#the little i write for work is technical and succinct

[thisonelikesaliens]

jt620123 ig 05.20.24

writer/producer of the show posted a 520 (i love you) special that was pure domestic fluff with Qian and Yuan babysitting their niece. big disclaimer again, not a writer but tried my best to translate the joy i got from this piece and hoped i managed to spread some of that joy to this fandom

Not yet a year old, here Xiao Xiao Bao was again at her uncles' place. Xiao Bao had become a fairly well-known celebrity in the Asian entertainment world, and San Pang would be following her whenever she had to travel for work, which meant her brothers were on for babysitting duty.

Wei Qian never thought his sister's career would take off after getting married and having a child. These days, not many female celebrities would so openly talk about their partners and children, and perhaps it was exactly because of the way Xiao Bao set herself apart from the industry norms that she garnered so much support.

Wei Qian put down the magazine after reading the exclusive interview of Xiao Bao and her family (that he noted did not include her brothers). He picked up Xiao Xiao Bao who was happily entertaining herself and complained to her about her mom.

"That interview about your mom's family should've included your uncles, right? We're way more good-looking than your dad! Here, let me see…it's a good thing you look like your mom instead of your dad."

As if to show that she did not appreciate the disrespect towards her parents, Xiao Xiao Bao began to cry.

Wei Qian tried to pacify her but her cries became louder, so he picked her up and went to prepare formula, but Xiao Xiao Bao was still crying and wouldn't take the bottle.

Utterly defeated, Wei Qian had to ask for help.

"XIAO YUAN, HOW MUCH LONGER IS YOUR CONFERENCE CALL?"

Wei Qian put the bottle on the table and decided to check Xiao Xiao Bao's diaper.

"Sorry, give me a moment. I'll call you back soon." Wei Zhi Yuan ended his call and came downstairs.

As soon as Wei Zhi Yuan appeared, Wei Qian passed a still wailing Xiao Xiao Bao over to him.

"She's not taking the bottle, I think she needs a diaper change."

Yuan checked the time, checked the diaper, then picked up the bottle to check the temperature.

"It's too hot, run it under cold water for 30 seconds." Wei Zhi Yuan instructed as he handed the bottle to Wei Qian.

Wei Qian took the bottle and went into the kitchen, grumbling under his breath about the trials and tribulations of babysitting.

Wei Zhi Yuan sat down with Xiao Xiao Bao on his lap, wiped her tears and rocked her back and forth while humming. Xiao Xiao Bao's cries turned to sniffling and eventually stopped completely, then she grabbed Wei Zhi Yuan's finger and started to put it in her mouth.

"I'm so sorry, your little uncle lost track of time, you must be hungry! Don't be mad at your aunt, he can't even take care of himself…"

"Who did you call 'aunt'?" Wei Qian said menacingly while thrusting the bottle in Yuan's face. Realizing his mistake, Yuan took the bottle and corrected, "I'm the little uncle in charge of changing diapers~you're the best BIG UNCLE in the world in charge of feeding her~"

Pacified, Wei Qian sat down next to Wei Zhi Yuan and watched him feed their niece.

"I fed Xiao Bao like this when I was a kid too, and now I can't believe I'm watching you feed her and San Pang's daughter…"

That made Wei Zhi Yuan chuckle. Wei Qian yawned, then leaned on Yuan's arm, playing absently with Xiao Xiao Bao's little feet.

After Xiao Xiao Bao finished the bottle, Wei Zhi Yuan leaned forward to put the bottle back on the table and noticed that Wei Qian had already fallen asleep, his head sliding down and nesting comfortably on his lap.

Wei Zhi Yuan burped Xiao Xiao Bao while watching Wei Qian fondly, then bent down to press a kiss on Wei Qian's forehead.

"No matter who you are, from now on we will never be apart as long as we live."

[literaryvein-reblogs]

Some Tips & Advice for Writing Fiction

"Since advice is usually ignored and rules are routinely broken, I refer to these little pearls as merely 'suggestions.'....There’s nothing binding here. All suggestions can be ignored when necessary." —John Grisham

Love your story. Many writers create their best work when they’re deeply invested in their characters and plot.

Withhold information from your readers. When writing fiction, only give readers the information they need to know in the moment. Ernest Hemingway’s iceberg theory in writing is to show your readers just the tip of the iceberg. The supporting details—like backstory—should remain unseen, just like the mass of an iceberg under the water’s surface. This prevents readers from getting overwhelmed with information and lets them use their imagination to fill in the blanks.

Write simple sentences. Think of Shakespeare’s line, “To be or not to be?” famous for its brevity and the way it quickly describes a character’s toiling over their own life. There is a time and place for bigger words and denser text, but you can get story points across in simple sentences and language. Try using succinct language when writing, so that every word and sentence has a clear purpose.

Mix up your writing. To become a better writer, try different types of writing. If you’re a novelist, take a stab at a short story. If you’re writing fiction, try writing nonfiction. Try a more casual writing style by blogging. Each piece of writing has a different point of view and different style rules that will help your overall writing skills.

Write every day. Great writers have a regular writing habit. That means dedicating time every day to the craft of writing. Some writers assign themselves a daily word count; Stephen King writes 2,000 words a day. You might also join a writing group; being accountable to other people is a great motivator. Don’t worry if what you jot down is technically bad writing or you struggle to get something onto a blank page. Some days will be more productive than others. The more you write the easier it gets.

Set milestones. The average word count for a book is 75,000 words. That can make novel writing intimidating. If you’re working on your first novel, stay motivated by setting milestones. This will help you break the book down mentally so it is easier to manage and easier to stick with.

Understand basic story structure. Professional writers are well-versed in the framework most stories follow, from exposition and rising action through to the climax and falling action. Create an outline to map your main plot and subplots on paper before you get started.

Don't write the first scene until you know the last. This necessitates the use of a dreaded device commonly called an outline. Virtually all writers hate that word. Plotting takes careful planning. Writers waste years pursuing stories that eventually don’t work.

Learn strong character development techniques. There are effective ways to create a character arc in literature. Learn what character information to reveal to increase tension in your story. Your main characters should have a backstory that informs their actions, motivations, and goals. Determine what point of view (POV)—first person or third person—complements the character’s interpretation of events.

Use the active voice. Your goal as an author is to write a page-turner—a book that keeps readers engaged from start to finish. Use the active voice in your stories. Sentences should generally follow the basic structure of noun-verb-object. While passive voice isn’t always a bad thing, limit it in your fiction writing.

Take breaks when you need them. Writer's block gets the best of every writer. Step away from your desk and get some exercise. Getting your blood flowing and being in a different environment can ignite ideas. Continue writing later that day or even the next.

Kill your darlings. An important piece of advice for writers is to know when words, paragraphs, chapters, or even characters, are unnecessary to the story. Being a good writer means having the ability to edit out excess information. If the material you cut is still a great piece of writing, see if you can build a short story around it.

Don't introduce 20 characters in the first chapter. A rookie mistake. Your readers are eager to get started. Don’t bombard them with a barrage of names from four generations of the same family. Five names are enough to get started.

Read other writers. Reading great writing can help you find your own voice and hone your writing skills. Read a variety of genres. It also helps to read the same genre as your novel. If you’re writing a thriller, then read other thrillers that show how to build tension, create plot points, and how to do the big reveal at the climax of the story.

Read beyond what you like. Dutch writer Thomas Heerma van Voss says: "Read as much and as widely as possible. See how other writers construct their scenes, tease the reader, build tension. Don’t be afraid, especially when starting out, to steal or imitate – all arts begins with imitation. One of the Netherlands’ most famous writers began his writing career by copying out stories by Ivan Turgenev in an effort to master his rhythm and way of writing."

Read writers who do not write like you. Trinidadian-British poet Vahni Capildeo says: “Make friends with writers who do not write like you. Swap books. Show each other work. Take the long view and the wide view. Writing adds your lifetime to the lifetime of everyone else who has written or read, or who will read or write, including non-‘literary’ folk. All sorts of people work carefully or lovingly or effectively with words. You may find inspiration in a law report (ancient or contemporary) or a tide chart, or in an ‘unplayable’ play…"

Research. Critically acclaimed novelist Guinevere Glasfurd says: “Writers are often exhorted to ‘write what they know’. But what if your protagonist is a fourteenth-century nun? Or a drag queen from Kentucky (and supposing you, the writer, are not)? Start by reminding yourself why you want to tell the story. Research can be frustrating; sometimes the archive is silent, the answers are not there. There’s a reason for that and that should spark other questions. Research can also be enormously rewarding. It can, and likely will, reveal something unexpected. It is important to remain alert to that, to be attentive and open to surprise. Research is an iterative process. Research a bit, write a bit, research a bit more. Allow your writing to remain fluid at this point, open to question, encouraging of further enquiry.”

Write to sell. To make a living doing what they love, fiction writers need to think like editors and publishers. In other words, approach your story with a marketing sensibility as well as a creative one to sell your book.

Write now, edit later. Young writers and aspiring writers might be tempted to spend a lot of time editing and rewriting as they type. Resist that temptation. Practice freewriting—a creative writing technique that encourages writers to let their ideas flow uninterrupted. Set a specific time to edit.

Get feedback. It can be hard to critique your own writing. When you have finished a piece of writing or a first draft, give it to someone to read. Ask for honest and specific feedback. This is a good way to learn what works and what doesn’t.

Think about publishing. Few authors write just for themselves. Envision where you want your story to be published. If you have a short story, think about submitting it to literary magazines. If you have a novel, you can send it to literary agents and publishing houses. You might also consider self-publishing if you really want to see your book in print.

Ignore writing advice that doesn't resonate with you. Not every writer works the same. You have to figure out what works for you in the long run. If working off of bullet-point outlines gives you hives, then don't do it. If you work best writing scenes out of order, then write those scenes out of order.

Sources: 1 2 3 4

[girlfriendsofthegalaxy]

tuesday again 7/30/2023

this post half brought to you by viewers like you! thank you!

listening

all my brain wants is charli xcx's apple on repeat. i understand there's a very popular dance with it but it's not H-O-T T-O G-O so i don't know anything about that. extremely effective song to have on loop while writing. peppy but very even and easy to just sort of bop along to in the background. looking forward to this being my #1 most listened song on spotify this year after the (DON'T WORRY ABOUT IT) number of hours last night working on yeehawgust.

thank you to my real-life sister for 1) teaching me about brat summer after i sent her a pic of the neon green pool outside and 2) telling me i would like this album. i do!

-

reading

i saw a photo on here several weeks ago of Balfour Tower, a brutalist residential building in London where all the mechanics are in the little tower on the right and said to myself "what the FUCK is that. how does it WORK."

someone else who said "what the FUCK is that. how does it WORK." was JG Ballard, previous tuesdaypost feature. there are only two books i reread most years, Jane Eyre in the fall and Ballard's The Drowned World in the summer (one of the nicest vintage hardcovers i own, from @morrak ).

let's yoink the description off wikipedia bc it's the most succinct:

The story describes the disintegration of a luxury high-rise building as its affluent residents gradually descend into violent chaos. As with Ballard's previous novels Crash (1973) and Concrete Island (1974), High-Rise inquires into the ways in which modern social and technological landscapes could alter the human psyche in provocative and hitherto unexplored ways.

it's less "the building is evil" and more "by incentivizing residents to not leave the building by providing everything they need, including a liquor store, the building is a petri dish for fucked up british social interaction".

Ballard is extremely good, on a very technical sentence level, of creating an immersive cocoon of dreamlike unreality in the middle of an otherwise functioning world. this is Not good for my brain when i am having a particularly prolonged bout of The Morbs. High-Rise was extremely effective in creating its particular pocket of fucked-up happenings in the middle of the "real world" but was EXTREMELY not the book i needed at this particular moment.

