#the kids show is actually genuinely good. like in terms of being a good kids show for kids it’s 9/10

[conspiring-limabean]

i have been wondering what your pfp is from actually i got used to it just being Your Face and once in a while i remember that. wait. no that's a cartoon

LOL it’s from this French kids cartoon called Dofus: Aux trésors de Kerubim

It’s a spin-off series of Wakfu / the Dofus movie and is about this old man with an antique shop telling his adopted son about the crazy adventures he’s had

It’s for babies but I like it because it’s very cute + I watch everything this studio makes

Also the maid is casually a lesbian which rocks for a show designed for babies and im surprised the tumblr swarms havent gone crazy about that fact (this show came out the same year Steven universe did????)

Anyway the moral of this post is that Joris is also my son

[fictionadventurer]

😅

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[huskersbooze]

Part 2 of Who's in Control?

Cordial

Alastor x Reader

| Part 1 | Part 2(here!) | Part 3 |

Summary : You and Alastor are still struggling to get back on good terms, both coping, but you still can't forget what he had done. Meanwhile, things with your soul's contract is going downhill..

Pairings : Alastor x F!Reader (M!Reader here, Gn!Reader here) , Huskerdust(?)

Warnings : Valentino(he doesn't actually do anything he just sucks)

Additional Tags : Still kinda angst(sorry), cussing

Ib : Cordial by Set it Off

Word count : 1.2k

A/N : By popular request, I think I have an overall plot for this originally-to-be-oneshot? There will be more parts to come in the future <3 thank you all for being patient with me

"Hey.. ya’ wanna open the door for a sec?”

You roll off your bed and lazily walk over to open the door. Without looking, you unlock the door and let him in, turning to curl back up in bed.

“How ya’ holding up..?” Angel asks, seeing you in such a state making his heart ache. “We’re all really worried about you.”

“I’m fine, Angel.” You wrap yourself in your blankets and sit on the bed, Angel following.

“You haven’t come down in days. Charlie asked me to check on you.” He says.

“Does she know..?”

“About you and creepy face? Sorta.”

You raise an eyebrow.

“They all know something’s going on between ya’ two. They just don't know what.”

“Great.. let's keep it that way.” You try to force a smile but to no avail.

It was quiet for a moment. Awkward at first, yes, but you both started to enjoy the company.

“We're really worried about you.. ya'know? I'm worried.”

“Thanks.” You hum. “I appreciate it.”

“You gunna’ come get breakfast..? It'll be quick, I promise.”

“Is Al down there?”

“No.” He simply replied. “We don't really know what he's up to lately.”

“What d’you mean?”

“He's also been isolatin’ himself. We don't actually see him much around the Hotel.”

You stay quiet.

“What are we waiting for? Don't want the food to get cold, do we?”

Angel perks up.

“I thought ya'd never ask.”

-----

You follow Angel down to the lobby, where everyone gathered and ate their breakfast.

The others were surprised to see you, to say the least, but they decided not to interrupt.

It was nice that Angel was able to have you out of your room, they wouldn't want anything to make you go back.

“Hey, kid.” Husk whispers, handing you a plate of pancakes. “Your favourite.”

“Thanks, Husk.” You reply, giving him a genuine smile.

“Ya’ doing alright?”

You shrug. “Could be better.”

“Just glad you’re here, kid.”

“Glad to see you too.” You laugh, walking alongside Angel and Husk towards the table where everyone was having breakfast. “Good morning, guys.”

Everyone stays quiet — everyone consisting of Charlie, Vaggie and Sir Pentious only. Niffty was off dusting the halls.

“I’m fine, Charlie. Thanks for sending Angel to check on me.” You catch a glimpse of Charlie’s worried eyes glued to you, reassuring her it was okay.

“We’re glad to have you back.” She says.

Husk takes his normal seat, Angel on the right of him, leaving one open spot on the left.. not that he ate breakfast much, he usually showed up just to keep you company.. Alastor…

“How’s the breakfast, my dear?”

“It’s amazing! I don’t know why you never bother to try it.”

“I work better on an empty stomach. Plus, I’m more fond of deer.”

“Deer? You actually eat deer?” You asked, bewildered. “Like the whole thing?”

“Well, not the bones, of course not. But yes, I enjoy eating deer.”

“Aren’t you like.. a deer yourself?”

Alastor shoots you a look, and laughs whole-heartedly.

“You certainly don’t see Angel Dust befriending spiders in the hotel, do you?” He lets out another chuckle. “You are such a charmer. Besides, venison tastes exquisite.”

“I’ll try it sometime.” You shrug, taking another bite of your pancakes. “When do you eat this.. deer meal of yours?”

“Oh, all the time. In fact, I’ll be on my way to have it for breakfast later.”

“What’s stopping you from going now?” You tilt your head, licking off the syrup on your fork. Alastor stares at the sight and smiles, genuinely.

“You are, darling. I certainly can't leave a guest unattended.”

“What? Is that why you’re always here for breakfast but won’t actually eat anything? To accompany me?”

“By all means, if I’m intruding, do let me know and I’ll leave.”

“What? No!” You immediately finish your last bite of pancake. “I just think it’s time I accompany you for breakfast, don’t you think?”

His ears twitch.

“Come along then, darling.”

…

“Hey, kid, you alright?” You feel Husk give you a soft nudge on the elbow.

Snapping out of your thoughts, you blink and come back to your senses, seeing everyone staring at you with worry laced on their faces.

“You can go back if you want to.” Charlie says. “No pressure being here, really.”

“Oh, no, it’s okay. I’m okay.” You say, immediately taking a big gulp of your pancakes. “I was just lost in thought.”

“Look out for yourself, aight, kid?”

“Yes, dad.” You joke. 

Suddenly, you feel a presence behind you, and you can already tell who it is.

You stiffen.

Everyone stiffens.

You feel him stiffen from behind you.

After a second or two, you feel the presence start to leave. Acknowledging the fact there were no open seats and he rarely came for breakfast, you let out a sigh and hoped you won’t regret this later on.

“Morning, Alastor.” It comes out barely a whisper, your eyes glued to your now empty plate. “I was just leaving, you can have my spot.”

“Thank you, darling.” He simply says, placing his plate down as you took yours and left towards the kitchen. You could hear his voice was audibly more tired and broken, but you couldn’t bear looking him in the eyes.

You finish washing your plate in the kitchen, and as you turn, you see Alastor, standing right in your face, nearly bumping into him.

“Jeez! You scared the shit out of me, Al.” You put a hand over your chest.

“Ah, sorry, darling.” He says, ears perking at the mention of the sweet nickname he secretly loved hearing. “It wasn't my intention to startle you.”

“It's fine.” You shrug it off, catching a glimpse of his gaze and immediately melting right into it. Fuck, you had to leave. Now.

“Dear, wait.” He calls after you, but you ignore him.

“Please. I never meant for any of this to happen.”

“And? Are you asking for forgiveness or what?” You sigh.

“I just hoped to apologise. I'm deeply sorry.”

“Okay.” You turn to leave. “Thanks for letting me know.”

“Darling, can we start over?”

“We can't get back to normal even if we both play pretend.” You don't bother turning to face him, your voice starting to shake. “None of this shit between us is cordial, Alastor.”

“But we're friends, dear-”

“Are we? Friends don't lie to each other and make one another sell their soul to them. Have a nice breakfast.”

Alastor shuts up, watching as your back turns the corner and like that, you're gone.

-----

“Alastor, how nice of you to join.”

“Valentino. Surprised you aren't taking care of the useless screen.” Alastor acknowledges.

“Vox didn't want to be here, so I thought I'd fill in.”

Alastor takes a seat next to Rosie as the overlord meeting continues on.

“Before we leave, Alastor, may we have an update on the girl?”

His eye twitches, gaze turning to face one of the overlords.

“I simply don't know what you're talking about.”

“Alastor.” They warn. “She's not just any soul.”

