#the show is recasting him anyway so

[mikesbasementbeets]

just realized all three boys' parents are standing behind them at will's funeral

these are clearly meant to be lucas' parents, who were then recast for s2, when they took on a more significant role. and mike's parents are behind him which means that these two people on screen right:

are meant to be dustin's parents

[poorlittlevampirebaby]

emmerdale is like we are soooo good at gay people bc we have a balance of the Good Gays and the Bad Gays but the audience has an emotional and nostalgic attachment to the Bad Gays

[myheadphonesareneverloudenough]

Thinking about how Matt Lang mentioned rerunning TGWDLM.

Obviously, there'd have to be changes. Not just in the casting, but in every aspect of the show just due to the nature of how Hatchetfield has expanded and how TGWDLM has aged.

Now that we know for sure that the events in TGWDLM happened because of Pokey, I think they'd design the show even more around the colour blue instead of green like in the original promotional material. This also gives Matt Dahan so much more to work with when it comes to underscoring, think of all the motifs he has to sneak into the scenes now.

Hidgens would have to be recasted, and while there's plenty of options, I think after Workin' Boys he has to be played by Jeff Blim. I don't know if anyone can ever top what Jeff did in WB. Of course, that would mean that Jeff's original TGWDLM characters would need to be recasted as well. Mr. Davidson has not been seen in HF since TGWDLM (save for the small BF cameo), so it wouldn't be hard to find someone new for that role. Sam Sweetly is more difficult because of his appearances in Nightmare Time and the pre-recorded NPMD cameo, but it's impossible to have Jeff play both Hidgens and Sam in the same scene so he would still most likely be recasted.

The only Jeff character that would need to stay the same is General John Macnamara, that's another permanently Jeff character, in my opinion. The show would require some rearranging so that the Macnamara and Hidgens scenes weren't back to back this way. Between TGWDLM and BF, Macnamara went through a lot of character development and Jeff really discovered who he was by the second show, so it would be super interesting to see him interacting with Paul again now that we've learned so much more about the guy.

Now that Hatchetfield has expanded so much, I think it would be really fun to bring in new characters that we've met since TGWDLM happened. They should include Curt Mega as Officer Bailey in Show Me Your Hands, since we know he canonically works alongside Sweetly. Bring in James Tolbert during the PEIP scene as Xander Lee. Even just the people on the streets in La Dee Dah Dah Day, imagine the amount of cameos that could come into play there. Kim Whalen dances in as Becky Barnes, Angela Giarratana is Grace Chasity, all these well-known characters that we never saw during TGWDLM before making small appearances as they were already infected by the hive mind.

Speaking of the La Dee Dah Dah Day number, it would be fucking awesome to get Joey Richter back in the Pete Spankoffski costume for the coffee shop scene to do the hot chocolate boy bit.

I also just think a new perspective on the show will change so much of the context. Like Emma discussing Jane, we now know Jane's family with Tom and Tim. We're now very familiar with Ted's little brother, a character we had no idea existed during TGWDLM (think about Ted's little freak out over Alice being dead at Hatchetfield High...). We had no idea that this apocalypse was brought on by one of the Lords in Black.

Anyways. I agree with Matt, they should definitely bring The Guy Who Didn't Like Musicals back for another run of the show.

[fuckyeahgoodomens]

David was asked about the Fennec Foxes! :D ❤ (watch the video - I also included there the fennec foxes posts and I recommend watching until the end! :D)

Fan question: May you want to tell us about the moment Georgia told you about the fennec foxes?

David: Now, what is this? This is something Neil Gaiman said, right? And then someone ran with it and now there's lots of pictures. What, what, what?

Int: I feel like Georgia gets you in a lot of trouble.

David: I don't think this one was Georgia's fault.

Fan: No, it was Neil.

David: It was Neil Gaiman's fault. I don't think Georgia entirely understands it either. Did you understand it?

Audience: Yeah.

Fan: It is... Neil said they have struggles with money so they can't afford to pay you for all the Second Season of Good Omens, so they had just some fennec foxes because nobody could tell the difference anyways.

David: Oh was Neil very drunk?

Fan: Maybe you should ask him.

David: Possibly. Right, listen, I'm sure a fennec fox in Season Three is going to do an excellent job.

Fan: Oh, yes, please.

David: Oh, all right, all right, chill out, recasting me.

Int: Your fennec fox is showing right now, chill.

David: What is fennec about fennec fox? I mean, what is the difference?

Int: I think it's like...it's like the Salisbury and Salisbury steak.

David: They're sort of...they're kind of rather blonde, aren't they? With sort of slightly more horn like ears, tight?

Int: They're the cute ones that you want to have as a pet.

David: Oh, as long as I'm a cute one, that's alright.

Fan: They mainly live in the desert, that's why they have so...

David: They mainly live in the desert, much like myself, yeah, yeah, I can see why he got...

Int: It's so dry and arid in Glasgow

David: It's very dry and arid in Glasgow, yeah.

[rochenn]

The year is 2034. Disney announces the production of the show "Resistance: Dooku of Serenno", set during the early days of the Empire, starring CG Christopher Lee.

We begin with a flashback to Revenge of the Sith. After Dooku is beheaded, we learn that he used the Force to supply his brain with blood and oxygen. The movie is visibly retconned - as Obi-Wan, Anakin and Palpatine flee the Invisible Hand, four human parts can be spotted stealthily floating after them.

Dooku, being Dooku, survives the crash and manages to steal away. His head is surgically reattached. Don't ask why nobody else ever stitched their lightsaber-chopped limbs back on. He ends up getting prosthetic hands, anyway. David Filoni said in a behind-the-scenes interview that he thought they were cool.

Previously established canon prevents Dooku from doing anything in-character until Order 66. He lets loose in Coruscant's undercity and becomes the local kooky old man who couldn't possibly be public enemy number one until Mace Windu, freshly fried and unhanded, crashes down in front of him. What a coincidence.

Mace is still played by Sam L. Jackson. He is So Old. He is only there for the paycheck. Disney didn't know how to recast him. He is acting alongside the shell of a man who has been dead for two decades.

After a joke about missing hands that is very funny, the two get along swimmingly. They don't really talk about Dooku's various war crimes. "My droid army would never traumatize a young child," Dooku says with a wink into the camera. Remember to buy your Mandalorian merch.

Mace and Dooku organize an underground resistance on Coruscant in the spirit of the Confederacy. Mace is okay with this. Choice aspects of this arc are compelling, like the fight against fascism under the yoke of cruel state suppression, but tone-deaf allusions to the work of Sophie Scholl cause controversy abroad. Andor did it better. Critics on YouTube who thus far lauded the return of fan favorites and 'faithful casting' tear into the show for pushing the woke agenda.