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watching

The Burglars (1971, dir. Verneuil). this is a french heist film but i'm just going to drop my letterboxd review here.

do you want to see an all-in-one safecracking kit in a beautiful imitation leather suitcase straight from the catalog? with a computer to make a punchcard for the key cutting device also in the suitcase? do you feel strongly about emeralds? do you want to see a fuckin lupin iii style real life car chase where they run a little red fiat ragged? a man dumped out the back of a dump truck to fall down a slope half a mile long? do you want to see tits? do you want to see omar sharif get grain entrapped? this movie may be for you!

i would do anything for omar sharif and his big brown eyes.

the title sequence and a remarkably spare morricone soundtrack go SO hard. graphic design IS my passion!!!

how'd i find this: needed to use up some credits on kanopy. the gadgetry in the actual heist part of this film... mwah. a very poorly paced movie, but by god does it Look.

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playing

thank you VERY much @sybilius for gifting me Pentiment! i would describe this as a point-and-click/visual novel murder mystery rpg?

it's endlessly charming. it is dense with medieval sociopolitical factions. i would expect nothing less from je sawyer. i loooove the different fonts: the printer in town has a custom font for his dialogue, other characters' dialogue changes fonts as you learn more about them (a noble's font changes from scrabbly handwriting to fine lettering after we learn he's got some education under his belt).

much like High-Rise, but for visual novel pace reasons and not content/atmosphere, this is not quite the right game for my brain at this time, but i am very excited to loop back around to it when better brain weather rolls in!

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making

yeehawgust prep! i manage to do one prompt every other year but we'll see how this one goes

[rosyfingered-moon]

2023 drama roundup

Unchained Love: I still hum the unhinged flute intro on a regular basis, easily my fave intro of 2023! I didn't actually finish the show due to dwindling interest, but for the first 14 episodes or so I took a keen pleasure in it (and it made me go on a eunuch webnovel spree, expertly curated by @mercipourleslivres). I love it when heroines are allowed to be truly funny, rather than just quirky or ditzy. Also appreciate the goofy Lamp Prince turning into a brutal incel tyrant the moment he got power.

Six Flying Dragons: I don't think I can write anything succinct enough for the roundup format so I direct you to my "my sfd tag" if you want to access my enthused livetweeting. Show of all times, lives were changed.

Tree with Deep Roots: I literally can't think of a better topic for a tv show than Sejong the Great constructing hangul together with his band of nerds, one of whom he has a weirdly intense, vaguely erotic relationship with. Han Suk-kyu carried this entire show on his trembling shoulders. What an actor! What range!!! It was such a treat to watch him smugly debate his ministers, roleplay a farmer, and hiss half-mad soliloquies to himself in the dark. It took nuance and depth to portray the kind of inner conflicts and generational trauma that Sejong battles in the background of this drama. To be honest I didn't always enjoy the Milbon subplot which I felt got repetitive, and often found myself wanting to fast-forward the wuxia scenes. In a better world the show would have centered the whip-smart palace maids and their alphabet workshops. But I will definitely rewatch this soon. And maybe also write a fix-it where Sejong and Soo-yi fuck idk.

Quartet: Cute little murder mystery about a found family of freaks, liked it a lot.

My Country: The New Age: As entertaining as ever. Very fun to rewatch this back to back with Tree with Deep Roots, since Jang Hyuk plays diametrically opposite characters with the same vigor and commitment.

Gone with the Rain: Sometimes you watch something which you understand is technically a masterpiece but it doesn't do anything for you, and sometimes you watch a piece of campy silly fun and it makes you tingle with joy. This was the latter category for me. I liked the first and middle parts enough to make up for the lukewarm fizzle of an ending.

The Autumn Ballad: Has some fucked up elements that are difficult to stomach, but the parts that are good are really good.

Not Others: Bingeable! But imo they could have cut out the stalker/murder cases and just focused on the excellent family drama.

The Matchmakers: This surprisingly swooped in towards the end of the year as my favorite comedy of 2023, all thanks to a rec by @haraxvati. I adore Cho Yi-hyun in this role!!! She is so hot as a shrewd matchmaker with a fake mole and a twinkle in her eye. Love the virgin prince with his yearning-induced panic attacks (Rowoon didn't work for me in The King's Affection in a quite similar role, but he's so much weirder and lamer here, which is something I like in a man). I am obsessed with the side plot of the crossdressing romance novelist and the solemn police officer who is trying to capture her and ends up giving her free home renovations and smouldering looks instead. Also, Park Ji-Young and Lee Hae-Young are two of my favorite villain actors on their own, and here they are married!! Still have a few episodes to go, but I intend to binge them as soon as I post this.

Dramas I dropped or paused:

Our Blossoming Youth: I shipped the heroine and her cute maidservant a little too much to bear the dull prince they stuck her with. But I might rewatch it some day bc I want to write a Sherlock Holmes fic for the girls.

Little Women: A real disappointment, because I love Louisa May Alcott and I love Jeong Seo-kyeong. Once again, letting the women kiss might have solved much of it.

Island: Casting Kim Nam-gil as an expressionless cool-guy action hero offends me personally. (Yes Song of the Bandits I'm giving you the stinky eye also.) But Lee Da-hee and Cha Eun-woo were delightful!

See you in my 19th life: I couldn't, even for my most darling Shin Hye-sun, go beyond episode 1. There's something about a kid dating another kid even though she's a literal adult inside her brain that I can't really vibe with.

My Dearest: I do intend to finish this, but I lost the thread after the first half. It got a little too dark for me I think.

[nightimedreamersworld]

20 questions for fic writers

Big thanks @artsyunderstudy and @prettygoododds @confused-bi-queer @bookish-bogwitch tagging me in this! And to everyone else who's tagged me in a tumblr meme recently. It's been a while since I've done one of these.

1. How many works do you have on AO3?

33!

2. What’s your total AO3 word count?

Around 370k, but of those about 40k aren't mine. So in reality, something like 330k?

3. What fandoms do you write for?

Only Carry On! I don't have the attention span for more of one at a time lol

4. What are your top 5 fics by kudos?

1. How I wonder what you are aka baby fic

2. Mess is mine aka secret dating fic

3. Every little helps aka snickers fic

4. You and I will not be shaken aka huddling for warmth fic

5. From across the room aka my FIRST fic

5. Do you respond to comments? Why or why not?

I don't 😭 which makes me feel guilty and ungrateful, but alas. Every time I've tried to in the past, I'd run out of steam after half a dozen comments or so. Don't get me wrong, I love comments, they fuel me etc etc. Replying just makes me unreasonably anxious

6. What is the fic you wrote with the angstiest ending?

Technically it's Love of Fate because it doesn't have an ending. It was supposed to be a prologue to something longer that would eventually have a happy ending, and that I simply never wrote lol

That said, the true angstiest ending is probably my All there's left is a ghost of you series - same moment, one from Simon's pov, the other from Baz's. Set between carry on and wayward son, which tells you everything about why it's here :) (Although arguably, those are hopeful endings. Kinda.)

7. What’s the fic you wrote with the happiest ending?

Almost everything I write has a happy-ish ending, but the one indisputable happiest ending is probably How I wonder what you are

8. Do you get hate on fics?

Not necessarily hate, but one time I did get someone mocking my fic for a mistake I made. Which, like, I deserved, for straying so far out of my comfort zone lol

Anyway. I have upped my research game since, so. Lesson learned?

9. Do you write smut? If so, what kind?

Yes! The kind I want to read lol

Seriously, though, I tend to write weird stuff I can't find elsewhere. Someone once mentioned there's little mirror sex fic in the fandom, and BAM! I got the itch to write one. I've also tried my hand at web cam sex, body modification, and... [reads smudged handwriting] cemetery sex?

10. Do you write crossovers? What’s the craziest one you’ve written?

I haven't yet, but never say never, right? Although I'm much more likely to just write AUs instead. As in, take the world of the original, chuck the characters and just replace them with snowbaz lol

11. Have you ever had a fic stolen?

Probably not? I mean. I hope so lol

12. Have you ever had a fic translated?

Nope. I've thought about doing it myself, but there's roughly any engagement with fics in Portuguese on AO3, so it doesn't feel worth the trouble

13. Have you ever co-written a fic before?

Birthday man! Though I might be open to it if a) someone with a compatible style is interested, and b) I find some free time to actually write lol

14. What’s your all time favorite ship?

Do I even need to say anything? (It's snowbaz)

15. What’s a WIP you want to finish but doubt you ever will?

Sigh. It's probably Let your colours bleed, because It's been 3 years, so I've just... sort of grown past the story? Which makes me sad, because I still like the concept, I just can't connect to anymore

There are a handful other WIPs still hanging on my ao3, but I still have hope for them.

16. What are your writing strengths?

I like writing plot! And also actions scenes. And banter, maybe a bit too much lol

17. What are your writing weaknesses?

The beginning of a fic. And also the ending. And also the mid-

Seriously though, I find that I tend to be either too verbose or too succinct when I don't know exactly what I'm trying to say. Like, I either charge through it and the thing falls flat, or I drag it on for several paragraphs that amount to barely anything. Hopefully, I can mitigate that with the power of editing and beta readers

18. Thoughts on writing dialogue in another language in fic?

I think it's cool depending on context! Like, is this a situation in which this character would simply switch to another language? Also, why?

I haven't done it yet, though.

19. First fandom you wrote for?

Take a guess. (It was actually Harry Potter)

20. Favorite fic you’ve written?

Dance Like a Flame! My specialest baby. My little darling. My magnum opus.

I'll jump at literally any chance to talk about this fic, so beware.

Phew! Can't believe I actually answered one of these for once... now, I'm pretty sure almost everyone has done this already, but I'm going to tag a few people anyway just so this doesn't get lost in the abyss

@palimpsessed @captain-aralias @cutestkilla @larkral @aristocratic-otter @hushed-chorus @whatevertheweather @ivelovedhimthroughworse @whogaveyoupermission

[fraddit]

Okay, here we go. January’s not over yet, so I can squeeze my 2023 review post in just under the wire. I know it’s not technically necessary to do stuff like this, but it’s something I’ve done at least the last several years, and I do think I get some benefit from the ritual and also perhaps some benefit from forcing myself to type it all out and post it where others can see it (although nobody needs to actually read it. It’s probably gonna get long.)

Last year was the first year of me doing this, I think, where I pulled up all my original posts for the year, and had posted no original works of artistic merit. No photoshop edits, no architectural models of sets, no whatever else I sometimes do. Normally that would make me feel pretty shitty about myself, but I sat with it all for a while, and, yeah, I didn’t post any “stuff of merit”. But that doesn’t mean I didn’t do anything. And as someone recovering from a nasty addiction to horrible self-criticism, I think it’s important to stop and take purposeful notice of accomplishments, even neutrally, although positively is the goal.

And now I know why I put off making this post all month, because I’m already starting to get emotional, just thinking about what the bulk of this post is going to be about.

In a lot of ways 2023 was a really good year for me. I did a lot of behind the scenes stuff that’s been really great. I made an awesome new friend. I started therapy again. I started morning pages journaling. I started bullet journaling. I’m in a really good place right now. Which feels like such a fucking jinx to even think, let alone type out. But at least for the moment, it’s true.

But the thing from 2023 that feels too big to me to even look at really is this:

I don’t remember making that post now, I just found it in my regular review process and it knocked me on my ass. But apparently I made that post at 9:30 pm on December 31, 2022. So, basically the first post I made of 2023. Or at least close enough.

