#the next musical I do will be animated

[that-ari-blogger]

Get Ready (No Good Deed)

Joseph Campbell is famous for writing The Hero With A Thousand Faces, in which he put forward the concept of the Hero’s Journey, or Monomyth. This, boiled down, is a series of plot beats that most stories ever written hit in some way or another, at least to Campbell.

Campbell is one of my favourite literary scholars to disagree with, but one thing that I believe he got right was the idea that he called “The Belly Of The Whale”. This has gone on to become the darkest hour trope, a moment when everything seems lost before the protagonist picks themself up.

In Wicked, the story of Elphaba picking herself up is told by the song No Good Deed, which dwells on the emotional low, but also the resolution she makes as a result. This song changes the trajectory of the entire musical, and is a masterclass in writing a threat.

Let me explain.

SPOILERS AHEAD (Wicked, Avatar: The Last Airbender)

“Eleka nahmen nahmen ah tum ah tum eleka nahmen.”

The song opens with gibberish, it’s inspired by Greek, Latin, Italian, and other languages. But it is bastardised to sound more mystical. Like a language that could be true but isn’t.

It’s also weird when it comes to the phonetics. Each of the words (I’m counting “ah tum” as one word for this) takes up the same time to say aloud, but the “ah” is naturally drawn out because more stress is being put onto it. It forms a rhythm similar to a horse’s galloping, implying motion.

Keep an eye on that, this song is all about motion.

That actually translates into the plot of the wider musical. This song is changing the tone of the story as a whole, pushing it into a tale of revolution.

The conflict of this story is brought on by the “death” of Fiyero and Elphaba’s love. Achieving change and achieving personal happiness are not compatible in this story, at least not for Elphaba.

But incompatibility is an important theme here. Elphaba has been trying to achieve things in her way. She tried to enact change through the Wizard, and when he turned out to be a schmuck, she tried to help people, stir up change and hope that good deeds get rewarded by fate.

I have mentioned in the past that Glinda and Elphaba’s relationship was characterised by the former being the more world wise and Elphaba being naive. That’s what Popular is about. However, this is a change of status quo, paired with Glinda’s rendition of I’m Not That Girl, showing the reversal of that dynamic. Now Elphaba is truly cynical, and her eyes are opened to how the world works, and Glinda has been fooling herself the entire time.

In the opening of this blog, I referenced Campbell’s “The Belly Of The Whale” concept. The name of that is actually a reference to a biblical tale, in which a prophet uses the inside of a fish as free transport and therapy.

I want to draw that biblical reference back in here. Do you notice anything about how Elphaba’s wishes are phrased?

“Let his flesh not be torn Let his blood leave no stain Though they beat him Let him feel no pain Let his bones never break And however they try To destroy him Let him never die Let him never die”

Do those remind anyone else of the opening of Genesis?

“And G-d said, let there be light. And there was light.” Genesis 1:3

There is a very specific wording here that evokes that biblical concept of divinity. In the Bible, the only people and entities that speak in this way are either G-d, people talking about G-d, or people praying. No Good Deed is explicitly drawing on that speech pattern to imply the divine symbolism with Elphaba.

This isn’t the first time the musical has done this. I keep referencing older posts that I have made in this series on Wicked, but that’s because the musical does set up and payoff really well, and I have to talk about callbacks. But, my first post in this series was titled The Gospel of Elphaba, and I did that for a reason.

One of Wicked’s most interesting story techniques is its biblical allusion. Elphaba is explicitly framed as divine in this song, but also by how she is referred to in a few other places. This has the effect of implying a change in history. Elphaba’s life will change Oz for good, and this is the story of how that happened.

Now, I am not a Christian, I am coming at this from the angle of study and having lived in a very Christian environment for most of my life. So, while I am trying to treat this with the respect befitting any faith, I want to stress that I am far from a perfect, definite source on anything related to Christianity.

I've brought up this artwork by @abd-illustrates (youtube) before, when I was talking about Defying Gravity. But the piece is about No Good Deed, and its so amazingly well done, coming from a place of obvious love for the song and the musical, that there was no chance that I would miss a chance to show it again.

On a different note, the things that Elphaba wishes for in this song are vague as all hell, and the implication of Fiyero being turned into the scarecrow because the lawyers found a loophole in his resurrection contract is neat.

