on Twitter, and even draws puzzle comics once in a while that haven’t been uploaded to pixiv (which is why I recommend you to check their twitter gallery too haha)

The Soul Stays Awake: Post!DSOD. Atem comes back from afterlife in hoping that Yugi would be as happy as he is, but months after, Atem’s existence still hasn’t been registered on Yugi’s life just yet. Another post!DSOD take that I like which involves the fear of another farewell and uncertainty, but this is a good hurt-and-comfort. I swear, it’ll hurt you just... for a while. :”)

The Attack’s Aim: Set during the canon series. A short comic mostly portraying Yugi’s hidden strength but also the tenacity of duelist that is not only targeted toward the opponent, but also to Atem, without the person actually noticing it. The last page of this one is so... soft and gentle I had to put it into this list.

Artist: caf

Often draw with S0/TOEI style, characters and characterization in mind. Their coloring in illustrations is so soft, plus artists who specialize in S0/TOEI style can’t be found so easily. Their comic style is not a manga-like one and they write the dialogues with handwriting, but if you can read hiragana and write and understand how kanji works (so you can write it on translation machine), their comics are easy to understand!

magenta: S0/TOEI AU where Yugi and Atem are two separate person. A short comic of Yugi lying under the rain as Atem searches for his whereabouts. I really love the way they portray the rain and the atmosphere surrounding the scene. Or maybe I’m just biased with rains in general, ahahaha.

Yuugi and Mao’s Stay Home: Same AU as above. Our two boys has to face the same shit we do IRL in this comic, which is quarantine. Atem offers to cook something for Yugi since he can’t eat outside. You love seeing Yugi eating stuff? This is a perfect comic for y’all. 

Artist: Kkyut

Artist: Kayu(i)

Others:

Gemini: As Atem comes back to the living world, Yugi faces the dilemma of having being separated by “his other self” physically and mentally. A short comic, but the lines the artist used are so... beautiful. Like, the way they describe Yugi’s loneliness?? Just hits the park so much. 

Until The Hourglass Runs Out: Set after the Memory World Arc. As their farewell day goes closer, Yugi decides to give Atem a full control of his body at school so he could spend his time with Jounouchi and the gang more. However, things don’t go as smooth as Yugi had expected. If you like that little teeny weeny pain before the Ceremonial Duel, this comic perfectly suits the taste. 

see you sometime: Post-canon. Mahaad offers Atem a chance to meet Yugi in the living realm one more time, but with several conditions. Firstly, he could only stay for a day at maximum. Secondly, Yugi won’t be able to remember who he spent his time with after Atem hangs out with him. Thirdly, Yugi will not be able to “recognize” this Atem; he will only be registered in Yugi’s mind as a new classmate. A bittersweet comic in whole, but seeing the two having fun like a normal teenager would just makes me grin.

After The Rain: A dialogue-less comic, so everyone would be able to read this right away. A short comic of the two, but still very cute and wholesome!

The Tropics of Horus: Post!DSOD, Atem has to chase Kisara who lingers around Kaiba’s soul and he needs Yugi’s help to bring Kisara back to afterlife, but he has his own ulterior motive. This manga is so dialogue-heavy and might be hard to dissect especially if you don’t understand JP grammar and context, but the time spent trying to understand the meaning behind every words will be worth it. That much I guarantee. Just... everything about this comic, and how Atem’s “ulterior motive” connects to our boys’ adventure in canon series are so well planned. You can also purchase the R18 version in a form of the book here (toranoana)

Christmas Day: S0/TOEI puzzleship hint (dark puzzle???). There’s something in store for Yugi in Christmas, but this one might surprise Yugi a lot. It’s not that the prompt of “Atem gets separated from Yugi temporarily” is uncommon, but it is still a sweet one and makes you smile throughout the pages. 

Korean

All titles mentioned here are not free unless mentioned otherwise. Also I don’t understand Korean except being able to read Yugi and Atem’s name, so my story interpretation might be wrong. If you understand Korean, I’d really love for you input! ;_; 

You can check out on how to buy comics from postype here

Yugi’s 2020 Birthday Anthology: Rain and After End

This is an anthology consisting of four titles, but they share the same (or similar) setting where Atem is reincarnated, but he doesn’t remember his past (or has not yet, depending on how the story portrays it). Some are age-gap (adult!Yugi and high school student!Atem), so you might want to consider that if it’s not your cup of tea.

To Like Someone is to...: Age-gap setting. Mostly tells about how Yugi deals with his feeling as the reincarnated Atem in front of him turns out to have a feeling on him. I like how the story’s conclusion is that Yugi will sort it out slowly while also teasing Atem how he’s “too early” to date Yugi w.

In A Circle: A story about how the two met through an online chess game. Iirc Yugi works in a game company and Atem is sort of a famous e-sports player in this setting. There’s a lot of dialogue in this one and the app sometimes can’t process them very well, but I liked what I can understand from it! not very convincing is it haha i’m sorry i shouldn’t have done this

Familiarity: Age-gap setting, where Yugi becomes Atem’s caretaker. The comic mostly focuses on how Atem notices how kind (or too kind) Yugi is sometimes, but there are times where he feels distant. The plot where Atem gets into a fight with the other kid in his school because the kid mocks Yugi, and how Yugi just... accepts it even when Atem doesn’t want to say his reason of punching the kid is just.... god... I love this kind of age-gap setting like this I guess ;_;

Touchdown: Age-gap setting, but Atem is older in here (university student). The two goes to Atem’s university festival and they think about their own feeling when they got separated. On their way to drop Atem off, he confesses to Yugi, but Yugi is still unsure on his overlapping feeling between the reincarnated Atem and the Atem he knows. Make sure you play Motohiro Hata’s Rain and Aimer’s After Rain during the car scene to make the “rain” mood works even better :”)

Others:

Try For Point: A continuation of Touchdown, where Atem (like, the one from the past) visits Yugi in his dream and helps Yugi in sorting out is his feeling toward his reincarnated self. Atem’s advice is so sweet and there’s one certain line from this comic that I remember very deeply - there’s a part where he says, “If you don’t pull out the card, you won’t know what card it is, right?” to help Yugi clearing out his hesitancy ;w; at this point, I curse myself for not being able to understand Korean

[yarrowleef]

Daffodil, Laurel, Lily, Sunflower, Violet, and Wisteria? Also Begonia but I'd like to know your favorites of the old covers and the newer/reprint covers. And the Russian Warrior Cat covers too! Some of their art is quite pretty.

laurel, violet and sunflower answered previously

Daffodil: When did you first start reading the series?

