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#the shoemaker prince
iowriteswords · 9 months
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So many projects going on right now, so I thought I’d do a quick update.
Shards of Glass: novel written under the name Jenny Prater, about a girl crossing fairyland in search of her missing friend. Based on The Snow Queen. Coming out September 26, preorders open now, working on lots of promo stuff.
When Pinioned Birds Take Flight: currently ongoing Batfic.
Who Shall Make the Clown Laugh?: upcoming fic, fully written, will be shared in a few weeks, 1ch, 11k, follows Earth 3 Talon!Dick and Duela Dent.
On that note, the Duela Dent blog series that’s sort of on hold for now, but will pick up again.
Bird and Bee: upcoming fic following Earth 3 Talon!Jason at his new home in Earth 11, currently working on chapter 4 out of an estimated 5.
Untitled Talon!Cass and Lady Shiva story, currently in very early planning stages.
The Shoemaker Prince: this short story collection came out 2 years ago, but I’m currently putting the finishing touches on a second edition. The plan was originally just to reformat and correct some errors in the text, but the reformatting dramatically decreased the page count, so I ended up adding 3 more stories.
When the War Ends: my current novel which I set aside at 65k to focus on Pinioned, but I’m definitely gonna get back to it soon.
Take Off Your Happy Face: fic following Harley and Tim in Joker Junior aftermath, was supposed to be my next fic project, after finishing When the War Ends, then Pinioned, then another novel, but somehow it’s happening now.
Silence: the aforementioned another novel, about a mermaid; I’m 12 chapters in but have set it aside until finishing at least When the War Ends and Pinioned.
Untitled Flightless Birds part 4: I’ve written a few scenes for this, but it’s mostly a project for later. However, I’ve had to do a lot of outlining for it already because it takes place in the main flightless birds world at the same time as Pinioned, so timelines have to match up since Tim is making phone calls into the Pinioned world. Currently brainstorming for titles including words flight, flown, flying, etc. Will feature new characters including Bart, Kara, and maybe Sin.
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konglindorm · 8 months
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My books! Shards is out in 11 days! Preorder your signed copy from waxheartpress.com now!
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ionalottabookmarks · 2 years
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Hey! I’ve been following Silence, but I’m not a patron so I couldn’t comment (can’t afford it but I’ve bought your books!). I think it’s been a cool read, but if you’re thinking about taking a step back, that’s totally cool too. I’ll keep following!
(Btw in your newest book, my favorite is a toss up between the Ogre lady story and the Elephant beauty and the beast story. They were all excellent, those two just contain fairy tale elements and new ideas that I love best)
(Sorry I don’t have the book on hand, so I don’t have the actual titles.)
Hey, thanks for reading! I'm glad you were enjoying it. (I didn't know non-Patrons couldn't comment - that's dumb.) I have no idea how old this message is because Tumblr mobile sucks at telling me I have messages and I just saw it today. I have stopped Silence for now - I'll probably pick it back up after NaNo this year, and maybe also after finishing All Mad. I was trying to write Silence and All Mad at the same time, while also doing revisions on my next book, and I just couldn't give them all the attention they needed to be really good; since All Mad has way more readers and the next book was a lot farther along, it's Silence that fell my the wayside. I will definitely come back to it, though, hopefully soon!
I'm really glad you liked The Ogre Bride and Windows! Those were a couple of my favorites to write, too; I did Windows originally back in college for a writing class, and The Ogre Bride was a very spontaneous thing when I thought I was done writing for the collection.
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My tag for this series is 'fairy tales'.
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No other remorse
Aemond Targaryen x fem!reader
Word count: 2k
Summary: Aemond helps the reader through grief—hurt comfort (1/3)
An: The reader is not a targ but the house is not specified so it’s up to you x
Warnings: Hotd type violence, ANGST, arranged marriages, death of a parent
Time seemed trivial as it passed these days. All it ever does it pass if only it happened quicker. Awaiting what exactly? Y/n wasn’t sure but as she spirit broken, stared outside the window of her chambers into nothingness every advise ever given to her had something to do with passage of time. Time mends everything.
For a while it does, makes the suffering seem grey within the situation being less of a horror than her expectations it makes one forget the whims and remorse in the first place. Y/n thinks back to her time back at home wild and free as ever when she was told about her marriage fixed with Aemond it was much resented by her “You can’t be serious! Aemond? Of all people you could marry me off to?” She remembers saying it to her father.
“I don’t intend to marry you off-you’re my only daughter but there’s some things I can’t escape myself from.” even with y/n sneering at her father he had been calm and reasoning to her. You would expect that from a father to a motherless child who had to marry her to someone she didn’t know of at all.
“Do not lecture me about duty again this certainly has something to do with your seat at the council doesn’t it father?” with no burden to ever serve or bend to anyone but herself marriage was far off y/n’s list. It was very so expected of her, she was aware. Running away wouldn’t last her by herself much and however angry she was at the time she couldn’t have done that to her father. Her only family.
“I would disregard a thousand council seats for you and as much as it pains me to say this…I don’t have a say in this marriage either.” For a father who never wanted y/n to lack for anything her entire life he didn’t have the authority to disobey the royal order. A match the king saw fit said the hand, Otto Hightower well aware with the politics y/n’s father knew it was the other way around.
So Aemond it was, Lord husband. Wedding ceremonies that went on for a week felt like attending her own funeral to y/n. She didn’t speak much to Aemond the entire time neither did he. Until their wedding night or as y/n called it ‘the dread’. Surprisingly enough Aemond’s understanding shocked her. He refused to touch her until she willed for it. Sharing the bed that night as an accustomed necessity and the following nights Aemond didn’t join their shared bed at the red keep.
It was melancholy at first, y/n never had any dreams any simple reader of knightly stories of the warrior who fell in love with the princess wouldn’t have. She wanted the romance of a marriage, one that she didn’t see after her mother passing. She wanted a love she chose herself with a prince or a knight or a shoemaker she chose. But someone she chose herself. The sparks of knowing someone like the back of your hand that you would be overcome with surety of spending the rest of your living days with them.
Well those naive girlhood dreams were behind here. A marriage forced upon her with someone she barely knew. However with time, Aemond wasn’t a horror of a husband. She was adjusting to her new family besides all along her father was there with her. A sense of familiarity only listening to him going over council matters with her and sense the worry and remorse in his voice everytime Aemond was brought up. Y/n always told her father about being content with her marriage now, however she was not she didn’t want her father to carry the weight of a situation that was unavoidable for him.
At public gatherings he stood by her, a presentable match they made. Other than that he never really bothered her much, there were some encounters some comments shared but not many milestones for a marriage of half a year. It takes time.
It felt like a betrayal. To think of all those times, people who were her family in name to say did that to her father. Three nights ago the council meeting seemed to have a dispute of sort y/n hadn’t seen her father till then and never did, again. Y/f/n, traitor to the realm was executed by the order of acting king the hand. For all y/n knew her father was anything but a traitor. People respected him his honour knew no bounds how could he? He was executed with the first sun ray of that morrow.
She didn’t even get to say goodbye. A court session was called upon and among a very few officials and the hand her father was executed, she wasn’t even allowed to attend it. The queen herself was the one to break the news to Y/n. She felt paralysed to move and the words didn’t come out of her throat. Father is actually dead? Executed?
Alicent held her hand, talked to her, consoled her in every way a mother could but y/n was far from processing anything else. She felt her whole world collapse. Alicent saw herself in y/n her father being the only person she knew in a red keep could never see her again. Alicent knew Otto conspired with other council members behind her back in the council meetings that happened late at night. Y/n’s father must’ve had a massive disagreement to one of Otto’s plots-Alicent had been in this ugly politics for a long while to know. Years of honour and duty soiled just like that. Alicent couldn’t say anything to y/n that would make her feel better, part of her wished she could have prevented what happened to y/n’s father.
Y/n spent the rest of the day alone keeping herself locked in her chambers. Refused the servants, meals untouched. Y/n wished to dwell into her misery alone in her chambers for the rest of her life. She was all alone now either ways. As much as she would want or succumb into her grief all alone she heard the giant doors to her chambers open. The maids, again she thought not looking to see who it was. It didn’t matter.
“Y/n” a voice called from behind. Raspy and familiar. Aemond.
Still she didn’t look back only a tear shredded from her eyes again, she wiped it off her face quickly gathering herself and turned to him. “My prince.” She replied in a voice silent as whispers, tired and monotone.
The redness in her eyes and her face drenched of grief was easily inferable to Aemond. He hated to see her this way, the idea that she had to present herself gathered in front of him, hide her sadness in front of him pained him. They weren’t the ideal pair but he resented that she felt she couldn’t rely on him “I’m deeply sorry for your loss.” He spoke walking towards her as she nodded in reply.
What was she to say? The loss was only hers to bare. Frankly she was afraid of what to do from here…with no one left. Aemond on the other hand felt lost at words. What do you say to someone whose world has fallen apart? For as much as he’d known of y/n she was as joyous as it gets, she shared jokes with Halena and proved to her best companion, Alicent adored her as well, got along with the servants and maids if only from afar she had always been as lovely as daylight moon to him. Shining all the time.
“Your father was a good man-“ Aemond began not wanting to leave y/n alone.
“Honourable.” Y/n’s voice lighter than before interrupted him as she looked down at her hands, attempting to avoid his gaze. “He was an honourable man.” She finished her sentence.
“Truly. He was an honourable-“
“And he wasn’t a traitor.” This time she gathered the courage she had to speak at the normal pitch. It felt like she was speaking up against Aemond in some way. She just wanted to speak up against the false allegations. Perhaps Aemond would be the only person she could ever say be courageous enough to say it to.
“Y/n listen” Aemond gently held her hands in his as she quickly yanked them away from his fingers. Aemond being here at all felt like a mocking.
“D-don’t touch me!” She announced as tears threatened to spill. It hurt to see her be this resistive of his touch, when things had been better between them for a while. “Had it not been for marrying you my father would still be alive!”
“Trust me y/n if I knew anything about the execution I would have tried to prevent it!” Aemond reasoned to her still collected but a bit of himself hurt to see his lady wife this way. He carried the weight of the relationship they could be, he had become rather fearful of the longing and love he held for her.
Y/n stepped closer to him for the first time since he entered her room she looked up at him, into his eyes “Why didn’t you?” She tugged at the collar of his shirt weakly, “Why didn’t you, Aemond?” Aemond. This was the first time she had called him by his first name.
Her teary lost eyes started into his seeking justification, someone to take a fall for her. She pulls away again. She didn’t want to be calm. She couldn’t be collected with herself when in truth she felt like more in blame “If I had just told my father I was truly content with you-asked him to leave the council—all this treachery, go back home..do you think it would’ve been different? I would’ve prevented it?” How could she ask him if something she couldn’t accomplish herself. If not for her sake everything could’ve been prevented. She sobbed as the blame took a toll on her it felt like she had a hole in herself. Everything felt shallow.
This time Aemond stepped further wrapping his arms around her, she resisted him at first as she cried. Slightly pushing him away with weak tugs, which had nothing to do with Aemond. It was that he was the only one there she felt undeserving of his sympathy for something she felt like she caused herself. Aemond understood that, unmoved he rubbed his hand on her back trying to calm her down. “You are not to blame here my love, you couldn’t have known.” He said as y/n finally gave in, melting in his arms continuing to sob. “I should have.” she muttered between her sobs as he held her.
“It wouldn’t have helped, to die is easier than to watch someone die I assure you none of it is your fault. Men in power tend to play ugly games.” He consoled her as she buried her face into his embrace. Aemond held her in his arms as if the world would end if he let go off her. He slowly sank both of them to the ground and held her just as close as she cried until tiring herself to sleep. He held her through it all as she fell asleep in his arms.
Part 2
HIIIIIII I’ve some ideas to do a part two of this (not a series) let me know what you think of this or if you want to be tagged :)
Drink water <33
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Tags: @softieekayy @stuckinaf4nfiction
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gunilslaugh · 6 months
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Not Supposed To Love You
Lee Jooyeon
Summary: As a princess your parents expected you to marry a prince, unfortunately you’re in love with the royal shoemaker.
WC:~2.4k
Warning:none
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photo not mine credits to owner.
Age five was when you had your first appointment with the royal shoemaker, at least the first one that you remember. He was a kind man that hid his receding hairline with a hat.
“Greetings princess.” The shoemaker bowed and tipped his hat as he greeted you.
“Greetings royal shoemaker,” you replied back with a curtsy. The man smiles, most people simply referred to him as the shoemaker. He helped you take a seat on the bench.
“Do you know what shoes you are being measured for today?” the shoemaker asked you.
“Dance shoes!” you answered excitedly. “I’m finally old enough,” you stated proudly. 
“And how old is old enough?” he questioned, taking out his measuring take. 
“Five.” You just as proudly held up five fingers. 
“I have a son your age,” he informed you, beginning to take your foot’s measurements.
“Really?” You accidentally pulled your foot away from the shoemaker, but he calmly placed it back on his knee without a word about it.
“Yes, his name is Jooyeon. Always outside playing and running around.” The shoemaker spoke fondly of his son, however his words brought a frown onto your face. “Why the long face princess?” 
“I wish I could run around, but mom says that it’s not princess-like,” you explained, face still adorned by a pout. “I’m excited to learn how to dance though,” you added perking up.
“I’ll be sure to make you the best dancing shoes then,” he says.
“Thank you!” you pronounced happily. 
Nine years later when you were fourteen years old you met the shoemaker’s son, Jooyeon, for the first time. After years of tedious needle work the shoemaker’s hands were beginning to get the shakes, so now it was time for Jooyeon to learn how to be a shoemaker, so he would be able to take over after his father was no longer able to do his life’s work.
“Greetings princess,” the shoemaker greeted you as you entered the room.
“Greetings princess.” His son followed right after him, even giving you a little bow. 
“Greetings royal shoemaker, or I guess I should say royal shoemakers today,” you said, noting the presence of the young boy. 
“This is my son Jooyeon.” The shoemaker introduced him. 
“Nice to meet you princess,” Jooyeon said. 
“Nice to meet you too,” you politely, giving him a half curtsy.
“Let’s get started,” the shoemaker stated. You walked over taking your usual seat on the bench. 
“What’s the occasion for this new pair of shoes?” the shoemaker questioned lightheartedly. 
“A ball,” you responded meekly.
“Do you not want to attend this ball?” the shoemaker asked. Jooyeon leaned over towards his ear.
“Dad, aren't we not supposed to talk to the princess unless necessary?” Jooyeon questioned in a hushed whisper, but you still heard it.
“It’s ok,” you stated. “I like that he talks to me. Feel free to talk to me too,” you told him with a kind smile. A smile that melted right through Jooyeon’s heart. You seemed different from what he thought that you would be. You talked to him and his father as if you were friends. Like there was no significant status difference between you guys. Jooyeon quickly tried to shake off what effect you had over his heart. Even if you acted like there was no status difference between you guys didn’t mean that there wasn’t. You were a princess and he was a mere shoemaker, the two of you weren’t compatible. 
“Anyhow the ball is one that I got invited to by a ‘potential suitor’ as mom likes to refer to him as. I’m supposed to be on my utmost best behavior, so that I will appear to be the best for marriage and blah blah blah whatever else my mother said,” you ranted. Your words only proved Jooyeon’s point. Your parents clearly wanted you to marry someone of royal status, a prince, something Jooyeon will never be. 
“Well then I’ll be sure to make these shoes comfortable for standing for an unreasonable amount of time.” The shoemaker tried to lighten the mood and it worked as a slight smile tugged at your lips. Jooyeon wanted to make you smile too. 
No no no he cut off his thoughts. Be professional, be a shoemaker. Jooyeon stares at the measuring tape very intently. One might think that he is very dedicated to his craft, but the real reason was Jooyeon was trying to keep his mind off of you. Proving to be difficult since you were the one the shoes were being made for afterall. 
Be professional, be professional, deliver the shoes and leave. Jooyeon spoke to himself in his head as he approached your castle to deliver your shoes. 
“The shoemaker has arrived!” A royal guard announced. You excitedly hurried to go get your new shoes. Not because you were excited about the shoes themselves, but rather who was bringing them. You knew that Jooyeon would be the one delivering them to you. 
“Greetings princess,” Jooyeon greeted you. 
“Greetings royal shoemaker.” You delicately spoke. 
“Here are your shoes princess.” He stuck out the box containing your shoes. 
“Thank you,” you smiled. You grabbed the box from Jooyeon and took off the lid to look at the shoes inside. “Jooyeon, they’re beautiful.” You admired the shoes. 
“I’m glad you like them,” he replied bashfully. “I worked really hard on them.” He stayed up all night to make sure that they were perfect. You could never be his due to his lower status, but at least you could wear his shoes. 