That implication is really important for the theming of the story, and it happened earlier on in the musical when Boq became the tin man. The magic expresses the theme of consequences rather concisely. Nobody knows what effect they will have on the world and on history, you can just try to make the world a better place, no matter what people think of you.

In other words:

“Was I really seeking good Or just seeking attention?”

Intentions don’t matter, actions do. The second verse of this song dwells on this question, asking if Elphaba’s morals were what she thought they were and what that means for her.

The conclusion drawn is that it doesn’t matter. Elphaba, despite breaking free physically from her society’s constraints, is still following them emotionally. She still believes in the ideas of good and evil that she has been presented with, and now she resolves to take a different approach. If wicked is what they call her, wicked she shall be.

The music of the song itself feels like a fight. It feels like it has the eb and flow of a boxing match, with Elphaba’s vocals falling to match her being struck, and rising for her blows.

For example, here the higher note on “charity” combines with an accent to feel like an attack, with the slope matching the follow up and ease of tension.

Although, if you are perceptive, you will notice that this is a solo, and that Elphaba isn’t actually fighting anyone, so what gives?

I have two readings for this. In the first, Elphaba is declaring war on Oz, essentially, so the fight is the warmup to that. This is posturing, it's a threat. It’s Elphaba’s Bitter Work moment.

For context, Bitter Work is one of the best episodes of Avatar: The Last Airbender and, fun fact, my introduction to the series (I was very young, I thought the movie was cool, I got three seconds into the series and realised how wrong I was). In the episode in question, Zuko is wrestling with his identity in relation to the world, and to his father. He doesn’t know who to be, or how to proceed.

The episode then follows Zuko as he tries and fails to learn a new type of bending (magic in everything but name), culminating with him standing on a cliff, screaming for lightning to strike him because he thinks he can finally throw it back. Its self-destructive, and it's a character on the very edge, lashing out at everyone, including himself, in a desperate attempt for control.

Does that sound familiar? That’s exactly where Elphaba is when she sings No Good Deed, on the edge, looking for control.

The second reading is that Elphaba is arguing with herself about what to do. Part of her wants to run and hide, but the part that is singing is trying to convince her to stay. That she needs to change.

Wicked is a story about dreams and reality colliding, and this is Elphaba’s speech to the troops on the side of hope. Unfortunately for her, the entire army consists of one person, herself.

The idea of Elphaba’s internal struggle is reflected in the inconsistency of the music. Wicked likes to mess around with key signatures and time signatures, with Thank Goodness taking the concept to its breaking point. But No Good Deed has, by my count, four different key signatures, and three different time signatures.

The first chorus follows the Wicked formula of being understated. It’s rhythmical, and balanced in 4/4 time to give it a self contained vibe.

This conveys a feeling of speeding up and slowing down, as she rushes into decisions, then hesitates. Wicked has done this in previous songs already, and I have discussed them, but its a neat thing to see repeated here.

Elphaba seemingly makes her decision, however, belting out the song’s name. But then she falters, and the key changes to b majour. To me, this evokes a feeling of happiness, which doesn’t really square with the lyrics.

Except, I would argue that it does. Nessa and Doctor Dillamond are the two people she was closest to, and they are gone now. They were to hallmarks of her old life, and this feels like her reminiscing about a better time. The other name that comes up here is Fiyero, but that quickly shifts.

Jessica Vosk plays this scene like Elphaba is seeing ghosts, speaking the names as if she is seeking advice from the departed. It's a really cool acting choice.

Grief is a powerful motivator, and Fiyero was the last person that Elphaba had left over from her previous life. Even Glinda has left her, and now that grief bubbles over into a war cry.

In the version of Wicked that I saw most recently, Elphaba was played by Sheridan Adams, who put a little bit of flair into that final call, rising slightly, then flowing down to keep the momentum into the chorus. I don't know what this is called, so if any music scholars who understand my extremely limited and vague explanations here, please help me out.

“Let all Oz be agreed, I’m wicked through and through. Since I cannot succeed. Fiyero, saving you. I promise no good deed Will I attempt to do again. Ever again. No good deed Will I do Again!”

