#there are a lot of other things in the actual school itself

[qiu-yan]

2 and 21 for mdzs please?

sorry for the wait!

choose violence ask game

2. a compelling argument for why your fave would never top or bottom

in terms of "compelling" arguments, i've got nothing. in terms of bullshit arguments i pulled out of my ass, though....

of course, the easy way out is to argue that jiang cheng is asexual and therefore would never come into sexual contact with anyone. an equally easy way out is to argue that jiang cheng is so rizzless that, even if he wanted to top or bottom, no one would do it with him....that's the easy way out of this question, though.

my own opinion is that, if jiang cheng were attracted to men and/or had a partner who was into pegging, he would have way too much internalized homophobia to give bottoming a try. even if he somehow got over himself enough to admit that he was into men (already impossible), he would still buy into the ancient-greek school of thought on homosexuality, wherein "ackshually it's only gay if you're on the bottom." he would be fully convinced that, if he were to bottom - and worse, if he were to enjoy it - he would become Less Man on an existential level. this would absolutely kill him inside, would make him actively more homophobic than if he were just straight or asexual, and would make him a nightmare for any other man to hook up with.

but of course, the more you adamantly refuse to even consider something - the more you fear something, in other words - the more you end up obsessing over it. if jiang cheng were actually hooking up with men in this scenario (entirely possible because he's like 6ft tall and probably can host because he's rich, which makes him a prime catch in the eyes of like 90% of grindr), he would adamantly refuse to bottom. he'd declare himself a hard top. but would he actually enjoy himself? or would he, as he topped in a lackluster manner whichever men were unfortunate enough to give him a chance, imagine himself in their position - first with disgust, as he told himself he was different than them; then with terror, as he feared that he might one day end up in their position; and then with something else?

because jiang cheng's fear - that he might one day bottom and enjoy it - would quickly mutate into a full-on psychosexual obsession with the concept of bottoming itself. because it's repression king jiang cheng we're talking about, said obsession would eventually become one of those things you're so afraid of that your fear ends up wrapping back around and turning into a fetish. because it's jiang cheng we're talking about, this would then lead to him actually bottoming one day. and then, because it's jiang cheng we're talking about and the universe hates him, he would actually end up enjoying it.

does his mindset change? maybe. or maybe he just becomes Worse.

i feel like i've ended up doing the opposite of answer the question.....sorry.....these are my honest thoughts, though.

21. part of canon you think is overhyped

i'm going to get killed for this, but that's the purpose of this ask game, so i'll be honest....."lan wangji as Love Interest." of course, by this i do not mean to say "lan wangji himself." rather, what i mean is the way in which lan wangji is a "love interest" first and a "character" second. in my view, the story is only really interested in lan wangji as "the guy who loves wei wuxian and is unquestioningly devoted to him," rather than interested in lan wangji as a character in his own right.

of course, the story spills a lot of ink on how much lan wangji loves wei wuxian, how much lan wangji has sacrificed for wei wuxian, how unquestioningly devoted lan wangji is to wei wuxian, and so on. and while this is all true and good, in my view, there are also several other interesting angles in lan wangji's story worth exploring. however, these angles instead seem rather neglected by the story, which appears to only want to discuss "lan wangji's devotion to his One True Love."

some angles i consider to be interesting, and which i felt like went underexplored in canon:

how much of lan wangji's support of wei wuxian is because he believed wei wuxian was right, and how much of it is because he loves wei wuxian and does not want to lose wei wuxian again? where does lan wangji's personal romantic love end and his moral compass begin? the novel equates [standing with wei wuxian] with [being righteous], but it is exceedingly easy to design a situation where the morally righteous path entails sacrificing wei wuxian in some way - how would lan wangji behave in such a situation? if wei wuxian himself had not protected the wen remnants (due to canon divergence or whatever), would lan wangji have spoken up for the wen remnants?

to what degree does lan wangji agree with wei wuxian's actions and consider said actions to be morally justified? comparatively, to what degree does lan wangji consider wei wuxian's actions to be morally questionable, and simply wants to shoulder wei wuxian's sins with him out of love? does lan wangji know and/or believe that wei wuxian killing jin zixuan was a genuine accident? if he does not know, does he care?

what does lan wangji's relationship with his family look like? on one hand, in his failed bid to save wei wuxian, he injured 33 of his own sect's elders, which under confucian principles is a massive wrongdoing. have the injuries of these elders healed? does lan wangji feel guilty? on the other hand, lan wangji's family betrayed both him and the moral principles they espoused, by first nearly whipping lan wangji to death and then joining the first siege of the burial mounds. does lan wangji resent his family for this? does he resent lan xichen and lan qiren, or does he understand that they had argued the punishment down from execution? is that why, after lan xichen's world shattered at the guanyin temple in yunping, lan wangji was able to immediately leave the premises with wei wuxian in tow, without once checking in on his brother?

what does lan wangji think of his late parents? does he want to know why his mother killed his father's teacher, or would he rather not know? does his family keep the knowledge from him, or does he avoid the knowledge himself? what does he think of his father's actions - to him, is his father someone who fell from the path of duty and righteousness for the sake of love, someone who selfishly abandoned his duties and forced his responsibilities onto his younger brother, and/or someone who imprisoned lan wangji's mother against her will and perhaps even forced himself onto her? does lan wangji know whether or not he was conceived consensually? does this bother him?

given the whole history of lan wangji's parents, how does lan wangji view his own, how should i say, sexual interests? lan wangji did once pin down a struggling wei wuxian and forcibly kiss him; would lan wangji make a connection between the nonconsensual nature of this deed and the imprisonment of his mother? furthermore, wang and xian's relationship postcanon seems to have an element of d/s and noncon roleplay to it (which i'm not judging them for, good for them); would that also remind lan wangji of how his father and his father's sect brought about the imprisonment of his mother? or are these two separate things entirely?

in my view, these are all highly interesting aspects of lan wangji's story - and all of these are implied by details given in canon. however, canon shirks discussing these aspects of lan wangji's character in favor of focusing on him as the Male Lead: rather than explore any of these angles, which would further define lan wangji as a person, canon seems far more interested in single-mindedly focusing on how sad lan wangji was that wei wuxian died, how tragic the loss of his One True Love was, and how wholeheartedly happy lan wangji is now that wei wuxian has come back and returns his feelings.

to me, it feels like this guy got sanded down from a "full individual" to a "love interest." it feels to me like the story gives us some details about lan wangji's own life, but then nonetheless insists on reducing him from a person in his own right to a satellite that revolves around wei wuxian (the story's real favorite). because of this, MDZS the novel read as less the wei wuxian and lan wangji story, and more the Wei Wuxian story starring Wei Wuxian, in which lan wangji is a love interest first and a person second.

i forget if i said this before or if i read it from someone else's blog, but it does feel like, if you want to love lan wangji on his own, you have to do a lot of the heavy lifting yourself. or at the very least scrub all the male lead energy off of him first, so that the individual underneath can be revealed.

[freerangeranger]

How did you become a Ranger?

i covered my personal 'this is why you stay in school kids' origin story in a previous ask, so ill focus on the actual Ranger school and internships for this post.

there are a few different ways to become a ranger.

you are scouted by another ranger and they vouch for you to be accepted into either a ranger base or the school. its a matter of 'this person has a deep love for pokemon conservation and is skilled enough to basically be a ranger from the get go'. this is super uncommon now but it used to be basically the only way for rangers to be recruited back in ye ol' days, before stylers were used. most rangers wont even consider this anymore; a lot is riding on your rep if your scouted person turns out to be 'not great'. they just give you a reference now.

you apply and are accepted into the Almia ranger school. This the route that i took - and by far the most common one. you have to do a whole application process, similar to applying to post-secondary (with the stupid fees and everything). you are then separated into either an acceptance list or a waitlist. this is based on grades as well as a series of written questions and a shit ton of references.

I'm half convinced that i was considered eligible bc i had the Blackthorn gym and tin tower staff backing me (thanks guys!). that being said i did only get onto the waitlist - thank fuck some other kid decided that being a ranger was too much work.

once you actually get accepted you are able to choose what you actually want to major in at the school. this surprises a lot of people - the Almia ranger school doesn't just train rangers! it has a bunch of courses catering to rehabilitators, mechanics, researchers, field ops, area rangers, and operators, among others.

I chose to go with the area ranger courses - i wanted to return home to Johto at some point and the vast majority of jobs outside of Almia, Fiore and Oblivia are area rangers. field ops is stressful and mostly dealing with awful humans 24/7.

there are, of course, a lot of overlapping fields of study that we were all mandated to take. every student that graduated from the school knows how to use a styler in some way. even operators and researchers (although i doubt many of them remember a lot, the ones i knew skipped class to finish papers)

the entire thing lasts for around 3-4 years. it used to be way shorter - i think i heard people graduated within the same year - but with the spike in pokemon-related crises, rangers have to be better trained out of the gate.

there is also a whole thing with internships and field work; you can apply to spend time working alongside real rangers over the weekend while at the school. i think most of them are paid. ill be honest, most people that do internships get snatched up by the bases they worked for so if you are a student see if you can apply to a base that you are okay with working for.

uhhhh what else... oh! Once you graduate you can either send out resumes (in advance) to try and influence what ranger base you go to, or you get assigned a base by the school. In my case i was assigned to Unova - its nice there and most of my colleagues are p cool. but i do want to go home to Johto at some point.

[eonars]

um. tfw your life is about to change massively very very soon and it still doesn't even feel real yet and still feels like somethings gonna pop up and it won't actually happen and also you're scared as fuck that you're too stupid to actually do it and it'll all be for nothing

[figbian]

i feel like the tumblr obsession w the out of concept excerpt worming its way into (fan)fiction (see: red white and royal blue’s ‘i love you on purpose’ which to me read as a jenny slate reference; the million fanfics with references in the text & also before the text begins) is so neo-latin to me.

[statusquoergo]

more! original! fiction! (i did warn you guys.)

~*~

Out of nowhere, the air begins to smell like lit birthday candles. What if something accidentally caught on fire, what would happen then? People would run away, probably. Maybe there would be a panic. Someone might call 911.

The smell goes away after a couple of minutes. Someone's whistling; not “Happy Birthday,” it's some tune she doesn't know. It doesn't sound like something they're making up on the spot, though; maybe it's their favorite song, that person, one they listen to all the time. Maybe they don't like it too much but it's the only one they can whistle okay. Maybe they'd rather be singing, but there are too many people around and they don't want that kind of attention, or maybe they have a really awful voice and a terrible memory for lyrics.

Dea rolls over onto her stomach and sets her chin down on the back of her folded hands. Whatever, it doesn't matter.

Well. It probably does to them.

***

“I didn't want to come here.”

“Yes, I know.”

“My parents made me.”

“Did they?”

“My mom made me.”

“Oh?”

“My dad said he doesn't care.”

“How did it make you feel when he said that?”

“He said it doesn't matter if I come here or not.”

“Did that make you angry?”