“Would you like a drink? I know the journey is far,” you offered. 
“No I’m ok, but you’re right the journey is far, so I should be on my way now.” Yes, he would like to stay in your presence for a bit longer, but alas he knew that would do no good for his heart that he is already failing to contain.
“Ok.” You couldn’t hide the disappointment in your voice. “Have a safe trip back,” you wished him with a kind smile. That exact same kind smile that melts right through his heart once again. Jooyeon took his leave and you felt a small tug on your heart as you watched him go. 
Jooyeon took over his father’s position as the royal shoemaker at the ripe age of sixteen. The two of you formed a very close friendship, but it could be shown behind closed doors. Your parents didn’t approve of you being so close to Jooyeon. Your mother had scolded you for it after she had overheard you quote unquote talking too much with the shoemaker. 
“You shouldn’t talk to the shoemaker so much! I used to let it go when you were young, but you mustn't do it now, understand?” she scolds you.
“Why not? I view him as a friend.” you told. 
“A friend?” she scoffs. “He’s a shoemaker y/n. I let you talk when Mr. Lee was the shoemaker because you were young and Mr. Lee…” your mom went silent as he looked for the right words. “Well with Mr.Lee we didn’t have to worry about…” again she trailed off. 
“About what mother?” you asked politely as possible.
“About you falling in love,” she said blatantly. “I’ve seen the way you look at the shoemaker. Saw in your eyes the first day he delivered your shoes two years ago. The disappointment on your face as he left. I knew I should have fired him then.”
“No!” you immediately called out after her last sentence. “Joo-the royal shoemaker is really just a friend mom I swear.” You were lying. You definitely had feelings for Jooyeon, but you couldn’t risk him getting fired and never seeing him again because of them. “I get lonely in the castle since I don’t get to leave much, so he’s like a friend, my only friend.” You tried to plead your case. 
“Fine, ok, you get lonely I can understand that. I’ll set up for you to have tea with some other princesses. From now on you mustn’t unnecessarily talk to the shoemaker. It’s not princess-like,” she told you sternly. Not princess-like, she's been telling you those words for your whole life. She never thought that you acted like a proper princess. That you did too many not princess-like things. Always telling you that you need to be a better princess.
“Yes mother.” Was all that you could say. 
The next few times the shoemaker visited the castle your mom had stationed royal guards just outside of the room to ensure that you didn’t “talk too much” to the shoemaker. Jooyeon got smart about talking to you without the guards noticing. He would write notes for you to read on his notepad. Notes that would make you smile. Just like he wanted to do on the first day that he met you. 
Your eighteenth birthday, your coming of age ball was just around the corner. You were completely dreading it and so was Jooyeon. 
“Greetings princess,” Jooyeon smiled at you warmly. 
“Can you not call me princess? Not for today at least,” you asked him. 
“Huh?” Jooyeon let out confused. 
“I’m tired of being a princess. My always scolds me for not being princess-like anyway, so can I not be a princess for the time being?” Your voice sounded so vulnerable. It yanked harshly on Jooyeon’s heart strings. 
“Since you're not a princess I shall call you my love then.” He bravely took your hand in his. Jooyeon and you never directly talked about your feelings for one another. Since the two of you were not supposed to love each other. It was basically forbidden, so talking about your feelings that you couldn’t act upon seemed silly. However both of you still knew there was the feeling of love between you. 
“I like that,” you smiled. 
“Me too,” he smiled back. 
It was the day of your eighteenth birthday and you felt sick to your stomach. Today was your coming of age ball and not only that your parents planned on announcing your engagement too. One of your “potential suitors” actually asked for your hand in marriage. Your parents agreed without even caring about what you thought. The prince wasn’t a bad guy by any means. He treated you very well, but you didn’t want to marry him. You didn’t love him at all. Your heart fully belonged to Jooyeon. That’s why you decided to do something insane tonight. 
The ball had started and it was about to be time for your grand entrance and announcement.  You anxiously stood at the top of the stairs waiting to descend. 
“Now entering Princess Y/n!” Your name was announced. You slowly made your way down the first flight of stairs. Everyone's eyes were on you. You paused in the space between the flights of stairs and took a deep breath in. 
“I have an announcement to make! First I would like to thank everyone for attending my coming of age ball. This will be the last ball thrown in my honor,” you declared loudly. Everyone looked at you with wonder. What could you possibly be talking about?
“Y/n, what are you doing?” your mother angrily shouted from the bottom of the stairs.
“I have a man that I love,” you began. For a brief second your mother thought that maybe you did some maturing and were going to announce your own engagement. Which only lasted a second because the next words that left your mouth were,” However he is not of royal blood.” Gasps filled the room. “As a princess my parents have told me that I have to marry a prince, which is why”– you lifted your hands to your tiara– “I renounce my title as princess.” Heavier gasps filled the room as you removed your tiara and dropped it to the ground. 
“If my royal title keeps me from the man that I love then I don’t want it. From now on I am no longer Princess y/n. I am only y/n, a commoner,” you announced. Once more gasps of astonishment filled the room. You descended the remaining stairs to your very angry parents. 
“What did you just do!?” Your mother harshly took your arms in his tight grasp. Your father tries to calm her, mainly due to the amount of people that are watching. 
“You always told me that how I acted wasn’t princess-like. Now I’m really not princess-like and now there is no reason why I can’t be with Jooyeon, the man I love.” With that you pulled your arms free from your mom’s hold and ran, feeling freer than ever. You ran out of the castle to the stable and mounted your horse. You knew your parents would probably send people after you, but you didn’t care. All you cared about right now was getting to Jooyeon. 
Arriving at his shoe shop you rapidly knocked on the door, it was quite late by the time you got there. Jooyeon peeped through the window to see who was knocking so loudly on his door at such a late hour. He was definitely surprised, although happy, to see you.
“Princess, what are you doing here?” he questioned upon opening the door to let you inside.
“Y/n,” you corrected him. 
“What?” he asked. 
“I’m just y/n now. I renounced my title,” you tell him. 
“You what?! Are you crazy!” he yelled. 
“Maybe,” you laughed. “Jooyeon, my parents were gonna make me marry a prince, but the only person I want to marry is you. I’m not a princess anymore so-”
“I shall call you my love,” Jooyeon said. You smiled that beautiful smile and Jooyeons heart melted all over again. The two of you hugged, your first embrace as lovers.
“Come on.” Jooyeon excitedly tugged your hand.
“Where?” you asked as he tugged you out of the door.
“My dad once told me that I should know how lucky I am that I can run around. That not everybody can. It didn’t take me too long to realize after meeting you, you were who he was talking about, so let’s run,” he told you. Run the two of you did. You ran around the village and the open fields, down the river. You ran around everywhere. You weren’t supposed to love Jooyeon, but you’ve never been so happy to be in love with him and he could say the same about you.
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dragondream-ing · 3 months
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I think the people that screech “ASOIAF isn’t Disney/a fairytale” are up there with Dany antis. First of all, they say it to insult other fans, to signal that those fans are unrealistic. It’s reductive, it’s disingenuous, and it’s not even true—I haven’t seen a single take seriously claiming GRRM is writing a pure sugar-sweet story. I don’t know anyone who even WANTS that.
It’s worse because most of these “critics” think ASOIAF is grimdark or a tragedy or something along those lines. They think bittersweet means bitter. And they don’t seem to realize the original versions of the fairytales they hate so much are far closer to grimdark than ASOIAF will ever be lmao
GRRM isn’t some nihilist, and he’s not into tragedy porn. He never has been. He’s actually quite a romantic, even if his romances don’t end with “and they lived happily ever after without ever experiencing a single problem again.” He loves aspirational characters, and not because he wants them to fail. Actions having consequences in his stories isn’t the same as “it’s not worth trying, everything is terrible and nothing will ever be better.”
Here’s an actual example of bittersweet for the hidden prince trope, and it’s •definitely• not loosely based on a very obvious character in ASOIAF:
The enemy is defeated, but the prince loses his sword arm during the battle. Known for his prowess with a blade, he will have to endure living without such a defining aspect of himself for the rest of his life. He may be relieved he has an excuse not to take up arms again, or perhaps he’ll dedicate himself to learning to fight with his non-dominant arm, but he’ll never be the same as he once was.
The prince is devastated by a greater loss; when he lost his arm during the battle, his closest companion sacrificed themself to protect him. He will have to live without their steadying presence and spend many days finding himself unworthy of such a sacrifice. His loved ones will remind him his closest companion would want him to accept the gift and live happily. He’ll know this is true and will try, but he’ll only succeed on some days and fail on the rest.
The prince goes on to rule the kingdom with his queen, but they’re going to have to rebuild a world shattered by war and deal with the trauma of their experiences for the rest of their lives. Not all is lost, however: they have each other to lean on, being two people that understand each others’ suffering and struggles and love each other more deeply because of it. They also have the hope that their children and the generations to follow will live in a better world thanks to their sacrifices.
The end 🥲
When I think of bittersweet, I think of my grandpa. In his mother country, he grew up too poor to own shoes, then went on to be a shoemaker. He joined the military and was kind of a big deal in his impoverished village, but he left because the government was corrupt and he feared for his family’s safety in the long term. He lived his life in America being derided and underestimated, working menial jobs doing the dirty work many people never think about or value, saving every cent he could, and fighting tooth and nail to ensure his kids and grandkids lived in more security than he ever did. He lived across the world from his beloved siblings, never saw them again, and outlived them all. He retired as a janitor and died in the home he loved with his grandkids and wife beside him.
I’m proud to be his granddaughter. He lived an extremely hard life and struggled more than I can comprehend. And I can’t comprehend it because he made sure I wouldn’t have to. He’s the definition of planting trees under whose shade you’ll never sit. THAT is bittersweet. Bittersweet is poignant and painful and beautiful, joyful and tragic and compelling. It is not on the same thematic plane as House of 1000 Corpses.
I’ll say this in conclusion. If you’re running around insulting people with “ASOIAF isn’t Disney,” let me tell you, even Disney is closer to bittersweet than your nihilistic depressing takes will ever be. If you think Snow White can’t be a bittersweet tale, you’re disingenuous. She suffered tremendously (bitter) but never lost hope and was able to find love (sweet). Extend the ending and make it a bit more “realistic” by including some of Snow White’s and the Prince’s struggles and losses, and it would be a perfect example of a bittersweet tale.
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lullabyes22-blog · 3 months
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Mal de Mer - Ch: 3 - Treasure (Part I)
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Summary:
A high-seas honeymoon. Two adversaries, bound by matrimony. A future full of peril and possibility. And a word that neither enjoys adding to their lexicon: Compromise.
War was simpler business…
Part of the 'Forward But Never Forget/XOXO' AU. Can be read as a standalone series.
Thank you for the graphics @lipsticksandmolotovs<3
Mal de Mer on AO3
Mal de Mer on FFnet
CHAPTER
I - II - III - IV - V - VI - VII - VIII
꧁꧂
How can you just leave me standing? Alone in a world that's so cold Maybe I'm just too demanding Maybe I'm just like my father, too bold?
~ "When Doves Cry" - Prince
The SS Woe Betide's promenade deck is a study in sun-drenched elegance.
The broad stretch of honey-gold planks is polished to a high shine. Floor-to-ceiling windows run the length of the walkway, their glass etched with sunburst motifs. Behind the glass, the water is dappled into a spray of gold and diamonds. The waves, rolling in drowsy combers of lapis lazuli and sapphire, call to mind a treasurebox tipped sideways: all its secrets spilling across the seabed.
A pirate's dream come true.
Silco’s outfit fits right in. He's clad in a loose red shirt with the sleeves rolled to the forearms. A worsted black waistcoat, long and narrow, drapes his angular shoulders and sways with his stride. His trousers, matching the jacket, are tailored in the style of sailor's breeches: unpleated, and tapering at the calves.  A pair of scuffed boots, pointed at the toes, complete the ensemble.
The effect is flattering, but ruthlessly functional. He looks ready to cross the gangplank to a pirate's cutter.
His smile, when he glances sidelong at Mel, is piratical too: full of teeth, and no good intent. 
"My dear," he drawls, "I asked you to lose the chiffon."
"This," Mel says, "is tulle."
"The difference?"
"A world of it."
"And yet the effect's the same."
His scrutiny is a physical paring down. Mel, not a woman given to blushes, feels a smarting heat. 
There is, she tells herself, nothing wrong with her day-gown. It's the plainest in her wardrobe. A square-necked cream frock, the hem ending at mid-calf. The bodice is a high-waisted, empire-line affair. The only adornments are the delicate golden embroidery edging the diaphanous sleeves. It's a demure look: a far cry from the haute-couture she usually favors—the ones Silco dubs Vehicles of Voyeurism. Even her calfskin boots, ankle-length and plain, are the closest she's got to seafaring. She'd chosen them, and the matching leather belt, for their durability.
Whatever her husband's plans, she'd rather not lose a pair of Tanzanite-studded Manolovas to the briny depths.
Silco, head tilted, appraises her footwear. "Are those Topside's idea of boots?"
"They're called oxfords." 
"They're a disgrace."
"You're not a shoemaker!" Exasperated, Mel smooths out her skirts. "I've never seen a pair like yours before. And my father was an admiral."
"You mean, mercenary."
"My point is: I have spent a lifetime on ships. I know seamen's boots. Those—" she gestures at Silco's, "—are anything but."
"They're Fissure-boots. We call them 'kickers'." He rotates his ankle to show her the sole. "The undersides are covered in rivets. For grip. They're useful for slippery surfaces. But if you snag them on a rail, or trip over a hatch cover, you can slip them off in three shakes of a rat's tail. All the better to run."
"Run from what?"
A ghost of a smile. "What do you think?"
"Enforcers."
"Enforcers aren't the only disasters belowground. Temblors. Fires. Cave-ins. We have all sorts." Musingly, he regards his boots. "Running's a way of life for us."
Mel thinks of her first descent into the Fissures. The smoke-clogged streets that denied visibility. The gaping pits of rubble that threatened each step. The clammy grip of moisture that slicked each surface. Everywhere she'd looked, she’d seen the endless scars of Topside's neglect. Afterward, the waft of destruction had clung to her skin. Like the phantom sensation of Silco's hand on hers, and the insinuating thread of his voice in her ear:
"Watch your step. Rough roads in Zaun."
She'd wondered how the Fissurefolk withstood their lot. Their suffering seemed unendurable: the weight of it, the sheer, crushing tragedy. No matter where her thoughts turned, it was always there: the knowledge that her city, the jewel of Progress, had been rotting away below her feet.
The people, trapped beneath, dying by degrees.
In those days, she'd been unnerved by that strange and alien world. Unnerved, too, by Silco. The duality of him was at once alluring and repulsive. His elegance was a facade, as thin as the film of iridescent oil floating on Zaun's waters.  Beneath, there was nothing but a ravenous dark. 
 And yet, she'd found herself returning. To the dark, and to him. And each time, the city's alienness seemed to peel away. The Fissurefolk, in all their idiosyncrasies, morphed from feral enigmas to fellow human beings. Even Silco, for all his unsettling contradictions, went from a terrible specter to a thrilling challenge.
A man, with his own stories. His own heartbreaks.
Bit by bit, his world had become hers. He'd made it so: with colorful tales about the murals peeking between the subterranean ruins at Factorywood. With sips of fizzy green lager brewed in the sunless cellars beneath the catacombs in Entresol. With strolls, arm-in-arm, along the pyrite studded rock formations that rimmed the shantytowns in the Sumps. He'd taught her the dances popular among the Fissurefolk—the Sumpside Waltz, the Drainpipe Fandango, the Lazy River Lope—and the meanings behind their twists and turns. He'd invited her to the most surreal festivals—the Equinox Feast, the Night of the Veiled Lady—and imparted the significance behind their customs.  He'd fed her delicacies from the food carts dotting the street corners—spiced mushroom stew, glazed eel, pickled beets—and shared the recipes behind their unique flavors.
And all the while, his voice had woven a spell. The longer she’d listened, the less Zaun seemed a hellhole, but a hidden gem. Each facet, a winking, ever-shifting kaleidoscope of human life—one as rich as any jewelbox in Piltover's Ecliptic Vaults.
Treasure, Mel thinks, isn't always gold.
"Perhaps," she dares, "I'll buy myself a pair of 'kickers'."
His brow quirks. "You'd be in for a rude surprise."
"Oh?"
"Our best boots are cobbled at the Commercia Fantastica. All the way down in the Black Lanes. You'd never find your way out."
"You'll show me."
"Will I?" His mismatched eyes take on a shrewd gleam. "And how will you compensate me?"
"By being your wife."
"Is that the new currency, now?"
"The press certainly say so."
