I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
How are the more recent Dracula castings affecting the movie?
When we last left off, Jimmy Stewart (Jonathan) had just beheld Mary Philbin (the agonized woman) getting eaten by wolves. (this being a vintage film we do not actually see her get eaten. we are given a haunting image that subtly conveys her getting eaten which is somehow ten times worse). He stares, shocked and bereft, out his lonely black-and-white window in Castle Dracula. The movie has gotten very solemn and a little bit artistic.
SMASH CUT to Omar Sharif (!!) and Leonard Nimoy (?????) on board the Demeter! Omar Sharif makes total sense for this role and is conveying responsibility, stoicism, nobility. Leonard Nimoy is thanking god and his agent that he finally got onto a film that doesn't have him in the pointy ears. (he is still contractually obligated to call the strange cargo they have on board "fascinating.")
Back in England, our heroines Setsuko Hara (Mina Murray) and Judy Garland (Lucy Westenra) are sitting by the seaside cemetery, enjoying the ramblings of old seaman Mr. Swales. because Mr. Swales is played by Ed Wynn, this is less "crusty old sea man giving bram stoker's idea of a British dialect" and more "the movie is suddenly produced by Disney in the 1960s and everyone is having a GRAND time because this man is Silly™." his various tales of suicides, deaths at sea, child abuse, and familial hatred are all suddenly very harmless and cute and Setsuko Hara is wondering where all the Technicolor came from.
Back in Hell on the Demeter, the movie is sliding back into black and white as the fog gets thick and the crew is picked off one by one. Omar Sharif is shooting for an Oscar with this one. He is terrified stoicism personified. Leonard Nimoy has hit his stride and is doing that brand of feverish madness the amok time fans know so well. We catch a shot or two of Gloria Holden's Count, but she is mostly veiled in mystery.
In Whitby, a plucky reporter sees a ship coming in: Ethel Waters is on the case! You know if anybody is going to book it on to a ship with a corpse tied to it (rip Omar) with 0 issues, it's going to be her. She's after a story, by god, never mind that mysterious dog!
Speaking of that mysterious dog, it's headed up the hill toward the cemetery. Boy, I hope it doesn't run into Mr. Swales. Seeing an Ed Wynn character get killed off in gruesome fashion this early in the movie would be a pretty horrifying tonal switch! I'm sure he'll be fine though, the movie seems so lighthearted and comedic now :)
There is something that the Bat clan ignores…
It's been something since long before Batman…
Something that happened in the first years after Bruce was orphaned.
Alfred died…
Yes, the only guardian for the young heir of the Wayne family was murdered in the mansion where he lived with his ward…
And how did a former MI6 agent, a former Kingsman, die?
Simple, overwhelmed by a flock of Talons;…what? Did they believe that the court of owls did not want control of the young and traumatized heir to the Wayne fortune?
or not, they tried, of course they tried and the only way to mold the suggestible child? take custody of the Butler…
But there was a problem, the deceased Mr. and Mrs. Wayne left an unbreakable will where custody could not be contested… (there were always rumors regarding the patriarchs of the family and their faithful butler…), so they preceded the murder… but it didn't matter who It will be sent, they never returned… and the only time one returned (the lone survivor of the dozen talons on that occasion) confirming the completion of the mission…
the butler was seen the next day dropping young Bruce off at school…
The Talons were never able to re-enter… they never found the mansion alone, and when guided around they were hypnotized contemplating the Wayne grounds…
so the attacks moved to the outside of the place… but they never came closer to that one occasion… so after dozens (if not hundreds) of soldiers lost, the court stopped trying.
and do you know what happened that night?
Alfred Peniword was killed by the 12th heel, after killing the other 11… but he did not stay dead, that night he rose from the grave, burned the bodies of his attackers and buried his body in the depths of the caves under the mansion… and continued as if nothing ever happened that night….
And for years it was like that, no member of his family realized that he was no longer among the living… no visitor noticed and the secret was taken to the grave…
…Until a boy saw him with surprise and dismay in the reception area of Wayne Enterprises…somehow that boy knew what he was.
I just saw one of your fave games is What remains of Edith Finch and I’m so happy! I feel like its a lesser known game but i loved playing through it. I’m so happy to know more than just my small friend group know about this game!
Sorry this isn’t a question. Also want to say that you’re art is amazing and the development of the designs is so interesting to see. Also the way you draw intimate scenes have so much emotion to them. I love the Aj and rarity kissing comic so much, you can just feel their love for each other ;w;
Thank you so much!
I highly, highly, highly recommend What Remains of Edith Finch to anyone interested in narrative game experiences/"walking simulators." It's one of those games that was handcrafted with nothing but love. Every room you explore is just... real. The way the light flows in and makes the colors of the living room, the kitchen, the bedrooms glow. Playing the game is like walking through your childhood home as an adult and seeing how the dust clings to everything you once touched. Also genius-level gameplay mechanics, ones that can make you completely empathetic with the character you're embodying or feel completely complacent in their tragedy. It's really not fair to call it a walking simulator because it's so much more and so much smarter than that.Everyone talks about the fish one.
The theme of death and memory and storytelling and the burden of invisible trauma and self-fulfilling prophecies is so affecting too. The ending made me cry.