#there's just something about them that compels me so

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[roguephenon]

II: The Thing That Will Always Be

"...Knowing this was the outcome, would you have still done the same?"

"In a New York minute." (Chapter cover is by @pinkmeanschaos. Check them out; they have fantastic work.)

The beginning of the end lies under the cut.

This would be the part where I post a tease of the chapter, followed by a link to said chapter.

Let's switch it up this time.

You've all given me so much love and encouragement, and I appreciate and cherish it all. Thank you so, so much.

But I'm not the only fanfic writer for this fandom. There are so many others who deserve love too. Some come to mind.

Like...

@geekinclara just recently started a KND fic, "Those Were The Days". It looks to be their take on Rachel's days as Supreme Leader and maybe even beyond that. It's off to a fantastic start. I've occasionally seen their posts about how much prep they've been doing for it (did you know making a cohesive timeline for this show is hard? Because it truly is), so it could do with some love, non?

And then there's @spicedwatermel0n and his KND fic, "The Rebellion," a GKND AU with 15 chapters already. It explores darker themes (which he's gone through the effort of listing before it starts to prepare his audience; he cares!) while weaving a narrative of the cast trying to fight an oppressive GKND regime. In space. Which is dope. He even has his own art of his designs. I hear he loves people asking about his AU and headcanons on his side blog when he has time to answer.

Nowadays, I write stories and create art for myself first and foremost, and I believe that should be the ultimate goal. Learning to love and take pride in your work should compel your drive to tell stories!

But comments matter, too. Feedback and engagement are rarely ever not a boost. I read every review left and respond to what I can when I have spoons, and it's an amazing feeling.

So, this is just me saying, "Help them feel amazing, too!" And not just these two, but all fanfic writers! If you see a fic you like, leave a quick sentence of your favorite moment!

Even if it has no traction, you'll just be their first!

Even if it has yet to be updated in 14 years, maybe there's a chance they'll come back one day!

Just something that came to mind to me today! And, of course, everyone has boundaries and things they like and dislike. Be respectful of those, too! Seriously. I've had to learn lessons the hard way, and I hope you don't have to have as harsh of an experience.

Thanks for listening to me yap!

Here's the link to Cold Reception's penultimate chapter for your trouble.

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[flownwrong]

chaotic ckr c6d squee propaganda (?) post

This, started half a year ago for @ds30below, was initially a general c6d short reviews post but kinda skewed majorly towards CKR's repertoire and wasn't too review-y. So I gave up on making sense and on including the non-CKR works. I don't know who the audience for this is, because I never give basic details for people who don't know about this stuff but say too much for those who do. I giffed what I could and tried to avoid what I know a lot about but haven't actually seen. Here goes.

Frank's Cock (1993)

Not much to say. It's only 8 minutes, it's beautiful and you should see it if you haven't. I won't spoil the subject, but you can likely guess. Watch it, cry a little. Then go watch some more of Mike Hoolboom's stuff, the vimeo link above is from his channel.

Two X-Files episodes (1994 – 1995)

Well, I haven't actually seen X-files since I was about fifteen and watched the like two seasons, and I remember none of it. I rewatched the two early episodes CKR appears in and they were fun. I did not watch the, the movie or whatever where he's doing the evil gay thing. But really, this one is on the list so I can show you this self-indulgent gif of him being Very Long:

Double Happiness (1994)

You shouldn't watch this one for CKR. I mean, you absolutely should see him here, looking like he's barely out of his teens and playing up the insecure act and having devastating chemistry with devastatingly beautiful Sandra Oh, but this is not why it's great. And it's really, really great. It's touching and funny and sincere. If you wanna have some feels about complicated family relationships and identity and growing up (at any point in life), you'll find them here.

Curtis's Charm (1995)

Don't regret watching it, can't recommend. Not gonna lie, I was emotionally affected. But I usually am by things as in-your-face bleak as this. Mostly, it's trying very hard to be smarter than it is, I think.

However: CKR's One Wild Curl is everything to me (see above, on the right. It was, like, actually curly. I was rendered speechless). And like two seconds of Hugh Dillon made me do a double-take, lol. Incredibly weird knowing this was shot like half a year before HCL began shooting. Feels like it must've been a decade earlier.

Hard Core Logo (1996)

I could make three separate posts about this one, so of course I have no idea what to say.

This one, you should watch for CKR, actually, he's something, but so is every single other aspect of this film. I wouldn't change a thing about it. It hits you like a 16 wheeler. Perfectly cast, unimaginably beautiful, hysterical and melancholy and disgusting and compelling.

Related recs:

A wonderfully fun article/retrospective/interview for its 20th anniversary a while back.

You should also absolutely read Hard Core Roadshow if you enjoyed the film. It's a book documenting the whole thing from conception to release. It touched me for its own sake, not just a backstage glance, full of love for the craft and the people and carrying this tangible bittersweetness about the heightened and fleeting nature of this kind of work.