Start of third grade when I was 8 years old, which I believe was 2007!!  .......so like literally most of my life I have given to these cursed cat books. I remember The Sight was the most recent release. It was the first real book series I ever read, and I think I went through the first 2 series within a couple months.

Prior to that I just read stand-alone books and I only read because I wanted to win “accelerated reader” points....i couldn’t do sports, so reading was the only thing I could win at AND I DID WIN. but warriors was the first thing I read that I was actually like...into. and realized I could read for reasons OTHER then winning the most points.

Lily: If your five favorite characters were foods, what would they be?

asdfghgfdxs I honestly have no idea how to answer this question, in part because I don’t think I even have 5 favorite characters. I suppose Firestar is doritos out of obligation. What else can he be?? I mean ok flaming hot cheetos maybe seems more fitting on the surface because ~flame-y~ but lets be honest, Firestar is a bit too bland a character to be spicy. He is one of my favorites for nostalgia sake, I mean it’s Firestar, how can I not be fond of him?

I also have a soft spot for Scourge just because of the sheer ridiculous audacity of him. I wish he’d come back as an evil ghost. Anyway, when I was about 9 and going through my brief (incredibly unfortunate) twilight phase (I was just jumping on the popularity bandwagon tbh) I went to Hot Topic right before one of the movie premieres and they had this...edible bag of blood? it wasn’t actual blood obviously, but I remember it was advertised as being really high in iron to mimic blood, but it was really this sickly sweet mystery juice packaged inside of a fake hospital blood bag. I of course bought it because I went through my edgy phase early, and for some reason thought it would look cool to pretend I was drinking blood. It was the most disgusting liquid i have ever consumed but hey it did also have the unpleasant metallic tang of blood because I guess they were going for authenticity over edibility, so it’s not like I didn’t get what I paid for (or rather what my mom paid for, because i was 9)

Anyway, Scourge is that. He’s awful fake blood juice from the Hot Topic in the mall.

 That's all I got.

Wisteria: Are you looking forward to the Warriors movie?

YES ABSOLUTLEY!!

don't get me wrong, I fully expect it to be terrible. Embarrassing even. I expect they will try to change it for a wider audience appeal, and of course it will end up bad, BUT IT WILL BE SO FUNNY!! I have this inescapable morbid curiosity about it, like I really want to see what they try to do. Like watching a train crash. I can't help it.

Warriors is a silly series. I have a feeling this is why a movie hasn't been made yet, even I would have no idea who to market it for. Yes it's violent and touches on very dark topics, but the fact that its about cute little cats with very dumb names coupled with those dark topics in a way makes it look even MORE silly. I don’t think Warriors will ever have wide appeal outside of its fanbase, the concept looks too ridiculous if you’re not someone already into animal xenofiction like this, but a movie is inevitably going to try to have wider appeal anyway because that's what movie studios feel they need to do. They will either water it down, or worse, try to go a more family friendly comedy route since that’s how general audiences are used to seeing animated talking animals and they think that's the only “”safe”” way to market an animal movie, which will 100% ruin it either way. The second one is more likely, I mean why else do you think they hired the guys who wrote kung fu panda, and the recent alvin and the chipmunks and Spongebob movies to make the script?? [no shade to kung-fu panda, it’s good in it’s own way, but it is not the same vibe as warrior cats at all]. For me, this is simultaneously the absolute best and the absolute worse scenario, because like, it’s horrible, its an insult to everything I love about the warriors world, i have surreal nightmares about it, but it’s so horrible it f*cking hilarious ya know? how can you not be a little curious to watch that train crash (and the outraged reaction posts that will inevitably follow)????

A warriors movie will be bad, I can't see any way that it won't be bad, and honestly? I think that's ok. I don't need a good movie, I simply need a good laugh, and then I'll go back to watching fan animations which will always be more interesting anyway because they don't feel the need to have ~mass appeal~

Listen, we don't actually need a good official adaptation. In some ways, a good adaptation might be bad for the fandom. The fandom is cool because of how wildly different and creative it is, the series is so bare bones with no consistent official art that people can go nuts with it. I worry on the off chance we get a really good adaptation, it might take over the books. People might be less likely to draw/create with their own wild bonkers interpretations of canon in favor of sticking closer to what the official adaptation presented us with, and idk if I want that. I also def don't want to deal with searching "warrior cats" for the rest of my life to only bring up gifs/discussions of the movie/tv show, rendering material and fan creations for the books almost impossible to find. This is something i've suffered with when other books i like get popular adaptations, where as series with bad adaptations (like percy jackson) I have less trouble finding content about the books. 

Begonia: Which book cover is your favorite?

So of the old covers I admit i have a soft spot for the darkest hour, it was my favorite as a kid and I know I tried to redraw it several times. Warrior covers have a tendency to blend together, there’s only so many ways to draw mysterious cats fighting, but I think this cover is one of the most memorable for me, if only for the center art (shout out to the old Fire and Ice cover though, I also really like the center art on that. I wish the box had kept being used for more than just a single cat face in the later series)

but now that i’ve gone and looked, I really really like the full cover art for Tallstar’s Revenge, the colors just look super nice and match his eyes and everything. Tallstar having a fun and more unique looking design gives it extra points. Maybe I just like warm tones idk. And shout out to Wayne for also imagining the moor as a golden-brown field even though it’s probably supposed to be green.

out of the new covers, I like the vibe of Dark River, it just looks spooky and mysterious......and I think this artists cats look better from the side, they are always a little crooked from the front (honorable mention to Place of No Stars cover, I really like the colors and the ominous vibe, it definitely had an impact when I first saw that cover, I just don’t love the look of the cats faces blown up close from the front. The more I look at it the more off it becomes, but the colors are cool)

and I definitely agree the Russian warrior cats art has a very charming look to it, I like seeing it whenever it comes across my dash, but unfortunately I’m having trouble finding a catalogue of it to look at so I can’t pick a favorite

[flaggermousseart]

creator tag meme

@knifeears said anyone could snatch it up, so here I am, snatching

rules: it’s time to love yourselves! choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

#1 The Kiss in the Shrieking Shack

It’s almost a year since I made this, but I’m still very satisfied with it. I managed to make a lot of background with several layers of shadows. This was a very simple idea: just make one change to the canon scene. I added the canon dialogue from the scene in the tumblr post, and I didn’t need to change a single word, and that still makes me grin. My favourite panel is one of the last ones, where they just stare at each other, I’m very satisfied with that picture in particular, especially Sirius’ expression. This comic exploded in popularity more than I could have imagined. I am thrilled so many people enjoy it.