Her mind is already sketching out a blueprint. She'll speak to one of her contacts in the publishing industry: a gazetteer of Fissure origins.  They'll contrive a series: maybe a pictorial. All the splendor of the Commercia Fantastica, faithfully rendered in glossy print. Piltover's glitterati will have their first glimpse into the heart of Zaun's manufacturing district. It will be a reminder that their cornucopia—be it custom-made or uniform—does not issue from an orifice hidden in clouds of smut. It materializes from an epicenter of artisanship: a beating, booming, pulsating hub.
One that's only a hop, skip, and jump away.
If previous efforts are a litmus for success, then one photograph of Mel in the latest 'kickers' will spark a stampede for the bootsellers' doors. In the surge, the adjacent markets will benefit: textiles, silversmiths and jewelers. And once the novelty wears off, the lull will be a soft landing for honest Fissure tradesmen eager to partner with Piltover's guilds. The latter, inured to the mercurial whims of high fashion, will now demand durability rather than design.  And the former, accustomed to the rigors belowground, will find the Piltover's middle-class an easier breed to please.
All that's necessary is a few photographs, and a dash of goodwill.
A small price, Mel thinks, for shared prosperity.
"You are," Silco says, with a degree of wryness, "scheming."
"Takes one to know one."
"I never scheme. I merely plan ahead."
"Same difference."
"Scheming requires an adversary. Planning, a vision."
"And what's yours?"
A corner of his mouth curls. "Good try."
Mel sighs. He is always maddeningly closemouthed about his agenda. It will take more than pretty prattle to pry the details loose. The only clues she can glean are from his choice of attire—and his critique of her boots.
Whatever his plan, it involves getting their feet wet.
Mel is wary. But she knows better than to fill the silence with futile queries. He proffers his arm; she takes it. Together, they stroll down the promenade deck. After a week confined to the cabin, the sea air is a heady tonic. The loose weave of her dress is a kiss against her skin.  She is still lit up like a klieg-light: her body hot and hyperaware after the morning's exertions. 
She seldom, as rule, makes love in the daytime. To her way of thinking, the act, in sunlight, loses some of its artistry. Everything reduced to the crudest mechanics. Every flaw in full relief. Even Jayce had been his loveliest in the twilight. All shadow, all suggestion.
With Silco, daylight is fast becoming her favorite hour.  Like the sun-warmed vista, she is all sensation.
Speculatively, Mel steals him a glance.  If it weren't the height of lunacy, she'd consider dragging him straight back to bed. To hell with the guests. To hell with his plans. They can return to their suite, and bolt the door. Spend the rest of the day, and the night, and the next morning, in a state of well-earned debauchery.
But the set of Silco's features warns her that's a losing battle. 
It's not tension, exactly. More a dark anticipation. Like the way he'd looked, at Zaun's Riverside Harbor, when they'd first met. He'd known then that Zaun would drag itself out of the depths. And Mel, meeting his eyes, had known too.
He'd been certain then. Now, the certainty is a riptide. And Mel, who's never been swept off her feet, can't help but be tugged along.
She's grateful for her boots. She suspects she'll need the grip.
They cross the promenade. Silco’s stroll is measured: a mark of ownership rather than a man marking time. Barely a week's span, and the ship is already seems to belong to him.  The crew, at his barest footfall, leap to attention. Even the Captain, an irascible old seadog, treats him with a distance verging on deference. Mel remembers the same phenomenon on her father's ship: the Cry Havoc. His crew were seasoned hands: calloused minds with checkered pasts. They'd spent a lifetime at sea, and encountered their fair share of the unfathomable. They were also superstitious, and possessed a healthy fear of the uncanny.
Silco, a figment of the fathoms, is uncanny through and through.
In a different life, Mel fancies, he'd be the silhouette idling on sharp rocks, his smoky voice pitched to wooing: Come, come, and never be lonely again.
Her husband, in this one, catches the eye of a passing steward. A nod is all it takes: the man turns on his heel and disappears belowdeck.
"Where is he going?" Mel asks.
"To fetch something."
"Fetch what?"
"What I've asked him to."
Another nod at a nearby sailor. The man hastens to the foredeck. There, Mel can hear a skiff—one of Piltover's quicksilvers—revving its engines. Readying to go where, Mel cannot begin to guess. They're miles off the coast. The nearest harbor—the Wuju port—is three hours away.
Unless Silco means to sail his guests directly to shore, his destination is a mystery.
Then again, she thinks, isn’t it always?
His palm cups her elbow. "Mel."
She stirs from her reverie. "What?"
"I have a request."
"A request?"
"Yes."
His hand, settling on her hip, guides her to a halt. He's not smiling. But there's a heat in his stare. It's not an easy heat to name. It's not desire, or even hunger. It's something deeper: a pull it takes everything to resist.
 "You must," he says, "make me a promise."
"You expect me to make promises, when you won't tell me a thing?"
"Only this: you're in for a surprise or two."
"Silco—"
"I've a plan. Not a pretty one. And it'll mean a bit of rough sailing. But what's true of storms is true of marriage." His mouth twitches. "There's no winners. Only survivors."
"You aren't doing a good job at selling this."
"I'm not trying to sell it. I'm only telling you that, when we're out there—in the ballroom, on the high sea—don't run."
"Why would I do that?"
"Because it's instinct. Trenchers run for survival. It's in our blood. Medardas run from loss. It's in yours." His eyes search hers. "I don't fault your blood. I only ask you to remember.  When the winds start picking up, and the waters get choppy, your instinct will be to take cover. But the storm's not what you think. And if you're going to stay on course, you can't retreat. You have to see this through." His thumb strokes her hipbone. "Promise."
"Even if you run us aground?"
"Do you think you've married a fool?"
"Do you think you're married to one?"
Their stares lock. The silence is charged. It is not challenge, but a quiet recognition of each others' roles. She is not a woman to expose herself to the raw elements. He is not a man to sit back and let the tides dictate his course.  Their relationship has been a negotiation, from the first to the last. Each taking a turn at the helm, and then trading it away.
Now, he's asking her to—what?
Trade, or give it up?
"If," Mel says, "there's a danger—"
"There isn't."
"But you believe I'll run."
"Not you. But the woman in there—" he tips his chin toward the ballroom, "—isn't the one who waxes poetic about painting me nude in the sunlight. She's a Medarda first, second, and last. And a Medarda always has an escape route."
"The woman in there—" Mel follows his chin, and sees, through the frosted glass, a knot of swaying silhouettes, "—is a Medarda by birth. She's married to you by choice. And I can't keep my promise, if I don't know what that choice means."
"Then I'll ask again." His eyes hold hers. "Trust me."
"Trust you? Or the man who's warned me not to run?"
"That's the point."
"Is it?"
"Trust that, whatever happens, the man you've married is the same man in that ballroom." His palm spans the small of her back. "I've no alter egos, Mel. Just moments where I show teeth, and moments where I hide them. And right now, I've a great deal to hide. But the endgame is the same as your schemes for my city: a step toward something greater."
"For Zaun, and Piltover?"
"I wouldn't put it that way."
"How would you put it?"
His mouth, mere inches from hers, crooks. "Compromise."
Mel's pulse skitters.
It's a hard bargain to swallow. A harder choice to make. And she, who's made a fine art of tipping the scales, knows that both are equally vital, if this union is to have a prayer of survival. And yet the urge to break away, to force a confrontation, is surging.
She's used to his obliqueness. She's not, and will never, be used to his unpredictability.
When he says Don't run, he means Hold your ground. When he says Surprise, he means Beware.
And when he says Compromise, he means, in his own words: Survive.
Then he says, "Trust me."
Which, she's learning, is his shorthand for, Trust yourself.
Mel's mouth pinches. Trust. Doubt. These are two sides of the same coin. His past, and hers, laid bare without veils. Moments like this, she's reminded of the enormous gamble she's taken by marrying him. She knows, from her own experience, how quickly trust can curdle into the opposite. And she knows, too, that doubt can devour the sturdiest edifice.
It had, after all, devoured her parents' marriage.
Ambessa Medarda, no sentimentalist, had not married for love. Her choice was pragmatic, and it was prudent. From a broad swathe of suitors, ranging from bluebloods to brutes, she'd selected Mel's father, a swarthy, scarred captain from the Targonian Isles. Known, simply, as Aziz, he'd possessed a devious head for deals, and a deft tongue for wooing. His clan were descended from a line of seafaring mercenaries. Over the centuries, they'd carved a bloody path on a shifting sea of wars, alliances, and compromises.
Aziz had met Ambessa during a trading venture. It had been, by all accounts, an explosive collision.
Ambessa had admired the way he squared his debts with a bladesman's exacting precision, and wielded his real blade with a cutthroat's clarity. He, in turn, was taken by her ruthless pragmatism, and her cold-eyed resolve.
There'd been no need, in the end, to seek approval from either clan. The match was mutually advantageous: her riches, and his ships, would forge a dynasty.
Theirs was not, by any metric, a love-match. Yet Mel remembers the heat, the intensity, and the sheer physicality of her parents' union. With Aziz, Ambessa became, despite her hardness, a creature of feeling. And Aziz, for all his wily ways, became a man of sentiment.
They'd quarreled often, publicly. They'd butted heads over business, and brawled over trifles. But they'd also made up in the same fashion: two titans, clashing in a storm.
Mel, since girlhood, knew never to knock on her parents' bedchamber door when she heard raised voices.
She'd witnessed the aftermath, once. After a particularly savage row, Ambessa had stormed from their marital suite, and headed for the stables. Aziz, stalking soundlessly after, had caught up with her halfway there. In the middle of the courtyard, they'd fought anew. Aziz, seizing her waist, had swung her in. Ambessa, kicking out, had knocked his legs from under him. Together, they'd fallen into the thatch of wildflowers behind the copse of cypress trees.
Their cries were not, Mel had realized with a dawning horror, cries of pain.
They'd been so preoccupied, they hadn't noticed her creeping closer. They'd not seen her stare, through the screen of foliage, as their fierce struggles devolved into a fiercer embrace. And as they did, a surreal alchemy took place: Ambessa, all wildfire and iron, began to melt. Aziz, all seaspray and stone, began to yield.
Mel, unable to tear her eyes away, saw the exact moment they transformed. A moment before, they'd been two warring elements. A moment later, they were one. And the power of it, the raw, unmitigated passion: it was a force beyond the comprehension of an eight-year-old girl.
That day, Mel sometimes thinks, is when she'd learnt that the strongest forces can be unmade by desire.
Love, fear, fury: they were not, as she'd childishly believed, discrete entities. They were all part of a single current, ebbing and flowing, and changing course with the tides.
Later, much later, her parents had subsided into a languid sprawl. Ambessa's head, pillowed on her husband's shoulder. Aziz's fingers, stirring through his wife's curls. Their bodies, twined, were a study in drowsy contentment.
"Never leave me," Aziz had whispered.
"Why should I," Ambessa had purred, "when I've already cut out your heart?"
"That you have. Now, it's yours."
Ambessa's lips, curving, had found his throat. "Then remember, Schatze, I'll do worse to any woman who dares to claim it."
Schatze.
That was her private designation for him. Treasure.
Her one and only.
And she'd meant it, Mel thinks now. Meant it in the way a warrior, who's seen a thousand battles, will fight her last. She'd fought him, and he'd fought her, and they'd taken shelter in each other. Over and over. For twenty years, their marriage was the stuff of legend: a dynastic alliance, and a private whirlwind. They'd begotten two children, lost two more before birth, and spawned a military empire.
Until their union, with the same suddenness as their collision, came undone.
Aziz had, during one of Ambessa's war-campaigns, chosen a mistress. This, in itself, was not unheard of. The men of the Targonian line were notoriously philandering, and the woman of the Medarda clan were notoriously pragmatic. Ambessa, who'd not only kept her own paramours, but had changed them with the frequency of a Piltovan noblewoman changing her gloves, had never begrudged her husband his dalliances. She'd even handpicked a few herself, including the mistress Aziz so doted upon.
The choice had proven fatal.
She was a pretty thing, Mel remembers. Pale as a lily, and shrewd as a serpent. She'd beguiled Aziz with her beauty, and bound him with her wits. In the span of months, her hold on him grew implacable. By the time Ambessa, returning from a year-long absence, realized what had happened, the damage was done.
She'd discovered Aziz gone, along with three-fifths of their battleships.
Ambessa was not a woman prone to tears. Now, her fury was a black inferno. She'd raged, and she'd razed, and she'd sworn to see the mistress decapitated, with her golden head on a pike. Her pursuit of the wayward pair had been relentless, and the carnage, legendary. She'd burnt villages to the ground. She'd sunk fleets to the bottom of the sea.
And when, finally, she'd had the chance to close her fist around her husband's neck... it was too late.
Aziz had succumbed to a tropical fever. He'd been bedridden and delirious when his ship was waylaid by Ambessa's fleet. The mistress, by then, had already fled with whatever riches she could carry. 
When Ambessa had stormed into her husband's cabin, Aziz, on the verge of death, had mustered a crooked smile.
"My lioness," he'd rasped, "have you come to finish the job?"
Ambessa's fury, like a house of cards, had collapsed at the sight of him. She'd flung her scimitar aside, and fallen to her knees at her husband's bedside. His ramblings—of repentance, of devotion, of the children he'd left behind—had been shushed by her kisses. The entire night, she'd sat vigil, cajoling and bargaining and finally, begging.
To no avail.
Aziz had perished at dawn. He'd died, as he'd lived, with a smile on his lips.
For Ambessa, the fearsome general who'd won a hundred battles, this was the first true defeat. But she'd not wept, or wailed, or rent her hair. She'd only kissed Aziz's forehead, and smoothed his lids shut. Then, with a composure born of pure iron, she'd ordered his body laid out onto a wooden funeral bier, and floated out to sea, before it was set ablaze in the Targonian custom with five dozen flaming arrows.
When the sun had set, and the smoke had dissipated, she'd hefted her scimitar and turned her eyes to the horizon.
There are a thousand and one ways a Medarda avenges a slight.
Aziz's mistress would learn them all.
And soon.
Ambessa's troops had cornered the woman, in a tiny port town along the southern coast. By then, she'd spent every last coin she'd stolen from her dead lover, and had nothing left to offer in her defense. Not that coin would've made a difference. When Ambessa, flanked by her honor-guard, arrived at the tavern where her quarry was hiding, there'd been no mercy, and no negotiation. The woman, bound and gagged, was dragged to the center of town, and flung at the feet of her former benefactress.
"For my Schatze," Ambessa had vowed, "I'll make this slow."
And she did.
In front of the entire town, she'd cut out the woman's tongue, and plucked out her eyes. She'd hacked her fingers and her toes. She'd flayed her skin, and slit open her chest. And as the woman's life bled out, Ambessa had at last carved out her heart.
It was, in its ghastly way, a fitting recompense.
In the years afterward, Ambessa had grown harder. More ruthless. The light that once shone in her eyes—that strange, fierce light, whenever she'd looked at her husband—had flickered, and faded away. She'd gone on to wage numberless wars. She'd had lovers by the score.  She'd built a legacy, and an empire.
But her husband, she never replaced.
Schatze.
She'd still call him that, whenever she reminisced. The endearment was its own admission; the sentiment, its own confession.
Ambessa Medarda did not marry for love. But she'd loved, and lost, nonetheless.
Schatze.
Mel, in the heart of herself, knows the word. It is worth its weight in gold—and the poorest possible investment. Men, as a rule, are faithless. Even the ones who seem, in the sunlight, like perfect princelings. And sharks, as a law, never stop swimming. Even if the water's blue for miles.
To trust one is to invite hurt. And to trust the other is to invite teeth.
Mel knows the price of a life-bitten heart.
And yet, in the depths of passion, she trusts Silco with hers.
Because, in the afterglow, languid and spent, she sometimes calls him Schatze, too.
Now, Mel meets Silco's stare. His eyes, even at their softest, hold an edge. But she senses no hidden blade. Only his palm, cradling the base of her spine. Only his body, a hairsbreadth from hers. And his words, in the space between: Trust me.
A choice, not a compromise.
Mel, slowly, nods.
"You'd better deliver,” she says. “I'm not sure my boots can handle anything worse than the waves."
"If you'd heeded my advice—"
"Don't."
Her tone brooks no argument. In turn, his humor melts.
He steps back, and bows. It's not a courtly gesture. It's like a wolf acknowledging a packmate. Mel, who's seen a hundred bows, is surprised by the sincerity of this one. It's a subtle, almost invisible dip. But she sees, in its execution, trust.
He, who is never truly vulnerable, is exposing the nape of his neck.
"Shall we?" He straightens with a small smile. "The parasites await."
"The parasites are our guests." Mel slips her hand into the crook of his elbow. "I hope you're ready to play the host."
His smile grows "Are you forgetting who I am?"
He stalks toward the ballroom door. His shadow, elongated by the sunlight, is a knife.