(here, I feel compelled to include a quote from another c6d-related interview on Slings & Arrows, which I read after the book and went like man, it's really a universal experience isn't it.

Coyne: <...> But I also think, and this is my experience, what we were all experiencing, because we were all talking about our lives, our life in the arts — there’s something very melancholy about doing something you love, because it will never be good enough, it will always break your heart.

McKinney: Or it will be fleeting.

Coyne: It’ll be fleeting. You come together with people you feel passionately connected to and two weeks later they’re tearing down the sets.)

Quotes from the article and the book respectively include:

McDonald: So there was a kind of mutual dependency society with Hugh telling Callum, “Don’t worry, man, I got your back, I’ll tell you how high or low to wear your guitar, I’ll tell you how you should dress, I’ll tell you what you should drink…” and Callum was like, “I’ll tell you what hitting your mark is, I’ll tell you why they pull out fucking tape measures, I’ll tell you why you have to do it again, I’ll tell you about not overlapping dialogue..” and you know they clung to each other, like the other one was gonna fucking save them.

And:

A final gathering at the back of the tour bus with Bruce, Callum, Hugh, Bernie. We listen to the tape of HCL songs, all the way through, one last time. And we belt the words out. Bernie sings loudest, performing for Salerno's camera. Hugh and Callum sit back, looks of sadness. I get the sense that if they could do it, they'd chuck their lives and be Joe Dick and Billy Tallent forever. Callum leans to Bruce and says exactly what everyone else is thinking: "I don't want it to end."

There's much more to both texts than *gestures* the whatever those two had, but it certainly doesn't hurt.

And Xeriscape is the best HCL fic I've read. Granted, I read very few because it's not a source that creates in me a craving for fic. But this one perfectly matches the film's fucked up beauty with its language while also adding a quieter, more fraught layer of humanity that we only get glimpses of in canon and that perfectly fits John. 10/10, would recommend.

Anyway. Watch it. Read it. If you haven't. Otherwise, come scream with meeee! And go reblog my gifs or something. Idk.

Letters From Home (1996)

Mike Hoolboom strikes again, with another short. This goes into the "don't watch it for CKR, watch it because it's great" box. Yes, you will cry.

For Those Who Hunt The Wounded Down (1996)

Another bleak one! It sucked to watch, I mean, on purpose. There were a couple of very effective scenes. I really enjoyed the opening. They say the book is decent too, I haven't checked that out.

Actually, let's just switch back from coherent thought to undignified staring at his mouth with this one. What the fuck is that cigarette thing. I couldn't help myself.

Last Night (1998)

These gifs are not representative of the whole movie. There is more happening than CKR kissing or hugging people. He's also doing more than just kissing and hugging. It's all very... impressive.

Guess who's also here again? Sandra Oh! And say hi to Don McKellar, who is an absolute champion for writing/directing/starring. You'll be seeing more of him.

Another one for the "watch it for its own sake" box. Seriously, that late 90s indie stuff is banger after banger. It's so beautiful! Look at those colours! Look at those shots! It's very uneasy and charming and melanchioly and itself in the best way.

Twitch City (1998 – 2000)

Don McKellar is back to murder you with discomfort! Bruce McDonald lends a hand. Molly Parker is also here. And Daniel McIvor, who'd go on to direct, for example, Wilby Wonderful. It's a party. If you watched some stuff from above (or below) on this list, most faces and names will be familiar to you, tbh (another Hugh Dillon double-take happens).

If you liked Spaced, you'll love this. You might also love it because it commits to its weirdness with an admirable resolve and is genuinely hilarious. (Honestly, CKR's outfits alone warrant a watch.) The idiosyncrasy is definitely Don McKellar's doing 200%. It couldn't be more different from Last Night, but if you've seen one, you'll recognise the other.

Battlestar Galactica (2003 – 2009)

I don't think a person should be allowed to look this pretty in the sweaty-and-dying makeup in that light (this sentence probably looks very weird to those not under the CKR magic spell).

I don't know what to say about BSG because I really, really enjoyed early it initially, but by the middle of S2 it got... well, whatever that was. If you know you know, if you don't, still give it a go. You might get invested enough to suffer through it all, as I have been, slowly.

The unfortunate thing is that CKR got to be there mostly in the "what the fuck" years and not the "wow that's so cool" years. That, as you might be aware, is a pattern with him. But! When he was here, he was so genuinely, wonderfully creepy not in the typecast-baddy way, but in this slow, half-absent way, which really worked. You can also see him tortured a little, as a treat!! <3

Also, a wild John Pyper-Ferguson appears! If you're looking at him thinking you know him from somewhere but not immediately remembering, you'll figure it out, I believe in you. I was very happy to see him.

Wilby Wonderful (2004)

Another win for the put CKR in more good shit team!!! Guess who's here again? Sandra Oh! Also, Paul Gross. Don't watch it for him either though haha.