#2 November 1st 1993

Sticking to the Prisoner of Azkaban-timeline, making a scene with just the teachers. I just like what I managed to show with the dialogue and the art here. In canon, Snape seems to think Remus Lupin isn’t trustworthy because of his past history with Sirius Black, as we can see from his talk with Dumbledore at Halloween, and the things he says in the Shrieking Shack. I just took that, and made it a romantic/sexual history. Snape’s not outing him as a werewolf, instead it’s another painful secret he pokes at.

Also satisfied with Minerva and Remus’ short conversation; he didn’t help his ex into Hogwarts, and she believes him, but at the same time … Remus IS hiding one BIG secret (the fact that Sirius became an Animagus to help Remus through hard times) that quite IS possibly at least part of how he got onto the school grounds. Ah. Guilt.

The last picture took me ages. I made the poster, and then copied and tweaked and drew tears and holes in them, piecing it all together in a ton of layers. I kept the file of the posters, and ended up reusing it in a different comic later.

#3 Nightmare

Still in the Prisoner of Azkaban-timeline, when everyone thought Sirius was a murderous traitor. Parts of this comic are a bit uneven. I spot some issues with the size of people’s eyes in certain frames. But it’s mostly about the atmosphere and emotions, and I think that worked well here.

I always like drawing Sirius’ ‘straight outta Azkaban’-look; dressed in rags and long messy hair. Here I had a lot of fun working on making him creepy, both with dialogue and the way he acts. As if he really was a loyal servant of Voldemort, not giving a damn about the deaths he’s responsible for … and any romantic tones are messed up and possessive, as if he had intended to keep Remus like a pet once Voldemort took over.

This is basically all about creepy atmosphere and how Remus never got the therapy he needed after the war.

#4 Picking up the Pieces

This was the year I started writing fanfiction. I love reading it, but never dared to write and put it out there before. I worried I wasn’t good enough, that I didn’t understand characters well enough … but once I dipped back into my obsession with HP (this is one of the fandoms that is always in the back of my mind, even if others things take the front seat), I ended up trying. I feel comfortable with this world; I feel I know it well enough to try and make something within it, even without my art as a crutch.

Picking up the Pieces is an AU where Sirius gets a trial and ends up raising Harry together with Remus. I love this type of AU, because there’s the happiness of a better childhood for Harry, contrasted with the war they came out of, and the people they lost.

The Trial took a lot of work, but I wanted to try and do it justice. I love working in details of the world, and reread and reread the canon we know to try and piece it all together, and drag in just about all I could think of that could be used as proof for and against Sirius.

Both that part, and Wolfsbane are Outsider POV from minor canon characters, and I absolutely love Outsider POV. I liked fleshing out Damocles Belby, and make his research into the Wolfsbane potion more emotional.

We need to talk about the snakes is basically a slice of life episode focusing on Harry’s magical powers starting to appear, and with some special skills his godparents never suspected he had. I enjoyed peppering background about their life together into this, and it is one of those stories where the audience that knows canon understands what’s happening, but the characters don’t; and I enjoy that.

I still have ideas for Picking up the Pieces, so hopefully, there will be some more in this series.

#5 Rumours

Aaand right back to Prisoner of Azkaban-timeline! (yes it is my favourite HP-book, why are you asking?) This little fic has much in common with #1 and #2. It is basically a canon scene that I did a little bit of tweaking to. It deals with the rumours that have started to spread around the school about how professor Lupin used to date Sirius Black years back.

It’s short, but I liked writing Harry in this; his thoughts on those rumours, both at the beginning and end of the fic. It sticks to Harry’s POV like how the book canon is presented, and again there’s how we the readers know things the characters does not.

#bonus 

I just think this unicorn is rad.

I tag @kattlupin, @engie-ivy and anyone else that wants to do it. Show us what you’ve made this year!

[philliamwrites]

i could make it holy, make it fine (pt.1)

Fandom: Persona 5

Pairing: Akira/Akechi

Tags: #domestic fluff, #kissing, #wedding, #persona 5 royal spoilers

Words: 1.7k

Summary: Goro can't believe his first marrital dispute will be about the plastic cat dolls in front of their café whereas Akira is a simple man with simple needs like laying out black napkins and wearing a dress. 

Note: Part 2 (work in progress) | Inspired by ‘Make it Holy’ by The Staves.

i could make it holy, make it fine

    “Quick, don’t think. Black or red?”

    “The napkins stay blue. Now shut up and don’t move.”

    Black curls fall to the ground with each snip snip of Goro’s scissors. He tips Akira’s head back with a knuckle to check that his hair is the same length. Not that anyone could tell if it wasn’t once his hair dries into its usual curly mess. Goro assumes Akira gave him this task just to have an excuse to stare at his face from close-up—as if he doesn’t do it at any given chance anyway regardless of day or time.

    That is the luxury of living in a place they feel comfortable enough to lower their defences. Goro is still trying to learn calling such a place home.

    Warm hands roam over his legs, demanding his attention. “What are you thinking about?” Akira asks and presses his chin into his belly, looking up. After seven years, his features have grown sharper and more elegant like the dagger he used to wield. Sometimes Goro looks at him and the sight of beautiful, beautiful Akira Kurusu steals his breath.

    “That you look like a twelve-year-old after shaving.” He pushes Akira’s wet hair out of his face and flicks his forehead, then steps out of his grasp. He crosses their bathroom to take the broom leaning against the wall in the corner, only to unceremoniously drop it in Akira’s lap. “Now clean your mess. I’m done.”

