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eldritchtouched · 7 days

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Alleged Final Boss Leak (Part 1: Designs/lighting/etc.)

Good grief, there's so much to unpack with this.

I'll be blunt, I think this in particular is fake. (I don't really know anything about the other supposed leaks, but I knew based on how people were reacting, that something was up with this in particular, so I took a gander.)

I was initially unsure of if it was AI or a sketchy mod, but as I've been looking through everything, I think the supposed cutscene screenshots are AI generated garbage and the gameplay is a janky mod.

That being said, here there be dragons, this might be the spoilers for the endgame, etc.

Supposedly, it's Radahn.

Supposedly, Radahn is Miquella's promised consort. We will unpack the lore implications another time, but there's a lot that doesn't make sense there on all levels.

And Miquella is riding on Radahn's shoulders like some kind of Lorian/Lothric situation, at least for the second half.* (*It's not actually the second half, others have noted it's earlier than that, at around 70% health.)

So, let's talk about designs. I initially saw the supposed stills of the cutscene, and it just makes me go "stuff isn't right in the designs here." Admittedly, I don't really have reference photos of Radahn because I don't really draw him, so I grabbed others' screenshots tonight of him/his armor in the base game, so yeah. Even then, I knew stuff was really off.

First thing's first, We've got Radahn. Now, Radahn here looks weird for several reasons. First is that the red lighting comes from nowhere. The red lighting is more appropriate to bloodflame like in Mohg's fight, or Messmer's flames in the trailer, and is thematically inappropriate in relation to him (he notably uses a lot of gravity magic, which is purple).

Second, Radahn's hair is funky in a lot of ways. In this first image, there's a lot of noise around his hair that doesn't actually make any sense. It instead looks more like what AI tends to do, which is put in random scribbles in place of details.

He also has two random braids. Now, if you look at everything in the base game, he doesn't have braids. Neither the helmet the player wears based off of his armor, nor his design in the cinematic trailer (when he was actually in his "prime"). Nor the paintings in Volcano Manor of him, for that matter. Likewise, his braids are two different styles. One is actually sort of individualted in the plaits (his left, viewer's right) and the other is just a vague suggestion of braids (his right, viewer's left). Even then, they both look flat out wrong- a person wouldn't draw/paint/design braids like this, even if they fuck them up.

The details on the helms are similarly a "close enough" situation. For example, the metal filigree on the helm itself is wrong. Instead of intricacy, it resembles instead wavy fur.

Likewise, how the fangs are set in the supposed leak are wrong. The fangs are too broad relative to the rest of the helm, and don't have the distinctive gaps found in the original helm where those teeth are supposed to be set in the gums.

The lighting is also nonsense. Somehow, there's a red light source from his chest, but this doesn't affect some parts, and there's a golden light source that somehow affects and doesn't affect random things.

His helm is also melding into his hair instead of being distinct.

The Miquella stuff also makes no sense.

Here's the supposed leak of the first image.

The lighting in all of this is total nonsense.

First, Miquella's lighting implies he's being lit from the audience's left, because all the shadows are on the audience's right.

Meanwhile, Radahn's lighting implies the main lighting is from the audience's right, which should affect Miquella differently if he's being affected by ambient lighting. There's also a spot that should be lit (the tip of the tusk on his helm, especially given his face also has ambient lighting) and something on his shoulder that shouldn't be lit by that main light source because Miquella's blocking it.

There's also some wonky anatomy shenanigans. For one thing, Miquella is melding into Radahn's armor. For another, he has another, spectral right arm.

Incidentally, this spectral right arm, despite clearly supposed to be glowing, isn't affecting any of the ambient lighting on either Miquella's flesh or Radahn's anything at all. Likewise, despite Miquella clearly supposed to be glowing, Radahn's armor doesn't have proper ambient lighting.

(Also, what the fuck is that outfit, Miquella?)

On top of that, Miquella's braids are complete nonsense. This isn't how braids work, nor how people who accidentally fuck up braids while drawing/painting (I know I have) fuck up their drawing of braids. The lines are where they are. They start and stop randomly, and are in weird places for braids.

On top of that, his hair randomly melds into Radahn, and starts and stops in weird ways that nobody would paint if they were drawing/painting.

(Sidebar, Miquella's 'crown' looks like compete nonsense, too.)

Now, there's a second image with Miquella.

So, first, the lighting changes. Instead of being to the top right, it's now directly overhead. It also seems not to properly affect the blades of Radahn's swords. (Again, Miquella's glowing, including his glowing arms, don't affect Radahn's lighting for no particular reason.

Miquella's anatomy is also wonky as hell again. His left arm just... ends and he has two spectral arms without apparent hands grasping onto Radahn like Lothric during the Twin Prince fight.

Radahn's anatomy is also wonky as hell.

For context, in the base game, he looks like this. He's a very top-heavy guy, very broad chested.

Not only is he in a random ass, stiff as hell A-Pose, he's also suddenly much more lithe and is way less top-heavy/broad-chested.

The details are also screwy on his armor and swords. First, the swords, because they're simpler. They're thinner and longer than they should be proportionally to how Radahn is both here and the base game. They also have the wrong insignia on them. Instead of the gravity magic sigil, it's... random lines.

For context for his armor, we also have a lot of weirdness. First, here's a few images to refresh your memory on how it actually looks in the base game.

It is very clearly fur-lined at the joints, his arms are clearly fully covered, and the actual metal pattern on the chest piece is clearly supposed to be pseudo-fur, like a lion's mane.

First thing's first, his chestpiece now has a lion's face on it, and random fake abs.

He has random belts everywhere that start and stop without rhyme or reason (light blue). He also seems to have bare arm joints now, but for some reason the undershirt he has on is straight up flesh colored or something with golden embroidery (his right arm) or some random ass string (his left arm)

He also has a lot of weirdness going on with his lower half. He has an empty black void where his crotch should be. He also has the wrong design along the fringe along his waist, and is missing the armor that should be on his hips. Instead, nondescript red fabric (?) is there.