Another one for whoever wants to look at pushing against the weight of others' (or your own) expectations and growing into who you are or reconsidering who you are or finding meaningful connections with others even when you're kind of a mess and they are too.

Not nearly the first time CKR's gotten to play a queer character, but man, this one really is the heart of the in-universe community, and, through that, of the film. A rare chance to see him so far out of the prickly persona! He's just so solid and calm and there for others in this one and, and soft, ough. It's awesome.

By the way, if any of you have the commentary track or know someone who has, please drop me a line here or on discord (emotionalrisotto), I really wanna hear that.

Supernatural (2005)

I love Supernatural a lot. It was a formative experiences (albeit a very late one) and I owe a lot of my favourite stuff about fandom-ing to the buddies I met through it. I can't believe I'm telling you this (because who hasn't seen it, not because I'm reccing it), but you should really try it if you haven't. It's pretty rad.

I had no idea who this guy was when I saw that episode (the second ever one!), though. I simply cannot fathom what @nigeltde-fic felt when she first saw it. I think I personally got very lucky she didn't combust on the spot. It would've been unfortunate.

On a sillier note, CKR's character has weird tension with both Sam and Dean in this episode, which is par for the course. I personally think they should've... no, I shan't say it. You can probably imagine.

Californication (2008 – 2013)

I haven't actually seen it, lol (and I suspect I won't enjoy it, but I'm very curious and also CKR looks really really good).

The real reason for this one on the list is to share a fic rec. Really, it's a due South F/K fic featuring Lew Ashby. It's ridiculously hot and very satisfying in its romantic resolution, too (but then, I'm kind of big on selfcest. And consensual voyeurism. And pretend relationships when done like this. And sublimated yearning. Erm.)

Shattered (2010 – 2011)

I wish this never happened. I badly, badly wish this never happened. I can't turn back time, but I can warn those luckier than me: do not go there. Yes, even for this dude. You'll sleep better not knowing just what it is he was the EP on. And the only important part — the mascara — can be seen above (yes, the show does look that bad, it's not just the gifs).

Just kidding — I watched it, didn't I? You'll have fun hating it! Just prepare for industrial grade cringe, lower your expectations (No, lower. No, still lower than that. And just a bit more.) and you'll have a great time!

Star trek: Discovery (2024)

Or, as I call it, Star Trek: The Mediocre Show. Discovery S5 was... what it was, but it was a wonderful viewing experience — mostly thanks to the gang (@kittkatk and @feroxargentea especially!)

What a joy it is, to follow a show week by week, yelling and laughing and discussing the whole time. And giffing, too. I was very happy to contribute to the Disco fandom from my own little obsessive corner, and I was glad to see people adoring Rayner, haha.

He's a pretty neat character — very much a stereotype, yes, but with CKR's usual twist of odd vulnerability and weirdness. Also, I loved the ears. I miss the ears. The ears were great.

I even wrote a fic! Although it's not within my usual range to write for canons and universes I don't know well — and back then, I'd only seen S5 of Disco. It was a lot of suffering, and a lot of fun.

Closing thoughts

I'd really love the dude to get a better agent. And possibly better taste, but I realise that's a tougher ask. Seriously, it's been too long since he was in something majorly cool. I'm grateful to him, at least, for not making terrible music on the side. And I still have a lot of his back catalogue to get through, some of it even good, so there will be more insanity. Until then!

[russilton]

Sorry but it's obvious Mercedes wants George to be above Lewis in wdc and is doing everything to achieve this. I don't know why you justify this team so much.

I honestly loved your account and your opinion but I just can't agree with you here. Ferrari does stupid things but at least they don't play with showy priorities.

Why would they want that though- genuinely, why would they want that, it makes them no extra money, it gets people yelling at them, and they have had multiple DNF’s for George this year that sure seem like a bad look if they’re trying to master mind this shit. In this race that masterminding would lose them points and money, Merc never, ever, want a situation where they lose money. They are a business.

Merc suffer from successful idiot syndrome- when they do a risky thing and it works out they look like geniuses, but sometimes you do a risky thing, it doesn’t work out, and to everyone you look like morons. Look at Oscar passing George now when he started 5th. George also would have come out behind Lewis had he not ran long with yuki— but as shown ultimately Merc’s strategy was safer than McLaren’s, but makes them look bland when mclarens risk works out. If there has been an early safety car like there usually is, or if he had made overtakes on the start, Lewis would have looked clever as hell for going soft

Tire picks are not uniquely up to the driver, but they are also not decided arbitrarily by the team either- they are made in combination with strategy and lewis’ engineers Mike and Bono, there’s a reason Lewis Bono and Mike will have seperate meetings on Saturday to Lewis Marcus and Chris. They are working in combination but still racing each other, look at SPA— that was not them deciding not to do for Lewis what they did for George, that was lewis’ team playing it safe, and not accounting for George’s team having nothing to lose and playing risky.