And Mel, her heart suddenly in her throat, knows this: She cannot run.
Even if, by a sudden inexplicable compulsion, she wants to.
The ballroom is an idyll of Art Deco delights.
A high vaulted ceiling, inlaid with mosaics of sea-nymphs, arches overhead. A chandelier, dangling like a glittering pendulum, sends a nimbus of refracted light across each polished surface.  The floor is a checkered parquet, alternating in shades of teak and rosewood. In the far-corner, a circular bar-island of carved cherrywood serves an array of spirits. A sunken dancefloor, honeycombed in a tessellation of rose marble, is ringed by a quartet of brass-trimmed alcoves. Inside, frosted glass windows, edged with intricate filigree patterns, frame different views of the blue horizon. 
Waitstaff bustle with trays of champagne flutes and silver-domed trays of hors d'oeuvres. The guests, in their daytime finery, are milling about. All seem mystified by the ship's anchorage. No doubt whispers have already begun stirring: mutiny, sabotage, ransom.
At Silco and Mel's entrance, heads swivel. The conversation eddies into silence.  
Mel thinks: It's like the moment before a battle.
She gives herself a quick mental inventory. Dress: immaculate. Persona: impeccable. Expression: impassive.
A soldier, Ambessa liked to say, is only as good as their armor.
Silco's hand, finding hers, imparts a squeeze: Ready?
Mel squeezes back. Always.
Then, falling away, they diverge to different ends of the room.
It is their formula: tried and true. He hates to be tethered. She hates to be steered. So they meet, and part, and find each other again. Two ships crossing the same sea, with a hundred currents swirling beneath.
And between them: the fulcrum of their cities' fates.
Silco drifts soundlessly to the bar. The crowd parts as he crosses. Mel, watching, marvels at the smoothness of his gait. His body, like a blade, cuts its way implacably through the tide.  Peeling it back, layer by layer, until all the pretense fall away. She notes who shrinks back, who stands their ground, who dares to come closer.  In their body-language, she reads volumes: curiosity, contempt, caution.
The Eye of Zaun has that effect. Even among the constellations of power, he exudes his own. It's nothing to do with size or swagger. It is simply that his presence, in any room, becomes a gravity well.  The most ambitious—eager for a taste of danger—drift closer. The most prudent—wary of his reputation—keep their distance.
Silco, in turn, exudes a usual glacial calm: his eyes taking in everything and giving away nothing. 
In that, Mel thinks, he is nothing like Jayce.
Jayce, a born idealist, radiated human warmth. It was a private foible and a public asset: his shining smile and his sheer, stubborn, indomitable belief in Progress.  In the beginning, Mel had been charmed his capacity for optimism. As his business partner, she'd seen the way his earnest goodwill thawed the frostiest investors. As his lover, she'd been seduced by his sheer, unabashed passion.
In a world of tepid greys, Jayce was abrash, exuberant burst of brightness. And his ardor was a gift that kept giving. He'd brought color back into Mel's life. He'd given her a glimpse of the world as it could be, not as it was: a place of endless possibility.
If they only had the will to grasp it.
She'd taken a gamble on him. And at every step, he'd rewarded her. He'd made her smile. He'd made her think. He'd made her want to be more than she was: more daring, more defiant, more dauntless. And she'd made him stronger, in turn. She'd guided him through the slippery labyrinth of politics, tempered his bullheaded choices with cool pragmatism, and steered him, on occasion, from complete disaster.
With her, he'd believed anything was possible. With him, she'd felt the same.  A perfect balance of ambition, beauty, and intellect.
The Golden Couple, the press had dubbed them.
But Jayce, for all his merits, was not a man to cut his own path. He'd never known the grinding ache of a hunger weaned by birthright. Never felt the keenness of the knife, twisting, with a mother's silence. Never known a world where privilege was not a promise kept, but a golden garotte around the throat.
For the Medardas, the ethos of power was not glory. It was survival. That was what the bloodline was bred for, and what it demanded: the need to claw its way to the apogee, and stay there.
But every apogee, a voice whispers, needs a nadir.
There is no peak without the abyss. And every climb is a fall, waiting to happen.
Jayce, born into a life of ease, never understood. And the brightness of his dream, pure and perfect, became Mel's blind spot. She'd seen the world, and their place in it: a vast, glorious expanse of the unimaginable. He'd stand by her, and she'd stand up for him, and together, they'd forge a new era.
Until, in the worst way, they had.
Their city ruptured. Their dream, in shreds. Their bond, an ash-pit.
Mel accepts the glass of pineapple juice a passing steward offers. Sipping, she thinks once more of Jayce: his easygoing smile, his boundless idealism.  Then she lets the golden memories fall away in favor of what is right in front of her: the man she'd found at the bottom of that ash-pit.
And he, finding her, had shown her a different dream. A darker one: bleeding and yet never dying. Two cities, joined, against all odds.
Rising, by any means necessary.
Their eyes meet across the room. Silco, in conversation with a sparse clutch of older men, is watching her with a quiet intensity. Under his scrutiny, she feels like a gemstone held up to the light. Like she did this morning: caught, and pinned, and in a state of sublime surrender.
A curl at the corner of his mouth says: I see you.
Mel lifts her glass in a mock-toast.
Enjoy the show.
Smiling, she steps into the fray.
If Silco is the gravity well, Mel is the sun. The moment she materializes, the atmosphere transforms: a gloriole of life. The silence swirls into animated chatter. The guests, like celestial bodies, align into orbit. A chorus of well-wishes rises: Mel, darling, how are you feeling? — Councilor Medarda, how splendid to see you on your feet!—My dearest Melusine! At last, you've emerged!
Mel, her smile calibrated to dazzle, accepts their tributes with grace. In diplomacy, timing is everything. And she, every word fine-tuned for maximum impact, knows how to walk the line between approachability and allure.  One moment she's regaling the group with a quip that dissolves them into gales of laughter. The next, she's demurring a bold overture with an artful pivot and a cool flutter of lashes.
It's an old song, and she's a seasoned player. Human emotions are a string quartet. She's learned, since girlhood, that her talent lies in knowing the right string to pluck. A smile to coax a dowager's taut cadences into a cello's mellow depth. A murmur to set off a young man's somber oboe into a high-spirited spill of arpeggios. A touch to elicit, from an aging general's lascivious violin, a full, rich chord of rapture.
And Mel: the maestra. Coaxing melody from dissonance, and bringing the whole ensemble into harmony.
Now, she plucks the closest string in reach:  the Demacian dignitary's wife. The woman's a social stalwart: moneyed, magpie-eyed, and a moralist of the first degree. Paired with a penchant for petty gossip, she is the chief purveyor of the aristocracy's scandal-mill. 
But her pedigree is a goldmine, and her support is a vital step toward Zaun's ascent into the global spotlight.
Mel, accordingly, makes her the target of a subtle campaign.
"Lady Dennings," she says, with a radiant smile. "How lovely to see you."
"Mel!" Lady Dennings, her peacock fan a blur of emerald and azure, flutters over. "By the Protector! What a fright you gave us! A week belowdeck—and nary a glimpse above!"
"I do apologize for the alarm."
"Alarm? My dear, we believed you were at death's door! And your husband, that dreadful man! He made a jape of it! Every evening, our queries about your health were met with a different tale." The fan flutters faster. "First, you were abed with ague. Then: bitten by a viper. And then—the final outrage—you were abducted by pirates!"
"Oh," Mel says, and can't quite stop the smile from curling,
"Oh? Mel, is that all you can say?"
"What else would you have me say?"
"Acknowledgment! The man's a rapscallion—and a devil!"
Mel's eyes go guilelessly round. "Devil?"
"Of the highest order!" The fan snaps shut, and the falsetto drops. "The word is, he forcibly confined you to your berth for six nights! All to conduct an infernal Fissure ritual. The bride, stripped and bound as a sacrifice to the dark gods. Then—" a shudder, "—a barbaric consummation. Is it true, my dear? Tell me it's not. Tell me you've not been brutalized in some pagan sacrament!"
Mel hides a smile behind the rim of her glass. Her mind conjures a vision of Silco, in a dark cloak, looming over her bound and naked body. The glow of his bad eye: a fire opal offset by a dozen low-burning candles.
The scenario is not, she admits, without its unholy thrill.
But the Dennings are a devoutly religious clan. Like the rest of Demacia, their stance on magic is unequivocally condemnatory. If they had their way, all practitioners of the arcane would be hung, drawn, and quartered. Even the mention of the subject is enough to provoke an apoplexy.
No doubt, during Mel's weeklong absence, Lady Dennings' imagination—and tongue—have been running rampant. Her mind, already primed to find fault with the union, will seize upon the most sordid scrap. In the process, she inadvertently reveals how little she understands of Zaun.
Or, indeed, what transpires in the privacy of the marital bedchamber.
The Dennings own marriage of a year, if Elora's reports are true, has gone unconsummated. Whether it's due to her husband's crippling bashfulness, or her own pie-eyed prudishness, is an open question. This voyage, at the behest of the Dennings patriarch, is a final bid for the pair to prove their mettle. A successful coupling—an heir—would seal a lucrative merger between their clans. Whereas a failure on both counts would see them disinherited.
Lord and Lady Dennings, on borrowed time, feel each bell-toll keenly. A pity they cannot share the same cabin together without squabbling incessantly.
Silco, possessing no surfeit of sympathy for prudish quirks and provincial qualms, has summed up the couple's predicament thus:
"Two virgins, and not a lick of sense between them."
It's a brutally sound assessment. But not, Mel thinks, without a measure of pity.
It must be excruciating to suffer the weight of a parent's expectations in such a private sphere. Not to mention the public mortification, should the failure come to light.  
Fortunately, Mel's mind has sketched out a satisfactory solution.
Somberly, she says, "It's true."
"Dear heavens! You mean—?!"
"Bound to the bedframe, with a length of silk." Mel circles a finger along the rim of her glass. "But not for reasons you imagine."
Lady Dennings, eyes wide, is already imagining a great deal. "Gracious, Mel! What was he thinking?"
"Chiefly, of my safety."
"Safety—yes!" Lady Dennings clasps one of Mel's hands in both her own. "Zaunite men are a barbaric lot! Look at their women: all pinched cheeks and blackened eyes. They're beasts, by any other name. The notion that a darling such as yourself—" another shudder, "—locked in a cabin, and subjected to deflowering...!"
Mel's eyebrows wing skyward. In her ear, she can practically hear Silco's drawl:
What, precisely, am I deflowering? Your left nostril? The right's seen its share of traffic.
Taking another sip of juice, she stifles her snort.  The Demacian peerage hold such archaic notions about chastity.  Silco, if he ever caught wind, would take fiendish delight in dismantling them.
Fortunately, Silco is elsewhere. And Mel, more fortuitously, has the perfect string to pluck.
"My dear Lady Dennings," she chides gently. "You must put aside those scurrilous pamphlets." 
"Scurrilous?"
"The ones from the gutter-press. Written, I wager, after a tankard of rotgut. I hear the stories, myself: the Fissurefolk, sacrificing virgins to demigods. Drinking the blood of newborn babes. Really, it's too much. One would think, given the scope of their enterprise, that their hours would be better employed." A sip of juice, sweet on the tongue. "They should write, instead, of Zaun's many wonders."
"Wonders?"
"Their herbal tinctures, for one." Her tone, perfectly balanced between soothing and secretive, reels the woman in. "You see, I'd been struck with a terrible fever. Sweats, delirium, and the most excruciating chills. If I hadn't been bed-bound, I might have taken a tumble down the stairs. Or flung myself into the sea."
"By the Light! And he—what, locked you up?"
"As a precaution. Nothing more.  Mine was a rather stubborn malady. After five days' vigil, Silco took it upon himself to brew a concoction. A tea, of sorts. Boiled from powdered red clover. Quite astringent, but most effective." Mel sighs. "I haven't felt so well-rested in years."
It did not occur in exactly that fashion. Mel was too woozy to summon the particulars. All she recalls is Silco's shadow looming in. A cup's rim, steaming, pressed to her lips. A bracing tang, and the slow, steady, searing drip down her throat.
She'd succumbed to sleep right after. But she'd awoken much refreshed, and lucid.
When she'd queried him, Silco had shrugged: It's a tonic for the blood. Fire it up, and sweat the fever out.
With the smallest of smirks:  Good for firing up the loins, too.
Lady Dennings is listening raptly. "He tended to you, personally?"
"Like a physician. Only sweeter." A wistful sigh. "It's a rare man who'll kneel at his lady's bedside." She doesn't, in fact, recall much kneeling. But every good story needs a spin. Diplomacy's bedrock is built on well-told fiction. "Truly, the tales of Zaunite men as brutes are wildly untrue.  In their own way, they're quite..." A delicate pause, "... devoted."
"Oh, indeed?"
"I dare not divulge too much. Modesty compels me. But..." Mel's register drops. "... I will say this: Zaunites may lack the polish of a Piltovan gentleman. But they more than make up for it with the... ardor... of their pursuit."
Lady Dennings' mouth forms a perfect 'O.' "Gracious!"
"Gracious? No. Gratifying? Certainly." Mel's lips curve. "And gratifyingly often."
Lady Dennings turns a telling shade of carnation. "Dear me. That's—how intriguing!"
"Isn't it?" Another sip, and a deeper smile. "The Fissures, I find, have much to teach us. I've only just begun my lessons. But I've made such fascinating discoveries. Did you know, for instance, that powdered red clover, steeped in tea, has an aphrodisiacal effect?"
"An aphro—really?"
"Really. It's quite potent. In fact, it can be used as an antidote for..." Then, as if remembering herself. "But forgive me. This is no place to discuss such a delicate subject. I must beg your discretion."
Lady Dennings, fan fluttering, has gone from carnation to crimson. There is, as Mel suspected, a great deal of pent-up frustration simmering below that prissy surface.
Mel makes her move: a single strum, and a long, sustained note of intimacy.
"If you're amenable," she murmurs, "I'll share more details with you. Perhaps over a quiet tea? Just us girls."
"I—yes! Of course! Red clover, you say?"
"A singular plant. It grows at the edges of the Fissure cliffs.  Many a scholar has written of the benefits." A conspiratorial dip of lashes. "You and your lord husband may find the taste a revelation."
"My, erm, husband," Lady Dennings stammers, "is quite—" fan dangling limply, "—fastidious."
"Then, my dear, it is high time he was reacquainted with his reckless youth."
"Oh, Mel, do you truly think...?"
"I shall do better." Mel imparts a light squeeze to the woman's arm. "I will send a gift with you: a small satchel, for your bedchamber. Try a spoonful, with two glasses of cold water. One for yourself. And the other, to share." A significant silence, then a final pluck. "The results, I promise, will be expeditious."
Lady Dennings' eyes take on a hopeful gleam. "How expeditious?"   
"Let's just say: by the summer's end, you'll be celebrating more than your wedding anniversary."
It works like a charm. Lady Dennings, clutching Mel's hands, exclaims, "My dear girl, you're a dove! I shall owe you a thousand favors!"
"None required." Mel's smile is sunshine through clouds. "Consider it a gift, from a dear friend."
"You darling thing! We shall have a girl's talk tonight. And afterward—" a flushing glance toward her husband, stoop-shouldered and sour-faced in the corner, "—why, we'll see what comes."
With luck, him, and you too, Mel thinks.
"Tonight, then," she says. "I'll have a basket sent up to your cabin. But remember—ssh. It is a private affair." Her fingertip, pressed playfully to her lips, earns a titillated twinkle. "Now, if you'll pardon me. I must catch up with the others."
"Oh, of course! I shan't hold you up." Lady Dennings' fan resumes its flutter. Her thoughts, plainly, are palpitating elsewhere. "And do send up the basket! I cannot wait!"
Mel, her work done, glides off.
One down, she thinks, sipping her drink. A half-dozen to go.
Red clover's effects are not, in fact, a fiction. Mel, during her research into Zaun's history, has read volumes on the subject. And experienced, firsthand, its efficacy.
She'd shared a spoonful with Jayce, back when they were together. Purely for research reasons, of course. She'd only given him a mouthful, and he'd been wild to have her—so much, she'd ended up with her dress in shreds, one slipper dangling from the ceiling fan, and the other flung straight through the window.
Afterward, Jayce had apologized shamefacedly. Mel, secretly charmed, had assured him the fault was hers.
They'd never touched the stuff again. But Mel has not forgotten.
By tonight, she suspects, neither will Lady and Lord Dennings. With luck, a little Dennings-to-be will soon be in the picture, courtesy of Mel's powdered charity. Mel, in turn, will have gained a pocketful of Dennings coin, and the political currency to bargain with Demacian traders for red clover as a mass-market commodity.
Soon, word will spread. The Fissures are in possession of miracles, in potentia.