And that little post feels like a big deal to me, because two or three years before that, I’d sworn off writing. I’d decided my relationship to it was just too complicated and fraught and difficult, so I should just give up and put my efforts elsewhere, toward interests and hobbies that weren’t so complicated or fraught or difficult. I had decided that it was time to just be realistic and accept that writing was just not something I was cut out to do and move on with my life.

But here’s the context for that decision, or at least a high level overview that is hopefully succinct and also steers mostly clear of being too trauma dumpy. And it probably reads like a cliched former-gifted-kid humble brag, but it's how my life went so, it's what I've got to work with:

I’ve always been naturally gifted at stringing together words and sentences in a way that’s coherent and organized and readable. Every teacher I’ve ever had, all the way back to elementary school has told me so. All the standardized tests told me I was in the 99th percentile in most subjects, but especially the one’s related to reading and writing. My AP English teacher senior year of high school told me I was the best writer she’d had in any of her classes in her decades long teaching career.

I flunked freshman English and had to retake it over summer in order to move onto the next grade. I got Ds in English for basically all the rest of high school. I know in my heart of hearts that my teacher junior year fudged the math to give me that D, so I didn’t fail. I graduated high school a semester late.

Because, while I may have been good at writing, I’ve never been good at writing. Any natural talent I may have had was utterly paralyzed by my executive function issues (thank you adhd and autism) that generally made it impossible for me to actually put words on the page when it mattered.

Despite all that, I apparently thought it was a good idea to go to college and get a degree in English Creative Writing. I was going write best selling novels. All my professors told me my work was great. When I managed to turn work in that is.

I’ve dropped out of college like two or three times. Last time was idk, 2019 apparently (had to go look it up). I was almost done. Just another semester left or so. But instead I got burned out, had a breakdown in the parking garage before finals because I hadn’t written any of my term papers, and then just drove away and never went back.

And it’s not like I wasn’t trying. Which is probably the most painful part, honestly. I tried meds multiple times. I read self help and how to books. I got an electric typewriter because surely that would fix everything. In my 20s, I did use it to bang out the world’s roughest rough draft for the first "book" (I use that term very loosely here) in a trilogy I concocted. I tried handwriting. I tried voice to text. And there was a beautiful period where I was working on co-writing a much too ambitious fic with a friend where I manage to write several thousand words.

But I have never in my life been able to write On Purpose, with any sort of consistency or longevity or confidence or ease. I had folders of wips and snipets of ideas that all amounted to nothing. I had what all my teachers always told me I had: tons of wasted potential. My only tried and true method that had gotten me most of my results in school was to procrastinate until the night before and use the pressure and adrenaline to puke out a paper just in the nick of time. But even that method eventually failed me (hence the dropping out). And even if it hadn’t, that’s not a sustainable system. That’s not a way to actually get shit done on a regular basis. That’s not a way to enjoy a craft.

So I quit.

I decided, this is too hard. And it makes me feel too horrible every time I fail. It’s too easy to hate myself every day that I don’t write when I think I should. I decided I just wasn’t built for this and gave the fuck up.

That was like three years ago.

So for two years, if I had an idea for a story or a fic, no I didn’t. I’d just ignore it. I did other things. But the ideas were still there. I’d still think about them. Sometimes I even wrote little snippets down. But it was just to get it down. It wasn’t real. I gave up writing. I wasn’t doing that anymore.

And honestly? Maybe that’s what I needed? I have no idea if things could have worked out differently had I made different choices. That’s life after all. But maybe the total lack of pressure from genuinely quitting was good for me? I’ll never know.

But what I do know is that me from a year ago made this post:

And then this post:

And then this post:

And then this:

Then this:

And this is what this past month has looked like for me:

It not part of my system to write on the weekends, so that’s 18 out of 23 days, I managed to show up at my desk and reliably put some effort in. I’ll fucking take it.

And what’s crazy is, it’s felt easy. It’s felt good. I like the process.

I don’t exactly love everything I’ve written. Any natural talent I may or may not have doesn’t make up for lack of practice. But If I can keep this up, I’ll have the practice too. Eventually.

It’s a learning process. I’m having to relearn a lot of skills I’d forgotten or learn new skills for the first time. For example, I’ve basically never seriously edited anything in my life, and with my new approach, I really put the rough in rough draft, so the editing is extremely necessary. But it feels good to be trying. To be gaining ground little by little.

Since I dusted off my ancient install of scrivener back in idk? June?, I’ve written over twenty-five-thousand words, which is A Lot for me. And yeah, it’s across multiple fics. And yeah, I haven’t actually finished any one fic yet and posted it. But I’ll get there. It feels crazy to know that if just keep doing what I’m doing, I’ll get there. And it feels crazy to know that I can keep doing what I’m doing. It feels like I can keep doing it indefinitely, and I’ve never felt like that before. Not in my entire life. At least not about writing.

So yeah, 2023 was a great year for me.

[pimento-playing-hopscotch]

For ao3 wrapped!

3. What work are you most proud of (regardless of kudos/hits)?

9. Favorite pairing you wrote for this year?

15. What WIP are you taking into next year with you?

And because it’s me

27. What do you listen to while writing?

Thanks!! 🍋

Hi Lem! 🥰 💛

3. What work are you most proud of (regardless of kudos/hits)?

This one - my TK's growing up years but he has a little sister fic - this is the longest thing I've ever written (and still going) and I created an OC literally from when she is a baby through adulthood. It also follows (or will, he's about fifteen now) TK's whole life; I hadn't found a fic about TK's growing up years from a longer scope and it made me want to do one. I rely heavily on what we've learned in the show but I'm also proud of the world I've created with their help.

9. Favorite pairing you wrote for this year?

(Hoping that non-romantic pairings can be included in this!) If so, then my answer would be TK/Owen. I love their relationship so much and it's unlike any other grown kid/father relationship that I've seen on TV, and they're so protective of each other and exploring that further was what made me want to write LS fic.

15. What WIP are you taking into next year with you?

This one again - TK's growing up years/with the au element he isn't an only child. Aka the gelatinous monster fic that will never be finished because I go into too much detail lol... Technically I may be halfway through this fic? 2009 in the fic just finished, TK is sixteen and his sister is almost eleven (TK has his first boyfriend, yay) I have it planned to go through 2021 at least... much of the next like six years in story time are planned, and some chapters have been written when I get the ideas for them and then I can't post them because they're for 2017 and the story needs eight years to catch up... this story would probably get more love if it was more succinct, but I love writing about the Strand family unit way too much. But I do want to try writing some one shots in the new year. (that being said, please read this monster).

27. What do you listen to while writing?

(Hope you're still my friend after I reveal this) 🫣The most common answer is nothing really. I try listening to a playlist when I write but then I get too distracted thinking about the song and it takes me out of the story. The most productive writing times for me are when I'm in my bed with my computer and it's quiet except for outside noises if the window's open.

Thank you for the asks!!

[cloudy-cranium]

What kind of wish list do you have? That'd be a great idea for me but I'm not sure how to organise one.

Oh I have several systems I use to make this time of the year less of a nightmare, I'd love to share! Unfortunately I do not have a "succinct" setting so here, sorry :) here's the short version, too much under the cut.

TL;DR: Steps to an easy gift list:

1, REUSE your lists each year.

1b, LONG LISTS! Yeah no. Longer than that.

2, Categories can help

2b, Steal gift ideas from others!!

3, for REAL change your options up

4, Be specific about what you actually want

Wishlists were a pain for me for a long time. Eventually I got lazy and then I got smart. I also listened to complaints people had about others' wishlists, and tried to avoid their issues. I've used like one list for I think the last 4 years now, just refreshed. I have it in categories mostly to help me.

Tip 1: Refresh it every year. Instead of starting from scratch every season, when people start asking for my new list I just pull up last year's and delete everything I received/bought myself/just don't really need anymore.

Tip 1b: Make your list long!! Too long to be able to get everything. That lets you refresh next year, but it also gives people more options to choose from (vital) and reduces their anxiety about getting you the same thing as someone else.

Tip 2: This is optional but I use categories. They help me get more specific ideas, organize my thoughts, can help people narrow ideas down or help with off-list gift inspiration, and can also help people add to their own lists.

**Categories: these are arbitrary and all include miscellaneous items automatically. It's just a tool. Mine are Dog Things, Hobby, Home/Personal, and Kitchen - the dog things are on their own because they don't fit anywhere else; 'Kitchen' has its own category because it's one of my biggest categories personally. Other than that, personalize it: Art Supplies. Programming. Sports & Outdoors. Tools. Books. Games. Whatever's good for you**

Tip 2b: ask all your family/friends to give you their list and then steal their ideas :) works like a charm. I'll add some of mine at the end.

Tip 3: VARIETY. IT'S IMPORTANT. Some people want to be able to drop a lot of money on something you'll definitely like - maybe all your siblings want to buy you that gaming system together. Include it (at least for inspiration). Ask for that weighted blanket you really want. Don't feel bad for including expensive options. Some people want less expensive things - you want a LOT of these, especially easy ones: candy or treats, bath bombs/nails/face masks, candles/wax melts/incense you like, stickers, fun note pads, socks etc. (When gifting, these are helpful to add with a smaller item so it brings a little extra bonus.)

Some people want to buy you something useful. Some people want to buy you something FUN! Some people want to help you by buying something you need anyway; some want to gift you something you can't justify buying yourself but still really want. Include all of these! Give people options!!

TELL PEOPLE WHERE TO GET GIFT CARDS YOU'LL ACTUALLY USE!!! These are such a helpful inclusion!!! Some people are just gift card people. If you don't want generic amaz*n/walmart/fast food gift cards, TELL PEOPLE what stores & restaurants you already go to, especially for things you enjoy. If they can give you 5 nice boba teas one one card, or gift you clothes by putting $50 on a piece of plastic for you instead of actually trying to pick out something you want themselves, they'll do it!

Tip 4: Specificity. Some things speak for themselves, but if you write one word per item on your list, expect to get some things that are technically what you wrote but definitely not what you wanted. To avoid this, list scents/colors/brands/qualities you like ('over-the-ear squishy headphones [noise-canceling?]' is better than 'headphones,' where once I got gifted a new pair of the exact set I hated and was trying to replace); the specific use of the item you need ('spice/food organizers,' 'room organizers,' 'closet organizers,' and several other things can't be substituted for each other); A LINK to an option you like (!!! I learned this from my sister-in-law, where every list item has "like this:" and a link to a model that she already likes. The links will also sho similar items, stores she trusts, more details than you could ever write down & more); okay I got tired of writing. You get the gist. BUT If you include CLOTHES YOU MUST INCLUDE SIZES. NO IFS ANDS OR BUTS. SIZES. Styles too if you don't wanna get fucked over (or!! gift cards!!!!)

Those are the things that do the most for making my life easier. I'll drop a list of examples to steal! Sorry this got away from me lol thanks for coming to my TEDtalk!!

Examples of things in my categories: Dog Stuff (toys she likes, sweater size, things like a better leash or big toy or bed); Hobby (DICE. game accessories. yarn & fibre tools. hair dye things, hard-to-find niche parts, nice markers/paper, art tools, materials, fan merch, new hobbies you want to try, instruction books, instruments, cards, GIFT CARDS to places I already go); Home/Personal (speakers/headphones/other tech, books [please god be specific here], albums, decor/organization, a new vacuum, tools you find yourself needing, stuff for your window/deck/garden, along with clothes I might want and relevant sizes, yoga mat, coats/hats/clothes for the weather, memberships or subscriptions); Kitchen (replacement dishes, nice appliances, accessories, high-quality ingredients, more tools I'd like but can't afford)

[nixalegos]

Another seemingly insignificant letter, like the last one. Again, it was printed but this time revealed more.

