#the main thing for us was just doing our craft

[supersoakerfullofblood]

Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

[mdzsartreblogs]

Recognizing AI Generated Images, Danmei Edition

Heyo, @unforth here! I run some danmei art blogs (@mdzsartreblogs, @tgcfartreblogs, @svsssartreblogs, @zhenhunartreblogs, @erhaartreblogs, @dmbjartreblogs, @tykartreblogs, and @cnovelartreblogs) which means I see a LOT of danmei art, and I go through the main fandom tags more-or-less every day.

Today, for the first time, I spotted someone posting AI-generated images (I refuse to call them AI "art" - and to be clear, that's correct of me, because at least in the US it literally LEGALLY isn't art) without any label indicating they were AI generated. I am not necessarily against the existence of AI-generated images (though really...considering all the legal issues and the risks of misuse, I'm basically against them); I think they potentially have uses in certain contexts (such as for making references) and I also think that regardless of our opinions, we're stuck with them, but they're also clearly not art and I don't reblog them to the art side blogs.

The images I spotted today had multiple "tells," but they were still accumulating notes, and I thought it might be a good moment to step back and point out some of the more obvious tells because my sense is that a LOT of people are against AI-generated images being treated as art, and that these people wouldn't want to support an AI-generator user who tried to foist off their work as actual artwork, but that people don't actually necessarily know how to IDENTIFY those works and therefore can inadvertently reblog works that they'd never support if they were correctly identified. (Similar to how the person who reposts and says "credit to the artist" is an asshole but they're not the same as someone who reposts without any credit at all and goes out of their way to make it look like they ARE the artist when they're not).

Toward that end, I've downloaded all the images I spotted on this person's account and I'm going to use them to highlight the things that led me to think they were AI art - they posted a total of 5 images to a few major danmei tags the last couple days, and several other images not to specific fandoms (I examined 8 images total). The first couple I was suspicious, but it wasn't til this morning that I spotted one so obvious that it couldn't be anything BUT AI art. I am NOT going to name the person who did this. The purpose of this post is purely educational. I have no interest whatsoever in bullying one rando. Please don't try to identify them; who they are is genuinely irrelevant, what matters is learning how to recognize AI art in general and not spreading it around, just like the goal of education about reposting is to help make sure that people who repost don't get notes on their theft, to help people recognize the signs so that the incentive to be dishonest about this stuff is removed.

But first: Why is treating AI-generated images as art bad?

I'm no expert and this won't be exhaustive, but I do think it's important to first discuss why this matters.

On the surface, it's PERHAPS harmless for someone to post AI-generated images provided that the image is clearly labeled as AI-generated. I say "perhaps" because in the end, as far as I'm aware, there isn't a single AI-generation engine that's built on legally-sourced artwork. Every AI (again, to the best of my knowledge) has been trained using copyrighted images usually without the permission of the artists. Indeed, this is the source of multiple current lawsuits. (and another)

But putting that aside (as if it can be put aside that AI image generators are literally unethically built), it's still problematic to support the images being treated as art. Artists spend thousands of hours learning their craft, honing it, sharing their creations, building their audiences. This is what they sell when they offer commissions, prints, etc. This can never be replicated by a computer, and to treat an AI-generated image as in any way equivalent is honestly rude, inappropriate, disgusting imo. This isn't "harmless"; supporting AI image creation engines is damaging to real people and their actual livelihoods. Like, the images might be beautiful, but they're not art. I'm honestly dreading someone managing to convince fandom that their AI-generated works are actual art, and then cashing in on commissions, prints, etc., because people can't be fussed to learn the difference. We really can't let this happen, guys. Fanartists are one of the most vibrant, important, prominent groups in all our fandoms, and we have to support them and do our part to protect them.

As if those two points aren't enough, there's already growing evidence that AI-generated works are being used to further propagandists. There are false images circulating of violence at protests, deep-fakes of various kinds that are helping the worst elements of society to push their horrid agendas. As long as that's a facet of AI-generated works, they'll always be dangerous.

I could go on, but really this isn't the main point of my post and I don't want to get bogged down. Other people have said more eloquently than I why AI-generated images are bad. Read those. (I tried to find a good one to link but sadly failed; if anyone knows a good post, feel free to send it and I'll add the link to the post).

Basically: I think a legally trained AI-image generator that had built-in clear watermarks could be a fun toy for people who want reference images or just to play with making pseudo-art. But...that's not what we have, and what we do have is built on theft and supports dystopia so, uh. Yeah fuck AI-generated images.

How to recognize AI-Generated Images Made in an Eastern Danmei Art Style

NOTE: I LEARNED ALL THE BASIC ON SPOTTING AI-GENERATED IMAGES FROM THIS POST. I'll own I still kinda had the wool over my eyes until I read that post - I knew AI stuff was out there but I hadn't really looked closely enough to have my eyes open for specific signs. Reading that entire post taught me a lot, and what I learned is the foundation of this post.

This post shouldn't be treated as a universal guide. I'm specifically looking at the tells on the kind of art that people in danmei fandoms often see coming from Weibo and other Chinese, Japanese, and Korean platforms, works made by real artists. For example, the work of Foxking (狐狸大王a), kokirapsd, and Changyang (who is an official artist for MDZS, TGCF, and other danmei works). This work shares a smooth use of color, an aim toward a certain flavor of realism, an ethereal quality to the lighting, and many other features. (Disclaimer: I am not an artist. Putting things in arty terms is really not my forte. Sorry.)

So, that's what these AI-generated images are emulating. And on the surface, they look good! Like...

...that's uncontestably a pretty picture (the white box is covering the "artist's" watermark.) And on a glance, it doesn't necessarily scream "AI generated"! But the devil is in the details, and the details are what this post is about. And that picture? Is definitely AI generated.

This post is based on 8 works I grabbed from a single person's account, all posted as their own work and watermarked as such. Some of the things that are giveaways only really show when looking at multiple pieces. I'm gonna start with those, and then I'll highlight some of the specifics I spotted that caused me to go from "suspicious" to "oh yeah no these are definitely not art."

Sign 1: all the images are the exact same size. I mean, to the pixel: 512 x 682 pixels (or 682 x 512, depending on landscape or portrait orientation). This makes zero sense. Why would an artist trim all their pieces to that size? It's not the ideal Tumblr display size (that's 500 x 750 pixels). If you check any actual artist's page and look at the full-size of several of their images, they'll all be different sizes as they trimmed, refined, and otherwise targeted around their original canvas size to get the results they wanted.

Sign 2: pixelated. At the shrunken size displayed on, say, a mobile Tumblr feed, the image looks fine, but even just opening the full size upload, the whole thing is pixelated. Now, this is probably the least useful sign; a lot of artists reduce the resolution/dpi/etc. on their uploaded works so that people don't steal them. But, taken in conjunction with everything else, it's definitely a sign.

Those are the two most obvious overall things - the things I didn't notice until I looked at all the uploads. The specifics are really what tells, though. Which leads to...

Sign 3: the overall work appears to have a very high degree of polish, as if it were made by an artist who really really knows what they're doing, but on inspection - sometimes even on really, REALLY cursory inspect - the details make zero sense and reflect the kinds of mistakes that a real artist would never make.

So, here's the image that I saw that "gave it away" to me, and caused me to re-examine the images that had first struck me as off but that I hadn't been able to immediately put my finger on the problem. I've circled some of the spots that are flagrant.

Do you see yet? Yes? Awesome, you're getting it. No? Okay, let's go point by point, with close ups.

Sign 4: HANDS. Hands are currently AI's biggest weakness, though they've been getting better quickly and honestly that's terrifying. But whatever AI generated this picture clearly doesn't get hands yet, because that hand is truly an eldritch horror. Look at this thing:

It has two palms. It has seven fingers. It's basically two hands overlaid over each other, except one of those hands only has four fingers and the other has three. Seeing this hand was how I went from "umm...maybe they're fake? Maybe they're not???" to "oh god why is ANYONE reblogging this when it's this obvious?" WATCH THE HANDS. (Go back up to that first one posted and look at the hand, you'll see. Or just look right below at this crop.) Here's some other hands:

Sign 5: Hair and shadows. Once I started inspecting these images, the shadows of the hair on the face was one of the things that was most consistently fucked up across all the uploaded pictures. Take a look:

There's shadows of tendrils on the forehead, but there's no corresponding hair that could possibly have made those shadows. Likewise there's a whole bunch of shadows on the cheeks. Where are those coming from? There's no possible source in the rest of the image. Here's some other hair with unrelated wonky shadows:

Sign 6: Decorative motifs that are really just meaningless squiggles. Like, artists, especially those who make fanart, put actual thought into what the small motifs are on their works. Like, in TGCF, an artist will often use a butterfly motif or a flower petal motif to reflect things about the characters. An AI, though, can only approximate a pattern and it can't imbue those with meanings. So you end up with this:

What is that? It's nothing, that's what. It's a bunch of squiggles. Here's some other meaningless squiggle motifs (and a more zoomed-in version of the one just above):

Sign 7: closely related to meaningless squiggle motifs is motifs that DO look like something, but aren't followed through in any way that makes sense. For example, an outer garment where the motifs on the left and the right shoulder/chest are completely different, or a piece of cloth that's supposed to be all one piece but that that has different patterns on different sections of it. Both of these happen in the example piece, see?