“He said the first step in solving a problem is admitting there is one, but I won't admit that there's something wrong with me, so I won't get any better no matter what, and it's fine if I don't want to come here anymore because then he can stop paying for something that isn't making a damn bit of difference.”

“Did that make you upset?”

“He didn't say 'admit,' he said I won't 'acknowledge that I have a problem.'”

“Is that an important distinction?”

“I think he probably meant to say 'admit,' I think it's supposed to be 'the first step is admitting you have a problem.' I think it's one of the twelve steps they make you do in Alcoholics Anonymous.”

“Elise?”

“I've never been there, but I saw them on a poster downstairs. The twelve steps. In a list.”

“Last week, you said your mom was upset that you didn't have a lot of friends, do you remember that?”

“Yeah. But she gets upset about everything.”

“Do you think you don't have a lot of friends?”

“I used to have one, but she moved away.”

“Oh? Do you still keep in touch?”

“I was really glad she was going to be in my class, because she's the only girl in my year who wasn't mean to me all the time, but then on the first day of school, I went to my classroom and her name was on the attendance list, but I asked Mister Pruitt where she was and he said she moved away during the summer. But her name was still on the list because they just found out right before the new school year started.”

“Have you spoken to her since then?”

“So, no, we don't keep in touch.”

“How did you feel about that, when you got to school and found out she wasn't there?”

“It was the first day of sixth grade.”

“It sounds like you remember it very well.”

“Yeah, well, it was a traumatic experience.”

“Did you speak to your parents about it?”

“It wasn't really traumatic. I was just eleven.”

“What did your parents say when they found out?”

“I think her name was Stephanie.”

“You think?”

“I wanted to cancel today.”

“I know.”

“My mom made me come.”

“Did she?”

“My dad doesn't care if I come or not.”

“I see.”

“Yeah.”

“Would you like a glass of water?”

“...”

“Sarah?”

“...”

“Sarah, is William here yet for his three o’clock?”

[steviescrystals]

my tags on the post i just reblogged got me thinking so here’s my current stream of consciousness

[yongseungkim]

.

[libraford]

The word 'rural' is in the public consciousness again and every time people start going in about the 'rural values' 'rural way of life' I remember just how subjective that word is.

I have a friend that lives in LA. He considers Columbus, OH to be 'rural.' A population of over 900k. Thriving arts community, tons of culture festivals, every kind of restaurant you can think of, one of the most annoying college campuses ever, several smaller colleges, lots of queer spaces, comic book conventions, huge concerts... rural.

The town I live in considers itself 'rural.' 38k population. Arts festival every year, a small pride celebration, monthly gallery hop, big Halloween festival. Five ice cream shops, three coffee shops, a couple fancy bars, so many grocery stores. Huge library, conservation and sustainability advocates, queer spaces, a hospital, one private college. Rural.

The town we nearly annexed, but lost the deal considers us 'urban' compared to them. Less than 5k. They have a limited hospital, often send their surgeries here. Downtown has hardware store, bars, craft supply store, a couple grocery stores, pizza places. There's some farmland, but much of the square acreage is golf. Mega churches. The houses here are 500k. Most people drive ATVs. They have a handful of festivals in the summer.

A town I would often get sent to to cover their high school sports- a little over 2k. There's a Subway, a Domino's, Family Dollar. Some bars, some corner stores. Some local crafts. All the students grow up knowing each other, most of them stay there. But they have craft fairs and art galleries, still.

Less rural still than the town I go through to get there, population of around 600. Houses, farmland, post office, general store.

Who would still look down upon the town of about 400 that I would go to sometimes- post office. Gas station. Bar. The school is the only big thing there.

And yet still, I have seen towns with population in the double digits that have a church and a post office.

Even just looking at the numbers doesn't lend accuracy to what 'rural' actually looks like. Because this is what it looks like in ohio, but it's different in West Virginia- where your closest neighbor might be a mile down a hill. Or in Montana, where your town might be planned very tightly and your neighbors are very close, but the nearest grocery store is an hour and a half away. These are places I've been, friends that I've talked to. I've never been to Missouri or Alabama or Louisiana- I'm sure they have a unique experience of being 'rural.'

So my point is that when people talk about 'the rural experience' or 'rural values,' they are talking about millions of people across the entire country who all have lived unique lives- and who may not even agree on what 'rural' is.

Think about who is talking, and who is being talked over, and who isn't even being asked to join the conversation.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[headspace-hotel]

What i've been learning thru my research is that Lawn Culture and laws against "weeds" in America are deeply connected to anxieties about "undesirable" people.

I read this essay called "Controlling the Weed Nuisance in Turn-of-the-century American Cities" by Zachary J. S. Falck and it discusses how the late 1800's and early 1900's created ideal habitats for weeds with urban expansion, railroads, the colonization of more territory, and the like.

Around this time, laws requiring the destruction of "weeds" were passed in many American cities. These weedy plants were viewed as "filth" and literally disease-causing—in the 1880's in St. Louis, a newspaper reported that weeds infected school children with typhoid, diphtheria, and scarlet fever.

Weeds were also seen as "conducive to immorality" by promoting the presence of "tramps and idlers." People thought wild growing plants would "shelter" threatening criminals. Weeds were heavily associated with poverty and immortality. Panic about them spiked strongly after malaria and typhoid outbreaks.

To make things even wilder, one of the main weeds the legal turmoil and public anxiety centered upon was actually the sunflower. Milkweed was also a major "undesirable" weed and a major target of laws mandating the destruction of weeds.

The major explosion in weed-control law being put forth and enforced happened around 1905-1910. And I formed a hypothesis—I had this abrupt remembrance of something I studied in a history class in college. I thought to myself, I bet this coincides with a major wave of immigration to the USA.

Bingo. 1907 was the peak of European immigration. We must keep in mind that these people were not "white" in the exact way that is recognized today. From what I remember from my history classes, Eastern European people were very much feared as criminals and potential communists. Wikipedia elaborates that the Immigration Act of 1924 was meant to restrict Jewish, Slavic, and Italian people from entering the country, and that the major wave of immigration among them began in the 1890s. Almost perfectly coinciding with the "weed nuisance" panic. (The Immigration Act of 1917 also banned intellectually disabled people, gay people, anarchists, and people from Asia, except for Chinese people...who were only excluded because they were already banned since 1880.)

From this evidence, I would guess that our aesthetics and views about "weeds" emerged from the convergence of two things:

First, we were obliterating native ecosystems by colonizing them and violently displacing their caretakers, then running roughshod over them with poorly informed agricultural and horticultural techniques, as well as constructing lots of cities and railroads, creating the ideal circumstances for weeds.

Second, lots of immigrants were entering the country, and xenophobia and racism lent itself to fears of "criminals" "tramps" and other "undesirable" people, leading to a desire to forcefully impose order and push out the "Other." I am not inventing a connection—undesirable people and undesirable weeds were frequently compared in these times.

And this was at the very beginnings of the eugenics movement, wherein supposedly "inferior" and poor or racialized people were described in a manner much the same as "weeds," particularly supposedly "breeding" much faster than other people.

There is another connection that the essay doesn't bring up, but that is very clear to me. Weeds are in fact plants of the poor and of immigrants, because they are often medicinal and food plants for people on the margins, hanging out around human habitation like semi-domesticated cats around granaries in the ancient Near East.

My Appalachian ancestors ate pokeweed, Phytolacca americana. The plant is toxic, but poor people in the South would gather the plant's young leaves and boil them three times to get the poison out, then eat them as "poke salad." Pokeweed is a weed that grows readily on roadsides and in vacant lots.

In some parts of the world, it is grown as an ornamental plant for its huge, tropical-looking leaves and magenta stems. But my mom hates the stuff. "Cut that down," she says, "it makes us look like rednecks."

[helenanell]

A Breath of Life || Challengers

━━━━∙⋆⋅⋆∙━━━━

Part Two

Pairing(s) : Reader x Patrick – Reader x Art – Reader x Tashi (sort of.) 

CW: MDNI - 18+ : smut, rough / manhandling. Infidelity. Angst. A lot of yearning. (They all want each other, badly.) Manipulative behaviour. Minor spoilers for the film.

Notes: Female Reader (AFAB Reader) - Absolutely no use of y/n, (because I despise it, sorry)

Wordcount: 9.7K

Summary: You met Tashi in your final year of high school and were more than happy to have lost a tennis match against her. Afterwards, the two of you become inseparable and you find yourself feeling for her in a way that you don’t quite understand.And then things get even more complicated when Patrick and Art burst into your lives. As the years pass, desire, love and hatred all get tangled together...and so do the four of you.

━━━━∙⋆⋅⋆∙━━━━

The idea of meeting Tashi Duncan had been much more intimidating than the actual event itself. It was an odd thing, to idolise someone who was the exact same age as you—a girl not yet out of high school and still so chronically unsure of herself and the world—but it was impossible not to. 

You had watched every single match of hers that you could, staring for so long at the way she moved, that you were left with the afterimage of her burned into your eyes: She was in your thoughts constantly and always waiting behind your eyes when you closed them hoping for sleep. 

You were brilliant at tennis, you knew that you were. But Tashi played like it was the only way she could take oxygen into her lungs; each serve and shot an inhalation and exhalation. You understood, because you felt something similar.

For a long time, you had been ignored or dismissed in every aspect of your life, by everyone. But then you had found tennis, and you were really fucking great at it. 

 Tennis saved your life by making you undeniably tangible. Your existence could not be disputed when someone had to react to your movements, to receive something you had offered. 

It was no wonder then, that for as long a match lasted you were unhealthily obsessed with whoever it was that you were playing against. They made you real. 

But then you played Tashi. You had lost, of course, but it had been a close match, neither of you dominating for long before the other gained the upper hand once more. The gasps from the crowd had been the swelling of some great tide, breaking against your flesh and reinvigorating you like freezing water. 

Once it was over, you felt bereft of something vital. You felt as though you had slipped back into non-existence, only this time it was worse than ever, because your connection to Tashi Duncan was gone. 

But your body remembered. It ached and throbbed, rebelling at all you had put it through- no. All Tashi had put it through. You were desperate to feel it again. 

And your prayer was answered. 

She appeared before you like an angel.

Tashi jogged over to you as you gathered your things after the match, flushed and with beads of sweat glistening on her skin like crystals. And her eyes…they had been wide and dark and enrapturing. And then she had said the words that would change the trajectory of your life: 

“So, when can I play you again?”

━━━━∙⋆⋅⋆∙━━━━

Ruah is the Hebrew word that means God’s spirit, but it is also breath or air and is widely understood to be God’s presence in the world. 

You couldn’t remember when you had learnt the word, but you knew that in the Bible, God had created Adam by breathing life into him. Which was why, when anyone joked about Tashi Duncan being some kind of deity, you could not dispute it, because that is what she had done to you. 

Tashi had breathed life into you.

 Her presence in your life has allowed you to come alive even off the court: you finally felt like a real person. Thanks to her, you knew that when you put your racket down, you did not simply disappear. 