Zaun's economy could use a healthy boost. And Piltover, by proxy, will feel the benefit.
Marriage: by any other name.
Satisfied, Mel's focus shifts to the next string.   
The string, as luck would have it, sails her way. Cevila, wife of the Piltovan exchequer: a statuesque ice-eyed blond who'd made Mel's life an unending misery back in her salad days as an emigree. A native Piltovan with close ties to House Ferros, she prides herself on her pedigree, her purse-strings, and her impeccable taste—or, in Mel's private reckoning, her impeccable lack thereof.
Since Mel's ascent into the corridors of power, Cevila's kept up an endless siege under a guise of cordiality. Barbs couched in a show of sisterhood; favors Mel cannot deny without close allies feeling snubbed; invitations she cannot refuse without offending the very people she seeks to woo.
It's a tedious dance. But Cevila's rank confers her with gravitas among the glitterati. Her opinion, when solicited, is considered gospel. 
Mel, the Madonna of Piltover, cannot afford to play the sinner.
"Cevila," she greets airily. "How are you faring?"
"Oh, my dove! Better, now that I see you're in fine fettle. But how peaked you look! It must be that frock. Quite lovely, but rather..." A critical once-over, "... plain."
Mel's smile, soft as a cat's paw, hides claws. "The style is from East Shurima.  A gift from the Sadja clan."
"Is it? That explains it. They're a droll set. All silks and scarabs. They'd wrap themselves in the city's flag, if they thought it'd give them airs." A barely-there squeeze of Mel's elbow. "No offense, my darling. I know you're a patroness of theirs."
Mel, noting the dig, pivots. "Whereas you, in your plumage, are a bird of paradise."
In fact, she resembles a harpy. The Ferros features, chipped from granite, accord the face a certain regal grandeur. But Cevila, with her penchant for feathered ostentation, has a way of transforming even the most sober attire into avian excess.
Today, she's swathed in a plum silk sheath studded with gold-chased amethysts. A matching choker, its collar encrusted with citrines, enfolds her neck. Her hair, lacquered within an inch of its life, is a helmet of pale yellow, and adorned with a nest's worth of diamond-and-pearl pinfeathers.
Mel, taking in the effect, feels an odd pang. The last time she'd worn such an extravagance of gems, it had been on the heels of her split with Jayce. Her mind had been in disarray. Her sartorial choices, likewise. Each dress, shimmering, had been a salve: a reminder that no matter how her heart ached, the rest of her could still shine.
Now, taking in Cevila's glitter, her mind pieces together a new puzzle.
"Your husband must be so proud," Mel says, "to have you on his arm."
"He is, yes." Cevila's grip, on her elbow, tightens a fraction. It's a tell, and Mel tucks it away. "Of course, his pride is not all that's on his arm."
I would doubt that, Mel thinks.
She already has the measure of Cevila's husband: a man twice her age, and whose sole claim to fame, apart from a family name two centuries old, is mediocrity incarnate. He'd married the ferocious Cevila purely for the prestige of the Ferros title She'd been, to pardon the pun, a feather in his cap.
Privately, it's no secret that his tastes run younger and far less discerning. Of late, he's been spotted frequenting the entertainment district of Zaun's Boundary Markets. More specifically, an establishment hosting two Shuriman-born dancers—brothers by blood, and by the rumor mill, bedmates.
Cevila is far from blind to her husband's proclivities. Mel, who's witnessed their tête-à-têtes at society gatherings, has noticed the strain behind their smiles. Two strangers, trapped in the same gilded cage. According to Elora's reports, she's making preparations to serve him with divorce papers. Once the split is finalized, she'll set her sights on a new target: younger, better-connected, and more importantly, better-funded.
The roster is long, and the contenders many.  Even Jayce, the poor dear, is rumored to be on her radar. 
Cevila's eye, however, is not on matrimonial bliss. Her goal is to secure enough funds to purchase a mining seam in the Fissures' southwest quadrant. Its yield is substantial: pure platinum and gold. To claim it, she's leveraged everything from her family's connections to a cadre of solicitors—to no avail.
Silco, rebuffing every overture, has made plain that the land is not for sale.
The refusal, in Cevila's view, is a personal slight. And Mel, as her chief adversary, has become a natural target.
"It is truly good to see you well," Cevila says, with a talonlike grip on Mel's elbow. "I was concerned, of course. But it was your husband who most needed a watchful eye. Why, a lesser man would've taken succor at the nearest port-of-call."
Mel, inwardly translating Harpy to Buzzard, smiles. "A lesser man, yes. Mine stayed firmly anchored."
"And decidedly taciturn! He wouldn't even deign to give an update." The twin flintlocks of her eyes turn Silco's way. "You'd think he was in mourning. His beloved, or his bachelorhood—it's difficult to say which."
Mel has yet to see Silco grieve anything beyond an errant hangnail. Cevila's remarks, as ever, serve no purpose beyond baiting her.
Taking the proffered string, Mel plays it for all its worth. "My husband is a man of few words." At least, when his tongue's occupied elsewhere. "As it is, he's accustomed to livelier pastimes. Compared to Zaun's vibrancy, a week at sea is a veritable lull." A sip, and a sigh. "Confined company does make a dull time of it."
The subtext is subtle, but unmistakable. Cevila, in her plumage, bristles.
"Confined—or refined? His manners are decent enough. But pedigree's the real test." Her chin cuts a scornful arc. "The Fissures, after all, are a pestilence pit." Then, catching herself. "I mean no disrespect, my dove. Marriage factors more than sentiment for our stripe, as we both know. One plays the hand one’s dealt. But we're women of the world, are we not? We both understand the value of preserving a legacy." Her eyes pass, speculatively, over Mel's belly. "And the consequences, should our choice fail to meet it."
The stab is plain: Silco, Fissure-born, is exemplary of his breed. Filth, mud, scum. Any child, a byproduct of that union, will bear the taint. A taint that will spread to Piltover's streets. To the halls of the High Council. To the very heart of the City of Progress.
Mel's fingers flex on the stem of her glass.  A thousand old slights, she'll bear with aplomb. But this, the freshest insult, makes her see red.
For a moment, she understands Ambessa's warpath. The primal urge, to defend at any cost. Mel has spent a lifetime keeping a lid on her own fire. But her mother's blood runs true. The anger is a hissing spark, ready to ignite. If she were a Medarda of the old guard, she would carve her name straight through Cevila's heart.
Up ahead, Silco is still slouched by the bar. Lighting a cigarette, he taps out the spent match. Behind the leisurely ribbons of smoke, his scarred profile is all insouciant angles. But Mel feels his focus like a hot brand. He has been listening, too. Not with his ears, but his eyes.  
And Cevila could find herself on the wrong side of a scope.
That decides Mel.
A Medarda's wrath is legendary. But a Zaunite's is fatal. Between their cities, there have been enough bloodbaths.
Diplomacy, and not daggers, must prevail.
So she smiles, and tugs on a subtler string.
"Legacy, yes." A slow sip of juice. "My husband and I have discussed it. In particular, provisions for the future."
"Provisions?" Cevila's keen eyes dart between Mel and the bar. "Whatever do you mean?"
"Only that the winds of change are never gentle. And when they blow, fortunes can shift." She swirls her drink. "I always caution my fellow Councilors against complacency. Or ill-advised investments in foreign ventures. A single declaration of war, and the trade-lines go dry. A few misplaced funds, and the whole enterprise goes belly-up. We must keep our assets, well, closer to home."
"Home?" Cevila repeats, astute as ever. "Or Zaun?"
"Zaun is our sister city. As it stands, her prospects are excellent. But Silco believes, and I concur, in strengthening our individual portfolios. Piltover, for instance, has ample potential for growth in the manufacturing sector. With Hextech, we have the means to revolutionize the market." Musingly, "In turn, Zaun has her mines, and the wisdom, age old, to refine their yield."
At the mention of the mines, a covetous gleam kindles in Cevila's eye. "The mines. Yes."
"Recently, the Fissure seams, thanks to diligent labor, have hit the motherlode. Soon, the output will be tripled. Even quadrupled." The morsel dangles: a succulent cut of red meat. Then: "Naturally, Silco is determined to keep the wealth concentrated in the hands of those who labored for it."
Cevila is brought up short. "In a matter of wages?"
"Oh, nothing so crass.  The miners' guild is a collective. Their assets are held in trust, for the benefit of the whole. Older seams, owned by barons, are likewise protected. But Silco believes in safeguarding his city's long-term interest. To that end, the Zaun’s recently enacted a decree for the lifelong preservation of the mines."
Suddenly, Cevila's feathers are a-quiver.  "I—I'm not quite sure I follow."
"Then allow me to clarify. For the last century, the Fissures have been a free-for-all. Foreign hands, ours and otherwise, have scooped up whatever they could. They've left the remainder in chaos. A dozen factions, battling each other for scraps. It's been a waste of resources. And, frankly, a waste of life." Her fingertips clink across the stem of her glass: a percussive counterpoint to the silence. "The Cabinet's new policy aims to restore a sense of order. No longer will foreign backers have unfettered access to the veins. Only Fissureborns—guilds or barons—will hold title to their respective stakes. All the proceeds will remain local, and invested in the betterment of the people. The clause will be embedded into the deeds. In perpetuity."
"Perpetuity?"
"Forever and a day." Mel goes solemn. "As my mother likes to say: Blood will always out. Only the children of born Zaunites will inherit the mines.  And those children, should the time come, shall have the final say in who holds ownership." 
"But Mel! Surely the Council cannot condone—"
"Dear Cevila. The Council's writ does not extend to Zaun. The Fissures, by Treaty, are a sovereign state." A grateful sigh. "I suppose it's a rare stroke of luck. By wedding a man of Fissure birth, I will enjoy greater access than most. And our children, by default, shall have the deepest roots."  She meets Cevila's eyes over the rim of her glass. "A legacy, as you say."
Cevila seems to have forgotten how to breathe. A small mercy: her talon has retracted from Mel's elbow.
"This is—well." With effort, she finds her composure. "This is unexpected news."
"Isn't it?" Mel, smiling, sets down her drink. She's dangled the lure, then snatched it away. Cevila, chewing on her loss, is now primed for any scrap. "Naturally, in wake of this decree, the demand for Fissure stones has begun skyrocketing. Do you happen to own any, Cevila? Perhaps a pendant or a bauble?"
Cevila rallies a smile. It's a ghastly effort. "I, ah, have a ring or two."
"Lovely. Their worth is about to treble. Do you remember my necklace? The blue diamond-drop?" 
"Vividly." 
"It was a gift. Designed by the artisans in the Boundary Markets. Their craftsmanship is second to none." A calculated pause. "If you're amenable, I'll speak to the artisan's guild. We can summon one of their agents to my apartments. Then, perhaps, commission a set?"
The gleam in Cevila's eyes brightens. "You—you'd do that? My dove, I couldn't possibly accept—"
"Nonsense. You are, after all, one of my closest friends. And the artisan's guild are a lovely group. They are headed by a close ally of Silco's. A Zaunite, and a first-rate entrepreneur. His family are descended from the ancient Oshra Va'Zaun line. Did you know, they once held dominion over the isthmus?"
"I do, yes." Cevila's beak wrinkles. "Until our Wardens cut off their privy purses—" re: confiscated their estates and sold the spoils at auction to foreign investors, "—and the rest were sent packing. Most sold off piles of heirlooms to stay afloat. And what's left are probably riddled with the plague."
"What's left are the mines," Mel corrects. "And Silco's friend, as fortune would have it, inherited much of the old Oshra Va'Zaun stock. He is, as they call them belowground, a gold baron."
Now Cevila's eyes are aglow. "A gold baron, you say?"
"A charming gentleman. Sadly, still unattached. But his means are considerable. And his tastes, exquisite. He is a patron of the arts. A discerning collector. I daresay he'd be an ideal candidate for a lady of your caliber."
For business—or matrimony—Mel doesn't deign to specify. She doesn't need to.
The hook is lodged deep. Cevila, her smile pure gluttony, is already planning her next coup. A Zaunite husband on her string, and gold at her fingertips. 
All it would cost her: pride, prejudice, and a single night's sleep.
"You know," she says, "I do pride myself on an eye for quality."
Mel purrs. "I have every faith that you will come away, well satisfied."
"I believe next month I have an open window. If your schedule can accommodate—"
"I'm sure we can work something out."
"Good. Good. I'll be in touch."  Cevila flicks a glance at Silco. The distaste is tinged with a new layer of intrigue. "And, of course, your husband will be present to broker the introduction?"
Mel lies, smooth as silk, "He'd be delighted."
In fact, she suspects, Silco would rather have his liver cut out. Between Zaun's bigheaded bourgeois and Piltover's self-aggrandizing aristocracy, his tolerance will be sorely tried. But, whatever else, her husband is a pragmatist. A potential trade with House Ferros is too lucrative to dismiss. Better still if it ends with a merger—literal—between Cevila and one of his barons. A symbol of unity—or, at the very least, shared gain.
Marriage: by any name.
Cevila, her high spirits restored, swans off. Pleased, Mel accepts another flute of pineapple juice from a passing steward. She is beginning to feel back in her stride. The crowd, once an unwieldy beast, is now a pliant and responsive chorus.
Serenely, she moves on to the next string. The Piltovan ambassador—an old fusspot fittingly named Hector.
As a high-ranking member of government, the voyage must suffer his presence. But Mel has heard Silco, in the privacy of their suite, wish him more than once to the bottom of the sea. One word on Zaun, and he's off: a diatribe on the perils of a lowborn populace without oversight, the undercity as the mouth of Hell, and Fissurefolk as the demons therein.
Mel, having the measure of his string, has learnt to play it deftly. Usually, she douses his rants with a few drops of sweetened condescension. Other times, she plays the ingenue, and laments his lot in life: a stalwart of the old order, trapped between the twin forces of progress and decay. If neither of those tactics serve, a flash of cleavage is enough to set him off-kilter.
Admittedly, the method is not the noblest. But she will not apologize for keeping a peaceable accord.  
"Lord Hector," she greets serenely. "How wonderful to see you."
"Mel!" The ambassador, ruddy-faced and portly, hauls himself to his feet. A plateful of trifle is hastily abandoned. "My Melusine, what a vision you are!"
"You flatterer." A kiss, pecked airily on his cheek. "I trust you're faring well?"
"Oh, the usual. Tallying the votes. Calculating the ledgers. Nothing a bit of good food can't fix." He casts a mournful eye at the trifle. "A pity the chef won't let me near the kitchens. If I could only get my hands on the caramel sauce for the mousse—"
"Now, now, Lord Hector." Mel's index finger ticks playfully. "We'd end up with a shortage."
"I'd not hoard the stuff, my girl! I'd only sample." The woebegone look is as patently false as his bawdy wink. "Sample liberally."
"Really, Lord Hector. You are shameless." Coyly, Mel tucks a dangling curl behind her ear. "If I didn't know any better, I'd think you were angling for a different dessert."
"Only if you're game, my dear. Though rumor has it—” Another wink, “you've already had a nibble."  
"Why, Lord Hector. Whatever are you insinuating?"
"You and that husband of yours. I'm told you were cooped up, the pair of you. Six nights, and a locked door." He chortles. "If there was no nibbling, I'll eat my hat. Is it true you'd come down with ague, or was the whole business a bedtime story?"
Mel puts on an abashed smile. "Oh, I was bedbound. But it was quite a dull affair. Fever, delirium, the works."
"Frightful! But your man looked after you, did he?" The wink becomes a leer. "Or was it he that left you bedridden? They say Zaunites are half-rabid, the lot of them. And yours, my dear, has a pack of knives for teeth. If I were you, I'd have been frightened out of my wits."
It's a vulgar turn, but Mel knows when to play her hand. "You're incorrigible, Lord Hector. My husband is the picture of civility." Her voice drops meaningfully. "And watching us as we speak."
A hasty glance over Lord Hector's shoulder confirms the fact. Silco, slouched with the remnants of his cigarette, is observing their exchange. His features project boredom. But his focus is keenly honed. Mel has the distinct sense that if Hector so much as breathed a lecherous sigh her way, he'd find himself staring down the barrel of a pistol.
Hector, wisely, does not test the theory.
"Well, well," he says, and clears his throat. But his manner, with Mel, becomes a good deal more circumspect. "He's a watchful sort, isn't he? But that's no surprise. The Fissures are a foul pit. It takes a hard head, or a harder fist, to survive. Why, I had a letter from my cousin last month. She was telling me how her youngest, a delicate little thing, crossed the Bridge and fell ill!"
"Of Grey Lung?"
"Heavens, no! Just the sniffles. But, mark my words, the next epidemic will be upon us soon! I still recall, in the summer of sixty-three, when the harbor was beset with the Ash Plague. Hundreds of souls, lost in a matter of days. If not for the Council's swift action, and the timely quarantine, we might've all perished!"