“Everything is fully under control, don't fret.”

“Just a reminder, Alastor~ If you fail, she's mine to take.”

“No need to remind me.” He smiles at Valentino, a bit too friendly.

Rosie sends Alastor a look.

Oh whatever is he going to do about this deal.

———/ TBC. /———

READ PART 3 HERE

Taglist : @musicalsundrop @for-hearthand-home @saeran-g @smoky000 @otherthoughtsofbu @letmebeagreekstatueyoumotherfuck @hudiexiaoying @prettyboychoso @thonethatflies620 @alastorssimp @impatiencepersistonthinstring @speaker15 @zq13 @starr11111 @fokrilove @aloraaaxcrystalzx @simps-for-to-many-people @siriuslyobsessedwithfiction @ohdarlingohdeer @sophiasrant @soyobi-wankenobi @karolinda007-blog @alastorsgirl48 @memymay @perrynina @john-kramer-0807 @preciousbabypeter @sugxryratz @polytheatrix @maksdust @96jnie @spirit-of-the-hollow @chirimeimei @itsukiestia @sky2lar (Tumblr hates me. I can't tag empty blogs (or is that a rule idk about?))

If you want to be on this fics taglist leave a comment! Please specify you want to be tagged or else I won't tag blogs that ask for another part cuz it doesn't seem polite- Thanks in advance <3

[the-cat-and-the-birdie]

Also don't think anyone has said this (thats a joke) but like, art styles aside:

The animation, expressions, movement, everything of ATSV is IMPECCABLE.

Like insanely, ridiculously, almost mind bogglingly good.

[This is a MEDIUM length post]

The main strength is the Emotion -

In terms of animation, the range of emotions Miguel is capable of expressing is like... crazy good. Gwen's emotions ARE UNSPEAKABLY IMPRESSIVE.

LIKE...ANIMATING HER FUCKING BREATHING???? AND BLINKS!! AS AN EMOTIONAL CUE. HELLO???!!

And the movie hinges on this - almost every scene has an emotional cue that HAS to hit. Whether is Jess's looks of hesitation or Peter B.'s looks of horror.

And this may seem like the most ridiculous comparison ever made but like...

The Bee Movie and Across the Spider-Verse came out FIFTEEN YEARS APART.

THE BEE MOVIE...THIS MONSTRASITY that has plagued humankind - was made less than two decades from THIS:

The fact that we progressed that far as a society (pun intended) in that short of a time will never not baffle me.

I genuinely cannot name any other animated movie that:

Has multiple styles throughout the duration

Can seamlessly change styles without the viewer immediately noticing (like Gwen returning to her universe)

Show two or more animation styles on screen at the same time (and no, Roger Rabbit and Space Jam don't count - that's half live action lol)

Just off the top of my head - ATSV shows up to three styles in one scene: I'm mainly thinking of the scene that shows Hobie (customized - style 1), Peter B. (standard - style 2), and Miguel (a light stylized - style 3).

It can be brought to four if you want to count Miles/Gwen, though their style isn't visible.

I can think of a couple scenes that genuinely blew me away in terms of animation -

One being Rio's 'What-EVER?!' because of the little stance correction and head bob she does, because it's such a natural thing to do. And it adds so much to an already perfect line.

It's something someone would genuinely do IRL without even noticing.

Another I LOVE is Pavitr and Hobie roughhousing.

Like, I can't yell about these five seconds of animation more.

It's SO fluid it looks like Motion-Capture and I left the theatre googling is any Mo-Cap was used in the movie (and from what I can tell - no, it's all original animation).

The way Pavitr falls to the side and bumps them - This not only being a natural reaction to Hobie and his weight, but it also LOOKS natural. So much so you can see it affect Hobie's model too. The movement has kinetic energy on both models -

Which is AMAZING CONSIDERING THEY'RE ANIMATED ON LIKE FOUR DIFFERENT TIMES.

In this shot alone, there's the guitar, vest, AND Hobie, all of which have their own animation rules. Plus the outline on his guitar AND him. And then there PAVI too, who's running at a higher frame rate, touching and interacting with Hobie.

So much so that Hobie's model nearly wraps himself around Pavi. Pavi's hair is moving, Hobie's guitar is moving, there's movement in the background - and it looks GREAT.

PLUS THE CAMERA IS MOVING AND GOSTLING. IT'S NOT A STATIC SHOT. The models and camera are moving AS IF THEY'RE REAL when they're not.

That's - My..I CAN EVEN COMPUTE THAT.

But by far, I think the range of expression used on Miguel is like... Chef's kiss.

(of course I was gonna trick you into reading another post about Miguel. Uh-huh that's what's about to happen)

Like... are you kidding me?

NAH DEADASS ARE YOU KIDDING ME?????

The whole later half of the movie hinges on Miguel looking buckwild crazy insane and they NAIL that. And like-

Oh my god what the actual fuck

?????????????????????????? I........ I have nothing to add. After that picture......Nah... LMAOOO

(left: actual photo of Moche watching this happen)

But Anyway chile, This movie is like.. genuinely a modern marvel.

If Marvel gave Tim Gunn 4 billion dollars and five years, whatever live-action rendition he would have made would not even compare to ATSV on any conceivable level - that's how good it is so jot that down.

And like...don't even get me started on Hobie..his design..his representation...girl I will start crying in this Arby's do not play with me

I just felt that needed to be said.

you get what I'm saying yall know what I mean iight coo

Here's a picture of Hobie to cleanse your palette.

Bye.

[general-fanfiction]

Foreign Exchanges. (Anthony Vaughn x Reader.)

Summary: Moving school in the middle of the year is never easy. Let alone from an entirely different country. Despite Y/N trying to garner the least amount of attention possible, she still manages to catch the eye of a certain brunette.

Word Count: 1.5k

Gif Not Mine . Requests are open!

Warnings: Mature language.

A/N: My first Ant fic and I’m debating making this a series but you’ll have to let me know what you think! Anyway just a short one to start us off but there’ll be more soon. Don’t forget requests are open!

“I’d like you all to offer a warm welcome to our new student Y/N Y/L/N, she’s moved here all the way from the UK! So let’s show her some of that Hartley spirit.” The teacher, who introduced herself as Jojo, announces to the class. All of them staring at me with blank stares. “Go ahead and say a few words.”

She nudges my shoulder gently before I can decline the offer. Encouraging smile on her face. There are no smiles from my classmates however, only bored faces who couldn’t be less interested in my arrival. For which I’m grateful. I’d seen this school on the news prior to my enrolment, I know these students are brutal. I mean, a sex map? Dad wasn’t too happy about sending me here though he didn’t really have a choice, no other schools were admitting students this late into the term.

“Um hi, I’m Y/N. It’s good to be here I guess.”

“Does anybody have any questions for Y/N?” Jojo offers, attempting to find a way for the class to get to me.

Numerous hands raise and I let out a groan internally. It’s bad enough that I’m stood at the front of the classroom like a new shiny toy but to now be subject to whatever ridiculous questions these teens can come up with is a new form of torture. One that I am really not looking forward to.

Jojo points to her first student, allowing them to be the first to ask. “Why don’t you have a proper British accent?” The girl seems genuinely curious, eyes focused on me as she combs her fingers through her orange hair. Stickers adorn her face along with colourful eyeshadow to match her bright outfit. She has a gentle aura surrounding her, which makes me relieved as I realise her question wasn’t meant in malice and more so pure interest. Maybe these kids won’t be so bad?

“Um, I think the accent you’re think of is the Queen’s English. There isn’t many people that talk like that really, maybe a few down south but I grew up in the North East. None of us talk posh.” I tell her, watching as she seems to take notes as I speak.

“Thank you Quinni, Spider what about you?” Jojo asks, pointing to the tall blonde that is hunched over at the back of the class.

His eyes flicker up to me, giving me the once over though he doesn’t seem too impressed by my presence.