Tashi saw you, on and off the court, and you loved her for it.

But, by the time you were both accepted into Stanford, over a year after you’d first met, you still wouldn’t let yourself delve into that love, and work out the ways in which you felt it. Not only because, you’d only ever been drawn to guys in any romantic or sexual way, but also because you felt undeserving of her.

 How pathetic would it be for you, who crawled at your best friend’s feet, to look up and whimper out words of desire to her?

 You were blessed to have her in your life, let alone to be as close with her as you were. Love was so many disparate things; you could love her as a friend, and hold that carnal aspect deep down. Just having her in your life was more than enough. She was enough.

Or so you thought. 

At the party celebrating Tashi, the two of you had not yet left each other’s side. You were dancing together, close enough that you could feel the ecstasy of victory buzzing beneath her skin as she held your hands and pulled you close. Her hair was silken and flowing down her back and as you were tangled up with her, it tickled against your own exposed skin. 

“They’re still staring.” You whisper into her ear, laughing as she answers by twirling you around and then pulling you back in. 

You practically fall into one another, having to steady yourself by placing your hands on her hips, the beaded fabric of her dark blue dress digging into the palms of your hands. 

“Good.” Tashi answers, wrapping her arms around your shoulders.

She turns you enough that with your chin resting on her shoulder, you are looking right at the two boys who had been gawking all night. One dark haired with confidence coming off him in waves, the other more reserved, a different kind of potency bubbling beneath the surface.

The blonde’s eyes meet yours and he tilts his head, offering a delicate but untethering smile. 

“You’re going to have to talk to them.” You offer, still held in Tashi’s arms. “Otherwise they’re going to follow you around like lost puppies all night.”

You gasp and squirm away as your friend playfully pinches your side.

 “Do you really think they’re just looking at me?” Tashi questions incredulously.

You laugh at her shock. “Of course they are.” You say, gesturing up and down her form as she continues to sway to the music. 

“Oh my God!” Tashi exclaims, grabbing your hand and pulling you close again. “You’re such a fucking idiot! They’re looking at you, too!” 

You roll your eyes, but can’t help feeling a little buoyed at the prospect of being desired. “Yeah, right.”

Tashi shakes her head. “It’s a good thing you’re so oblivious, I like having you all to myself!”

Heat floods every part of you, acutely aware of the sweat trickling down the back of your neck, your skin uncomfortably warm. 

Only when the two of you have stopped dancing do they come over. 

Art Donaldson and Patrick Zweig saunter needfully into your life and had you known then all that would ensue, you still would have welcomed their approach. 

━━━━∙⋆⋅⋆∙━━━━

The four of you had wandered down to the beach. 

Art and Patrick were sitting on deck chairs that sat side by side, their legs stretched out and their gazes lustful, both of them looking at Tashi who was perched on a rock opposite them. In that moment, the moon seemed made only for her, the silver light lining her form. 

You sit on the sand near her, your legs pulled up to your chest. The waves softly hit the beach behind you, lulling you into an even more incorporeal mindset. All that exists to you, is Tashi and the two boys who so clearly want her. 

Despite how desperately you want to engage in their conversation, you’re exhausted and distracted by the knowledge that your parents will already be looking for you. 

You’ve rested your chin on your knees, your eyes drooping shut, when a voice calls out to you. 

“Hey, are you okay?”

 Art is crouching beside you, his hand on your back, his knees sinking into the sand, shifting the surface beneath you. You jolt at the contact, scrambling to your feet as Tashi chuckles.

 Patrick’s gaze flits between you and Art and then over to your best friend, his cheeks dimpled with a smirk. 

“I’m fine.” You reassure with a shaky smile, brushing sand off the back of your dress. “I should go though, my parents will be waiting.” 

“You can’t leave!” Patrick protests playfully, placing a hand to his chest. “You’ll break my heart.”

You grin, spurred on by his own smile and shrug. “And why should I care about that?”

Patrick’s mouth drops open in feigned hurt as Art chuckles, shoving his hands into his pockets and stepping away from you. 

You turn to Tashi, meaning to say goodbye, but she’s already up and hugging you. She often kisses your cheek as a form of goodbye, but this time she gets so close that her lips tease the corner of your mouth as hers make contact. You are electrified by it.

You know that she isn’t doing it for you, which is confirmed when she pulls away with her eyes flitting giddily between Art and Patrick who have both gone utterly still as they watched the display. 

 Despite the jealous ache that blooms, you play into it, because another part of you is excited at the thought of working the two boys up. You pull Tashi back into a hug, your hands resting dangerously low on her back as you squeeze her. She giggles into your ear. 

“You already have them wrapped around your little finger.” You say it quietly, but loud enough that you know the boys will hear. 

Over Tashi’s shoulder, you see Patrick smirk again and Art runs his thumb over his his bottom lip with a small smile on his face.

When you do finally pull away, Tashi smacks you on the ass. 

“It was great to meet to you!” Art shouts after you. 

“I miss you already!” Is Patrick’s shouted offering.

You just shake your head and continue on your path away from the beach.

Unbeknownst to you, three sets of eyes follow you until you’ve disappeared from view.

When you get home, you still feel the touch of Tashi all over you. But when your hand dips under the covers, something has changed. Because when you close your eyes, it’s not just Tashi you see. Instead, multiple people are fighting for dominance in your midnight fantasy:

You see Patrick’s licentious smirk.

You see Art’s coy smile. 

They’ve both invaded your mind, corrupted your thoughts that for a year had been so gloriously void of anything but Tashi.

And from that moment, you know part of you will always hate them. For so long, even knowing you can’t have her, all you’ve needed to sate yourself are thoughts of Tashi. But they’ve changed that.

You hate Patrick Zweig and Art Donaldson because they’ve made you want more. You want….one of them. You don't know why and you also don’t know which one of them it is. 

But what is clear to you, is that a new itch has arisen within you, and it comes with panic, because unlike with Tashi, you’re certain there’s a possibility that one of them might actually want to scratch the itch for you.

━━━━∙⋆⋅⋆∙━━━━

Had he known how furious you were going to be with him when you arrived, you doubted Art would have been so eager to invite you to have lunch with him in the cafeteria. 

Even when you slam your tray down and drop into the seat opposite him, he still looks happy to see you. He always did. It was infuriating.

“What are you playing at, Art?” You struggle to keep your volume down. You hadn’t wanted to yell at someone in a long time, but he had managed it.

Concern flashes in his eyes, but his lips press together in a way that tells you he knows exactly what you’re referring to. And yet he still asks:

“What are you talking about?”

“You’re fucking with Tashi’s head.”

“I would never do that.”

You scoff, stabbing the flimsy plastic fork into your salad. “Except you are, and I know that you’re doing it on purpose.”

Art pushes his own tray to the side and settles his elbow onto the table, resting his chin on his hand. “Yeah, how’d you figure?”

“Why else would you tell her that Patrick doesn’t love her?”

“Because I don’t think he does. Do you?”

You ignore his question, instead opting to pick up your apple and throw it at his head, hard. He catches it, that damnable little smile still on his face. 

“For fuck sake, Art!” You erupt. “She needs to keep her head on straight. Don’t upset her just because you want her for yourself!”

He tilts his head, blue eyes sparkling as he takes a large bite out of the apple. He chews for a bit before holding it back out to you, speaking through a mouthful:

 “You should have the rest of this, you haven’t been eating enough.”

“Fuck you!” You snatch it from his hand and shift in your seat, easily throwing it and landing it right in a nearby trashcan.

“Well that was a waste of perfectly good fruit.” Art licks some residue off his thumb and then leans across the table. 

You fail to snatch your wrist away before he grabs it. He’s gentle but firm, and as his thumb rubs along your pulse point, you feel the residual moisture from his own mouth he’d left behind, transferring to your skin.

“You don’t have to fight this hard to protect her,” Art presses. “She’s a grown woman.”

“She’s my best friend and I don’t want you to hurt her.” 

Art’s thumb stills, but he tugs your wrist a little closer. “Do you really think I could?” 

You scowl, pulling free of his hold. “You know, the way you and Patrick worship her isn’t the compliment that you both seem to think it is. You’re putting her up on a pedestal, practically deifying her, but she’s not invulnerable. She feels more strongly than anyone I’ve ever known and tennis is her life. If you get in her head and fuck up her game, It will break her and then I will break your fucking hands.”

This time when he’s smiles, it’s rife with fondness for you and it makes you want to punch him for the fluttering it causes in your stomach.

“You didn’t answer my question.” He says simply.

“What?”

“Do you think Patrick loves her?” Art repeats patiently. 

“Do you love her, Art?” 

“Can you please just answer my question?”

“I don’t know!” You throw your hands up in exasperation. “I’m not even sure I would know love if I saw it. All I do know, is that you both lust after her and definitely for each other too, even if you’ll never admit it. You’re all totally fucked.”

Art’s jaw clenches, the muscles ticking, but instead of irritation or anger at your outburst, his gaze softens. When he speaks, it is soft and achingly tender:

“You do know love. Because you love Tashi.” 

You let out an embittered laugh. “Of course I do. I tell her all the time.”

“But she doesn’t love you, not in the same way.”

You really didn’t know if he intended for that to sting, especially not with how gently he’d said it, but if he had, he’d failed. You came to accept that fact a long while ago, and while you would always want Tashi in some respect, it was not the all consuming desire it had been. The lust was gone. She was important to you. She was your best friend and you wanted to protect her. 

Unfortunately, the two men you wanted to protect her from, were the ones who had usurped her as objects of desire in your mind.

“Are you trying to find yourself a catchphrase before you go pro?” You sneer at Art. “I’m not sure how great that would look on a billboard for Adidas.”

“You deserve to be loved.” 

You had picked up your cup to take a drink of water, but upon hearing his words, you slam it down again and rise to your feet. He tracks your every move, as calm as ever.

 “I can’t talk to you right now, Art. You’re being cruel.”

You storm away from the table, only making it a few steps before you hear the scrape of his chair against the floor as he rushes to follow you.

 You’ve only just pushed open the door when he crowds up behind you. 

Art’s hand lands on your back as he guides you outside, his other hand rests on your arm and even after he turns you to face him, his touch remains.

 His hand is wrapped lightly around your arm, the other keeping you close- his palm pressed against your lower back. Anyone watching would think he was drawing you into an embrace. You almost shudder at the contact.

 Patrick has always been handsy, touching and caressing you under the guise of teasing, but Art has always moved around you as though you’ll disintegrate at the lightest touch. The way he’d held your wrist back in the dining hall and how he cradles you now, is the most he’s ever touched you.

 Your chest heaves as your flesh tingles.

Art’s head drops, his eyes on his own hand on your arm, as if he can’t understand why he’s holding you. His voice is strained:

“Patrick isn’t good for her.”

And just like that, you’re slammed mercilessly back down to earth. 

Art wasn’t touching you with tenderness or affection, you were just someone he was holding in place so that you had to hear him out. So you had to hear how much he wanted Tashi. 