Nothing Mace and Dooku accomplish has any impact on the Original Trilogy. What were you expecting? The end of the show teases a second season with the arrival of a mysterious woman. Dooku's secret wife. You never knew of her because she was never relevant before. As the final credit music slowly creeps in, she says: "Don't you want to see your son?"

The music swells and we cut to Serenno. The planet has never been mentioned throughout all 15 episodes of the show. Standing in the ruins of Dooku's castle is Dooku's son: back turned to the viewer, gazing into the sunset. Dooku II of Serenno, proud heir, turns his head. He is played by Harry Styles.

Roll credits.

[moralesmilesanhour]

mad props! 04

summary: in the week leading up to the show, your grades begin to slip. whatever will you do... word count: 1820 a/n: hiii i rlly enjoyed writing this chapter bc some of the stuff in here has definitely happened to me lmao. if you feel up to it, reblog and tell me what your favorite song from any musical is in the tags! songs mentioned: 'Chip On My Shoulder' - Legally Blonde the Musical (Original Broadway Cast Recording) prev next

“Max, you’re a little flat, hun.”

The choir director pulled her shawl tightly around her as Max–the chosen casting for Emmett Forrest–ran through some of his sung lines for ‘Chip On My Shoulder’. 

The brown-skinned, dark-haired boy was an excellent actor; he breathed life into the words on the script and delivered them with all the earnestness and humor required to play Emmett. Hell, he even improvised his own jokes.

But he couldn’t hold a note to save his life. 

For some lines, Max could get away with half-singing, half-talking, but he was practically tone-deaf once the song got more involved. The choir director–Ms. Johnson–had to be called in to help get him somewhere that was at least within the ballpark of the correct pitch. His high notes remained painful to all present in the room, no matter what she did.

You huffed from your spot on the fake park bench, resisting the urge to scratch your scalp beneath the itchy wig. Everyone had heard the exact melody on the piano by now. Hear it, sing it. Like Spanish vocabulary, you couldn’t comprehend how people got that sort of thing wrong.

Harmonizing with Max went about as expected; you lost your place several times because of the distracting dissonance between your voice and his, like hearing a parrot and an eagle squawk at the same time.

Regardless, it was too late to recast Max now. He had a leading role with too many songs and lines to memorize. 

“Alright, take five!” the director yelled with a clap of her hands. 

A collective sigh could be heard as students dispersed for their well-earned water and bathroom breaks, the tension in the air dissipating. You stepped carefully off of the stage, when you heard a snicker in your direction.

Miles was in the middle of painting a cardboard sorority building in an obnoxious shade of hot pink, shaded with strokes of fuchsia and cyan that managed to work together somehow. You frowned at the fact that you couldn’t say anything bad about it.

The boy struggled to hold back a laugh, looking up as you stood over him with crossed arms.

“Something funny?”

Miles stood to meet your eyes, carelessly wiping bits of paint onto his pants.

“That frumpy-ass 613 wig you got on, for one,” he replied with a teasing grin. “Are you gonna wear that for the actual show?”

You rolled your eyes.

“No, for your information, I’m not. This is a placeholder wig,” you ripped it off of your head for emphasis. “Why are you even here, anyway? Don’t you got posters to make?”

In actuality, you knew about the art club lending some of its members to paint sets for the show. But you wanted to make sure Miles knew he was unwelcome.

“Just doin’ what I do best,” he shrugged. “You should be grateful for my sacrifice.”

You snorted, “What ‘sacrifice’?”

Miles jabbed his thumb behind him towards the left side of the stage, where Max was going over his lines. “I gotta listen to that nigga sing for over an hour. I’m sacrificing my time and my ears.”

Despite yourself, you laughed brightly at the comment, causing a more genuine smile to spread across Miles’ face. You looked pretty when you laughed.

“Oh my god, he sucks, right? Spent the whole damn song looking for the note.”

“Too late to replace him now, though. Show’s in two weeks.”

You nodded.

There was a brief pause before Miles asked, “So what made you sign up for theater? I was kinda surprised to see you on a stage.”

You gave him a wary look. “What’s that supposed to mean?”

“Nothing,” he raised both hands in defense, “You just seemed like more of the quiet type, that’s all.”

I signed up to avoid you, you thought, but didn’t say aloud; That would’ve given him the satisfaction of knowing that you thought about him that much.

Instead, you answered, “I used to do theater at my old school. Got the lead part most of the time, if you can believe it.”

There was an arrogance in your voice as you said that last bit that soured Miles’ expression. 

“I believe you, no need to convince me,” he said flatly. “Legally Blonde’s an interesting choice, though.”

You shrugged, “The part really lets me show my voice off, so...”

“Showin’ off,” Miles muttered beneath his breath, “Sounds like you.”

“Excuse me?”

Before you could start to argue, his eyes went wide, like he’d just heard a noise that no one else could hear.

“It was really nice talking to you, Y/N, but I gotta go,” he said, spinning on his heel and bolting towards the auditorium door. “Watch my stuff for me!”

Your jaw dropped in offense. Was he allowed to just bail on a club activity like that? And with the gall to ask you to watch his things for him. You totally did, though.

Once you got home, your feet throbbed and your muscles ached from all of the choreography. You were just barely out of your school uniform when you decided to lie down for a quick nap. Or what you thought was a ‘quick nap’.

The blaring of your alarm made your heart jump as your eyes flew open, half of your face damp with drool. The early morning washed over your room in a pale blue shade, and the sight would’ve relaxed you if not for the sudden realization that you weren’t in your pajamas.

You shot up, wiping the side of your face with your sleeve. Your Spanish and AP Physics notebooks were still strewn across your bed, along with several worksheets that had remained blank. Unfinished.

…Oh no.

Your heart was practically in your throat when you explained to Mr. Sanchez why you didn’t have any homework for him to collect. 

The man noticed your glassy eyes, and held up a reassuring hand in the middle of your frantic explanation.

“That’s fine, it happens,” he said gently, “Just bring in the missing work tomorrow, and it’ll only be ten points off. Don’t make it a habit.”

He adjusted his glasses, and returned to grading the pile of worksheets on his desk as you trudged back to your desk, a pit forming in your stomach over those precious ten points.

“You good?” Miles asked as you sat down, concern coloring his features. He ran a finger over a small band-aid on his right temple. “You look like you’re about to cry.”

You buried your face in your arms on the desk.

“Nunya.”

He sighed, “I dunno why I even asked.”

Unfortunately for both you and Mr. Sanchez, missing assignments did, in fact, become a habit. 

You began to spend more time lingering in the auditorium after everyone had left, practicing your line delivery. Adding little details, like extra hair flips or twirls. The spirit of Elle Woods had practically taken over your body.