All of this is really boring, it doesn’t sound as compelling or spicy as some great conspiricy theory about fucking one driver or the other over as we have had FOR THREE LONG YEARS, but it’s just what’s happening when you don’t have the quickest car and you’re trying to claw ahead of the quicker guy ahead. I would love some great silver bullet that if we pulled would fix everything but it doesn’t work like that. Sometimes you gamble on something with your best assumption as to what might happen, and you don’t get it, racing is boring like that, because you can’t will your way to being be a bit faster like in a foot race, you are limited by the car you have.

I know this is annoying and it feels extra shitty because you can’t do anything about it, and if there’s a greater plot then you can justify that feeling easier, “I can’t get by because they are out to get me” is easier than “I can’t get by bc we just don’t have a good enough car”

But that’s the reality of this sport. And it’s so fucking annoying I get it, you think I don’t frequently partake in “McLaren’s are cheating and redbull is evil and my special guys deserve more” ? Of course I do, that’s also part of the sport. If I had had my way Lewis would have won today I wanted it so badly, but as evidenced by McLaren and ferrari getting by us we just didn’t get it right today. It sucks whole ass but that’s what it is.

Grit your teeth, kick a wall, curse the heavens, move on.

[stitchlingbelle]

Why Lucy?

Ok, other people have probably come up with this already, but: we speculate about the Harkers being something supernatural by the end of the book--

--have we considered that Lucy might have been something supernatural from the beginning?

Leaving aside the inevitable Doomed By the Narrative foreshadowing she gets, Lucy begins sleepwalking and more before the Count arrives in Whitby. It is strongly implied that her sleepwalking is something beyond the usual: "there is an odd concentration about her which I do not understand; even in her sleep she seems to be watching me..."

Also before her first encounter with Dracula, her dreams and moods are uncertain--and significant-- enough to feature heavily in Mina's diary: "Lucy is more excitable than ever, but is otherwise well..." And again, it is stated that she is unusual: "She was restless and uneasy all the time, and I cannot but think that her dreaming at night is telling on her. She is quite odd in one thing: she will not admit to me that there is any cause for restlessness; or if there be, she does not understand it herself."

Mina ascribes Lucy's problems to her innate nature: "Lucy is so... sensitive that she feels influences more acutely than other people do..."

Lucy seems more aware of her attacks than Mina later is. (Or that Jonathan was, if you subscribe to that interpretation.) She reports not just the material things she witnesses (hearing the flapping of Dracula in his bat form, as Mina saw his mist form), and not just the fear and nightmares all experience, but "distant voices which seemed so close to me, the harsh sounds that came from I know not where and commanded me to do I know not what..."

And her recollection of her first attack while sleepwalking is neither a blank, like Mina's first, nor a grounded account, like Mina's last-- instead, Lucy reports an out-of-body experience: "my soul seemed to go out from my body and float about the air. I seem to remember that once the West Lighthouse was right under me... and I came back and found you shaking my body. I saw you do it before I felt you."

Finally, Lucy's struggle against her impending transformation is different from Mina's. When Mina begins to turn into a vampire at the end of the book, she can't abide garlic, but Lucy quickly grows fond of it and says "there is peace in its smell". Seward reports that "whenever she got into that lethargic state [in which Dracula controls her]... she put the flowers from her; but that when she waked she clutched them close." Lucy somehow feels and responds positively to the garlic's powers, even as her body transforms (her wound healing and teeth growing, and her vampiric nature attempting to ensnare Art).

Finally, Lucy herself, at the beginning of the novel, believes herself to be unusual: "[Seward] has a curious habit... as if trying to read one's thoughts. He tries this on very much with me, but I flatter myself he has got a tough nut to crack. I know that from my glass. Do you ever try to read your own face? I do... He says that I afford him a curious psychological study, and I humbly think I do."

I think there's an argument to be made that Dracula picked Lucy because she was the easiest for him to reach-- that she was sensitive, not in the emotional sense, but in the sense of being clairvoyant. She can hear him, and therefor be compelled to obey him, before anyone else. The strangeness around her before the Count's arrival isn't just foreshadowing for us-- it's Lucy's own second sight warning her that doom is at hand, and giving her the power to struggle against it for as long as she possibly can.

[graciereadshannigram]

hey fam, my spreadsheet is FINALLY up to date so i am FINALLY getting back to the monthly rec lists! here's the cream of the crop from July :)

as a reminder: the ingredients for a five star rating typically (but not always!!) include some combination of a.) believable characterizations of both Hannibal and Will, b.) compelling plot and/or character arcs, and c.) high quality smut.

that being said, my judgment of the aforementioned ingredients is powered almost exclusively by vibes and as such, is incredibly subjective.

you can find past recs below:

February March April May June

and if you have any recs of your own for me, PLEASE SHARE.

without further ado, let's go!