“Oh, but I deserve to be thrown at him as a distraction so that you can have her?” You snap at him, more hurt than you’ll ever admit.

“You deserve whatever it is that you actually want.” 

Art sounds frustrated now, not at you…but perhaps at what he knows you won’t say. You do want Patrick. But you also want him. You had just never considered that he knew that.

But that’s not what you say. Instead you say–

“Go fuck yourself.”

“Do you want to know why he isn’t good for her?” Art presses, entirely unaffected by your fury.

“No, but I’m sure you’re about to tell me.”

The hand on your back pulls you a little closer, one errant blonde curl falls down from his forehead and brushes your temple. His breath is hot against your cheek. 

“Patrick’s not good for her-“ Art begins, his tone becoming embittered. “Because he wants you. He always has.” 

You rip free from Art’s grip with such force that the friction of it burns, his fingerprints leaving red marks on your arm. “You are unbelievable!” 

“I’m not lying. You know I wouldn’t, not to you.”

“You will say anything to have her won’t you?” You laugh nastily. “What’s the plan, Art? Do you think that I’ll try and seduce Patrick away from her now, leaving a space open for you to swoop in?” 

“Ask me how I know.”

“No.” You spit back at him. 

But you don’t move. 

Your body waits for words that your mind doesn’t think it can handle hearing. Something feels so close to breaking and you can’t help but feel like it’s to do with whatever force binds the four of you together. 

Art steps forward, closing the distance again, he raises his hands and rests them on either side of your neck, his thumbs pressing onto where your pulse is ratcheting beneath your fragile skin. 

“I know he wants you, because the night after he won our match- when he won Tashi’s number- he told me that I should fuck you.”

“Art.” You warn, frustrated tears bringing horrible pressure behind your eyes.

A small group comes out of the dining hall and have to split down the middle, because neither of you move a muscle. Art’s hold tightens, like he’s trying to leave a permanent imprint behind without it hurting you. 

He whispers now. “Patrick told me to fuck you. And I know him. He said that because when he couldn't have you, it excited him to think that I would. That I'd tell him about sleeping with you.”

“That was such a long time ago.” You say shakily, coming completely unmoored.

But Art won’t let it go.

“He still looks at you the same way, and that’s not fair to Tashi. You want to protect her, right? Well what will it do her when she finally notices the way her boyfriend is constantly eye-fucking her best friend?”

You hit out against his chest with a closed fist. The shock more than the force makes him stagger back. 

“You are so fucked in the head! You and Patrick are both pathetic little leeches who want the same girl, but can’t cope with the way it’s made them realise that they also want each other. You know what? I actually think so much would be solved, if you and Patrick just fucked each other!”

You start to back away and Art darts forward, trying to grab you again, but you smack his hand away and turn your back.

“Leave me alone, Art! And leave me out of your shit!”

He calls out your name with ragged desperation, but he does not follow. And even though he’s truly made your skin crawl, something about that makes you even more furious. 

Why won’t he follow you? 

Why do you still want him to?

━━━━∙⋆⋅⋆∙━━━━

You hadn’t spoken to any of them since your argument with Art. 

You couldn’t cope with the realisation that if any of them ever did feel any desire for you, it was only because they saw you as some sort of vessel through which they could access parts of the person that they truly wanted.  

You couldn’t even be said to exist in Tashi’s shadow anymore, you had simply been subsumed by it. Those two men, who you both despised and wanted desperately, would never see you, not really. To them, you were just part of her. But you would not let them ruin your friendship with Tashi. You just wouldn’t.

You knew when you arrived to watch her match that something wasn’t right. She was upset. You could see it in all the minutiae of her: in the way she took off her hoodie, in the way she picked up her racket. Something was really wrong. 

You walk through the stands until you come across Art. 

There are two free spaces to the right of him, so you sit down on the one furthest away, leaving a gap in the middle for Patrick to take up when he arrives. But then time passes and the match approaches and he still hasn’t materialised. 

You feel Art staring long before he makes his move. The air shifts as he shuffles over into the seat directly beside you.

“That seat is taken.” You intone harshly. Your eyes are fixed on Tashi as she prepares. 

“If it was, I wouldn’t have been able to sit in it.” 

“Sorry, I should have been clearer. I don’t want you anywhere near me, so I want Patrick to sit there instead of you.”

Your name is a tentative as he speaks it. “Will you please look at me? I can’t handle you not looking at me.”

Your gaze remains set on Tashi, she looks up and finds you in the crowd. The furious divot between her brow eases for a moment before her eyes snag on the way that Art is leaning into you. She turns her back on the entire crowd, but you know the gesture is meant for you alone. 

Fuck. What the hell had happened overnight? If it was Art’s meddling, you’d kill him. 

“The match is about to start.” You say coldly. 

 Art’s hand lands on your knee, but when you flinch, he immediately pulls it away. 

“I know I hurt you and I’m sorry. I- I need you to forgive me.”

You grit your teeth at his audacity. “Why do you need me to, Art?”

“Because I can’t stand the thought of you not being in my li-“

The match begins and Art never gets to finish his sentence. 

In fact, you don’t speak to him properly for almost a decade after that. Because Tashi gets hurt. Her sporting career ends in the blink of an eye and takes your friendship with it.

━━━━∙⋆⋅⋆∙━━━━

Both you and Art had sprinted down onto the court, your heart breaking in your chest as you fell to your knees beside your best friend, tears gathering in her eyes as she whimpered in pain. 

What had hurt the most though, was the way Tashi had shoved your hand away when you had tried to comfort her.

“Don’t touch me!” She had barked on a ragged breath. “Get away from me. Get away!” 

The hatred had dripped from her words and landed on you like a corrosive liquid. And as it had burned down to the bone, you had looked at Art and the apologetic agony with which he’d regarded you—even as he’d cradled Tashi’s head in his hands—told you what he’d done.  

He’d not only told you about Patrick’s supposed lust for you, but he’d also told Tashi. He had told her that even after her now boyfriend had won her number, he’d apparently been thinking about fucking you. Art had also definitely shared his little insight that Patrick didn’t love her either, which you quickly worked out had contributed to his absence.

So Art got what he wanted: he finally had his hands on Tashi and he’d done it by carving you and Patrick away. 

Art Donaldson was an attentive, gentle, even needy man, but you had been so stupid to think that meant he couldn’t also be calculated and cruel. Because of course he was. What else could win the heart of Tashi Duncan but brutal passion? It was part of what she loved about tennis: the unforgiving force of hits that once you met them, somehow felt like affection.

When Patrick had tracked an injured Tashi down, still waiting to be taken to hospital, he had been ordered away by both her and Art.

You knew that because he’d just told you. It was the first thing he’d said to you when you’d let him into your room fifteen minutes earlier.

Now, you were both sitting on the scratchy carpet of your dorm, passing a bottle of vodka between the two of you. 

You felt bereft. Your body wracked with sympathetic pain for the grief in your mind. You’d lost Tashi today, you knew that. And the man that had caused it, was a man you’d spent years yearning for. 

Art hadn’t only taken Tashi from you, but he’d violently ripped himself away too.

“Art wasn’t lying.” Patrick grumbles after taking another hearty gulp of vodka. 

“Please, don’t.” You beg wearily, taking the vodka from his outstretched hand and pressing it to your lips. Not even the burn of the spirit going down your throat registers.

“I wanted- want, both of you. You and Tashi.” 

He isn’t drunk, only tipsy, but he’s getting there, and his words are sluggish, laced with fury. 

“Shut up, Patrick.”

You fall down onto your back, resting the vodka bottle on your stomach, holding it by the neck as you stare up at the ceiling. 

Patrick has been sitting opposite you, but he moves languidly forward, crawling up over your body. He braces one knee beside your hip as the other slots between your legs. 

You blink up at him as one of his hands rests beside your head and the other falls over your own where it still holds the vodka bottle. You let him take it from you, placing it beside your body before the hand then moves to rest on the other side of your head. 

You’re now trapped beneath him, his lithe body hovering just above yours.

When he leans in, his alcoholic breath almost sears your skin as his lips brushed the shell of your ear. 

“Sometimes, when we were fucking I would imagine that you were with us.” Patrick’s teeth nip at your ear. “I asked her once, you know, and she slapped me. Called me a pig. I think she was just mad because she liked having you to herself. You were such a devoted acolyte, kissing the ground she walked on—“

Fury bursts within you like a solar flare, red-hot and ruinous. He was talking about her in the past tense, as if she was dead to both of you already.

Art groans in pain when you knee him in the balls. You use the chance to shove him off you and he falls to the side, knocking the bottle of vodka over. 

As you stand up, you feel the alcohol seeping into the carpet at your feet. 

“You are a pig.” You hiss down at him.

 It’s your room, but you find yourself storming towards the door. 

You don’t get far before Patrick recovers, clambering to his feet and easily closing the distance with his long legs. 

You groan in frustration as he presses you into the door, one hand above your head and the other wrapping around your torso, his fingers dangerously close to brushing your breasts over your tank top. 

“If I’m a pig, why did you let me in?” He pressed his face into your neck and breathes you in.

 Some of the vodka has evidently soaked into his shirt, because the scent seizes you with the same violence with which he had. It’s a secondary intoxication. 

You words come out weakly, and you hate that it’s because you’re using so much energy fighting the urge to press back into him:

“I felt sorry for you.”

Patrick laughs. 

The smug bastard actually laughs right into your skin, the vibrations travelling all the way down to where your body has begun to ache the most. 

“Oh, sure.” He coos patronisingly. “It definitely wasn’t because you’ve wanted to fuck me for years.”

You should fight him, but you don’t want to. 

You should protest when the hand that he has pressed to the door moves to pull down one of the straps of your tank top. But you simply don’t want to.  You want him. 

Art had been right about both of you.

No sooner has the thin strip of fabric been removed from your shoulder, than Patrick is clamping his teeth down on the exposed flesh. You yelp in surprise, the pain a burst of sordid pleasure. 

Patrick laughs again, the hand he has pressed to your stomach pulling you flush against him. You can feel his need for you pressing into your backside, but in case you had somehow missed it, he bucks his hips up into you. 

You gasp and he laughs again, his tongue now running over the aggravated skin where his teeth have left a dent.

“We both know what this is.” He goads.

“And what is it?” You ask teasingly, your head now thrown back and resting against his chest. He groans into your neck as you grind yourself back onto him. 

“Inevitable.”

“Are you just doing this to get back at them?” You ask, not daring to speak their names. 

An angry grumble you can’t quite make sense of tears out of Patrick’s throat just before he is forcefully spinning you around. 

You get barely a glimpse of his feral smirk before he is easily picking you up again and throwing you over his shoulder. The slap he delivers to your ass is punishing and stings furiously as he practically throws you down onto the carpet.

The bed is right next to you, but the asshole apparently wants you on the scratchy carpet and with a wet patch where the vodka has soaked in.

“I’m doing this, because I have wanted to fuck you, from the moment I saw you dancing at that party.”

