#the only people I really talk to anymore are people who talk to me first

[sceletaflores]

come on and show me a little bit of spine!

pair: logan howlett x mutant!fem!reader

wc: 5.5k

contains: 18+ SMUT MDNI, swearing, drinking, smoking, p in v, rough sex, unprotected sex, public sex (alleyway hehe), biting, blood but not blood play, pain kink, scent kink, a special guest (!!!), jealous logan muahahaha, emotional constipation but like wtf is new, nat probably blatantly ignoring canon, probably ooc logan and friends sorry i'm just a girl, porn w/ plot (a little???), no use of y/n.

author’s note: HAHA BACK ON MY LOGAN BULLSHIT! who’s laughing? not me. i can’t stop writing for him it’s insane and selfish i know i know i’m sorry. bee tee dubs this is part two to all’s fair in love and viscera cus i couldn't get them out of my head so...kisses!

five x-men walk into a bar, only three walk out…

All men are the same. X-gene or no x-gene, they're all immature pigs.

You've come to find that it's more than just skin deep. If you took a knife to every man in this bar, you'd surely find the exact same little metaphorical mass of arrogance ingrained in every single one of them once all the layers are peeled back far enough.

And that's what Logan is, a man.

A stubborn, arrogant, mind-numbingly frustrating man who's convinced he could never be wrong just because he's had a little more time than normal to perfect the art of being completely insufferable.

No adamantium skeleton or foot long claws of death can change that.

You could set him on fire, drown him, watch him regenerate from a single cell, and nothing would change.

So, in hindsight, you really should have seen this coming.

It was Ororo's idea to go out, insisting the team needed it. A casual night at the bar across town to raise bravado after a few close call missions.

It sounded fun at the time, and for the first thirty minutes it was.

Getting to shed your hero skin for a few hours every so often is always nice, and you love your team. Love getting to just sit and live with them. You hardly get nights like this anymore, filled with playing pool and darts like people do.

That being said, you were reaching the top of your limit. Fast.

It started at the bartop, with Logan sauntering up next to you for the first time tonight. 

He slid into the empty seat to your left, leaned against the bar casually, glancing at you from the corner of his eye. His lips tugged into that half-smirk he wore that night in the training room.

“You avoiding me?” he asks, voice low, bent down just enough to speak directly into your ear. "Haven't seen you all night."

You almost scoffed, almost turned to face him so he could see the look of irate disbelief on your face. Almost, but you didn't want to give him the extra attention.

"I could ask you the same thing."

You didn't miss how things had changed between the two of you after your night in the training room. Something shifted, and not in the romantic 'so...what are we now?' territory.

It shifted into Logan disappearing, closing himself off. He didn't go out of his way to avoid you, didn't even go as far as ignoring your existence entirely. He didn't need to, you knew it was different.

He refused to talk about it, refused to even acknowledge it, completely shutting you down the one time you tried bringing it up.

It stung. The feeling of rejection, especially after that night. You felt like you bared a part of your soul to Logan on that dark blue training mat. You swore you saw something different in his eyes too, a subtle shift, something that said this ran deeper than just a messy fuck between friends.

It played on your mind like a loop, every detail. You nitpicked almost every single thing you did, searched your mind for what you could have done that scared him off.

It has to be you, it always is.

It took a week to get over it. A week to wash away the feeling of Logan's hands on your body, of his lips on yours, of his cock carving a space for itself in your cunt, of his blood sliding down your throat and slicking the palms of your hands.

Eventually, that sadness gave way to self-reflection. Self-reflection gave way to anger, and now you're just plain pissed.

This has nothing to do with you.

Logan is a grown man, not a goddamn baby. He should know how to communicate by now, should take the stick out of his ass and drop the whole 'I'm no good for you baby' martyr cross he's carried around for over a century and talk to you.

But if he wants to be alone to sulk in self pity and sorrow for two hundred more years, you'll let him.

Logan's smirk falters, his expression falling with a heavy sigh. He leans back, one boot moving to rest on the rung of your stool. "You really want to do this here?"

"You came up to me," you shrug, finally turning to face him. The warm glow of the bar lights catch the edges of your frustration. "If you’re here to talk, then talk."

Logan doesn't respond, just meets your gaze with a raised brow. His eyes scan over your face slowly, taking in the pinch between your brows and the stern look in your eyes.

"Trouble in paradise?"

Scott's voice pierces through the tense air between you. His tone is casual in a way that's undermined by the smug smile turning the corner of his mouth up. It's too knowing, like he'd been listening in before.

Logan's brows pinch together in irritation the same way they always do when Scott talks, but he holds your gaze. His silence is infuriating because it's the same old routine—he just stares, brooding, like he’s waiting for the problem to magically solve itself without ever opening his damn mouth.

It makes your blood simmer just under the surface, the tips of your fingers burning with it.

You grind your teeth, balling your hands into fists where they sit on the bar. "Scott," you say, not breaking eye contact with Logan, "go play fetch or something."

Scott raises his hands in mock surrender, but you know he won’t leave without a parting shot. “Just looking out for you, you know. Can’t afford you two tearing each other apart over a little lovers spat before the night’s even over.”

As he saunters off, you turn your full attention back to Logan, who’s still studying you with that infuriating intensity. It’s as if he’s trying to decode some secret language written across your face.

You almost want to laugh at how predictable he is, how he thinks he can just sit there, unbothered, while you’re ready to explode.

“Are you really just going to sit there?” you challenge, leaning closer, daring him to respond. “You can’t keep dodging this forever, Logan. You think I’m the only one feeling this? We were both there that night."

His jaw tightens, and for a moment, you think you see the flicker of vulnerability beneath the gruff exterior. But then it’s gone, replaced by that stubborn wall he always puts up.

“I don’t need to talk about it,” he mutters, his voice low, but there’s an edge of desperation that catches your attention. “What’s done is done.”

“‘What’s done is done’?” You can’t help the incredulous laugh that escapes you. “Is that your new catch phrase? They gonna start printing that on the front of your action figure's box?"

Logan's brows furrow deeper, his mouth turning down in a hard frown. "Watch it," he warns tersely, the edge of a snarl on his lips.

You lean forward, desperate to get anything out of him. "Or what?"

The bar buzzes around you, laughter and music blending into a distant hum, but all you can focus on is him—the way his eyes flare with that familiar spark of rebellion, how handsome he looks under the bar's dim lights, the way his smell is starting to warm your insides despite how mad you are.

You raise your brow, waiting, hoping. He stays silent.

That's it.

You stand abruptly, causing your stool to scrape against the floor loudly. Logan straightens, eyes narrowing as he watches you, but you’re more than done with all of this. You've had enough.

"I'm going for some air." you say evenly, slipping your jacket off the back of your chair. "Don't follow me."

You turn and walk away before Logan can answer, heading in the direction of the bar's alley door.

You try your best to ignore the sinking feeling in your stomach, the first tendrils of dread wrapping themselves around you tighter with every step. Your eyes burn embarrassingly each time you blink, but you refuse to cry.

You’re emotionally spiraling a couple feet from the door when someone suddenly steps in front of you, and you crash into them.

“So sorry, ma’am,” A familiar voice says from somewhere in front of you as two strong hands grip your waist to steady you. “Completely my fault, I wasn’t watching where I was going.”

You crane your head up, eyes dragging from the blue gingham button down stretched over impressive muscle until they land on a pair of blue eyes and blonde head of hair you recognize.

“Steve?” 

Steve Rogers smiles down at you, his hands still lightly resting on your waist. His expression is soft, apologetic, and a little surprised. Your name falls from his lips in a warm greeting, his hands lingering for a second longer before he drops them and takes a small step back.

“I’m surprised you still remember me. It’s been a while,” he says with the same boyish charm you remember, like he hadn’t just watched you nearly barge through the door like it owed you money. “How’ve you been?”

You blink up at Steve, the frustration from your situation with Logan still fresh, swirling through your system like a storm.

How’ve you been?

What a loaded question.

“Better,” you answer with a tight smile, barely convincing yourself. “Just tired. We’ve been so busy recently, you know how it is.”

Steve gives you a searching look, his eyes skimming your face with the kind of care that makes you want to shrink into yourself. His brow furrows slightly, concern flickering in those crystal-clear eyes of his as he studies your face. 

"Are you okay?" he asks, genuinely, like he’s already picked up on the fact that something’s off. 

How could you forget, he’s got the emotional radar of a saint. Lucky you.

"Yeah, sure," you lie, adjusting your jacket and pointedly avoiding the obvious upset that’s probably plastered across your face. You force a smile, hoping he buys it. "Just needed some air. This place is packed."

The furrow of Steve’s brows deepen, his lips pressing into a thin line like he doesn’t believe you. You feel worse under the intense pressure of his knowing stare, like a bug trapped under a magnifying glass.

You’re about to say something—anything—to fill the awkward silence, but then you feel it. That heavy, unmistakable presence at your back.