“Yeah, what is it with you and all the other poms having bad teeth?” The boy pipes up, I notice the two boys next to him laugh. Though the one in the baggy outfit makes eye contact with me and a flash of guilt appears on his face.

“I don’t have bad teeth actually. Nobody I know does and to be perfectly honest, that stereotype is deeply rooted in classism and while the UK faces a major cost of living and wealth gap crisis, I don’t think it’s funny to joke about things like that. Do you?” I retort, causing h the pink haired girl and her friend to applaud my mini speech. Both offering cheers.

“Okay any more questions that aren’t going to cause arguments?” Jojo asks, a few hands lowering as they don’t want to get in trouble. “Yes, Amerie?”

“Do you miss home?”

“Yeah, yeah I really miss it.” I start, thinking of everything that I had to leave behind. I know this was the best decision for my family, but I do hold a slight resentment towards being here. “Don’t get me wrong, Sydney’s great and all, but I miss my friends, my house, my pets, I even miss the shitty pub from down the street.”

“Thank you Y/N, I feel like we’ve got to know you a little bit more now, so feel free to take a seat and we’ll get started.”

The only open seat is next to the girl that Jojo called Amerie. Smiling as I take my place, I open my notebook and begin to doodle swirls and other patterns across the page. Focusing on that rather than the subject being taught. It’s some form of sex education by the sounds of it. However, it seems very outdated and heteronormative. Nothing worth listening to anyway.

Upon hearing the bell ring, I begin to pack away my things and watch as a few students mutter things towards Amerie. “Map bitch.” “Cunt.” and “Crazy bitch.” Just to name a few. I realise that may be the reason she had nobody sat next to her and figure it may be best to avoid her if I want to stay under everybody’s radar.

Finding my locker, I begin to turn the lock with great difficulty. Back home, the numbers simply connect and the door clicks open, that doesn’t seem to be the case here though. Fiddling with the dial, I hear the bell signal the beginning of the next class and I huff, annoyed that I’m having this much trouble with a stupid locker.

As the hallways clears out, I continue to twist and pull at the lock. Bag dumped on the floor as I try with all my strength to pry the door open. With no such luck, I throw a quick kick to the locker beneath mine, leaving a dent in the door slightly. Slumping with my back again the metal, I find myself face to face with the boy in the baggy outfit.

Not previously noticing how cute he was, dark hair hidden beneath a beanie, a couple of curls escaping. Boyish grin plastered across his face and piercing brown eyes staring directly at me. I won’t even try to deny that Australia has one up on the Uk in terms of boys, they’re just so much cuter over here.

“What did the locker do to you?” He jokes, taking the slip of paper with the locker code out of my hand.

“Bloody thing won’t open.” I mumble, stepping out of the way as he demonstrates how to open it with ease. My cheeks tinged pink as I fear my outburst may have been unnecessary.

“I thought you Brits were supposed to be good at containing your emotions anyway.” He leans against the locker beside mine, watching me as I stuff countless books into the small space. Normally this would make me uncomfortable, yet there’s there’s something about him that makes me feel warm and calm.

“Nah we love our fair share of violence.” I tell him, smiling as I do so, remembering the amount of fights that used to take place on my estate daily. Providing free entertainment for all the neighbours. “We’re polite, but piss us off and we’ll knock you into next week.”

He laughs, folding his arms across his chest as I close the locker door. His eyes gaze over me as I turn to face him properly. Noticing the small cross necklace hanging from his neck, I can’t help but imagine what it would look like against his bare skin.

“You religious?” I ask, nodding towards the chain.

“Nah, I’m Ant.” He brushes off my question and tucks the necklace beneath his shirt. Clearly a touchy subject that perhaps I shouldn’t have brought up. So instead I attempt to lighten the mood.

“Ant?” The word escapes my mouth as a slight giggle, unable to hide the amusement his name brings. “And your mate’s called Spider?”

“Yeah, stupid right?” He chuckles, playing with the straps of his bag. Almost as if he’s nervous. “We’ve been best mates our entire lives. My real name’s Anthony but nobody calls me that. Same with Spider, his name’s Spencer. Kids started to call us Ant and Spider when we were like six, guess it just stuck.”

“That’s cute.”

Picking up my bag, I throw it over my shoulder. Figuring I should probably head to my next class despite being extremely late already.

“Hey, about Spider.” Ant reaches for my arm, clearly sensing that I’m about to leave. “I just wanted to apologise, he can be a bit of a dick but he’s a nice guy deep down.”

My arm tingles where he’s touching it, feeling the slightest of move of his fingers. As though my nerves are on fire. Suddenly hypersensitive to any little movement he makes. I know I shouldn’t be feeling things this intensely, hell, I’ve just met the guy. Yet he sparks an excitement in me that I haven’t felt in a while.

“Honestly it’s sound. You don’t need to apologise.” I assure him, offering a smile, I see his shoulders relax. “I can handle a prick like him any day.”

“Yeah you certainly shot him down quick.”

As he removes his hand from my arm, I’m quick to begin walking away. Cheesy grin on my face as I recall the interaction in my head despite it only happening seconds ago. I feel dizzy with excitement, my feet feel like they’re walking on clouds and I almost miss the shout from behind me as I go to turn the corner.

“Hey, do you wanna get high?”

[sepublic]

            King really has a whole thing about being seen as a toy, a pet, for people to own and play with without his permission. An object to look nice and pretty and not much else, without any wants or needs of his own.

         So it feels very poetic that he constantly surrounds himself with toys and plushes to command over; King’s whole Tyrant schtick isn’t just a fantasy for him, it’s a way for him to reclaim lost autonomy by exercising his own control. It’s as if King FEELS like a toy, so he commands other toys because he’s essentially one of them. And it reflects on his juvenile nature, not being taken seriously, the revelation that it’s only ever been pretend, etc.

         That makes King’s relationship with Francois very sweet, as a toy from the human world he finds, no thanks to Luz helping him. Luz is someone whose physical cuddling and affections King DOES appreciate, because by the end of the day, Luz respects King as a person and his boundaries. King wants affection actually, but he wants it on his own terms, and there’s a lot of moments where he ‘commands’ Luz and she happily obliges, defends him, etc. Luz is very thoughtful of King’s feelings, and The Intruder is a major episode in which Luz learns to be more mindful of King in general; This of course wins the approval of his father the Titan, who decides to show Luz the light glyph for her kindness.

         But anyhow, King loves Francois and treats him kindly, often as a partner and even equal. So with all I’ve said about King’s toy motif, that transitions perfectly into his dynamic with the Collector. There’s the fact that in their initial interactions, the Collector glomps onto a clearly uncomfortable King, like a child with a pet he doesn’t quite understand is a living creature (and in King’s case, not just a pet either but a person). Dana’s own art encapsulates their relationship by portraying King as a terrified plush that the Collector loves;

         The Collector is also juvenile and loves to play pretend, and treats people like toys, which is exemplified by them transforming victims into literal toys, who are dressed up to look even prettier. But for all their issues with boundaries, the Collector seems to genuinely love and value their toys, kind of like King with Francois.

         This contrasts them with Belos, whom they believe breaks his toys out of fun; That speaks to their different desires, hence the Collector insisting they want to make friends out of others, whereas Belos finds it more simple and satisfying to just destroy his enemies. So the Collector regards his toys as, well, toys; But with a sort of loving respect that a kid who takes good care of their toys and makes sure they’re taken care of does. A projection of feelings and personality… Over the actual feelings and personality that DO exist, but alas.

         But that’s where the Collector’s relationship with King develops, because over the course of two months, they begin to respect and listen to King more, value him as a friend, etc. The Collector is more mindful of King’s boundaries, doesn’t immediately glomp onto him, actually bothers to respond to King’s criticisms. When King says the Owl Beast isn’t ready, they listen, and it’s implied the Collector has known about King visiting Eda and Lilith behind their back, but simply allowed it because friends keeping secrets is totally normal, right? And anyhow, King has been so nice, and they love King so much, they don’t want to call him out and ruin things; He can have this.