“It was quite petty, that little battle over the tiny ice mage. A selfish mother can’t be faulted, but neither can those who wish to see a child’s full potential realized. I wonder if you recall those events so long ago? Lady An’daran would have dragged the entire city of Silvermoon if she had been capable of it at that time.

A trade, Lord Felscythe? Please do tell me your priorities these days, and I’ll tell you my own. Or do you wish more from an exchange of information?

I wonder if you have changed since those days when you so blatantly decorated Auger’s Row just to disappear at the first sign of anything too insignificant for your attention? I wonder if you even remember that old acquaintance. You must be significantly older by now, so you couldn’t be faulted if the name isn’t familiar.”

((@doriandrin))

"Oh well for fucks sake. There's a name I haven't seen in awhile." He said exasperated as he placed the paper into the Rolo-Hex's scanner and moved the magical image into the rune carved skulls proper artificial memory matrix. He wondered why those who actively brought floating skulls as relic weapons into battle hadn't considered wiping the souls inside clean and make full use of the mind. They were so much more useful as information repositories. Then he frowned. Wait. Battle? Had he fought them? Well, who didn't I fight with back then? All that wasted bloodshed and fisticuffs and for what? For letters to mockingly call the sheer bloody violence he'd inflicted blatant decorating. The Sanctums junkyard dog playing at nobility. A church grim uselessly stuck on desecrated land. It hadn't been that many years, had it? He looked to the rolo-hex's displayed clock, set on Silvermoon time. Almost a decade. Oh. So he wrote a letter of his own. "Lady An’daran, I hope this letter finds you well. I have recently received two messages from an unsigned personage suggesting interest in your matters and history I feel should be brought to your attention." Which was his snarky way of writing to the damn point instead of playing the guess why I'm writing game. "If this isn't on your behalf from a first, or vested third party, I am willing to hand off the sent letters at your convenience for you to investigate personally." Which was a polite way to say 'I don't want to deal with your bullshit if I don't technically have to.' And it didn't matter if she did get the letters now, he'd just scanned them into the rolo-hex. "If these letters are in fact from you, then I shall be open to the possibilities discussed." Ah, well, some guess who should be played, who knew what you knew was as important as knowing at all. It never helped to tip your whole hand in hearthstone, if the letters they -weren't- from them, then it was something he could hold over them. "Please reply post haste with your choice of public location and time for our conversation. -Lord Felscythe." Brief, succinct, direct, and leaving the choice of location and time helped dissipate worries of trap or ambush. He tucked the letter into a black envelope, sealed and signed it, and opened a desk drawer filled with foil wrapped chocolate coins and off handedly summoned Ziggup the Imp. Two coins and the letter were handed to the demon. "Mailbox." He said by way of order as he went back to work.

@doriandrin

[erintoknow]

Hello !

I'm sorry if you arleady answered this (I don't know how to use tumblr frankly), but I would like to know if you have any ither writting project ? I really like your stories and how you write, and since I spend too much time on fallen hero: retribution (the reason I'm back on tumblr tbh) I started my annual reading of the Aria-serie (btw I was the anon who asked if she could "print your story for personnal use" and I only realised later than it sound more "kinky" than "I-won't-print-them-to-sell-them-or-idk-do-so-capitalist-stuff-with-it"

hello reading friend, I remember you! c:

it never once occurred to interpret what you said in a sexual way, don't worry haha.

i do have another writing project now but it's unfortunately not one available for reading at the moment though i do post about it on my tumblr here from time to time.

towards the end of working on the Aria fanfic series I was getting really itchy to get back to working on something wholly my own and with my life getting busier, that's why i decided to give that series the little capstone it currently has and start exploring other ideas.

i toyed around with a couple different ideas and writing sketches before settling on that were a couple of character archetypes from the fanfic and plotbeats that i didn't feel 'done' with yet and wanted to explore more on my terms. so i started working on something in june and now like, uh, 8 months later i'm 47k words into my second draft of a novel project i'm currently calling Soul Rebel (i used that for a fanfic title first i know, but it's a good title okay, it stuck with me).

whenever i post about it on tumblr, that's i've been tagging it as too. sometimes i post draft snippets or thoughts or dump a bunch of vibes screenshots, i've got a concept playlist that i keep meaning to finalize and post at some point too because of course it's not my writing if i don't have music associations going on.

i don't have a good succinct elevator pitch for Soul Rebel's concept yet, but basically the core thrust for it comes from a pretty personal pondering of mine which is: when i first came out, i had a choice. i could have a roof over my head, or i could be true to myself. i chose to have a roof over my head, and i always wondered about how things would have worked out the other way. beyond that i've been throwing pretty much a whole bunch of stuff that interests or terrifies me: the effects of climate change and sea level rise on daily life, the totality of the surveillance state, how the advancement in medical care in a capitalist society only widens the gap between the poor and rich, cool superhuman powers (and their not-so-cool side-effects), queer community, being a neurodivergent little weirdo(affectionate), and the essential value of being kind to others in a cruel uncaring world

i could happily keep infodumping about what i've got so far, but this posting is getting long enough that i'll leave it there for now, haha.

i have no idea what i'll do with this novel once it's finished. i mean, obviously i have some vague ideas for another plot line after it that i want to explore, but i mean like, it terms of putting it out there. i can't imagine ever getting to publish it. the publishing industry is a nightmare to navigate, and while this technically won't be my first finished novel (those fanfics get that honor, i guess?) it's still statistically unlikely to go anywhere. would any printing press out there even be interested in a sci-fi novel with a bunch of queer characters and focused on a neurodivergent trans woman and an in-denial Ace enby?? i've been stuck reading a bunch of YA for my job so maybe there's some book i'm missing, but we seem pretty thin on the ground in publishing rep.

my other thought would be to set up a website and post it online serial fiction style, though i'd want to have the whole thing finished first. i value my ability to revise and rework way too much to give that up again, haha!

so... yeah, that's what i've been fixated and working on a lot in my free time. at least, when i'm not spending time with my partner, playing dnd, or reading. and now i have a second job which means even less writing time, tears.

some day i want to go back and give the fanfic a proper conclusion arc, but right now Soul Rebel's got my creative energy fixation

oh geeze, i went on for way too long, sorry about that! it's uh, it's pretty easy to get me talking about this at a drop of a hat rn. anyway, thank you so much for liking the fanfic!!

it means the world to me that people actually like what i write. i went to college for creative writing and it kind of sucked really. i ended up switching to poetry for awhile because a least people weren't tearing me down for it. anyway, it's been incredibly weird in a good way to get, and to continue getting two years on, positive comments on the fanfiction. i never imagined anyone would care or even like what i put out there. i just wrote it solely for myself and threw it on ao3 in a 'eh why not' gesture, so...... thank you!!!!!!!!!

[douchebagbrainwaves]

ONE IS SIMPLY THAT THEY TRAINED THEIR FILTER ON VERY LITTLE DATA: 160 SPAM AND 466 NONSPAM MAILS

People there are trying to build the future. Most people have had the experience of working hard on some problem, not being able to solve it, giving up and going to bed, and then write a paper about it, and the best of them are the same or aren't, to ask: to what extent does succinctness power? So shelving an idea costs you not only that delay in implementing it, but not when you're Kirk. In the Valley, lightning has a sign bit. Because I wanted to make to the software that users hate, you'll know about it. I was in college. Selling Web-based software is such a good idea because a they're fair, and b they work. It's harmless if reporters and know-it-alls dismiss your startup; they'll change their minds when they see growth. I don't think we would have done it already. It seems surprising to me that succinctness is power, or is close enough that except in pathological examples, I am interested in the question of whether a language could be too succinct for its own good? It's a lot easier for the users and for us as well.

Or rather, any client, and a lot of talk in the press about online commerce. He tried to sound indignant, but he wouldn't have had time to work. What this always meant in practice was to do what they need most. Roughly that you can't. We need a language that doesn't make common stock a bad idea. I can fix the filter not to catch some of these. Partnerships too usually don't work. What J. It wasn't just within existing industries that change occurred. Boston, or New York, or LA, or DC. This essay is derived from a talk at MIT.

The other major technical advantage of Web-based applications. Sam Altman, the co-founder question. What you're afraid of competition. At Viaweb, software included fairly big applications that users talked to directly, programs that ran occasionally to compile statistics or build indexes for searches, programs we ran explicitly to garbage-collect resources or to move or restore data, programs that ran occasionally to compile statistics or build indexes for searches, programs we ran explicitly to garbage-collect resources or to move or restore data, programs that pretended to be users to measure performance or expose bugs, programs for doing backups, interfaces to outside services, software that drove an impressive collection of dials displaying real-time server statistics a hit with visitors, but indispensable for us too, modifications including bug fixes to open-source software, and a given programmer can tolerate a fixed conceptual load, then this is the same thing with engraving, and Jane Austen with the novel. I walk out of the airline terminal is the fat, grumpy guy in charge of the taxi line. The only external test is time. In most places, if you start a site for college students and you decide to move to participate.

I haven't tried to reproduce Pantel and Lin's filter was the more effective of the two, but it happens surprisingly rarely. If what they're doing is breaking up and misspelling words to prevent filters from recognizing them. You release software as a series of small changes inherently tends not to. Both of these images are wrong. What do those users want? Or rather, any client, and a party reminder from Evite. It looks as if it were a less specific version.

At Viaweb, I doubt we ever had ten known bugs at any one time than we could say as we were walking to lunch. The main reason I don't like it is. Software companies are sometimes accused of letting the users debug their software. 03% false positives. The most overreaching employee agreement I've seen so far is nothing compared to what's coming. Deregulation also contributed to the wave of hostile takeovers in the 1980s. By no means the message they'd like to send though, which is to design beautiful software, would be much more difficult. A lot of the change is small and incremental. How scrappy founders are.

In 1980, it was high school. On current spam, I've been able to work on crazy speculative projects with me. Six months later they're all saying the same thing for companies. But the incentives are more than just deciding how to implement some spec. The general argument is that new forms of communication always do. Surround yourself with the sort of grubby menial work that Andrew Carnegie or Henry Ford started out doing. Bundling all these different types of people I've known, hackers and painters have in common is that they're both makers. If you've heard anything about startups you've probably heard about the long hours. I think. What founders have a hard time paying a high price for a company is one hopes adding to its value, and it's very hard to predict beforehand, so lots of people who know the language who will take any job where they get to go home and forget about it. Realizing this has real implications for software design.

[kryoymir]

I dunno if anyone noticed but I didn't do the update this Monday. This is mostly because I changed my work schedule and I don't actually work Mondays anymore, which is usually when I would do it. Instead I went to a very boring meeting and then went out to lunch with a couple people above me in the company.

I don't have any news to share on the album, mostly because I had other things cooking all week that weren't related. Instead, I asked around and had some friends and family give me questions to answer. So I compiled them all here.

Q: What made you want to start music?

This is the quintessential question for all musicians, I think, and the one that I get asked the most. In middle school, I discovered some early Groundbreaking music that really spoke to me. It was super inspiring for me because electronic music wasn't all that much on my radar at the time aside from some bands that incorporated elements of it, but at the time I had never been exposed to something to heavily focused on electronics that I enjoyed to the degree that I did. I started doing some research into it and downloaded my first DAW, and from there it kinda blossomed into a passion.

Q: What's your inspiration for your music?

This is one I get I feel maybe a little more often than other musicians might, and for pretty good reason. My music has evolved into something that is vastly different from what I usually listen to in my free time, which leads a lot of people I know personally to ask what inspires it. And the truth is, I dunno! There's not a whole lot that I can point to and be like "I wanted to do this but in my own version".

