a lil sketch that went overboard 😂 remind me to look at the whole picture while drawing and not 150% zoomed in....
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Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.
Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.
Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.
But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.
We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.
All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.
I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?
I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us
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ACOK Sansa II my beloved. In her chambers, sees an unsigned note, goes into panic mode thinking it's a trap, tries to keep herself calm and ignore the note but her need for home, for Winterfell is so strong that she just can't help but go to the godswood.
She has no one to trust, if she gets caught she's probably going to get beaten again, but for even the slim chance of getting to go home she'd rather risk everything against her instincts then stay and lose the chance.
She goes and instead of meeting a gallant knight, someone brave and strong to save her or hell, joffrey's man to trick amd trap her, it's Dontos. A scared, drunken fool, who nearly died a just a while ago. Who is only alive because of Sansa, and the fact that an 11 year old girl was brave enough to try to save him opens his eyes to the truth of his job and his life so much that he's willing to risk his life to bring her to safety. This is, perhaps, the first time Dontos decides to act like a true knight.
Sansa does not understand it yet, but her sincere intentions for people to be safe and happy inspires morally grey characters to protect her to their limited ability. She's frustrated that Dontos is a drunken fool, and she quite literally gets threatened day and night by Sandor, but they are the only ones who make her life just a little bit easier.
We also see that from Ned's death onwards, Sansa is forced to abide the rules, trust no one, and get better at lying. Sandor and Sansa's dialogues are always a delight, the last sentence of Sansa II summarizes King's Landing the best: "Everyone is a liar, and all better than you."
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giant paragraph I wrote tonight where harrison makes enemies with george michael… handwritten version is the first draft & made some minor changes below:
Harrison’s tired of hearing George Michael on the radio. Once, he enjoyed getting drunk off peach daiquiris and being the only person in his friend group to be kicked out of three separate karaoke bars for being “grossly disruptive” during Everything She Wants. Sometimes, he’d extend a hand to Jeremiah sitting amused on the sectional, singing some people work for fun, girl I just work for you, just so he’d roll his eyes and with a reluctant laugh, take his hand, the silver tassels of his chrome sequin jacket braying midair like Christmas ornaments. They’d shout the lyrics together, every uh-huh, every la, la, la, back to back like Richard Gere and Julia Roberts on the cover of Pretty Woman. The memories are misty at the edges, dreamy tiles of a rotating disco ball because Jeremiah was a dream, half an angel and certainly more than a man. It feels, then, apt to be haunted—by pillar candles, silk sheets, vintage analog clocks, Annie’s mac and cheese right from the pot, silver sedans, the scent of nail polish remover, blue snow cones, disposable cameras, back issues of XY, green gummy bears, losing at checkers, motel pools, bootleg copies of Sleepy Hollow and Silence of the Lambs and The Blair Witch Project, sharing instant coffee on a loveseat, the texture of velvet, halving a granny smith apple in the dark, orange Tic-Tacs, veggie pizza, movie ticket stubs, brown eyes in the sun, fur coats, the sound of George Michael’s voice.
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god the announcement of hnk (houseki no kuni/land of the lustrous) has got me in shambles,,, i haven't read the chapters after the 10 000 years hiatus so i gotta catch up (actually I'll probably re-read the whole thing)
‼️rambling incoming‼️
imo, hnk is one of the best series for deep psychological analysis,,, it had such a deep impact on me when i first read it (like 3 years ago) and still remains in my top best/favorites series 🥹🥹 i could ramble abt it for so long,,, the process of one losing bit by bit the parts of themselves and replacing it with something else (both physically and metaphorically) in an endless need to help others, but also as an own selfish wish to become better than who they used to be. Then looking back, and realizing things were so much simpler back then, and mourning that past self. (The fact that all of this revolves around their self-hatred and the belief that they're worthless is just. It's so heartbreaking to me. They've become so desperate for affirmation and yet still keeps getting hurt, by others and by themself too.)
i have too many feelings about the manga 😭😭 im losing myself to the brainrot, help-
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one thing i like doing with lineart is putting two diff line weights next to each other... i think it gives such a nice contrast + communicates the weight of that particular object rlly well
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