         Which leads to Francois, whom King relates to; The toy that the Collector WANTS to cuddle with. But King sets the boundaries that it’s for him (and Luz) only, and the Collector actually listens. He doesn’t touch Francois behind King’s back, and aside from a moment where he has to take it from Belos’ grasp to defend Francois, puts it right back where it belongs. He can’t have Francois, but the Collector can settle for having him BE there, so close and yet so far.

         King is Francois; He’s a beloved toy to the Collector that he loves and appreciates, treats more special than the rest, and practically as a person, a lot of the time. But he’s willing to respect Francois’ boundaries and not play with him when he doesn’t want, just as he does with King, and his visits to his mother and aunt. The Collector obviously has a lot to learn when we check up on them two months later, and King understandably still IS frustrated, hence why he calls out the Collector after the nightmare illusions at the beginning of the series finale…

         But King can tell, as a former, unruly child himself, who was only a non-issue because he lacked the power the Collector wields; The Collector is a kid like him. Who’s also learning. Who ultimately means well. And they’ve proven to be rather receptive over these two months; Not quite there, but if you put in the effort to teach and work with them, King is certain it’ll pay off as it did with him.

         The Collector was a tyrant like King, and like King, a lot of this comes after being helpless because of others as well; The Collector was put into the care of the manipulative Archivists, and later trapped by the Titan. The only way to contact them was with a disc, an object, and their word was exploited by Bill so he could lead the Titan Trappers and finish the genocide of the Archivists. If the Grimwalkers were toys to Belos, so was the Collector, for him to hide away from everyone else, as his own, like a twisted Francois. And when he’s done with the Collector, he drops him into the pit with the rest of the discarded toys he loves to break.

         So like King, the Collector being a tyrant isn’t just the result of kids being kids, it’s also a response to their lack of agency. And tbh, kids in general lack agency, hence why they can be quite unruly troublemakers and rebels, so it makes sense that the Collector also overcompensates, like King does! But both of them learn to be more mindful of boundaries, that their own pain doesn’t justify them doing the same to others, either.

         The Collector notes that King isn’t the only person allowed to touch Francois; There’s also Luz. Luz, the kindly older sister who always listened to King and was attentive to his needs, respected him, and was often desired for physical affection. The Collector wants to BE Luz since King admires her so much, hence emulating her while playing Owl House; And Luz also recognizes their similarities, with the forgiveness she gives the Collector, being a form of forgiveness towards herself for being an ‘unruly’ child.

         And the Collector also grows, has their loss of innocence, but nevertheless matures, as Luz did. They learn about death, just as Luz learned about death when she lost her father; And the Collector technically loses the Titan that night, who was arguably a turbulent father figure who failed them, too, and laments this fact to Luz. The Collector IS Luz, and like Luz in The Intruder, who gains the approval of the Titan with a light glyph, just as the Titan apologizes for the Collector and lends his power to protect them and others…

         The Collector mends their friendship with King and makes it real. They respect and listen to him completely now. And so they get to finally be Luz, not just in their relationship with her, but also in their relationship with King, being allowed to love Francois, even being given him for company by King. Just as Luz is allowed to be King’s friend, and he follows her regularly, even sacrificing himself for her at the end of Season 2.

        King and the Collector are toys who want toys to reverse that dynamic; But in the end, nobody can be a toy. And so they grow up and get to play with actual friends, and be friends to others.

[lurkingshan]

Thank you for leaving these tags @pharawee! Without getting into any speculation about how Dead Friend Forever will actually end, I do want to address your question and talk about why most of us want to see severe consequences for these boys. The short answer: it's about genre expectations and the psychological catharsis of a good revenge narrative.

To get down to the really basic point: people who love revenge thrillers love them because they are a fantasy construct in which good people survive and bad people get what they deserve. In a world where bad things happen and we rarely have any control, a good revenge story can be exhilarating, giving you the feeling that justice prevailed, villains received appropriate comeuppance for their wrongs, and the protagonist seized control back and experienced much needed catharsis for their suffering. Real life is very much not like this, which is why it's such an appealing genre of fiction.

So how do we calibrate what "appropriate comeuppance" means? This is where genre expectations become really important, because the genre the revenge narrative plays out in sets the terms for where that bar sits. In The Glory, a recent world class revenge drama, we were in the psychological thriller genre, so revenge came in the form of Dong Eun playing mind games with her bullies until they destroyed their own lives. No murder necessary. Dead Friend Forever, however, is in the horror genre, and specifically began its story by planting itself in the slasher subgenre, giving us a masked killer and setting up expectations that these boys are being hunted. When you watch a slasher, you come in with the mindset that most of the characters are going to die and begin rooting for it and looking for reasons why they "deserve" it. And typically, in a slasher, it takes very little for a character to "deserve" a death--you often see people die for the tiniest infractions, like making a rude comment, telling a bad joke, or having sex. But DFF went much farther than that and gave us a multi episode flashback in which we got a detailed accounting of every wrong this group of boys committed against Non, increasing the audience's bloodlust and conviction that these boys needed to pay.

So why do so many of us want the bullies to die? Because the genre demands it, and the story set the audience up to expect it from the outset. I have seen some discussion of the way the show is blending different horror subgenres and not sticking strictly to typical slasher conventions, and that's true, and expected. Slashers are usually two hours max, and this show needed to fill 10+ hours of content, so it's doing a really interesting blend of slasher, mystery, psychological thriller, and other horror subgenres. But the bones of the story still hold, and despite the storytelling choice to give the villains some nuance and fleshed out motivations for their behavior, they are still villains who destroyed Non's life. If you're feeling overly sympathetic to any of these boys at present, I encourage you to go back and remind yourself how they behaved in the early episodes of this story, which took place after the events of the flashbacks. These are not genuinely remorseful kids who made minor mistakes and then got their acts together and became upstanding citizens; they just want to move on and avoid blame and accountability for what they did, while Non's entire family was irrevocably destroyed by their actions.

If this story ends without Por, Tee, Top, Fluke, Jin, and Phee suffering genre appropriate consequences for their choices that harmed and betrayed Non, it will be a letdown and many will feel unsatisfied. In real life, we may believe that forgiveness is the right path, and we know that Buddhism teaches unconditional forgiveness. But this is not real life. This is a fantasy genre that is specifically meant to provide an escape from the constraints of real life morality and obligations. No one wants to show up to a fantasy party only to receive a moral scolding. The most disappointing thing a revenge narrative can do is wimp out on delivering the actual revenge.

[aromanticbuck]

do you think buck even considered the option that he maybe could be wanting eddies attention

Hi, nonny!

I actually don't think that was something that ever crossed his mind. And, to be completely honest based on the fact that I've watched the episode and dissected every scene to my roommate a million times, I really don't think he actually wanted Eddie's attention as much as the fandom claims he did. His comment to Tommy about wanting his attention was genuine, and there's so much evidence to that if you watch the episode without Buddie goggles on (I say as a Buddie shipper).

The thing is, there was no issue between the three of them in 7x03. Buck and Eddie have been on good terms all season, they both know the same amount about Tommy at that point, Buck even goes out of his way to find a way to spend time with Tommy - that's why he was at the hangar at the beginning of 7x04 to begin with! He wanted to spend time with Tommy and wanted to know him and wanted to be his friend. This is a canon fact can't be brushed off by "actually, it was because Eddie-" no. He wanted a friend. That's allowed.

Buck is literally there and asking Tommy to spend more time together! He's asking him out for a beer, and he looks so excited that Tommy wants to say yes, and then Eddie rolls up, literally, and takes his new friend away from him and off to Vegas.

All of Buck's anxiety and insecurity in the episode stems from that moment.