The final chorus of this song is a revelation. It gains momentum by alternating between 4/4 and 3/4 to gain that rocking rhythm like a ship in a storm. But I want to go a bit weird here and talk about the rhyming scheme.

There are two main rhyming sets here, “deed” and “do”, and they alternate in an ABAB pattern and are reminiscent of classical poetry.

Agreed, through, succeed, you, deed, do. Again, Again. Deed, do, again.

Annapantsu's cover of this song is phenomenal and manages to capture the magnitude of both the story and the musical really well. I highly recommend you check it out.

Classics were often about big emotions. Romanticism springs to mind, for example, although that was a movement defined by a desire for freedom of expression, which plays into the themes of Wicked exactly. How convenient.

However, the scheme is broken up by the repeated word “again”, which juxtaposes the idea of classicism with change. The force with which Elphaba interrupts her own rhythm makes the line seem as though it is a threat. Elphaba’s desire for freedom is coming for Oz, whether anyone likes it or not.

Elphaba has snapped, and things will never be the same in oz again. Never again.

Final Thoughts

This song is iconic, and that is well deserved. We are ramping up to the finale of the musical, and the story is gathering speed.

As a side note, I genuinely love how Wicked subverts the prequel pitfall of explaining everything, not by avoiding doing that, but by making that its whole thing. Boq’s transformation into the Tin Man works with the story as told in The Wonderful Wizard of Oz because it comes close to what the Tin Man explains, but frames him as an unreliable narrator.

Similarly, Fiyero’s lack of anything going on behind his eyes is superficial, and when he becomes the Scarecrow, that superficiality carries over. Like Boq, he is reframed as an unreliable narrator, but not through selfishness, and instead through a secret desire to help the Wicked Witch out. Also, the fact that he is the captain of the guard kinda explains why he rocks up to the final battle of the The Wizard Of Oz movie with a gun.

Next week, I am looking at For Good, and trying to justify why I cannot make it through listening to it without crying. Seriously, I am always a wreck at the end of the Wicked soundtrack, and I blame this song.

So stick around if that interests you.

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[puppyeared]

me when the laikas comet. is this anything

@laikascomet

[liauditore]

i forgot what his ingame name was and had to scrub thru a bunch of videos looking for him like a cryptid and i think that's incredibly joe hills of him

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[fansids]

Being in multiple fandoms is so tough as an artist cause I want to draw everything, but I have time to draw nothing ahhhh. Even when I do just picking what I want to do is it's whole issue.

[hyacinthsdiamonds]

James Vowles, you will not see heaven

[ganondoodle]

oh no, i tried pixel animation again and now im afraid ill fall back into wanting to do gamedev even though i literally have to learn everything still and its not doable in the time frame my brain wants it and i still have so much else to do hhhhhhhhhhhh

[imflyingfish]

bahh i want to chat about learning french but its kind of difficult. like either its super uninteresting to most people or i feel like i can come off as pretentious or whatever if im not careful and noo im just excited to both play videogames and learn a language. im literally a nerdd. anyway im going to make a post on that

[murdleandmarot]

Hi hello to you! For the ask game(s), 2, 6, 10 and 14? And 🖐️🐌🎭 (for bluebelle, I'm not aware if you have other ocs :0)

YAYYAYAYAYAYAY MORE BLUEBELLE ASKS!!!!!!!

Hi hello!!!! Thank you so much!!! Ooo these ones are making me think……

2. She is 1000% down to do whatever shenanigans of the week the rest of the gang is up to. When I think of this, I’m mostly picturing her with other OCs, but in general, if it’s her friends, and she’s comfortable enough, though she’s not as loud with her ideas, she will 100% help you rob a bank.

6. It definitely depends on the situation. She doesn’t encounter many situations that go against her moral code, but if she did, it wouldn’t take much more than a threat against her or the people that she loves. Bluebelle will stick to her morals, but she is not willing to risk injury or harm to her friends, or to herself, though the latter of the two depends on the situation, and how bad morally the action is.

10. Bluebelle’s backstory is already pretty much a fairytale au, but that’s still a go to, but outside of that is a detective sitcom with the rest of the gang. And this is not because I’m watching Psych for the first time what do you mean.

By Detective sitcom I mean anything from Murders She Wrote to Scooby Doo. Just her and her friends investigating spooky situations. It’s so so fun.