The first images on the top left is the left and right shoulder side by side. The right side has a scalloped edge; the left doesn't. Likewise, in the right top picture, you can see the two under-robe lapels; one has a gold decoration and the other doesn't. And then the third/bottom image shows three sections of the veil. One (on the left) has that kind of blue arcy decoration, which doesn't follow the folds of the cloth very well and looks weird and appears at one point to be OVER the hair instead of behind it. The second, on top of the bottom images, shows a similar motif, except now it's gold, and it looks more like a hair decoration than like part of the veil. The third is also part of the same veil but it has no decorations at all. Nothing about this makes any sense whatsoever. Why would any artist intentionally do it that way? Or, more specifically, why would any artist who has this apparent level of technical skill ever make a mistake like this?

They wouldn't.

Some more nonsensical patterns, bad mirrors, etc. (I often put left/right shoulders side by side so that it'd be clearer, sorry if it's weird):

Sign 8: bizarre architecture, weird furniture, etc. Most of the images I'm examining for this post have only partial backgrounds, so it's hard to really focus on this, but it's something that the post I linked (this one) talks about a lot. So, like, an artist will put actual thought into how their construction works, but an AI won't because an AI can't. There's no background in my main example image, but take a look at this from another of my images:

On a glance it's beautiful. On a few seconds actually staring it's just fucking bizarre. The part of the ceiling on the right appears to be domed maybe? But then there's a hard angle, then another. The windows on the right have lots of panes, but then the one on the middle-left is just a single panel, and the ones on the far left have a complete different pane model. Meanwhile, also on the left side at the middle, there's that dark gray...something...with an arch that mimics the background arches except it goes no where, connects to nothing, and has no apparent relationship to anything else going on architecturally. And, while the ceiling curves, the back wall is straight AND shows more arches in the background even though the ceiling looks to end. And yes, some of this is possible architecture, but taken as a whole, it's just gibberish. Why would anyone who paints THAT WELL paint a building to look like THAT? They wouldn't. It's nonsense. It's the art equivalent of word salad. When we look at a sentence and it's like "dog makes a rhythmical salad to betray on the frame time plot" it almost resembles something that might mean something but it's clearly nonsense. This background is that sentence, as art.

Sign 9: all kinds of little things that make zero sense. In the example image, I circled where a section of the hair goes BELOW the inner robe. That's not impossible but it just makes zero sense. As with many of these, it's the kind of thing that taken alone, I'd probably just think "well, that was A Choice," but combined with all the other weird things it stands out as another sign that something here is really, really off. Here's a collection of similar "wtf?" moments I spotted across the images I looked at (I'm worried I'm gonna hit the Tumblr image cap, hence throwing these all in one, lol.)

You have to remember that an actual artist will do things for a reason. And we, as viewers, are so used to viewing art with that in mind that we often fill in reasons even when there aren't. Like, in the image just about this, I said, "what the heck are these flowers growing on?" And honestly, I COULD come up with explanations. But that doesn't mean it actually makes sense, and there's no REASON for it whatsoever. The theoretical same flowers are, in a different shot, growing unsupported! So...what gives??? The answer is nothing gives. Because these pieces are nothing. The AI has no reason, it's just tossing in random aesthetic pieces together in a mishmash, and the person who generated them is just re-generating and refining until they get something that looks "close enough" to what they wanted. It never was supposed to make sense, so of course it doesn't.

In conclusion...

After years of effort, artists have gotten across to most of fandom that reposts are bad, and helped us learn strategies for helping us recognize reposts, and given us an idea of what to do when we find one.

Fandom is just at the beginning of this process as it applies to AI-generated images. There's a LOT of education that has to be done - about why AI-generated images are bad (the unethical training using copyrighted images without permission is, imo, critical to understanding this), and about how to spot them, and then finally about what to do when you DO find them.

With reposts, we know "tell original artist, DCMA takedowns, etc." That's not the same with these AI-images. There's no original owner. There's no owner at all - in the US, at least, they literally cannot be copyrighted. Which is why I'm not even worrying about "credit" on this post - there's nothing stolen, cause there's nothing made. So what should you do?

Nothing. The answer is, just as the creator has essentially done nothing, you should also do nothing. Don't engage. Don't reblog. Don't commission the creator or buy their art prints. If they do it persistently and it bothers you, block them. If you see one you really like, and decide to reblog it, fine, go for it, but mark it clearly - put in the ACTUAL COMMENTS (not just in the tags!) that it's AI art, and that you thought it was pretty anyway. But honestly, it'd be better to not engage, especially since as this grows it's inevitable that some actual artists are going to start getting accused of posting AI-generated images by over-zealous people. Everyone who gets a shadow wrong isn't posting AI-generated images. A lot of these details are insanely difficult to get correct, and lots of even very skilled, accomplished artists, if you go over their work with a magnifying glass you're going to find at least some of these things, some weirdnesses that make no sense, some shadows that are off, some fingers that are just ugh (really, getting hands wrong is so relatable. hands are the fucking worst). It's not about "this is bad art/not art because the hand is wrong," it's specifically about the ways that it's wrong, the way a computer randomly throws pieces together versus how actual people make actual mistakes. It's all of the little signs taken as a whole to say "no one who could produce a piece that, on the surface, looks this nice, could possibly make THIS MANY small 'mistakes.'"

The absolute best thing you can do if you see AI-generated images being treated as real art is just nothing. Support actual artists you love, and don't spread the fakes.

Thanks for your time, everyone. Good luck avoiding AI-generated pieces in the future, please signal boost this, and feel free to get in touch if you think I can help you with anything related to this.

[twizzie-lairs]

My Darling, My Honey

Alastor X Fem!Reader (Part 5)

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Quick Notes:

This is when both reader/you and Alastor are both alive. (... we'll probably end up in hell later on btw so stay tuned...)

Reader is an artist/painter.

Part 5:

It was almost pure bliss.

Except many months later, you found out a secret of his one day.

He was an exceptional chef, you were always in awe of how he cooked such magnificent dishes every day.

But one day, you peeked out into the forest through the window in the living room and saw Alastor standing alone, covered in blood. Your first instinct was to run outside, so you did just that.

You rush to his side and ask if he's okay, and what had happened to make him covered in such copious amounts of blood.

He blinks a few times before oddly turning his head to you, breaking out of his stupor, "Oh my dearest (y/n), do not fret so. For I am only acquiring our dinner for tonight!"

You look down at what he is holding in his hands. Your hand shot up to cover your mouth. A leg. A human leg. Your eyes then trail to the ground where you see a bloody human body, mangled beyond recognition. "This is.. dinner?"

A large grin appears on Alastor's face, "Quite right! This one should be enough to last us through the week!"

He looks at your face with an almost vicious look to his eyes, awaiting your response anxiously, not that he would let that show, anyways.

All you can manage is "Oh. Okay." Before you walk back inside the house without another word.

It's no exaggeration to say that your brain chemistry was permanently altered from that moment onward.

The situation felt so strange and bizarre, you didn't know what to think. Part of you knew that was he's been doing is extremely horrible and corrupt. It almost made you empty the contents of your stomach, it didn't feel real.

It didn't feel real, but suddenly some of Alastor's behaviors started to make sense. His picky taste for food...He never let you help with cooking, you had chalked it up to him being more of a perfectionist, but now... you know its more than that. He was hiding the fact that he was butchering and preparing human flesh, right in your very home, all this time.

But.. for some reason... all you could think about was how dedicated he was to providing a comfortable life for you, because he truly loved you. Everything he did every day showed you that you mattered and that you deserved only the best.

"But I still love him with all my heart... maybe I'm just as messed up..." Was a sentence your mind kept repeating to itself for quite some time.

Your appetite shrinks after the initial shock for a few days, but you were never one to skip meals or have your appetite be gone completely, even if you were sick. In this instance, you weren't sure if it was a blessing or a curse in this case.

