#there's so much to think about here

[waitmyturtles]

Your post about your upcoming Bad Buddy meta got me thinking about Bad Buddy (again), and I remembered one particular thing that had an impact. Apologies if this is long and rather incoherent, I wrote this past midnight.

In the final episode, the part where we see Ming and Dissaya turn a blind eye to Pat Pran's shenanigans really struck a chord with me.

[I'm an Indian, born and raised, and queer, but it's well worth mentioning that my experiences are not universal- in fact, they may be the exception rather than the rule; I'm not quite sure.]

What it reminded me of was, that asian parents tend to come around eventually- in particular mothers. We've seen time and time again in series' that deal with difficult/not accepting family members; Bad Buddy, GAP, Wedding Plan, maybe even Double Savage (haven't watched this one but I believe the dad feels bad in the end?), that even if the parental figure(s) doesn't agree with their children's choices, they learn to compromise. Because the difference in opinions isn't worth losing their children over. Obviously, for every parental figure that comes around there's one that the children cut ties with (Wedding Plan remains a good example), but I think it's something worth seeing.

It made me think of how I was never scared of coming out to my mother, because I knew that, despite the difference in views, and her prejudice, she'd accept me, no matter whether she thought it was a phase or not.

Do I know what the point of this ask is? Not really, I was rather nervous sending this ask, especially not on anon, but I'd love to know what you think of this, since I've come to really enjoy reading the thoughts you have on these shows.

Ohhhh, wow. @starryalpacasstuff, come 'ere for a big mom hug! HUGE HUGS!

I'm gonna unwind a little randomly; I hope this is coherent. A ton of what I write about on my blog vis à vis Asian dramas are the unique characteristics of Asian families and an Asian upbringing. Parental conditional love, competitiveness, our unique experiences with intergenerational trauma. I write a lot about how Asians, in our cultural expectations of life, accept pain and suffering as an assumed part of our existences. The reason why I watch Asian dramas exclusively is that, as I'm Asian-American, I just connect far more easily to the Asian cultural experience of growing from a child into an Asian adult, than I do the experience of white Western folks growing into their adulthood. I grew up intimately with Asian cultural practices and expectations; but I also grew up with racism in my external American world, and came to my adulthood in a society that still values white Americans above all other demographics.

But one thing I'm cognizant of, that I don't think I write about enough, is that many of these characteristics of the Asian cultural scopes of life are indeed similar to those that a fully American person (for example) might experience. It's not like intergenerational trauma doesn't exist in the West. It's not like homophobia in families against a child doesn't exist in the West.

However. As an Asian-American, one thing I note about many (not all, of course) Western families and family systems is that very often: Western adults will give up their agency to be loyal to what I might call a "higher power" -- a philosophy, a political preference, a religion. If a queer person wants to come out in a conservative American family, that queer person may very well be risking cutting permanent ties with their family.

That, of course, also happens in our Asian family systems. But I think you're onto something, @starryalpacasstuff. While divorce rates are sky-high in the West -- there is also a paradigm of family systems being and looking different in the West than they do in Asia. Asian family systems still don't accommodate for divorce and blended or chosen families as they do in the West.

The Asian family systems and paradigms that you and I grew up with as Indians absolutely still value a heterosexual two-parent household -- and I'd posit that our past generations, our grandparents and great-grandparents, put HUGE, HUGE pressure on our parents to keep the two-parent family systems together and whole. And to keep the children close. It's a huge value in our Asian cultures to have whole and complete families. The West has become far more accommodating, culturally, on this issue.

And, so. I totally agree with you, @starryalpacasstuff. I think we do see the beginning of a coming-around on the parts of Ming and Dissaya. And that coming-around is certainly something we can relate to. Our parents will likely accept us for our differences. I fucked a lot of shit up with my folks when I decided to live independently of their desires -- and I don't think things really healed (and I still carry tremendous traumatic baggage) until after I had my own kids, and expanded all of our families. Because in the end, the value in our Asian cultures is that keeping the family complete and close still matters more than any one's individual biases or desires.