    He leaves the room before hearing a response, brushing off stray black hair from his shirt and pants. Now he has to vacuum again. Why Akira asked him to cut his hair instead of booking an appointment with a professional is beyond him, but it does remind Goro, as he tugs at the end of his ponytail tickling the nape of his neck, that he might need a cut as well. The shop stays closed anyway during their preparations, so now seems the best time to get things done they usually can’t while tending to the café. Repairing the creaking floorboard behind the counter, washing the dark, vintage curtains hanging in their back office. Even though Akira is against it, they need to sort out which maneki-neko lining the front of their entrance they want to keep and which to throw away. He can’t believe his first marital dispute will be about dusty plastic cats.

    The blow drier starts in the bathroom. Akira’s head peeks around the corner, the hot air whipping his hair left and right. “Goro, can you check the mail? Ann’s postcard might have arrived.”

    Goro shoos him away like a fly. On his way to the stairs leading down to the café—a feature Akira insisted on during their apartment hunting to pay homage to his old home—he passes their kitchen where he puts a kettle on the stove for another round of coffee. So far, he’s only had benefits to be engaged to one of Tokyo’s most popular barista.

    Leblanc is abandoned and quiet. He won’t ever admit it oud loud, but he’s glad Akira didn’t change the name after inheriting the business from Sojiro. Anything different would have been blasphemous. But while it is the same name, Leblanc’s replica lives with touches that scream Akira’s name. Bookshelves line one wall opposite the entrance, filled with every book he’s read during Highschool. Customers come and pick one and in return leave a book they have at hand, constantly switching up the collection. Then there’s people complimenting the amazing replicas of famous contemporary artist Yusuke Kitagawa on the walls, asking Akira where he bought them. But if Akira is known for his delicious coffee, he’s famous for his secrets.

    Opening their post box, bills and two cards fall out. The first shows The Louvre lit at night. Ann’s curly handwriting is unmistakable, leaving a short message that she’ll arrive a day before the ceremony. The other card has a simple flower design and one word on its back.

    Congratulations. — M.

    Goro stares at it for a solid minute. It’s been long since he’s seen this handwriting, but he does remember it from torn-out diary pages inside a place that had blindingly white walls and tasted of despair and bitter endings. He takes everything upstairs where he finds Akira with dried, adorably messy hair.

    “I didn’t know you still hang out with Dr. Maruki,” he says, voice neutral as he drops the cards and bills on the table where Akira has already spread out coffee and biscuits from Haru’s shop. He considers the card, absentmindedly stirring his cup. “I don’t. Sumire might have told him.”

    “Not that I really care.” Goro drinks from his cup, eyeing Akira from the side. He’s draped over his chair like a Pre-Raphaelite painting. “He’s not invited.”

    “I doubt he’ll come. Wouldn’t be too much fun if you stabbed him with the cake knife.”

    Goro snorts, but the image does bring a faint grin out of him. It is a time though he doesn’t think too fondly of; a time when he’d felt too much at once and too little words managed to express that. He remembers when Loki and Robin merged into Hereward and the surprise that Robin never really left his side, always with him; the light, the good, the innocent and childlike fantasy to become a hero one day. The night he spent under Akira’s covers; limbs entangled, secrets and fears shared in quiet whispers, thumbs wet from drying tears both pretended were never shed.

    After they defeated Maruki and destroyed the Happy World, Goro woke up in his bed, dizzy and disoriented, still sore from the fight. While staring at his white ceiling, he counted his heartbeat. Every thud in his chest was like a bird trying to take flight out of an ebony cage no one built a door into. He’d only have to tear his chest open and it would be free. It would return to where it longed to be, a little café tucked away in Yongen-Jaya.

    Instead, Goro got out of bed, donned his winter uniform and went to meet Sae Nijima to discuss the terms of proving Shido’s guilt and his arrest. Again. He spent half a year in juvenile hall until Akira paid his bail with the remaining savings from their Mementos ventures.

    “You’re crazy,” Goro had said when he met Akira outside, everything he used and owned during those six months shoved into a single plastic back.

    “I missed you,” Akira had replied and now, seven years later, they’re doing what Goro never allowed himself to dream of; never showed interest in until meeting Akira Kurusu.

    “Will our suits be ready?” he asks now, downing the rest of this coffee. He usually hates when it gets cold, but Akira’s blend is still enjoyable.

    “I’ll check my e-mails later. They should have replied by now.” Akira watches him, tapping a slender finger against the kitchen desk. “I still think one of us should wear a dress.”

    “You also think we need a champagne pyramid which we can’t afford.”

    “Okay, perhaps not that,” says Akira. “But I would make a radiant bride.”

    Goro doesn’t doubt that. If he takes an afternoon off and searches long enough, he’ll surely find the drag cop outfit somewhere in the attic—a real attic, this one—from all those years back. Maybe he can ask Akira to wear lipstick again when it’s time to seal the deal during the ceremony. He can’t think of anyone who would object to that.

    “That’s your cue to say ‘Truly’.” Akira carries both empty mugs to the sink, a slight pout adorning his face. Goro rolls his eyes. He waits until he passes him on his way out to hook a finger through a belt buckle and pulls Akira with a sharp tug on his lap. He blinks in fake innocence. “Oh?”

    “I prefer you looking good in a dress stays between us,” Goro says, shimmying his hands under Akira’s shirt—wrong, Goro’s shirt—where they rest on warm, soft skin.

    Akira thinks about it. “What do I get in return?”

    “No divorce papers.”

    Generous as always.”

    “It’s a deal then.”

    On cue, Akira’s head bends and finds Goro’s mouth. Kissing Akira is still the same as seven years ago: hot, addicting. Like breathing air for the first time after staying underwater for hours. His hands roam over spots he knows where bruised long, long ago and Akira reacts like they never disappeared. Like they never left the Metaverse. Still sixteen and eighteen and too busy bruising their knuckles and knees fighting for their own justice instead of settling down and taking their time unravelling each other. It still manages to untie a tight knot within his chest. He could spend all day kissing Akira. He should spend all day kissing Akira.

    One, two, three tugs on his ponytail and Goro reluctantly relents to free Akira’s bottom lip from between his teeth.

    “We should give you a cut as well,” Akira says, curling the end around a finger. Goro shows his surprise by raising one eyebrow.