The meals he made for you had never made you sick in the past, so your body was already used to eating his cooking, and he made such amazing food, carefully crafted with such love and attention to detail, you couldn't help but keep eating his delicious cooking, no matter how bizarre and immoral it was.

"I think I really am just as messed up..." The thought crossed your mind again, but thoughts were interrupted by a rare occurrence, a kiss on the cheek from Alastor as he set your plate down in front of you.

The fact that you never stopped eating his cooking and always thanked him for his food and hard work, even after knowing where the main ingredient comes from, solidified the fact that you were the one. You loved him even after seeing him all bloody, holding a dismembered corpse, and telling you it was dinner. It was this pivotal moment that he knew, that you were the one to be his beloved forever.

In the coming weeks, things went back to "normal". You were settling into the new normal, as Alastor didn't hide the meal prep like he used to, and seeing him bloody and bringing in mysterious cuts of meat into the house became a normal sight to you.

One night when you were going to see Mimzy, Alastor informed you that he was unable to escort you that night. You were a little disappointed, but he assured you it was okay for you to go, it was just that he had plans that he wouldn't divulge any information on, no matter how much you pressed him.

Little did you know, but that night, Alastor was out on the town shopping for the perfect ring to propose to you with.

-> Part 6

[11cupids-tarot11]

What's going on right now? Need Clarity? A message from Spirit!

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Choose a selfie! ☆

︻デ═一・・・・・・・・・・・・・・

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I 🫶🏾 y'all!

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Pile 1- 9 of Pentacles, 9 of Wands, Princess of Pentacles, 3 of Cups, 8 of Cups, 9 of Swords, The Hermit, Ace of Cups, King of Cups, Ace of Wands, 2 of Cups, extra card- Prince of Pentacles.

Bottom of the deck- The Lovers

Hi my pile 1!

Today I feel like Spirit really wants to talk about you and your work. I heard something about planting roots, could be a literal 9-5 job we're talking about or even a relationship for some of you (I'm picking up on a masculine here), but I'm feeling like it might not be the way you want to to be right now, you're not seeing the results of all of your hard work but the Nine of Pentacles talks about having to climb that last mountain before you can reach the top and rest. This energy here is expressing though we may be so tired and want to give up it's very important you look back and see how far you've come in any given situation, how much you've progressed with maybe in a job, or something that really matters to you like finishing a book or even how much progress you've made in a relationship as well. (My phone buzzed as confirmation, I feel like there's a little bit about love in this reading which is crazy because I'm trying so hard to be diverse and not talk about romance so much but other forms of love too lol). Overall I'm getting don't give up, I know it's a struggle but sometimes it's good to sit back, reflect and remember our "Why". We just need that extra push of motivation, whatever motivates you, even if it's taking a small break before you decide to get back at it again, anything but quit! An example I could use is when I'm working on my Digital Art for a good hour and decide I still don't like how my drawing looks, I get tired but deep down want to finish it soo bad, so instead of giving up I take a break, let my fingers breathe and get a snack before going back at it again, sometimes it's okay to not break your back trying to finish projects no one's perfect.

So I feel like Spirit also wants to warn us of becoming too materialistic, it's clear this message is for someone who's worked hard to get to where they are now, but I feel like you haven't had the time to celebrate that because you're too focused on moving on to the next thing so quickly, we should appreciate and honor and celebrate all that we've done for ourselves even if you haven't reached the highest goal you've set, go out and celebrate with people you love! You deserve it!

So I feel energy like someone putting so much on themselves, I feel like you make yourself your main concern? If that makes sense? Like someone who gets frustrated at themselves because they quit something, someone here overworks their mind way too much, to a dangerous point. You're pushing your body to work so much because of a certain goal and I see here you see yourself as the problem. You are the very thing that crafts your reality but you can also break it as well. You know that saying less is more? I just heard it in my head, like if you stopped focusing so hard on this and live a little you might manifest it better not obsessing over it so much.

I'm picking up on two different messages, one is for someone who hardly has fun, I think the main message for you to overcome some things is to reach out more to people you love, spend more quality time with them! Have fun, go out and just go for a walk or sit in the park! Do something that doesn't feel like a job, you know? For others, I'm getting you might be more introverted, Spirit is encouraging you to branch out more, maybe work is something that you've just always known and been comfortable, but Spirit is encouraging you to go make some friends, step out of your comfort zone a little! Sometimes someone's companionship is all you need and you would've even realize it because if you're like me and hardly care for socializing it's something you can definitely live without, can't miss something you've never had right? Lol.

I feel some anxiety, negative thoughts and bad coping methods that are no longer serving you, but I feel like this anxiety is just coming from being scared, scared of the unknown especially. This energy doesn't serve you, focus on healing this and pushing this energy out of our consciousness, don't expect it, normalize it or embrace it.

I think as time goes on you could slip into a state of wanting to be alone a lot, I think this is a warning if you continue on you'll always be stuck in that energy. I think the hermit also reminds us to consider ourselves better, present and future, encourages to get to know yourself as well, take time to really understand and appreciate yourself.

I think you're a kind person, I'm seeing here you're represented by the Ace of Cups as well as how you see yourself, which means there is self love there, even if you don't see it or feel it's not impossible! Take it day by day, step by step, whatever that looks like for you! You have lots of joy and sunshine 🌞 maybe you're someone who likes to keep a positive appearance and rarely ever show your real emotions especially if they're negative.

I keep picking up on small messages of someone waiting for a specific love interest or maybe just waiting for your love life to get juicy in general.

I feel like someone's hoping for a connection, there's lots of masculine energy here. This is a special message so if you've been hoping for a specific person Spirit knows! I can't get much but maybe that's because it's not supposed to be a love reading, but I did get that message, Spirit hears you. Maybe this masculine is also a person some of you know, like they're in your life already and they have a heavy impact on you. I'm seeing for some of you it doesn't have to be romantic, could be a father figure for those of you wishing to get closer with your father's!

In conclusion, I don't want to say you'll never find a solution to your problems, but I will say life will always be throwing tough situations at us, at any given time, I think the highlighted message here would be that our mindset is the key here, you can't change your situation maybe but you can decide how you handle them. A strong mindset is always important, a clear and positive one. It's not an answer, no, but it's more like encouragement. I feel like Spirit wants to remind you as long as you have you, you'll never really be stuck or lost, you have the power to see the greater good of any situation or the power to visualize and manifest a life or outcome of a situation you want!

Hope you like this reading! Love you! <3

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Pile 2- The Hermit, Judgment, Eight of Pentacles, Four of Cups, The Tower, The Star, Three of Swords, Nine of Cups, Nine of Wands, The hanged man and The World.

Back of deck: Queen of Cups

So the Hermit is once the fool, right? I feel this card is drawn today to point out that you need to focus on something with yourself. You're being pushed to learn more about yourself maybe, I'm getting this card also signifies someone who mostly spends their time alone, this could be because you're being drawn to focus more on yourself and this could also serve as a warning for some that you could be surrounding yourself with too many energies. Either way this card does signify a change does need to happen. A path needs to be taken. Something needs to be done, let's see what it is!

So currently it's healing, I'm seeing it's something heavy on your mind and heart. Well, with the Justice I hear that you have the option to heal right now, you maybe have been wondering what does healing really mean? and I'm hearing that the Angels Gabriel maybe are present with this card and that the path to healing is about to basically open up for you to take. I want to go into great detail about what I mean but can't find the best words, my book describes it like 'an opportunity to scrape off any remaining bits of mud clinging to your boots'.

I feel like someone here is very focused on healing for the greater good, you have a desire, strong will and determined just to do better for you and with the Eight of Pentacles it serves as kind of a confirmation that your guides do see and hear your efforts. Some of us could even be manifesting greater things, better days and your guides definitely do hear you! Makes me feel like they're hinting that your wish will be granted soon, the judgment card does often hint at justice! ;)

I know it might be confusing or some of you are probably like "what?" But I'm hearing that you'll just get random downloads and be like "oh yeah, duh! I should totally try doing that." A specific message for a few of you lol.

So the four of cups makes me feel like your guides are just pointing out more the need to kind of take a break away from everything and everyone. Maybe you're around people who don't have your best intentions or don't really serve you or your healing journey and spirit warns to watch who we keep around, it might be time to cut some people off. Some of you might be getting invited out, it's okay to reject them and let them down easy, take time for you, it's okay to not be bothered and be in the comfort of just yourself! <33

Right now I feel like you're carrying a lot of tension, anxiety and there's a call to release all of that, a change, I feel like being around people might be causing this anxiety because this is supposed to represent your external energy and you got the tower card, but so far all I'm getting is isolation is good for you, which is making me think there might just be a specific person causing this anxiety, if they make you feel bad they're not worth having around, i had to learn that the hard way whoever needs to hear this 😭 🩷

So we're letting go of burdens, anything that's holding us back, we're getting into really good energy! I love this pile honestly lol. You got the hope card! While all of this is happening, you're going to be passing through really heavy energy I bet, it might feel like you got hit by a bus even but your guides want you to remain hopeful! Try to stay as optimistic and positive as you can be, showing gratitude can also help right now! But good job! You're looking at every corner of your shadow self, you're doing a really good job too!