Likewise, he has two sheathed swords on his hips that don't make any sense and just kind of... float there?

#sote spoilers #though it's probably fake given ALL these problems #it's probably ai trash

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razzek · 1 year

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how does your blindness impact your art? I would have thought that it would be impossible for a blind person to work in a purely visual medium like you do, but clearly that's not the case. do you use adaptive tech or specific styles/techniques?

(I apologize if this question is ableist. I would like to know more about your experiences, but I don't have a great grasp of what's appropriate to ask and what isn't. I am not trying to be rude.)

Oooh thank you for asking! :) For the record, I’m pretty chill, I know there aren’t exactly a ton of us blindies out there, so feel free to ask questions with the language you have. :)

Haha oh man, my blindness has impacted my art from the very first thing I drew at age 4. I have a small amount of vision in my left eye; no depth perception, no peripheral vision, no distance, pretty good colors though. Life to me is basically a smear of nonsense colors that I put meaning to through context and location. The closest thing to seeing anything clearly I’ve ever gotten was watching cartoons, which I did obsessively as a kid. So first and foremost, I don’t and can’t draw from life, it makes no sense to me. The bold, simple actions of animation and the heavy stylization has taught me a ton.

Over the years my style has become very much about being high contrast, high visibility. But it also tangles with my love of doing pretty intricate detail work (it’s soothing, what can I say XD). In the past I was strictly a traditional media artist and I drew with what I had on hand. Growing up in poverty, what I had was the pens I used to write with in school and the paper I scrounged out of recycling bins. I basically mashed my face on the paper and worked in light angled over my shoulder that wasn’t too bright. I clipped paper to clip boards so I’d always have something lightweight enough to hold in one hand while I drew with the other. I’d sketch in pencil and ink using my very beefy prescription reading glasses, and everything I do had to be self taught. Life drawing class just doesn’t do anything for the dude who can’t see the model. :D

In 2019 a botched cataract surgery cost me most of my functional vision. I can no longer read print for any length of time, I don’t watch tv, and increasingly I just forget to look at most things with my eyes. But! I have an iPad. :D It took a few years and finding a pair of beefy store bought readers so I can focus enough to draw, but using Procrate and zooming down to the pixel as well as sketching on a black background makes the art still possile. I still draw mostly the same way I did with traditional media. I know brushes could probably be used to make some things easier, but I don’t have the spoons or visual stamina to figure out how to use them except for making quick backgrounds (pro tip: never have your character or object floating in a white void, even a single line to ground them will make your work better).

Color of late has been an interesting thing because I literally do not understand how light and shadow really works. I’ve read up on it but there’s only so much anyone can do when they just can’t see the thing. I like to ink the best and color is just an experiment I’m trying every time I do it heh. I make up little rules of style for myself and do a lot of guesswork based on the full shape I think a thing or character has, if that makes sense. I don’t know how a lot of things work visually so I will make stuff up, guess, or you’ll see some funky style things that happen because I read a medical paper once and just like drawing the holes in an iris (that’s what the lines in characters’ eyes are heh).

I’ll have to make a video sometime. Some of this stuff probably makes more sense in action.

Tl,dr: I mash my face onto an iPad and use 35-ish years of drawing experience to guess at what leoks right. :D I don’t think I would have become an artist if I wasn’t blind, I would have had more to look at to distract me. XD

#blind #blindness #blind artist #haha okay it wasn’t a medical paper I learned about iris holes from #I have half an MA in teaching the blind #and a long standing interest in eyes partly from having to learn enough to explain mine to teachers as a smol Razz #so I know a lot about eyeball anatomy :D #but seriously look up highly magnified scientific pics of eyes it’s rad!

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rosebugzzz · 1 year

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im compiling all the things i can see in the totk trailer which are new here sorry in advance for this

1- funky green thing no idea what this is but green isn't really a botw colour v v exciting

2- red thingy, could be malace but I doubt it idk what this is it just doesn't look normal

3- death mountain looks like its erupting?? also the weather change in this part of the ad, I'm guessing the storm is just for dramatic effect but who knows

4 - obvious one but new enemies, flying ones FINALLY SO COOL I'm v v excited abt this one

5- a boring one but this looks like a new structure?? there's a couple other new structures round it as well but u get the point

6- THIS JUST LOOKS SO COOL IT LOOKS LIKE A LIGHTSHOW OR SOMETHING I'm guessing it has something to do w zeldas power cuz of the colours but very cool, also the shadow looks like another new structure??

7- runes? idk what these are, they look like the logo for the game tho but massive cuz this is from what looks like quite a wide angle shot of the map

8- another obvious one but PLATFORMSSSSS this is one of the parts of the game I'm most looking forward to cuz the whole appeal of botw to me originally was the awesome map so MORE MAP WOOO

9,10,11- just screenshotting the whole screen cuz OH MY GOD. that doesn't look like malace but I'm guessing its something that does the same job, also those don't look like new mobs just red versions of the old ones??? also the TREE???? off the top of my head those don't look like any part of the botw map, and the massive yellow lump is definitely new

12- this looks like another new enemy? it doesn't look like a dragon and that's the only thing I can think of that would be flaming like that so yh

13- glowing red light round hyrule castle?? kinda not new cuz it looks like malace but it prob isnt, looks funky and cool tho, and opposite to the white/yellow light from earlier

14- blood moon looks significantly bigger and more HD than before, I am loving the fact that it looks like it plays more part in the lore here, also the comets/rocks/meteors???? awesome

15- this may just be a dragon cuz geographically its in the right place but the outline looks different than it should? I may just be overthinking but I'm including it anyway

16- WHOLE SCREEN AGAIN OH MY GOD LOOK AT THAT IT LOOKS SO COOL

17- this looks like a new settlement/structure?? i don't recognise anywhere like this

18- whatever the fuck this is, it looks like a massive bokoblin?