He knows that Eddie is cool and fun, he says it a million times before Tommy kisses him. I think the problem is that Buck feels like he's being passed over for someone cooler than him - someone who Tommy relates to more, because Eddie was in the army, and likes basketball, and fighting, and trivia nights. Eddie and Tommy click in a way that Buck doesn't have with most of his friends, and he felt like he was being pushed out before he even had the chance to try to be a part of that friendship.

Also, I feel like it's definitely not about wanting Eddie's attention, because he complained that Tommy was spending time with Christopher, too. This family that he knows he's a part of - because he's in Eddie's will, and he watches Christopher regularly, and he's not really a guest in Eddie's home, etc. - is getting more attention from this new friend he wanted to make than he is, and it's only been two weeks. Even the basketball being delivered to the firehouse feels like he just wants to prove he's as cool as they are, and he goes out of his way to show up to the pick up game (with a compression sock on his bad leg!) to try to hang out with them. More than anything, Buck just wants to be included.

He wants a chance to prove himself before he's ruled out of being Tommy's friend completely. He doesn't want to be the default babysitter because two people he wants to spend time with don't invite him along. It's making him feel dumped to the side.

If it was about wanting Eddie's attention, he wouldn't have been complaining about Christopher and Tommy connecting. His first moment of frustration wouldn't have been when his time with Tommy was interrupted if not completely derailed by his plans with Eddie. He wouldn't have tried to prove he was good at basketball by knocking over Eddie and potentially messing up that relationship just for more of his attention than he already gets.

Eddie is cool. Tommy is cool. Buck wants to be friends with the cool kids - he's already an irreplaceable figure in Eddie's life, and he knows that, but he has no connection to Tommy, who keeps getting pulled away from him by his best friend and a teenager. He wanted one-on-one time with Tommy. He wanted flying lessons from Tommy. He wanted to go out for a drink with Tommy. And that's all before he starts getting jealous of anyone at all.

[utilitycaster]

@notstinglesstoo replied to your post “The thing is, and I haven't gotten a chance to...”:

I saw someone not long ago say cr has always felt like a product to them vs D20 feeling organic and I protected my peace but I did want to ask them if they were brain dead

​Oh man I wanted to address this at length because I feel this. My posts have been centered, again, specifically on published journalists picking Daggerheart aprt critically and applauding themselves for doing so despite it being within a couple of hours of its release and therefore any analysis is necessarily going to be based on at best, a skim, when they just as frequently will claim D20 seasons/Kollok are flawless works of genius based on only a partial read, but man D20's got a fandom problem too. (and all of the following comes with the caveat of "I really enjoy D20, and Dropout, and while we're at it WBN and NADDPod which both are half D20 Intrepid Heroes cast, and think Brennan is a particularly brilliant GM, and also it's obvious that the D20 and CR casts are on great terms, and wish the fandom for D20 were more welcoming and enjoyable because I feel it wasn't like this when I first started watching, as a CR fan, in late 2019 and has since curdled into something really weird and bad.")

The first point is the obvious one: technically speaking these are both products. These are performers doing an art form; it is also a portion of how they make their money with which they can buy goods and services. Believing that art is inauthentic when the artist gets paid and acknowledges that is a thing that happens is a fucking libertarian position at best. Like cool, you think only people who are independently wealthy by other means can make art, because it's not real labor, my kid could paint that, etc etc.

The second point is also pretty obvious. I have pushed back pretty hard on the "uwu CR is just watching friends! it's like we're in their living room" mentality among the fandom, which has decreased, thankfully, but like...it did in fact start organically as a private home game, and they decided, when invited, to make it A Show For An Audience. D20 was created on purpose as a show for an audience. This doesn't make it bad or fake - reread the previous paragraph - but in terms of "this is an group of people who really played D&D in this world together even before the cameras were rolling," Critical Role literally is that, and D20 is not.

I think beyond that...my biggest issues with the D20 fandom are first, the level of discourse is abominable. The tag is almost always just shrieking praise and the most surface-level readings possible. I keep bringing up the "Capitalism is the BBEG" mug but it genuinely sums up so much of how I feel; people who want their existing beliefs fed to them as surface-level no-nuance takes. I mean capitalism is fucking terrible but I do not need every work I watch to have a character turn to the camera and say "capitalism is bad" to enjoy myself, and indeed it makes it harder due to the lack of subtlety and grace. For all D20 fans complain about how unhealthily parasocial CR fans can be (and some can be), I find that a lot of the most unhealthily parasocial "how dare they BETRAY my TRUST by having a ship I don't like or not speaking up about every single societal ill" ex-CR fans move over to D20 and then pull the exact same shit; it simply doesn't get called out. Every time D20 fans are like "we don't want to become the CR fandom" it's like "your toxic positivity and unhealthy parasocial behavior exceeds the HEIGHT of what I've seen in CR; the main difference is that CR started in 2015 when D&D was still shaking off the raging bigot dudebros and so in the early days it acquired more of those fans, whereas by the time D20 came around the landscape of who played D&D and watched Actual Play had shifted wildly, and you need to judge September 2018 D20 fans in parallel to September 2018 CR fans, not September 2015 CR fans."

I also feel, and I alluded to this in the post about journalism, and other people have said this better than I have, but the pedestal people have put D20 on does feel like a single...not even misstep, but just, difficult choice that doesn't capitulate to the loudest fans will bring a good chunk of that fandom crashing to the ground. And that includes the journalists. For all the fans of CR can still be obsessed with the cast to an unhealthy degree? The cast and company have put up pretty strong boundaries and have not budged. D20 hasn't, and I think the second they do - and I think it will be for their benefit as a company and a channel - a big chunk of their most vitriolic CR-hating portion of the fandom will viciously turn on them.

[gz-missfit]

I wanna talk about Tubbo and Phil

I know there's some strong opinions from many on either character so I wanna share some thoughts on their relationship from someone who's watched both for a LONG time (way way before qsmp).

Tubbos and Phil's relationship kinda is, the closest I can get to explaining is is Bads and Foolishs, by that i mean is that at first glance you would not necessarily think these 2 had the dynamic they actually DO have. It's easy to get swept up in their banter and chaotic messing with eachother or in the way they mostly communicate through jokes and teasing but those 2 TRUST eachother a LOT.

I'm gonna try to not bring the kids into this cause obviously they don't have the knowledge we as the audience do in this sense, but Phil is not someone who trusts easy, the closets one he has to fully being honest with is Fit and even he doesn't know everything. But Phil trusts capabilities, that's why he trusts Fit so much cause he knows the other veteran is incredibly capable. To bring this back to Tubbo, Phil knows that Tubbo is INCREDIBLY capable and smart, he knows the kid is talented, hard working and determined beyond believe. But those who know Phil also know he's just not good at showing this, but believe me when I say he thinks incredibly highly of Tubbos capabilities.

Tubbo is someone Phil trusts relentlessly, even if he sometimes gets things wrong about him as a character it is never with any malicious intent and he sees that kid as family, meaning he'll do everything to help him if called.

Now to Tubbo, tubbo is interesting because his trust is rare, at least his FULL trust is. Obviously he has people he relies on more than others but true transparent trust is something he really only has with the eggs. He does have people he trusts, he just doesn't want/like to rely on others and it's kinda weaving into his need to be the one that people rely on. Now for me I definitely think Tubbo thinks of Phil as a friend, no doubt about it. And I feel like he's also very aware of how Phil works, a lot more so than others (definitely due to their long term irl friendship too). Tubbo knows where Phil's strengths lie and when he can just ask him for tips or advice, Tubbo knows Phil is reliable when called for, Tubbo knows Phil does not talk about his relationships or emotions a lot. Tubbo has been on the receiving end of a few things no other had to see from Phil yet, Tubbo was one of the only ones who during Purgatory got shown how Phil lost all hope in himself and for his kids (seeing in him being genuinely shocked Tubbo was still fighting for them too), But he also got to see how even with that doubt Phil would never leave someone behind he sees as his flock. Phil sacrificed his wings for Tubbo and both know he'd do it again a thousand times over.