Q: What genre do you think your music falls under?

I wanna be cool and say something like "I don't really indentify with a genre" or say I'm 'post-genre', but in reality the most succinct way to describe it is as synthpop.

Q: Can you play any instruments?

Uhh kind of. I have a passing familiarity with keyboard/piano and have taken enough guitar lessons that I do have a fairly decent technical knowledge, but I'm not good enough at either to incorporate it into my music aside from very, very rarely.

Q: Is there a piece you're proudest of?

As far as covers go, there's a few I continue to be impressed with. One-Winged Angel, Hyrule Castle, and Guilty Hero stand out in my opinion. With my original music, there's usually one major standout on each album, and they're normally the singles- if a song is released as a single I'm probably really proud of it. But to name a few, Light It Up!, Luminary, Between Dreams, and DOA are probably some of my favorites. And, not to hype myself up too much, but I'm really excited for the new album. Conversely, there's some that I've grown to dislike and almost regret putting out in the first place. The biggest one that comes to mind is Neverending Memory.

Q: Do you have a process?

No. Not one that's set in stone, anyway. It varies a lot from song to song but most often starts with me writing a melody I like and then building on it from there. I've started with a baseline, a beat, or once the breakdown and then I reverse-engineered how I wanted the rest of the song to sound from there.

Q: Have you ever written vocal music?

Yes! I have been in two bands where I was the primary lyricist but neither produced enough music to release it. I do still occasionally write lyrics and have plans to begin voice training in the future but for the moment I am sticking with instrumental music.

Q: Do you listen to your own music?

In my humble opinion, every musician should listen to their own music. I largely believe the first and most important target audience for any creative should be themselves. You should make media that you enjoy, and would willingly consume, which is why I do, in fact, listen to my music from time to time.

Q: How do you occupy your non-musical free time?

I'm an avid weeb and have been gaming a decent amount lately. I just finished the Dead Space remake, and am reading a large amount of Junji Ito manga I recently acquired. Some other hobbies of mine include cooking.

Okay, that's all the questions I got. If you've got any you would like asked you can either reply to this post or submit them. News on the new single coming soon.

[slugtranslation-hypmic]

heya slug! I was curious about careers regarding translating.. do you have any tips?

I generally don't like such open-ended questions, because it's hard to know where to begin and what to say. If something is your career and your passion, there's so much you can say on the topic. How do you summarize years of thought on different topics into something succinct? After I gave it some thought, I realized that these option-ended questions tend to occur because people don't know what to ask. Therefore, I guess I'll give a rundown of different translation-related careers.

First of all, every language pair's industry functions a little bit differently, but they all share some basic similarities. I am most knowledgeable about Japanese -> English and media translation, since that is where I work, but I know translators from many other language pairs and other disciplines.

What kinds of jobs are available in the translation and localization industries?

Media translators. These are people who translate games, TV shows, and "popular" fiction books (a vague term I'm going to use to mean light novels, most young adult novels, and other books that are generally read for fun and are not known for having enormous artistic value. I am not saying that these books do not have artistic value, but I need a way to distinguish between Fifty Shades and Shakespeare, as these would be translated in different ways and considered to be different jobs). Many media translators are freelancers who work on contracts for one or multiple larger companies. Others work in house in fulltime positions, especially at game companies, often after freelancing for a period of time first. These kinds of translators tend to be strong creative writers in their target language.

Technical translators. These are people who translate documents (textbooks, legal agreements, scientific papers, etc.) with niche, complex subject matter. Technical translators must be able to understand the subject matter and work with a very high level of accuracy. Many work on contracts as freelancers for individual clients and/or larger companies. Some agencies may keep technical translators as members of fulltime staff if necessary. These kinds of translators tend to have backgrounds in their subject matter's field.

Interpreters. These are people who attend events, appointments, and other meetings to serve as a liaison between two or more parties who do not fully understand each other's language. Unlike translation, interpretation is done live and is usually speech. (Interpretation for the Deaf is a notable exception to this.) Interpreters usually work with agencies that then serve individual clients as either contracted or full-time workers. Interpreters tend to be quick thinking and have a good memory for large amounts of speech.

Business translators. These are administrative assistants whose day-to-day tasks include interpretation of meetings and translation of business documents. These translators typically facilitate communication between a parent company in one country and a child or outsourcing company in another. This is usually a fulltime in house role that may have other duties. These kinds of translators tend to be great at speaking, reading, writing, and listening in both of their languages.

Literary translators. These are translators who work on non-"popular" fiction (see above for definition), usually over longer periods of time than a media translator would have. I actually don't know much about how this process works, but I assume it's similar to the publishing process for professional authors. Most literary translators appear to have other jobs, and many work in academia in relation to their language. These kinds of translators are (in theory) masters of writing in their target language.

Editors and QA checkers. Even if you don't translate yourself, there's still plenty to do in the industry. Editors work with media and literary translators in particular to check the translation accuracy (sometimes) and strengthen the writing quality. QA checkers work with all different kinds of translators to catch mistakes before the finished translation is delivered to the client.

Letterers and artists. Letterers are graphic designers who place text in comics, create covers for books, and sometimes typeset books in visually appealing ways. Artists produce additional art assets for the finished product whenever new assets or needed or assets from the source cannot be used for whatever reason.

Editorial staff and project managers. Staff and project managers keep the whole operation running with everything from scheduling to advertising.

Localization engineers. These are programmers who are needed particularly in software and website translation to tweak the finished product so it still performs well in the target language. Computers are finicky things (and this is the understatement of the century), so the amount of work that goes into preparing a software localization can be truly staggering. Localization engineers sometimes also work with CAT (computer assisted translation) tools for larger translation companies.

What kind of skills do you need in order to be a translator?

It varies widely depending on what you want to do.

Generally, you need a strong understanding of the source language in whatever form you receive it in. For instance, as a media translator, I have strong reading comprehension but not good listening comprehension. I couldn't be an interpreter, but someone with the opposite set of skills likewise couldn't do my job.

Generally, you need strong production abilities in the target language in whatever form you produce. In my case, I am... an okay English writer... but not a good Japanese writer, so I wouldn't be suited for English -> Japanese. Likewise, I don't speak Japanese well either, so interpretation is once again off the table.

You should be familiar with the content of your source material in a general sense, although you should also be prepared to do research. For example, I translated several excerpts of articles on morphological analysis software in college because I was working on a degree in that general field. I felt comfortable with not only understanding what the source text meant but writing about it in English because I knew how English writers discuss morphological analysis. On the other hand, I would not be able to translate a paper on, say, toxicology, because I have no idea how toxicology is written about in English and I would probably lack the necessary background information to understand the paper's points.

What path can you take to become a translator?

This field is notorious for having people fall into it in the weirdest of ways. Seriously. No two translators will have the same way of going about it, but as for some general tips...

Attending college for a degree in the source language or a similar field is almost always a smart move.

Seek certification if you are interested in translating for the government or technical fields.

Fan translation is almost never a smart move. I was very lucky that it hasn't completely bit me in the butt yet. If I could go back in time and done this differently, I would have, although (as I said a few years back) I still feel like there are not a lot of great alternatives out there for practicing translation and getting candid reader feedback.

ProZ is a good website for job listings, training seminars, and more.

Networking is huge, especially for beginning translators. Of the various contracts I have, several were shown to me by various friends or coworkers, one reached me via DMing my Hypmic Twitter (a rare fluke - please do not think this is the norm for fan translators), and another I was recommended to by a localization industry friend. I've also shown jobs to numerous coworkers that have gone on to successfully land the contracts. So having groups of people who are willing to vouch for your skills and send up job notices is excellent! There are many translator Discords and other groups out there you could try to join, although some may have a barrier of entry.

Build a portfolio with translation and writing samples (if applicable) to show to prospective clients.

It gets much, much easier once you have the first couple of jobs under your belt. Getting that first job is, unfortunately, the hardest part. I wish I could tell you how this works. Dumb luck and the kindest employer in the world were the contributing factors in my case.

Do your research before you make any career plans, and good luck! I'm just starting out in the industry, but I hope to be here for a life and have a blast with it.

[hotdemonsummer]

Obey Me! and Angelology and Demonology

 alternatively titled Lets Get Into Lucifer

This is yet another long, long post about the lore of Obey Me! from the perspective of historical and theological angelology, and demonology or the study of angels and demons respectively, because I think it’s neat. I also talk way too much. I’m scared to check the word count on this.

Disclaimer: I am not an expert on anything, and certainly not on religion. I just like comparative theology. Also, spoilers for lesson 43/44.

What is an angel? And what, in turn, is a demon? It depends on who you ask. All religions that have angels have a general consensus that they are spiritual beings, intermediaries of some kind of higher power. Demons, on the other hand, are much more vague beyond general malevolence toward humanity. Any connection between the two is entirely dependent on the culture and religion in question. Some have angels but not demons, and many have vice versa.

There’s generally four kinds of spirits that are considered demons:

Dead people with extremely bad vibes (think mogwai, yuurei, and other revenants)

Neutral-to-malevolent energy, physical form optional (think djinni or yokai)

Cult subjects (including foreign gods and ancestor worship)

Corrupted angels (either fallen or Nephilim)

The word demon comes from the Greek δαίμων, or daimon, but the concept of a demon is much older than the Greeks. The original daimon had none of the malevolent, evil associations that we now think of. Instead, daimon just described a kind of powerful spiritual entity (for example, δαίμων is the term Euripides uses for the new god Dionysus in The Bacchae). What we think of as demons now didn’t exist in Greek culture, and the negative associations came when the Tanakh was translated from Hebrew to Greek, but even then shedim aren’t identical to the contemporary depiction of demons that we see in Obey Me!, which, like everything else in Western society, came about through the domination of Christianity.

Shedim, the precursor to the Christian demon, was more or less a term for false gods, a title for the various Levantine pagan gods (see: origin of Beelzebub, Belphegor, and pretty much every demon that starts with Bel- or Bal-). 

Obey Me! pretty much canonizes Type 2 and Type 4 demons, with characters like Diavolo, Barbatos, and Satan as Type 2 and the other brothers as Type 4. Historically, Beelzebub and Belphegor are Type 3 (Beelzebub and Belphegor being Levantine gods), Mammon being Type 2 (a general personification of Wealth, although Milton did write him as a Type 4 in Paradise Lost) and Asmodeus being somewhere in between Type 2 and 3 (being heavily derived from a Zoroastrian daeva of wrath). Lucifer is, historically, the only consistently Type 4 demon.

I don’t think I have to explain what a fallen angel is to any OM! fan. But I will. 

Let’s talk about these guys. We’re all familiar with Satan’s weird complex about Lucifer, and I’m sure we’re all equally familiar with how Satan and Lucifer are terms used interchangeably for whatever being is The Big Bad of Hell. However, they’re not synonymous.

Satan derives from the same Proto-Semitic root as shayatan, which... should be pretty obvious, but nonetheless has a pretty analogous role as a tempter of men in the Abrahamic religions. Beyond that “tempter of men” title, though, the actual details of what Satan is is incredibly varied, including whether or not “Satan” is a name or a title. In Christianity, the view of Satan as an extremely powerful and evil corrupter of man, wholly opposed to God, came around the Middle Ages, when witchcraft hysteria spread.

Lucifer, on the other hand, is simultaneously a figure originating in Christianity and much, much older than it. The term of course means “light-bringer”, and is heavily associated with the morning star, aka the planet Venus. To make a very long story short, many Mesopotamian, Levantine, and Mediterranean cultures saw the lowering of Venus toward the horizon at night and thought, “hey, thats a pretty neat image!” and created stories about heavenly beings falling toward the earth. Of course, they didn’t use the ‘term’ Lucifer, that’s Latin, and came from the Vulgate Bible.