19- once more prob just for dramatic effect but that hinox is following link and I don't think they do that in botw?? i may be going crazy but

20- TASSLES ON THE PARAGLIDER

21- i once more may just be forgetting the map but that looks like a new settlement/structure?? i don't think there's anything down the side of death mountain/that region like that

22- ignore how blurry it is but it rlly looks like the moblins have helmets?

23- NEW ENEMY HE LOOKS SO COOL

24- another obvious one but new main villain :D (I don't think he's new to the zelda franchise but to botw?? idk I've only played botw I may be wrong but)

sorry just IT LOOKS SO PRETTYYY

25- looks like thats a bridge between the islands?? makes sense its just cool

26- NEW FALLING POSE!!!

27- new art?? ground art?? idk what these are called but THATS NEW

28- tower?? idk what that is but also looks new

29- new railways round death mountain + new way of riding rails

30- another obvious one new arm powers

#tears of the kingdom #zelda botw

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grailfinders · 3 years

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Fate and Phantasms #198

Happy New Year! (If it is not new years, please disregard.) Today we're crossing into the 2020 servants; hopefully this build makes that clear.

Today we're building Katsushika Hokusai, the daughter/fatheroctopus painter duo, most famous for... waves? And also making a deal with Cthulhu. We're grabbing some levels in Creation Bard for the former, and Hexblade Warlock for the latter. Don't worry, it'll make sense as we go.

Check out their build breakdown below the cut, or their character sheet over here!

Next up:

Race and Background

Oui is a Human. Her dad's an octopus, which is weird, but we'll deal with that later. Also, we're making her a variant human for cool stuff. She gets +1 Wisdom and Charisma, as well as Animal Handling proficiency to get along with her parents and the Magic Initiate feat, which uses her Wisdom to cast druid spells. Since magical paintbrushes aren't an official weapon in D&D 5e, we'll call it a quarterstaff instead, which means you can use Shillelagh to make it fancy and magical for the duration. It also turns the damage die into a d8, deals magical damage, and uses your wisdom instead of strength to hit things and deal damage. You also get Frostbite to splash cold water on people, and Protection from Evil and Good. You can cast that last one once a day for free, and it'll protect you against aberrations (plus celestials, elementals, fey, fiends, and undead) for ten minutes with concentration. They'll have disadvantage to hit you, and they cant' charm, frighten, or possess you, and any existing effects of that ilk you can shake off with advantage. No spoilers, but that'll come in handy soon enough.

You also get the Guild Artisan background, because you paint for money. That gives you Insight and Persuasion proficiency.

Ability Scores

Make your Charisma as high as possible. You paint good, and you have the mental fortitude to keep an elder god from yeeting your soul from your body. Good job. Second highest is Dexterity, painting lifesized waves in the air around you doesn't actually need all the backflips, you just like to show off. Your Wisdom is also pretty good, it's hard to paint things you can't see well, and again that whole "mental fortitude" thing. Your Constitution is pretty good, you handle all-nighters pretty well. That means your Strength isn't great, but we're dumping Intelligence. You're kind of a hick, after all. Plus, really? Swordbeauties?

Class Levels

Bard 1: You weren't born with the squid powers, so we'll grab those up a bit later. Right now you're just a plucky young artist with a dream. As a bard, you get proficiency with Dexterity and Charisma saves, as well as three skills of your choice. Performance and Nature will help you paint nature, and Arcana will help you find the squid guy in the first place. You get Bardic Inspiration, Charisma Modifier d6s per long rest, and you can give one to your allies to boost one attack, check, or save by however much they roll. Nothing like some tasteful nudes to get the spirits up. You also get Spells that you can cast using your Charisma. Friends makes it easier to pass charisma checks against a creature for a minute, but they'll know you magicked them afterwards. Thankfully, getting paid doesn't take that long. Minor Illusion helps you bring your paintings to life, but just a little bit. It'll create a still object or sound that lasts for up to a minute. Creatures can tell it's an illusion with an investigation check, or by touching it. You also get Animal Friendship- your dad can be hard to get along with. Color Spray weaponizes your paints to blind creatures in the area, and Illusory Script lets you write one thing, but really write another. I'm sure you can argue this should count for paintings as well. Oh, you also get Dissonant Whispers. You're a Foreigner, you can be a little creepy if ya wanna.

Bard 2: Second level bards become a Jack of All Trades, adding half their proficiency to skill checks they aren't proficient in. You're an anime character, it's an unwritten rule you should be good at everything. You also get a Song of Rest, adding a d6 to healing your party does over a short rest. On top of that, your bardic inspiration becomes Magical Inspiration, letting your allies add it to the damage or healing of a spell. Finally, grab the spell Silent Image for moving images, so now you can paint birds and/or waves and have them look just like the real thing. Now, third level of bard is where things start getting funky, so before we can do that, let's make a deal.

Warlock 1: Bouncing over to warlock lets you become a Hexblade, which sounds kind of weird, but there's a reason for that. You don't do weird mind stuff like the GOOlocks, and you don't really use Tentacles like the Fathomlocks. What you do need though, is a fancy magic brush, and a fancy magic octopus. There isn't a familiar-based subclass yet, so we had to go with the weapon-based one, and we'll pick up your dad later. Anyways, starting off as a Hexblade lets you invoke a Hexblade's Curse as a bonus action, dealing your proficiency in extra damage to the cursed creature, crit on 19s, and heal yourself when the cursed creature dies. The curse lasts 1 minute, and you can use this once per short rest. Hokusai also become a Hex Warrior, turning one non-two-handed weapon into a special weapon at the end of a long rest. Now your brush uses your Charisma to attack, nice. Unfortunately, this doesn't include magical damage, but you can stack this with Shillelagh if you really need to. You also get another set of spells with your Pact Magic. These slots recharge on short rests, and it means your multiclassing doesn't mix slots like most spellcasting classes would. You can still use one kind of slot to cast the other kind of spells though. Speaking of spells, grab Eldritch Blast for some paint splashes, and Mage Hand for a pseudo-octopus that'll grab things for you. Cause Fear lets you paint a really creepy thing one target can see, forcing a wisdom save and scaring them if they fail. Arms of Hadar will give you a little bit of tentacles, as a treat. They'll force a strength save on creatures near you, dealing necrotic damage and making them too gooey to take reactions.