Another moment I like to take as example is very early day of Tubbo joining, it's funny cause u can definitely see a like mentor/apprentice vibe which quickly fizzles out once Tubbo finds his footing in what he is good at. A moment that has always stuck out to me though is the kids disappearance day and those leading up to it. Tubbo was responsible for Chayanne and Tallulah during that time (quick side note, Phil's instant trust with those 2 for Tubbo is HUGE especially the fact that Phil knew Tubbo would take his explanations of how to be there for Tallulah seriously) and once the realization hit Tubbo kinda went into this dooming mindset, he saw himself as a failure and was worried about losing the fact that Phil relied on him, basically afraid of losing his usefulness, he spiraled and was terrified of Phil's response but when it actually came to that day? Phil was nothing but instantly understanding, reassured Tubbo, never lost trust in him with the kids down the line and showed Tubbo where his anger truly falls. It was such a simple moment but Neither have lost any trust in the other when it comes to absolute necessity.

And I think that's where a lot of their headbutting or appeared distrust comes from cause those 2 don't want nor like to rely on others. They're used to being the ones that are relied on! But when it comes down to it, when it comes to push and shove they know the other is someone they could rely on in a heartbeat (when I say necessity I mean necessity btw, like full on life or death)

Because when the people who do not ask for help need to ask for help you know shits bad, and it's a little easier when the person you know is so similar yet so different from you that you're aware this will never be talked about again, it's easier to ignore the heaviness if you've gotten used to hide it with banter and jokes. But a flock will never leave eachother down, even if they don't say it.

(Also Tubbo logging out infront of Phil today and Phil wanting to prank him with a spawn trap only to go "I was gonna put Lava here, but he can't die so no I'm not gonna be a dick" is something like, once Phil is aware of something he instantly adjusts to it, he asked for Tubbos equipment before bringing him a boss mob to fight, gave him food during it etc. Cause again once both are aware of something they do instantly jump in or adjust to it)

[idkwhatimdoingbutslay]

… I can’t imagine that we actually watched the same show. Like I REALLY AISNSOSNWKMEJDND

hold on I’m gonna need to calm down.

Let me just make a list of why I disagree and at least organize my anger. Long post incoming.

Vander was friends and had a deal with Grayson. The sheriff. Idk what else to even add to that

Caitlyn is more than a cop and Arcane isn’t copaganda. Genuinely don’t know what kind of progress some of these people are looking for. Real allies are a necessity for real progress.

SILCO IS A CLASS TRAITOR. HE FUNNELLED DRUGS INTO THE UNDERCITY AND PUT POOR KIDS IN FACTORIES FOR THAT DRUG FOR PROFIT!!! HE PAID THE ENFORCERS TO LET HIM DO IT WITHOUT CONSEQUENCE

Vi is not as much as an activist as you would like to believe

WHY IS EKKO NEVER EVER BROUGHT UP IN THESE CONVERSATIONS????

Silco was not good for the Undercity

Silco was not a great guy. Ekko had to build an entire separate hidden community for the people he hurt and stepped on for his own benefit

Caitlyn is ignorant and naive. That’s ok. That’s what character development is for.

Loving imperfect characters like Silco and Jinx then hating characters like Vi and Caitlyn is peak media illiteracy to me

FOR THE LAST TIME: VI DIDNT ABANDON POWDER!!!!! Silco literally wanted Vi DEAD for trying to stop him from killing Vander??? How could you possibly say silco was there for jinx when Vi refused to be???? SHE WAS IN PRISON BECAUSE OF HIM???

Silco’s manipulation is working wonders on y’all

Embracing all the outrage without at all looking out for the people harmed by bigotry is not activism

SILCO IS A CLASS TRAITOR x929282929394

Caitlyn was the first person in years to show Vi kindness and care. She listened and stuck by her and took care of her after Vi was locked up for years and beat up by cops (i wonder what led her to be thrown in there?). Cait being a cop stopped being a point of contention once Vi recognized her naivety and genuineness.

NUANCE NUANCE NUANCE. ITS NEVER EVER BLACK AND WHITE

The only way I can see Vi touching ‘class traitor’ in season one was the shimmer raid. Guess who the hell put those kids in there in the first place.

Just hanging out with Caitlyn isn’t being a class traitor if Vander’s allowed to be friends with Grayson.

Critical thinking is very necessary for watching shows like Arcane

What the hell did Silco really do for the Undercity???? What changed over the 7(ish) years he was basically in power of the place? All I’ve heard was he made the air cleaner, which would be great except for, you know, shimmer and the child factory workers

Jinx is unwell and feeding into it like this in a fully serious manor would not help Arcane as a show at all

What do you want Arcane’s message as a full show to be? ‘Screw cops’? That’s a little boring and unproductive isn’t it?

CAN WE TALK ABOUT EKKO AND HIS IMPACT PLEASE???? x9382728283

Caitlyn is trying to make Piltover and Zaun a better place. Is that not allowed? Am I missing something?

Caitlyn and Vi’s arcs have only just started. Season one is basically fully set up except for characters like silco and Jinx. This is far from the end.

Genuinely think Vander would appreciate Vi for being friends (using this term loosely because they are in love) with Caitlyn considering he was the one who was opposed to war and Vi wasn’t.

Silco should NOT be your idea of Undercity independence and respect. He oppressed the Undercity the same way the Council and the Enforcers did. He helped no one but himself, his team (barely) and Jinx.

You’re allowed to like and dislike any character you want but pretending like Silco is better for the Undercity than others is just so ridiculous to me. Everyone is of course completely allowed to like Silco, but we can’t pretend like he’s this stand up guy. If you have to pretend like he was, maybe you don’t like him as much as you think.

“Because Cait’s pretty” is also incredibly incorrect. Go check point #14.

Vi never stopped loving and caring for Powder. Powder’s mental health issues were amplified and utilized by Silco because he couldn’t even heal himself.

If all of your opinions of Caitlyn and Vi start and end with “cops suck” and “class traitor” then you genuinely don’t respect Arcane as a show enough to show you nuance.

The misinterpretation of characters is just so … it’s like you go out of your way to love and/or hate characters no matter how much they show you who you are.

Your closed mindedness is clouding your judgement and making you out to seem like you don’t actually want the Undercity’s triumph, you want Silco and Jinx’s, even if it means ruining the Undercity. And that would be fine because father/daughter evil duo but trying to say you’re all for this duo because you want what’s better for the Undercity when they continue to hurt it is simply not correct and very harmful (to fictional characters in a fictional universe 😭)

Only being able to understand how Silco and Jinx were oppressed and therefore should be able to not just destroy Piltover but also Zaun is not the eat you think it is

Why is Viktor never called a class traitor? I think he's great (I also think Silco and Jinx are wonderfully written) but we hardly saw him in the Undercity/ interact with people from the Undercity plus he killed someone (Sky) from there (accidentally)

EDIT TO ADD ANOTHER POINT: Caitlyn has shown little to NO malicious intent and has no real negative impacts other than Jinx’s attachment issues and insecurities being amplified by her mere existence. Again, this is her story and development. Throughout the season she is exposed to reality and recognizes her and her peers/ families wrongs. I have no idea what you want from this character. Should Piltover just be gotten rid of in the story? Then what? Should Caitlyn have just never gotten involved and continued to embrace her privilege? Should she have left Vi in prison and stay ignorant?

[hugsandchaos]

Am I the only one who thinks that Merida and Hiccup would probably make a pretty good friend duo?

I think they might get along pretty well. I’d also love to see Runaway Hiccup getting along with Fergus. Merida asks Hiccup if he’s ever argued with his mom like she did in the past (and still does, but not as often), and he hits her with the “I never knew my mother”.