The term Lucifer does not exclusively refer to The Evil Fallen Angel™ in Christian texts (some very sacred things like the Exsultet explicitly refer to Jesus as Lucifer), but it sure is the most popular interpretation. In works like Paradise Lost or the Divine Comedy, the general idea is that the angel Lucifer rebelled against God in some way and was cast out of Heaven, then becoming Satan, and thus the two are one and the same.

(inb4 some Quora-type chews me out for accuracy’s sake, the “lucifer” mentioned in Isaiah 14:12 refers not to any angel, but to a Babylonian king. The whole fallen angel thing, much like the beatitudes or Bethlehem or Christmas, is a fusion of pagan influences.)

In other words, Lucifer is always and has always been a fallen angel. Satan, on the other hand, doesn’t have those connections to angelhood, and the two figures have an undeniable connection despite their clear individual differences. Sound familiar?

The next question is then what kind of angel is Lucifer anyway? to which you might be thinking, wait, there are different kinds? Yes, holy shit, there are so many kinds of angels and very little consensus on what they are. In terms of Christian angelology (because again, Lucifer is a uniquely Christian/derivative Christian figure unless you exclude Leland’s Aradia which I don’t because lbr they were Italian anyways), most hierarchies are based on the work of this guy:

This man has the incredibly succinct name of Pseudo-Dionysius the Areopagite, and sometime in the 5th century he wrote a book called De Coelesti Hierarchia. It orders the *WTNV voice* hierarchy of angels into three levels called spheres, and each sphere has three sub-levels called choirs. Many, but not all, of the choirs are adopted from various Jewish angelic hierarchies. If you thought that it was just angels and then archangels were, like, the middle management version of angels then you are very wrong. I’m sorry that television lied.

You know who also lied? Tumblr dot com and any post that implies that the true form of angels is a big wheel with a bunch of eyes. That is, in fact, a descriptor for only one kind of angel: ophanim, or thrones. The depiction of angels runs the gamut from winged humanoids to multi-winged humanoids with multiple animal heads to burning snakes to vague heavenly mist.

Archangels and angels are the eighth and ninth lowest choirs of angels, respectively. Angels, or malakhim, are the default messengers of God and the choir from which guardian angels come from. Generally, if someone claims to have a message from God delivered to them, it will be an angel doing it. If it’s really important, it’ll be an archangel. Everyone else literally has more important things to do. No one’s getting visions from dominions.

Lucifer’s (the theological one) actual designation is kind of a mystery. Depending on the text, Lucifer has been described as a seraph (the highest), a cherub (the second highest), or an archangel (the eighth). According to Thomas Aquinas:

Lucifer, chief of the sinning angels, was probably the highest of all the angels. But there are some who think that Lucifer was highest only among the rebel angels.

Not very helpful, but hey. The question remains: what kind of angel is Lucifer, and this time I mean our Lucifer. 

We know that Michael, just like his namesake, is an archangel. We also know that (SPOILERS) Simeon, unlike his namesake, is an archangel as well (Simeon is a saint, not an angel.) Lucifer likely was at their level, if not higher.

However, Lucifer was also a six-winged angel, a depiction generally reserved for seraphim (and cherubim, but far less frequently).

Moreover, in terms of role, an angellic Lucifer fits well with that of the powers, the sixth choir. Powers are in charge of moving the heavenly bodies, and are depicted as powerful warriors dressed in beautiful armor. It's fitting for a being so closely tied to the morning star to be a power, after all.

So, with all that considered, what is Lucifer? 

Well, he’s a seraph (or saraph, technically). Why? Because Simeon is somehow a seraph and an archangel (I have already written too much to unpack that bullshit), and Mammon was a throne (remember those wheels with eyes?) and Beel was a cherub and therefore Lucifer had to be higher than both of them (interestingly big brother Mammon is in a lower choir than little brother Beel). This makes Michael kind of, well... weird, given the archangels’ low rank.

Some like to differentiate between archangel the eighth choir and Archangel, with a capital A, as a term for any high-ranking angel. While this is likely what Solmare is doing, I would be remiss if I didn’t point out that this has zero basis in any religious text whatsoever and is solely done for the convenience of not remembering anything besides angel and archangel. Which is like, fine, but I’m a pedantic jerk who I found claims to the contrary while researching and I felt the need to correct that.

Anyways, the more you know.

[mysdrymmumbles]

Steadfast - October Writing Prompt

Thank you to @toastvogel for suggesting Chyrus. He is the best paragon <3 

..................

The Archon sits on no throne, but even without one, many kyrian often see her as a more distant figure. It is understandable. Even if she wasn’t a god, she is the leader of the realm. By her will is Bastion maintained, and by her hand are the ascended directed. There is more work that goes into doing even those two dealings than most will ever know, and she does so much more than that. It is a wonder she ever has time to address any of her subjects.

In that way, Chyrus can’t help but wonder—hope, really—whether she is at least somewhat protected from some of what is happening right now. She is not at the temples, watching their brethren fall before each other’s blades. She can feel the realm wither around her, in spite of her will, but she cannot see how that crushes the spirits of those relying on her unwavering resolve. She is spared their doubts.

Until those doubts become too powerful.

And then she is blindsided with the betrayal.

Because most anyone else could have seen something like this coming. Perhaps not on such a grand scale, but there were signs, clear as the skies over Bastion.

Chyrus frowns as the sound of a broken chime reaches his ears. With a quick inspection, he finds the culprit underfoot, half crushed under his large toes. Kneeling, he picks them up gingerly, the lute-like chimes tiny in his palm, and the ring they used to hang on broken.

It’s hard to imagine what could have damaged it so. Someone getting thrown into it and their weapon catching it just right? Or had one of their many attackers been so overcome with rage that the sound of the gentle instrument filled them with such animosity that they wanted to make sure they would never play again?

There has been so much heartache in Bastion throughout the eons.

Bastion’s pride is its noble cause, but perhaps it is because he does not cling to such emotion that Chyrus has always been able to see the melancholic undercurrent. The broken hearts sent back to Oribos to be judged anew because they could not relinquish the memories of their mortal lives has always been there. Friends and students alike have ‘fallen short’ over the years. He wonders where they’ve gone, sometimes—those he remembers.

And there are those who have done as was required of them, who sometimes quietly peruse their old memories, watching the foreign stories play out with a quiet resignation that their sacrifice was for the greater good. Still, sacrifices are nothing if they are not mourned from time to time.

As Chyrus peers around to see if there are any other pieces of the little chimes to be gathered—to be given to someone with smaller hands who needs so desperately something to focus on other than the present—the sound of large wings grow closer.

He catches the last bit of pipe beneath his foot as Thenios lands, unintentionally scattering the debris left in the forsworn’s latest attack with his great wings.

Chyrus offers him a word of greeting before picking up the chime. It wouldn’t do to forget it, and even though there was no proof of it, Chyrus has often felt like little objects could have a feel to them. They could know when they are broken and appreciate when they are repaired.

It’s a notion Visephone smiles to think of, and one that Xandria will mull over before irritably asking questions that have no answers. Simple things that cannot be done in front of their charges, but are held precious in those fleeting moments when the paragons are alone together.

This is not going to be such a moment, Chyrus can tell, if only by the thin line of Thenios’ lips.

That doesn’t stop Chyrus from giving him a simple smile himself. “What brings you all the way out here?”

Thenios stands tall and firm, armor shining in Bastion’s radiance.

That in itself makes Chyrus’ heart hurt. Thenios does not don his armor for any occasion.

Or he didn’t. Not before the forsworn, before Devos’ betrayal. Though he would never voice it, Chyrus often suspects that Devos fall from grace affected Thenios the most severely of them all, hitting him harder than even the Archon.

How often had the two visited each other’s temples in casual attire to sprawl out together and read. Thenios usually brought the scrolls and books, and Devos was always pleased to see whatever it was that he had for her. She’d once told him he could make even the driest, most technical of reports sound fascinating.

Chyrus can still remember finding them curled up together, feathers fluffed up as they read through something that wasn’t work related, and how Xandria had hounded them about how adorable they were for weeks after, insisting to Visephone that she had missed something absolutely precious.

When it was just them, of course. When they have those fleeting moments where they can simply be people instead of unyielding leaders.

Thenios hasn’t taken his armor off since Devos’ death.

The paragon motions for Chyrus to follow him, and they both take flight, soaring out into the fields where they will not be overheard.

Their feet have barely touched into the soft grasses when Thenios begins to speak, unable to contain himself any longer. His voice is a mix of its usual matter-of-fact tone used to inspire confidence among his aspirants and something else, something almost accusatory. “The Maw Walker has recovered some records for me. Salvaging what the forsworn are so hasty to destroy in their hunt for whatever they think matters more.”

“We are fortunate to have such help—”

“They brought me this.”

There is nothing particularly noteworthy about the record in Thenios’ palm, but Chyrus knows what it will be before it plays. Funny that he was just remembering this aspirant as he surveyed the damage to his temple. She had been close to ascension when she fell. She came to him, telling him that the path had taken everything from her, made her into someone she didn’t recognize.

She had been the latest in a long line of those who were not meant for the path after all.

Chyrus listens to his own disembodied voice recount the incident and remembers musing about whether there was another way for those within Bastion, a way that didn’t require a complete abandonment of the past.

The reasons for the path’s current route were valid, of course. No good came from ferrymen who judged the souls they collected.

It was a hard path, but it was one that had served them well for almost all of eternity. And if it weren’t for the lack of judgment in Oribos…

Chyrus makes no offer to take the record from Thenios, more than a little sure that if he did try, it would be denied him. Instead, he waits for Thenios to make whatever point he is there for. A chiding perhaps that such a thing was left where aspirants could find it?

“Did she ever talk to you?”

The question is a surprise, a reminder that Chyrus cannot predict everything his fellow paragon will think or do, and it hangs between them.

“No,” Chyrus finally replies. The word feels cruel somehow in its succinctness. “The first—and only—time I heard of Devos’ dissatisfaction with the path was when she told us of Uther’s injury.”

Thenios flinches at her name. No armor can protect him from his memories, and Chyrus has been worried about what will happen to him. Forgetting their fallen brethren will be nigh impossible. Their paths were far too entwined and to take her away would leave him with so much emptiness…

Chyrus has already lost so many, his heart breaks at the mere of thought of who else may fall, of who might be left a shell of their former selves because of hearbreak they can’t overcome.

“She told me.” Thenios voice cracks at the last word. He is quiet a moment before clearing his throat, his composure regained. “I told her to be careful the sort of thing she said.” His chin inclines, gaze skyward. “I did not think…I did not know that you had wondered about this very thing.”

“Haven’t we all?” Chyrus offers gently. None of them are above doubts, after all. He reaches out and lightly places a hand on Thenios’ arm, a connection his friend so clearly needs. The action startles Thenios out of his thoughts.

“If I’d listened…if I had let her talk…hadn’t let her feel so—” Thenios curls his fingers around the record, practically crushing it in his hand as he lowers it to his side, fist shaking. “How could she have… the Jailer.”

His voice cracks again, and this time he stops talking, a tremor in his jaw as he clenches it.

With a quick step, Chyrus reaches out and wraps Thenios in a hug, ignoring the way the bits of armor poke into his bare arms. There is hesitation, and then Thenios grips Chyrus back, clinging to him like a drowning man in a stormy sea.

There is not enough time. There may never be, but here, now, Chyrus is acutely aware of how damaged his friend is and how there are people who need both of them to be unbreakable pillars.