    “You’d be okay with that?” he asks. He’s started to believe Akira’s fixation on his hair—drying it after a shower, braiding it when he’s bored, burrowing his hands in them when he cums—is a religious thing, though the prospect of it being short, feeling the cool breeze on the back of his neck during summer and not bothering to brush it every hour to untangle any knots, is appealing.

    Akira wears a dreamy sort of look—though, no. That’s just him being horny, probably imagining Goro with shorter hair and all new discoveries it might bring as he gently scrapes his scalp. It’s as good as any answer. He pushes Akira off his lap and rises as well, turning left and right to stretch and make his joints pop.

    “Fine, but if you mess it up, I’m going to shave you bald.”

    They share a single look, thinking of the only person they know with a bald head and Goro regrets his words already, hates the face of the man he never wants to remember flashing before his eyes.

    Akira takes his hand and squeezes. “I’m going to make you the most handsome man alive, promise.”

    He allows Akira to lead him to the bathroom, the objection that his task will be hard so long as he breathes on his lips.

    Five more days. Five more days and the most handsome man alive will be his.

[therodrigator6]

Well, hello there fellers.

You can ignore this text post if you want, it comes straight from me, completely outside of Drawings or Proyect updates.

I just really felt as though I needed to take the time to write up my thoughts into a, very possibly, LOOOOOOOOOOOONG post, since I have a LOT on my head right about now.

So, my melancholy, rather depressing, but perhaps amusing, musings, under the cut.

Right, so my whole string of thought was sort of just... proppeled out of me reminiscing about the past... 2 years, maybe year and a half.

I got thinking hard about She-Ra again, LMAO. and I know, I KNOW, why am I even thinking about that damned show again.

BUT, I was really thinking hard about how much I went through, positively I mean, how much growth I had (Around my art and my vocation obviously) with She-Ra.

And really, if you were to scour through my blog, if you went back all the way to... maybe it was late 2018, early 2019, when I posted my first fanarts around She-Ra, you’ll see how far back I was, skill-wise. I mean I wasn’t exactly a beginner, but I weren’t no Grade A artist neither.

And PRIOR to all of that I had more or less drawn fanart intermitently.

Anyone who followed me back when I made RWBY stuff, specifically Whiterose fanart could attest to that. I wasn’t consistent at all, and I experimented more often than not with every single drawing I was making. And don’t get me wrong, I really enjoyed drawing stuff for RWBY, I sort of miss it now LMAO.

But I can certainly see just HOW POWERFULLY drawn I was to She-Ra, because my output of content and the growth of my skill as an artist was EXPONENTIAL. I suppose in a way I owe it really to MY sudden... obsession? Fixation? on that show.

VERY HONESTLY, at this point in time, I feel like I could REALLY speak on what things drew me to She-Ra, and precisely what things KEPT me there. IDK I think it used to be a very special little show.

On one hand? I really had just decided to watch it because I was starting to fall out of love with RWBY.

RWBY WAS a show I’d also loved, and which also meant a lot to me, but the things that MEANT a lot to me, were just not given the story I would’ve been interested in. That AND the small fandom space I’d carved out for myself was getting even smaller. Smaller AND very... toxic? Uncomfortable? I felt as though... my efforts and my involvement in that fandom were neither welcome nor appreciated at one point, let alone the fact that on the SHIPPING side of things, it stopped being fun.

So there I was, starting She-Ra up. I’d known about it for some time before, and I’d *Heard* that it was a fun good show, and most specially... *With an active, HUNGRY fandom, raging about a very popular Ship*. So I thought to myself, YAY, I’ll watch this show and I’m REALLY gonna do my best to go for everything popular.

I was tired of unwelcoming fandoms, tired of enjoying the very little measly, *Unpopular* things about shows, this was all about having a GOOD time. And maybe finally getting my works out, really finding a motivation to create stuff.

I mean in hindsight, now I know I fucked myself over MANY times.

You see because, as soon as I started watching She-Ra, I TRIED to do something different about the way I consumed shows.

In the past I used to be VERY ship-centered about my show experiences, to the point were FANON-Ship-centric relationships with shows would make the stories I was watching really boring and bleak in comparison. I had been afraid at the time, that THIS would also ruin She-Ra for me. So I really thought about... NOT tainting my vision and perception of the show with... Fandom stuff, Fanon or Ship-centric views, NOT EVEN CREATOR INTERACTIONS. I really tried to watch it blind and enjoy it for what it was.

Fool I was, I should’ve done the opposite.

It’s a tired old story, and a really redundant thing for ME to talk about. But I really felt a DEEP disappointment with She-Ra. Akin to LOSS almost.

Cuz you see, for a year and a half I ended up CENTERING myself on She-Ra, on more than one level.

On one hand, I TRULY believed She-Ra was a show with a story that I loved, there were plenty of characters that REALLY spoke to me. Characters like Glimmer? for example? And her storyline? for me are *one in a million*.

Of course I’m... REALLY compacting my She-Ra experience. I had come to appreciate MANY things about it. It’s world, it’s story, the characters, the comedy, the animation, the people who loved it and grew because of it, etc.

Furthermore, once my initial *doubt* about the show had passed, I really immersed myself in the fandom side of things. And I gotta say, I really enjoyed it for as long as it lasted. I think I experienced a new level of feeling like I *belonged* in a community, and a feeling that people LIKED what I did for it, and that people wanted MORE of ME in it.

Alongside that, and going back to animation. Geez, She-Ra came at the best *or worst* (depends on how you wanna look at it in hindsight now, LMAO), time of my life.

Literally on the verge of me finishing up with Prepschool and having to chose a career for University.

Prior to She-Ra, I really was trying to pinpoint my vocation, and animation had been in my mind for a LONG time, since Steven Universe really.

AND... Idk, AGAIN, THERE WAS SOMETHING ABOUT SHE-RA... which told me... “This is important”. Animation is important, being able to tell tales for people is important. Telling tales for people who need it, or people who don’t often get to tell tales is important. This medium is BEAUTIFUL, I MEAN, LOOK AT EVERYTHING IT CAN SPAWN OUT OF PEOPLE.

So it helped me make THAT decision.

Also alongside these things well... I go back to all of that about “Belonging”, and “community”.

Boy I met some of the most amazing friends I ever have in my life. People whom I respect, people who I admire, people who thought like me, liked ME, enjoyed this show, etc.