I want Hiccup standing in the snow all like “Oh, this is nice weather” while Merida is in some comically large coat all like “Did the logical side of your brain get frostbite or something?! It’s fucking freezing!”. I want them teaching each other their languages to overcome the barrier.

I want Hiccup looking at the tapestry of Merida and Elinor as a bear, then making a quick sketch of him and Toothless to show Merida. It’s a bit of a misunderstanding, but the feeling is close enough to being mutual. Like “Hey, look, I have a non-human friend too!”

Or Fergus sounding like Stoick making Hiccup randomly pause, but the way he acts is so different. Fergus is a lot nicer to him as a friend. If we follow the events of the first movie instead of Runaway Hiccup or if Hiccup lost his leg in a dragon raid after he ran away, then Fergus genuinely curious about how it happened, but knows that not everyone is okay talking about it like him and doesn’t press. He’ll gladly tell the story of how he lost his own leg, though, if you recall the dinner scene from Brave.

On that account, if they ever tell him how Mor ’Du finally died, Merida and Fergus will practically brag about how Elinor showed an entirely different side and it was the first time they’d seen her that mad protecting Merida. Seriously, she took the term “mama bear” to a literal level and used those claws. You could feel the protective rage through the screen.

Another sub-topic I’d like to bring up is that you can hear one of the clan leaders sarcastically say “Maybe it was carried off by a dragon”. I love that because it hints at the idea that the kingdom doesn’t actually believe in dragons. At least not everyone. So Hiccup’s stuck between proving that they’re real and keeping up the facade.

Also, there are lines in Brave hinting at the kingdom not getting along with Vikings. So imagine if in the early days, Merida handed him a viking hat to try to confirm if he really was one. She still doesn’t understand a word of what he’s saying, but the disgust on his face when he threw the helmet and the anger in his voice when he next spoke was enough to understand.

“I’m not one of them.”

Drunk Hiccup: I just miss my best friend right now. He’s outside, in the forest, and he’s not here! *proceeds to cry his eyes out*

Fergus: I… think you’ve had enough.

Elinor: Fergus.

Fergus, carrying a very confused, semi feral Hiccup: What? We’ve already got four kids, what’s one more?

Merida: Little brother or big brother?

Hiccup: Excuse me?

Merida: Are you my new little brother or big brother?

Hiccup: Wait, wait, wait am I being adopted??? What’s happening??

[wordsbymae]

Honestly I wouldn’t mind if ya did a story that was just breeding kink baby fever pregnancy centered focused 🙈 No thoughts head empty just 🌽

But I do have to ask out of your ocs who’d actually make a great father vs shitty father vs meh father? And what are some of ya ocs parental habits for raising the babies?

Hi!! Honestly I wish I was sooooo much better at smut cause that's all I would write. I'm trying to get back into writing smut but I'm really not very good at it, but I'm practising! Also i promised a fic tonight but I'm tired and my writing is shit so I'll have a red hot crack go tomorrow after work.

Ok so I'll just do out of my yandere ocs, cause they are the ones everyone is more familiar with. TW: talks about domestic abuse

Great Father goes to the Farmer for sure. Look he's got traditional (aka outdated views) but that doesn't mean he would ever disown his children. He had a really horrible childhood and he always promised himself he would do a better job as a parent then his own ever did. He is very hands on, giving his children life skills and most importantly the belief that they can overcome what life throws at them. The farmer knows how hard life is, so he tries to instil good work ethic and most of all a be good to others way of thinking. Being a helping hand is important to him.

He may not like people that much, but being someone others can rely on made him feel as though he is wanted and worthwhile when he was always told by his parent's he was not. He would unfortunately believe in boy's things and girl's things. But that doesn't mean if a son of his wants to help mama sew or a girl of his wants to help him fix the truck he's going to go crazy. No, of course not, he believes that ALL life skills, whether others believe them to be men or women jobs, need to be taught to children. So he doesn't care about division of labour based on gender.

What makes him a bit weary is if his son wants to wear florals or pinks, or if his daughter ONLY wears masculine clothes, especially if they go into town. He's just not comfortable about it. However, over time I think he just wouldn't care anymore and would only fuss if they are wearing improper clothes to work on the farm with. Likewise he wouldn't disown his children if they came out as queer, he would most likely make really cringy jokes and ask embarrassing questions and then say something like "Oh, so I can't ask my child a genuine question? Is that not politically correct now?", but like sir, please the question was embarrassing.

But yeah, once he kinda understood it he would come to terms with it and actually would be funny. Like if someone in town asks him if he's proud of his kid for coming out hell say (absolutely seriously) "why the fuck should I be proud of them coming out of the house, why do kids these days need praise for every little thing they do!". like he wouldn't understand what the phase coming out even means. Anyway on to the next!

Meh Father goes to the Mad King. The man is all bark no bite. He pretty much only wants children as heirs and also to have levrage over the reader. He's not horrible by any means, he spoils his children when they deserve it, but he also makes them understand that nothing good in life is freely given and you have to take it. But unfortunately he also causes rivalries between his children. They are desperate for any attention/praise from him that they will try to out compete one another to gain it. Often resulting in arguments and injuries.

Reader (whether they wanted children or not) has to act overly motherly and affectionate to their children to counteract his actions. There is no favouritism or stern reminders of their places as heirs, just warm, welcoming love. Also his children aren't idiots, they can all tell that their parent's did not marry for love. At least on their mother's side.

They are torn between desperately wanting their father, the king, to show them true love not just cold approval and hating him for the emotional abuse he has put their mother through. It's actually kinda sad, because he was always desperate for the attention and love of his father and now he's caused the same thing between his own children.

There is moments of affection and love but the more he see's himself or god forbid his brother in his children, he begins to be very cold and distant. The man kinda forgot that a kid is 50/50 not just 100% their mother's. That's why his youngest is his favourite, although he would never tell anyone ever. His youngest is pretty much reader cloned, looks, personality, and everything. When he looks at them he is harshly reminded what he took away from reader the day he became king.

Bad Father goes to the Killer. This man would have absolutely no fucking clue what the fuck to do. And he would not care to try. Reader (who is usually gn but for the sake of this is afab) is heartbroken when they realise they are pregnant, and Killer has no idea why they won't stop crying. And why do they keep being sick all the time. A primal part of him likes the idea of caring and providing for his darling and their children, in fact he loves it.

When he figured out reader was pregnant, he started stocking up in furs, wood, meat and cloth. He made a crib from what he remembered his little brother's to be (omg lore drop). He likes to provide, but damn does he actually hate having a child. He leaves ALL baby stuff to reader, he pretty much refuses to look after or even pick up the baby. He gives reader all the resources they need and the Killer calls it a good job done. The poor kid(s) grow up very isolated and confused. Their mama loves them with everything they have but their pa won't even acknowledge them.

Resentment grows as they do. They of course don't really understand why they are here and why their mother/parent is with killer, because it's all they have ever known. They've known nothing other than this. I can see this going either two ways. One day the oldest snaps, they are sick and tired of listening to the screams of the their father's victims. Their mother/parent tries so hard to keep them from barging out of their small shack.

The eldest faces their father, who has grown grey over the years. However, he is still a scary and strong man, and the eldest falters slightly, it's enough for the Killer to smack their eldest to the ground telling them to go back inside. Reader sees this and just loses it. They have spent a good chunk of their life under Killer's thumb. They have seen so much death and violence they have become almost immune. But to see their child being struck by the man who killed all her friends all those years ago just causes absolute rage.

Reader picks up the old shotgun that they found hidden in the attic, they were always too scared to use it, especially when the kid(s) came. But now its time. Killer doesn't stand a chance.

OR the other way is that once the kid(s) reach maturity they follow in their father's footsteps unfortunately for reader and finally get their father's approval. I like the first idea better.

Hope you liked it! I should have my home invader story out tomorrow!