Of course he didn’t listen.

Steve’s eyes flick over your shoulder, and you don’t even have to turn around to know Logan’s right there, brooding like a dark cloud about to burst. You can practically feel the tension rolling off him in waves as one strong arm slides underneath the thick denim of your jacket and around your waist.

“Cap,” Logan’s clipped voice greets from somewhere behind you, laced with barely concealed irritation as his fingers dig into the cotton of your shirt, staking some sort of unspoken claim.

Steve gives Logan a respectful nod, though his expression remains calm, measured, the same quiet authority he always carries. “Logan,” he greets, smile faltering for the second it takes him to drop his eyes to Logan’s arm. “Nice to see you doing well.”

Logan hums noncommittally, you feel the rumble of it against your back. “Didn’t think this was your scene,” he says to Steve, brow cocked in suspicion.

Steve shakes his head, a small laugh falling from his lips. “It’s not, usually. I got strong armed into joining a few friends.”

“Right,” Logan replies, tone flat like Steve would have a reason to lie.

You can almost see the tension thickening in the air, an electric pulse that shoots straight through you. Logan’s grip tightens subtly, an instinctive reaction to Steve’s presence, but you can feel the subtle heat rising, the way your heart races under his touch despite yourself.

It’s infuriating, and for a second, you’re tempted to dive right into it, to unearth the chaos lurking beneath that chiseled exterior. But then you remember where you are, why you walked away from Logan in the first place—how public it is, how many eyes are on you.

“Steve and I worked together, a base infiltration in Albany a few years ago.” You cut in, shooting Logan a look over your shoulder, like a sharp glare alone could get him to calm down, if only for a second. But he just meets your gaze with that familiar stubbornness, eyes dark and unyielding. 

It’s infuriating, and for a moment, you’re tempted to dive right into it, to unearth the chaos lurking beneath that chiseled exterior. But then you remember where you are—how public it is, how many eyes are on you.

“Feels like a lifetime ago,” Steve says, stuffing his hands in his pockets.

And it does. 

You think of Kevlar squeezed around your ribs, of explosions and buildings falling and the smell of gunpowder.

"Yeah, it does," you reply, ignore the sinking feeling in your stomach and forcing a smile.

“God, you look…” His gaze rakes over you like he can’t help it, the bright blue of his eyes trailing from your face down your legs and back up all over again. You can feel Logan bristle next to you. 

”You look amazing,” Steve finishes with a small shake of his head, million dollar smile still pulling up the corners of his mouth. “Buy you a drink?”

“We were just leavin’, Cap,” Logan cuts in tersely, his arm tightening around your waist even more. His grip is possessive, but it’s not affectionate—it’s an unsaid challenge, a warning. “Calling it an early night.”

You whip your head around, confusion evident on your face. "We?" you parrot back, the word hanging in the air like a challenge of its own. “We haven’t decided anything.”

Logan’s jaw tightens, that familiar stubbornness rearing its head again. His hand splays flat over the span of your lower back, pushing just enough for you to feel the power behind it but not enough to really move you. “Let’s go.”

You look at Steve, then Logan, then the crowded bar, then the door to the alley, and repeat. 

It should be an easy answer, an easy way out of going in circles with Logan even more than you already have.

But you find yourself stuck, feet rooted to the floor as your mind races with a hundred different thoughts in the span of a second.

Your lips part, and you’re not even sure what you’re going to say, when Steve beats you to the punch. 

"She can decide for herself," he says evenly, though there's a subtle shift in his tone. It’s calm, but there’s a steely edge to it, like a well-honed blade concealed beneath all the politeness. He’s still smiling, but it’s less soft now, more hardened around the edges.

Logan’s grip on your waist tightens, his fingers digging in like he's daring Steve to push the envelope any further. “Yeah? Don’t think she needs you speakin’ for her, either.”

"Enough," you snap, stepping out of Logan’s hold with a sharp turn, your voice cutting through the growing storm between them. You turn to him with a hard look, brows pinched in anger. "Fine, let's go."

Your smile feels strained, the edges sharp and jagged as you face Steve, the weight of Logan’s presence at your back heavy and suffocating. “It was great seeing you, Steve. Really.”

Your voice sounds strained even to your own ears.

“We’ll have to catch up some other time,” you add, though the words taste bittersweet on your tongue. 

You can tell he wants to say something, his smile completely dropping as his eyes flit between you and Logan a few times. You give him a pleading look, a reassuring nod that you’ve got this. 

Steve hesitates, you can see the gears turning in his mind, weighing the situation and trying to gauge the tension in the air. But ultimately, he nods, offering you one last smile that’s laced with concern.

“Absolutely,” he says, his voice warm despite the tension hanging in the air. “I’d love to. Just let me know when.”

With one last nod to Logan, he turns and walks away to meld into the crowd until you can’t make out the blue of his shirt anymore.

You don’t turn to Logan as you finally walk out the door. The clunk of his boots follow you the whole way out.

As soon as you’re outside, all the anger sets in at once, burning hot in your stomach as you spin around to face him. The fresh air hits your face like a slap, cool and bracing, but it does nothing to quell the fire simmering inside you.

"You really can't leave well enough alone, can you?" You snap, folding your arms defensively. “You just had to go and stake your territory?”

Logan’s face hardens, his eyes dark under the dim streetlight. “What do you expect me to do? Let you walk away and get buttered up Rogers while I sit at the bar with my dick in my hand?”

“Steve wasn’t doing anything!” You exclaim, frustration seeping into your every word. “He was just being nice, we’re friends.”

Logan lets out a disbelieving snort, shaking his head hard enough that his hair sways with it. “Nothin’ about that was friendly, kid. You’d have to be fuckin’ blind to not see that.”

You huff, turning your eyes to the sky in exasperation. “Why do you care?” you fire back, heart racing at the challenge. “We’re not together! You’ve made that more than clear!”

Now that the seal is broken, it’s like you can’t stop. Words fall out of your mouth faster than your mind can keep up, all the pent up frustration you’ve felt over the past few weeks boiling over.

“You’re the one that’s acting like nothing happened!” You throw your hands up in exasperation, your voice rising with every word. “You’re the one who disappeared, who’s been avoiding this whole thing like it didn’t mean anything!”

He growls, stepping closer, his presence looming. "You think I don’t know that, kid? You think I haven’t been dealing with this shit—with us?"

"Well, you sure as hell don’t act like it! You don’t talk about it. You don’t even try! You just stand there and expect me to what? Read your mind?”

For a split second, Logan’s expression falters, his shoulders stiffening as if your words struck a nerve. But just as quickly, the mask falls back into place. "I’m no good for you, kid. And you know it. I’m doing you a favor."

"There it is again!" You bark out a bitter laugh, shaking your head. "The martyr complex. You’ve been alive for over a century, Logan. You’ve got time on your side, and you still can’t figure out how to be a decent human being in a relationship?”

He flinches slightly, but his eyes remain locked on yours, anger and frustration swirling behind them. "It’s not that simple."

“Of course it is!" You step forward, closing the gap between you. "You just don’t want to do the hard work. You don’t want to open up, to be vulnerable, because then you’d actually have to face yourself. And God forbid Wolverine confronts something he can’t claw his way out of.”

Logan’s jaw clenches, his eyes blazing, and for a long beat, the two of you stand in a tense, electrified silence. The world around you seems to fall away—no bar, no missions, no X-Men—just the two of you, standing in the alley, raw and exposed.

You don’t know who moves first, you or Logan, before you can register it, the distance between you disappears, swallowed by the pull of all that unresolved tension.

His lips claim yours, fierce and urgent, as if this was the only language he’s fluent in—raw emotion, violent passion. His hands find your waist again, gripping tight, pulling you flush against him.

The kiss is messy, desperate, a collision of teeth and tongues, but it’s exactly what you expected. It’s how you and Logan have always been—no finesse, just fire and stubborn intensity. It’s the only way he knows how to communicate, the only way he can let go, even for a second.

Your hands slide up into his hair, yanking roughly as a guttural growl vibrates from his chest into your mouth. You feel the heat of his skin, the coiled tension in his muscles, and it ignites something wild inside you.

The anger hasn’t left—it’s just morphed into something darker, something hungrier.

The kiss is nothing like the ones from that night in the training room. This one is full of anger and frustration, all the emotions that have been simmering between you two finally bubbling over in an explosive release. His lips are hard, demanding, and the taste of whiskey lingers faintly on his breath, mixing with the metallic scent of the alley.

You push back just as fiercely, your hands tangled in his hair as you try to pour all of your hurt, your confusion, and your pent-up rage into that single kiss. For a moment, it’s all- consuming—hot, reckless, like trying to catch fire in your hands.

“You’re such a fuckin’ punk,” he grates against your lips, kneading the meat of your hips roughly like he’s trying to anchor himself to you. His teeth scrape your bottom lip, his growl vibrating through you like a warning shot, but it only spurs you on.