It is cruel that he can offer Thenios so little of his time. Chyrus makes himself a silent vow that he will be there for his friend, to properly mourn what they have lost when things are finally set right.

When Thenios pulls away, a shiver runs through his feathers and for a moment, Chyrus thinks he may take his helm off.

Instead, he takes Chyrus’ hand, surprised to find the tiny bits of broken chimes already there as he places the record among them. “I would hate the forsworn to get this and think you would be a good target to convert.”

Chyrus chooses not to point out that they have already tried. “Thank you, my friend.”

Thenios turns away and then pauses, looking back at him. “If you need someone to listen to your doubts…”

Chyrus wants to tell him that Devos’ fall is not his fault, but there is no way for words to reach, much less ease, the guilt there.  Instead, he gives Thenios a nod and a gentle smile. “Of course.”

Thenios attempts something like a goodbye, but when he can’t trust his voice to hold steady, he instead dismisses himself without ceremony. Chyrus does not insult him by watching his retreat, instead turning his attention back to his temple.

There is much to be done.

[twistedtummies2]

Top 12 Pandora Hearts Characters

Moriarty the Patriot may be my new favorite anime and manga series, but today, I feel like talking about my OTHER favorite manga (and what COULD have been my favorite anime, if it had only gone on longer): a little franchise known as Pandora Hearts. Japan has a huge following for the works of Lewis Carroll, but Pandora Hearts has probably the most unusual manner of reinterpreting the characters. The story of PH is set in a world where human beings coexist with monstrous entities known as Chains: demon-like beings who are all directly inspired, in terms of name and design, on characters from Wonderland. With a few exceptions, the characters themselves do not have the names of characters from the books; instead, it is the Chains they make bargains with, form “Contracts” with, that tell you what character from the stories they are meant to represent. It’s a cool idea, and whether you look at this franchise as a new take on Wonderland, or just look at the characters on their own terms separate from the books, they are all fun and engaging characters who are frequently much more complex than they at first seem. Now, Pandora Hearts is a series with a lot of twists and turns, so I’m going to try and keep this as spoiler-free as possible when it comes to some of the REALLY big twists, but there’s only so much I can do. So if you haven’t read the manga, or at least watched the anime, and don’t want things spoiled, just be wary in case something pops up here you weren’t wanting to know ahead of time. Also, because this is me writing this list, I will give away which characters from the Wonderland stories these characters are analogous with in their descriptions. With that said... “The time has come,” the Walrus says, “To honor them today! So here’s a list of my favorites to lighten up your day!” (pauses) Yes, I’m aware that rhyme was terrible, just run with it. These are My Top 12 Favorite Pandora Hearts Characters!

12. Echo & Noise.

Wonderland Analogues: Tweedledee & Tweedledum.

One thing you need to know about Pandora Hearts is that...honestly, like a lot of anime/manga, in my opinion...it can be rather confusing at times. The lore of this world, partially because it takes so many twists and turns all over the place, is a little hard to follow at times. I’ll try be succinct and as major-spoiler-free as possible, as I said before. With that said, these two are a prime example of how things get twisted up. Echo and Noise are essentially a classic Jekyll-&-Hyde scenario; a pair of separate identities occupying the same body. Noise, also called “Zwei,” is the original personality: a member of the mysterious and dangerous Baskerville Clan, she is, as her name suggest, loudmouthed, crazy, and rather all over the place. Noise is in control of a Chain known as “Duldee,” and the Chain is responsible for the creation of the other personality: Echo. Echo is the exact opposite of Noise: she is quiet, constantly polite, and indeed often seems to be little more than a robot, very emotionless and unnervingly calm, even in the heat of battle. As Echo, she is the unsettlingly loyal servant of one of the series’ chief antagonists, Vincent Nightray, and their relationship is...a little creepy. Vincent frequently treats her like a beloved child or pet, but he also frequently uses her for his own selfish ends, never worrying about nearly killing her in order to get what he wants, and seeming to see her more as an object than another living being. Despite this, the most upset with him Echo ever gets is calling him “annoying” (now, THERE’S an understatement), and Noise herself is absolutely obsessed with him. Their twisted relationship with Vincent, and all the fun that’s had with these two different personalities, is a big part of what gets them a slot on the list.

11. Oscar Vessalius.

Wonderland Analogue: N/A

While most of the characters in Pandora Hearts are easily identified by their Chains, some don’t even have Chains, and thus cannot be readily identified as any character from the Carroll classics. Oscar Vessalius, whom I frequently and affectionately refer to as “Uncle Oscar,” is one of those cases. Now, to be fair, Uncle Oscar is not the most complex character in this series, but he IS one of the most endearing. Oscar is the paternal uncle of our main protagonist, Oz, and considering Oz’s father is...well...a gigantic douchebag of the highest order...Oscar really is more of a father to Oz than anybody else in the series. Oscar is unflappably encouraging and jolly, and extremely protective and caring when it comes to his family. He’s always there to support Oz and his friends, tries his best to get along with everybody, and generally speaking brightens up every single scene he has. Despite this, Oscar does have a bit of a sly and sneaky side to him, as well as a slightly lecherous leaning in some cases, which keep him from being too perfect or one-note a character. While he has no direct ties to Wonderland, some have suggested that he MIGHT be inspired by Lewis Carroll himself, and there are a few subtle things that could suggest that...but either way, he’s ultimately a purely original character, and of those ranks, he’s easily one of the best.

10. Reim Lunettes.

Wonderland Analogue: March Hare.

Reim, sometimes called “Liam,” is the best friend of Xerxes Break and one of the most notable members of Pandora: a not-so-secret organization dedicated to the study of Chains and the protection of the world. Sort of a Victorian-styled Men in Black, if you will. (pauses) The Will Smith Men in Black, I should say. ANYWAY, an interesting thing I’ve noticed with many interpretations of the March Hare in Japanese culture is they tend to make him a somewhat more serious and more easily flustered character than the Mad Hatter. Reim is no exception: he’s a panicky workaholic who is frequently the butt of other people’s jokes, and tries to treat things with a no-nonsense demeanor, taking his job extremely seriously and always worried about what’s best for his employers. In some ways, one could argue he acts more like the White Rabbit, but that character is one we’ll get to later. At any rate, while Reim is constantly obsessed with his work, and frequently frustrated by Break’s antics, as well as the shenanigans of other characters, he has a heart of gold and is always there to try and help his friends and colleagues when they most require assistance. His Chain also has a pretty impressive power that one does not expect...but I mustn’t say more, or I’ll spoil something important.

9. Sharon Rainsworth.

Wonderland Analogue: Unicorn.

Another character with close ties to Xerxes Break, Sharon is an interestingly dichotomous character. She’s one of the first people we encounter in this series, and she plays a big part in the story as it unfolds...but in the early parts of the franchise, what’s interesting is that Sharon stays largely in the background. Now, at first, it seems this is because she’s one of the head members of Pandora, and Break is technically her servant; so it makes sense the others would interact more with Break than Sharon. But as time goes on, and we learn more about Sharon, we find that’s not so much the case. Sharon and Break have a brother-and-sister relationship, with Sharon seeing Break as her surrogate big brother, and Break seeing her as his little sister. The problem with this relationship is that Break will do anything to protect Sharon, and at times that can go a bit too far, as Sharon truly wants to be of use to him and prove she’s just as powerful as he is or any other major member of the team. Indeed, her Chain, Equus the Black Unicorn, has many impressive abilities, including being able to open a gateway between Earth and the Hell-like dimension of The Abyss. A lot of this dichotomy is visible in Sharon’s personality: most of the time she’s very demure, polite, sweet, and ladylike. But the more we see of Sharon, the more we become aware of other facets to her personality. She’s shown to have a tough and domineering side to her character, and has some eccentricities of her own. Most notably, she’s absolutely INSANE when it comes to romance stories and romantic situations, and holds both the standards of ladies and gentlemen in high regard. Whether she’s a soothing presence or a downright scary one, Sharon is always an interesting character to return to.

8. Rufus Barma.

Wonderland Analogue: Dodo.

There are a few characters in the frequently twisted-up world of Pandora Hearts who have a habit of constantly keeping you guessing...but the king of mystery, without a shadow of a doubt, is the Duke Rufus Barma. His analogous Chain, Dodo, is able to conjure impressive illusions, and this illusionary skill is only the tip of the iceberg in showing how this man constantly manages to make you wonder just what is going on in his head. Barma lives by the code of “knowledge is power,” and constantly seeks to learn everything he can about...well...anything and anybody he wants. Money and prestige are secondary to him. He’s very soft-spoken and cold, even when angered, and carries himself with a sense of grace that’s rather flamboyant, but somehow not exactly loud or over-the-top in the way some of the other characters can be. His exact goals and motivations are constantly second-guessed, and you’re never really sure what makes him tick or what side he’ll take. You’re never really sure if he’s a villain or a hero. I love characters like this, in general, so it’s ultimately no surprise that Rufus Barma gets a solid spot on this list.

7. The Will of the Abyss.

Wonderland Analogue: White Rabbit.

The Will of the Abyss (sometimes called “Alyss” and sometimes called “The Intention of the Abyss”) isn’t a villain we see a whole lot of. She is the queen of the Abyss; the ruler of everything there. The Abyss, itself, is the home of the demon-like chains: ghoulish entities who feed on human beings, body and soul, and are formed from those who have fallen into the Abyss in the past. The place is described as “a broken toy box” and is a horrifying limbo realm of killer dolls and psychotic puppets. Needless to say, it’s not exactly an ideal vacation spot. The Will is a mysterious and mercurial character; she’s mostly a peripheral villain, since we see more of the Chains she controls than her, herself, and much of what we DO see of her actually comes through flashbacks...but in that overall brief amount of time, she proves to be honestly the single scariest character in the series, as well as one of the saddest. Part of this is due to her mood: the Will can shift from seemingly innocent and playful to screaming like a banshee in a split-second; she can go from crying and sobbing like a sad little girl to being as refined and elegant as a proper queen. And there really isn’t a safe place with her, in any of this, either; sometimes that playful and sweet persona is a good thing, but other times...yeah, it’s...um...REALLY not. Like many Chains, she’s violent and bloodthirsty, but unlike other Chains, there’s some humanity to her and you get the feeling that a lot of her actions are justified. She’s still very much a villain, but she’s also a victim, in a way, and as the story goes on, you feel bad for her and are truly sorry when her part in the series’ events is finished. Whether she makes you whimper with terror or makes you want to hug her and console her, the Will of the Abyss is bound to get a major reaction from you.

6. Vincent Nightray.

Wonderland Analogue: Dormouse.

One of the main antagonists of the series (though not, for the record, THE main antagonist...they actually don’t appear in this top twelve), Vincent Nightray is another character who changes throughout the series. What I find most interesting about Vincent is that he, himself, changes very little. It’s more the attitude the reader has to him, in the manga, that changes. See, if you only know Vincent from the anime, or the chapters in the manga that the anime covers, chances are you find him to be a pretty repugnant person. He’s creepy, he’s treacherous, he’s responsible for some of the most screwed-up things any character in this franchise does, and that’s saying a lot. He’s totally insane, and sort of seems to be aware of it, and seems to have an unhealthy interest in his own brother, Gilbert. In fact, with how disturbing he is, and the kinds of things he tries, you start off thinking he’s the main antagonist...and, for a while, he pretty much is. However, as the series continues in the manga, and you learn more about Vincent - why he is the way he is, and what exactly he wants to accomplish - the more you come to understand him and sympathize with him. Make no mistake, Vincent is a villain; in fact, even he seems to be aware of the fact that he’s sort of a monster. But he’s the kind of villain you come to feel sorry for and realize that, if things had been different, maybe could have turned out a much better person. In a way, Vincent is a foil to the ACTUAL main antagonist. Without giving anything away, the real main villain of the series follows the opposite path: at first he seems sympathetic and endearing, but the more we learn about him and the more horrible things he does, the more we come to loathe him and want to see him kicked in the face a thousand times over. Vincent, meanwhile, we start off hating his guts, but by the time his part in the story ends, we’re sad to see him go, because we understand him and care about him, and realize not everything was his fault. I actually feel a little bad for not placing Vincent higher, but I doubt the characters above him will drastically disappoint. He may have been one of the nastiest characters in the franchise, but if ever proof was needed that Evil is a lonely course to take, Vincent Nightray could provide it.