You got home later and later into the evening, sometimes flopping down onto your bed and falling asleep before your head could even hit the pillow. This new ‘habit’ had you scribbling down vocab words and formulas in a frenzy, balancing your notebook on your lap on the bumpy bus ride to school. The flashcards that you had made for Mr. Sanchez’s class were now sitting untouched at the bottom of your bag.

By Friday, it landed you in front of his desk for office hours after you received your very first ‘F’. 

“As you’ve probably noticed, Y/N, your grades have fallen a significant amount in a very short period of time, and I’m a little concerned,” Sanchez slid your weekly grade report towards you and placed his finger on your Spanish grade. “What’s going on? This is very unusual for a student like you.”

Your sweaty fingers clutched the sides of your seat as you stared down at the report. How did you let it get this bad? Elle Woods would never.

“I-I just…”

You shook your head. “I’ve just been busy with extracurriculars and stuff, so assignments slip my mind sometimes.”

“You’re having trouble balancing them with your schoolwork?”

“Yeah, basically,” you leaned forward, looking desperate. “Can I still re-take that quiz? I didn’t really get to study, and–”

“Oh! That’s actually what I called you in for, one second.”

Sanchez rose from his seat, and made his way over to the door.

“You know about our Study Buddy system, yes?”

You nodded slowly, skeptically. “Am I getting a ‘Study Buddy’?”

“Pre-cisely. Come in!”

He opened the door, and you almost groaned audibly at the lanky figure that appeared at the entrance.

Miles entered with a friendly smile on his face that dropped the second his eyes landed on you.

“Oh. You.”

The Spanish teacher sat back down and gestured towards him.

“Miles here is both a native speaker and beyond proficient in this class. He was so kind as to sign up for the program, so I thought it might be nice to pair him up with someone in the same period.”

Shocked into silence, you were unable to say anything other than a quiet “Okay” as you stared blankly in front of you.

Study buddies. With the guy who didn’t even study. This had to be some kind of sick joke.

“He’ll be giving up a bit of his lunch time to tutor you in my classroom. I’d also highly recommend you two study with each other after school as well, if you can make the time. Sound good?”

“Yes,” you both said in miserable unison. 

“Well, that’s all,” Sanchez waved his hand. “You’re both dismissed. Have a lovely weekend!”

“You too!” you smiled tightly as you got up and made a beeline for the door, nearly bumping into Miles as you did so. 

Your weekend would be anything but ‘lovely’.

You fixed Miles with a glare as soon as you got out into the hallway.

“I’m not giving up my lunch period for you,” you yell-whispered. “I hope you know that.”

He took a step towards you and fired back, “Neither of us have a choice, your highness. If we’re not both up here during lunch, I get in trouble, and you gotta take the L and fail this class.”

“I’d rather fail, then. I don’t give a fuck.”

“Oh?” he laughed mirthlessly. “You were in tears over a damn ‘89’. Makes no difference to me, but I think you do give a fuck.”

You opened your mouth to shoot back a rebuttal, then closed it. Miles raised an eyebrow.

“I’m lying?”

“...No.”

Miles leaned forward until he was only inches away from your face. “Then cooperate. Or we both lose.”

You sighed in defeat, “Fine.”

He nodded curtly, then left to go grab his things from his locker.

In a forced attempt at courtesy, you called out towards his back, “See you next week–”

“Whatever!”

taglist (comment to be added!): @vhstown @alaoraangelix @shuna-boin

[raven-at-the-writing-desk]

Hey, same anon that talked about the school magic barrier. So you think the magical barrier sucks? Because in the comments someone mentioned that, for example, Chenya broke in multiple times

[Referencing this post!]

I wouldn’t say so? The students talk about the magical barrier as though it is strong and reliable (here’s an example from the beginning of book 6; Vil is surprised that there has been a breach):

It wouldn’t make sense for the barrier to be weak or sucky when NRC is such a prestigious school that houses many important people. (Why bother erecting a barrier at all if it can’t protect the people it’s supposed to??) I think there must be some alternate explanation, either with Chenya or with how the barrier operates 🤔 (since we don’t have a lot of canon on either).

For the Chenya thing, it could really be a case of us not fully understanding his UM or his strength. Maybe he just knows a weak spot in the barrier he uses to sneak in (he isn’t exactly a stranger to this kind of thing; he also took advantage of Mrs. Rosehearts’ blind spot and snuck Riddle out of his lessons). If we want to run with the “Crowley is orchestrating everything” theory, then those hypothetical weak spots could be intentionally created by him to let Chenya in to trigger Riddle’s OB? Or Maybe Chenya is way more powerful of a mage than we think he is. It could also be that his UM works in such a way that it allows him to bypass barriers. (Like, if his UM makes him intangible and the barrier somehow doesn’t keep out intangible things.) We don’t have anything to prove that’s how his UM works, but we also don’t have anything to disprove it. This could also be the case for the ghosts that show up at NRC for Ghost Marriage, who also lack physical bodies and could breach the barrier just fine.

I saw a comment on the original post suggesting that the barrier was ineffective because it couldn’t even keep out trespassers on Halloween. I think the barrier works slightly differently in that case?? Like, if there are already people allowed in (for the Halloween festivities on-campus) the barrier isn’t capable of booting them out—ie a door can keep a wild animal out, but once the wild animal is already inside your home, the door is useless at protecting you. It’s also possible that whoever regulates the barrier magic (probably Crowley?) didn’t bother to recast the barrier after lowering it for Halloween guests because “it’s too much trouble” and the activities will be lasting a few days anyway; they might be waiting until post-Halloween to slap up the barrier again. (I’d imagine this takes a lot of effort, and they’d probably be worn out just from overseeing the Halloween events anyway.) This may also be the case for the Tsums, who drop out of a hole over the sky of Ramshackle. The portal is immediately bypassing the barrier and opening up overhead, inside of the barrier already.

… Ooooor it could just be as simple as “the lore is inconsistent, please suspend your disbelief for these details” since some of these stories would not play out at all if the barrier actually worked as intended all the time. We wouldn’t have Ghost Marriage, Chenya visiting, the Tsums (which Crowley confirms were able to bypass the barrier despite him reinforcing it) or Halloween shenanigans if the barrier didn’t conveniently not work 😂 You could call the magical barrier a plot device, honestly.