Okay, see! The three of swords is heavy energy but it does signify ✨ NEW 😍 and BETTER 😩 things for us! If you keep going this road, you're going to find something that really brings you contentment and life will feel good again for you! You're getting justice baby!!! I'M TRYING TO GET YOU HYPED BECAUSE YOUR GUIDES ARE PROMISING EVERYTHING YOU'VE WISHED FOR!! 😍😍 Lol whatever that might look like for you, like lately I've really been wishing for a new apartment, so when spirit says my wishes are about to be granted I'd get real excited because that means I'm gonna find a way to get that new apartment soon! Lol.

So right now I feel like you know you're able to manifest these good things all on your own. I feel like a few of you are like me and it maybe took you this long journey to get where you are now, maybe mentally or also in a physical matter, either way you look back and see how far you've come, you still want so much more and maybe you kinda pick on yourself when you realize that but your working on being content and grateful and moving forward now that you really understand how to now!

So I'm hearing that you might have some fears about never seeing progress, or maybe you're grinding very hard I'm talking day and night and you haven't seen the results you want, but you'll get there! I'm hearing the only way you don't is if you give up on yourself. As long as you have the consistency, motivation and power to keep showing up you will definitely see the results you want!

You got the world card as your outcome! This is a possible outcome, the world represents completion usually all things of a happy ending basically! Which means this is how your outcome will be! You do big work and receive big rewards from the universe! You're going to be sooo happy, you're on your way to your biggest achievement yet I feel! Congratulations! 🤭😍

I also heard a message about someone needing to further develop their spiritual growth!!

Hope you enjoyed!! 🩷 Love you sweetie piez

✮ ⋆ ˚｡𖦹 ⋆｡°✩

Pile 3- Eight of Cups, Temperance, Three of Cups, Seven of Cups, Princess of Wands, Ace of Cups, King of Swords, The Emperor, Princess of Cups, Ace of Swords, Two of Cups.

Hii! ☺️ So there's a message for you in pile 2! Specific for some of you, maybe if you felt drawn to more than one pile I highly recommend checking it out because I could not stop channeling that!

Let's get into your reading now!

So you're currently in an era of change right now, moving away from toxic energies, environments, mindsets and/or situations, I'm hearing it's because you're embarking on something new and you want to have a fresh clean state basically. Good for you! I totally resonate with that, it's a very good example of bringing home a new puppy even though you already have a dog, you still buy the new dog it's own toys and personal items because you can't just take the old dog's things and give it away, you have to start all over again and buy fresh items, you know? Weird example but this is the best I could explain it 🤣 I don't even have a dog so bare with me lol.

So I see that you're currently questioning how to go about this, and I get the feel that the Temperance card is telling us that we have that answer within. I think Spirit really wants to remind you to listen to your inner child as well, not only that but all parts because it's very important, even our shadow selves. So I feel like that's something you're going to be going through, mental clarity. This energy is a lot like pile 2! There's an overlapping message! Pretty soon you'll be gaining insight, like you'll be receiving downloads and messages from your team and everything will just "click" for you, yk? 😭 Lots of magical energy in all of the piles today it's crazy. I think you're also going to be learning how to balance yourself out, you're going to Intuitively just know because you've done the work searching every part of yourself!

So I see some tension and desire around three of cups, maybe someone here could be wishing for healthier connections, maybe there's some fear of being alone even and it's triggering some healing to be done around that area.

So like I said earlier, you're going to be receiving some intuitive messages that will bring you lots of clarity which is confirmation with the Seven of Cups, it'll just come to you, you might receive an important dream soon! So just keep on keeping on lmao basically stay true to your goals and keep forward on your path!

Okay okay I see you working on moving into your Princess of Wands energy! So the Princess part is like someone who's still learning, so you're going to be in an energy that you're in control of! I feel like you're already represented by the Princess of Wands energy and you're just working on being Queen now! You're going to learn how to utilize your personal energy, creativity and sexual power. Okay so you're going to need this new energy for the path you're going down, you're going to shine through it, literally you're a star whoever you are lmao other people see your energy too, you're someone people look up to! You're embarking on a new journey, I feel like I keep repeating myself a lot but even in my tarot book it says the exact same thing in the card description as the messages I'm channeling from Spirit 🤣 I've gotta start a YouTube so I can show you guys more! Or would you guys prefer if I just included pictures? I don't for aesthetic purposes but let me know guys!

Anyways, back to YOU lol,

So I see you wishing for lots of abundance like love maybe, doesn't have to be very deep and serious like marriage but I feel like a few of you want a baby and someone that loves you and it's a dream of yours, but you're probably putting that dream to the side right now to work on yourself which is good! That way when you are ready to receive you'll know exactly what to do with your gifts, treat them nicely lol! I do see a promising future for you where you receive all of that plus the self love from yourself which will already come first before anything, I think it's really beautiful energy I really like this pile 😭 I love you whoever you are, you feel so sweet!

OOO I see a King of Swords in someone's future? I feel like this is a romantic for a few of you because you also have the Two of Cups as your ending card which represents union to me. My book describes this person as fascinating, and talkative, they'll be very good at providing you emotionally and physically wise! I feel like after all of this work you're finally getting the connection with someone you've been waiting for!

Gender doesn't matter here, but you might see yourself as the Emperor, even if you struggle to, the outside world does too! You're a born leader, you're strong and intelligent enough to LEAD the team! People respect you I feel like, you're very hardworking, you like to set goals, some people might call you a nerd lol 🤓. I feel like in school you were the one who took control in group projects, you're very outspoken and an outgoing person, people love to be around you!

You might not have had many relationships, I'm hearing you might be kind of scared of love and have some hope and fears around it, you'll be discovering your own love language I hear ☺️ how precious omg.

So someone around you with the Ace of Swords suggests that someone you've already had your eye on someone for a while, a few of you might even be in the talking stages still! Either way you might already know who you're coming into union with 🤣 Crazy! For others of you, you will be meeting this person soon! A complete stranger you'll just bump into within divine timing on the weirdest day of your life!

So the Two of Cups is your outcome! With the two of cups it means you'll get the perfect person you've been waiting for! Which is what you've been wishing for, right? (Me too😭) I'm seeing that picturing your perfect person will help manifest them! Some of you could be dating after heartbreak as well I'm picking up on, for those of you who are single you'll be glowing! People will notice and compliment you a lot more. You're just ready to receive while being in your Queen energy! Real hot girl shit 😍 lol I love that omg.

Lots of water energy, someone could be a water sign, Pisces, Scorpio or Cancer or have those placements heavily in ur chart. Someone here could like the color blue or purple or those colors might be significant for you. The number 4 might also be significant. Someone could wear red a lot.

I hope you enjoyed this reading! Love youuu!!!

[barbwritesstuff]

I went to a couple of writing workshops on the weekend and one of the authors speaking had some very prescriptive things to say about writing.

Things such as:

"If you don't use the hero's journey structure your writing is ugly."

"There can only be one protagonist. If someone tells me they have multiple protagonists in their story, they fundamentally don't understand the craft of writing."

"Readers have to empathise with the main character. Being relatable is the most important trait for a main character to have."

"Action comes before dialogue."

"Our bodies mimic the breathing patterns in punctuation."

"Stories have to have a satisfying ending, or they're not good stories. Unsatisfying endings are a modern invention which has harmed book sales."

And. Look. I know I'm not a big, famous flash-bang author or anything.

But some of these things are just outright false. I also really feel like this sort of attitude is (at best) snobby, and (at worse) shitty.

It's also not a very new attitude. Since the dawn of humanity, humans have been saying things like: "Stories are only good if XYZ."

And so, I just wanted to get online and say one thing:

"Aviate. Navigate. Communicate."

Those are the actions pilots are meant to do in an emergency. It's very important that they do them, in that order, because if they don't, there is a higher probability of disaster.

Like... crashing to the ground in a flaming ball of death level of disaster.

Writers (and I cannot stress this enough) are not pilots.

If we break rules, no one dies.

Sometimes, when we break rules, wonderful things happen.

So—while I think it's hugely useful to learn about story structure, craft, etc—coming at an art with absolute rules like this, is silly.