Warlock 2: Second level warlocks get Eldritch Invocations, mini-feats to help you cope with only having two spell slots. Grab Armor of Shadows for free Mage Armor on yourself at will. Your family is your armor, and I mean that literally. Stop wearing your dad, it's creepy. You also get a second one, but we're saving that for the next level. Don't not take one now though, I'm just saying it won't matter in the long run.

Bard 3: Now that your pact is sealed, we can get the real living paintings going. If you're thinking 'bout an inking feel free to shuffle levels around, I just want to hit Font of Inspiration quickly. As a Creation bard, Hokusai gets an Inkling of Potential, adding extra effects to her bardic inspiration. Ability checks let the user roll twice, attack rolls deal extra thunder damage, and saving throws add temporary HP to the user. She can also enact the Performance of Creation, creating a nonmagical item nearby. Currently it must cost less than 20 times your bard level, and it has to be medium or smaller. You can do this once per long rest, or by spending a 2nd level slot, but doing so destroys the first object if it still exists. Right now this only makes medium objects, but a 5' wave of water is nothing to sneeze at. You also get Expertise in two skills, doubling your proficiency them. Pick up Insight and Performance for the ultimate style-copying skills. Finally, you get second level spells. We can't focus too much on non-charisma abilities, but this'll give you a leg up on seeing the true nature of things. It gives you advantage on any one kind of ability check for up to a minute.

Bard 4: Use your first Ability Score Improvement to bump up your Charisma. Now you have more inspiration, better spells, and a bigger brush. Charisma's good, you'll like charisma. You can also paint Dancing Lights and a Phantasmal Force now. The former lights up an area, the latter creates a phantasmal creature or object that only one creature can see for up to a minute. It can break the illusion with an Investigation check, but until then it treats the thing as completely real, rationalizing away inconsistencies. It also can take a bit of psychic damage if the illusion would cause harm within 5' of itself.

Bard 5: Fifth level bards become a Font of Inspiration like we talked about earlier, giving you inspiration recharges on short rests instead of long ones. Your inspiration also jumps to d8s. Finally, grab Major Image for more major illusions than minor image. It creates an object up to 20' on each side, and includes effects like sound, smell, and temperature, as long as they wouldn't deal damage. You can also move the illusion using your action. Same rules apply to breaking it though- investigation check or just touching it.

Warlock 3: Finally back in warlock, you get your pact boon, and the Pact of the Chain gives you Find Familiar as a ritual, and you can skip your own attack to attack with your familiar. Wildly enough, Octopus is already a rules as written option for Find Familiar. Awkward point; octopi can only be out of water for 30 minutes. Good luck with that! On top of that, Mirror Image lets you paint duplicates of yourself, making it harder to hit you. Boom, evade skill achieved. You get three extra copies, and every time you get hit, there's only a 25% chance of actually hitting the real one. If an illusion gets hit, it's destroyed, so the odds go up to 33%, then 50%. You also put in the Investment of the Chain Master, giving your dad a flying speed, the ability to attack as a bonus action, magical weapons, your DC for saves, and you can react to give the little bugger resistance to one instance of damage. Literally everyone else's dad is dead already, try not to add one more to the pile. Except for Romani's, but that's sad in its own way.

Warlock 4: Another ASI, max out your Charisma. It's good, you use it for literally everything. For spells, Mind Sliver deals psychic damage an makes the target's next save a bit harder to make. You also get a Crown of Madness, which gives you control over a creature's attack action. Just because you're less spooky than Abby doesn't mean you're not spooky.

Warlock 5: Fifth level warlocks get a new invocation and third level spell. Summon Shadowspawn lets you paint one of three kinds of shadowspawn, creepy little things that can scare people by screaming at them. They'll obey your commands, and it'll last up to an hour, until they hit 0 HP, or you drop concentration. Your last invocation is the Gift of the Depths, letting you breathe underwater and swim as fast as you can walk. Now it's slightly less awkward to carry your dad around, yay. You can also cast Water Breathing for free once per long rest.

Bard 6: Finally back in bard now, sixth level creation bards can put on an Animating Performance, turning a large or smaller item into a Dancing Item with its own stats and everything. You have to use your bonus action to command it in battle, but you can inspire people at the same time. I'm not sure how well animating water would work, but it's something to look into. You also learn how to Countercharm, spending your action to give creatures near you advantage on saves against being charmed or frightened. For something better, grab Intellect Fortress. For up to an hour, you'll resist psychic damage, and you get advantage on all Int, Wis, and Chr saves.

Bard 7: Seventh level bards get fourth level spells, like Hallucinatory Terrain! Now you can paint a landscape- literally! It's only 150' in range, but that's still plenty of space to mess with people. It doesn't really change anything, but forcing people to look at non-euclidean geometry is its own reward.

Bard 8: Another ASI. Bump up your Dex now so you're less likely to get hit, then grab Phantasmal Killer to paint a scary creature that will follow the target around and beat them up. It's a shame only one creature gets to see it.