Ming and Dissaya are remarkably traumatized people. Ming was traumatized by the expectations of his father. He screwed Dissaya over, and literally handed his trauma to Pat on a silver platter, for Pat to embody for most of his life. And Pat flipped that platter over in his father's face and ran away. Ming, at the end of the series, is passive-aggressive with Pat, despite Pat's efforts to try to work with him. And yet -- Ming still sips Pran's scotch.

To your point -- does time heal everything? I'm not so sure in the West, with the Western predilection for Christian/Puritanical/conservative values to supersede reasonable family resolutions. But I think, because of the value that Asian systems put on having complete families, that you are right -- that there may be more room in Asian family systems for eventual acceptance of a child's "differences," despite us living in collectivist societies. This is definitely not an absolute. There are environments in which it's still dangerous to come out. But the value that Asians put on family does indeed give us a tiny bit of comfort that our cultures can move the needle on acceptance in different ways over time.

[thatonesongyouretryingtoremember]

WAIT I just realized that when Crystal says there must be something wrong with the jocks because "everyone has skeletons" she want just using a popular phrase, she was quoting Jenny, from when she talked about how the Devlin guy killed and abused his family 👀

[dendrochronologies]

maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]

[cozylittleartblog]

@staff if you [change] the [design] of the fucking [dashboard] i will kill you

edit. i want it on the actual post that i am not actually making a de-th threat against the staff. that's shitty. the caption quotes the fucking costco hot dog meme, which i originally said in the tags. if any staff member sees this please do Not take it personally

[clown-owo]

been replaying the Portal series I think this is where its heading

[chloesimaginationthings]

FNAF puppet and Michael Afton got beef,,

[purrassicjet]

Thinking about the Bad Parents this episode because like, imagine your child, who's constantly burdened with the fate of the world, comes to you after school and says it's not enough. That they have to take the Last Stand exam and it's tomorrow. You have no time to take time off work to be with them, to be able to wait for them when they get home.

And then the next day you say goodbye in the morning, you kiss them on the head and tell them you love them. But you know that the next time you see them they will have died. You know that all the day you're at work, your child is fighting for their life in a drastic last stand. How do you focus with that knowledge? How do you move on, wondering if your child is already dead? That while your working or doing chores, your child could be lying on a sandy flood, dead, while all their friends fight for their lives?

How do you move past it? How do you live out that day?

[the-phantom-peach]

skyward sword… yeah <3

Crimson Loftwing

↻ ◁ || ▷ ↺

[ambrosiagourmet]

Not sure how widely recognized this is but it’s fucking wild to me that miss kui just quietly snuck in the fact that most (if not all) of the differences between races only exist because of wishes they made to the Winged Lion.

Dwarves being strong? Lion wish. Elves being good at magic? Lion wish. All lifespan differences???? Lion wish, babey!

Not that the elves superiority shtick isn’t already BS, but it’s even funnier with the context that the only difference between them and humans is that, thousands of years ago, their leaders made a greedier wish to the demon that wanted to eat them.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[delicourse]

i miss them a little if im gonna be honest

[salad-storm]

The theme of loneliness in mob psycho hits so deeply. Dimple just wanting to be recognised and seen by others. Tome, scared that she's alone on this earth, looking for life in space. Ritsu feeling so left behind by and insignificant next to his brother. Teru, after nearly killing mob, begging him to stay with him because he doesn't want to be the only one with such powers. Toichirou going mad because he's lacking positive human connections. Serizawa scared of hurting others isolating himself completely. Mogami, too, going crazy because of how deeply and utterly lonely and hopeless he is. The entirety of claw, being rejected by society and angry and sad about it. Reigen using and trying to manipulate mob but losing all his positive, deeper connections after it goes sideways, and still pretending to be something he's not because he doesn't want to be rejected or abandoned. And don't even get me started on mob.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[tubbytarchia]

got an urge to design ponies oops

[egophiliac]

just thinking about hair and faces