 You’ve barely got your breath back after being thrown about, when he is grabbing your calf and yanking you down so that you’re laying completely flat beneath him. 

“But you only ever pursued Tash-“ 

He cuts you off from saying her name by leaning down and pressing his mouth to your still clothed breast. His tongue swirls over the fabric, your nipple growing pert. 

When his knee presses up between your legs, parting them forcefully, your head falls back, strands of your hair wetted by the spilt alcohol. 

When Patrick bites down on your chest far too hard, your hand instinctively comes up to slap the side of his head.

 You’re so shocked by your own burst of violence that you go still at exactly the same time as Patrick, both of you breathing furiously. When he does peer up at you, his dark curls slick against his increasingly sweaty forehead, menace dances in his eyes. 

“Do that again.” 

You wish you could have feigned confusion or indignation for even a moment, but your blood is pumping to all the right places to urge you to make terrible, delightful decisions.

 Your second slap connects cleanly with his cheek, your palm tingling with the force as his head spins to the side. 

Your handprint is already a pink mark on his skin when he wraps his arms around your torso, lifting you up just enough so that he can pull your tank top off and throw it to the side. Your chest is left bare to him and he wastes no time before peppering kisses to your sternum, to your breasts and your neck, his arms still wrapped around you, his nails digging into your back. 

The throbbing ache between your legs becomes far too much to bear, so you curl your fingers into his hair and forcefully tug him away from your chest- a bead of saliva stretching between your flushed skin to his swollen lips. 

You lean your head forward, taking his bottom lip between your teeth and biting, pulling at it until he groans pathetically. You let him go, beyond pleased when you don’t have to tell him what you want next. 

You don’t want to wait any longer. You haven’t slept with anyone since you met him and Art. 

Art.

 Is it wrong that as Patrick pushes your back into the carpet and pulls down your sweatpants and underwear in one clean tug, that you close your eyes and briefly imagine that it’s Art instead?

You might have found an answer if you had more time, but when you open your eyes, Patrick is over you, his shorts and boxers already discarded alongside your clothes. His shirt is still on, but neither of you have the patience for the second or so it would take to get it off him. 

Patrick smirks down at you before pressing two of his fingers into your mouth, you open gladly, your eyes locked onto each other as he swirls them around. When he’s satisfied, he pulls his fingers out, and then licks his own hand, mixing himself with you. 

He swipes his wet hand over your already slick core a few times before he’s pressing himself inside of you. Your arms curl around his neck as you wrap your legs around his waist. 

“Fuck.” He groans, his tongue licking up the side of your neck as his hips begin to move. 

“Patrick.” You plead, your fingers digging into the nape of his neck. 

He knows what you want, nipping at your neck before he is driving into you with bruising force. 

In that moment, as you’re joined in the way you’ve wanted since the moment you’ve set eyes on him, you realise thar Tashi isn’t the only person that can make you feel real. 

As Patrick drives into you–his lips and teeth leaving marks on your flesh that will be wine-dark by morning, and the horrible fabric beneath you leaving carpet burn on your back– you finally know more than tennis can make you feel alive. 

The sex is forceful and punishing, but fuelled by a genuine passion. Nothing but your intermingled breaths and the sound of your joined bodies fills the room. 

If the two of you hadn’t been so lost to your pleasure, you might have heard Art knocking on your door. But you didn’t. 

He did however hear the two of you, so he walked away. 

You wouldn’t speak to him or Tashi again for over ten years.

━━━━∙⋆⋅⋆∙━━━━

You weren’t in New Rochelle to compete. You didn’t need to. You were on the top of your game, ranked the third best female player in the world. 

No, you were in New York because despite your better judgement-- and the many years that had passed since you’d last seen him--when Patrick Zweig had called you, you’d answered. 

You hadn’t heard his voice since you had told him that for your own sanity, you couldn’t see him anymore.

For the two years you had been together after Tashi had banished you both from her life, you had let Patrick consume you. And you had never played tennis so poorly in your life. 

You hated what that said about you, that you had willingly discarded someone you had genuinely cared for to improve your ability to hit a ball. But hitting that ball was what kept you alive, not him. 

Not only that, it hadn’t taken you long to realise that you didn’t love Patrick enough to let him affect your career.

And yet when he had called, you’d answered. And when he’d told you that Art Donaldson had entered the Challenger as a wildcard, you both knew that you would come. 

From the moment you had booked the flight, to the first step you’d taken into the hotel, you had lied to yourself that you were only coming for the closure that you hadn’t received as a twenty year old. 

But when you stepped into the hotel lobby and saw Tashi disappearing into the nearby elevator, your self-deception shattered. 

You were here because still, after all the time that had passed, you ached for the way that you had felt when she had been in your life. You missed her. And you had missed Art. 

It was a sickening truth of your life, that while no one had fucked with your head or upset you as much as Art had ended up doing, no one else had ever been so attentive to you either. 

Art had watched you—watched out for you—even when you weren’t playing tennis. In fact, in moments of utter stillness, when you had been doing nothing even remotely remarkable, was when you had always caught him staring. He never shied away, or broke his gaze when he was caught, he’d just smiled as if he wanted you to know he would never feel shame for being found looking at you. 

And that had not changed.

You have been sitting at the hotel bar for ten minutes, feeling sorry for yourself and nursing the same glass of gin and tonic, when you feel someone looking at you. 

You turn your head cautiously, your shoulders sagging as your eyes meet Art’s. He’s sitting on one of the small leather couches tucked into the far corner of the darkened room. 

It had been an inevitability, but things would have been so much easier if you never came across him. 

You know you shouldn’t move- part of you had come for closure and you could get that just by watching him compete tomorrow, so you don’t need to talk to him. 

But then Art tilts his head and smiles at you like no time has passed and pats his hand on the unoccupied space beside him on the couch. 

You get down off the barstool.

 As you approach, he watches unflinchingly.

The last time you had heard Art’s voice, was when Tashi had suffered her injury and he’d been permitted to stay by her side when she had ordered you away.

And yet even after so much time, when he greets you with a quiet ‘hello’, the pathetic girl who had pined after him returns.

You don’t respond as you come to a stop right in front of him, the tips of your heels right against the toes of his shoes, but you make no move to sit down. 

It’s of course not the first time you’ve seen him since college, or been at the same event, or even in the same room- you’re both highly successful tennis players, you couldn’t help but overlap sometimes. But neither of you have ever allowed yourselves to get close, or to even speak. 

It has been over ten years of your eyes connecting through crowds and across rooms that felt much larger than they were, simply because there was distance between the two of you within them. 

Art sits forward, his forearms resting on his knees. He’s fiddling with his wedding ring and you can’t bear to look at the familiar way his fingers carry out the gesture. 

When he looks up at you, it's so open and wanting that you almost turn right back around. But then you hear his voice again.

“Can I ask you to sit with me?” 

“I don’t know Art, can you?” 

He smiles, sighing softly as he runs his hand through his hair. It’s short- much shorter than the curls he’d had at college. You like it. It suits him. 

You shift on your feet, crossing your arms across your chest to cover up your nerves. Perhaps you can protect yourself if you look like you’re closed off from him and from…whatever this interaction is about to be. 

Art doesn’t say anything else, but he surprises you by rising to his feet. You stagger back, but his hand reaches out and lands on your side to steady.

His touch lingers for a moment too long, but he does eventually pull it away.

 But he’s still close, too close.

Your hands have fallen to your sides, so it is too easy for Art to reach out and brush his fingers against yours. He doesn’t intertwine them, but he’s doing enough to let you know that it’s what he wants to do. 

He whispers your name. “Will you please sit with me?”

“I don’t think that’s a good idea, Art.” 

“When have you ever known me to have one of those?” 

You smile ruefully, but take a step back. His hand chases you, his fingers brushing against yours again as he tries to take your hand. 

“It’s been a long time since I’ve known anything about you.” You say, hating how sad it sounds. 

You should be angry at least. His meddling and his desire for Tashi is what ripped you all apart. And he has her now. They have a daughter together.

He doesn't get to ask you for anything, not even if it’s just to sit with him. 

You can’t trust yourself to sit next to him. 

“You do know me. Time can’t change that.” He insists, quietly but firmly. 

You scoff nastily. “I knew Art Donaldson when he was in college. The world famous tennis player who does AD campaigns for sports cars with his wife, is a stranger to me.” 

“Yeah.” Art laughs darkly. “He’s a stranger to me too.” 

You frown at him, growing angry. He seems exhausted and down-trodden. He’s clearly hurting and you hate that you know that—you hate that you‘d been able to tell that even from across the bar—because it means that he’s right: you do still know him. 

“It’s late, Art. You should get some rest. Big day tomorrow.”

You turn away from him and while he doesn’t reach for you this time, he does call out. You keep you back to him as he asks his question. 

“Who do you want to win, me or Patrick?” 

“Tennis can’t decide a victor between the two of you, Art. It’s never been able to.”

When you walk to the elevator, you feel a physical strain as you stop yourself from looking back at him.

━━━━∙⋆⋅⋆∙━━━━

You were right, tennis couldn’t decide on a winner: it was as fickle and incomprehensible as the human heart. Which was fitting, seeing as Tashi had always described tennis as a relationship. 

You had sat only two places away from her during Patrick and Art’s match, and you know she had seen you. But there had been no reaction, her face had been impassive and set on the court, her eyes hidden behind a large pair of sunglasses. 

Now, the match was long over and a result had been given. And yet there hadn’t been a victory for anyone. Just like you knew there wouldn’t be.

Something had happened on that court between the two men, some silent, inexplicable exchange that had altered the very fabric of them.

This time, when Art knocks on your door, not only do you hear it, but you answer. 

You feel almost shocked when you pull open the door to reveal him, dressed in a grey t-shirt and flannel pyjama trousers. You’re surprised at the sight as if you hadn’t known he was coming- as if you hadn’t readily offered up your room number when he had messaged and asked for it.

You’re also somehow certain that Patrick had given him your number, but you didn’t want to dwell on what sort of exchange had led to him handing it over.

Without a word, you step away from the door, self-consciously tightening the cord that holds the silk robe around your body. You stop and face the windows.

The curtains are drawn, by you stare forward as though the whole skyline is on display to you. 

The door to your room clicks shut.

You hear Art take off his shoes before his feet are padding towards you. 

When his arms wrap around your waist, you close your eyes and savour the sensation. He nuzzles his face into the crook of your neck, so you lift a hand and rest it on the side of his head. 

“I want to retire at the end of this year.” He says and you can feel his exhaustion in the slow breaths that coast over your neck. 

“So retire.” You answer softly, your eyes still on the curtains. “You’re tired.”

You know you don’t need to clarify. Thanks to the grateful press of his lips against your neck, you know he understands what you mean. 

Art is weary of all that he has to be when he’s playing tennis; he’s tired of the effort it takes to play the sport for not just him, but for Tashi too. His wife has been living vicariously through him. He’s been living for two people, taking the strain of two professional athletes combined. 

You know there had never been any point in competing with Art or Patrick, because Tashi would always love tennis the most. 

