#the police chief

[187days]

Day Four

Today was the last day of teacher workshops.

The ladies who run our main office kicked off the morning with a presentation about the various things they handle (like sub requests, visitor passes, field trip forms, etc...) and how we can help them help us. Then The Police Chief and the new SRO came in to go over ALICE training, which sucked because, well, discussing what to do in the event that someone tries to kill you is always going to suck. But it was as good as it could be. Their presentation was concise, it wasn't overly dramatic or graphic, and the one sergeant who does not appreciate me or my smart mouth wasn't there (heh).

And, after that, the department heads got to bring the mood back up by celebrating the successes of our previous year, talking about our aspirations for the coming year, and getting everybody feeling positive about the direction we're going as a school. Our little hype session was followed by a potluck lunch- which is a teacher workshop tradition here- and then we all spent the afternoon wrapping up our preparations for the start of the year.

I did my boards, made my photocopies, set up Google Classroom, met one last time with Ms. B and Mr. X to make sure they're squared away, and that was that.

We've got a four-day weekend now, and our students arrive on Tuesday.

Let the wild rumpus start!

[stairnaheireann]

#OTD in 1848 – Birth of Francis O’Neill, the Police Chief who saved Irish Music is born near Bantry, Co Cork.

Francis O’Neill, the Police Chief who saved Irish Music is born in Tralibane, Co Cork. After emigrating to the United States, he joined the Chicago police force in 1873, eventually serving as Chief of Police from 1901-1905. Chief O’Neill had a strong interest in Irish music from his childhood, an Irish music and tradition that was in real danger of being lost as the Irish diaspora melded into…

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[fourphoenixfeathers]

My disappointment was immeasurable when i realized there was a canon humanformers TF:Animated episode, and the human designs were just this:

THIS WAS SUCH A MISSED OPPORTUNITY! THEY ARE SO BORING! So i took it upon myself to redraw it. 😌

I know Prowl wasn’t in this scene, but i wanted an excuse to draw him anyway. He’s silly and i love him.

I tried to push the scale a little bit too, because i imagine the team would be feeling pretty small in a medbay built for cybertronians. Imagine Ratchet is standing on something out of the shot.

[ikarakie]

hopper sees steve as a surrogate son. really, he shouldn't make such a habit of picking up stray children, but he looked at harrington and saw a kid who just... needed someone. saw the vacancy in his eyes when he thought no one was looking. saw the police file, the noise complaints and the few reports from hawkins middle school about suspicious bruises that had been swept away. saw a boy who'd seen too much. who just needed someone to lean on.

so he tries to be that. offers the kid a hand every now and then. keeps an eye on him, all alone in that big house, after everything. after '83 and then '84 and then summer of '85, when he'd signed his medical papers because there was no other adult for him around. it always left him a bit hollow, but he told himself that it was okay as long as he was around. as long as steve knew, deep down, that he could come to hopper for help, even if he'd wait until he was on the brink of overload before doing so.

it's all this that makes the sight of steve's car, that brown beemer that had dropped his daughter back home so many times, pulled into a ditch with the lights off cause his stomach to sink. a million awful things come to mind as he pulls in behind it and quickly hops out of his cruiser.

had he seen something and spiralled into a panic? had he gotten a bad migraine? had he run off into the woods alone?

thankfully, he finds the best case scenario: a slightly flushed and dishevelled steve rolling down a foggy window. grinning like he'd been caught with his hand in the cookie jar when he realises it's just hopper. he's fine, he's in one piece.

what's not fine, however, is the person with him in the backseat. eddie fucking munson, a kid hopper's put in handcuffs more than once. not because he's another boy, who gives a shit about that, but because it's eddie munson. drug dealer, general troublemaker, and definitely a bad influence on his boy.

he does his best to save the judgement this time, sensing the fear emanating off the couple. tells them to be more careful, to go home and kiss or do whatever there instead in case anyone else drives by tonight. munson looks at him like he's grown a second head, (which, fair. usually their interactions go a lot less amicably than this) and steve just tears up and nods. he reaches in to ruffle the boy's hair, ignoring the protests, before reluctantly trudging back to his car and driving away.

he calls steve the next afternoon and gets him to confess that, yes, he is dating edward 'eddie' munson. no, it's not a fling. yes, they're boyfriends, god help him. he gripes about it a decent amount, because really, steve? that one? you picked that one? but he keeps the tone light enough that steve feels comfortable enough to defend eddie's honour amidst laughter. within a week he's got steve sat across from him, eddie by his side looking two seconds away from shitting himself.