Bard 9: Ninth level bards get a better song of rest, but more importantly you get fifth level spells. Legend Lore will help you see the true meaning of things more easily, and the more you already know about something the more you'll learn. That's why your Arcana and Nature skills are so high. Oh, wait, sorry, one sec...

Bard 10: And that's why your Arcana and Nature skills are so high... starting now, with another round of Expertise. Your inspiration also jumps to d10s, and you learn Magical Secrets, two spells from any spell list you can cast. On top of that, you get Prestidigitation to paint up small objects. For your secrets, Conjure Animals lets you paint up some real animals that'll attack enemies for you. Alternatively, you can Control Water to make those waves we've been trying to do with way less fuss than a Song of Creation or Animating Performance. It does come with the limit of using existing water, though you can also Part Water, cause a Whirlpool, or Redirect Flow with this one.

Bard 11: Eleventh level bards get a sixth level spell, and True Seeing will help you see All Things in Nature, letting you see through illusions, invisibility and the like.

Bard 12: One last ASI; bump up your Constitution for better concentration and more HP.

Bard 13: Your Song of Rest is a d10 now, and you get a seventh level spell. Prismatic Spray is the return of Color Spray, but it's taken steroids. Now it deals plenty of damage of a random type to each creature in its area, or it has a chance to shove them into another dimension or petrify them.

Bard 14: Your last goody from the college of creation is a Creative Crescendo, allowing you to paint up to your Charisma Modifier in items when you use a Performance of Creation. Only one can be a biggun, the rest have to be small or tiny. Also, your max size is Huge now, and a 15' cube of water will make a pretty big splash. You also get another round of Magical Secrets, grabbing you Conjure Elemental for a more symbolic approach to flooding people, and Wrath of Nature to paint a landscape that'll really fuck with someone. The grass turns land into difficult terrain, the trees will slash at enemies nearby, Roots and vines restrain enemies, and Rocks will throw themselves at enemies, knocking them prone on a failed strength save. It's not mind melting geometries, but it's still mess with people's heads.

Bard 15: Your ultimate level gives you a d12 inspiration die. You also get one last spell, of the eighth level. Feeblemind will handle all the mind melting the last level failed to live up to, forcing an intelligence save and dealing damage regardless. On a failed save, the creature's Intelligence and Charisma drop to 1, and it can't cast spells, use magic items, talk, or understand people. The only ways to fix this are with another Intelligence saving throw (every 30 days) or using Greater Restoration, Heal, or Wish.

Pros and Cons

Pros:

Like the regular Hokusai, this build has a great deal of flexibility, with pretty good AC, HP, and physical attack options to get up close and personal, as well as ways to buff allies and attack with spells at a distance.

Speaking of spells, they give you a lot of crowd control options. You can create extra allies with summoning spells and Animating Performance, blow them away with waves from Control Water or Performance of Creation, or keep them tied up with various illusions.

You're also really good at fighting other spellcasters. Spells like Protection from Evil and Good and Intellect Fortress will shore up most of your saves against fancier spells, and you can use Feeblemind to completely shut down anyone who isn't a wizard or artificer.

So piss off your patron and kick the ass of their flunkies, easy! Wait, there's still cons.

Cons:

Okay, so there are some problems with throwing waves all over the place: they're hard to control where exactly they end up. Also, your best wave requires real water, which won't always be available.

On a similar note, you specialize in summons and illusions, both of which tend to require Concentration saves. Yours aren't that great, and on top of that it means you can only have one up at a time. Unless you're cool with an elemental running around willy nilly, but that fits into Con #1.

Your Familiar can only stay on dry land for 30 minutes at a time. If you're going to play this in a landlocked campaign, switch the octopus and last invocation for something else, it'll be a pain otherwise.

Okay, she isn't perfect, just make sure you carry an aquarium with you, problem solved, right?

#fate grand order #fgo #D&D 5e #dnd #Katsushika Hokusai #Warlock #Bard

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tomorrow-human · 4 years

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MY THOUGHTS ON iDKHOW'S ALBUM DEBUT: RAZZMATAZZ

So I DON'T KNOW HOW BUT THEY FOUND ME have just released RAZZMATAZZ today and heres what I think...

[SIDE A]

¹LEAVE ME ALONE:

A bombastic opening track. Was released in the beginning of August...? Probably? This song just SCREAMS at you with retro futuristic funkiness. It has 8-bity flourishes in the instrumentation and seems to be maybe talking to the same person as Choke (from 1981 E.P.) and the title track Razzmatazz have been (or maybe a separate entity as suggested by the vinyl booklet and Indoctoration?).

Anyway, fantastic track, great opener, and nice mood-setter.

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²INDOCTORATION:

It's... eerie. It's not a song in the same sense as Leave Me Alone, despite having a wobbly backing track. It's a spoken interlude that seems to be initiating you into Tellex maybe? It yet again mentions the White Shadows that will be overseeing your progress with Tellex. It seems oddly nostalgic for some reason. That's strange. Overall, solid little piece of lore building that really reinforces the concept aspects.

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³MAD IQs:

It's the first song from this album that wasn't released as a single and it made my jaw literally drop. It has a similar lyrical and vocal structure to the opener and New Invention, but what I like is how much they were able to do with it, though it makes you wonder about how far apart these songs were written; but In the context of the albums concept and the Tellex stuff however, it could be interpreted as a corporate decision, this repetition. The minimal instrumentation in the verses with Ryan's sturdy drumming and Dallon's bassline makes me go fucking bananas. It's so fucking great and full of this punchy energy. And the HARMONIES. YES. "Voluntary victim~" "I'm burning~ in your mad IQs" SIR STOP BEING SO VOCALLY TALENTED. Also I think i heard him shriek right before the bridge which? Snazzy. So Mad IQs, energetic track, filled with more of iDKHOWs signature darkness.