"You’re one to talk,” you bite back, the heat between you both as volatile as ever.

You drop your hands to his chest, gripping the leather of his jacket in your fists and yanking him closer until there's no space left, until it's hard to tell where the anger ends and the need begins.

Logan growls, the sound reverberating deep in his chest, as his hands move up your back, possessive and rough. “You keep pushin' me, kid. You really wanna see how far I’ll go?"

"Maybe I do," you shoot back, biting down lightly on his lower lip. You taste the blood—his blood—and something primal stirs in you. His healing factor kicks in almost instantly, but the heat between you spikes with the sharp tang of it. It always does.

Logan hisses sharply, tongue swiping over the blood still dotted along his lip before he’s pushing you backwards.

You have no choice but to move with him, blindly stumbling back a few steps until your shoulders hit the wall of the bar. His lips attached to your neck the whole way, teeth nipping at the rapid flutter of your pulse.

It’s like a wildfire spreading between you, all heat and destruction, and the alley around you seems to fade into the background, leaving nothing but the chaotic mess of you and Logan.

You consider the risks of fucking Logan in an alleyway for all of two seconds, every single warning bell in your mind going silent when his hands tighten their hold on your hips to spin your around, pushing you up against the brick roughly.

“Fine,” he concedes, yanking the fabric of your skirt up hard enough you hear a tiny rip. “I’ll give you what you want, princess.”

The sound of his zipper being tugged down might as well be a gunshot with how loudly it reverberates through your mind. Your thighs slide together slickly, aching cunt clenching in anticipation.

The soft sound of Logan pushing his jeans down is the only warning you get before the thick head of his cock is sliding over the wetness staining the fabric of your panties.

“This what you wanted?” he asks, hooking his fingers into the lace to tug it aside and slip the length of himself through your slick folds. “You need a cock in your hungry pussy to feel better?” He lines himself up with your fluttering entrance, pushing gently until the very tip slips in.

Your lips fall open, brow furrowing as he starts feeding you his length one infuriating inch at a time.

Anger still warms your gut, but you find yourself nodding wordlessly. Tiny, desperate sounds escaping your throat the deeper he sinks in.

The stretch of him is almost too much, like he’s splitting you in two. It’s the kind of sting that just barely toes the line of pain and pleasure in the best way. It has you crying out when he finally bottoms out, pressing your forehead against the brick to try and ground yourself.

Logan’s considerate enough to keep still, thumbs rubbing soothing circles over the skin of your hips as you adjust.

“God,” you groan, shifting your hips enough to feel the way his cock rubs along your walls. The burn starts to melt away into pure pleasure with every grind.

“That’s it, baby,” Logan goads, hands still planted on your hips as you start to bounce on his cock in earnest. “Write your name on this cock, tell everyone who it belongs to.”

His words just spur you on, a high whine falling from your lips as you set a steady rhythm. The slap of skin on skin getting louder, echoing around you lewdly. 

“Mm, feels good huh?” he hums, pressing a sweet kiss to your shoulder.

You barely choke out a garbled ‘yes’, thighs starting to shake with the effort of thrusting yourself back. 

“Sorry,” he says, gripping the meat of your hips to pull you back against his cock roughly. “What was that?”

“Yes!” you mewl, cheeks burning. The anger steadily drains from your body the closer you get to come, until it's an afterthought just present enough in your mind to still matter. “Feels so good, please Logan…”

Logan groans under his breath, pulling his hips back back back until he’s reaming forward. He thrusts once, twice, three times before he’s taking over. Big hands anchored to your hips to drag you back on every snap of his hips. 

Your entire body lights up, the pathetic noises passing through slack your lips barely register over the white noise rushing through your ears. Logan’s fucking you like he wants to break you, heavy hips pounding into the meat of your ass like an animal. The slap of it stinging your skin only for him to pull out and leave you empty before filling you again.

You go pliant in his grip, a high moan escaping you as he expertly hits that spongy spot inside of you that has heat pooling in your gut.

“God, I missed this,” he admits into your hair, one hand sliding around to press against your lower stomach. Logan’s hand is massive and blisteringly hot over your skin, cupping and feeling where he punches up into you with every thrust from the outside.

“Fuck, baby,” he growls, pressing his forehead to your back desperately. “Do you feel that? Feel how deep I am inside of you? Gonna fuckin’ fill you up, stuff you so full you’ll be leaking for weeks.”

“Logan,” you gasp, heat coiling in your belly. 

“I know,” he breathes, hips speeding up impossibly faster. “I got you, honey.”

You turn your head, the skin of your cheek scraping over the rough bring with every hard snap of his hips. The thick muscle of his forearm fills your eye line, strong and tan where it cages you to the bar. You swear you can see the blood pumping through his veins. Your stomach jerks with need, your mind buzzing.

Without thinking, you lean forward and bury your teeth in the muscle there. The coppery tang of blood on your tongue sends you reeling, a deep groan rumbling through your chest.

“Fuck!” Logan exclaims, giving one last thrust before he’s burying himself as far as he can. His cock throbs, pulsing as he unloads inside you. Rope after rope of come paints the shaking walls of your cunt, slicking the thrust of his that much more.

Pleasure goes off in sparks all up your spine, lighting up every vertebrae until the fireworks go off in your brain. Your hands claw at the wall desperately, eyes screwing shut as you fly over the edge.

Your mouth falls open in a silent scream as you come, hands digging into the brick hard enough that it cracks and crumbles beneath them, falling to your feet in little rock’s.

Everything around you fizzles out into nothing, just a dull hum cocooning you in this moment, and for just a second it’s like you're floating. 

The heave of Logan’s chest against your back and his lips on your neck only add to that far away feeling, nice enough that has you leaning into the warmth of his body. 

A car horn blaring somewhere in the distance jerks you out of any warm, fuzzy feelings and deposits you back in the real world. Your eyes refocus on the building in front of you, and a displeased groan rips from your chest.

“I made a mess,” you murmur quietly, looking at the two matching dents in the bar's wall and the same red powder staining your hands.

Logan huffs into the sweaty skin of your neck, an amused noise. “That’s alright,” he says, barely out of breath. He pulls out just enough to let his come start leaking out around his dick, sliding down the length of him in thick rivers of white. “So I did.”

You scoff, shaking your head in disgust as he steps away with a snort. Your voice is breathy and small when you speak, “You’re disgusting.”

It's quiet for a long time, both you and Logan dressing yourselves in silence. The thrum of traffic around you mixed with the muffled music bleeding through the wall is the only noise filling the space.

You drag your eyes to him, watching as he yanks up his jean’s zipper while you smooth your skirt down.

“I told you not to follow me. When we were back inside,” you say, voice steadier than before but just as breathless.

Logan meets your eyes, and there’s a pause. For a second, you think maybe he’ll turn around and leave, run away to try and forget this too. Instead, you hear his boots scrape against the gravel as he steps closer.

"I don't take orders well, remember?" His voice is gravelly, like he’s chewing on the words before spitting them out.

"Obviously," you huff under your breath, a humorless laugh shaking your shoulders slightly.

Logan’s lips quirk into a tiny, almost imperceptible smile, but it fades just as quickly.

He takes another step closer, close enough now that you can feel the warmth radiating off him again, his presence as heavy as ever. But this time, there’s something different.

He looks drained. Not physically, but emotionally. Worn down in a way you’ve never seen.

“I’m not good at this,” he admits quietly, his voice tired. “You know that.”

You raise an eyebrow, waiting for him to continue. He hesitates, rubbing the back of his neck in that rare, almost vulnerable way he does when he’s out of his element. Finally, he meets your gaze.

“I’m…" he trails off, mouth pulling into a wince like it physically pains him to apologize. "I’m sorry…”

“Wow,” you say slowly, head tilting to the side as you study him. “That was the worst apology I’ve ever gotten.”

Logan narrows his eyes at you, a mix of irritation and reluctant amusement flickering across his face. “You gonna let me talk?” he asks curtly, but there’s no real bite to it.

You sigh, nodding your head for him to continue.

He shifts his weight, a heavy sigh falling from his lips. “I know I’ve been a stubborn ass. I’m used to keeping everyone at arm’s length. It’s safer that way. I’ve lost too many people to just let someone in without a fight.”

His voice drops, laced with a vulnerability you rarely see. “I thought if I just stayed away, it would make things easier for you. I’m not relationship material, kid. I can’t be that guy for you. I don’t want you to get hurt.” 

He shakes his head, his shoulders slumping in more as he talks. “I’m a damn mess, but that doesn’t mean I don’t care about you. I do. A lot. It just scares the hell out of me.”

For a moment, you’re unsure how to respond. Part of you wants to lash out more, to keep the anger burning because it feels safer than the vulnerability you’re feeling now.

On the other hand, for the first time tonight, you see the man behind the adamantium, behind the claws and the gruff exterior. The man behind the Wolverine.