[thespineoftherighteous]

more more bloopers (p. 3)

it's a huge group scene of both the Foxes and the Ravens and Nicky's actor says something to crack everyone up and Riko's actor puts the back of his hand up to his mouth to cover his chuckle and it's the most out of character thing ever

Matt's actor is supposed to glance up at someone coming into the room but makes direct eye contact with the camera

Dan's actress trips on this one line so many times to the point where she throws up her hands and goes "just recast me"

remember that Andrew's actor has to smile manically for a huge chunk of the show. so there are sooo many times when- especially in like very tense/aggressive situations- he turns to someone with this massive dead grin on his face while dropping the most intimidating lines. if you think there aren't SO many bloopers of the others breaking because of that...

Neil's actor is doing a scene in a classroom where he's supposed to be zoned out staring out the window and you can see the shift in his face when he goes from acting zoned out to actually intently staring out the window. and he squints outside for a good second and then whispers: there's a pigeon fighting a dog out there.

Andrew and Kevin are supposed to be in a heated conversation in which Andrew uses Kevin's full name. but Andrew's actor accidentally says "Kevin DAD" instead and cracks everyone up

then from somewhere in the background one of the others goes "more like Kevin DADDY" and everyone groans and Kevin's actor goes "hush up now"

Andrew's actor has his exy racquet slung over his shoulder (as per Andrew) and in the scene he turns away from someone after a conversation but in one take he accidentally smacks his brother in the face with the racquet

one of the monsters commenting on how squished the four of them are on the couch and the other three collectively push against him together to make him as uncomfortable as possible

Seth's actor has to swear a lot and after one particularly profanity-laden line, Nicky's actor raises his eyebrows and looks down, shaking his head, and goes "naughty naughty boy"

it's a group scene and it's all serious and shit but then Reene's and Dan's actors happen to look up at the exact same time and make eye contact but because it's so unexpected and their faces are all furrowed they immediately break (and then pointedly avoid eye contact for the rest of the takes)

the camera's rolling but they're just fooling around and Matt's actor (who can beatbox) and Neil's actor (who can't rap but does so anyway) put on a little performance and wrap it up with a "much love *finger hearts* album dropping next month checkity check it" (Renee's actress applauds)

and from then on it's a (very serious) running gag for the rest of the show that the two of them are a hip-hop duo. the entire cast plugs them in interviews and on their social medias and on set etc etc

just. Andrew's actor pretending to stab everyone all the time (he admits at one point that he very frequently is threatened with having his prop knives confiscated)

it's a scene where Neil's actor jogs over to join Andrew but on his way he trips. badly. properly eats shit. but it's fine, he just pops back up very professional and makes it to his mark. neither actor cracks up but then they're also? not saying their lines? their faces are straight but you can tell that they're putting their entire energy into not laughing and it's pure silence for like ten seconds and then both them and everyone behind the camera start dying. Andrew's actor is in tears

Katelyn's and Aaron's actors are making out and her hair gets in his face so when he tries to say something he starts plucking at his mouth and he's like "hair" and she's like "oh shit sorry sorry" and then they're both trying to help him and he's like "don't worry about it. tastes like strawberries"

Allison's actress pretending to give the camera a tour of the girls' apartment but it's in character so she's just lightly roasting Dan and Renee

also. it's not a blooper but a few of the actors giving a tour of the photos wall (most of which is real pictures of the cast) and they end up getting lost in the memories and forget to actually address the camera. it turns into them just pulling each other and other members of the cast around going "look look do you remember this day" and wow that's cute as shit

coach's actor is in a scene with the monsters but he forgets which twin he's supposed to address so after he says most of his line he stops abruptly because he doesn't know which name to finish his sentence with and there's a pause until Aaron's actor goes "...Aaron..." and Coach's actor goes "YEAH. Aaron"

Dan's and Neil's actors just finished having a heart to heart and the scene is supposed to end with her giving him a small reassuring smile while he looks conflicted but appreciative. except there's no "cut" so they're looking at each other for a good minute until they both slowly look over to the camera in sync with their eyebrows raised and start giggling

the twins' actors are Canadian and regularly make fun of each other when they accidentally put an "eh?" at the end of their lines

Matt's actor is always moving or dancing and there's. plenty of footage of him going from serious to goofily breaking out into a dance the second someone calls cut

(the edits.)

it's a running gag that Dan's and Nicky's actors are cursed so that when they have scenes together props break. pictures fall off the walls, racquets fall apart, buttons pop off costumes etc etc

it's a scene where the monsters are having a conversation outside, right next to the car because they're about to leave somewhere. and after they've shot the conversation Aaron's actor jokingly goes "SHOTGUN" and proceeds to scuffle with Neil's actor in the parking lot over the seat

a scene of Neil's actor doing homework in the dorm but the notebook he's "using" has been around for months and has acquired scribbles and doodles and shit from the whole cast. after they call cut he holds up the notebook to the camera to show all the nonsense and, in his normal accent, says "can you believe this kid. what a slacker" which becomes a meme

Allison's actress powerwalks into a scene but once she gets to her mark she completely forgets to say her line and then goes "oh- shit. i was so focused on not tripping in these fucking heels. forgot to talk" as she goes back to redo the take

Renee's actress is Australian and there's this one blooper where she's sparring with Andrew's actor and he accidentally trips over her foot. she plays it off like it was intentional and goes "yeah bitch. Aussie power"

Andrew's actor leaning on his racquet and then his brother kicks it out so that he falls completely

they're shooting outside and a truck passing by in the background honks its horn, ruining the take, and Dan's actress turns in it's direction and goes "do you WANT TO FIGHT? HOLD ME BACK, [Matt's actor], HOLD ME"

God bless

[robiniswriting]

I’m still amazed that the BBC let Chris “wrote the Cyberwoman episode of Torchwood” Chibnall anywhere near Jodie’s run, never mind putting him in charge of it

gonna be brutally honest here anon I have never seen torchwood so I cannot comment on that specifically, BUT!

chris chibnall isn’t as awful of a writer as people think. in my opinion, he was hindered by his love of classic who. he was writing for a completely different show in a completely different time, and a lot of his plot and lore decisions make more sense when you consider the classic show. not to mention his politics, many of which were stuck in the 1960s-1980s.

as a result, fans of new who didn’t like it — certain key elements of it didn’t really gel with the current show and upset their understanding of the doctor as a character.

chibnall also made the mistake of listening to fans during his first season: everyone was saying they wanted new monsters and a break from daleks and cybermen, so he had a season of totally brand-new monsters. people hated it, said the show was unrecognizable. when he wrote a few new episodes with daleks and cybermen and weeping angels, people wrote it off because they’d already made up their mind about it.