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⁴NOBODY LIKE THE OPENING BAND:

Ah yes, Opening Band. Ironic considering how often iDKHOW are the opening band, but I'm sure that's obvious, seeing how they usually sing this one at the start of their gigs. It was actually (I think) the first or second song I didn't know how but found through youtube so I might be pretty biased here. It's a sweet sounding change of pace with the instrumentation being made up of only the piano and tambourine that tells of a typical opening band, that no ones ever heard before and likely will never hear again, via a sympathetic narrator with a hint of the typical iDKHOW teasing. In all honesty, it would've worked better as the album opener, which then could've been followed by Leave Me Alone, but it's a nice change of pace overall.

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⁵NEW INVENTION:

I already reviewed this song on my other blog right here so imma keep this brief. It shares similar aspects to Leave Me Alone, with the music video concept and song structure, but It manages to darken the narrative, and the choir-esq harmonies sound like ultra bright neon lights that only push this mood further. It still is a magnificent song and by far one of my favourites in the album.

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⁶IN THE GALLOWS:

MASSIVE SHIFT IN STYLE HOLY FUCKOLY-. The track opens with a very cutesy old timey little piano intro and starts the verse with a little funny beat. If you don't listen to the lyrics, it sounds like a silly little oldie song. But as we all know, iDKHOW doesn't do silly. The lines "For you, I'd die▪︎Or kill myself▪︎which ever makes you smile," From just the first verse are a prime example of this. The narrators murderous and suicidal intentions have clouded the romantic attraction into obsession- And I kinda like that, in a poetic way. The chorus is a standout, with the calm start to the explosion in the line "I'd swing from the gallows and wave" that just swings at you with a baseball bat to the chest. Oh, and the sax solo? Magnificent. This whole song is a chefs kiss from me.

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⁷CLUSTERHUG:

I love the lyrics of this song the most of it all. It sounds like a rebellious teenager wrote it after thinking about how shit their hometown is and wanting to get out. It also incorporates how much the narrator would want to do all this with their crush, adding that slightly goofy and pretend-aloof chorus of "only if you'd like me to I could fall in love with you" as if they weren't already in love or at least that's how I see it. The vibe of this song is more pop-y than the rest of the album, but that's more likely because it was repurposed for Razzmatazz after being originally written for The Brobecks, their older band. It's a nice little tune :).

[SIDE B]

⁸SUGAR PILLS:

This. Will. Get. Stuck. In. Your. Head- and. You. Will. Like. It. Basically, just seems like a song about drugs that, for some reason, reminds me of Gorillaz (who I dont even listen to). But the BASSLINE AGAIN- Jesus help me live. It has more of that energy we saw with the first few tracks and adds even more electronic elements. It's probably my second favourite song from this album that's not a single because of how fun the chorus sounds. What else can I say? I can just imagine myself bopping to this in the car screaming 'SUGAR SUGAR SUGAR PILLS' On a hot day.

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⁹KISS GOODNIGHT:

It's so sweet 🥺. It's one of those songs I could imagine a character in a movie singing to someone from a stage. If you want pretty song vibes just listen to it. Because it is a pretty song. And that's all I have to say on it. Now allow me to take a moment and shove it into my pretty song playlist that acts like my personal lullaby machine.

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¹⁰LIGHTS GO DOWN:

Yes. F u n k y. Give me that sweet sweet disco energy, thank you. It's just filled with all these *☆~blingy and sparkly~☆* effects, and, combined with the drumming, the result is just glorious. The best part of this song is in my opinion the bridge where it goes darker lyrically and in sound that just naturally slides into another funky-ass sax solo. I can definitely see myself dancing to this at a party and then in later years growing nostalgic for those days.

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¹¹NEED YOU HERE:

It's supposed to be happy in tone and hopeful slightly but it just makes me sad. It's a song about how, because Dallon has to tour because it's his job, he has to be away from his family often. And he had nO RIGHT ADDING HIS DAUGHTERS VOCALS AND RECORDINGS INTO THE MIX ITS LIKE HE WANTS US TO CRY. It's not my favourite of the album, not going to lie here, but it's also such a sweet song with nice instrumentals and vibe 🥺 so that's all I'll say.

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¹²DOOR:

It seems like this one was written around the time sad ukulele music was really at its peak but am I complaining? Fuck no because this song is great. It just gives it to you straight, that if the narrator ever does anything that the recipient doesn't like, they can always cut them out of their life. It's nice in that regard- you don't usually get songs that don't try to deflect the pain or gain pity. We need more of these kinds of songs. The shortness of it really adds to the effect of this being more like a regularly said thing, even though I'm always a bit sad that it ends so fast. It does, however, nicely close the near end of the album before Razzmatazz.

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¹³TOMORROW PEOPLE:

Creepy Tellex thank-you note. You're welcome..? I want no part in your conspiracy tho. Go away weird American corporate man voice.

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¹³RAZZMATAZZ:

And there it is. The title track. Like new inventions, I have already reviewed it here on that same blog so this will be brief also and more just thoughts. It's a great closer and is more old timey than most of the songs here as well. And with the last instrumental and sax solo, we come to the albums inevitable end... until next time.

[GENERAL THOUGHTS]

Overall, this was a fantastic little debut for iDKHOW and I loved it. So worth the pre-order. The songs were great and the lyrics were just excellent. My only real criticism is that the song order on Side A was a bit strange. I feel a way to fix this would be to throw Nobody Likes The Opening Band into the beginning, then have Leave Me Alone as a second track, and maybe even switch one of the songs on this side with one from Side B (either Mad IQs or New Invention with something else but then that would be kind of stretching it). Or maybe even switching Clusterhug with Mad IQs or New Invention could work. So in general? Razzmatazz good album. Next question.

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Thank you for reading, anyone who happens to see this and have read this. Hope you've enjoyed some of my thoughts on the debut and agreed with at least 2 points I made. See y'all on another review (or shitpost)!