One Way Out of Many by hellotailor

Word Count: 59937 Summary: Hannibal planned to keep Will in the dark about his encephalitis so he could watch that brilliant mind burn itself up and become something new. In a world without daemons, he might have got away with it.An AU incorporating elements of Philip Pullman’s His Dark Materials series, beginning partway through the first season of Hannibal. Due to the existence of daemons, the course of the Chesapeake Ripper case is drastically altered — and so too is the relationship between Hannibal and Will.

Everybody say "Thank you, Serri" because this fic was SO GOOD. I didn't know how I'd feel about the mortal instruments crossover, but it was highly enjoyable.

Long Flights Can Be Torture by ThisIsMyDesignHannibal

Word Count: 6334 Summary: Will and Hannibal are finally flying to somewhere they hope to settle down. Will’s nerves are making him restless…but how better to entertain himself then by toying mercilessly with the man he loves? Will wants to see just how far he can coax Hannibal out from behind that impeccable person-suit, preying on his insatiable attraction, and pushing him as far as he can…just, you know, for fun. Hey, long flights can be torture!

Will flirting with the stewardess?? Secret butt plugs???

certain dark things by multifandom_fanfic_writer

Word Count: 28090 Summary: “Now, you will kneel.”Will opens his mouth and issues his Command. And Hannibal, who has spent forty-four years defying his dynamic, who has never once in his life followed anyone’s commands--falls to his knees.

Blood Will Have Blood by idonthaveyourappetite

Word Count: 13481 Summary: Will and Hannibal are living in a post WotL limbo, a sexless pretense at domesticity full of tension and frustration. Will, unable to get over his guilt and complicity in their new life together, has been holding that part of himself back, but subconsciously hopes that Hannibal will push him, HARD, to take that next step. Hannibal, although increasingly frustrated, has been infuriatingly patient with him. Finally realizing that patience isn’t helping either of them, Hannibal forces Will to confront and accept his desire, giving him exactly what he needs. Their first time is exactly how they both need it to be.

And Cure His Heart by ThisIsMyDesignHannibal

Word Count: 10460 Summary: Will’s irritability and frustration have been mounting since going on the run, and Hannibal has been bearing the brunt of it. Unconsciously craving one particular way Hannibal can help him quiet his whirring mind, it’s time for Will to face up to what he needs, swallow his pride, and ask for it. This time, however, actions speak more eloquently than words ever could. Relinquishing control can be its own form of therapy. Relief is often found in surrender.

Oh my God, Will not knowing how to ask Hannibal for what he needs? And the devastation when Hannibal realizes how he's been neglecting Will? Chefs kiss, perfection.

I'll Take Care of You by sourweather

Word Count: 6339 Summary: After an Acute Stress Reaction and continued trauma at work leave Will feeling desperate for release, Hannibal reveals that he has a very effective technique for Letting Go

Whoops, I like fics where Will is put into subspace as "therapy" SUE ME.

Cuisine Euphonique by thecountessolivia

Word Count: 35335 Summary: Nightmares brought on by a gruesome case lead Will to some unorthodox therapy in the form of a YouTube cooking channel.[Completed]

This fic was absolutely incredible and I desperately wish I could read it for the first time all over again.

Hannibal Lecter and the Great Cat-astrophy of 1812 by slut_arc

Word Count: 1582 Summary: If Will Graham knows one thing about owning dogs (and a cannibal), waking to complete silence is suspicious.Whatever could be distracting Hannibal and the dogs so greatly that they left the house without even eating breakfast?

cat dad Hannibal cat dad Hannibal!!!

the distance is quite simply much too far for me to row by softhan

Word Count: 15355 Summary: Hannibal is having a rough time recovering from his injuries post-fall, and retreats into himself to avoid confrontation with Will while he's still weak and ill. Having to play happy husbands hardly helps

Fake relationship AND vulnerable Hannibal??? it hurts, but it's worth it.

Consenting to Dream by emungere

Word Count: 32188 Summary: A seduction through physical objects. It starts with a scarf loaned to Will on a cold day, but Hannibal, as usual, isn't satisfied with anything small.

Possibly one of the sweetest sugar daddy fics I could imagine reading, oh my god, I love them so much. Will having to get comfortable with allowing someone to care for him? OUCH.

Conduit by mokuyoubi

Word Count: 9288 Summary: No one has ever known Will as well as Hannibal, and if only he could get over his reservations, he knows that they could be amazing together. Hannibal, happy to have Will in whatever capacity he is able, is only too willing to give Will anything he wants, even if it's someone other than himself.Or, Hannibal watches while Will has sex with a woman, and Will gets off on how much Hannibal gets off on it, and voila, sexuality crisis averted!

This was very hot, 10/10.