OF COURSE, at the time, and I really should’ve known better. We met out of our mutual LOVE for Glimmadora, LMAO.

ME? FALLING IN LOVE WITH AN UNPOPULAR SHIP? Who’da thought.

AND I DID SO, *DAMN NEAR DIVORCED FROM FANDOM* LMAOOOOO, you can see how my “I’ll learn to love whichever aspects of this show I’m *gonna* love, outside of fandom influence” policy really just fucked me in the ass.

AND GOD, DID I *LET IT* BE A PART OF ME.

That comunity, those friends, that ship, that show, those creators. It was all I thought about, and it DROVE me. so much so I put up with so much shit from my University. I put up with so many bad things in my life that were going on because of that show.

And I see now that many of those friends I mentioned did too. GOD, how I wish... we just hadn’t.

I think... for most of us things had already been pretty shit, not gonna lie.

There was the pandemic, for a start. Prior to May the 15th I had an uncle of mine die of COVID, which shook me to *my* core, but dear old She-Ra and the Glimmadora fandom gang were there to cheer me on. (This was around the time really horrid people in the She-Ra fandom, whom LOATHED Glimmadora with a passion were making “Glimmadora shippers must have Covid, since a symptom of Covid is a lack of taste” Jokes btw.)

And I think of my friends also, who have always spoken to me about their problems and their lives. For all accounts I think, they’d always had it harder than me, and they found themselves a WILL and a DRIVE to go on... through this, through She-Ra, and our friendship.

Then May the 15th came and it’s all been going downhill from there HSEBRGJKSEHRBGKJSERHGBJK.

I mean... I understand NOW, just how DAMAGING for myself it was to... cling so much to that show, to all of it. NEVER should’ve connected the drive of my vocation to it.

Cuz yanno... even if I HAVE continued to grow and get better the past few months, some things haven’t changed for the better.

For instance, I basically LOST my entire space here, in fandoms, in ejoying shows. I LITERALLY ONLY CREATE NOW... Either out of spite, or for my friends.

There is a VERY DEEP loathing now within me about stuff like... Catradora for example. I hate it, it makes me feel disgusting, simple as that. And THAT kind of feeling isn’t welcome here, also simple as that. So I’m out of a space and that hurts.

PFFT, basically all the pieces I produce now, which I still do with a She-Ra theme. Nobody’s gonna wanna consume MY content anymore, and they don’t. I made sure they couldn’t because I knew, I wasn’t going to be able to stomache this She-Ra fandom anymore.

That’s been another thing too. I don’t like being a contrarian, I don’t like being the guy who thinks the thing everybody loves is bad or wrong, and if I could SO HELP ME GOD, I’d change my entire view of it all. I don’t really care about being right or wrong anymore, I just want that peace of mind back.

HELL, there were people I knew since 2016 almost, who kinda just told me...

Shut the fuck up or leave.

On some cases I shut my mouth, on others I just left.

And yanno... I do feel miserable about it. But it also makes it all the harder when I think of my friends?

GOD DAMN, EVERYTHING THAT *COULD* GO WRONG, WENT WRONG FOR THEM.

ALWAYS, for all of my friends. And even through the hurt, I sit here and think, well I think I still have hope! I think I still have a drive to go on and persue animation  and tell good stories.

But I understand now... that *I* have a priviledge over my friends. The priviledge of support. I’m not REALLY alone, there’s people helping ME.

My friends don’t have that, and I can’t give them that, how I wish I could.

And it does just HURT only being able to tell my friends, “HEY! Have hope things’ll be better!” And then we all turn to the only beacons of hope we shared, and seeing them all dull and out of light. No Glimmer of hope.

Like, how do you tell people to hold out, to keep fighting, to keep trying to STILL CHASE THEIR DREAMS... When you can’t even help them keep their heads high when they’re trying yo get a damned job. When no matter how much THEY try they keep getting knocked down.

When there’s no longer a space were they feel confortable sharing their creations, because everyone they had ONCE tried to please with them? suddenly decided they were of no value.

So here we are.

I’m starting up a new semester in a couple of days, hopefully building myself up more to chase MY dreams... whilst all my friends suffer and can’t chase theirs.

Shit’s fucked. I wish I could do more.

PFFT, I guess, long story short:

Life unfair, Me Sad.

Me Angery, Me Bitter

Me Lost, They Won

Boohoo I guess.

SO ANYWAYS... I really just... needed to put these thoughts out in words. Scream to the void as it were.

I can’t wait to go back into discord or twitter or tumblr and see how my friends can’t catch a fucking break.

And how things will continue to get worse before they get better.

God I hope they get better, for all of us, if not atleast for them. They’ve already gone through enough.

[princesscas]

Hi! I have a question. I haven’t been heavily involved in tumblr/social media for a while. I had stopped watching supernatural for a couple of years and just got back into it. I ship destiel, but sometimes things about wincest come up. I keep seeing things about people not wanting to “ship shame” which you just mentioned as well, and I’m just confused. How is it okay that people ship two brothers? Like they are actual brothers on the show?? I don’t care that they’re not irl. I don’t know who the N girl you’re talking about is but apparently she cares about canon, so how can she like it? And why is it wrong for people to condemn people for shipping two brothers, when that is the thing inherently wrong? Like it’s disgusting... it’s not about them being guys, it’s incest... Again, I just don’t get it and I hope I don’t come off as rude! Thank you!

Nah, you’re not rude at all! Never ever like them. I’m still upset about what happened two days ago so what the hell, tea time!

To start off, I believe that everyone can ship whatever like like as long as they aren’t sending hate to others. Take a look at this (lengthy) post about ship wars. People can ship whatever they want, end of story. Doesn’t really matter anyway because people are gonna do what they wanna do. Do I like those types of ships like you described above? No, but it’s none of my business to tell others what they can and cannot ship. Sometimes I read darkfics. That isn’t everyone’s cup of tea and that’s okay. Is the post/fanfic properly tagged with such elements? Then it’s fine. Start hyjacking posts/leaving nasty comments? That’s 1000% not fine and it never will be. 

Something that doesn’t get brought up enough: There is a vast difference between an ordinary w//cest shipper and a J-two-squared tinhatter who believes the said two actors are secretly gay, their wives are beards, they hate mish, everyone who doesn’t like w//cest are wrong, etc.