You only see Logan, who’s lived through centuries of loss and pain, who’s learned to build walls so thick even he can’t break through them sometimes.

And damn it, you hate how much you still care. You hate that, even after everything, Logan is the one person who can make you feel like this—angry, frustrated, and vulnerable all at once. But you can’t deny the truth any longer.

Because underneath all the anger and hurt, there’s still that spark. That stupid, stubborn spark that refuses to go out.

You take a step closer, your hand gently reaching for his. “You don’t have to be anything, Logan. You just have to try. That’s all I’ve ever wanted.”

He nods, a slow, deliberate movement. Taking a slow set closer to you, he takes your cheek in his hand. The bright red rawness of your skin is slowly draining, tiny cuts knitting themselves together. “I can do that.”

He slides his thumb across your cheekbone and somehow, you believe him.

It’s not perfect. It’s not a promise that everything’s going to magically be okay. But it’s a start.

Maybe that’s enough.

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[hauntedjellyfishwitch-blog]

First off your writing is incredible. I was in literal tears reading your Daryl fic.

But I thought I'd send in a request, a jealous Daryl. Doesnt have to be established reader, pretty easy. I just like it when he's all riled up. 😂 Please and thank you

Jealousy

Summary: He could have just told her, couldn’t he? That would have been simple. He’d had to yell at her instead though, because Daryl can never do things the usual way round. Hand down her skirt and about to run away for the second time really was more his style.

Pairing: Daryl Dixon x Reader (No use of Y/N)

TW: Nervous!Daryl. Angst. Fluff. Friends to lovers. Alexandria era. Vague, very short smut.

A/N: Thank you for this request and the beautiful compliment! I may have rushed the editing a little so if you notice any errors please tell me!

It’s not that she’s been avoiding him, it’s the complete opposite, she’s absolutely, inarguably, infuriatingly normal. He’s clawing at the walls of his own brain and she’s acting as if everything is fine. Maybe it is, he thinks, maybe she’s over it, maybe she’s been over it since the second he screwed it up and he’s the only one still hanging on to whatever it was in the first place. He can’t even claim he’s hanging on to much, they’d barely even kissed and it was months ago, but he hadn’t exactly been good at this kind of thing before the world threw a damn apocalypse into the mix.

He’d loved her since the moment he’d heard her laugh. He’d found her in a cabin in the woods on a run, just after Woodbury had fallen, back when the prison was still strong. He didn’t want to bring her back, one more mouth to feed, one more person to keep an eye on, but she’d saved him from a rogue walker he hadn’t seen coming, shrugged like it was nothing, like she’d have done it for anyone. She’d offered him food and water, a rundown but relatively safe place to lay low for a few hours, she was kind. The words were tumbling from his lips before he’d really thought about them.

He’d avoided her for a good while, despite her efforts to befriend him, he’d lost so much already he didn’t want to let her in. But then he’d said something sarcastic, something snappy and prissy and she’d laughed; an honest to goodness belly laugh that had her head throwing back and him smiling from the side of his mouth despite himself and something deep in his chest felt warm.

So he’d loved her, quietly and from a distance. Safe. Until she’d kissed him.

He watches as she laughs, the same laugh, big and warm and real. It’s not aimed at him, and he hates it. After he’d run away from her, he worried he wouldn’t hear it again, but he’d been wrong, and this was worse. He taps his fingers against his thigh, trying to keep a scowl from his face. Failing. He thinks steam would come out of his ears if it were within the realm of possibility.

He’s always too late. Always takes too long to get comfortable. Always spends so long waiting that he misses out on the thing he wanted, and she’s not a thing but his blood is fucking boiling. At the man she’s talking to, at himself, at her too if he’s a little honest.

The man, who’s name he doesn’t know and now never wants to, is handsome. If you’re into that suburban, well groomed, boring kind of thing. He has a punchable face. Daryl is not allowed to punch people unless its necessary anymore, Rick has told him that explicitly but surely flirting with his…flirting with the woman he’s in lo…flirting with her makes it necessary.

He can’t stand the thought that he might not be the last person to kiss her lips. He can’t stand looking any longer, but he doesn’t mean for his knife to clatter loudly on the floor as he tries to flee. He doesn’t dare turn around, but he’d be able to tell she was looking at him even in pitch black. Knows she’s watching the solid, tense set of his shoulders as he retreats.

-

She startles at the sight of him sitting on her porch, quickly schooling her face into the nonchalance she’s been practicing around him since they arrived. It was easy enough, on the road, to pretend he hadn’t hurt her. They were so busy trying to survive, so busy being busy that she could avoid an inevitable conversation where she’d had to apologise for getting their wires crossed.

But since they’ve been behind the walls of Alexandria? She can’t stop herself from searching him out, finding excuses to be near him, trying to act like they were back at the prison. Friends. She can do friends. She has been absolutely nailing being just friends, as long as she can ignore the tightness in her chest and the way she feels like she’s going to cry every time she walks away. Friends.

She flips the knife in her hand with ease, shielding his hand from the blade as she passes it back to him. He nods his thanks as he squints up at her.

“What crawled up your ass tonight?” She asks, but there’s a teasing smile on her face as leans against the railing to her house. The porch light is dim, warm golden yellow illuminating them. Daryl hasn’t been one for a lot of words in a long time, but he intends to bat the question away, distract her with something funny, something acerbic but good natured. Friendly, he can do friendly. He can’t, could barely do it on the road after everything happened. Now though, when she’s showered and brushed her hair and dressed up, lit up by a damn porch light? He doesn’t stand a chance.

“Dun’ kiss him”

“What the fuck?”

Fists clenching to calm himself down, unfurling them when he feels more grounded, he looks up at her again, daring to lock his eyes onto hers.

“Ya like him…tha’ guy?” He tries to keep his voice steady, hopes she doesn’t understand he’s begging her to say no, begging for her to give him a chance, but how many can one man have?

“Why are you asking me this?”

“Dun’ kiss him, please” He asks again, with a shake of his head, knocking his hair in front of his eyes as the ground in front of him becomes the most interesting thing he’s ever seen. She sighs quietly, but the sound reverberates in his brain, he can hear the disappointment that weighs it down, the disappointment he’d hoped to avoid by avoiding talking about this thing between them entirely.

“I’m not having this conversation with you on the porch” She pushes herself off the railing, turning to open the front floor. She means for him to leave but he follows her inside, tapping his fingers nervously against his thigh as he closes the door behind him. Every part of his body is telling him to run.

“I know I ain’t got no right t’ ask”

“No, you don’t. Why are you asking?”

“‘cause I can’t stand it”

“Why do you care?”

“’cause ya shouldn’t be wit’ him!”

“Who should I be with then, Daryl? Huh?” He doesn’t respond, not that she expects him to, head hanging low toward the ground “You have no answer, because it’s not you, is it? You didn’t want me!”

“I didn’t-what?”

He’d tried to make it obvious, had given her extra food, had nudged her shoulder with his, had talked to her more than anyone else. But she’d tried to kiss him and he’d fled, had retreated safely back into the comfort of his walls. Then he’d come back. He’d kissed her and again he’d fled. Daryl Dixon is the human embodiment of emotional whiplash. He knows he’s not easy, but he thought at least he’d been clear, he can’t imagine the way he looks at her has ever been subtle.

“I did want ya”

Her mind thinks over the weeks he’s been standoffish, the time he’s spent avoiding her touches, thinks back the first week they’d arrived here and he’s barely spoken a word, all the while watching her with an intensity that would have been uncomfortable if she hadn’t wanted his attention.

“I can’t do this, you can’t play with my head because you’re jealous all of a sudden”

“Ain’t jealous” He argues, knowing they both know he’s lying, but he still, even now, won’t let himself be vulnerable. “I know I fucked up, ‘kay? I know, but I’m ‘ere now!”

He snarls, frustrated and bordering on vicious, practically diving towards her as his hands grip her hips tight enough to bruise. He smashes his lips against hers, unpractised and clumsily before his brain catches up and he goes to pull away. Her response is so fast he doesn’t get a chance, dragging him back in as his brain shuts down.

The kiss is hard, angry and fast, all hip bones pressing into hip bones and teeth clacking against teeth. It’s not the romantic, affectionate start she was hoping for. It’s not the gentle steady and slow he was. She’s angry, he is too she can feel it in his body as he presses it against her.

The room spins, air thick and foggy with months’ worth of frustration, tension so thick it could be cut, it’s only when he swallows a heady, deep moan from her that he realises he needs more. Tongue sweeping into her mouth he grips the fabric of her skirt in his hand, bunching it up until he can reach an insistent, rough calloused hand inside her underwear, ripping his lips away from hers to heave a breath in. She’s soaked, dripping around his fingers and he’ll have time to be absolutely fucking floored by that when he recounts this later. His forehead sticks to hers as she moans.