A shiver wracks your body as Art’s hand reaches for the bow that’s keeping your otherwise bare body concealed from him.

 “Can I?” His request is whined into your hair as he presses his face into the back of your head. 

Instead of answering verbally, you nudge his hand away and untie the robe yourself. Then, you take hold of both of his wrists and guide his hands onto your skin. You let out a sigh of relief when Art finally touches you the way you want him to. 

Your hands are still on him as his fingers move to cup your breasts, but he is the one guiding his movements now. He squeezes, his thumbs brushing over your nipples. 

“Art.” You rasp, pressing back into him wantonly. 

“Can I have you?” He asks, pressing open mouthed, hot kisses to your neck as he palms your breasts. “Please, let me have you.” 

“Stop fucking asking me and just do it.” 

You feel him grin against your neck just before he backs away, pulling back your robe and tugging it from your body.

The fabric has barely had time to pool at your feet when he’s grabbing you by the hips, his fingers digging in as he turns you. 

When Art’s lips finally claim yours, you moan unashamedly. His kiss is gentle but assured, you struggle for breath as he refuses to release you. Then, his hands are cupping your ass and he’s lifting you up. 

With his lips still moving hungrily against yours, Art settles you onto the edge of the bed. When he draws back, your lips chase after him and he smiles, grasping your face in his hands and giving you one more brief but searing kiss before he’s dropping to the ground.

 His hands press into your knees, forcing them apart as he begins to kiss and lick up your inner thighs. 

You prop yourself up on your elbows, watching where his mouth ravenously meets your flesh, tracing his path as he works his way closer to where you want him most.

When he reaches the top of your thigh, Art peers up at you through his long eyelashes, already looking drunk on you as he presses another kiss to your burning skin. 

“Lay back.” He instructs gently. 

But you’re too transfixed to listen- too desperate to see the moment his lips land on your core to look away.

He smiles at the realisation, delighting in your shudder as his tongue darts out and licks a line up your centre. 

“Oh my- fuck!” Your head falls back, already lost in the feeling of his mouth's devoted ministrations. 

As Art pleasures you, one of his hands skates up your stomach and gently presses down, asking rather than forcing you to lay back. This time you oblige, your eyes closed as your hands fist in the sheets. 

“You deserve so much more than I can give you.” 

You smile to yourself. Only Art could grovel as he gives so much pleasure.

Tightness begins to coil in your lower belly, but the moment he adds a teasing finger to his tongue’s movements, you realise you can’t wait. 

“Art- stop.” You gasp out, sitting up and resting your hands on his head. 

He halts immediately but doesn’t remove himself from between your legs. 

“Are you alright?” He asks, his hands rubbing soothingly along your thighs. 

“It’s not enough.” You say, tugging on his hair, trying to get him to come to you. “I need you.” 

Art doesn’t have to be asked twice, but he also doesn’t rush. He presses one last kiss to your now very sensitive folds before he’s climbing over you. 

You shuffle back, settling yourself onto the middle of the bed and even as Art takes off his clothes, he watches you. It’s as if he’s afraid that you’ll disappear if he so much as blinks. 

Now completely naked, he lays himself over you, his arms braced beside your head. He positions himself so carefully thar it’s almost as though he’s trying to fit himself to the shape of you- every divot and curve perfectly aligned sp that you’ll be fused together forever. 

As Art sweeps hair out from your face, his blue eyes bore down into you with an adoring intensity. 

You smile up at him and he rewards you by cradling your face in his hands, he lowers his head, his nose brushing yours as he gently takes your lower lip between his teeth.

Only when you understand what he wants and you open your mouth, does he kiss you again, his tongue delving in deeply.

As he seeks to consume you, your hands run down his back, squeezing his sides with your thighs. 

Art’s still kissing you as one of your hands reaches the curve of his arse, you dig your nails in and he jolts, his mouth moving away from yours and travelling down your neck. 

Tentatively, you move one hand around and down between his legs and when your hand wraps around him, he falters, his kisses stopping. 

“Is this alright?” 

Art moves again, licking the sweat slick expanse of skin between your breasts.

“Anything you do will be alright.” He assures, his lips brushing a nipple and making your back arch. 

“Do you want to have sex, Art?” You ask, barely restraining yourself.

His breaths are hot against your sensitive breasts when he answers. “Please.”

It is a joint effort as he slides inside of you. You gasp, arms wrapping around his neck as he presses kisses into yours.

Art groans as he begins to move achingly slowly, his hips rolling over yours with precision. 

You're happy like that for a few minutes, both of you revelling in your closeness after years subjected to absent desire for one another. But eventually, you want more.

You yearn for more force and luckily as you buck up into him, Art gets the message.

 As one of his hands moves behind your head, cradling it so that he can keep kissing you, the other wraps around your thigh, and pulls your leg higher over his hip, allowing himself to get even deeper. 

“You’re so beautiful.” He says in-between sloppy kisses, moving rapidly as you moan and whine. “You’ve always been so beautiful.”

Even with him inside you, making you feel more desired than anyone ever has, your mind drifts to that first night you had met him. The first night you had met Patrick. 

“You stared at Tashi.” You say.

You aren’t accusatory or upset, if anything the acknowledgement if it turns you on more. All four of you have always had a desire for the other, and it feels powerful to finally acknowledge it.

“-That night on the beach, you couldn't take your eyes off her. Neither of you could.” 

“I wanted you.” Art asserts with a particularly powerful thrust. “I- I wanted you so badly, but you went home.”

You nod, pulling him in for another kiss as you meet his thrusts. 

You understand his thinking. You’d often wondered how things might have changed had you not gone home early that night. If you’d stayed on the beach and then gone to their hotel room along with Tashi. 

Entirely content with just moving as one, you both fall silent and somehow Art curls over you even more tightly, like he wants his whole body to hide yours from the world. 

After you’ve both found your release he takes you into the shower and cleans himself off of your sensitive skin, each swipe of the washcloth accompanied by a kiss.

It ends up being time wasted though, because when you return to the bed, he takes you twice more.

━━━━∙⋆⋅⋆∙━━━━

You wake up with Art’s head resting on your bare chest. He’s laying on his side, one arm stretched out on the pillow above your head and his other hand resting on your hip. 

You’re sore in the most pleasant of ways as you sit up. You try to move slowly but Art stirs anyway, his head turning to press open mouthed kisses to your sternum. 

You rest your hand on his cheek, meaning to guide him away, but he moves so that he can kiss the palm of your hand instead. 

It’s only when you sigh into his touch, his eyes still closed as his other hand delves between your legs, that you realise why you had woken up int he first place. 

Someone was knocking on your door. 

And then you hear her voice. 

Tashi is calling out your name, sounding almost panicked.

 “Please, open the door, I know you’re in there.”

This time when you push Patrick away, he obliges, but far less quickly than you would have liked.

 In the time it takes for you to throw on your silk robe and gather up all of his clothes from the floor, he has barely got himself to stand up. He’s naked and blinking sleepily at you. 

When you shove the bundle of his clothes into his arms, he rushes to press a passionate kiss to your lips, holding the back of your head with his free hand.

You aren’t sure you want to know whether he’s truly still half asleep and genuinely hasn’t realised what is happening, or if he just doesn’t care that his wife is outside the door.

Flushed but furious at his casual demeanour, you push Art into the bathroom and close the door, just as Tashi knocks again.

 The repeated request for you to come to the door tumbles from her lips like a prayer.

You brace your hand against the door as you draw in a fortifying breath and smooth out your hair. You swear you can feel her through the door. 

The moment you open the door, Tashi is bursting in and closing it behind her. You step back, waiting for her to make the first move, for her to shout of attack or go charging into the bathroom. But she does none of those things. 

Instead, Tashi pulls you into a crushing hug. You go still, shocked but healed by it at the same time.

She pulls back, taking your face in her hands.

 “You’re a phenomenal tennis player.” Tashi says it rapturously. 

If you weren’t burning up at the feel of her hands on you, you might have laughed at how ridiculously perfect it was that those were her first words to you after over a decade. 

Tashi communicated and connected through tennis. She loved through tennis.

All you can muster is a very sincere: “Thank you.”

Tashi brushes your hair out of your face, tucking a stray piece behind your ear. You find your hands lifting, resting atop hers where they hold your cheeks.

“You need to let me coach you.” Tashi demands almost possessively.

“I have a coach.”

“They’re not me.”

“No, they’re not.”

And just like that, you were snared again. 

You had gone years without any of them, and with one word, you had allowed all three of them back into your life.

 Only this time, you know it might actually kill you if any of them leave. And perhaps it would kill them too. 

Only time would tell.

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[bratscave]

ᯓᡣ𐭩 IN ANOTHER LIFE !

summary. falling in love with a old! driver, who's name was james while you were still in college was one thing — but finding out that he was wolverine after his death and meeting another version of him, was another.

includes/warnings. lots of flashbacks (sex heavely implied!!), let's just pretend he was an uber driver or smth cause miss college princess had no money for a limousine for sure :/, there will be chpt 2 dw!!

You remembered that first time like it was yesterday. It had been raining, one of those cold, relentless downpours that drenched you the moment you stepped outside. It had been your first day back at physical collage after all the online classes, all nervous, fumbling with your phone as you waited for the car to pull up.

He was intimidating, didn't utter a single thing, you quickly learned he wasn't a big fan of small talk. You had tried to make conversation, anything to fill the suffocating silence. You’d rambled on about the rain, about how much you hated storms, but Logan had only grunted in response, his gaze fixed firmly on the road. You’d thought that was his way of telling you to shut up, and for a while, you had.

But silence had always been uncomfortable to you, so you continued talking, about school, your shitty new teachers, your weekend plans. Anything that crossed your mind, really.

He had pretty hands, veiny n' all. That's what you thought when you first saw them, inappropriate thoughts to have about a man who was so much older then you. But back then, you weren't actually planning on doing anything about that small attraction.

It had been a particularly bad day — the kind where nothing seemed to go right, where you felt like the universe itself had a problem with you specifically and decided to make your life hell. You had barely held it together as you climbed into Logan’s car, your hands shaking as you fumbled with the door.

And for the first time in months, the car was quiet.

But you remembered the way he drove slower than usual, the way his eyes had softened every time they flicked to the rearview mirror. When he pulled up in front of your apartment, he had turned to face you for the first time, his voice low and gravelly: “It’s just a test, bub. You’ll be alright.”

You had always asked yourself weather he listened to your ramblings or not, the fact that he remembered that you had an exam that day, clearly proved one of your points.

It was such a simple thing to say. And if any other person would've said it, you would've given them attitude because nothing had been going alright that day and you were sure you had failed the damn thing.

But when he said it, you believed him.

“When does your shift end?”

Logan didn’t respond at first, his brow furrowing as he kept his eyes on the road. For a moment, you thought he hadn’t heard you, or maybe he was just ignoring you like he usually did when he didn’t want to answer a question.

But then, he glanced at you again, his eyes dark and unreadable. “Why?”