-L.J

#idkhow #i dont know how but they found me #idkhbtfm #the i dont knows #dallon weekes #ryan seaman #lenas opinions #razzmatazz

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alansparkshark · 5 years

Text

Alright, this hit me like a Boarbatusk. Or a truck. Same thing.

So, here I am, happily making some RWBY OCs. I get to their Semblances and think: "What can I give them that's useful and connected to their character?" Cuz, you know,

I don't quite get it from that explanation though, so my next thought is: "Well, let's look at the original cast, see what they got and how it pertains to their characters."

And yet the more I looked, the more a thought grew in me.

"There's aren't so much decided by their personalities as they are by their wishes."

Now, hear me out here. For most Semblances we've seen yet and have heard/seen the unlocking of, they seem to have appeared in a moment of need, a moment of physical or emotional stress.

And it always seems to pertain to certain desires the user has.

Alright, let's just start from somewhere. Let me explain my thought process.

I take a character who's Semblance we know of, then check their backstory and personality. Then I check if said backstory/personality could lead to a desire in said character. And finally, I try to see if that desire connects directly to the Semblance of the character in question.

Let's start with someone who's Semblance we not only know, but saw the moment they found it.

Lie Ren.

First off, we check their personality/backstory. Ren is a quiet, less emotionally expressive character. He seems to stay calm in every moment. As the story progresses, he grows more expressive - in current-day Kuroyuri, he is shown in a rage.

So far, it seems fitting that such a character gets a Semblance such as "Calmness", as I'll dub it.

But it's the moment that he unlocks it that makes it interesting.

Up until that point, we've seen Ren as an excitable little boy. He went from store to store, trying to find something to buy his father for his return. He shows a lot of emotions at that point. When the Nuckelavee attacks and his parents perish, he is panicked beyond belief and is hiding under an archway. He notices Nora a little ways away, in a similar state. He wants to help her. He wants to take action, but he's too panicked to move. He wants to calm down , he tries and tries and- his Semblance activates. His desire to calm down activated his unique ability - to instill calmness despite negative emotions. His wish was to do as his father and mother did - be brave and inspire others to feel the same.

In other words, his Semblance was unlocked by his desire to be calm so he could be reliable to those he cares about.

Alright, next big example - Jaune.

His Semblance was first hinted at in "Forever Fall, pt.2" as Cardin attempted to give Jaune the good ol' knuckle sandwich, only hurt his hand after a bright flash of light (This'll be of importance later). The next time we see it is alllll the way in "Vault of The Spring Maiden", and this time it was fully unlocked. His Semblance of Aura Amplification is one that I personally feel really fits his character - he doesn't want to protect his friends. He wants to do as Pyrrha did for him at Beacon - bring them up, assist them in achieving new heights but not doing it instead of them. Notice how I again used "wants". His desire to do as a good leader should, bring up his teammates, is the basis of his Semblance. It's the same with when he blocked Cardin's punch - he wanted to bring himself up from the pitiful state he was in at the time, not just protect himself from the pain but have the strength to overcome it.

Alright, next up on the list... is Raven, surprisingly.

She was one of the easiest to piece to this logic, as she and Qrow have an irony with their Semblances. But back to Raven.

Her Semblance is "Connection", as I'll call it. It's premise is relatively simple - she can create a portal to those she has a strong emotional connection to. The list so far includes Qrow (brother & teammate), Taiyang (lover & teammate), Yang (daughter) and Vernal (right-hand woman until her untimely demise). We know about Vernal due to process of elimination - unless you wanna imply she actually had a connection to Cinder or her companions. And yet, her whole story is how she abandoned her daughter and her husband. She told Qrow "they owed everything to the Branwen tribe", strongly implying, if not confirming she feels a sense of thankfulness to the people who raised her when she needed it. She admonished Qrow for deserting the clan. She feels a sense of duty towards them. And yet, her Semblance is based entirely on emotional connection - something I doubt is of great importance in a bandit clan composed of "killers and thieves", in Qrow's words. I'd hazard to guess that a childhood in a bandit clan would easily stir a desire to form lasting bonds - something easily achievable when you can make portals. Despite her sense of duty, she still desires a strong emotional bond, devoid of power dynamics and a sense of "we may die any day". Something she had with Taiyang and Yang. Something she had with Qrow and Vernal, despite the circumstances. Really adds a layer to her character if you put it like that.

Alright, who's next... hm, let's put Qrow on the dissection table now.

His Semblance of "Misfortune" seems awfully contradictory to his character, that of a caring man who can barely stand to hurt those close to him, even if they're not family and friends. Why would that be his Semblance?

Well, he obviously didn't have a great opinion of the Branwen tribe. Who knows, maybe what Raven saw as being saved, Qrow saw as being used. Maybe he wished that they'd be caught by bad luck, that the tribe would just collapse and disappear. But that spite evolved into his current Semblance - everyone around him suffers while he's only really left with emotional scars.

Welp. That was depressing. Who's up for getting at Nora next.

Now, this is gonna be pretty short this time. There's not a lot to talk about. She sees Ren as her emotional anchor, her savior. She wants to give back for what he does. She sees he's struggling on the physical side (he's pretty low on the endurance, as evident multiple times throughout the show), so she desires to be strength he's lacking in. And look where that got her - her Semblance, "Charging" makes her grow exponentially stronger the more electricity she absorbs. She can even channel it into objects, like Magnhild or an Ursa. I'd say mission successful, you funky little Thor ginger.

Let's finish up JNPR with their resident apology machine - Pyrrha.

So, we know she'd been in many tournaments. She's the Invincible Girl. The three-time Mistral regional battle tournament winner. She's honestly a gladiator. And what does a gladiator crave? Victory. That's where her overpowered (in comparison to others) Semblance appeared from. She simply wanted to beat her opponents more easily. Well, until she didn't want all the fame that came along with her power.