"well, boys." he grins, cracking his knuckles. eddie watches. gulps. "let's have a little chat, shall we?"

[naffeclipse]

Dance, Detective, Dance

Detective!Reader x Police Chief!Eclipse

Commission Info

Who's ready for some dancing with Police Chief!Eclipse? I had a delightful time writing this darling little fic which was requested by Anonymous. The detective reader must navigate a situation they truly do not want to be in and are ultimately rescued by a very dashing Eclipse. Now, time to hit the dance floor.

———

This is not where you’re meant to be.

The candlelight twinkle of the capitol building’s chandeliers cast the ballroom floor in gentle, romantic lightning. The marble columns of the great architecture build a grandness to the politics and party tonight. Men, women, human and animatronic alike, flutter around the space in bird-like trillings of socialization. The suits are finely pressed and the gowns are exuberant and shimmering. The large, photo-ready smiles mean nothing to you. Though fellow officers mingle among public workers and rich city members, you stand deliberately away from the conversations in a shady nook against the wall.

You must remind yourself to unfurrow your brow lest you stand with a perpetual scowl on your face for the rest of the night. This should not be mandated as part of your job—a charity ball, put on by your police precinct no less. Your time is better spent pooling over castfiles and running down streets to locate criminals. 

You tug at the collar of your formal attire, dark and fitted for a black-tie event. The weight of your gun rests heavily on your hip, hidden beneath your clothes. You wish you could stroke it, hold it in your hands, and count the rounds. The number of bullets inside the clip is branded in your mind, but the routine is grounding. But, your hands lie empty and repeatedly clench.

The night has worn on. This has been your service for the evening. You can excuse yourself on the basis that you’re needed back at your desk to study the recent string of crimes the Celestial Gang conducted. Surely that’s better spent time than standing here, stuck in fancy clothes that do little to make you more approachable.

The door. Your eyes have been returning to it constantly in the last hour. You could piece together what’s been eating away at you about the last rival gang slaying. What are the Celestial Gang building up to? Why suddenly strike so hard and fast at enemies? Do they simply have more confidence or is there something moving in the underground, dark and silent as a reaper?

This is enough. You’re going back to work. You step out of the shadow alcove you’ve lurked in all evening. Shoulders hunched as you begin to slip between oblivious attendees of the charity ball, you keep your eyes on the door. Single-mindedly, you weave towards the exit without seeing one face or hearing a voice in the crowd’s babble.

Someone emerges at the top of the grand staircase to the left of the doors. A familiar figure, tall and lithe and adorned in sun rays, descends the steps.

You stop in a crowd. Eyes drawn up, you stare at the police chief.

Eclipse. You’ve never seen him so sleek and sharp in a tuxedo of deep crimson. He fixes his bow tie with deft fingers, his eyes lifting to the crowd as if he’s lost something. His expression is intent, unsatisfied as he searches for the brief moment it takes for his gaze to swiftly land upon you.

Your lips part for an inexplicable reason. To call out to him. To explain why you’re making a beeline for the door. Say hello before you tell him goodbye. You have no answer. No words slip from your lips as he holds your stare as if you were the only person standing in the room.

His canary yellow optics brighten. His hands fall, softly opening in a gesture that seems to invite you closer. The police chief tilts his head. He finishes descending the steps as you push through the crowd—not to escape the ball but to meet him at the foot of the staircase.

He says your name softly in a manner you consider dangerous.

“Eclipse,” you greet, though it’s unnatural to say his name while the two of you are very much not alone. Yet, the crowd leaves you two in a pocket of privacy, unaware and unconcerned with a commanding officer and his subordinate.

Music pulls on strings, echoing in the air. Dancers begin to meet and pair behind you on the polished dance floor. Eclipse’s eyes briefly stray to the live music conducting the beginning of a couple’s dance, but his black pupils return to you. 

“Where are you going?” He reaches out and touches the sleeve of your clothes, smoothing down a non-existent wrinkle. 

“Out,” you answer, almost shoving it between your teeth. “I have work to do.”

His grin tightens like glass crunching in on itself. His fingertips slip further down your arm, trailing carefully over the sleeve that’s far too stiff for your liking to loosely encircle your wrist. He keeps you in place.

“You are expected to remain for the entirety of the charity ball; the same as every officer in attendance.” He speaks with the firmness of authority.