Your breath caught in your throat, but you pushed through, your voice softer this time. “I know a place. Quiet. You might actually like it."

For a second, you thought he was going to say no — that he was going to shut this down before it even started.

But then, he muttered a rough, “Sure,” and the air in the car shifted.

The tiny ramen shop was a street down your apartment complex, the prices were afforadable, for your college-spent wallet to afford, at least.

The familiar bell over the door chimed, and the owner — a small, elderly woman. She had made a lighthearted comment about 'you finally getting a man' and you were sure you had seen logan fight a grin.

You glanced at Logan as he sat across from you, his gaze sweeping over the modest interior. His lips quirked, just a little, at the sight of the place, like he found it amusing in a way you couldn’t quite place. His eyes flicked up to meet yours, and for a second, you forgot what you were going to say.

But you'd quickly gather yourself, a chuckle escaping you at his antics, "Don't give me that look. You'll like it."

You didn't talk a lot, for the first time around him, you didn't feel the need to.

When the bill came, you reached for it, but Logan’s hand shot out, his fingers brushing against yours. The brief contact sent a jolt through you, your breath catching as you looked up at him.

“I’m paying,” he said, his voice low, almost a growl.

You shook your head, determined. “No. I invited you. I’m paying.”

His brow furrowed, and for a moment, you thought he was going to argue. But instead, he leaned back, crossing his arms over his chest, giving you a look that screamed ‘you’re being ridiculous.’

“I’m not letting you pay.”

“Well, tough shit. I’m paying,” you shot back, pulling the bill toward you and slapping your card down on the table before he could react.

Logan let out a deep, frustrated sigh, but the corner of his mouth twitched, just for a second. “Stubborn as hell,” he muttered, shaking his head.

When you finally stepped outside, the cold air hit you harder this time, cutting through the warmth of the ramen still lingering in your stomach. You wrapped your arms around yourself, shivering slightly as you started walking back toward your apartment.

“I’ll walk you,” Logan said, his voice gruff as he fell into step beside you.

You shot him a look, raising an eyebrow. “It’s literally down the street. I think I’ll survive.”

Logan didn’t respond. He just started walking down the street into the direction of the complex, his larger frame casting a long shadow over the pavement. You smiled though he didn't see it, in your humble opinion he was the stubborn one.

It took you all your courage to press out a, "Wanna come in?" after he walked you all they way to your door.

You had silently cursed yourself for not tidying up the space before wards, everything was just such a mess.

Shelves stacked with vinyl records lined one wall, your favorite albums mixed in with a few old books and random knick-knacks. Posters hung slightly crooked, tacked up without much care for symmetry, while polaroid pictures were scattered across the walls.

And then there were the plushies—so many plushies—bright pops of Sanrio characters peeking out from the corners of the couch, the bookshelves, even the bedroom beyond, where they seemed to be taking over your bed. A pink Cinnamoroll pillow lay tossed on the couch, its floppy ears slumping over the armrest like it was too tired to stay upright.

Logan’s eyes swept over everything, taking it in with a slow, deliberate gaze. You could see the corner of his mouth twitch again, that same almost-smile from the ramen shop, but this time it didn’t go away as quickly.

“You’ve got… a lot going on here,” he muttered, nodding toward the Sanrio plushies with a low grunt, but there was no judgment in his voice. Just something… curious.

You rolled your eyes, kicking your shoes off by the door. “I like cute stuff. Sue me.”

“Cute stuff,” he repeated, letting out a low, amused sound, but his eyes stayed on you, lingering just a little too long as you made your way to the couch.

He picked up one of the countless vinyls, carefully sorted next to a shelf, running his rough fingers over it. Something older from the 70s.

The next time you play that record, you'll think about how he kissed you on your coach a few minutes later. started of slow and tender, went all sloppy.

Maybe you’ll think about how he whispered your name, low and gravelly, like it was the only thing grounding him. Or the way his lips found your shoulder, kissing a line down your collarbone as he leaned you back against the cushions, his body hovering over yours, every inch of him pressing into you until you could barely think straight.

You’ll remember how his weight felt on top of you — solid, real.

“Christ,” he’d muttered against your throat, his breath hot, rough as he began moving. You highly doubted he believed in christianity or any religion at that, but the way he treated your body; felt like he was starting to believe in a new one, worshipping and all.

You had talked a lot that night, a few more hours, before you both fell asleep on same coach. It was the first time you heard multiple sentences beside just grunts and nods, from him.

If you only knew just how fast he'd leave you.

[wonderlandwalker]

First Impressions | Eddie Munson x Reader

Stranger Things Masterlist / Inbox Summary: Eddie learns that Dustin has a recently reunited sister, and from the moment he meets you he's a goner. (read part 2 here) Content Warnings / Tags: Pure fluff, henderson!reader, tiny mention of a fight but nothing descriptive, not edited, no use of y/n Word Count: 1.4k A/N: Eddie brain rot cause I couldn't keep it in. Don't know if this is my best work but I'm planning to write more chapters on this so it's just a start, hope you like it

“You need a ride home after this?” It was more of a formality than an actual question, he always drove Dustin home after a session.

“Oh that’s okay, my sister is picking me up.” Dustin didn’t even look up from packing his things away, but Eddie’s head shot up.

“Your- you have a sister, since when?” As far as he knew Dustin was an only child, but now he was wrecking his brain trying to think if he had ever mentioned you before.

“I know you’re bad at math Eddie, but I just told you she’s driving so try and put the pieces together.” Dustin was looking up at him now, challenging him.

“Alright smartass, it’s time for you to shut up.” He told him as he ruffled through his hair, leaving behind an agitated Dustin trying frantically to fix it. 

The others had already gone home, but Dustin stayed behind late to help Eddie finish up, a habit that became more and more common as the two grew closer. When they finished packing up Eddie locked the door behind them, and while walking to the parking lot decided he wasn’t quite done interrogating Dustin.

“If you have an older sister, how come I've never seen her around before?”

“I mean she’s been around during holidays before, she lived with dad though but they had a big fight so she’s moved here.” It seemed like a sore topic, so Eddie dropped it for now.

As they got to the entrance of the school and felt the cool air on their skin Eddie indeed noticed another car in the usually empty lot, and you were sitting on the hood of it, a book in your hands as you patiently waited. The last rays of sunshine graced your figure as if the heavens themselves were blessing you, and Eddie had never been so sure he’d seena goddess in his life. It was just like the tales he knew so well, the ones he still devoted his life to, it was as if they were becoming true. You looked up when you heard them approach, smiling at the sight of them and giving Dustin a quick side hug as they reached you.

“It’s nice to meet you, I’ve heard a lot of good things.” You held your hand out for Eddie to take, but all he could do was look at it, staring ahead as if hitting pause in a game, he stood still. He wanted to react, to not make the most horrible first impression possible, but the longer he looked at you the worse it got, getting lost in sight of your smile. “Alright, not a fan of handshakes, notes.” You chuckled as you withdrew your hand, and Eddie cursed himself for not having taken the opportunity to feel how soft your skin must’ve been. You looked at him again, your eyes piercing straight through his soul and he wondered if maybe he had found himself in one of his fantasy worlds, he must have. But the next second he shook himself out of it, because you were real, you were real and in front of him and expecting him to say something.

“I’m Eddie.” he said, nodding his head as if to confirm his own statement.

“So I’ve been told.” Another giggle slipped past your lips, and Eddie wasnt sure if it was from nerves or entertainment, but he was dying to hear more of it, even if he had to make a fool of himself to do so.

Dustins head kept going back and forth as if watching a tennis match of idiocracy. He had never seen Eddie so flustered, so used to the man flaunting with every opportunity that presented itself that this seemed quite out of character. In full disclosure, it was kind of freaking him out to see Eddie so beside himself, and it was freaking him out even further that he couldn’t figure out why. It was probably blatantly obvious to anyone else, but maybe it was for the best that Dustin couldn’t place where the tension originated from, either way, his patience had run out

“Can we go home now, I still have to call Mike to discuss our net strategies” You tore your eyes from Eddie, deciding that maybe it was for the best to head home.

“Yeah alright, maybe I’ll see you around Eddie.” You gave him one last smile as you got in the car with Dustin and drove off, but it took him another minute to pick his shambled ego up from the concrete ground as he berated himself for not being able to utter one coherent sentence. As he got in his van and drove home as well he decided he’d have to grill Dustin for more information on you the next time he’d see him. As he got to the trailer he grumbled a hello to Wayne before disappearing to his room, ignoring the backhanded comment he got about his grumpy disposition. 

He wondered if he’d ever be able to convince you he was cool, whether he’d be able to get you to agree to see him again, but after what just transpired he figured the odds were slim. Not that he’d give up so easily, he didn’t have much of a reputation to lose and if he’d be able to get you to laugh again that would be more than enough. But he didn’t get to wonder for long as Wayne knocked on his door, he was ready to tell the man to leave him alone, but the next sentence was one that confused him immensely

“Someone on the phone for you.” Wayne held the phone out to him, expecting him to get up from the bed and take it, but Eddie didn’t move an inch.

“For me, you sure?” He was still not quite sure what to do. “Unless another Eddie is living here I’m pretty sure.” He moved his hand again to accentuate the phone that was still on hold, but once again Eddie just sat there.

“If you want I can tell her to call back-” That’s when he sprung into action, snatching the phoen out of Wayne’s hand 

“No! No, I got it. Thank you.” The old man simply chuckled as he left again, closing the door behind him to give his nephew some privacy.

Eddie cleared his throat once before picking up the line put on hold. 

“Hello?” he asked, still not quite sure what to do.

“Hi, Eddie it’s me, just wanted to see if you were doing alright.” your sweet voice blessed his ears once more. He doesn’t know what he did to get the universe on his side like this, but he was grateful for it nonetheless.

“Yeah I’m good, listen-” Eddie figured this time he shouldn’t waste his chance, and he probably had some making up to do. “- I’m sorry if I freaked you out earlier, just never seen anyone that pretty before.” You were giggling again, and it brought the biggest grin onto his face. “You didn’t weird me out at all, it was kinda cute. I had to bribe Dustin to let me use the phone so I don’t have much time but I was wondering if maybe you’d like to go out this weekend?” Maybe he should’ve waited a beart before answering, but he was too eager to care.

“Go out, as in a date?” It got him blushing, the red creeping up on his cheeks as he wondered if that’s really what you were asking

“I mean, kinda, if you want to.” He could almost see you blushing on the other side of the line as well, and he decided it was now or never.

“I’d love to.” 

“That’s great, I’m still kind of new around here, do you know any good places?” Your smile was present as you spoke, and he was already looking forward to seeing it again, now knowing he wouldn’t have to wait long.

“How about I come and pick you up, we can go to the mall.” His confidence was growing with the minute now, absolutely elated by the turn of events.

“Im looking forward to it” He wondered what you’d wear, knowing whatever it was it would look beautiful on you, and he knew he’d spend the entire date amazed at your presence. 