Mel hides her frown.
She's done her research. The Ash Plague had, in fact, claimed thousands rather than hundreds. A majority of its victims were from the Undercity. And the Council, for all its posturing, had done little to address the root cause: the filth-encrusted streets, the sewage-bloated canals, the slums packed like sardines in a tin.
The quarantine, too, was little better than a farce. Fissurefolk, sickly and suffering, were barricaded belowground. Anyone who dared defy the order faced immediate arrest. The result was a public health catastrophe.  Topside, the epidemic's spread was halted swift;y. Belowground, it raged like wildfire, and took the young, the weak, the elderly.
Mel remembers Silco, once, describing the aftermath:  Bodies piled up like driftwood. Flies swarming so thick, they formed clouds.
The smell of death in every breath.
The story is a stark contrast to the Council's sanitized narrative: the triumph of science over superstition, under Piltover's noble hand.
But in Zaun, the truth will not be silenced. The scars, never erased.
 Mel, her juice gone tasteless, thinks: If I'd not met Silco, I'd still be in the dark.
"Dear Hector," she says, mildly. "The Ash Plague was decades ago. Why revive old fears?"
"Revive? Fie! The fears, my girl, like the Fissures' insalubrious air, are ever present! My own wife, last time she braved those wretched streets, came a hair's breadth from death!"
"Death?"
"She nearly fell down a manhole! And you know what happened next?" Hector shudders. "Her high-heel got caught, and she tumbled into the muck. She had to toss the whole lot! Why, it was a nightmare. It took three stout-hearted men and a crowbar to pry her free." 
Mel's eyes meet Silco's across the room. Silco’s lips barely twitch.
He’d been present during that absurdist tableau. In fact, he'd paid the very men who'd pulled Hector's wife free. The woman, a shrill-voiced dumpling with a penchant for frills, had been too busy shrieking to thank her saviors. Afterward, though, she'd found herself recounting the narrow save with a breathless lilt. Perhaps, Mel suspects, it was all that close handling by the stout-hearted men.
Since the Crowbar Incident, as it has come to be known, Lady Hector has developed a powerful fascination with the Fissures.  Indeed, Mel suspects the only reason she's prodded her husband to invite himself to this cruise is to gather juicy tidbits about Zaun.
Her ardent curiosity, paired with Hector's fecklessness, are twin chords of opportunity. Ones that, plucked just so, will make for a profitable duet.
So Mel takes a slow sip, and lets a sympathetic smile play.
"How dreadful. But, I daresay, you and your wife will fare better now."
"Oh?"
"Zaun has developed a reputable network of guides and concierges. They know all the best districts."
"All the best?"
"I've visited them personally." She names several: a jeweler's, a chocolatier's, a clothier's. "All within a short walk along the Promenade. Your little grandson, Remi, will adore the chocolatier's wares. Truffles in the shapes of beetles. Marzipan worms. And a lovely caramelized-pear confection." Her eyes pass from the plateful of trifle to Hector's portly belly. "You, too, would enjoy a liberal sampling."
Stirred, Hector leans in. "Well, I'll be. And these shops are safe?"
"Perfectly. Travelers from Piltover and abroad flock to them. The shopkeepers, I promise, are courtesy itself."
"And, I take it, the security is sound?"
"Every shop is guarded by a retinue of trained blackguards. The streets, paved and clean, are kept free of footpads. House Medarda often hosts private soirées at the Promenade. I've never once been accosted by a ruffian—much less a rat." A pat, fond and wholly fabricated, to Hector's shoulder. "You needn't fear, dear Hector. Zaun, these days, is the very model of civilized conduct."
Hector warms visibly. "Ah, well, if it's good enough for you, what's this old curmudgeon to worry about? I'll speak to my wife. She's awfully keen to, ah, venture farther afield. She's always been a curious sort." A wink. "A bit like you, eh?" His hand, clumsily, covers hers. "Tell me. If I were to visit, could you arrange a private tour?"
Mel, who'd predicted the turn, delicately extracts her hand. "Shame on you, Lord Hector. I'm a married woman." The implication being: were she unattached, her answer would've been very different. "But if it's a personal guide you seek, I have just the one." Mel names a service: the same one Silco's crew employs. "They'll arrange tours at your convenience."
"Splendid, splendid! You, ah, must tell me more about the clothiers. A few new shirts are just the thing." Another glance at Silco, now sizing him up with a more speculative eye. "Your Trencher dresses sharp, I'll give him that. Perhaps he'll spare me a tip or two. He is a Fissureborn, after all. He must know all the best garment districts."
"Oh, he does."
In fact, the identity of Silco's tailor is a closely guarded secret. The man, a wizened Shuriman refugee, has his workshop hidden away in the depths of the Commercia Fantastica. He sews, by hand, each article of clothing to the customer's measure. Silco has two-dozen suits from him, in varying shades and cuts. Black with merlot accents, charcoal grey with blue-green brocade, two-toned midnight blue with silver embroidery.
The styles are all distinctly Zaunite. Tailored to Silco's lean frame, they evoke a serpent's sinuous grace. They are also remarkably versatile. Mel has watched them transform him, chameleonlike, from a sleek statesman to a shadowy specter, and back again.
But more than statements of sartorial flair, they serve a brute utility. The fabrics are Fissure textile: light, flexible, and impervious to damp. In a pinch, they serve as body armor: a sleeve with a cleverly-crafted sheath for a concealed blade; a snug little pouch, discreetly cut into the waistcoat, for a smoke-pellet; a garotte, lined along the edge of a cravat, to slit a stranger's throat.
Mel recalls, at a Topside gala before their engagement, the sight of Silco, turned out in formalwear: a simple black suit with a white silk pocket square. The cut was, for all its sleek simplicity, more durable than appearance suggested. She'd learned firsthand when Silco, strolling arm-in-arm with her through the night-gardens, had been waylaid by an Enforcer who'd demanded to see his identification.
Whether out of a superabundance of caution, or a bigot's crude compulsion, Mel still isn't sure.
She'd moved to intercede. But Silco had checked her with the barest skim of fingertips at her wrist. Addressing the Enforcer with politeness, but not a jot of respect, he'd asked if he looked like a trespasser. The Enforcer shot back that he looked like a cutthroat.
Silco, never one to pass up a chance for roleplaying, had obliged by nearly slitting the man's throat. 
The officer, a greenhorn, had plainly not been expecting a real knife to materialize at his jugular. In his shock, he’d dropped his truncheon and hightailed it. Mel, amused and appalled in equal measure, had turned to Silco, a chastisement on her lips.
Only to find herself scooped up into his arms, then carried up a trellis and out of sight.
They'd spent the rest of the evening, astride the rooftop's shingles, discussing trade. The only time Silco's hands had strayed from her waist was to light a cigarette. Or to cup her cheek. Or to tilt her face up to his.  Meanwhile, seven stories below, a contingent of officers had frantically been sounding the alarm to outcries of highwaymen and abduction. 
When the hounds had arrived on the scene, Silco had scoffed so hard, he'd nearly fallen down the eaves. Mel, not wishing him to break his neck, had clung tightly. Somewhere between the third kiss and the fourth, she'd decided to tug him closer. He'd ended up treating her to what Zaunites called 'The Penthouse Plus'—making love right on the gritty shingles, her dress hiked up around her waist and his coat spread out beneath them.
The giddy thrill had opened her lungs. Only his mouth on hers, drinking her cries, had kept her silent.  
Afterward, smooth as a conjurer's trick, Silco had slipped them both downstairs and back into the garden. The search, by then, was over. The Enforcers, their bluster gone, had been reduced to scouring the hedges. Silco, his eyes dark with devious glee, had strolled casually past them, and into the ballroom, to fetch himself and Mel a plateful of dessert.
It had proved the scandal of the summer. Councilor Medarda, swept off at knifepoint in the middle of a gala. Then, miraculously, reappearing hours later: no worse for wear, and a good deal more cheerful, arm-in-arm with her assailant.
Whose suit, it should be noted, was perfectly intact. No rips, wrinkles, or even a rumpled lapel.
Afterward, Mel had summoned the rookie officer, and his Captain, into her office. A blistering dressing-down on misconduct was meted out. The officer had insulted her guest, and by extension, the goodwill between Zaun and Piltover. When she'd reintroduced Silco as her fiancé, the rookie's mortification was palpable.
Silco had taken the opportunity to renew his acquaintance: not with knife against the jugular, but with a smile twice as sharp, and a firm handshake that promised, without words, a fate worse than death if the man dared call him a crook again.
But afterward, alone in her chambers, Mel had found herself thinking: This is what his life has been.
Fighting to keep the ground under his feet.
And even now, at the zenith of his power, there was no place for him Topside. No welcome in these hallowed halls.  This, he'd told her, was why Zaun existed. To ensure no other Fissure child had to suffer what he had. And for him, the fight was not over. The world, not won.
Not until the last sliver of his city, and its people, were secure.
Smoothing the memory away, Mel summons a smile. "I'll do you one better, Lord Hector. Why don't we arrange an outing? You, your wife, Silco and myself. We'll tour the most exquisite spots at the Promenade. You will see that the Fissures are no hellmouth. And my husband will have the honor of escorting us, to ensure the journey is a comfortable one."
Hector's kneejerk distaste yields to temptation. Beneath his condemnation of Zaun lurks an avid desire: to sample the city's exotic otherness. Mel has seen it before, in the eyes of her fellow Councillors: a yearning for the novel, inverted into show-offish censure.
As though by damning Zaun's vices, they can exalt their own.
"We-ell," Hector relents, "if he can spare the time, I believe we could squeeze in a quick outing. It'd be, ah, good to get a lay of the land." His hand, again, gropes clumsily for hers. "A bit of a reconnaissance mission, eh? Always good to keep an ear to the ground." A third, utterly shameless, wink. "And one's eyes on the goods."
Mel, inwardly rolling her own, keeps her smile fixed. "Yours, Lord Hector, are a pair no lady could deny." Then: "You ought to return yours to the trifle. I do believe it's melting."
Lord Hector's wink falls askew. "Oh, drat! I'd best fetch another plate!"
Excusing himself, he bustles off. Mel, taking stock of her success, finishes off her drink.
A few discordant strings, but the symphony is well underway.  Soon, Piltover's entire social circuit will change its tune. That is, in sum, the spirit of this voyage.  Gathering allies. Making connections. Creating new opportunities, and exploiting old ones. Hecter's not the only guest with a taste for the unusual. Nor Cevila and the Dennings the only ones whose purse-strings, tugged the right way, will yield a hefty haul.
In time, Mel will cultivate them all.
And they, in turn, will cultivate Zaun's and Piltover's interests. 
Marriage: by any other name.
Then she hears, to the thunder of boots, a bark: "Medarda!"
Mel stifles a sigh.
It is the Noxian envoy—a damnable brute by the name of Garlen. The man is a wolf of the worst kind: festooned in blood-red, and slavering for a kill. A high-ranking brigadier of Noxus's military, he's spent his career subjugating swathes of the Ionian continent. Now, as part of a political alliance between Noxus and Piltover, he's been dispatched as a 'liaison'.
His actual duties, as far as Mel can discern, are to make a nuisance of himself. Negotiating with him is like wrestling a hound: an exercise in futility. Her gift for subtlety is met with brash disparagement. Her cleverness, dismissed as flirtatious banter.  And if she has the misfortune of sharing his company alone, he's liable to start groping. More than once, she's resorted to employing armed sentries, to dissuade his wandering hands.
In truth, the only thing keeping him from her throat is Ambessa.
The brigadier, knowing the threat of the General's retribution, is careful not to overstep. But his ambition is as deep-rooted as his lechery. He's keen to establish a foothold in Piltover. Mel, as a Councilor, makes an appealing target. Not only does she have access to the High Council's ear, but also to the coffers of the Medarda clan.
Once, to Mel's eternal dismay, he’d gotten drunk at a press junket, and dared to propose marriage to her before the cameras. A fortnight before her wedding, no less. Her fiancé—after a tiresome tirade on his low birth, his physique, his unsuitability—he'd threatened to disembowel on the spot.
Silco, who relished the pretext to make an ass out of anyone, had proposed a simpler solution: a duel to first blood.
It had been, in Sevika's blunt retelling, Like a fucking slaughterhouse.
Garlen was an able swordsman. But he’d underestimated Zaun's spirit of ruthless ingenuity. He'd walked in believing the fight was in his favor. Silco, in ten minutes, had turned the belief on its head. Then, he'd reduced the duel to a carnival sideshow.  First, he'd blinded his opponent with a faceful of sludge from the streets. Then, with a well-placed boot, he'd sent the Noxian envoy skidding into a gutter. Finally, as a coup de grace, he'd whipped out a switchblade and stabbed him. The blow, to the meat of Garlen's thigh, had nearly severed an artery.
Garlen, howling bloody murder, had been hauled away by his guards. He'd spent the rest of the week in Zaun's infirmary. The next morning, he'd boarded the ferry back to Piltover: tail tucked between his legs.
And his pride, as the Undercity saying goes, In a shit-stained shoe.
Since the incident, Garlen's been cautious about antagonizing Silco in public. But his contempt for the city is undiminished. His attitude toward Mel, accordingly, is one of open scorn. To him, she is the weakest link in the Medarda chain.
A pretty little chit, who, when the going gets tough, will cave to the strongest bidder.
The irony is not lost on Mel. Were she truly a spineless chit, she'd have sold herself a long time ago. And, likely, to a man like Garlen.  A dynastic marriage was a common means of doubling her clan's prosperity. But the prospect of a lifetime wrangling the brutish lout—enduring his crude lusts and his insufferable temper—was abhorrent. She'd never have consented to it, unless by force.
Silco, whatever else, has always respected her separateness. And his ambition to walk with her—not behind her or in front—is equal to her own. Their combined will is a potent force. One that will, in time, forge a brighter future.
For Mel, that is worth every sacrifice.
In her ear, Jayce's voice intrudes: a forlorn query in lieu of farewell.
"Even love?"
"Medarda," Garlen barks, louder. "I've got a bone to pick with you."
Mel's smile becomes an airtight lock. "Bones, Sir Galen? Aren't we feeding you enough?"
"What's the reason we've anchored off-course?" He sweeps a thick arm at the motionless horizon. "I was told we'd reach the Ionian coast before noon. The sun's almost overhead. If I don't make landfall by sundown, my troops will be wondering if I've gone missing." 
 "Surely you can wait another hour?"
"An hour? The blazes are we wasting an hour for? If we're going to float in the middle of nowhere, at least make it worth my time!" Leering, he slaps his thigh. "How about a floor-show? You look fit for one, all tarted up in that handkerchief. Why don't you sing me a song or two?"
Mel's features remain smooth. "You have, I'm afraid, mistaken me for a canary. But if you're keen for music, our orchestra would happily oblige."
"Feh. A bunch of prissy string-pullers? What use are they? Give me a proper band: men with brass pipes, and war-drums, and a real beat! Then I'll show you a performance." Garlen's eyes take their time crawling down Mel's body. "You'll see how a proper Noxian can make the ground shake."
Her countrymen, Mel thinks, are such a tiresome lot. Especially the military set. "On a ship, Sir Garlen, we call that seasickness."
"And this damn delay? What'd you call that?"
"A detour."
"Detour?" Garlen's bristly brows merge like thunderheads. "On whose blasted order?"
"Mine."
Silco materializes as if risen up from the depths.
The sunlight, white and warm, dapples the air. Yet the plunge in temperature is palpable.  It is, Mel thinks, not unlike two polarities—the dark and the light—aligning at once. A disorienting sensation, the first time it’d occurred: Silco stepping into her path, and the world tilting off its axis.
The guests, huddling closer, murmur warily. Cevila's face, heavily rouged, is a shade paler.  Lady Dennings' fan is a blur. Hector's gulp is audible. The rest of the party are paralyzed in place. All except Garlen, who has the temerity to laugh.
It's more bark than bite. He's already felt Silco's blade once. He won't tempt his teeth.
"Well, well," he sneers. "The blushing bridegroom."
"Sir Garlen," Silco returns, with a small nod. "Good of you to join us."
"I wasn't given a choice! We're supposed to be on land, not floating like a piece of flotsam."
"You're welcome to swim."
"Swim? To the Ionian strait? You're out of your mind!" Garlen strides closer, crowding Silco's space. The man is a foot taller, and twice as broad. Still, Mel notes that he stays out of striking distance. For a braggart, he's no fool. "I know you Trenchers know no qualms about playing hooky. But the rest of us have a schedule to keep. So get this ship back on course. Now."
Silco’s stare is inscrutable. "In time."