You narrow your eyes. He meets you unyieldingly. Your fist clenches just underneath his large, dark hand.

“I need to go over the case files from last week. I can’t stand here all night.” You look out over the band playing, accompanying dancers as they step and twirl. The bodies are organized yet chaotic in their colors and energies. A few people are laughing and others are stone-cold serious, focused on the rhythm while others kiss their partner.

“Detective, you can last one night at a social event.” His voice gravels low, almost touching a note of mirth.

His thumb slides down the bones of your hand, caressing your skin softly. A shiver subtly works its way up your spine. You turn back to face him. A stubborn argument crawls upon your lips but you stop short.

The police chief is strangely quiet. No, distracted. His eyes roam up and down your person. You stand frozen under his inspection. You dressed appropriately. He can’t fault you for improper attire but you can’t unravel the motive for his silence. His expression deepens into something soft. His optic lights dust you gently with his attention.

The strange exchange prompts your study of the police chief. He’s never been one to slack in his appearance nor fail to dress for the occasion. There is an undeniable charm to how the tuxedo looks on him. His fingertips are soft against the pulse on the inside of your wrist. The deep crimson color compliments his maroon and indigo sun rays.

A beat passes. Eclipse finds your eyes again.

“You look exquisite, sweetheart.” The note of affection in his tone sends a weakness into your knees.

“I’m not staying,” you say. Eclipse knows better than to charm you—though you must breathe to regain the feeling in your legs. “Even if I will miss seeing you look so sharp and spiffy.”

“Thank you,” his voice is low and gravelly. It echoes him finding you late at night, working at your desk, and walking you halfway to your home. A voice greeting you first thing in the morning with a cup of coffee. A question of concern, wondering if you’ve had enough sleep lately.

He holds out his other hand. The hold he has on your wrist is loose, soft and so unlike the coldness of handcuffs you’ve experienced before. You’re reminded again of his relation to the Celestial Gang mob bosses. Though what happened to separate Eclipse from his brothers and lead them down such different paths eludes you. You don’t pry. You won’t ask him to give it all up. 

He is not his brothers.

“Since you must stay here, we can make use of your presence.” His fingers unfurl. His dark digits and silicon palm wait before you. Like an offer of hope. Like an invitation to sneak away, just the two of you. His optics are lower in light. “Won’t you dance with me, Detective?”

You stare at the offering. A weak stirring begins within you. You tilt your head back to hold his gaze.

“I can’t dance.” You have the bluntness of a hammer. He knows this. He has always known this.

Eclipse’s grin remains unwavering. 

“I’ll lead.”

The music swells to a final jazzed ending. Couples drift apart and shuffle, and others stay perfectly together, waiting for the next song.

This is dangerous. Your hand falls into his. Him leading you deeper onto the dance floor to lose yourselves in the crowd and yet, find all the privacy. 

“Stand on my feet,” he says.

“You’ll regret this,” you warn him gently for his own sake. You fix your shoes upon him, scuffing up the shiny black polish but Eclipse doesn’t even glance down. His optics are firmly fastened on your gaze.

He chuckles low within his metaphorical throat. The first twirl begins, and you are perfectly safe upon his footwork. If anyone notices that you’re not truly putting in effort, allowing Eclipse to lead and put in all the moves, no one says anything. No one truly looks at you. All the politicians officers and city workers are engrossed in their dramas. You almost feel as if you were alone with Eclipse.

The music slips over you. The string cords and the waltz rhythm of the instruments tug you both along. Eclipse effortlessly weaves and carries you through the people, his attention tilted down to hold you in his vision while the room spins at the edges. You stare into his optics. Yellow with pinpricks of black. His smile is softening at the edges, his sharp teeth less visible in his focus.

“How do you know how to dance?” you ask, your interrogation voice coming through full force.

Eclipse tilts his head. A glint in his gaze gives way to something you can’t help but find unusual for the police chief.

“Personal interest and a need to fulfill certain duties a police chief must uphold such as appearing at public events. Especially for an animatronic,” his voice is gravelly.

To be charming and capable in every manner, to have to give even more than a human would in his position. Your hands clench his as he cuts through the space, leading your clasped hands like a wedge through the masses. Your grip tightens upon him. A burn sets in your chest, hot and spitting.

“You don’t have to dance,” you say, “Not with me.”

“I know,” he says softly. His voice lowers. “It’s a shame I don’t see you like this more often.”