“Me too” he said before the both of you hung up the phone, he had already started planning the most amazing evening out, and maybe, he thought, maybe this year really would take a turn for the better.

[part 2 here]

[justauthoring]

jerk [3].

because bakugou katsuki is a jerk but he's also unfortunately your soulmate. requested -> me begging for another soulmate fic with bakugou 😔😔🤲🏻 requested by -> anonymous

a/n: something a little happy and fluffy for the episode today :) truthfully, i don't even know what this is...

pairing: bakugou katsuki x f!reader

part one. part two.

You liked to think you were good at picking up certain signs.

Bakugou, however, clearly thought the opposite.

U.A. was doing an interactive training program with other schools. This was necessarily anything new, you’ve done them plenty of times now; but what was new was this time you had a soulmate.

Or, rather, you were with your soulmate.

That in of itself was anything new. Lots of people had soulmates and although it was rarer to find yours when you were quite young, as young as you and Bakugou were, it wasn’t unheard of. As you watch the multiple of young heroes in training, just like you, run around, you pick up on the certain singles of bonded pairs.

Two girls walking hand in hand, with beaming smiles on their faces and cheeks rosy from the simple intimacy of their actions. You see a boy pressing a chaste kiss to a girl’s cheek in a corner a few feet away from you, the girl responding with a laugh and half-hearted attempt to bat away the boys wandering lips. Two boys training together on one of the allotted stages, which to any normal gaze looks like nothing special, but you pick up on the way their hearts race and their eyes dance across each other's figures in a burst of excitement because of your quirk.

So, no, you weren’t the only one and certainly not when it came to the world. Of course not.

It was still weird though. At least to you. Bakugou and you have been together for a few months now and at this point you’ve grown used to the relationship. There was even a sense of dependency you felt towards Bakugou, a way that your heart yearned for him in a way you hadn’t experienced before.

The two of you got along great. He made you laugh and smile more than anyone ever had and you seemed to be good at helping him see things through a clearer, calmer lens. There were nights shared together, just the two of you, where hours would pass that felt like seconds of pure bliss as you both simply talked. It was nothing special, if anything it was especially ordinary, but it flooded you with warmth and love and you cherished every second of it.

Things were good. Great.

But in the eyes of others, Bakugou wasn’t a big fan of PDA. He’d do it sometimes; he didn’t mind holding your hand or kissing you quickly after class, things like that. Overall though, his more intimate actions were shared behind closed doors and away from prying eyes and you had no problem with it.

You actually appreciated it. You liked having those special moments where it was just the two of you and no one else. It made them more cherished in your heart.

Bakugou, however, seemed to have no problem with PDA when it came beyond just the eyes of your classmates.

All the different classes had been given a free afternoon; meaning, students were free to choose to focus on whatever they sought best. It was, as Aizawa-sensei explained to your class, an opportunity to better get to know fellow-heroes-in-training and honestly, you’d been very excited at first. There was a group of girls that had quirks you thought meshed well with yours and you’d wanted to talk to them.

That had been the plan.

But Bakugou wouldn’t leave your side! Beyond that, it wasn’t just him hovering nearby, it was him constantly keeping a hand on you and not letting you leave his side. You didn’t necessarily mind if Bakugou came with you until you realized that he seemed to scare every person away from him, which, in turn, meant from you.

“You’re pouting.”

Huffing, you turn away from Bakugou; “I'm annoyed.”

“Is it wrong that I want to spend time with my girlfriend?” Bakugou quirks a challenging brow at you, smirking.

“No,” you roll your eyes. “But you scare everyone away.”

“Oi.”

“It’s true!”

Sighing, there’s an echoed moment of silence before Bakugou frowns down at you. “I’m just worried about you.”

Shifting so his arm is no longer around your waist and rather you’re holding it, you glance up at him; “we’re literally surrounded by a bunch of heroes-in-training.” Then, pausing, you add somewhat spitefully; “which includes me.”

Bakugou just shakes his head; “I know.”

“Katsuki,” you call, reaching forward to brush your fingers across his cheek in the way you know he likes. Instantly, the tension in his face eases; something that never fails to make you smile. “We’re supposed to be mingling.”

He scoffs. “You sound like shitty hair.”

“Because Eijirou is right,” you challenge.

Glancing at you out of the corner of his eye, Bakugou hesitates; “what do they matter? They’re a bunch of extras anyway.”

“I thought we were done calling our friends extras,” you remind.

“They’re not our friends.”

“Katsuki.”

“Fine,” he snaps, face pinched in clear annoyance but a certain frustration in the fact that he knows you’re right. “I’ll leave you and ‘mingle’,” he makes sure to add the air quotes. “But only for an hour. Then I'll find you and we’re gonna do some training.”

“Yes,” you nod, “of course. Naturally.”

Your words are teasing but said with a certain fondness. Bakugou was always training and it was clearly a hobby of his that he wanted to share with you – honestly, sometimes his training sessions were absolute hell but you’d put up with them for his sake.

With a final nod and a kiss, Bakugou stomps off. Distantly, you hear him shouting ‘shitty-hair’ but you figure Kirishima can deal with his clingy ass for an hour while you go and meet some new people. 

And for the first forty minutes, it goes well. You’re bouncing from area to area, meeting new people and chatting with them, even sparring with a few. It’s great. You loved your class and your friends, but it was so interesting getting new perspectives from different people that were training in different ways than U.A. typically did. It was absolutely invigorating and you were reveling in every second of it.

Until you come across a boy named Aoto.

The conversation starts fine; he kind of runs into you but you laugh it off and learn he’s actually from a school located in America that had come down to Japan for this huge hero event. You compliment him on his Japanese, finding it amazing that he nails the pronunciation of words so well and falls into an eased conversation. Then, as the minutes pass by, the conversation starts to shift into a stranger topic.

Aoto asks if you’ve found your soulmate – it’s rather sudden and not something you’re really expecting. Still, you tell him you have and he asks if it was the blonde boy he’s seen glued to your side the entire day; it’s said with a certain edge you’re thrown off by and that’s where you start to grow a little weary.

“Yeah,” you nod slowly. “Katsuki. The way we found out is actually a funny story—”

“Isn’t he the one that the League of Villains took when he was in his first year?”

Your lips are left parted from his sudden interruption, but instantly your eyes narrow at his tone. “The League of Villains kidnapped him,” you say warily, somewhat defensively. “But Katsuki fought to get away and never once even considered their offer to join them—”

“Yeah,” Aoto cuts you off again, dismissing you with a single wave of his hand. “But isn’t he the reason why All Might had to retire too?”

Instantly, all pretense disappears. You’d already been annoyed but your face shifts into something nasty at his insinuation; even more because you knew that was something that still haunted Bakugou to this day. It wasn’t true, of course, but you knew that it still remained on his mind constantly.

“All Might fought to save one of his students,” you hiss, taking a step back from him. “And it isn’t Katsuki's fault the fight ended that way.”

“I don’t know,” Aoto hums, “someone like that? I wouldn’t care if he was my soulmate, I’d stay away from him. He’s quite terrifying too, I’d bet that if given another chance he wouldn’t hesitate to join—”

He doesn’t finish his sentence as he suddenly falls to his knees, clutching his head in pain as he lets out a cry. You step towards him as he does, letting him wallow in pain for a moment longer before letting go. Aoto instantly falls back the second he does, staring up at you in disbelief and fear as you glare down at him; 

“You don’t know the first thing about Katsuki. So don’t pretend you do.”

Aoto just sputters up at you, eyes wide, practically shaking.

Then, a familiar voice calls out; “Y/N?”

You spin, face easing the second you meet Bakugou’s. He’s walking towards you, confused eyes flickering between you and Aoto, who's still on the ground, before Bakugou finally registers the look on your face and instantly, Bakugou’s eyes narrow.

“Did this damn extra do something to you?”

Rushing forward, you catch Bakugou by the arm before he can reach Aoto, pulling him towards you; “Katsuki. Katsuki! It’s fine, it’s okay!”

Bakugou just shakes his head as Aoto stares fearfully up at him, looking near tears.

“No, it’s not,” Bakugou growls, “if he hurt you or said anything—”

Shifting, you press both of your hands against Bakugou’s cheeks, cupping them and forcing him to meet your eyes. He’s panting and his eyes are wild but he instantly focuses on you, gaze softening.

“Let’s just go,” you whisper, “I just wanna spend time with you.”

That catches his attention. All anger wipes from his face instantly and Bakugou is instantly easing in your grasp, face brightening as slowly nods, moving to take your head in his own and threading his fingers through yours. He squeezes your hand, sending one last frightening glance Aoto’s way before walking off, leading you with him.

Then, a few minutes later when it’s just the two of you, Bakugou smirks down at you; 

“Thought you wanted to ‘mingle’.”

Grinning, you shrug; “it’s more fun with you.”

[hierarchyproblem]

I used to volunteer at a charity that gave out food to homeless people on the evenings. They got a lot of donations - excess stock from the amazon warehouse, that kind of thing - so they also distributed supplies to homeless shelters and womens' shelters and stuff. My job was loading and unloading the vans, sorting donations, and cleaning the big warehouse that they rented. I got on especially well with one of the other guys there; he was an old-school anarchist and a wilderness outdoors type who spent half his time living out of a tent in the middle of nowhere in Scotland, so he had stories and shit. I think he was in a kind of long-term homeless-by-choice situation; when he wasn't up in his mountains sometimes he'd squat in the warehouse and store his stuff there while he was between other accomodation. The charity was cool with that, he'd been with them for a long time and they knew the deal and they had the space.

Except one day one of the directors or whatever came down and threw his shit out onto the street and told him to be gone by the end of the day or he'd call the police. No idea what precipitated that and I never saw this guy again. Writing this out it seems insane: surely he must've done something to precipitate that? Nobody so much as suggested that at the time. I heard what had happened from one of the drivers, and he said the fucked up thing about it was that this chair of trustees (or whatever his role was) was prestigious and well-off enough he could've got any hotel in the city to put this bloke up indefinitely just by asking! But he chose to fuck up this guy's living situation as far as I could tell just to flex his property rights.

I always knew, obviously, that charity is at best a superfical treatment only of the symptoms of capitalist society, and totally orthogonal to the revolutionary change that'd be needed to actually fix the social and economic problems of this shitty society. Of course. But this is what opened my eyes to how much abuse and exploitation goes within the charity sector itself. This is the worst I've heard of, but the same principles are rife: poor conditions, long hours, ducking your workplace rights if you're "just helping out occasionally," poor pay for paid staff and volunteers treated like they're disposable. It shows too how easily a charity for homeless people can end up writing off the people they're set up to help, especially if they refuse to passively accept the little that's on offer. Not every charity has all of these problems, but a lot have at least some. And the guys at the top end up running it like a business 'cause that's how everything's expected to be run; if you've got upper-management experience that's how you see the world.

I don't volunteer there anymore and I'd think very carefully before giving any of these organisations your time or your money. There's homeless people in your area I bet - give them your cash directly and spend the time chatting with them if they like.