Now, it’s on the shipper if they start normalizing such things. (in//st, unhealthy, etc) And the rabid obsessed (N&Co) hate-everything-that-breathes crew is a prime example of this. 

This thing is already long so why not throw out some receipts, huh?  IMO, you cross that ‘ship whatever you want’ line when you do this: 

...I ship an angel and a human my dude. (and two 100 yr old super soldiers, I wonder what they think about stucky lol) also jesus christ the rest of that is a mess. 

/tw: biphobia here./ REAL bisexuals? “oh you aren’t bisexual if you like one angel and a hunter.” And they’re obsessed with calling everyone ‘teenager girls.’ This is not only wrong but also pretty damn transphobic and misogynistic. 1) Most people have aged over the years (wow that’s crazy right?) 2) trans, nonbinary, and gender fluid people exist. 

Overall, these people are a horrible bunch. They’re obsessed with preaching to people about ‘tagging properly’ when they could take it upon themselves and use a blacklisting extension. Or just block every single blog they don’t like. These people are a very small portion of the fandom but they’re loud, they want you to think they make up all of the fandom but they don’t. Not even close, when other in general posts gets thousands of notes/retweets and theirs get maybe a couple hundred. (and a lot are from reblogs for replies) 

Not gonna lie, I feel the need to defend w//cest shippers because I’ve known/have/had mutuals who do ship it and they’re nice as can be. 

The loud bunch are so loud, it silences the others who partaking in normal fandom things. Or really, if I were them, I wouldn’t want to associate myself with those people. 

Let’s pretend for a second. Imagine if you loved a ship (it could be any ship from any fandom) but the fandom is toxic as hell and the most ‘popular/well known’ blogs/artists/writers are these people. Fandom corners have history on the way they were built upon throughout the course of the fandom’s media. 

You browse the tags, the blogs, the fanfics, and find yourself staring at a hateful group of cult-like bigoted people. But wait. These people? They don’t like fanfiction or fanon. No, they hate anyone who writes anything outside of textbook canon. Any characters outside of SW/DW/JW won’t be present. (if you’re curious or are brave enough, go look at the AO3 tag, it’s sad) 

I try to be empathetic with people. I cannot, for the life of me, imagine what it’s like. To love a show so much with your favorite ship but one part dislikes it and another part are so inherently hateful.   

The OP deleted but this thread on Reddit is exactly what I’m talking about. And they mentioned something else I think not many people bring up: OT3′s. 

I’m gonna quote this but it’s 1000% true. 

“What I can't for the life of me understand though is why people would hate on Misha as an actor because of his role on the show. I've seen a lot of Misha hatred - and I mean A LOT of it. In fact, I recently went through the anti-misha tag on tumblr and blocked over 200 tumblr accounts that either were dedicated to bashing him or castiel, or posted constantly about it.”

“It's really nuts to me that people would choose to put so much time and effort into hating an actor who hasn't done anything to them personally or hasn't even affected their lives, when they could be putting good feelings into praising the actors who have affected their lives in a good way instead if you feel me.”

Constantly is the key word here. I don’t think these people ever stop, not even for one second, to sit down and say, “God this is exhausting, I think I need a break this week.” I really dislike these people but I also feel empathetic for them. What is their mental health like? It isn’t healthy. Go show a therapist this, they’d probably quit on the spot. (okay prob not but that’s my best example atm) 

This has gotten extremely long so I think I’ll stop here. There are some nice people out there who will ship things you don’t like but a toxic side can make it seem much worse than it actually is. Ironically, it’s usually the opposite. (ie: voltron’s’s toxic side scaring off other shippers of that fandom) 

Lemme end this with pre!serum smol Steve and his legendary quote: 

[ckret2]

So I’ve got a Spotify playlist consisting of the compiled contents of 81 different Alastor-centric playlists, like I just copied the contents of every single playlist I could find with no cultivation, no filtering, and no censoring. The one limitation I put was no duplicates of the same song—although multiple versions of the same song off different albums was allowed.

And since then I’ve been listening to this all-packed-together playlist on shuffle. It’s brought up several comments/questions. Highlights include:

- To every single person that includes a romance song with lines like “baby you’re my angel” or the like: are you a Radiodust shipper actually referring to Angel, or are you a Charlastor shipper referring to Charlie’s “fallen angel” heritage?

- One of you included an entire creepypasta story about the devil talking a man into killing his ex-wife and her lover as part of a 500-step-long plan to conceive the Antichrist and I’m not quite sure why it was on an Alastor playlist but I appreciate the characterization of the devil in it. I guess a creepypasta is kind of a radioplay of sorts? Maybe more Alastor playlists should just have random radioplays mixed in.

- To the person who included half a Kidz Bop album on their Alastor playlist: I’m not judging, I just wanna know why. I want to understand. I really want to understand.

- I respect all you people that included song covers by Scott Bradlee’s Postmodern Jukebox and I understand where you’re coming from, but like, if you’re not familiar with music genres from before 1990, I suggest you look up which genre a given PMJ cover is trying to emulate, because if you’re stuffing PMJ covers on a playlist specifically to make them “sound like” Alastor’s era or because you’re going for “songs Alastor would like because they sound like what he’s used to,” then a PMJ cover that makes a 1990s song sound like a 1970s song isn’t quite in the right neighborhood.

- There are different philosophies that go into making a character playlist. Some go “the genre has to fit the character’s era and/or personal tastes, whether or not the lyrics do.” Some go “the lyrics have to fit the character, genre be damned.” Some go “these songs were big/popular when I was into this character so that’s what I associated with them.” Some go “these songs are really out there for the canon character but fit my headcanons.” Some people may have totally different criteria I haven’t even thought of! Anyway the point is: when you mix over eighty playlists together, you get every single playlist-making philosophy mixed together, and it’s an exciting experience to listen to.

- And on that note: every single genre on the planet is on this playlist. We’ve got Britney Spears, we’ve got Vocaloid, we’ve got Thomas Sanders (we’ve got a LOT of Thomas Sanders), we’ve got My Chemical Romance, Two Steps from Hell, Barry Manilow, Oingo Boingo, Within Temptation, Madonna, Kesha, Hans Zimmer, ... we’ve got the poppiest pop, emo, metal, electronic, folk, rap, rock, movie soundtracks, TV soundtracks, classical, disco, country, KPop, Carrie Underwood, every single decade for the last 150 years... and I’m deliberately leaving out all the jazz, swing, electroswing, and musicals, because those are a given for Alastor. Obviously those ones dominate the playlist but it’s amazing how much variety there is outside them.