You grimace as you glance down at yourself.  “These clothes are too stuffy. Who could chase a criminal down in this?”

Eclipse’s smile is poignant as he remarks, “It’s a very good thing you’re not on active duty tonight then.”

A sound between a huff and a growl escapes your mouth. Eclipse twirls you in a motion that leaves your head spinning slowly until you remember to focus on his eyes. His light is constant through the movement of his practiced swaying. 

You fight the urge to close your eyes and rest your head on his chest. His height gives you the perfect advantage to rest against him. You might be tired. The entire social event has sucked you dry and now you’re stuck in a slow whirl with the police chief. It’s difficult to remember that you wanted to leave only a few moments ago.

“Eclipse, I have to go,” you say over the ringing of the music. You’re getting distracted. You feel weak, held up by him so tenderly. His hand presses into the small of your back as he shifts you in his arms. 

“Would it kill you to spend an evening with me, looking so fine, and dancing?” His eyes burn low. You can’t look away.

“Maybe.” He doesn’t let you loose, so you must grit your teeth and admit, “I dance and wear nice clothes only for you.”

Eclipse grins. 

“Come on, sweetheart,” he says, and his movements grow stronger. 

You cling tighter to him. Held flush against his chassis and fine suit, you watch the room twist upon itself. Eclipse draws you in and out, and he carefully stops to gently set you back on your feet. You immediately freeze like a wild animal set in a civilized place. Before you can succumb to your failure of not knowing a single dance, Eclipse takes your hand and lifts your arm above your head. Pressing your shoulder softly, he guides you into a soft spin upon your toes. You almost stumble. He holds you steady.

Then he takes you by the waist, holding you tight as he dips you low. You’re parallel to the floor, parallel to the police chief's smile as he hovers above you. You both hide below the crowd. The music swells.

His mouth has never been closer. You don’t realize how much your chest heaves, your heart alive in your ribcage as if amid a shoot-out, but it’s him. It’s only him. A smokey-amber scent fills your senses. He’s so close, and you drown in him.

Eclipse gently lowers himself closer. His optics flash between your eyes and your lips. You breathe out. Your eyelids flutter close—

And gunshots ring out.

Your eyes fly open and Eclipse’s optics flare. People scream. The stringed instruments cut off with abrupt notes souring the air. In a blur of a second, Eclipse pulls you back onto your feet. You whirl around, your hand upon your gun and freeing it from its concealed holster. 

The doors are wide open, held by men in dark attire as more shots ring out, thrumming out of Thompson machine guns. Gleeful criminals stare down at the panicking charity ball. You step forward. Eclipse's hand falls on your shoulder, pulling you back just as a politician in a suit dashes right in front of you. Eclipse’s grip tightens on your collarbone.

The gangsters glance around, lowering their weapons. Screams of panic ring out again but the gunfire stops—they have everyone’s attention.

“Eclipse,” you utter. Your finger is careful on the trigger. There are too many civilians. The boldness of crashing a party in the heart of the capital building leaves you seething.

“The Celestial Gang,” his voice lowers. He knows. You both know.

Henchmen step aside and hold open the doors to the dark, cool night. Dressed in fine suits, sharp and oily as finger-rubbed gold, the mob bosses of the most feared gang in the city step into the ballroom. They hold guns in their hands, gleaming cold and dark. Their eyes, gray and pale, and red and black, cut through the panicking people. 

Eclipse is half-frozen beside you. He steps forward, placing himself between you and the mob bosses. His brothers.

Your eyes dart around the room. The people have crowded against the far wall. Other officers have drawn their weapons. You glare down the animatronics bearing the themes not unlike the police chief, one of a pale yellow sun, and the other of a dark and silvery moon.

“Oh, Moon, I hope we’re not too late to the party,” Sun announces. His fingers stroke the trigger of his gun. His mouth curls sinisterly. “It’s so nice to see all the elites of this rotten city celebrating their charity.”

“Look, brother,” Moon tips his dark hat at you. “We’re just in time.”

You grit your teeth where you stand, and glare back.

“I think you’re right.” Sun laughs, cold and chilling against the marbled columns. His attention rests on you, hungry with avarice.

Moon lifts his gun into the air and smiles with sharp teeth. He announces, “We will be stealing the detective for a dance.”

[fure-dcmk]

osaka police department's golden boy

[187days]

Day One Hundred Eighty-Five

Today was it: the last day of the school year!

We had one day exempted by the state (the day the pipes broke), and our evening parent-teacher conference nights also count as a "day," so it makes 187 even though it doesn't actually.