I’ll always be grateful to chibnall for pushing forward and having the first female doctor. the pushback he received for that at the time gets largely forgotten. it would have been easy to give in to the massive pressure and recast — nothing of the seasons had been filmed when jodie was initially announced — but he refused to budge and backed jodie all the way. for that, I’ll always respect him. he’s put up with a lot of shit from the fans.

that having been said, disliking chibnall’s era is so valid. even though I really enjoy thirteen’s run (she is my wife I love her dearly) I can like that era of the show and also have enough critical thinking skills to see the problems with it. I’m pretty sure i’ve said it before but the politics of the chibnall era are atrocious (see: the woman who fell to earth, rosa, arachnids in the uk, kerblam!, spyfall pt. 2, the vanquishers — feel free to ask me to elaborate on any of these) and sometimes he falls into the trap many writers do when writing women, which is to water them down a bit. thirteen is Not as weak as many people make her out to be, but there are a few moments that irk me (see: needing jack harkness to break her out of prison. I’d have been okay with it if maybe she’d managed to stall the judoon long enough to send him a distress signal or something? maybe use the sonic to get his attention? just give her a bit of agency).

anyway, long story short, chibnall’s era has issues. but nowhere near the number that people attribute to it. as for why the BBC handed the show over to him, he was extremely successful as showrunner on broadchurch, had written well-liked episodes of doctor who and been head writer at torchwood in the past, was a massive fan of the show, and vocally wanted to being some changes and mystery to the show, something fans had been clamoring for for ages. my guess is he applied for the job, interviewed like anybody else, and they decided he was the best possible candidate.

no writer is going to have no misses, especially not on a show with such demanding deadlines as doctor who, and every new showrunner is a risk the BBC have to take. at the time, it looked like he was the man for the job. sometimes, it’s all just business.

[londondziban]

So, I haven't posted anything regarding the Noah Schnapp situation on my blog before. I speak up for Palestine and I speak against Zionism on a daily on my socials and in my community. However, as a mostly anonymous Stranger Things blog, I always felt a little off about suddenly posting about the genocide of an entire group of people amongst fanart and fan posts (personally for me it'd feel incredibly performative).

However, coming online today to find out about Noah Schnapp's most recent stunt–for lack of a better term–has been incredibly upsetting. So, I'd like to take the time to state outwardly on my blog that I do not support Noah Schnapp, at all. Every word he's said, every post he's interacted with, regarding the genocide makes me physically ill. Anyone who still supports him despite the words he's said and the harm he's done, please do not interact with my blog.

Do I still ship Byler? Yes. Stranger Things has been my special interest for nearly 7 years and I love the show and its characters with my entire being. I will continue to post and write about the show and Byler. However, I do not condone anything Noah Schnapp says or does and I never, ever will. Will Byers as a character is not Noah Schnapp; I will only ever post of Will, never anything supportive regarding Noah himself. Additionally, I definitely understand all the people I see on here declaring they're taking breaks (indefinite or otherwise) from the fandom/Byler. I wish all of y'all who make that choice the absolute best. I know many fans want Will to be recast, but due to the fact multiple others involved with Stranger Things are Zionists, I doubt it will happen. Pirate season 5, if you can. It's better to not support Netflix with your money anyway.

Free Palestine, antizionism is NOT antisemitism. Continue to learn, continue to research, continue to offer help and support in any way you possibly can. Check in with your Palestinian, Arab, and Jewish friends and neighbors. Do not stand complicit when faced with genocide. Do not be the type of person people 70 years from now will look back on and wonder why you didn't take a stand against genocide.

Edit just to say: I'm not posting this for any brownie points nor do I feel the need to prove my activism. If you feel the need to prove your activism, then maybe your activism isn't as genuine as you like to think it is. I just wanted to make my stance clear so that it cannot be misinterpreted. Please make sure to listen to Palestinian voices.

[aroacedindjarin]

I know so many people have said this already and in much more coherent ways than I can but the way luke was depicted in tbobf (and im not just talking about the uncanny valley cgi… why did they not just recast him orz) makes me so frustrated even now. Especially now. Maybe i’m just a delusional dinluker but i really really believe that luke skywalker needed to be in the mandalorian season3.

I cannot believe luke skywalker would make grogu choose between his dad and becoming a jedi. It is just so explicitly ooc for him. I’m reading the destiny path comic right now and there are so many pages that show luke struggling with the worry that he can’t be a Jedi because he can’t let go of his attachments to his friends. and i know this is a core theme of luke as a character, it’s not new, but the comic is just so explicit about it and goes into depth in a way that it doesn’t have time to explore on screen

It explores luke’s worry about disappointing yoda when he left dagobah to go help leia and han in cloud city, and how he feels about ben and yoda refusing to talk to him anymore or help him through the force because he didn’t make his jedi training a priority above everything and everyone else, like a Selfless Jedi should. and grogu goes through the literal exact same thing. and luke reacts in the exact same way yoda and ben did to him?

In the comic, the radio silence from his teachers eats at him so badly and adds to the struggle he’s going through after finding out Vader is his father and losing his hand. He feels abandoned and afraid and, even though these feelings lead him to realise he can make his own way as a jedi, I just don’t think he’d inflict the same thing on grogu. Even if i were to look at it from a perspective of luke being forced to make his own way without his teachers made him a stronger jedi - so maybe he’s doing the same for grogu?

After all, I know grogu is such a young child so I also understand the series tries to come at it from the angle of respecting a child’s wants and needs, not forcing him to commit to training if he doesn’t want to. But I just don’t understand why luke couldn’t join grogu every now and then. Teach him some jedi stuff on the weekends. They make it seem like luke has nothing better to do anyways, he’s got droids building his school for him and seems to spend his days entirely with grogu anyway. If he went back to tatooine with grogu at the end of tbobf, i just think there would have been so much to explore between luke and literally any of the characters. din and boba specifically of course but if that led to luke in mando s3 there could’ve been so much potential.

Perhaps they just needed a reason for a big emotional scene for grogu to choose his path and his destiny. Perhaps they couldn’t put luke skywalker in the show too much for fear of throwing off the sequels. There’s the argument that luke already had his screen time and, trust me, I also hate the re-usual of existing characters to the point where they’re wringed out of any substance and have been so fleshed-out and developed it’s almost grotesque to force them to stay in the show any longer. but star wars doesnt have a problem with that for so many other characters anyway.

I just wanted to see grogu growing up to be both a Mandalorian and a Jedi. It would’ve been so perfect with the Mand’alor Din storyline too. Grogu, the son of the Ruler of Mandalore and the student of the strongest Jedi in the galaxy, the start of a new generation and so much foundation to explore between Mandalorians and Jedi!!!!!!!

[laundryandtaxesworld]

Ahh, okay so I just watched 705 because I had to wait for it to come out on Hulu.

Anyway- ahhh I’m so excited that Tommy is coming to the wedding because 1) it means Lou is going to be at least in one more episode. 2) It’s going to be the one where we’re going to see everyone’s reactions. and 3) I need Tommy and Buck to be all cute and bashful at the wedding.