We're not pilots. Lives are not on the line. We can (and should) be creative and have fun. And if it doesn't work out? Oh well. That's fine. That's how we learn and grow as writers.

Also, what works for one writer may not work for another, and that's fine. Commerical success isn't everything... and there are actually plenty of very commercially successful books and stories that break these 'absolute' rules this author talked about.

So...

Yeah.

That's my lukewarm take.

Write and have fun. Don't worry about this sort of snobby silliness.

P.S I did actually enjoy the workshop and I think overall this author had good takes. I think there were just some very silly takes sprinkled in and I've been ruminating on them for a couple of days.

[fandomtrumpshate]

FTH 2024 Creator Signups are OPEN!

The moment you've been waiting for has arrived! But before you rush straight to the signup form, note that a few things are different from last year:

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[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[merrybloomwrites]

HS4 at Midnight?

Summary: Harry's performance with Stevie Nicks has his fans wondering if HS4 will be announced soon. Little do they know that you and Harry have other exciting news to share.

Word Count: 770

------------------------------------------------------------------------------

When Harry steps out wearing his suit, you get hit with a wave of nostalgia. It’s been nearly a year since he’s last been on stage, and what a year it’s been. So much has happened in your lives, and miraculously, Harry’s fans still haven’t figured it out. 

They’ll know soon, though. But the secret is safe for a little bit longer.

“Can you help with the pin?” He asks, and you quickly straighten the bird he’s wearing in honor of Christine. 

“How are you feeling?” you ask.

“Excited. And nervous. I always love singing with Stevie. But it’s been so long, and I just know my fans are gonna go crazy. It’s been so calm lately,” he answers.

“I know, I love our little bubble too. But I really think it’s the time to pop it, don’t you agree?”

“You’re right, as always,” he says and presses a kiss to your lips. 

After another few minutes you leave Harry’s side so he can head backstage. You join Gemma and the rest of Harry’s friends who are there to watch. 

When he comes onstage you stick close to his sister. You’ve become so close, especially lately, and you’re truly both a bit emotional watching Harry sing with one of his idols. Neither of you do a great job holding in the tears of overwhelming pride seeing him up on that stage.

After the show is over you and Harry head back home, choosing to ignore social media for the moment. But you can’t help checking the next day, and one thing in particular catches your eye.

“They’ve all got a theory,” you say to him, providing no context.

“Who?”

“Your fans. They seem to have noticed a pattern.”

“Ah, and what would that be?”

“That you always do a performance like this and then announce a new album right after. So far I’ve seen about twenty people saying ‘HS4 at midnight?’”

Harry laughs and replies, “Oh they have no idea what’s about to go down.”

You’re about to respond when a sound distracts you, pulling you away from the conversation. 

A few more days pass and you walk into the living room to see Harry on his phone, giggling and typing.

“What are you doing?” you ask. He doesn’t answer, just turns his phone to you so you can see what he’s up to. He’s on instagram, making a story to post to his main account. It’s just a black screen with the eyes emoji and the word “tomorrow”.

“Oh you are so mean,” you say, laughing right along with him. 

“It’s fun to tease them, just a little bit. And see all their theories. I wonder if anyone will guess right.”

“A couple might. I mean, most will guess new album but there will definitely be some who think differently.”

“We’ll know soon,” he says as he officially posts his story. The views come a second later, and within minutes people are posting all over the internet, excited to finally hear from Harry after a year away.

The two of you spend time that evening crafting the announcement post, choosing just the right pictures and caption. You hope that people won’t be disappointed, but try not to think about the potential negative responses. Rather, you and Harry focus on the excitement you know will come.

The next morning, after a quiet family breakfast, Harry looks over the post one last time before sharing it with the world. 

Under a series of photos of your beautiful family, all posed just right to hide your newborn daughter's face, is the caption “Baby Styles. Out now. This past year has been the most exciting time in my life. Becoming a father has been a truly wonderful experience. To my wife, thank you, thank you, thank you, for this gift. I am so impressed by you, so proud of the mum that you are, and I cannot wait for us to watch this little girl grow up together.”

For the rest of the day, you and Harry keep an eye on the comments while taking care of your two month old. As expected, some people are disappointed by the lack of new music, but the response is overwhelmingly positive. Everyone is excited that Harry is officially a girl dad, and the word ‘congratulations’ is written so many times it starts to look fake. 

That evening, you settle in for your favorite concert of all time. This one happens every night, and it’s just for you and your little one. As Harry croons to your daughter, you grow impossibly more fond of this man.

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[jinnie-ret]

could we maybe get a part two to fallen Angel? Maybe it could have her healing process, like her physical therapy process, and the fan reaction? I just love reading your work :3

fallen angel pt 2

Stray Kids x Ninth Member!reader (Platonic)

content warnings: mentions of injuries (ankle, rib)

genre: fluff, angst

word count: 2.2k

after suffering a nasty fall in a Kingdom performance, Y/N is eager to get back on her feet, only to feel downhearted when she receives some less than motivating news. it's a good thing she has the boys there to support her.

Thank you so much @mynameisnotlaura for this request!! I hope you enjoy! :)

As always, if you enjoy please like and reblog! And my asks are open so be sure to leave in some requests if there's anything you'd like to see!

MAIN MASTERLIST

Stray Kids' Fans in Uproar as Second Member is Removed from Kingdom: Legendary War

With just a few more weeks until the finale of the competition between six boy groups, a second member of the group Stray Kids has been removed from the show.

MNET have released an official statement saying:

"Due to faulty equipment that had not been properly authenticated by outside distributors, Y/N of Stray Kids sustained an injury that has prevented her from continuing in the competition. This is a very unfortunate situation and we wish her a speedy recovery."

However some fans have speculated that it was actually MNET's fault and that they should have checked the equipment themselves.

What do you think? Let us know down below:

Comments:

First Hyunjin, and now Y/N, this is so sad to see our group of 9 go down to 7...

It's clearly MNET's fault! You could tell Chan was angry about something before making sure Jeongin was ok

I wouldn't be surprised if Bang Chan went off at the staff, we all saw how annoyed he was in that one vlive...

Our poor maknaes, I hope they're both doing ok! Jeongin, Y/N, fighting!

I hope the rest of the boys are doing ok, now that they're down two members...

The way you can see the moment things go wrong in the performance and Y/N still manages to keep a calm face!

Okay but you wouldn't have been able to tell that Y/N got injured until they showed it after the performance.

Y/N put her phone down sighing. She was glad there was no nasty comments from what she read but she still didn't feel all too optimistic. MNET had blamed someone else for her injuries, and had also denied her requests of participating in the competition once more. Sure, she wasn't fully healed yet, but they could have let her be a part of it somehow without her dancing too strenuously. And no, she wasn't going to accept their request to just sit backstage and watch. In any other world she wouldn't mind doing so, but she knew that MNET would manipulate their footage and craft a vision that reflected badly on her own part.

It had been a couple of weeks since they filmed that performance, and a week since the episode was released, and Y/N was still on bed rest. Anytime a member saw her hobbling about they'd immediately do the thing she wanted for her, or escort her back to her room. Cutting a long story short, she felt like she was in a hell of some kind. Y/N longed for her independence, which added on top of the reasons why she was feeling so angry and upset and just... jumbled at the moment. It wasn't even like she could hang out with Hyunjin, because when the members left for practice, not before checking up on her of course, she would be left alone in the dorms. Hyunjin was spending his hiatus at home at the moment, but she was excited to see him soon after filming for Kingdom was finished.

Shuffling out of bed, and letting out a harsh breath at the pain that hit her mid section, Y/N slowly stood, now having to hobble across her bedroom floor with crutches, careful not to further distress her sprained ankle. Some say she was lucky it was only a sprain, but really it was a pretty severe one that was she lucky it didn't do any permanent damage.

"You should be in bed," Lee Know sternly said, back turned to her as she entered the kitchen.

"How did you know it was me?" Y/N pouted, letting out a groan as she leant against the kitchen counter.

"Here let me, careful, careful," Han gently supported her weight momentarily, helping her into a seat and offering a smile at her.

"Thanks, Hannie," Y/N smiled at her squirrel like member, turning back to Lee Know.

"Not hard to distinguish the difference between crutches and hobbling, to normal footsteps. Plus you normally run in for my breakfasts but you can't do that at the moment," Lee Know tapped Y/N on the nose as he put a plate of pancakes in front of her.

"Hey... don't remind me," Y/N said, shoulders feeling tense as her irritation was evident on her face.

"Yeah, you'd normally be the first one in here," Seungmin chuckled.