"Time? I'm a busy man. I don't have time to sit around on this damn tub!" Garlen squints suspiciously. "Unless you've hijacked this ship? ‘Cause if it's a ransom you're angling for—"
Silco’s smile is a gleam of serrated teeth. "Sir Garlen. I'm in the business of politics, not piracy."
"Hah! As if the distinction makes a difference."
Now the gleam is sharper. "I suppose it doesn't." He turns to the rest of the party. His low cadence rolls over the room like fog. "Allow me to explain. The delay is due to a last-minute excursion. We'll resume our course by early nightfall. But first, a short trip to the southern reef. A treasure hunt."
Garlen's confusion is writ large. "Treasure?"
"Enough, I'm sure, to satisfy everyone's appetite." His stare passes, one by one, over the assembled guests. "Ionia. Demacia. Shurima. Noxus." And, finally, alighting on Mel. "Piltover."
There is a susurrus of whispers. Mel, bemused, keeps the mask in place. He'd never mentioned her city was tied to this game.  Is he testing her? Challenging her?
Or—impossibility of impossibilities—bidding her to play along?
Silco goes on, "I wonder, Sir Garlen. Have you sailed this route before?"
Garlen, bristling: "I know the waters well. I've fought battles on every stretch of these seas."
"Won, too, I expect. You are a celebrated soldier. But an explorer?" A tip of the chin. "There's a difference."
"And what would that be?"
"As Councilor Medarda says, a world of it. Of course, she is referring to chiffon versus tulle. But the principle stands." A half-lidded smile. "One's for concealment. The other for transparency."
Garlen cuts in, "If you're trying to make a point, make it quick."
"My point is only this: if you've sailed the southern waters, you'll notice a peculiarity. The Ionian Strait, on Piltover's maps, is thirteen degrees north of this point. Zaun's maps, however, place it further west. A curious discrepancy. Have you considered the reason?"
"Why the blazes would I care about Zaun's maps? Noxian charts are the only ones worth a damn."
The barest nod. "Fair point. That's the charm of maps. They're carved out by conquerors. Every chart tells a story, depending on the hand that draws it. And every chart, in its way, reveals a truth—or at least a version of it. Noxus, as the reigning authority of these waters, will always be partial to its own perspective. Piltover, as a close ally, tends to lean." A beat. "Zaun’s maps tell a different story."
"Ha!" Garlen's fist thuds the closest table. "A story about slime and scum, no doubt."
"A story about survival," Silco rejoins. "About claiming a space where none existed. At least, not on paper."
A crook of his finger, and the steward from earlier rushes up. His arms are laden with rolled-up sheafs paper. Charts, Mel realizes. The largest, unfurled on the table, is marked in different colors: a web of seaways, straits and currents. Mel, scanning it, notes a discrepancy in the dimensions: the Ionian Strait appears much narrower on Piltover's cartography, whereas Zaun's chart, drawn with exacting care, depicts it as twice its width. A series of X's, in a serpentine pattern, lead from the southern reefs up to the coastline of Zaun. The same path is absent from Piltover's chart.
Silco's fingertip traces a trail marked in indigo. "This is the shortest route from Piltover's coast. We'll reach Wuju by today if we cut across here." His nail, tapping the indigo line, cuts right. "This, however, is the shortest path according to Zaun's navigation."
"Bullshit!" Garlen says. "There is no path there! That's a damned dead-end!"
Silco regards him steadily. "Is it?"
"You're wasting our time! There's nothing there except shoals!"
Garlen's disdain is tangible: a seething red cloud. Silco, immune to sulfurous fumes, only shrugs. "Shoals, yes. Or seamounts from thousands of years ago. Many, with extensive deposits of minerals. Silver, copper, lead. Even diamonds."
Garlen barks a laugh. "And you Trenchers found this how? By sniffing up the coal dust?"
Silco, unperturbed, spreads the chart with both hands. The chandelier's rays sheen his pomaded hair like a raven's wing. Beneath, his eyes are two blots of ink. "Zaun's seafaring charts, Sir Garlen, date to antiquity. In fact, most cartographers claim they're as old as the Shuriman empire—which makes them, by definition, prehistoric.  Once our city was a corollary of Shurima. Known as Oshra Va'Zaun, the City of the Sun Gates. Its routes stretched from eastern to western waters. Zaun, as its inheritor, maintains the same routes: one that, on Piltover's maps, don't even exist."
A chill tiptoes down Mel's spine.  He'd never told her any of this. Had never even alluded to such knowledge. And the way he phrases it, with such calm certainty, suggests this is no revelation.
He's known about these seamounts for a long time.
"You are," she hears Cevila interject, "speaking in hypotheticals."
"Hardly. Our seafaring charts date from centuries ago. But Zaun's current naval fleet is a vital force. Since our independence, we've updated all the ancient routes—noting, of course, changes in currents and wind patterns. Our Exploration & Survey Corps have established a nautical corridor, with dry docks along every port from Zaun to South Shurima. We've also discovered new channels and navigable passages. Some take advantage of rip current systems.  Others, thanks to hidden glyphs carved in the seabed, allow vessels outfitted with the right gems to sail directly to a corresponding outpost, between one blink and the next."
The crowd lapse into shock. Silco's voice—low-pitched, hypnotic—paints a vivid picture: a labyrinth of channels, each with a corresponding rune: a pathway between impossible places.
"You're saying," Hector dares, "they are like Piltover's Hex-Gates?"
"They function on similar principles. But their purpose is different. Piltover's Gates link distant ports for trade and communication. Ours link distant outposts for transport and protection."
"P-Protection?" Lady Dennings sputters. "From what?"
"War," Silco says bluntly.
"What?!"
"Civil upheavals. Foreign invasions. Call it what you will. Oshra Va’Zaun was a rich city. They did well to anticipate the worst. But for Zaun, the primary use of these routes is trade." His finger climbs homeward, to the northernmost rune. "This point, for example, leads straight to a small islet on Zaun's outskirts. It was once known as Smuggler's Cove. Now, it's called the Iron Pearl. A Free Trade Zone, where foreign goods will not be charged customs duties for transiting or storing."
There is a stir. Mel, scanning the crowd, feels a trickle of misgiving. Piltover, for decades, has had a hammerlock on premium exports. Trade taxed by the ounce. Goods vetted by bureaucratic oversight. Permits, stamped in triplicate, and revoked at the Council's whims. All to protect her city-state's reputation and interests.
Now, Silco proposes a rival haven. A Free Trade Zone, where foreign goods may come and go—unshackled by Piltover's red tape.
A new axis of commerce. And, Mel realizes, a double-edged sword.
If Piltover consents to the Iron Pearl's operation, it will grant greater her city access to foreign markets, and reduce import costs. But the arrangement also poses a threat: a competing port, under Zaun's governance, which will draw ships and revenue away from the City of Progress. Their status as the preeminent exporter will be—
Not erased, but halved.
Marriage: by any other name.
The guests are buzzing. Some with excitement; others with disbelief.
Hector echoes, "A Free Trade Zone..."
"It's been operating since Zaun's independence," Silco says. "Now we're in the process of expanding its capacity. The endeavor has taken years. A neutral zone, with an established route to any destination within a thousand leagues, with minimal delay. Better still, goods from anywhere in Runeterra can be stored and transited, for a modest tithe." He pauses. "All that's required is that our waters be respected. Along with the sovereign rights of our vessels."
Silence falls, heavy with implication.
Garlen, apoplectic, erupts, "Respect, hell! This is Noxian territory you're crossing!"
"Not on your maps. Nor on Piltover's." Silco regards him evenly. "Only on ours."
"Those waters, Trencher, are Noxian by right of conquest!"
"Not according to our Treaty with Piltover. These waters were ceded to us in exchange for recognition of our Independence." Silco eyes Mel sidelong. "The agreement, I believe, remains binding."
Garlen's fists curl like meat hooks. "You dare challenge our navy?"
"Breaching these waters without our permission is not a challenge. It's an act of trespass. As Zaun's ally, Piltover would be duty-bound to aid us in its defense." Silco's fingertip, tracing the Noxian routes, gently taps the demarcations. "Candidly, we'd rather not resort to childish games. Zaun welcomes Noxus' goodwill. Should your vessels wish to use our routes, you'll be issued proper credentials. You'll be charged reasonable fees for port-of-call. Your cargo will not be subject to scrutiny. In all ways, you'd be our honored guests. Provided—" His good eye slits, "—you extend us the same courtesy in return."
It is politely phrased, and delivered in the mildest tones. But the threat, its edge honed fine, cuts like a switchblade.
Garlen's face goes as red as his garb. "This is preposterous!"
"Is it? Zaun's treaty with Piltover was written with the consent of both parties. In the presence of diplomatic envoys. Noxus was among them. If your nation had a grievance, I'm sure they'd have taken issue. But the accord, I believe, is still in force."
"This is a damnable plot!" Garlen pivots to Mel. "Medarda, this is insanity! I demand you put a stop to this!"
Mel is stricken. But she is careful to let nothing show. Her mind races to mitigate the thunderheads swelling on the horizon. Noxian fury. International incident. Piltover caught in the middle. And Zaun, at the crux.
Trust me, Silco had said.
And now, it comes to this: her city caught between a rock and a hard place.
Fury sparks in Mel's chest. Half adrenalized burn-off, at finally having a concrete threat to face. Half slow-building horror, at confronting Silco’s cleverness in action. The man who, in one fell swoop, has backed her into a corner—while painting the entire thing in shades of diplomatic nicety.
Now, he is watching her.  Waiting—for what?
Then it hits her.
Waiting for me to run.
Run—the way she’d run the first night of their voyage. Run—by staying when she should've sided with him. Run—by choosing to smooth the waters, rather than spread ripples in her wake.
Run, run, run—and this is the consequence.
Mel, reeling, takes a breath. In a sense, Silco has done exactly what he'd warned: revealed a truth that cannot be refuted. Piltover's maps are, indeed, inaccurate: the product of outdated colonialism. The waters, ceded to Zaun by Treaty, are indeed theirs—as much as the treasures that lie beneath.
And, Mel realizes, Silco's maneuver has a third layer: a sly subcurrent.
He is establishing that Zaun, by virtue of charting prowess, as an entity equal to Piltover. But also adjacent to it. Not a rival, but an ally. A peer that cannot be overlooked—because its interests are too closely tied to her city's.
It is the flipside of matrimony: a give-and-take. One of substance rather than sentiment.
Except Mel cannot forgive the blindside.
Inside, rage fizzles. Her fingers curl. She nearly seizes the nearest champagne bottle, and lobs it at Silco’s head. He deserves no less. He deserves worse. The bastard. He’d planned this since the night they’d fought. To corner her in full view of her guests. To make her prove her mettle. To demand that she take a leap.
Or else, show to the world that her vows are hollow.
Seething, Mel thinks, I will make him pay.
Then, inhaling, she steps forward.
"Sir Garlen," she says. "My husband is correct. These waters belong to Zaun."
Garlen is nearly purple; a ripe plum ready to burst. "You're siding with this rat?!"
"I am stating a fact. Zaun cannot, without jeopardizing its sovereignty, rescind the right to self-governance. And Piltover cannot, without forfeiting its good standing, repudiate that agreement. To do so would violate the laws ironclad between us." Her stare locks with the warlord's. "In sum, it is not a matter of sides. Only jurisdiction. The question is, how do you, as Noxus' envoy, plan to navigate these waters?"
Garlen's jaw works. Before he can fire off the next volley, Mel lays a cautioning hand on his arm.
"Before you reply, I suggest considering the future gains. Your nation is, at present, embroiled in a number of wars.  Zaun, as a future ally, is offering to facilitate the transport of supplies—to and from Noxus's frontlines. Piltover, meanwhile, is willing to reopen discussions of a trade alliance." Beneath her lashes, Mel casts a winsome glance. "The question is, do you, as Noxus's representative, intend to pursue these opportunities?"
Garlen, a petrified bull, seems caught between charging or cowing. But, for all his bluster, the man's no fool.
"You," he growls, "are a conniving hell-bitch."
Undaunted, Mel offers a smile. "A Medarda, after all."
The warlord's teeth gnash. But his rage, though still hot, is no longer a blaze. More an ember, sullenly seething.
"So." A snort. "We're at an impasse."
Silco, at last, stirs.
"Hardly."
Rolling up the charts, he returns them to the steward. A single nod, and the man, in tandem with the staff, begin distributing life vests among the crowd. Bewildered, the guests receive the gear. Each is the same color: Zaun's trademark cadmium green.
Mel, accepting hers, is astonished by the weight. The fabric appears lined with something like lead. Runes, their meaning unknown, are stitched into the seams of the fabric.
"Impasse," Silco says, already shrugging into his own vest, "is a poor word for it." He turns to the crowd, a wary sea of faces. "I believe we are, at last, on the same page."
Hector, handling his vest with jittery fingertips, dares, "Are we—going for a swim?"
Silco smiles.
Mel feels, again, that vertiginous sensation. The world, tilting. As if currents, beneath the surface, are stirring.
And the only thing left to cling to, is the man who's dragging her down.
"Swim? No." Silco's smile spreads. "We're off on a treasure hunt."
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dragon-fly34 · 23 days
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Fairytales au (edited)
Here's an edit to my fairytales au:
In this AU, there are several kingdoms where they have magical spirits from their ancestors, their names also change, in this case the Mushroom Kingdom is called Mush Kingdom, Yoshi's island is called Yoshies Kingdom and the Darklands are called Dark kingdom
Peach was born in the Mush kingdom along with her father after the death of her mother, Peach's father was a Swordfighter who worked for Mario and Luigi's Mornay
At the age of 14, Peach's father dies and she is sent to an orphanage, at 16 she is adopted by Toadworth and they move to Yoshies Kingdom
Peach studied to become a swordfighter like her father and protect the Mush Kingdom again, so she entered an academy to learn how to fight
Peach met Yoshi, who is a prince in this AU, the two became friends and Yoshi also helped her become a swordfighter
Now let's jump to when Peach is 25 years old, she manages to return to the Mush Kingdom, but she became a swordfighter
The girl noticed that the Mush Kingdom has changed a lot, but she remembers where the places are
On the 1st day, Peach meets Daisy, another swordfighter who also works for Mush Mingdom, they soon become friends and Daisy introduces the castle to Peach
Daisy was born in Sara Kingdom with her father, at the age of 22, she moved to the Mush Kingdom because she wanted to become a swordfighter and also had a mystical connection with the ancient fairies of the kingdom
The new swordfighter is shown to Princess Mario and Princess Luigi, soon Peach falls in love with Mario
I could tell that Peach's mission was to protect Mario and Luigi, along with Daisy and the Toads
But it also doesn't present Peach's life, nor other people's lives, perhaps Daisy took Peach to see other places and meet her friends
Rosalina is a poet well known for her poetry and charitable works for orphaned children who is a close friend of Daisy
Pauline is a shoemaker who works alongside her mother, where she is good friends with Rosalina
Wario, Waluigi and Wapeach open their own bakery, Waluigi is a close friend of Daisy, maybe Daisy can take Peach to their bakery
Shokora has her own flower shop, where she makes thousands of plants from different kingdoms Waluigi buys Piranha Plants in his store
Bowser is the king of the Darks Kingdom, where he wants the power of the ancestors of the Mush Kingdom, while King Boo is the ancestor of the Darks Kingdom.
And here are some more facts about this AU:
Even though we will have a Mareach, we will have Luaisy, Walsalina, Yosirdo, maybe we'll have some Warokora and Harauline.
Daisy has a connection with her Mush Kingdom ancestors, which made her live in the Mush Kingdom
The AU would also have thousands of character flashbacks. (I would post some images)
Unfortunately, there are some characters that I didn't have ideas for in my AU, like Peasley and Geno, so if you have any ideas, feel free to ask.
And that is guys! Bye!
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thelesbstrosity · 10 months
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MY GOOD OMENS 2 LIVE REACTIONS FOR EVERY EPISODE
So ofc spoilers
Good Omens 2
Episode 1:
- THEY KNEW EACH OTHER AS ANGELS
- Crowley is so proud of his universe and nebulas
- STILL NOT GETTING HIS PRE-FALL NAME
- the reverse wing cover in comparison to season 1
- maggie is a gay disaster
- gabriel walking naked through town to the bookshop had me cry laughing
- crowley living in his car? the plants in the back seat
- myself vs ourselves 😩
- the husbands™️ are fighting 😭
- FORCED PROXIMITY LESBIANS?!
- DISABLED ANGEL I LOVE IT
- the apology dance
- them treating Gabriel like a pet you’re hiding from your parents
Episode 2
- HIS CHILDREN?!