Also I loved how Tommy didn’t fault Buck for his initial reaction with Eddie but still loved that Buck apologized for it. Relationships are built on trust and communication people!!

I don’t have the strongest opinion on Eddie and Marisol at this moment, (though I just wish they’d recast Edy because who needs her anyway 🙄) but I need more Christopher in the remaining episodes! Like I want him at the wedding!

Also what the hell happened at that bachelor party and is Chimney okay?!

Loved the Henren storyline because it shows how foster care and fostering really takes time and energy to understand and help the children, so I loved how they represented that.

[ctinalk]

Season two isn’t (fully) real, it’s a peaceful, fragile existence

The more I rewatch the show and read different theories, the more convinced I get that S2 is some sort of elaborate dream sequence or a distraction or memory alteration attempt (Neil’s chaotic angsty ineffable husbands fanfic?). But not all of it.

(This gets kind of rambly so if you want my true hook, scroll down to the Michael Sheen Staged gif.)

Let me make this perfectly clear on the outset: I don’t think all of it is a dream, and I certainly don’t think the final 15/kiss is or is going to be discounted (and not only because there would be literal riots in the street, because there absolutely would be, but also I’m putting trust in Neil and the team wholeheartedly). I think that could actually be the domino that brings them out of it. I read somewhere recently something along the lines of “something loved can never be truly forgotten” and I think that fits my theory perfectly. I’m also making no claims (yet) as to what I think is real and what I think is “enhanced”.

Also I apparently am either too far deep or cannot work the tumblr search function with any modicum of usefulness, so please link me to the posts I’m alluding to if you think it’s the right one. I will edit them in and sincerely apologize to the brilliant minds that exist outside the confines of the search function.

Now, On with the show:

You can be in charge of the biscuits

Maggie and Nina: Look, I get that recasts happen, they change the actor playing the character because of scheduling conflicts, etc. But to cast the actor/actress that is immediately recognizable from a prior interaction (whether with the characters or the audience) is not something you see. FFS Maggie DIED in S1, and Nina was pivotal (maybe too strong a word, but enough to be memorable surely) to the storyline. It’s like someone said “Hey, they’ll work, bring em in, no I don’t care that they were in S1. It’ll be a test of how well our facade is working. If they (A&C) notice, then the gig is up and we’ll know it.”

Also why in the world is the owner of a coffee shop offering Eccles cakes to calm down, when camomile tea is right there? (Resists the urge to go off on a tangent on how Eccles cakes were used to celebrate the “Eccles wakes” at the feast of St. Mary (yes that Mary) and how that ties into the second coming plot.) Do Eccles cakes count as biscuits? Ugh another thought for another day I suppose.

It has come to my attention during writing that Shax is the same actress as Madame Tracy. I have less of an affront to this knowledge since I’m 2 months deep and countless rewatches in and only just noticed. But I’m going to pop it in this header anyway. Are you really trying to tell me that a show that apparently has demon entrances happening precisely on the 6s really didn’t think these choices out very deliberately? (Edit 3: https://www.tumblr.com/noneorother/735823422626709504/the-secret-timeline-inside-of-good-omens-season-2 JFC why can I never find the blogs when I want to insert them? It was a breakdown about how all of the demon entrances happen at a 00:00 that ends in a 6.)

Yours very faithfully, Maggie

Text to mail disconnect: There’s been a theory pop up (at the time one writing this at least (edit 2: https://www.tumblr.com/azariah-z-fell/743434274903048192/it-is-extra-weird-because-it-is-on-the-record) that Maggie actually texted Aziraphale her request to talk, and it was magically translated into a physical form, and the spelling error (that so many people are shouting DEMON at) was just an autocorrect typo. But, surely Maggie would know he doesn’t text if she knew him for several years at least. We’ve never seen either of our boys text, only call. Seems like someone doesn’t know how phones work, but wanted to get the message received? See also: currency, below.

You ever think, what’s the point?

Numerous people have pointed out the same obvious background people. There are theories about the guy in the Hawaiian shirt being the second coming or something similar. I wonder if it’s some sort of play on a badly executed attempt to make Wickber Street seem “normal” in an alternate reality, an elaborate distraction, but they have to keep using the same character models because their imagination is just slightly better than Shadwells’ (Oh gfdi how did I miss Mrs. sandwich right there). I’m not saying we haven’t done a “oh oops silly me I forgot something” but that isn’t usually done in the middle of a sidewalk. When Aziraphale is initially talking to Jim with the blanket, there’s a guy just chugging his arms outside the window, not walking. Another one in E3 when Shax show up outside the shop, a guy in an orange sweatshirt passes in the background, then passes again, and not close enough in time/area to just be the continuation of the walk. Especially in the early episodes, there are veritable conveyer belts of people, straight lines, no trying to pass, etc. I’m trying to look at the background in S1 and while there are still tons of people, the background is… livelier. People passing, shoving past, actually going places.

“I’m looking at the statue of Gabriel.” “Oh, good job?”

Aziraphale basically learns fuck-all when he makes the trip to Edinburgh. Granted, I do believe most of that was to make the Bentley “our car”, but so many things are out of character. The no drink, the over-the-top “investigation” (as awkward as he is, Aziraphale knows how to act more normally than that with humans), the background on the drive up there…

All the others were taken (random collective thoughts)

Somehow ALL the businesses on the street are different from Season 1?

A normal person would have moved out of the rain instead of just lolling there letting raid splatter their glasses, yeah? (As a person with glasses I can confirm).

“We have all the hosts of hell searching for him” cue Crowley looking around like then why the fuck are there still demons around me?

The cross disappearing from the Gabriel statue between shots.

“I’m a bit out of miracles” and “that’s not how miracles work” from the guy who got written up for too many frivolous miracles.

I have here a sixpence and a farthing There’s always money in the banana stand

The lack of (accurate?) paid transactions seems like whoever is pulling the strings has no concept of earthly money and how it’s supposed to work, just that it exists. Crowley and Aziraphale talk bluntly about poverty and know that money is needed and used in current society (“Give her the money, Angel”, Rome, Globe Theatre, 1941 magic shop, etc.). Could be a “let’s not get lost in the trivialities” thing but it does strike me as odd. Caveat: Aziraphale forgiving the rent doesn’t quite fit, but cost of the record is obscenely low.

But this does give me hope about the 3rd 1941 flashback, because they were using money accurately there, which hopefully means the flashbacks and memories aren’t being altered, just “present day”.

We’re real people

One of the overarching themes in Season 2 (and S1 now I think of it) is “stop interfering in the lives of other people”. Maggie and Nina, Job, Elspeth, the entire dance party, Warlock, the book of prophecy. It would be a shame if someone were to make sure I failed to be messing about in their own lives.