"Stop," Y/N slammed her fork down against the table, feeling bad for suddenly lashing out but she also felt so annoyed at the fact she currently couldn't do less.

"Sorry, sorry, we won't mention it no more, unless you want to, okay?" Felix calmed her down, one hand on her shoulder as the other ran through her hair.

"No, it's okay, I'm sorry, it's just... It's really annoying, I've ranted enough about it, you guys already know what I think about it all," Y/N waved her hand dismissively after her apology.

"Doesn't mean we don't want to hear it," Changbin reminded her, as he always did, being the great listener he is.

"Yeah, plus you know you've got our support and the fans' too, right?" Jeongin quietly pitched in, still not fully awake himself.

"I know, I know," Y/N nodded, taking a bite of her pancakes, humming in delight.

"Good?" Lee Know rose an eyebrow from across the table at her, a satisfied smile appearing on his face when she nodded enthusiastically.

Bang Chan emerged from his room just a everyone was finishing breakfast.

"Come on, time to go!"

"You missed breakfast," Changbin tutted at him, Chan only able to respond with a sheepish smile.

"You have to go so soon?" Y/N asked quietly. She could already predict how her day was going to go. Lay down, watch Netflix, sleep, repeat.

"Sorry sweetheart, got a lot of recordings to do today and we need to practice for collab stages on the show," Chan felt bad for his dongsaeng, he could tell she was feeling lonely, but they all tried their best to keep her in the loop.

"I can't even sing on the tracks?" Y/N asked hopefully, but even she knew that the answer would be...

"No, I'm sorry, you know it could make your ribs feel worse if you do. And you know you've got a physio session today, right? Seojun hyung will come round to pick you up and take you there," Chan reminded her, as she let out a groan.

"Ugh, I forgot about that. At least it gets me out of the dorms for an hour or so," she tried to see the positive side.

"See, not too bad!" Jeongin tried to encourage her, but it fell on deaf ears, knowing no one else would want to be in her position right now.

"Can someone help me to the sofa before you guys head out?" Y/N asked awkwardly. She always was awkward when doing so, feeling a guilt of some sorts that crept up on her in these types of situations.

"If we must," Seungmin playfully rolled his eyes, but was gentle nonetheless as he and Felix supported her onto the sofa.

"You comfy?" Felix double checked, shoving a pillow underneath her lower back to help with the healing of her ribs.

Y/N nodded as she took in some deep breaths, the short walk from the kitchen to the lounge leaving her a bit breathless.

"Are you sure you'll be okay, Y/Nnie?" Han bit the top of his thumb worriedly.

"I'm fine, I've got Netflix to keep me company for now, I'll see you guys later," Y/N didn't even look at them as they left, turning the TV on and hoping to block out her jealousy and irritation.

There was a knock on the door before it was unlocked and Y/N couldn't believe that she had already watched 6 episodes of Modern Family.

"Hi Seojun oppa," Y/N greeted him as he helped her stand and grabbed her crutches.

"Hi, Y/Nnie, how are you feeling today? Ready for your physio?" Seojun said warmly.

"I'm never ready, you know that," she laughed as he helped her out of the dorms and took her to the physio session.

On the way there they listened to some music, and Y/N fought deep within herself to not put her all into singing along. She couldn't make things worse. She wanted to recover as soon as possible.

Throughout the session Y/N herself felt like she was making good progress. Seojun and her physiotherapist, Soyeon, praised her as she did her exercises.

"So, only 2 more weeks left, yeah? Then it's been 4 weeks like you said and I can start working again," Y/N said with a big smile on her face. She was in a good mood from how the session went, which was soon to disappear.

"Yes, I did say 4 weeks, but I also said 4-6 weeks. Unfortunately it seems like your body is taking longer to heal than we initially expected, which isn't anything to worry about but I believe your healing process will be more in the 6 weeks," Soyeon informed Y/N, feeling bad for the younger girl.

"Right, okay, yeah, that's fine... thank you as always, Soyeon," Y/N said with a tight lipped smile and turned to Seojun with a look that said 'I want to go home now'.

And he complied. The manager felt bad, hearing the sniffles Y/N tried to hide during the journey back to the dorms. But knowing the girl, he didn't want to make a big deal of it, and simply passed her a tissue, knowing she would be thankful.

He helped her back into the dorms and took her to bed, letting her rest and feeling slightly reluctant to leave, he eventually did, sending a text to the other Stray Kids members to let them know how she was doing.

'Y/N isn't feeling too cheery. Not a good result to the session today, she's back home now. Could do with some comfort I think.'

And with that, the boys rushed home as soon as they could, not wanting their fellow member to be feeling upset. They knew she was angry, but they hadn't really seen her sadness or tears since the day her injury happened.

"Y/N?" there was a tentative knock on the door.

But Y/N didn't answer, she was too busy being curled up warmly under her duvet, her own sobs sounding muffled to her as she listened to some sad music through her airpods.

"Y/Nnie, hey sweetheart," Chan said softly, brushing her hair out of her face and removing her airpods.

"Adele? Damn she is going through it," Seungmin muttered to himself as he put the listening device to his ear, wincing lightly when Changbin heard and smacked him on the back of the head.

"Go away," Y/N tried to pull the duvet over her head not wanting the boys to see her upset but failed.

"Hey, hey, none of that, what happened at the physio appointment today?" Chan asked worriedly, thumbs swiping away the tears that ran down her face.

"Was it something serious?" Jeongin asked frowning, hoping that it wouldn't be.

Felix sat around the other side of Y/N cuddling her behind gently, for comfort.

"I've got 4 more weeks of this. 4 more weeks of doing nothing," Y/N sniffled, Felix rubbing her stomach in circles with his hand that was draped lightly across her midriff.

"I thought it was 2 more weeks?" Lee Know wondered out loud.

"Me too, but now I'm stuck here like this for even longer. Something about not healing as they expected," Y/N hiccuped on her sobs.

"Calm down, you're working yourself up, it'll be ok, those weeks will fly by," Changbin soothed her as he patted her head.

"I just hate doing nothing. I feel like I'm making you guys do all the work and making you babysit me when I should be pulling my own weight," Y/N confessed after calming herself down a bit.

"It's not like that at all. Plus, we love babysitting our maknae," Han let her know, patting her leg from where he was perched on the bed.

"Speak for yourself," Seungmin joked, making Y/N laugh, and then stop from the pain in her ribs.

"Here, silly, take these," Lee Know handed her some paracetamol to take, shaking his head fondly at her.

"I'm not silly," Y/N sleepily muttered after taking the tablets, leaning back into Felix's arms.

"You are for thinking you're making us do all the work," Chan sighed, still smiling at the girl.

"Yeah, don't worry, there's plenty for you to do when you're up and about," Lee Know said with a devilish smirk.

"That's fine by me," Y/N yawned, eyes fluttering shut.

"She's the only person I know that can sleep so comfortably at the idea of having lots of work to do," Jeongin shook his head with wide eyes.

"Told you, works like a charm," Lee Know laughed quietly at his shocked face.

They all stayed until she fell asleep, leaving just her and Felix in the room in peace.

tagged: @oo-li

[cringefailvox]

i hope that valentino doesn't die in s2, and not just because i like him and want to see more of him.

i actually think val is a really good opportunity for hazbin to dig into how it defines redemption. every character in the show has a different ethical outlook on hell and the idea of redemption, but the two main ones seem to be charlie (everyone is capable of changing for the better when offered support and safety, and everyone should be provided those things regardless of what they've done) and alastor/lucifer/adam (people are naturally inclined towards wrongdoing, there are no second chances, and hell is both a punishment and cosmic justice). val is the perfect character to exemplify the struggle between these two different outlooks. CAN someone as awful and abusive as val be redeemed? and if so, what would that look like? how would we ensure his victims are safe from him while also giving him space to grow and change? if he can't be redeemed, what's the threshold for irredeemability? can we agree on what makes someone so bad there's no hope? can we quantify which sins are worse than others, and how?