It’s not that he hasn’t had trysts before, it’s just that they were short and unimportant, he’s barely been confident enough to use his hands. He wants to touch her in the right way, wants to know what he’s doing but she’s snaking a hand into his trousers and wrapping her fingers around his cock so thinking isn’t the top of his priorities right now.

It feels incredible, and in the vague recess of his brain he thinks he should have done this at a pace he'd be more comfortable with but he hasn’t done this in years, and barely successfully then so its not long before he comes all over her hand, whining as his head dips down to pant heavily against her collarbone. His fingers still, embarrassed and suddenly full of crippling self-doubt. She knows he’s going to remove them about a second before he does.

A thud echoes through the suddenly too big room as she tips her head back to hit the wall behind her.

“You leaving?” She lets out an incredulous laugh, hurt, betrayed, surprisingly unsurprised. The zip on his trousers seems louder than anything she’d yelled at him less than an hour before. It feels like an eternity before she lowers her head to look at him, doesn’t bother to mask the absolute disappointment on her features.

“I-uh-yeah-I”

She can practically see the walls slamming back up around him, the walls she’s been watching for weeks. A tear rolls down her cheek as he turns away from her, heading towards the front door.

“You don’t get another chance with me, Daryl” the finality in her voice makes him pause, hand on the doorknob. She sighs, hating that she’s about to give him the grace she is “You need to make up your mind, because I’m not waiting for you, not again. If you’re not certain by tomorrow you need to leave me alone”

The shaky nod from him is so small its almost imperceptible.

-

She’s not expecting the knock on her door as soon as the sun is up, really she isn’t. The whole night has been sleepless and filled to the brim with dread, knowing for sure that he wants her but fully believing he will never be able to let himself have her. She isn’t unaware of Daryl’s tendency to self-destruct. Maybe this is it, she thinks, maybe he values her enough as a friend if nothing else, to tell her face to face, but he’d never been able to before and the tiniest hint of hope lights her up as she treads carefully down the stairs.

Daryl stands there with a small, nervous but hopeful smile on his face. The hope hasn’t missed him, either. He doesn’t know what he’s doing, so out of his depth he might as well be drowning, but the knowledge that she wants this too means he’d rather fumble his way through this with her than do well without her.

“I’m a’ idiot”

“Yes you are” She laughs, setting him alight on the inside. The laugh that started al of this, almost. Doubt underneath her voice is the thing that finally settles it for him, makes him pull her towards him, gentle this time, the way he’d wanted. He’ll never let her doubt his feelings even when he doubts himself.

“I always wanted ya” he murmurs against her lips before closing the distance.

“You’re not going to run away again?”

“Ain’t runnin’, ain’t ever runnin’ again”

[genericpuff]

I've watched both (this is a hazbin hotel ask btw) but tend to keep my eyes closed to merch sales (and such forth) unless it can pierce my five degrees of separation

also gotta admit that I've been not keeping up with HB since... honestly the since the season end. yeah I'm behind.

What do you mean they're waiting for what's functionally pamphlets? It's taking MONTHS for a pamphlet?

That's funny in the bad way 😭

yeah so from MY UNDERSTANDING (i.e. correct me if I'm wrong) the playbill was part of some exclusive package deal where buyers would receive some keychains, trading cards, and a playbill which was supposedly going to be filled with exclusive interviews/quotes/background information/etc. about the show's production. That playbill was exclusive to the pre-orders, meaning if you didn't pre-order this merch package, presumably you could still purchase the merch package on its own (or possibly its parts separately on the merch site like the keychains n junk) but the playbill would ONLY be sent to those who pre-ordered.

The pre-orders started around a year or so ago, but then roughly 9 months ago when the bundles started to show up, people reported that the playbill - literally the centerpiece of the marketing - was missing.

Since then, the playbills still haven't arrived, but customers have gotten TWO separate emails written from the "characters" of Hazbin Hotel updating them on the situation. Yes, you read that right, the emails meant to update people on the part of their pre-order package that was still missing - a package that cost them $76 and again, the playbill was exclusive to - were written in-character like a roleplay post in a message board forum.

And for some reason, the A24 staff decided that Husk would be the best character to deliver the bad news, a character who is, like many characters in Hazbin, just an asshole.

It's wild that this even got approved as an official email from the A24 team because let's face it - if you had spent $76 with the good faith expectation that you were gonna get everything you were promised in return for that $76 is this really the response you'd want to get? I'm not exactly sure when this email was sent out but according to some of the people reporting on it via Twitter, it was around the end of January (so the end of the month that folks were expecting it to roll in). Not a great way to tell people that the product they're waiting on - and didn't expect to be missing in the first place - was delayed.

Months later, a second email rolled out, and A24 sort of learned their lesson, not by actually addressing their customers as human beings, but this time as Charlie, who is at least not a complete dickhead.

It still doesn't really answer any questions though because it's putting the responsibility on fictional characters to explain what's going on. So of course everything is masked behind the "teehee, Alastor did a naughty and Niffty got stuck in the printing press machine!" roleplaying talk which literally does not actually tell anyone what's really going on, just gives them a vague impression based on what they chose to make a fictional character say.

Sure, it's nicer than Husk, but it's still disingenuous and frankly just cringe esp when this is concerning the interests of paying customers.

I don't know if this is Vivzie's doing or someone else on the A24 team, but it really feels like they're trying to operate the same way HH would have operated back when it was just a Youtube series... but it's not a small-time Youtube production anymore, it's a full on Amazon show with hired employees and a customer base that expects the thing they paid for to actually show up. So at best this is just really immature mishandling of a situation that should be taken at least relatively seriously.

And really, out of all the things to delay... the playbills? Really? For anyone who's not familiar with what a playbill is, it's literally just a booklet. Professional, "Playbill" branded playbills that you see in legitimate theatre productions are (if I recall correctly) anywhere from 30-60 pages, but a lot of those pages are often dedicated to ad space of other productions and companies, with maybe only 10-15 pages dedicated to the actual production. People love collecting them though because you typically only receive them when you go to see a play itself, so it can be a great souvenir from limited run productions.

It's kinda like comic collecting for theatre-goers, they can serve as memorabilia or as "proof" that you were there to attend a specific show. Though playbills don't tend to accrue as much value as much as comics can, they can still have a lot of sentimental value.

Hazbin Hotel isn't a play though. It's a streaming show available on Amazon Prime that anyone can watch anywhere in the world. It doesn't exactly have the need for something like a playbill, because the exclusivity is simply tied to how much extra money you're willing to give them for the pre-order, not to any sort of unique in-person experience of going to the theatre and watching the show live with your own eyes.

Granted, Hazbin Hotel does obviously take heavy inspiration from theatre culture as it is itself a musical, so I can understand the novelty and appeal of creating a unique playbill for it. I just don't really understand why that's the item that got delayed when a booklet containing exclusive info should be one of the easiest things to make, especially when it comes to production costs (printing a bunch of playbills shouldn't be anywhere near as expensive as producing keychains and trading cards).

But there was an update on reddit about this a couple weeks ago and it seemingly contradicts what A24 - sorry, 'Charlie', sigh - said months ago that they were working hard on specifically printing and packaging the playbill orders-

FINALLY the HH fandom gets a real human being from A24 responding, but they're saying that the designs are still being worked on??? So this means they haven't even started printing the things yet?? So that's an entirely DIFFERENT issue that hasn't been addressed up until this point.

So yeah, again, I don't have any stakes in this and it's definitely not something that I'm like, putting a lot of emotional investment into, but it has still been fascinating to check in on every now and then. Big condolences to the HH fans who paid $76+ for this package and are still waiting for the MAIN CENTERPIECE to show up - if you're one of those fans and are now reading this, you're probably gonna be waiting a little while longer because apparently they haven't even designed them yet 💀😆

[idontliekmondays]

excerpts from lindsay's old classmate

1.28.13 I have really tried to like Lilith but after two weeks with her I can't. My thinking on it is she hasn't given a reason to like her. It's more like she tries to complain, storm off, be rude, and ignore the rest of us as much as she can. Her special skill is that she can walk anywhere in high heels.

2.05.13 Lilith did not get any roti because she decided to stay in her room the whole day.

Dance lessons. And a full shot of me in uniform. Thai dancing does not require a lot of movement so it can be done in a pencil skirt. Left side, front to back: Deanna, Me, Donna, Lilith. Right side: Dance teacher, Karen.

2.07.13 (I have mentioned before that Lilith gets motion sick. So today instead of getting in the front seat like she's supposed to she climbed in the back of the songthaew with everyone else. The whole time I'm praying in my head "Don't throw up everywhere, don't throw up everywhere" because she started looking sick about half-way through the trip back. I really do not understand her logic).

Drexler is forcing Lilith to go to yoga or meditation (it's so nice she's paying all this money to go to another country to sit in her room on the computer all day.)