Just go with it.

The Principal called us together for a final, quick faculty meeting. He thanked us for the year, recognized the teachers who are retiring or moving on to other jobs- half a dozen or so this year- and let us wrap up our work. I had a meeting with him and Dean 1 to discuss hiring a new social studies teacher; we'd already offered a position to one applicant, but we had a late resignation, so now there's a second position open. There are a lot of reasons why that happened, but, as department head, I owned some of the responsibility, even though The Principal and Dean 1 said I didn't need to. I appreciated their reassurances that I'd done a good job in this new role, and their confidence that I'll continue to learn and grow- because I will.

Our meeting ended just as a good number of police officers (including The Police Chief) entered the main office, which made exiting slightly awkward! They were in the building because they're going to be doing active shooter training tomorrow, so they had to do a walk-through and discuss.... whatever they had to discuss. I did my best to stay out of their way when they were in the halls.

I had my grades verified- and signed off on all the verification sheets for my department- by around 9:30AM (and kept joking with the other department heads to get on my level), and my classroom was cleaned by 10:00AM. So then I dealt with the two classrooms that had been assigned to the teachers who aren't coming back. One of them had done a decent job cleaning, and I just had to put room number labels on all the classroom furniture; the other had only cleaned out his desk, so I did everything else.

We're in the middle of that brutal heatwave, so I was super glad to get home to shower after that!

And here I am. It's summer vacation!!!!

[crybabylulu]

I had a two second thought of like modern Lin getting a FaceTime call from her younger girlfriend that wants to show off doing her makeup and then I also thought about Jason Todd getting a FaceTime call from his girl doing the same thing so I give you both I also thought about doing this as a TikTok like pov you call Jason or Lin and make them watch you do your makeup 🤣

Lin: *answers the facetime* yes baby

Y/N: I’m doing my makeup and you need to watch me

Lin: baby I’m working

Y/N: idc it’s important to my girlhood that you watch me

Lin: *sighs* ok baby

Y/N: now first we start with primer it’s very important

Lin: why?

Y/N: it makes the makeup stick *putting on her primer*

Lin: oh ok

Y/N: mhm now skin tint

Lin: what’s the difference between skin tint and foundation?

Y/N: idk

Jason Todd version

Jason: *answer’s the call* yes baby girl

Y/N: hi JJ! I’m doing my makeup so you have to watch

Jason: gets me out of doing work. Show me your skills doll

Y/N: yay! First we start with primer

Jason: I thought you use concealer first?

Y/N: 1. I don’t know how to conceal and 2. Who do you fuck in the city when I’m not there?

Jason: don’t throw drake lyrics at me and what the fuck you mean?

Y/N: why do you know what concealer is?

Jason: baby please can we get on to the tutorial my little star?

Y/N: mhm anyways *puts on her primer* next we do a skin tint

Jason: not foundation?

Y/N: again who do you fuck in the city when I’m not there?

Jason: *sighs* doll please

[londoncapsule]

JEFFREY DEAN MORGAN in THE INTEGRITY OF JOSEPH CHAMBERS (2022) dir: Robert Machoian

[19panophobia16]

Korra: "Can I ask a dumb question?"

Lin: "Better than anyone I know."

[washed-up-wurmcoil]

I love how much the Ankh-Morpork protagonists hate each other.

[movietonight]

The thing with Shawn's perfect DET score is that he could be lying to make Jules and Lassie shut up but then you see Chief Vick's facial expression and it's like oh no she definitely saw that score in his file somewhere and waited for that moment

[laniidae-passerine]

Danver’s specific brand of racism is so intrenched in love it’s fascinating. Her daughter is precious to her and her daughter is Indigenous and in this town, an Indigenous woman is not viewed as a precious thing. They are abused and raped and murdered and therefore, being white is the ‘better’ choice. She is actively whitewashing her daughter, not only because she’s afraid of what she doesn’t understand and because of typical coloniser mentality, but because she doesn’t want to lose her. Danvers can’t distance Indigenous identity from white violence and it’s killing what she loves.

[wonkagifs]

WONKA (2023) dir. by Paul King

[todayisyourturntolose]

since wonka is on digital now that means i can FINALLY post the sweet tooth clip (would've earlier but there were only cam recordings and those are not too good)

(also i hope its not just me noticing this but mat's voice is exceptionally clearer here than it is on the official soundtrack. not complaining though ofc)