Alright, who do we mentally lay bare... Hm, Velvet seems simple enough.

What's there to say - a shy, bullied bunny. She's a second year in the first year's history class. I'd say that would do some things to your confidence. And what's her Semblance? Well it just so happens to be "Movement Copying". She can copy a person's physical movements, even if she has not seen them, as shown in "Heroes and Monsters". Makes sense - her desire to be as strong as those around her shows both in her Semblance and her weapon (which is basically a weapon-copying camera). She doesn't have confidence that she's strong, so she (quite literally) does as those around her.

Hm, who next... oooh, how about Yang?

"...basically a temper tantrum", I'd call it "Rise Up". This also can connect to a desire. Yang, being repeatedly battered by one damaging event after the other - her mother abandoning her, her stepmother dying, likely a depression in her father and mothering Ruby. The girl has likely been brought down more than once. But she desires to get stronger from it, so much so that the desire has become a characteristic. She shows so when she decides to find Ruby, when she decides to start training again. She has done it again and again and she'll continue doing it - her desire is now another part of her personality that won't break.

Alright, we put Yang here, how about we make a Bumbleby combo and go for Blake next.

"Shadows", now that's a name I can get behind. She "leaves an empty shell, a shadow to take the hit while she runs". It's, all things considered, a kind of cowardly Semblance. It's basically "here, beat on this while I dodge away and escape the attack". And with the recent events, we've seen she doesn't wanna run anymore - yet she retains her Semblance unchanged? Makes no sense if it's connected to a personality trait. But if it's connected to a desire, then it would make perfect sense. Firstly, she's a Faunus. We know for a fact that there's Faunus discrimination (seriously, if the Adam short and Adam's scar aren't enough proof for you...) and that she was fighting against it in protests. And if our world is anything to go by... yeah, it's easy to see how peaceful any counter-protests would be. Not to mention Adam himself. From all those factors collected, well, the thought process behind the desire her Semblance is founded on becomes obvious - she realised the racists only saw an animal, nothing of importance where Blake stood. So she gave them just that - an empty sandbag to hit while she runs. I'm not gonna get into Adam, as I'm simply sick of the topic.

Hmm, who's left... Well, Weiss has a familial Semblances. The Schnee Glyphs aren't so much unique as the summons included. Really, the only thing unique about her Semblance is who she summons, as we've seen a Queen Lancer, a Boarbatusk and the Arma Gigas, unlike Winter, who we've seen with a flock of tiny Nevermores and a Beowolf. The show says the Schnee family Semblance is a very rare thing, a passed-down-by-blood power. So it's an understandable outlier.

Let's look at Ruby next... Well, she seems to be a very big outlier to this theory of mine. Her silver eyes have more to do with her desires than her Speed. Maybe she has a desire we have yet to see? Anyways, I don't quite have an explanation for Ruby, so I'll leave her aside.

Let's clean our palates with Sun, then.

His Semblance, "Kage Bunshin No Jutsu" (I know it's called "Via Sun", but I wanted to make an unoriginal joke), actually seems to fit my theory. We don't have much, if any, backstory, but in this case we need none. His desire, as we've seen many times throughout the series and which was twisted in Volume 4 & 5, is to help people. He wants to be there for those he cares about, like Blake and his team, but he realises he can't do it alone. So his desire turned into his Semblance, "One Monkey Army" - a way for him to help even if he's alone to do so. You can't tell me he hasn't used his Semblance to fetch something for someone at least once.

Hm, few people left. Let's go with Emerald.

Her "Hallucinations" are a nod to her growing up on the streets. A place you'd be begging people not to pay attention to you. Her Semblance, then, is born from the obvious desire to fool prey and predators alike.

Neo... We don't know much about her. No backstory, some personality, but honestly? The only idea I have at this moment is more of a headcannon. But I CAN connect her Semblance's evolution. So, before V6, her Semblance is simply making physical illusions. It's honestly similar to Blake's "Shadows", in some uses, but it's definitely a lot more of a multi-use tool. It can be used to make her look different, if not outright invisible. But it always shatters upon being hit. Fast forward to V6 and her fight against Cinder, and suddenly she can use the illusions as straight up puppets to fight for her. Her Semblance grew, to put it bluntly. But why in such a manner? Her illusions were fragile and immobile before, now they're tougher and mobile to the point of being straight up weapons. But why in that direction? Well, they can move and touch things without them breaking now. Guess who's started to get more headpats from her partner.

Alright, Hazel is up for the mental strip.

Honestly, despite our lack of major backstory here, his Semblance is pretty easy to trace back. Nobody likes pain, outside of masochists, so it's easy to understandable he'd have a Semblance that removes the feeling of pain.

Adam. Adam Adam Adam. He's surprisingly more similar to Hazel than Yang in terms of Semblance. Yeah, you heard that right. "He gets to dish out damage and not feel it". His Semblance is basically a self-loading gun - he can use the power of strikes to charge it, only to the unleash various empowered slashes. He refuses to feel pain, just like Hazel, but unlike him, he also desired to return what was meant for him straight back at his attackers. Hazel is relatively peaceful when the situation doesn't include Ozpin, but Adam? He's aggressive, always bloodthirsty. His desire was simple - feed his thirst for vengeance. A perfect Semblance for that wish, no?

Hm, well we only have Glynda left. I got nothing. I don't see how I'd understand her desire to have telekinesis without a backstory I doubt we'll get.

Well, that's it for that! I feel like I'm onto something.

#rwby #ruby rose #blake belladonna #yang xiao long #qrow branwen #weiss schnee #jaune arc #nora valkryie #lie ren #pyrrha nikos #raven branwen #emerald sustrai #rwby neo #hazel rainart #adam taurus #velvet scarlatina #sun wukong #glynda goodwitch

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