2.08.13 More creepy messages from Lilith's talking horse doodle today. She told us that she gets all these from a tumblr account called Crazy Horse(?). I also don't think she gets what all of them mean, because the horse's first message today was "Pumpkin Jokes.PDF". Really confused on that one. She erased that and had the horse say "Becoming a bounty hunter is not easy but I am here." I can see these two coming from a tumblr account, though they make zero sense to me. She then drew a dog and gave it this dialogue "Timid little girls she never put fairies on the summer gathering place for the Nazi elite." I'm really getting freaked out by some of her messages and was very thankful when Ajan Pranut (our afternoon teacher today) erased them.

2.11.13 Watched Lilith fight with a bee for her cake. She hates insects so she literally flew from her chair to get away from it. Then thought swearing would shoo it away. The bee cared more about the cake.

2.13.13 Originally I was going to say writer but Lilith wants to be a writer (today's creepy horse message was "Bring me all the people and I will make sure they are burning." Don't think I want to see anymore of her work)

When everyone returned we had a review session (except Niko and Lilith because her boyfriend broke up with her today. Most of us had to take a moment to go "You had a boyfriend??").

2.14.13 Last post I said Lilith's boyfriend broke up with her. Today she was excused from half of our midterm because she told Drexler she was up all night. Later, Donna informed me that she had downed a whole bottle of wine to help deal with her feelings. That's definitely healthy (sarcasm).

2.15.13 Drexler informed me he was forcing Lilith and myself to go to Tai Chi today with his wife Barbara.

Lilith stood there most of the time refusing to follow the movements and afterwards said "It wasn't her thing". For those who know Lilith at Coe, I saw her wearing ballet flats today, not heels!!

We complained about Lilith and Donna told us the funny story of how at Multicultural fusion orientation, where every African American freshman was, Lilith announced that she hated black people during her introduction. If you ever wanted a stupid idea, here's one of the dumbest ones ever. She has not been invited back since.

2.18.13 Lilith grossed everyone at her table out by hogging the delicious fried chicken, eating it with her fingers, and dipping her spoon (the only utensil that goes in your mouth besides chopsticks) into the soup. I feel Barbara has caught on to her.

Some of the people I'm here with. From left to right: Lilith, Niko, our guide/the Dean, Alessa. This temple was at the second ruins. I think it was a temple.

2.20.13 Forgot about going to Tai Chi today so got going a little later than planned. Lilith did not join us this time (my prayers have been answered!!) so she will be forced to go to yoga or something else. Barbara is the type of teacher who believes that if we talk to her we will realize she's just shy, not a bad person. This makes me remember she has a Hitler poster in her single at Coe. I don't think we'll be painting each others toe nails and gossiping about boys any time this lifetime. Or the next.

2.22.13 On the way back from buying detergent I walked past Lilith who made a point of ignoring me. I get the feeling she doesn't want to be friends.

2.28.13 Lilith's creepy horse message of the day was "Is the dance floor calling? No."

Lilith, who's half Laotian and this was her first time visiting Laos, spent her time in her room on her computer. Again I wonder why she came on this trip.

3.03.13 The other skit was... awkward. Lilith was randomly sitting on the ground talking about absinthe and Deanna happily stormed out at the end.

3.11.13 I had to sit by Lilith who dressed herself as a hooker. If my grandma saw the way she was dressed, that would be the first word out of her mouth. She bought some platform high heels that don't have a heel. I will take a creeper picture when I get the chance because they are so outrageous. They look like Lady Gaga shoes as a better description.

3.15.13 One thing I did edit out was how completely disgusting and rude Lilith was today. She actually belched at one of the Vietnamese students. Her behavior ranged from obnoxious to 'I was raised in a cave by monkeys'. The students were very concerned that she wasn't having fun.

3.18.13 Watched Drexler try to talk to Lilith about some issues that she has been causing but we watched their body language get more and more closed so it was probably not successful.

3.26.13 When you get out of an elevator it is a common prank to push all the other buttons. Instead, I pushed all the buttons on the way up to our floor. Deanna and Donna took it as a joke but you could feel the loathing rolling off Lilith in waves so much it scared the others. I am not sad to say it made me happy to make her angry. I am a terrible person, but she is worse. One story the host students keep talking about often is how when Lilith showed up at her host's house she asked for potato chips. When none were given she asked to be taken to the bar.

3.30.13 Had to sit by Lilith. Again. I'm starting to believe that I am put in charge of her, that Drexler thinks I can handle this responsibility.

We are the first Asia Term to come here. It's all thanks to Lilith who's half Laotian and her dad wanting her to meet his side of the family. That's happening tomorrow. Perhaps getting sick suddenly would be the ideal way to deal with meeting a family of Nazis. This is her first time meeting her dad's family so we are expecting her to hate them immensely and the day to be awkward or they will make her their new leader.

3.31.13 She decided to wear her hooker shirt today to meet her dad's family for the first time. Hope she doesn't regret that later on.

4.04.13 In previous years Asia Term has been there for a week but because Lindsay wanted to meet her relatives our time in Cambodia has been cut down.

4.25.13 Lilith has gotten on everyones last nerve. Including Drexler's. It's a good thing we're coming home in a little bit.

source

[derww]

ok ive decided that i also want to have it here. written right after s5 zam ban

Name: Everything that will remain after me

TLDR: Mapicc and the Terrible, Horrible, No Good, Very Bad Day

CW: Violence, murder, suicidal ideations, self-harm, canonical character death

Zam betrays Mapicc; it's a second time.

He freezes at the place, hearing the blood-curdling rumble of the ban. He knows who it is with his guts. For the first time in his life, he is fucking terrified.

How dare he, It's tearing him inside out. How dare he leave him alone. Leave his back exposed and one comm – empty. How dare he.

BETRAYAL BETRAYAL BETRAYAL

He wants to revive Zam just to crush his skull and then kill himself, twist the knife in his own stomach, and on and on until there is no blood left in him to flow out. Every cell in his body is irritated. He turns inside out and tears apart; his skin melts alive; his world exists at one tiny point, around which there is an all-consuming void.

He hardly remembers what he does next, but his blood is boiling and his hand is clutching a sword. It seems that he kills someone, with the full realization that this is forever; he skins someone's alive and does not even remember who. He wakes up in the middle of nowhere, bloodied from head to toe. Some of the blood is his own: torn, extended wounds from a fight that he does not remember, as if the only thing that prevented him from being split apart were reflexes.

How dare he leave me, he thinks. How dare he give up. How dare he die. How dare he, how dare he, how dare he.

He is so hot that he is suffocating. He's so cold that he can't stop shivering. He wants little more now than to light two beacons of rebirth – to pull ten hearts out of his chest and dissolve them in the wind. He knows it's useless. He knows it won't work. Helplessness eats him alive. He wants to kill someone else. He wants to stick a knife in his leg and lead it forward until it stops hurting.

When Mapicc was betrayed last time, he felt sad. He didn't want to fight, and he didn't want to lose his friend and partner. Most of all, he was sorry – it was a pity that they did not talk more, it was a pity that they did not establish real trust, it was a pity that Zam did not talk to him first, and that he did not think that something was wrong. He fought not because he wanted to, but because he had to, because he had no choice, and then mourned their dead friendship, knowing that he would never be able to return it to its former state. Anger and rage came after.

"If we're going to continue working together," he told Zam when the Pirates started working with Guccigang, "you have to swear that you will never betray me again. I'm serious." Because his "I" did not rest on just hating, and he never liked to be reduced to that.

"Don't worry," Zam replied with a smile, "I won't betray you anymore. I've learned my lesson." For a single, unified moment, they were back in the snow-covered castle. Mapicc nodded. He knew he would never be able to trust him the way he trusted him then – unconditionally, absolutely – but that didn't mean he couldn't trust him with his back and his life.

In reality, his hands are shaking so much that, for a moment, he doubts whether he will ever be able to hold a weapon again, and it terrifies him. He is complex and simple, he reads people through and through, but misses the betrayal of the nearest one, he is smart and strategic, but at really important moments only a berserker who wants more deaths. He wants to cry, but he can't. He wants to give up, but that word is not in his vocabulary.

You whisper to MinuteTech: where is his body.

MinuteTech whispers to you: the podium

He is preparing a battle kit. He is preparing to die. He's going anyway.

There are people on spawn, and he appears to them, smeared in blood, carrying a trail of corpses in the shadow, with crazy eyes and still fingers. Guilty and innocent, dangerous and harmless, they don't bother him – in tunnel vision, he goes to the podium, and then just stares.

Zam looks peaceful. He is bloody from head to toe, and holes in his clothes mark the places of severe wounds, but he is smiling, and his whole body is covered with sakura flowers. It's a disgusting sight. He seems happy.