I Don't Even Like Lana Del Rey by perpetuallycaffeinated

Word Count: 4328 Summary: Will’s thoughts were going in a very inappropriate direction, and he had a growing suspicion that they were being led in that direction by a firm, determined hand. He gave another half-hearted bark of a laugh and threw back the remaining coffee like a shot. “Maybe Zeller and Price changed the wrong number’s ringtone. Jack’s not the one listening to me when I feel like I’m coming unhinged and feeding me the best damn food I’ve ever eaten in my life.”“No,” Hannibal agreed quietly, “he is not.”The tension and low thrum of arousal were making Will speak impulsively. He knew this, but he’d just finished his drink. There was nothing he could use to stop the question, blunt and presumptuous and rude.“So, what, you’re my daddy?”

Dancing with the Beast by proser

Word Count: 86347 Summary: In order to catch a mediocre serial killer, Will must pose as Hannibal's date for a series of pretentious social events.Hannibal is dramatic and jealous as ever, and Will is having a great time without the encephalitis. Of course, it's a love story.

FAKE RELATIONSHIP AND IT'S SO GOOD.

Never Conquered, Rarely Came by thisisthefamilybusiness

Word Count: 3242 Summary: Normally, this is the part where Will would pick up his cell phone and leave an anonymous tip on the police crime hotline, tell them there was a cannibalistic serial murderer lurking around the area code of the phone number given in the ad. But not today. Not when his very bones ache and all the raw and bruised places on his skin throb in time with his pulse. Not when exhaustion is slowly eating away at him in a way that has nothing to do with how little he slept last night.Not when these ink-stains on his fingertips and the man behind them are his last chance to get away.Fill for HannibalKink for this prompt: "Will is in an abusive relationship but can't see a way out - he's tried to leave before, but his partner is in law enforcement and always manages to track him down while pretending to be the understanding, forgiving, loving type. One day, Will stumbles across an ad in the Classifieds of the cleverly worded cannibal-seeking-fresh-meat-but-veiled-as-private-cooking-classes type, and decides to answer. Hannibal is pleased when his ad bears fruit, then surprised when his intended dinner apparently knows exactly what he's in for."

this starts off TOUGH, but it's such an interesting concept and it really is a happy ending.

[scoobydoodean]

i know it's compelling in fics for cas to feel betrayed about the jack in the ma'lak box decision but its So weird bc its obvious the moment jack breaks out of it hes like. oh man jack might need to be restrained at least until we can figure out a plan. like his first thought before jack breaks out is "this was cruel of them to do" and then hes like. oh fuck jack might be a threat actually.

like castiel is a complicated character hes on jack's side but by the time god suggests killing jack hes done a full 180 on it.

and when people are like "aiming the gun at jack is just as bad as shooting him" im even more confused bc like. dean aimed a gun at emma and didnt shoot her, even with the safety off. dean aimed a gun at SAM while under mind control/anger spell (talking about southern comfort iirc) and didnt shoot him. dean aimed a blade at cas and didnt stab him. like. its fine for cas to be upset at the god gun thing but its so weird when people act as if cas didnt basically admit jack needs to be stopped/bound next episode.

Cas should have been consulted and had a right to be angry that he wasn't included in the decision. At the same time, part of the reason the whole dead mom incident leading up to this happened is that Cas—yet again—kept something from everyone else so he could make unilateral decisions behind all their backs, so I'm not particularly sympathetic to his frustrations with being excluded.

I also just don't think it was cruel at all to put soulless Jack in a box and I think people should get over it. He was killing people and I care more about that than his feelings about being stuck in a box for all of 20 minutes. I simply don't care and it continuously baffles me how big a deal some fans makes out of this when Jack was going around fucking punishing and killing people in horrific ways for not believing in god on Dumah's orders after Cas suggested to her that Jack was in a vulnerable state due to being soulless and could be molded to do others bidding. Anyway like 20 minutes later, Cas went to inquire about putting Jack in The Cage. You know—the room where Sam was trapped for a year with Michael and Lucifer and where as far as Cas knows at that point, Sam was so badly tortured by Michael in addition to Lucifer that it ripped him apart at the seams?

Fandom's take on the entire thing is so devoid of even the most basic level of nuance or even plain simple honesty (to the point one of my mutuals was sent hate mail for months for nothing more than pointing out canonical facts surrounding the incident). It doesn't even surprise me anymore, because this is a fandom that infantilizes Jack to such an extent that it's been passionately argued to me that Jack should be allowed to kill people when he's angry because he has such Big Important Feelings and simultaneously and incongruously—that Dean shooting Jack to keep him from killing the black store clerk Jack was strangling to death in a rage was an act of abuse. Don't even get me started on gun disk horse that exists beyond that regarding the shooting people with guns show.