[yuikomorii]

might be wrong about this but I think the thing that really differentiates Ayato from his brother is that he actually values life in a ''pure way''. Both Subaru and Shu didn't really have the will to life until they met the MC, Reiji's only will was to overcome his father and become better than his brother due to his jealousy, and even if it doesn't seem like it from the surface both Kanato and Laito were too mindbroken due to their trauma to actually enjoy life in a non-twisted way.

Ayato went through a lot of traumatic experiences just like the rest of his brothers but unlike them, he actually had a pure reason to live, that's why he didn't abandon his brothers and was desperately searching for them when they arrived to Rottienburg (I think that's the name) and prioritized them after he got saved by reiji and was willing to go look for them with no plan ahead and he's never changed. Even after they obviously drifted apart he still wanted to save his siblings (like in Lost Eden) even if they didn't want to save him when he got kidnapped by Kino.

Or when he was the only who saved yui in the anime when she got kidnapped by the mukami (Ik it's only fanservice because the anime shows Ayato as the ml). Or when he was the only one worrying about mc in the Olympics cd when the whole thing crushed down. I know mc has had her effects in everyone (because even reiji got worried in the CD drama when he though someone was drowning, turns out it was just Shu being weird) but at the end of the day, Rejet made it very clear that ayato always was different from his brothers even as kids.

Too long? Maybe, I just like rambling a lot about ayato lol

// This franchise is longer than a decade, it’s time for people to stop pretending that Ayato isn’t different from the rest, because it annihilates his purpose like that. Now I’m not saying that everyone else sucks and Ayato is the only cool character there, it’s just that Rejet wrote him in a way that genuinely gives off main character energy. Heck, even other characters have confirmed that he got *something* nobody else does, which is true.

Credit to: dialovers-translations, tournesolia

One thing about Ayato is that he might roast and prank you, but the moment you need help, he’ll be the first to lend you a hand. He’s by no means perfect, of course, he has flaws and makes mistakes too, but his good qualities are just so many that they’re easily able to outshine his bad ones.

Another example is the DF prologue scene. The most normal reaction would have been fighting with the wolf, as Subaru did, but instead of trying to get rid of it, Ayato used himself as shield the moment he saw it, so as to protect Yui. What makes this scene so powerful is that not only they weren’t a couple back then, but in the other Sakamaki routes, he’s still severely injured. He values life, yet he still sacrificed himself for her, no matter if she dates someone else afterwards, and guess what? Even after waking up from the coma in the other routes, he holds no grudge against her for that, but rather is on good terms with Yui. I would also like to talk about how self-sacrificing he is in the Daylight CD, but I feel like everyone listened to that one already, given that it was the most liked of the Daylight series.

While I understand that some people out there prefer more rational and/or introverted characters, I can’t stand those who deny the essence of a character. And, for all people who blame Rejet for “making him more special than the rest”, let me remind you that he’s the Diaboy who got the worst journey ending. Let that sink in. :”)

[local-queer-disappointment]

Fuck's a pro shipper?

We've got a new one boys try not to scare em off /j

Okay but seriously, I'm more than happy to explain. I assume that if you're asking this question you're not aware of the proshipper vs antishipper, uh, "conflict", I guess. So, here is what both of those terms mean, to the best of my descriptive abilities:

Antishipper (often just "anti"): someone who vaguely believes that consuming problematic fiction (usually specifically problematic sexual fiction like lolicon or incest) is either a true reflection of them as a person or a corrupting force that will cause them to play out these desires in real life, onto real people. Basically, if you read age gap, you touch real kids in real life or secretly want to.

Proshipper (sometimes "profic"): someone who does not believe the above, and believes that fiction is not the same as reality because it doesn't harm anyone and therefore people should be left alone as long as you have no reason to believe that they would ever do something like that irl. Often hand in hand with things like anti censorship, kink positive, etc, though being a proshipper does not necessarily mean you have a problematic ship or kink yourself (example: me).

You're probably asking this question because you saw me day in my bio that I am a proshipper. I've tried to stay neutral in this initial description, but obviously I probably didn't manage to be completely unbiased considering that I believe myself to be right (most people do) so if you want to ask further questions after this that's perfectly fine. That being said:

Why am I a proshipper?

So, to understand this, let's first look over the issues within both communities— every group has issues, after all.

What problems do proshippers have?:

- sometimes 4chan assholes co-opt the label "proshipper" just because they're lolicons, even though there's good evidence to suggest that they would do or even have done criminal sexual acts in real life, or that they possess actual csam (child sexual abuse material, a term being used in favor of "cp" these days as porn implies consent). Proshipping has nothing to do with the harmful idea that you should be allowed to exploit and abuse real children.

- there are still many gray areas which proshippers themselves don't agree on. For example: I've seen a bunch of arguments about if writing fanfiction of live action shows or movies changes the equation. The general consensus of proshippers is that writing fanfiction of a character played by a child actor is definitely a more delicate situation and should not be sexual as it's inextricably tied to the image of a real child, but there are others who believe differently.

- I'm genuinely struggling to come up with more of these. Um, sometimes lolicons are really shitty people, like in point 1. This isn't SUPER relevant though cause in reality the overlap between predominantly queer or female proshippers and Reddit incels who just wanna jerk off to a petite anime girl is pretty small, though I'm sure it exists somewhere .

Now, what problems do antis have? (Fair warning, this is gonna sound even more "biased" but I hope my logic is still sound from the outside :p):

- I don't have any statistics on this (haven't exactly been many research papers on fandom drama), so you're going to have to trust me when I say that antis are absolutely NOTORIOUS for extreme harassment campaigns. The first time I was exposed to the word "antishipper", it was attached to a story of a former animator committing suicide because antis had gotten them fired by "exposing" their porn alt on Twitter and they could no longer afford medication for their disability. So, hell of an intro!

- their opinions are, in pretty basic ways, not backed by science or even practical common sense. The human brain can distinguish between fiction and reality after around age four or five

and people certainly aren't trying to hand nsfw content to children that age so I think it's safe to say that the people who are reading these things won't be "confused" by them or whatever. Also, even just using your brain and talking to these people, you find out most of them project onto the YOUNGER character.

- they claim to support victims but often simply don't. I won't keep dragging threats into the spotlight because I know there are probably antis who aren't as violent, but it's honestly astonishing to me how often they jump straight to wishing death and terrible things on people, and this has included more than once telling a rape victim they hope they get assaulted again just because they're a proshipper. See, a lot of these "taboo" sexual fantasies like age gap and incest actually themselves stem from a traumatic experience, and any therapist will tell you that fiction is a much healthier way to explore intrusive thoughts and urges than more dangerous coping mechanisms like self harm or substance abuse. And when confronted with this, in my experience and many others', antis will simply ignore that fact or say that the therapist is some sort of evil enabler.

-the general cognitive dissonance of believing an incest fanfiction will make you "forget" that incest is bad vs being fine with horror movies and slashers speaks to a deeper and honestly kind of worrying anti-sex mindset. I'm not sure I'm qualified to tackle this particular topic, but I definitely agree that it's a thing; after all, I have no idea how else those two things could coexist.

Anyways, I'd like to close this off by saying not everyone is as crazy opinionated as I am, I'm just autistic and like talking lol. A lot of people who id as proshippers just have a sort of minding their own business, ship-and-let-ship mentality, and a lot of antis are unfortunately just teenagers who were told proshipper = evil pedophile groomer and thus they put "proship dni" in their bios just cause they don't know and don't really care what it means. It is undeniable that many antis are kids themselves, and that does worry me, because fandom drama (especially Twitter fandom drama) is dangerous and vitriolic and also they're putting extremely serious threats on their digital footprints at the tender age of 14! But whatever, I'm not their parents, that's just my worry. Sorry for rambling this long lol, I wouldn't blame you if you dropped out halfway through but this is basically my summary of this whole thing. Do with this knowledge what you will! Or, you know, don't! I'm not a cop!