I had brothers, you don’t scare me

Something happened just before Maggie told them to “Come in here and say that to my face.” Another demonic turn potential here, but also kind of like someone’s saying “FFS get on with the plot”.

The book of love has music in it

This post https://www.tumblr.com/noneorother/731977308306636800/all-the-music-you-didnt-hear-the-good-omens (finally, one I can find!) popped up, and there’s another one that purports to have noticed that there’s music lines missing from the opening sequence (edit 1: Found it!: https://www.tumblr.com/dadesu/726651737165938688/anyone-noticed-the-missing-half-bar-in-good-omens ). Possibly Clueing us in that there’s something that’s missing elsewhere (I mean obviously, that’s the whole point of this season, is it not?).

So where do we go from here?

As much as I’d love to say “Alright so the kiss breaks the spell whoever was put over them because of ✨the power of love✨, the ruse will be revealed, and they’re not talking because they don’t have to”

I don’t know, my thoughts are just the overarching patterns I’ve noticed over many, many rewatches and probably reading a few too many magic trick theories and/or fanfics. I don’t intentionally make my theory posts open-ended, but in the end that’s the fun of it. Nothing has to be mutually exclusive (yes I’m referencing my “Is Crowley already the new Supreme Archangel” post, I think I’m allowed that much). I’m happy to be proven wrong, and probably will be.

Lots of things are wrong right now

But I will leave you with one parting thought: Crowley knows. He knows there’s furniture missing. (That’s why he keeps just tossing things everywhere, because he know it doesn’t matter.)

And he. Does not. Care. For it.

How many theories that I myself hate can I dig into?

I’m a demon, I lied:

[stealingpotatoes]

How do u think the first meeting between Luke and Ahsoka went

Im sad we didn’t get to see that interaction

so I haven't watched TBOBF bc everyone told me it was dogwater but like??? for real????? they dont?? explain how ahsoka and luke meet???!?!???????? thats INSANE TO ME

ALSO BC OF THIS I WENT AND LOOKED UP CLIPS OF THE SCENE WHERE THEY TALK AND?????????? THE DEEPFAKE LIMITS THE ACTING SO MUCH ITS UNREAL LITERALLY WHY DIDNT THEY JUST RECAST HIM THE PRE-DEEPFAKE ACTOR LOOKS FINE WTF. HELP. EVERYTHING I LEARN ABT THIS SHOW IS WORSE THAN WHATEVER INFORMATION CAME BEFORE

anyway ah. i have to fix this fuckup in the universe and I don't have any fully formed ideas rn but I'm in academy luke brainrot (kofi members know this too well bc they have early access to several academy luke comics loll) so yeah. i WILL do something along the concept of them I simply have to wtf

[homestuckreplay]

Shrinking Wormholes; Transferring Syllogism Twine

(page 134-137)

Homestuck is my worst enemy. These past couple days without updates left me time to transcribe the video on page 137, which took long enough that I never want to look at it again. Which is a shame, because it's a cool video, the shifting colors and the twisting spirograph are good to look at and I like the irregularity of the movement. And I do respect the attention to detail - the fact that Hussie took the time to write out 231 meaningless phrases about DIY and spread them unevenly throughout the video shows a real dedication to recreating the video game experience. It feels very real, I can sense the anticipation when the video gets stuck on a particular phrase for a full second, that feeling of just wanting to play the game but having to wait.

Below the cut at the end I've listed all the phrases in the video, but it's LONG, so be warned. I'm also not sure this was a good use of time, there's not loads here that seems relevant. We get a broad overall sense of the game, which seems to be a building/DIY simulator, maybe something like digital Lego, maybe something more like having to maintain a house day to day, perform repairs and give it 'upgrades' like new lighting or a new garage, as most of the nouns are tools you could buy in a Home Depot.

Here's a few exceptions that jumped out to me:

Observing Avenues, Analyzing Eyes - both of these relate to surveillance

Transferring Syllogism Twine, Auditing Nescience Passages - relate to knowledge/logic or the lack of it

Anticipating Gateways, Shrinking Wormholes, Referring Time Spools, Retrofitting Aesthetics Portals - these relate to time and space, perhaps to messing with the laws of physics

Transcribing Existence Rivets, Finalizing Atma Augers - relate to life and the soul

It's interesting to me how these phrases are hidden within a barrage of far more mundane ones. I think this game will seem on its surface to be very normal and simply a reflection of John's existing life, playing in a digital house not too different to his very real one, but that it has more and weirder stuff going on below the surface. The game will present opportunities to escape the trap of the suburbs in ways that John can't yet figure out in real life - but will be able to in the game, because he has experience with gaming and coding. It might take some mild hacking and exploiting loopholes in the mechanics, but these possibilities are clearly coded into the game, or they wouldn't be in the loading screen. It's a game that wants the players to push its limits and see what's possible, and rewards a player who tries to go beyond the mechanics as presented.

John's had a lot of practice messing with his sylladex for 130+ pages, and I think that's really going to pay off when he starts using a similar skillset in game. It's interesting, because most characters (or people) would have an arc of learning a skill in a game and then exporting it to real life, while I think John's going to have the opposite, with the supposed constraints of the game actually giving him freedom, and the supposed open world of real life just closing doors to him.

Anyway, no wonder TT is excited to play this game. I bet she's eating up all these long words.

Transcript of Flash animation, p.137. Spelling mistakes come from the original.