[branules]

Why do you like aeriseph, sorry if this comes off as rude but I'm generally not too involved in any fandoms so I can't figure out for myself why ppl like this that's just my dumbass lmao

ok i've sat on this one for like a week debating if i should answer or not but sure. i'll preface this by saying that there is no canonical basis for aeriseph in ffvii. like i can't stress enough how much i am making shit up because i like to have fun. but anyway.

the short answer is:

1. sephiroth and aerith are my two favorite fictional characters. 2. i like to draw my two favorite characters lezzing out, because i am a lesbian, and because my sephiroth is transfem. it makes me smile.

as for the longer answer:

i like how much aerith and sephiroth parallel and contrast each other. i like the idea of aerith of having a secret affair with the evil dead woman she is duty-bound to save the world from. not to mention this evil dead woman's ties to zack and the incident that took him from her. i like the idea of the planet's steward and calamity's child going against their natures because they can't resist each other, and it becomes haunting and tragic knowing aerith's eventual fate and the sort of eternal damnation that waits for sephiroth afterwards for doing something so unforgivable, considering she goes from godhood to immortal planet parasite unable to pass on. i find it soooo compelling to think that despite their feelings for each other, aerith ultimately loved the planet and her friends more, enough to do everything in her power to stop sephiroth with Holy, and that sephiroth chose an extraterrestrial brainworm masquerading as a mother over a kind-hearted woman who offered her genuine love. i like the idea of aerith drawing out all the human parts of sephiroth that sephiroth tried so hard to exorcise herself of. i could go on about this for forever but basically i just like doomed yuri.

some necessary addendums:

first, a lot of people like to imagine aerith and sephiroth as siblings. that's fine and cute and i totally get it, but that's not what i'm trying to do. i don't interact with a lot of aerith and sephiroth content that views them with that angle, even if it's cute, precisely because i don't want to cross those wires or make anyone uncomfortable thinking i'm trying to come at this from an incest or underage angle.

second, i want to add that i really don't fw the other aeriseph content i've seen out there lol. i just think i'm into aeriseph for fundamentally different reasons, considering i have no desire to depict them as a het pairing or create gooner noncon content and the like. it isn't that i'm better than anyone, i just don't want to be associated with what goes on in that pairing tag on ao3, and i can't blame anyone who doesn't like aeriseph for that very same reason. i have yet to see someone go about aeriseph in the same l way as i do (sighhhhhh </3) so until then i'm just going to continue playing with my barbie dolls in my locked ivory tower. i am delusional but i am free. hope this helps <3

[rhondafromhr]

TGWDLM AU where Bill is the main character (below the cut because I rambled A LOT)

He becomes the guy who doesn’t like musicals after he spends all that money on tickets to the Starlight and sits through Mamma Mia and Alice doesn’t even appreciate it (by chance, they see the showing, like, the night before the meteor hits). Pokey then sets his sights on Bill instead of Paul—his hatred of musicals comes from a more emotional place connected to what he treasures most, which will make for a really compelling arc in the last remaining story to tell that Pokey just can’t resist. He also has a clearly defined want (connecting with Alice), so Pokey decides he makes a more suitable musical protagonist.

Little does Pokey know this is going to make things a huge pain in the ass for him. Bill can canonically snap out of Blinky’s control when he sees that Alice is distressed and in danger (Watcher World), so maybe this resistance could apply to other Lords in Black and give him a fighting chance in their apocalypses.

He gets to the school and “Not Your Seed” happens. He thinks he’s too late and he’s devastated, but it turns out Alice is just pretending to be infected to blend in with the rest of the hive so they don’t get her. In this universe, she wrote the song for one of her musicals (she writes musicals as well as plays in this timeline) and sang it because it was the first song that came to mind. It brings up a really uncomfortable, but long awaited conversation between them and they start working through their issues as they try to survive together. This culminates in them understanding each other and their differences better and learning how to play to each other’s strength (in sync, but very much individuals who only work so well together because of their differences, a foil to Pokey’s hive mind).

They manage to destroy the meteor like Paul never could. Bill’s declaration as they finish it off is: “I. Don’t. Like. Your. Musical!” He doesn’t want to say he doesn’t like musicals in general, because he’s trying to be more supportive of Alice’s interests. This is a final insult to Pokey before he’s defeated, because it’s way less dramatic than the actual line from the show and it ruins his grand finale. Even if Bill triumphed and he didn’t get his singular voice, he could have taken comfort in a big, theatrical conclusion with a grand, decisive statement, but Bill won’t even give him that because of his infuriating care for his daughter.

Also Bill is the regular at Beanie’s instead of Paul. Emma likes him because he’s one of the only customers that’s polite to her and he doesn’t make her sing. She doesn’t complain about making his caramel frappe, even though she’s totally the type of barista who judges you for liking sweet sugary drinks that are complicated to make. They bond over their struggles to connect with their families and give each other the best advice they can. He’s encouraging of her pot farm dream, even if he doesn’t understand it, but makes her promise not to sell to Alice because he’s worried about Deb being a bad influence and turning her into a hardcore stoner. When General McNamara asks if she’s a friend or if she’s something more, he replies, “No, but she’s important to me. Isn’t there more than one type of love?” This causes McNmara to wistfully remember a long lost friend (maybe Wilbur Cross) and agree.

[starkskypines]

in my hour of need (you were there)

when i tell you they are all that i think about i mean it. cw you will never be forgiven for taking them from me. 