It seems that someone is trying to talk to Mapicc, but he does not hear a word. He carefully takes the body off the podium into his arms and just looks at it for a long moment, completely not understanding how they got to this point. Just a couple of hours ago, Zam had thirty hearts, and Mapicc was sure that he didn't have to worry about him. Now, he was dead. Mapicc opens his wings and takes off. No one follows him.

Ultimatum: You don't trust a Lifesteal member who is not your ally with absolutely anything. Immediately after the disaster, Mapicc and Zam took Bacon's body and buried it in the middle of nowhere, because the idea of using it against them was much worse than not being able to let him rest in his home. Mapicc flies there again, remembering the coordinates by heart.

He buries Zam very close to Bacon, almost shoulder to shoulder, and then stares at the graves for a long time. Both of his closest allies were banned on the same day. Those with whom he dreamed of meeting the finale, which he desired more than anything else, are now almost unattainable.

You whisper to Roshambogames: if i die, bury me next to them.

Roshambogames whispers to you: of course.

He tears his hand into a bloody mess with his bare fingers. The hatred in him is a beast, eager to tear apart everything in its path.

"Wemmbu better resurrect you both next Saturday," he hisses, "or I'll crush the skies to kill him."

He leaves without looking back, walking along a path that uncomfortably reminds him of something from the past. An hour later, he obtains immortality.

[fascinating-yarn]

So You Want To Know About Chess The Musical

So you want to know about Chess. The first piece of advice I have to give you is:

Step 0: Are you sure?

Because trust me, it's a whole lot weirder than you think, even if you know that the story is, in fact, only very little about chess (the board game). But if you are sure, because you have a friend who, like me, can't stop talking about it, then, you're ready to begin with step one.

Step 1: Listen to the concept album

Yes, there are plenty of recordings of the full show that are easily accessible on YouTube. Do not be fooled. With very minor exceptions, they will not elucidate anything at all. Trust me, even if your favorite actor is in one of them, start here. You will have time to get back to them later, trust me. It helps to read the synopsis of the album while listening; this has been kindly transcribed here by @alovebizarre.

Already hooked? Yeah, probably. Now you understand why all of us got stuck down here in our circle of complaining about this show. We, too, all thought it was going to be good based on the concept album.

Step 1.5: Watch the 1989 concert

This is mostly the songs of the concept album and retains the two male leads, but has Judy Kuhn playing Florence, the female lead. It's a strong concert and only cuts one song, and adds another ("Someone Else's Story", the show's only breakout hit not on the album). There is plot narration in Swedish, but one of the versions on YouTube has been subtitled in English

Step 2: Acquaint yourself with The Big Four

Now you know the music but the plot may still not be totally clear. The next step is to get to know the major variations. These are, generally:

The 1986 London version (and derivatives)

The 1988 Broadway version (and derivatives)

The 1990 Sydney version (there aren't really derivatives for this one but the material shows up Everywhere)

The 2002 Swedish version aka Chess på svenska (and derivatives)

Now, you can watch the original productions of all of these, but the issue is that the first two are both... not great. So here are some alternatives.

Step 2a: London Alternatives

The London version is mostly an expansion of the plot of the concept album, with changes - most of the structural changes were initiated by director Michael Bennett, who left the production before rehearsals due to his illness, while most of the more distinct changes of themes are from later director Trevor Nunn.

There are videos of the original production, but they're generally poorly filmed and suffer from major generation loss. There was no cast album, but the score has been recorded twice: in 2002 with the cast of a Danish touring production (released as "Chess: Complete Cast Album," but recalled soon after and not on streaming) and in 2008 at the Royal Albert Hall (this is on streaming as "Chess in Concert" - one of two albums of that name).

Any one will give you an idea of the script, but the original London production is generally the most musically cohesive. The Royal Albert Hall version has some minor script changes, most of which make no real difference, but makes some bizarre choices in terms of transition music and is generally a poorly produced album. The Danish album is likewise not very strong.

The Royal Albert Hall concert was professionally filmed but the audio is poorly mixed and the show's cast varies from a few great performances to some that are... not so much. It's also got a track record of making people either latch on immediately or be totally turned away from the show, so watch at your own risk. For a possibly better experience, watch the original London production.

Step 2b: Broadway Alternatives

The original Broadway production still has a bit of a bad reputation in the fandom, but people have generally warmed up to it. The new book, by American playwright Richard Nelson, is generally strong (if a bit overlong) until about halfway through Act Two --- at which point it suddenly isn't anymore. The original production itself doesn't help, and though there are some good moments, it was not very well directed and some of Nelson's best scenes suffer.

Firstly, you should listen to the Broadway cast album. The cast is the best part of the show and does some incredible things. The new music isn't quite as good as the original material, but is still strong and worth knowing.

In terms of the actual book, your best chance at a good experience experience is probably the 1990 Long Beach production directed by David H. Bell and starring Jodi Benson, which has a watchable video online. There are some script changes, which serve to adjust the script to be less cynical, more palatable, and better paced. After this, do go back and watch the original cast, as it generally has a stronger overall cast and some scenes are genuinely great with them.

Step 2c: Sydney and Svenska

The Sydney production closed early due to the economic recession in Australia, and the script has never been revived, but parts of it appear all over the place, especially in the London derivatives of the early 1990s. It takes bits of the plots of both London and Broadway, and becomes its own thing. It is worth knowing, and there is a mostly bearable bootleg on YouTube.

If Sydney is its own thing for being a combination of London and Broadway, Svenska is its own thing because it resembles neither. The plot is streamlined to the essentials and takes place over a much shorter period of time, plus it has two new songs. There is a proshot that has been uploaded to YouTube with subtitles, and a very good cast album. There have been some productions since based on the script, but the original is still going to be your best starting point.

Step 3: Into The Abyss

There are so many other productions and they're all a little different from each other. Most are based on London or Broadway, but some are an odd combination resulting from people who wanted to produce the London version in the US being forced to retrofit the Broadway version (unavailable for US licensing until 2008). A non-exhaustive list is:

1992 Off-Broadway: Preserved only in an incomplete, poor-quality audio bootleg, plus a slightly more complete script from a lost recording, this script is Tim Rice's first (but not last) attempt at making something definitive post-Broadway. It is one of the most bizarre scripts out there and should really be experienced late to be fully appreciated.

1990 US Tour: An early attempt to jump off the Broadway script into something new, this production stars 42.9% of the original Broadway cast of Falsettos and has some wild stuff. Don't watch till you know Broadway, since it has been known to sour people's opinions on the show.

2003 Actors' Fund Benefit Concert: This one-night only concert is preserved on a leaked (but poor quality) archival video and a higher quality rehearsal performance. The script is an attempted hybrid of the London and Broadway scripts, but leans mostly on the London script with a few Broadway changes that serve really only to stay within the legal requirements of production still in place at the time (and doubly important due to Nelson's personal support of the concert).

2018 Kennedy Center Concert Series/2022 Entertainment Workers' Fund Benefit Concert: This script was eyeing Broadway for about five years but is no longer in the works as the rights were pulled. With a new book by Danny Strong, based on the London plot but with the details changed significantly, this production takes a more overtly political spin on the show and grounds it in actual political events. Start with the 2018 version, as it's generally agreed to be better than the later concert version.

2018 London Revival: To call this production a revival is generous, being staged by the English National Opera for a limited run and generally not being considered very important. It became well known mostly for being associated with the Kennedy Center production and the general knowledge that Rice was looking to bring the show back to Broadway. Despite that, this script is entirely unrelated to the Kennedy Center version and is mostly an onstage expansion of the concept album with the show being influenced heavily by Benny and Bjorn.

With all of these I have but one piece of final advice and that is:

Step 4: Be wary of The Discourse

This is not meant to scare you away from the fandom at all. I promise we're all very friendly and most of the discussions are quite civil. But every fan has very strong opinions about this show. I have tried to present this post as neutrally as possible but my bias has absolutely creeped in and you've already been influenced by my opinions on it. Some productions (notably the Kennedy Center script) are very divisive and I encourage you to consume them yourself and forming your own opinions.

And that is how to get into Chess. If you want to. It may not be the wisest decision, but hey, we all made the same mistake.