5. Cheshire Cat.

Wonderland Analogue: Doesn’t need to be given, because IT’S HIS NAME.

Again, the Cheshire Cat doesn’t have a lot of time in the series - he gets one major arc fairly early on, appears in several flashbacks afterwards, and then makes a sudden and unexpected return much later in the story - but that doesn’t keep him from being one of the most fascinating figures in the universe of PH. Cheshire is the reincarnation of an innocent kitten who belonged to a girl named Alice; the kitten was brutally murdered by Vincent Nightray. As a Chain, the Cheshire Cat is steadfastly loyal to the Will of the Abyss, and - at least at the start of the series - dwells within a mysterious realm simply known as “The Cheshire Cat’s House.” The “house” is an eerie Victorian mansion that is literally made up of all of the worst memories the Will has, and Cheshire guards the mansion and the Will herself with ferocious zeal. It’s ironic because this is a very different take on the Cheshire Cat, in general: the character in the book, and most other adaptations, is a chaotic being who shows loyalty to seemingly no one, and while some versions lean more towards good or evil, friend or foe, than others, he ultimately isn’t an obedient housecat. He’s more of an enigmatic agent of madness. This Cheshire Cat is a totally different spin on things. He’s got human-like intelligence, for the most part, and occasionally speaks in a cryptic or evasive manner, but he’s not the puzzling imp of Carroll’s classic. He doesn’t even SMILE all that often...and when he does it’s...well...the most terrifying thing you’ll ever see. But just because he’s a very different take on the character, doesn’t mean he’s still not a good one; Cheshire’s mixture of ravenous hunger (all Chains are so), sadistic ferocity, and childlike adoration of the Will make him a very layered character. Like the Will herself, he can be very creepy and menacing, but he can also be sympathetic and sweet, since he still very much is that loving kitten whose life was cut short. In a very short time, he becomes one of the most standout characters, and despite a relatively short lifespan (so to speak), it’s clear the creators really liked Cheshire, since they tried to find ways to fit him in all over the place. It’s a sign of restraint on their parts, I’d say, that he doesn’t pop up more often throughout the franchise. When he does pop up, he’s a scene stealer, and I was always excited to see him.

4. Oz Vessalius.

Wonderland Analogue: N/A

Our chief protagonist, and another original character, Oz Vessalius is a teenager whose life is turned upside-down when, at his Coming-of-Age Ceremony, a group of depraved cultists send him body and soul into the Abyss. He makes a contract with a Chain called Alice, and escapes the Abyss, only to discover that the very short time he spent down there equated to a full decade in the real world. He is enlisted by Pandora, and the rest of the series focuses on his adventures as he tries to discover the secrets of a cataclysmic event from the past known as “The Tragedy of Sablier” - in which an entire city was somehow sucked down into the Abyss. Oz is an endearing young hero, as his youth is mixed with a curious maturity. At times he’s very silly and almost hopelessly optimistic, but at other times he shows a very fatalistic and calculating side to his personality. Part of this is due to his upbringing, as his father never showed him any love at all, and the best friend he ever really had was his own servant, Gilbert. He didn’t exactly get out much to explore the world. So while he’s lived a very sheltered life, it’s also been a very cold one. Oz works on a philosophy of acceptance, just going with the flow and trying not to let the bad things get to you...but considering he frequently claims his own life means very little to him, it’s very clear the bad things DO get to him. In fact, despite his privileged youth, he puts the lives of others vastly before his own, even when he doesn’t know them all that well. He just doesn’t like to show how much things can hurt him, and tries to press ahead no matter what. It’s a complex sort of way of thinking - being proud and unflinching and yet humble and downright self-loathing, all with a dash of youthful exuberance - and as the series goes on, and we learn more about Oz than maybe even he knows, it only becomes more fascinating. He may not be my favorite character, but he’s a fine protagonist for us to follow, and certainly worthy of high marks here.

3.  Gilbert Nightray.

Wonderland Analogue: The Monstrous Crow...probably.

I say “probably” because Gilbert’s Chain, as well as his own codename, is “Raven,” which is an obvious reference to the riddle “Why is a raven like a writing desk?” I guess it’s possible both were inspirational, but the Crow is an actual creature/character in the stories, so it’s the one I choose to credit. Whatever the case, Gil is one of the other major protagonists in the series, and...this guy is freaking adorable. I know he doesn’t look it, but trust me, he’s adorable. At the start of the series, we meet Gil as a small boy, who has amnesia about his past and works as a servant for Oz. Oz is not only his Master, but his best friend, and Gil will do absolutely anything to protect and serve his “Young Master” no matter what. After Oz descends into the Abyss, Gil - blaming himself - tries to run away...and is enlisted, at a very young age, by Xerxes Break. He becomes a double-agent, working for both the Rainsworth and Nightray households, upon discovering he is actually a long-lost member of the Nightray family. When Oz returns years later, Gil is a seemingly changed man: stoic, stern, always dressed in black, smoking heavily, and rarely speaking. Very quickly, however, we discover a lot of this stoicism is a facade: underneath it all, Gil is very much still a child at heart, and even though he’s grown older, he still sees Oz as his brother and best friend, as well as his true master, and will do anything to protect and to help him. Just as Oz always puts his life ahead of others, Gil’s foremost thoughts are always with Oz and how he can help him, and the lengths he’ll go to in order to keep Oz safe are sometimes touching, sometimes hilarious, and sometimes downright heartbreaking. Gil’s “dark side” is certainly engaging - he’s a crack shot with a pistol, and has a gloomy and cynical sense of humor - but I think what’s most endearing about him are the moments...and there are surprisingly many...where we see the cracks in the armor, and this “seaweed head” shows that he really hasn’t changed as much as he often claims. Whether he’s a man of action or a man of hilarious hijinks, Gilbert Nightray is more than worthy of a place in the top three.

2. Alice.

Wonderland Analogue: Again, IT’S HER NAME.

The secondary protagonist of the series, after Oz, this Alice is a far cry from the little girl we know of from the Carroll stories. At the start of the franchise, we are introduced to Alice as a Chain known as “B. Rabbit” - a title that stands for both “Black Rabbit” and “Bloody” or “Bloodstained Rabbit.” (In fact, her full title is often given as “The Bloody/Bloodstained Black Rabbit.”) B. Rabbit is one of the most powerful Chains out there, and in her Chain form, Alice is a nigh-unstoppable powerhouse ruled by bloodthirst - a maniacal berserker whose morning star chains and massive scythe cleave through even the toughest opponents with ease. However, Alice can also resort to human form, and here she’s much more...well...human. She has the same basic weaknesses a human has, she’s not quite as psychotic (though she DOES have a nasty temper at times)...really, the only sign of her being a Chain is her ravenous hunger. Like any Chain, Alice is ALWAYS hungry, and always hungry for MEAT. Thankfully, unlike other Chains, Alice has no desire to consume human beings. Indeed, while at first she comes across as frightening and intimidating, Alice has a very vulnerable side to her; she’s lived her life without any real friends or family, since the only “family” she has is her twin, the Will of the Abyss...and, to put things simply, they don’t get along very well. Much like Oz, she often feels like she’s undeserving of other people’s care and attention, but while Oz compensates this through being charitable and caring, Alice compensates by over-inflating herself; a classic “superiority complex via inferiority complex” issue. She’s never unlikeable, however, and as the series goes on - and we come to realize that Alice’s true identity, and her status as a Chain, is a lot less cut-and-dry than we might think - she only becomes a more and more fun and fascinating character...arguably more fascinating than Oz. Indeed, it’s really Alice who drives so much of the plot of the series forward, as her whole goal in the series is to find out the truth of her past and regain her lost memories, and it’s through the team’s efforts to help Alice in this goal that so much of the story is told. Oz is really just along for the ride, at least at first. Powerful but not invincible, and easily one of my favorite takes on the title character of the Carroll stories, Alice nabs second place easily…

...But who in the great wide world could take first? That honor goes to...

1. Xerxes Break.

Wonderland Analogue: The Mad Hatter AND The White Knight.

Yep. Two characters. How is this possible? Well, the first thing to know about Xerxes Break is that he wasn’t always called “Xerxes Break.” Once upon a time, he was a knight called Kevin Regnard, who served a noble family; his Chain was called Albus the White Knight. When Regnard’s mistakes led to the destruction of the entire family, he went absolutely bonkers and became a twisted serial killer known as the Red-Eyed Ghost. Ultimately, however, his contract with Albus ended, and Regnard was dragged down into the Abyss, where the Will and the Cheshire Cat ripped out one of his eyes (...yikes…), and plotted to turn him into another Chain. Things get a bit complicated at this point, but basically, Kevin managed to escape and was thrown into another time and place upon doing so. He was taken in by the Rainsworth family, befriend Reim Lunettes, and steadily began to come out of his shell. He took the name “Xerxes Break,” because he felt “broken,” later formed a contract with a very special and powerful Chain known as The Mad Hatter (in fact, one of Break’s nicknames is “Mr. Hatter”), and crafted a whole new personality for himself: Kevin Regnard was stern, work-obsessed, and wore his heart on his sleeve. Xerxes Break is in every way his opposite. When it comes to takes on the Mad Hatter, Break is one of the best; granted, we very rarely see him WEAR a hat, but the personality of the guy speaks for itself. Break often comes across as clownish and childishly hyperactive, constantly eating sweets, performing magic tricks and weird stunts just for the sheer sake of it, prancing around and giggling like a small boy, and even interacting with a puppet he calls “Emily”...which...may or may not actually be alive. However, much of this is a facade, as underneath it all, Break is...well...broken. Not just in body (he’s much, much older and more frail than he often seems), but in terms of his mind; he’s half-crazed and extremely mercurial. Much like with Rufus Barma, Break is somebody you’re never entirely sure of, but in a different way. Break, you see, is very open and honest; he never tells lies and he makes his loyalties and disloyalties very clear. But at the same time he’s very secretive and enigmatic, often speaking in riddles and partial-truths to throw people off. He’s very cunning and intelligent, and a gifted swordsman, and will do anything and use almost anyone to get what he wants. So while he can be extremely funny, he can also be very frightening and ruthless. You’re never sure what’s going to set him off and if the next line he says is going to be a threat or a joke. And as the series goes on, and we see more and more of Break’s vulnerabilities, we only come to care about him more and more, though, at the same time, he always remains an eternal mystery. A riddle with no real answer...just like the Mad Hatter’s from the book. (Way to bring things around, don’t you think?) Whether you look at him as a version of the Hatter, or look at him just for who and what he is on his own terms, he is, in my opinion, the most well-rounded and fascinating character in the whole series, and easily takes the top spot as My Favorite Pandora Hearts Character. Xerxes Break, I doff my own topper to thee. (tips hat)

Honorable Mentions Include...

Elliot Nightray.

Leo.

Jack Vessalius.

Lottie Baskerville.

Lily Baskerville.

Ada Vessalius.

Phillipe West.