>>>

Stephanie falls to her knees, using the alley wall to keep her from completely falling forward. She doesn’t think she’s going to be able to make it back to the belfry with the pain ricocheting through her body. She reaches a hand up to activate the comm in her ear, but her arm feels ten times heavier than it should. 

She knew going out was a bad idea. And Robin had it all under control, like she said she did, but Stephanie was tired of inaction and wouldn’t let her own inaction hurt anyone ever again. This time action got her hurt, but how was she supposed to know there’d be a gun toting maniac waiting right outside the warehouse doors. She was trying to leave just like Robin said to do. 

Now, she’s here, about to call for help, and take more of Robin’s attention away from the fight she’s in. Luckily it’s not Court of Owls level of crime, just a gang moving drugs. Steph let’s her hand fall. She can’t take Robin’s attention away from keeping drugs off the streets. She knows what drugs to people, and she won’t be in anyway complicit in more of them making their way to Gotham citizens. 

She can do this. She can. She’s five blocks away from the belfry. That’s not that far. 

read on ao3

[windfalling]

1.02 // 1.06 // 1.08 The Stranger vs. Sol on recognizing and differentiating Osha and Mae

[bestagons]

What Dan and Phil Text Each Other 4 + Familect (article)

[nemo-of-house-hamartia]

ok, once more I realize that my own kindness and friendliness has been taken for implied consent, and as always, the troubles that are brewing now are connected to OCs.

So let me be clear and frank one more time, one last time, because I have NO INTENTION of going through what I went through in 2021.

While I am always immensely happy that my Original Characters are enjoyed and that they can serve as source of inspiration, they are NOT however a template for anyone to base their OCs on.

They are not something that you can take in their entirety, change whatever suits you, and then call it your own.

It doesn't work like that, especially because, and allow me to reiterate this once and for all, OCs are *immensely* personal.

They are an extention of the soul of the person that creates them.

So taking whatever suits your fancy and use it for the "aesthetic" or the "vibes" is immensely disrespectful and, dare I say, rather impertinent, especially when both characters happen to belong to the same fandom.

Now, I am not talking about certain tropes and subjects that are typical of certain genre, of course not.

We are all somehow reinveting something that's already there when we work with OCs and stories.

What I am talking about is taking certain specific idiosyncrasies that make a certain character unique, change them to suit your character, and then being SO IMPERTINENT to just call it your own and parading it around without even having the courtesy to quote the person that has inspired you, taking advantage of the fact that I am just a small creator with a small following.

This is a huge No No for me.

Huge.

I appreciate that other creators might have a different opinion or perspective when it comes to OCs, and while I do not share entirely in that, I sure as hell respect it.

But allow me to be crystal clear: if this happens to me, like it had in 2021, that's the *easiest* way to lose all respect I might harbour for you, and I seldomly get mad or angry.

I am always accomodating, always supportive, and I think I have proven it aplenty in the past few years.

But this is something that I cannot condone nor agree with.

And it's not just a matter of ethic, in this sense: it's a matter of also hurting me, and literally put my whole creative process into shamble.

It's a matter of having respect of others.

Now, you might say: who cares if they hurt you? they are characters that do not exist, just move on and have thicker skin!

Well, as I said above, for when it concerns myself, my OCs are an extention of my own soul, a way for me to formulate and explain feelings that sometimes I have a hard time let out; a way for me to actually face, fragmentize and analyze my own trauma through them;

and most important of all, they are OFTEN a love letter to both the world I am exploring with them AND my own husband and child, such as in the case of Jacob and Dorothea,for whom, as I said often in the past 5 years, I have poured A LOT from myself and my husband's own story.

You could say that it probably my fault for having bared my feelings so much and poured so much of myself into a character;

And you might be correct, because I have learned my lesson, and ever since Dorothea and Jacob, no other character has been infused with as much of my own being as they were.

but that doesn't mean that it stings any less when I see it unravels in front of my eyes.

I am tired.

[aroaceleovaldez]

I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.

The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.

Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.

Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.

For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.

I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!

If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?

TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.

Anyways, give your characters hobbies, it’s good for them.

[vaultnewt]

DiMA having a strong interest in Sole after the Reformation quest because of how far they were willing to go to maintain peace between the communities living on The Island, because of how adamant they were to protect Acadia when they hardly even knew the community and possibly aren’t even a synth….

DiMA stating that Acadia will always be open to Sole in hopes of seeing them more often and getting to know them better……

There’s still so much he wants to learn about this person who’s so kind, so selfless, so strong, so doggedly loyal to someone they basically just met. DiMA is so intrigued by Sole that he simply must satisfy the urge of cracking their psyche wide open. What are their hopes? Their dreams? Their intentions? Do they always go to such extremes for people when it comes to keeping a secret of this nature, or is this just something they did for Acadia’s sake?

For his sake?

Hm. What a peculiar individual.