- MORE MURIEL
- Gabriel’s hair in the past 😂
- Heaven takes part in the bystander effect fr fr
- Crowley sleeping in his Bentley
- A JUKEBOX THAT BUDDY HOLLY’S RECORDS LIKE THE BENTLEY
- Greetings “I’m Jim”
- THE FLY
- Plan “Get the lesbians together”
- STANDING IN THE RAIN LIKE IN SEASON 1, EPISODE 1
- A CLUE
- my head can’t hold all that
- “Bildad the shuhite” “sure”
- “i know you” “You don’t know me”
- HE COULDNT KILL THE GOATS
- Ennon’s a little fruity
- “I’m a demon. I lied”
- “He has a permit”
- CROWLEY IS WHY HE LIKES HUMAN FOOD
- THE LET ME TEMPT YOU vs “ARE YOU TRYING TO TEMPT ME”
- shoemaking and obstetrics
- “our car/ our bookshop”
- GOOD OMENS THE BOOK IN GOOD OMENS
- “I’m a demon. I lied” pt 2 😭😭
Episode 3:
- Jim’s mug”
- MURIEL POLICE OUTFIT
- I love her 🫶🏻😭
- HIM BRINGING HIS PLANTS INTO THE BOOKSHOP
- “For like 200 years”
- LAZURI MIRACLE SCALE FOR LAZURUS
- AZIRAPHALE DRIVING
- HIM WRITING ABOUT CROWLEY IN HIS DIARY
- David getting to be really Scottish but like pretending to be bad at it
- Crowley can feel his Bentley
- ITS YELLOW
- them fighting over the car/ Book selling threat
- gravity
- he gets drunk on poison skshsksj
- HE TURNED SMALL
- KAIJU CROWLEY
- “stunning view”
- crowley tossing books
- “we probably don’t have what you’re looking for and we wouldn’t sell it to you if we did”
- AND GRINDR
- “you have no idea”
- ARMAGEDDON 2???
- Shax must be invited in
- SHAX HAS HIS OLD APARTMENT
Episode 4
- FLASHBACK TO THE WW2 SCENE
- OMG LADIES OF CAMELOT FROM THE OPENING CREDITS
- THEY’RE BACK 😂 AND IN HELL
- “I’m fu -*piano*”
- MAGICIAN AZIRAPHALE AGAIN
- ZOMBIES
- SPIDER PUNISHMENT 😳
- that’s what…friends…do
- “Wow me with your miracles”
- the way crowley supports his little magic act
- AZIRAPHALE OWNS A GUN
- “someone you can really trust” *immediately looks to crowley*
- Same legion 😂
- HE SLIGHT OF HANDED HIM
- “you said trust me” “and you did”
- Crowley’s pet
- THE CAR FOLLOWS AZIRA
Episode 5
- Good omens is Anti-HOA
- THE FEZ
- okay shax we see your war fit
- the french
- HE DIDNT TELL HIM ABOUT SHUT YOUR STUPID MOUTH AND DIE ALREADY
- Muriel is so pure i love her istg
- you’re weird
- JIM’S SUIT
- THE DEMON LEGION IN MASKS
- a seamstress
- the dancing
- ELEVATOR TO HEAVEN AND HELL
- THE ANGLE
- ALSO NOT THE BOOKSHOP
- THE COAT
- him lining them up with the buddy system
- nina and maggie staying
- RESCUING ME MAKES HIM SO HAPPY
- Arrest me
- ah shit here we go
Episode 6
- Badass Azira has entered the chat
- Crowley’s fit change and little run
- MAGGIE NO
- Shax really said “leave and i’ll smite you”
- A THRONE OR A DOMINION OR ABOVE
- They never change their passwords
- HE WAS IN THE HIGHEST RANKS?!
- gabriel was on trial
- THE CANDLES! THE EXTINGUISHERS! HE HAS TRAUMA FROM THE FIRE
- EMOTIONAL SUPPORT ANGEL
- HE WAS REMOVED FROM OFFICE
- FOR ONE PRINCE OF HEAVEN TO BE CAST OUT…THATS DEFINITELY HIM SAYING CROWLEY WAS AN ARCHANGEL HOLY FUCK
- That’s why he showed up naked..holy shit
- OMG HIS HALO
- “I MAY HAVE JUST STARTED A WAR”
- the awkward elevator
- HIS MEMORIES
- MICHEAL AND BEELZEBUB CHATTING
- THEY LIKE EVERYDAY SO HE MADE SURE THE RECORD IS ALWAYS EVERYDAY 😩
- THEY GAVE HIM A FLY
- NEIL DELIVERED THE SHIP
- “No one’s ever given me anything before” 😭😭
- “You. Thank you”
- “I FOUND SOMETHING THAT MEANT MORE TO ME THAN CHOOSING SIDES”
- THEY SANG TOGETHER SKSJSK
- METATRON THE VOICE OF GOD
- Crowley putting the bookshop back together
- Nina saying she’d hope Maggie will be there when she’s ready
- “YOURE NOT HELPING, ANGEL” Nina pls the parallel
- “Nothing lasts forever” 😭😭😭😭
- him crying as he puts on his glasses
- “NO NIGHTINGALES “
- “WE COULD’VE BEEN US”
- THE KISS
- “I forgive you” “don’t bother”
- Muriel getting the bookshop
- THE SECOND COMING
- NOT “A NIGHTINGALE IN BERKLEY SQUARE”
- they’re both so clearly unhappy and heartbroken
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iowriteswords · 1 year
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My Writing
Currently Available for free:
Fics, 9 Batman, 2 Wizard of Oz
Fairy tale blogs
Duela Dent posts
Currently Available for $:
Lindworm - a novel about Beauty and the Beast, after the spell is broken
The Shoemaker Prince - a collection of short stories based on or inspired by fairy tales
Upcoming:
Shards of Glass - novel, release date in September, more info soon, questions welcome in the meantime
When Pinioned Birds Take Flight - batfic, I’ll start writing and posting as soon as I finish my current draft of my current novel (4-6 months)
Who Shall Make the Clown Laugh - batfic, already written but I need to post at least the first chapter of Pinioned Birds first for it to make sense
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konglindorm · 8 months
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Old book, new edition! Get your copy of the updated Shoemaker Prince today!
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itzrayla · 7 months
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Finally working on my Project Sekai OCs wheee! I haven't fully made them yet but their Sekai's called the Storybook Sekai and it's got a fairytale theme n stuff. Their main Vocaloid is Meiko, who's a fairy godmother, and Miku has a dress that's a bunch of book pages. Also it's an all girls unit.
Kaito's theme is a prince, the Kagamines are the elves that helped the shoemaker in that one story, and Luka is Rumplestiltskin to represent one of the members.
The leader is represented with Red Riding Hood and uses fairytales as a form of escapism and the next member is a hopeless romantic who's represented with Cinderella (Her emotions are what manifested Kaito). The last 2 don't have stories yet but are a girl who acts like she's above others as is she a princess (think ooohohoho type) and a girl who's a pessimist despite her unit's hopeful theme (Luka represents her cuz all the Vocaloid chars help the protags, but only Rumplestiltskin asks for something selfish in return)
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raayllum · 1 year
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headcanons about king harrow’s parents bc what is canon going to do, make them exist and tell me i’m wrong?
King Oren is a proud man, sturdy like the pine trees he’s named for, and third in line for the throne; one brother falls to in-fighting during a diplomatic mission to Evenere. A sister dies in skirmish with elves near the border. He is less proud of his crown than anything. 
It is this distaste for death that makes him peel back his father’s harsher laws and leave the death penalty for treason alone. Everyone is someone’s child. 
Future Queen to be Isolde grows up in the ornate courts of Duren with a Katolian mother who was a travelling merchant. She’s prim and proper and her father’s daughter, and just a bit cheeky when she catches Oren’s eye
They are married before he is king. They are married after he is king. She takes to being queen much more readily than he does.
One winter Isolde falls ill while pregnant with their first child. A dark magic remedy employed by a rare imported mage saves her life but not the baby. Oren never trusts dark magic (or magic in general) afterwards
Harrow is their only child and the apple of their eye. He grows up, charming and good hearted and popular. Oren does not understand why he prefers the bookish son of his High Cleric, Lilien, and a stern shoemaker above all other possible playmates. Isolde does.
(In their time together, Isolde has been the cunning one and she sees the same glint of cunning in Viren’s young eyes. Harrow is loving but overly idealistic, and he needs someone to temper him. Look out for him. A snake can be a useful protector - she would know)
Both boys are an expert at getting one another into trouble and then out again. A common prank is stealing Oren’s eyeglasses, as he hasn’t seen well without them since he was young. In a good mood, he chuckles and demands Harrow give them back. In a worse mood, he makes Harrow read draft legislation to him aloud until the punishment sinks in. 
Harrow and Viren’s troublesome natures are endearing, somewhat, when they’re young, and aggravating as they grow into grown men
When Harrow first begins to take diplomatic missions/meetings on his own as prince, Viren goes with him, book of magic tricks in hand. It never eases Oren’s worried heart. 
Isolde dies from ailment when Viren’s children are still young and one strong captain of the crownguard, Amaya, has left for the border to be replaced by her small town, recently widowed sister. Viren looks for aid from Kpp’Ar, but too late. Isolde never gets a chance to tell Harrow she thinks Sarai would be a fine, if unconventional, match for him
Oren does, his own mortality looming on the horizon (although he does not pass for another few years). He shares one awkward but well meaning family dinner with Sarai’s son in tow when the two are engaged, just makes it to the wedding, and passes a few weeks later.
“Above all else, you must be a just king,” Oren tells his son, tears in Harrow’s eyes. Better than I was. More prepared. Harrow grips and squeezes his hand. “Better sighted.”
“I will, father,” Harrow promises.
That night, he still chooses the blind fold and doesn’t bind it tightly enough.
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itsyerm · 10 months
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Full credits list for Literature Girl Insane
@venus-is-thinking and @accirax's Google Doc really started me off here, so shoutout to these two. I have NEARLY (update: it's now complete!) got a complete credits list for the video.
Below the cut is the full list of credits from 3:45:
ORIGINAL LITERATURE GIRL INSANE TEAM
Don (sound engineer)
Len Kagamine (incorrectly credited–this is a Rin Kagamine song)
karasuyasabou (original uploader)
Sayaka Siduki (illustrator)
Coleena Wu (English translation)
Yoppei (vocalist)
AUTHORS/COMPOSERS
Lewis Carroll (Alice’s Adventures in Wonderland)
Paul W. Chodas (The Collision of Comet Shoemaker–Levy 9 and Jupiter)
Agatha Christie (Murder on the Orient Express; And Then There Were None)
Osamu Dazai (The Setting Sun; The Flowers of Buffoonery; No Longer Human)
Julius Fucik (Entrance of the Gladiators)
Joseph Heller (Catch-22)
Motojiro Kaiji (Lemon)
Yasunari Kawabata (Snow Country)
Yumeno Kyusaku (Dogra Magra)
Ursula K. Le Guin (The Ones Who Walk Away From Omelas)
Kenji Miyazawa (Ame ni mo makezu)
Thomas More (Utopia––surname is incorrectly spelled as "Moore")
Plato (Six Great Dialogues)
Soseki Natsume (I Am a Cat)
Antoine de Saint-Exupery (The Little Prince)
William Shakespeare (Hamlet; Macbeth)
Sun Tzu (The Art of War)
Donald K. Yeomans (The Collision of Comet Shoemaker–Levy 9 and Jupiter)
TRANSLATORS
Kan-Ichi Ando (I Am a Cat)
Sam Bett (The Flowers of Buffoonery)
Alfred Birnbaum (Lemon)
Lionel Giles (The Art of War)
Benjamin Jowett (Six Great Dialogues)
Donald Keene (The Setting Sun; No Longer Human)
Edward G. Seidensticker (Snow Country)
David Sulz (Ame ni mo makezu)
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scotianostra · 7 months
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On October 1st 1763 the contract to build Edinburgh's North Bridge was signed.
Edinburgh in the 1700s was a very different city to the one we know today. The city boundary was restricted to the dramatic crag and tail feature which swept eastwards from the castle. Up to 35,000 people inhabited a space under a mile long making Scotland’s capital one of the most densely populated urban areas in the world at that time. The overcrowded population were crammed into crumbling tenements, many of them up to fourteen storeys high in order to make the most of the limited space. Make no mistake, Edinburgh at this point in it's history, was a skyscraper city, very few cities in the world had buildings the height of our capital!
Edinburgh’s nobility were often forced to accept the unthinkable and share dwellings with the lower classes. Change was not just desired, it was deemed an absolute necessity if the city was ever to move forward.
Plans to build a New Town to the north were discussed as early as the 1750s but without the means of connecting it with the rest of Edinburgh, it would be nothing more than a fanciful dream. Phase one required the draining of the ancient Nor’ Loch, a man-made stagnant body of water located in the area which we now term as Princes Street Gardens. Drainage began in 1759 and would continue up until the 1820s. Dry land at the east of the Nor’ Loch valley allowed for what was undoubtedly the most ambitious engineering project to have been built in the city at that point: An eleven-hundred foot long stone bridge. The North Bridge, as it would be named, enabled the New Town to become a reality. A brand new chapter in the city’s history was about to begin.
And so it was that the foundation stone of architect William Mylne’s North Bridge was laid on 1st October 1763 but it would be a further two years before any serious amount of progress was made. Nearing completion, the magnificent multi-arched bridge first opened to pedestrians in 1769 to much fanfare and excitement. However, the cheers would soon be emphatically silenced that summer due to a disaster of epic proportions.
On the evening of Thursday, 3rd August 1769 the side walls of the south abutment of the bridge suddenly gave way, causing a partial collapse of the structure and tragically claiming the lives of five people
Rescue efforts were recorded by newspaper the Caledonian Mercury which detailed the grim discoveries of bodies "buried in the rubbish, occasioned by the fall of the walls of the south abutment of the new bridge over the north loch".
Two of the bodies were identified as belonging to Mr Lawson, shoemaker, and Mr James Fergus, a local writer.
The Caledonian Mercury went on to mention that workers had been digging almost day and night since the collapse and that at least three to four others were feared to have shared the "same unhappy fate with the two already found".
A contemporary letter penned by a Darcy, Lady Maxwell recalls the evening of the collapse, which she had witnessed, writing
“The Lord, who is continually loading me with his benefits, has twice this day remarkable interfered on my behalf. In the evening he preserved me from broken bones to which I was exposed in a fall. A few hours after, when walking home from chapel, I witnessed a most melancholy scene occasioned by the falling in of the North Bridge. I… was within five minutes of passing over it… when almost in a moment, the greatest noise I ever heard (except on a similar occasion when I was remarkably preserved) filled the air."It seemed as if the pillars of nature were giving way. Instantly, the cry resounded “the bridge is fallen!”
A full inquiry followed and identified haste in construction and a poorly-calculated estimate regarding the depth of the foundations and sturdiness of the earth-filled abutments as the chief causes behind the disaster.
Rebuilding work demanded £18,000 (almost double the original £10,140 cost of the project) and the city would have to wait until 1772 before the grand reopening. The original North Bridge survived more than a century until the 1890s, when engineers devised an improved link that would allow for greater flow of traffic, this was at the time Waverley Train Station was being constructed.
Construction of the current steel bridge that we know today was completed in 1897 at a cost of £81,000., with the North British Railway Company contributing to a third of the cost.
A plaque recalling the founding and dismantling of the original North Bridge occupies a wall of the present bridge, which has now stood for roughly the same length of time as its predecessor.
The pictures show the evolution of the Nor Loch, I can’t find dates for them all, but you will see in the first one that the Loch is still not fully drained and very little signs of buildings on the North side, pic two shows buildings where the Balmoral Hotel now sits.
In the third pic there are signs of a Market where we now have Waverley Station, the street and buildings under the far side are now called Market Street. Pic four is dated around 1809, all the buildings you see on the left are now gone. On the top roght corner is what was The North British Train Station, the bottom of the picture you can see what is now known as “The Mound. Next pic is I guess from mid 19th century, still a long way from the construction of Waverley Station. Pic six shows the North Bridge being dismantling early 1896, and then "The Ceremony of Laying the Foundation Stone of the New North Bridge Edinburgh 25th May 1896, leading on to the commemorative plaque, which is from around the same time.
Finally is a pic of how the North Bridge looks in 2021, not much to see as it is in cladding while a multi-million restoration is taking place, the cost of refurbishing the bridge has soared from £22 million to £36m after the landmark structure was found to be in worse condition than expected. Last October the council issued a statement saying.
“Due to the nature of the construction of the bridge, full access behind the cast iron façade has not been available since it was constructed in 1897 and the last full refurbishment of this nature was in 1933. It has not been possible to properly inspect the hidden structural elements in almost 90 years.”
The briefing said testing had led to the discovery of “extensive issues” with the existing concrete bridge deck constructed in 1933.
I won't depress you with the latest details on when it will be finished, but at least it has opened to traffic now.
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