(and by the way, what even gets someone into heaven, and who decides? hazbin seems like this is the main question it's beginning to focus on, so i have a lot of hope for how this one will get resolved. because at the moment, it seems like self-sacrifice is what gets you there, and that is deeply unsatisfying to me—you shouldn't have to give up everything, up to and including your life, to be considered "good enough". it's a vehemently christian idea that martyrdom is righteous and i fucking hate it.)

and if charlie's ethics are universal, she'll have to commit to redeeming people like val, otherwise she undermines her entire mission by picking and choosing who gets to have support and who doesn't. if charlie's ethics aren't universal, we could start really digging more into how her personal attachments to angel dust could present a conflict of interest in her values, like we did with vaggie; are people only worthy of her unconditional encouragement if she loves them? what are the implications of THAT?

my personal value system believes that there's no such thing as someone being irredeemable. there's only people who actively choose not to try, even after they've been provided love, support and well-intended challenges from people who want to see them grow. there needs to be space for people to be safe from their abusers and space for abusers to reform themselves and participate in society, otherwise our options become banishment or execution and i doubt that's the ethical message hazbin wants us to walk away with. val's positioning in the narrative and his close connection to angel makes him the perfect candidate to really challenge charlie's commitment to her ideals, since she doesn't already love him (like vaggie) and he isn't actively trying to be better (like angel or pentious). killing him would be unsatisfying, as well as letting everybody off the hook too easy. i want these bitches neck-deep in painful ethical dilemmas.

ultimately, i hope that hazbin goes the teshuvah route regarding sin. in judaism, teshuvah is the process of repentance for sin, but it also means "return" because the hebrew word for sin, chet, means missing the mark. sin is when we don't quite hit the target how we should have. it's not something you're born with, it's something you do, and it's something you can choose not to do. teshuvah is slow and difficult and a lifelong process, not a one-time golden ticket to heaven. i hope hazbin ends up in the same vein as this, where reforming sinners becomes more about repairing broken relationships, crafting a better society, and harm reduction instead of the ultimate goal being entry to heaven. i think that would be far more interesting and cathartic to me than anything else

[ostrichmonkey-games]

OC Incubators: TTRPG Design for Making Cool Little Guys

I've been thinking a lot about why some people like to play Certain Games and how that intersects with action figure style play and the desire to make your own little blorbos.

What is it about Certain Games (which will not be named so I don't go down a rabbit-hole of breaking apart that game's design lmao) that really gets people's sitting down and just making a whole bunch of cool OCs? You know, your zany wizards, sexy demony bards, and all of that.

So, I've talked a lot about this with some people (shoutout to @temporalhiccup), and I'm not the only person to be thinking on similar wavelengths (check out this fun read by @sprintingowl), and in those discussions and in that reading, I've put together a few what I think are Key Ingredients for making ttrpg that is also an OC incubator. At least, in the sense of how I would want to do it.

So first, what is an OC Incubator? My definition is basically any sort of semi-sandbox/open ended game where you make your own cool character and then go do cool things. Along the way of doing those cool things, you come up with cool stories and have your OC evolve in even more cool ways. Cool, yeah?

Here are the key ingredients I've identified for the incubator stew (store bought is fine);

Character Options

Character Potential

An Inviting Sandbox

So let's break these down a bit more below;

Character Options

Character options is the most straightforward of the points. You need interesting and fun options - building blocks - for the players to craft their little guys from. Options that are exciting and easily communicate their core identity quickly.

A lot of this is walking a fine balance of providing enough options that making a choice is exciting, but not too many so as to be overwhelming.

But ultimately, these options are there to hit the dollmaker, picrew, character customization screen, itch. It should be fun to make all those decisions.

Aside: I gotta do more stuff with lifepath systems.

Of all the main ingredients to our incubator, character options are probably the easiest to come up.

Character Potential

This is where things start to get a little more complicated. Potential is all about aspiration. It's less about being able to get to that point, but more about "oh wow, look at all these extra things my cool OC could do".

These options are something to look forward to, something to think about. Neat cool extra doodads for making your cool little oc even cooler and expand on your cool little oc's story like milestones and growth.

In a lot of ways, these sorts of options are just an iteration of the initial character options you use when making your character. These are probably going to expand on core elements of the character options (class or playbook abilities, etc).

Again, the key point is potential and aspiration. To make you think about the future of the character.

I think, ideally, a game is intrinsically rewarding to play. You play it because its fun, not to get some sort of external reward. Play to play. But it also can be fun to put some carrots on the stick.\

As a treat.

Inviting Sandbox

The setting and premise of the game needs to invite players in. It's the big fancy dollhouse for all your cool toys. There needs to be space to play in it, but also there needs to be something to still play in! Some games are operating at an advantage: with well established settings that have been around for years and/or using a setting that utilizes tropes and ideas that also have been established for years. You know. Elves and stuff.

But! You absolutely do not need a well established setting or play with well established tropes to make an inviting sandbox! The main criteria is that it is inviting. Whatever that means to you, go for it. For me, an inviting setting, one that would make me want to play around in, needs;

Enough foundation to guide the play. What are the major players and assumptions of the settings? Give me the overview and broad strokes first!

Enough space for the table to add to while they play in. If every thing is set in stone, then what are we playing in this sandbox for? You need some sand to sculpt! Put some sand in your sandbox!

I could spend a lot more time talking about settings, sandboxes, and how it all circles back to anti-canon, but that's a story for another post.

Mixing It All Together

So, with those ingredients identified, how do you go about layering them all together? How should they interact with each other? And the easy answer is "I don't know, figure it out."

But also, I don't entirely know. You gotta figure that out for yourself. That's part of the design process. I don't think there's one singular way to "design" around getting people to have fun whipping together some cool OCs and then playing around with them together. In many senses, you can do that in practically any game. But for some of my current projects, I want to try keeping the three ingredients in mind as I write the games (particularly Furry Crime Game), and see what happens. Maybe it'll end up hitting the notes I want it to - crafting a game that makes the players constantly rotate their cool little guys in their mind - maybe it'll end up being something else. I dunno, real Ms. Frizzle hours: Get messy, make mistakes.

Also, as I'm writing this out now, I think a potential fourth ingredient to try mixing into the stew is Player Investment. Time, creativity, emotional. It all feeds into the character and different games expect different levels of investment. Something to probably keep in mind while you hone your game.

I don't know how else to end this, except to say that I'm excited to experiment in this space. Maybe you are too?

[inbabylontheywept]

Tactical Sulking

The human ship started the conversation by dumping all of its magazines into blackhole Kepler 92A. The PDC depleted their reserves within two minutes and the spinal mount took about twice as long. It would have been an impressive display of firepower if the Attali didn’t know for a fact that even a direct hit from any of the rounds would fail to punch through their hull. 

So instead of worrying they watched with the kind of morbid fascination that adults get while watching a child have a tantrum in public. They watched the ship light up, shitting ton after ton of tungsten coated iron into the corpse of a dead star until at last they ran out of ammo. Then and only then did the Attali send a second message over:

Are you quite finished? 

The response came back immediately. 

Gimme a moment, I’m just finishing a little math problem. But yeah, if it’s urgent, I can talk to you. What’s up big man? 

The Attali barely spent a second parsing over the message. They’d seen human bravado before. 

We sent you a request to surrender, acknowledging that none of your weapons are strong enough to pierce our hull. You opened fire on a blackhole for about five consecutive minutes. Tantrums and sulking do not impress us. 

The human ship took a moment to respond. 

Well, that’s a pity. The two things I’m best at are tantrums and sulking. The third is juggling, but in zero-g that’s… well. Easy. We could host a little talent show here though, if that would impress you. 

Are you going to discuss your terms of surrender, or are we going to have to kill you?

There was a longer pause before the ship replied back.

You know, a minute or two ago, that would’ve been a very scary threat, but you’ve got about ten seconds before shooting us becomes a mutual suicide. We’d strongly discourage that route. 

The Attali commander actually rolled his eyes. 

It’ll take a minute to charge our capacitors. I can promise it won’t be painful. Your bullshitting is a credit to

The message was cut off as a swarm of something ripped through the lower quadrant of the ship. The targeting sensors lost their minds - the projectiles were coming out of the blackhole. 

What the fuck. 

Main thruster was down, as were the nav lines. He had enough presence of mind to direct the side PDC, using recoil to push out of the line just in time to avoid the brunt of another burst of fire. A standard human ferroslug was caught by the lidar, but it was moving so close to C that instrument error was putting it at superluminal.

A second burst of mini rounds blew past the ship. They didn’t catch the brunt like they did the first time, but the stragglers in the burst tore through what remained of engineering. Casualty estimates in that quadrant went past 60% as the capacitor bank blew out, shorting out the main power conduit to their weapon systems. 

Without even PDC recoil to steer, they’d have been trapped, forced to take barrage after barrage of mysterious black hole bullets, if the human ship hadn’t taken the time to intervene. 

It rammed their craft. 

It was not a combat ram. It was a 15 mph collision that gradually turned up the gas. The little human ship chugged along, nudging the Attali cruiser out of the way, avoiding the next barrage by a mere 500 meter gap. 

It shouldn’t have been possible for a ship to look smug, but it did. 

The Attali sent the first message over. Telecom still worked. Life support was running on fumes, but of course the luxury systems were fine. 

What the hell was that? 