- I’m frankly amazed by how much of this playlist is Thomas Sanders and Bendy and the Ink Machine. Like. It’s a notable quantity.

- That said, actually the playlist doesn’t quite include every single genre. Like, for example: I can tell y’all want to lean into Alastor’s New Orleanian/Louisianan/Creole roots from how many songs I’ve seen that include words like voodoo, Creole, New Orleans, bayou, uhhhh The Princess & the Frog, etc... And yet aside from a few New Orleanian jazz artists so far I have crossed paths with very little Louisianan music compared to, say... Undertale songs. So here. Start with some Cajun, try some Mardi Gras songs, I’m not totally sure how much of this playlist is “actually from Louisiana” and how much is “other people making songs that they think are Louisianan” but try this one anyway, and once you’ve oriented yourself a bit dig in here. I wanna see ten Alastor playlists with one song that includes “Zydeco” in the title or album name, stat. Sure, we know Alastor’s all jazz and swing and musicals, but I sure don’t listen to only three genres, you probably don’t listen to only three genres, and Mr. Radio Guy Whose Public Title Includes The Word “Radio” Who Likes Bursting Spontaneously Into Musical Numbers probably listens to more genres than you and me combined, and those genres probably started with what was local & accessible & common around where he grew up.

- Then again I haven’t listened to this whole playlist yet, sometimes I put it on shuffle and sometimes I put it in alphabetical order to try to slowly work through it from top to bottom (I’ve made it mostly through the C’s) so maybe y’all hid the Cajun & Creole music down in the D’s. But lemme say this: while randomly shuffling through the playlist, I’ve randomly run into multiple Irish drinking songs & shanties, and randomly run into zero zydeco, so like from those of you who follow the “music that sounds like what the character listens to” philosophy of playlist-making, non-jazz Louisianan music could use a lil more representation. If there’s room for twenty-six Billie Eilish songs there’s room for one BeauSoleil song. (I’m partial to “L’ouragon,” but you do you)

- Somewhere in this massive mixed playlist there are three parody medleys of Disney songs rewritten to be like “here are grimdark edgy lyrics about all of the terrible real-world things happening to the cultures depicted in these Disney movies!” and like, okay, I can see why that merits inclusion in an Alastor playlist, his big moment in the pilot was “take an optimistic song worthy of a Disney princess and rewrite it with grimdark edgy lyrics,” but those three songs still annoy the hell out of me because the specific way they frame the concept of their songs is that Disney movies/songs are “full of lies” and these songs reveal the lies. And then it’s things like... “Aladdin got captured and interrogated by the CIA,” which is definitely a thing that happened to a character living in an ambiguous time period that predates the existence of the United States, much less the CIA, much less the CIA’s meddling in the middle east, by several centuries. Disney was definitely lying about the reality of Aladdin’s day-to-day existence by not depicting American imperialism that predates America. Or “the characters in The Princess & the Frog have to deal with the fallout of Hurricane Katrina,” like, yeah, Disney sure is pulling the wool over our eyes by dishonestly denying the devastating consequences the 2005 hurricane had on 1920s New Orleans. Listen the lyrics are clever and all the things they discuss are real salient social issues but it still drives me nuts that the songs are framed like they’re revealing “lies” being told when half of the movies are taking place in (fantasy versions of!) time periods or locations where the issues they’re discussing didn’t apply, if they’d just framed that one line differently— Okay, okay, I’m finished, I’m done, I’ve got it out of my system

- Every single love song makes me go “are you imagining this song with a ship (and if so which ship) or do you just think Alastor would be into this song?” The question goes double for songs from the 20s/30s, because the odds that they added it to their playlist just because they think Alastor would like the song increases.

- On the other hand, if whoever added “A Formidable Marinade” isn’t a Charlastor shipper I will eat my hat. Also nice work on the gory cannibalism sex song.

- Every once in a while I’ll run into a song that makes me go, now how the heck did you end up on an Alastor playlist? Does this song line up with someone’s very specific headcanons and/or fanfic plot? Do they think Alastor would like this song? Did they happen to like the song and like Alastor at the same time and so they associate them with each other? Examples: “I Got You (I Feel Good)”, “iRobot” (is it the emotionlessness of being post-death?? do they headcanon that he’s got radio hardware replacing his guts?? is it a post-breakup ship song??), “Greensleves”, “Barbra Streisand” (the song, not the singer), “Jolene,” “The Last Steampunk Waltz,” “Seven Nights in Eire,” “Cruel Angel’s Thesis,” and the person who included half a Kidz Bop album, please, I just wanna talk—

- Every time I hear a song that includes the words “hell,” “sinner,” “smile,” or “radio,” I go, “Haha. Nice.”

- An incomplete list of songs that amused me for how on point they are: “Hotel California” (how often do you have a fandom where “Hotel California” is actually very blatantly fitting without having to twist through an extended & convoluted metaphorical interpretation?), “The Hunting Song,” “The Axeman’s Jazz,” and “Time Again”

- I sort of hate whoever put “Circus” by Britney Spears in their playlist and made me realize that lyrically it’s a perfect Alastor song because it is.

- *scrolls past six versions of “I’m Always Chasing Rainbows”* Haha. Nice.

- *scrolls past five versions of “It Don’t Mean A Thing (If It Ain’t Got That Swing)”* Haha. Nice.

- *scrolls past a song from Bambi* Haha. Nice.

- *scrolls past five versions of “You’re Never Fully Dressed Without A Smile”* Haha. Nice.

- *scrolls past eleven versions of “Sing Sing Sing”* Haha. Nice.

- What’s with those of y’all putting steampunk songs in Alastor playlists? Listen, listen: steampunk vibes are for Sir Pentious. Swing vibes are for Alastor. Don’t cross the streams. Take your steampunk songs and make Sir Pentious playlists with them. He could use more playlists.

- The playlist includes 39 songs that include “smile” somewhere in the title.