Bluebelle would be the quiet type best for gathering intel undercover, as a security guard or something, mostly where her job would be snooping around. She would NOT be good at talking to suspects or witnesses. She could just if push came to shove, but it’s just not her forte.

14. Bluebelle just really, really wants to be loved and trusted. Victoria is her person, so she really, really cares what she thinks. Misto and Plato definitely less so, but only by a slim margin. Bluebelle cares so so much for her people, and wants them to do the same for her

I’ll do the silly emojis under the cut bc whew this got long :DD

I already did the handshake one :)))

🐌: this snail is now her new best friend. She will not go anywhere without this snail. Bluebelle has been trusted with this snail’s life and she will NOT fail.

🎭: Probably Mary from JCS(Jesus Christ superstar).

Woah…another alw musical…..is it too late to say I’m sensing a pattern….

I think she’d really relate to I Don’t Know How To Love Him, and probably have a pretty easy time dipping into those complicated and upsetting feelings you have to be in to sing that song, (I am calling myself out 100%).

[shigussy]

i keep getting tiktoks of these younger gen z kids referencing a time they did something relating to fandom in public and now they're embarrassed by it and everytime i see one i sit there thinking over all of middle and high school and having genuinely 0 moments that i feel embarrassed by, like i definitely did a lot of shit these kids would be embarrassed by but i think these are all just really fucking funny

also photographic evidence of the kinda kid i was. these are from 2014/15 when i was in 8th grade

-desolation row one shot(still on wattpad gerard way/reader smut)

-twerk it on (mcr crack fanfic no longer on wattpad but i have another fic in my library called twerking in taco bell which definitely ALSO used for my reading log)

-frank iero must die(a serial killer/assassin frerard fic, still on wattpad)

-hair (really vague maybe a phanfic? nowhere in my wattpad library rip)

my binder i used in 7th grade i had a blue one that looked pretty similar to this for 8th grade but idk where it went, also the parts i scribbled out are my full legal name i had written on it. i wrote it normally and then the big spot is where i wrote my name REALLY BIG in elysian code from the vladimir tod books. also the lines are from when i used an exacto knife to cut up some papers and forgot that my binder was underneath

in conclusion yall can now see why im so shameless about talking about shigaraki the way i do

[dutybcrne]

HSR verse Kaeya ideas:

Path of Nihility, Element Ice

Fell in stride with that path due to his depression after his conflict with Diluc and belief his fate due to his family's ties to the Abyss Order may be to bring his new homeworld's doom ( in part because of his Father's final words to him ), maintained in growing to find amusement in the impossible and working towards it regardless of the fact

Has every intention to try and defy his so-called fate even still, even knowing all that effort may be for naught in the end. But at least he would like to say he tried

Tends to help people on a whim, without desiring credit for his actions or if it may help them in the long run

His abilities sap the vitality of his enemies, but consume his own when he uses his strongest ability

Due to his family's contract with the Abyss Order, his lifespan is longer than most humanoids, spanning centuries. Though not quite that of a Xianzhou native, like them, his people do still face a terrible curse to become monsters after a time, like many of the Abyss Order.

He is glad his loved ones will never live to see him succumb to it. One way or another.

Though he also secretly harbors the strongest desire to force the Abyss's immortality on them to ensure they can stay with him, and face the same fate. He has to wonder if the slumbering monster in him is to blame for that, or his own attachments

[wuhoh]

Hazbin Hotel can't do 3 episodes of mediocre and then hit me with the absolute BANGER that is episode 4 then LEAVE

[theygender]

I'm sick and I've barely eaten anything for the past two days and I want to take a bath bc I feel gross and I think a shower would make me pass out but I don't have a podcast I'm currently listening to and it's hard for me to take a bath without one :(

[soft-serve-soymilk]

Wow I love asshole gay people (things have ALIGNED in the ASTRAL PLANE and Pav is WATCHING SOMETHING?? 🤯)

[scribe-of-monsters]

Ok so I started watching The Last Voyage of the Demeter (about halfway through rn) and all I'm saying is if you had to choose a Dracula-inspired horror movie revolving around characters besides the crew of light that came out in 2023. Pick this one

[hella1975]

mirio and hado got given a chance to cause utter chaos against 1a and did NOT hesitate