Transforming Soffits Reorganizing Keys Formalizing Immersion Joints Justifying Kick Extractors Advising Aggregates Managing Elbows Recasting Connectors Achieving Aluminum Trowels Officiating Disks Exhibiting Absolute Spigots Progressing Coil Hydrants Jerry-building Reflectors Informing Casters Inventing Rubber Hoists Performing Wrenches Judging Chalk Adapters Upgrading Ignition Paths Regrowing Flashing Recommending Ratchets Approving Barriers Sweeping Impact Fillers Sewing Mirrors Detailing Collectors Enforcing Measures Distributing Systems Presenting Plugs Interwinding Registers Piloting Ash Diffusers Gathering Cranks Supplying Eave Pockets Undertaking Scroll Stops Accelerating Straps Designing Fittings Protecting Diamond Boilers Logging Downspouts Correlating Shingles Uniting Mallets Qualifying Electrostatic Lifts Sharing Clamps Obtaining Circular Fluids Ranking Foundation Gauges Sensing Miter Brackets Originating Space Networks Translating Drills Regulating Guards Selecting Gable Padding Utilizing Pellet Dowels Reconciling Artifacts Altering Pulleys Shedding Space Filters Determining Vents Representing Mortar Remaking Flash Rakers Supporting Funnels Typecasting Rotary Chocks Expressing Junctures Resetting Auxiliary Vises Professing Strip Treads Inlaying Matter Trowels Questioning Drivers Forming Edge Fittings Sketching Blanks Overshooting Spark Breakers Rewriting Controls Playing Tunnels Inventorying Buttons Enduring Joist Handles Effecting Ratchet Bibbs Unwinding Couplings Forsaking Vapor Conduits Defining Sockets Calculating Heaters Raising Grids Administering Tiles Measuring Resources Installing Ignition Remotes Extracting Corners Manufacturing Ventilators Delegating Consoles Treating Mounting Stones Enacting Jig Deflectors Intensifying Alloys Improvising Cargo Pinpointing Bobs Prescribing Arc Masonry Structuring Metal Chocks Symbolizing Lathes Activating Plumb Kits Adapting Coatings Fixing Channels Expediting Cordage Planning Compressors Enlisting Hangers Restructuring Keyhole Augers Shearing Ridge Hardware Collecting Reciprocating Bolts Maintaining Corrugated Dimmers Whetting Hole Collars Conducting Mandrels Comparing Assets Compiling Sealants Completing Paths Composing Equivocation Wheels Computing Dampers Conceiving Electrostatic Treatment Ordering Cotter Grates Organizing Ties Orienting Ladders Exceeding Materials Targeting Thermocouples Demonstrating Emery Stock Expanding Latch Bases Training Wardrobe Adhesives Overcomming Fasteners Streamlining Storm Anchors Navigating Springs Perfecting Turnbuckles Verifying Gate Pegs Arbitrating Arithmetic Lifts Negotiating Outlets Normalizing Strips Building Surface Foggers Checking Key Torches Knitting Grinders Mowing Planers Offsetting Stencils Acquiring Bulbs Adopting Rivets Observing Avenues Ascertaining Coaxial Grommets Slinging Wing Winches Instituting Circuit Generators Instructing Wicks Integrating Pry Shutters Interpreting Immersion Lumber Clarifying Coils Classifying Wood Bits Closing Cogs Cataloging Matter Strips Charting Holders Conceptualizing Push Terminals Stimulating Supports Overthrowing Shaft Spacers Quick-freezing Connectors Unbinding Ground Hooks Analyzing Eyes Anticipating Gateways Controlling Proposition Rollers [blank bar momentarily]

Converting Power Angles Coordinating Staples Correcting Benders Counseling Joist Gaskets Recording Gutter Pipes Recruiting Drains Rehabilitating Rafter Tubes Reinforcing Washers Reporting Guard Valves Naming Freize Sprues Nominating Rings Noting Straps Doubling Nailers Drafting Circuit Hoses Dramatizing Flanges Splitting Framing Compounds Refitting Stems Interweaving Patch Unions Placing Sillcocks Sorting Slot Threads Securing Mode Cutters Diverting Catharsis Plates Procuring Load Thresholds Transferring Syllogism Twine Directing Switch Nuts Referring Time Spools Diagnosing Knobs Discovering Locks Dispensing Hinges Displaying Hasps Resending Arc Binders Retreading Grooves Retrofitting Aesthetics Portals Seeking Stocks Shrinking Wormholes Assembling Blocks Assessing Divets Attaining Lug Boxes Auditing Nescience Passages Conserving Strikes Constructing Braces Contracting Saw Catches Serving Instantiation Irons Recognizing Fluxes Consolidating Fuse Calipers Mapping Shims Reviewing Chop Groovers Scheduling Lag Drives Simplifying Hoists Engineering Levels Enhancing Tack Hollows Establishing Finishing Blocks Estimating Adhesives Evaluating Mortar Examining Auto Turnbuckles Processing Foggers Servicing Avenues Transcribing Existence Rivets Revising Consoles Separating Absolute Stencils Budgeting Sheet Grommets Preparing Kits Realigning Cartesian Mandrels Painting Fasteners Filing Grout Hangers Finalizing Atma Augers Formulating Couplings Identifying Sillcocks Imagining Materials Inducing Shutters Influencing Wheels Licensing Chocks Lifting Extrinsic Mallets Overdrawing Ratchets Overlaying Ventilators Overriding Cardinal Soffits Specifying Element Aggregates Systemizing Divets Shaping Pockets Publicizing Aether Remotes Governing Archetype Dimmers Monitoring Assets Launching Manifestation Systems

[ctrl-alt-tahu]

Recasting the Hordika

There are a few exceptional contributions of 2005 to Bionicle lore (looking at you, Roodaka), but I am among those who think it has problems: the Hordika, Rahaga, and Visorak were all VERY repetitive, there were no new Kanohi, and I don’t like rhotuka spinners.

But the real problem, for me, is that the story was somewhat reduntant, given the end of LOMN.

I think what LEGO should have done (well, could have done... "should" implies an objective standard here), would have been to have the Nuva be the ones get Hordikified.

Make 2005 about the return to Metru Nui--which is a wasteland overrun by Visorak, ruled by a simple king whose takeover (rather than conquered) an abandoned city. With him is an agent of the Brotherhood of Makuta (undercover): Roodaka, who was ordered to stay in the city after she rescued Makuta from the protodermis seal, many, many years ago. When the Visorak invaded, she offered false allegiance to their king, so that she could remain in place.

So when the Toa Nuva go scouting ahead, THEY'RE ones who get turned to Hordika. Things proceed as in WOS, but the goal changes a bit: instead of it being to finish the job of rescuing the Matoran, it's about making it safe to bring them back.

I think this also makes Keetongu--and the Rahaga (if you keep them: you could replace the Rahaga with Hordikified Turaga Metru)--make a little more sense. There wasn't really any preparation for either of them in 2004's Metru Nui, but it's easy to imagine cryptids and weird little wise guys settling in the ruins of the abandoned city either alongside or before the Visorak.

Roodaka's motivation becomes a bit clearer, I think: she knows where Makuta went after she freed.him and she's been waiting for news ever since--and now these Toa show up from that very direction--so OF COURSE she wants them alive (to talk) and captured. It doesn't have to be Tahu who "falls" and gets seduced, though he is both The Obvious One and The Red One, but he plays the role of angry leader who'd like to just have an army that obeyed orders, damnit, far better than Vakama.

And does this change the rest of Bionicle all that much? Not really, I think. Maybe if you excise the Rahaga as a result... I think it definitely means Dume is dead, but that's tidier storytelling anyway.

And, the most important part: if you don't leave Takanuva behind to hold open the gate/guard the Matoran/whatever, you can have a Hordika of Light: aka the shiniest unicorn.