[egg-emperor]

I don't reflect on it much now but it's times like these where I get harsh reminders of how bad of a year 2022 was and realize how far I've come

Becoming the target of harassment and slander due to a combination of my Eggman creations and then being blamed for my abuse after learning the reasons behind it was really hard. I almost died months before that campaign even happened because I was in a terrible place anyway and some knew and still hurt me and made it worse. They made me regret surviving for a while. And if I expressed how hurt I was by it all, I was called manipulative

I lost so much in so many ways and had vile things said about me and my abuse and if it wasn't for the real friends and the lovely followers and anons who stuck by and supported me, I don't think I'd still be here. I was still acting out in terrible ways online for a while after because I was in an absolute awful place mentally due to irl and online struggles. There's a lot of deleted posts and DMs I regret but I genuinely wasn't thinking right for months, my mind was genuinely fucked

I developed some bad habits that I haven't fully recovered from and fluctuate between how bad they are but I'm glad it's one of the only things left to work on. The stress, anxiety, and depression of 2022 worsened my health issues a lot as last year I started experiencing increased fainting and other physical health issues. At that point I realized I needed a change for my safety and health. For a while I didn't even feel like I deserved to be helped so it was hard but I finally did it

Now I'm getting support with bills, going to doctor and hospital appointments to look into my disability for diagnosis and hopefully to be helped, I have a therapist I just started with. I'm personally not an SSRI meds kind of guy so I've been doing every other method to recover instead. I've also made a ton of progress mentally on my own with my mindset, it's far less of a negative and angry place than it was then. I manage how I deal with setbacks better, I don't feel like I'm back at square one when things get bad now

I spend far less time thinking about what happened or letting their negativity consume me. There's been a few times since where parts of it have come back up and it's been challenging at times but I can handle them more rationally and be the sensible level-headed one and assure that I don't go back to that place. It's okay for me to be hurt by it and realize what happened to me was wrong but I don't let it haunt me every moment anymore. It's no longer the first thing I think of when I wake and last when I go to sleep

And I've realized what really matters and what's really important to me. The passion and joyful expression of the things I love and all the great people that are still here that I have the delight of getting to know and talk to. There's still a lot of challenges coming up in the future but I'm happy that it has nothing to do with everything back then. I want to express myself and my passion and never feel the shame they wanted me to. I want to get better. I finally want to live. I have hope and believe better times are ahead

And I'm very grateful for everyone who is warm, kind and supportive of me along the way. I appreciate everyone who is accepting of me and make me feel like I finally belong somewhere. Thank you 💜

[whimsyprinx]

gonna be blunt and just say that people make me feel like I’m not worth any effort or that I’m just a joke and I’m really sick of it

[polysyndetonaddictsupportgroup]

Just want to say: a, I admire very much that you've figured out a healthy way to work on your fics that allows you to have fun with it. And also b, am very excited to hear that you are getting there with pez! It has fully given me brain rot ever since I read it last year, there is just such a lack of content for the highly specific trope of using time travel as a device to explore extremely unhealthy levels of self loathing.

I just adore everything you're doing in it. Neither midoriya is anywhere approaching okay for any portion of the fic and I love rereading and mining into all the subtle characterization pointing to that. It's a bit like nhtycth in that some really goofy funny stuff is often hiding some really fucking worrying things, but the fact that characters DO do that stuff—that todoroki uses his teaspoon's worth of extremely stunted social skills to bludgeon his friend's door open and help him, that a rpf shipping war is an actual source of drama despite how goofy the sentiment seems on the surface, that about half of what jon says is deeply worrying and the other half is extremely funny and there's a lot of overlap between the two—really lifts the tension and brightens the universe. It's sort of similar to what you did with gerry, in that endless misery isn't nearly as painful as the ups and downs of a life that, when you step back and zoom out, has something deeply and horribly wrong with it.

(jon sort of reminds me of spider-man in that he uses human to deal with trauma and stress, except I don't think he at any point realizes how fucking funny he is. He's just there, in a home depot, gnashing his teeth because he's got so many bodies to dispose of and this cashier sure is taking her time.)

I really, really, really have had trouble finding fics that take everything midoriya has dealt with to task. It's a hell of a thing to live 14 years as a disabled minority, have it heavily shape your existence, and then one day you wake up and you realize you're...not that, or at least, nobody will ever acknowledge you as that again. You've lost all claim to it. Those experiences that shaped who you are? Dust in the wind. 14 years of pain and life might as well be buried in the ground for all the good they do you. Nobody's going to cut you any slack or quarter, you've gotta simply work harder, be better. And now when you do that you get the results you wanted, so that's fine, then. That's good. There was something wrong with the you before, and there's something right with the you now, and if the transition is a little rough, well that doesn't matter, you're the same as everyone else now, so it's your own job to fill in whatever gaps you need to.

I really can't get over how mentally fucked it must be for midoriya to run into quirkless people, run across quirkless issues, and be silently caught between, incapable of speaking his mind and too scared to do so anyway around those he can trust.

Also I should mention, I'm just very excited for bakugou to get back from the gym. He's been there like a year I hope he's getting a good workout in.

Me realizing that it’s been a year since pez dispenser debris:

I feel like there’s just this very specific type of grief that Izuku has to grapple with in the span of pez dispenser debris that I’m just obsessed with. He’s sort of silently mourning who he could have been, when 1) he has to present like there’s nothing lost to maintain his secret and 2) the entire world is constantly inundating him with the message that there was nothing lost.

Like. I don’t want to get too deep into it because it risks spoiling things and I do have major plans to continue it (I’ve loved this story for so many years before I ever even hit publish), but the emotion that Izuku’s feeling right now is so much more complex than “I hate who I used to be and want him to stop existing” or “I just want to keep my secrets.” And I think the way he interacts with Mirio is the biggest evidence of that.

Izuku’s placed himself at the very center of the Quirklessness debate with his support of Mirio. He fights for Quirkless heroes, very publicly, to the point where he’s not even graduated yet but considered to be one of the most prominent voices on the matter. If you took a poll of Quirkless people as to which hero would be most supportive of them pursing their own career in heroics, Izuku would be right at the top of the list. When it comes to Quirklessness itself, he’s nothing but supportive.

But he didn’t tell Mirio the truth of his own Quirklessness.

Out of everyone, Mirio’s the one everyone expects to know, despite him being a relatively newer relationship compared to someone like Iida or Uraraka or Todoroki. And I tried to imply that he’s sort of the one who knows the most about Izuku out of everyone save All Might.

Like, we’ll get into how much exactly Mirio knows soon, so I won’t divulge what, if anything, Izuku has told him. But we know that Mirio knows, weirdly enough, that Izuku is deeply fucking haunted. He knows that boy has many violent ghosts in his bones. He finds it hilarious and will tell their realtor about it. Izuku told him about the discontent spirits who died in a violent passion and live on inside of him before he told him about his Quirklessness.

And I just feel like one of those things is a little bit easier to discuss than the other.

Izuku has decided to keep his own Quirklessness quiet in a way that surpasses secrecy about One for All. If it was just about OfA, he could tell people he didn’t get his quirk until the entrance exam, and it wouldn’t even be a lie. He’s purposefully obscuring his own past as Quirkless even as he takes a forefront of the Quirkless hero debate with his open support of Mirio.

And the fact that he’s at the forefront of this debate in and of itself requires a difficult dichotomy. He is the world’s most vocal proponent for the first Quirkless hero. He is a known figure in the Quirkless community now.

He isn’t considered one of them anymore. He’s an outsider coming in.

It must be such a strange, odd sort of grief to come to the people you were home amongst for most of your life and be greeted as a stranger. To return home, and to be welcomed in for the first time, and to not even be able to tell people that you’ve lived here all your life and don’t need a tour.

It’s a sort of death of self, I think. And I think Izuku never expected to have to grapple with his own ghost.

[wormchaser]

you are complaining about complaining too much while complaining about the fact that maybe people dont like you because you complain too much while complaining about being alone. just stop complaining and do something about it. talk to people. reach out. dont just wait for someone to come to you first.

i have tried reaching out to different people in the past year or so but it never works. i understand its my own fault for letting relationships decay because of my own insecurities and issues but that doesn't mean i can just will myself to think or believe different things about myself. it's a self fulfilling prophecy ; i think people don't like me so i don't reach out so people don't like me etc . i am sure you do not want to hear me list all the things i want to say in response so i will put them in the tags.

[liquidstar]

a friend who'd wait :)

[gibbearish]

btw its interesting the way james tries to imply that like. well the videos that have plagiarism are the ones our dumb stupid annoying patrons requested about bad topics that didnt deserve to have the effort put in to covering them well so basically its fine. like obv thats interesting on its own but moreso the fact that he doesnt actually /say/ it, or like. give a list of the videos hes referring to, just says "those videos are very clear on which ones they were" i think as a nod meaning like "yknow the ones everyones talking about". unless what hes meaning is that like they put a note in certain videos saying "this video was requested by a patron, we here at james somertom incorporated do not espouse these views" which seems unlikely to me. idk methinks maybe it's because there is indeed a lot more than people think and with all the buzz he's not sure which ones have been discovered yet or not, so putting down a solid list that missed some would look like he was still hiding things whereas putting down a fully sourced list would be admitting to wayyyy more than anyone's found yet

[melverie]

Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again

[the-knife-consumer]

Forgot just how upsetting gloomed korok forest is

[nexus-nebulae]

i have. so many bath and body works products

[claitea]

a little personal project i'm slowly chipping away at, thought it would be fun to make it into a chart that i add a doodle to every time i finish a new character so i can track how i'm going with it!

by project i just mean i want an oc of each type. i'm not making a game or anything the positions listed are purely for fun HDJBFJFKE