Gravity assisted munitions, the human ship replied immediately. The Attali captain had the damndest sense that they’d typed that in minutes ago and were just waiting to hit the send command. 

He took a moment to parse that.

The bullets weren’t being fired into the blackhole. They were being fired very, very close to it. Enough to slingshot around with stolen momentum. 

It was a stupid, stupid trick. And yet. 

What now? he asked. 

Well, the human ship replied. It was awful nice of you to not just kill us on sight. I suppose we could return the favor. Feel like surrendering today? 

There was a long, long pause from the Attali ship as the captain attempted to swallow his pride. The task was not made easier when, a few seconds later, another message came in. 

Chop chop. Tantrums and sulking do not win wars. *Exceptions may apply.*

[cerastes]

Bro any time I think about Valkyria Chronicles I laugh my nipples off, the game is fundamentally flawed gameplaywise but, simultaneously, it's stupidly fun, which is the recipe for any club banger, it has a story that weaves flawlessly between "that's pretty poignant" and "this is some goofy goober shit", it's got the horrors of war but also this fucking pig piece of shit mascot, Hans,

It's an amalgam of white and black without any gray: It exists on extremes, and it never intersects, it's playing two parallel lines and coming to terms with the fact that you'll never see cohesion but that somehow enhances the end product in ways evidently no one intended. You have narrative comparisons with the persecution of jews and, at the same time, the game ends with the bad guy getting German Suplexed.

But I think the funniest aspect of Valkyria Chronicles The First is that the main character is the farthest thing from a war hero they could possibly muster with the expertise of a stoic Japanese swordsmith from the mountains crafting a god-cleaving blade: Welkin.

This Scout From TF2 Put Through An Anime Filter looking mother fucker was chilling in his hometown talking about how much he wanted to be a teacher and showing people his really good sketches of animals because he's also a gifted artist, when suddenly, the Dudes attack, and his reaction to the Dudes attacking is "hang on, I recall my dad hiding his actual service tank in the shed in the back" so he goes and, yeah, his dad's tank from a previous war is just there, chilling, so he takes it for a joy ride while the town baker, Alicia, armed with a rifle and infinite action economy due to the afore mentioned flawed gameplay, sweeps the entire god damn platoon of heavily armed machine gun troops.

The entire game is Welkin using his love for nature and his baker love interest to inflict insane personnel and materiel damage to an entire empire: Welkin and Alicia will come across a heavily fortified bridge, and the dialogue will go something like

"Welkin! They will pulverize us with the heaviest machine guns known to man if we step one foot in that bridge! They practically developed wooden low-orbit bombardment stations! What's the plan!"

"Well... Look at that duck over there. It's flying from the east to the west, right? Well, YOU SEE, that duck is known as a Balkunese Socioduck, and those, during this season, migrate from west to east, and they only exhibit this irregular flight path if a Matrisgel Weasel family is molting by the juniper berry bushes, their favorite food. Matrisgel Weasels only ever molt if they are put under the exact amount of stress caused to them by the sound of distant tank threads on the road, and they are known to hide in sturdy, stable soil."

"Welkin, SIR, what the fuck does this all mean?"

"If we follow the smoldering shrieking of the molting weasels, we'll find a SECRET PATH that will, as always, let us ambush, flank, and surprise our foes! Alicia, you know what to do."

"Ogggeyyyyy"

and then, invariably, no matter the level, thanks to Welkin's impressive knowledge of fauna and flora, and Alicia's literally infinite action economy in a game that wasn't properly beta tested in-house during development, they combine their powers like a piss poor Captain Planet and kill the absolute shit out of an entire Empire's worth of dudes, and it's legitimately one of the most fun and charming games you'll ever touch if you remember to not take it too seriously. I fucking hate Hans but I love this game.

[luv-indigo]

okay so, redesigning nadine for the third and (hopefully) final time. i felt she looked too similar to soraya (my keyframes fall mc) so i changed nadine up a bit. also!! i was trying to find oc templates to fill out for my visual novel ocs and although there’s so many out there, none were exactly what i was looking for soooo…. I made my own! i’ll post my other our life ocs with them soon but first, nadine ! (again)

I’ve also changed my own mind. Nadine will be my MC for Qiu’s route.

Nadine introduction <3

Nadine spent much of her early childhood moving from place to place, all within her home state of California but oftentimes in different cities. Moving around so often made it hard to keep in contact with friends and after a while made it especially hard making friends in the first place.

When Opal tells Nadine they‘re moving once again, Nadine is surprised to learn they’re moving to Oregon, their neighboring state. This time, she learns it’ll be a more permanent location. Nadine doesn’t know exactly how to feel. She’s so used to moving around that being in a place for so long sounds foreign, weird and new. However, part of her can’t help but feel excited, especially since she gets her own room now! But no matter what, she knows mama will be with her every step of the way.

Upon meeting Qiu and Tamarack, Nadine quickly feels they can be the best of friends. Nadine has always been more of a quiet person but not necessarily shy. Spend enough time with her and you’ll find she can talk quite a lot. Yet she’s perfectly content with simply listening as well.

Nadine is mostly a rule follower. Rules are there for a reason right? She prides herself on being neat and orderly. All her belongings are pristine and in their place because that’s just how she likes it. During step 1, Nadine strongly dislikes getting dirty. Which can be difficult to avoid if you’re playing outside in the woods.

Step Two !!

After four years, Nadine has adjusted well into her new home. Although Nadine needs glasses she very much prefers to use eye contacts instead. It’s also the most convenient when ice skating. She’s taken on ice skating as her main past time and she’s fairly good. Her transportation of choice has been rollerblading so it makes sense she got into ice skating as well.

Her other hobbies are more on the creative side. She enjoys crafting and drawing on occasion. Cosplaying is also one of her major hobbies. For years she has worked on making her Halloween costumes with the help of Mama.

During this time Nadine becomes more of a shy person. During her earlier childhood, she had no problem voicing her thoughts and opinions but it seems now that sort of thing gets harder to do as you age. Thankfully, she has her two close friends to turn to whenever she needs a hand, and in turn she will be there for them as well.

Step Three !!

Nadine has less and less time to do things she wants. If this is how adult life is she wants zero part of it </3

Nadine has always prioritized their studies (although that became much harder to do when middle school started due to her procrastination habits). Now college is weighing on their mind. Nadine still very much enjoys ice skating yet she struggles to make time to practice. Similarly, cosplaying has turning into a year long project (for Halloween of course). Doing multiple cosplays a year is something she doesn’t have time for anymore. Although they are often busy, Nadine will always make time for a special someone and her best friend, Tamarack.

Step Four !!

Nadine’s all grown up </3

Throughout many years Nadine has learned things about themselves and grown into the person they are today. Her experiences and the people she has been around since she was ten years old have impacted her life to mold her into who she is, for better or worse. And honestly, they wouldn’t have it any other way.

And finally this little thing I made with all of Nadine’s doll icons. I had to edit many of them to fit the hair style and clothing options I wanted and it literally took forever </3 ouGh

Also, I apologize for the quality. I tried to preserve it as I was inserting the drawings into the template but resizing may have messed up the quality </3

[shedidntevenswear]

So this is only two articles out of millions but I have thoughts on this and I'm really interested to hear others' thoughts as well.

First of all: extremely valid critique to point out the problems with Taylor's capitalism and the weakness and gaps in her activism. These are conversations that we within the fandom, the biggest die-hards, have on a regular basis. Of course there are a lot of fans that can't hold space for their love of Taylor and their criticisms of her brand at the same time, and I think those are the loudest Swiftie voices to the public when they go into defense mode at the drop of a pin so I get it. I understand the general sentiment that Swifties are uncritical of these important things.

My main take in this regard is: are we expecting too much of celebrities? The one-stop-shop, superstore view of celebrities we have slipped into doesn't seem to be serving us. We're viewing public figures as a Walmart of a person, where we can get our music and our content and our fashion and our moral and ethical leadership. Whereas I think we should look at them more like specialty shops, like the hardware store or the craft store. You don't go to Joann's and end up shocked you can't find a frozen pizza there. I'm not going to Taylor Swift for political leadership. I'm not going to Bernie Sanders for pop songs. Not that public figures shouldn't be pressed to speak out on important issues or donate their hoards of money or whatever - we should absolutely still hold them to a high standard, especially the ones that insist on making activism part of their brand. Have we rewritten the social contract with them that they have to give us the superstore experience or else we won't engage in their purported specialty (ex. "if Taylor Swift doesn't do more public activism I no longer find her art entertaining")? I think we'll find that thought process, especially as it seeps into our interpersonal relationships as well, will just leave us lonely and devoid of joy.

Thoughts?