#they actually told me 'i literally created that name for the character'

[sarcasticsciencefictionwriter]

Pros of Launching a New Tumblr Account Solely for Making a Sanctuary Information Resource: a) Don't have to use the wiki anymore, for various practical and personal reasons. b) Helps other people on here get info for fics, etc. c) excuse to rewatch Sanctuary and go rabid. d) helps with my own knowledge.

Cons: I'm feeling lazy.

(excuse the essay/vent in the tags)

[poppyseed799]

I have this problem that’s like the opposite of nostalgia or something where some things I remember liking a lot as a child I look back and only remember the bad times.

This is specifically about Animal Crossing, loved that game as a kid, but I have literally no idea why, cuz it was just pure hell for me from what I can remember.

[the-daydreaming-show]

❝never a tear, baby of mine❞ — Jason Todd

dick's version

Jason was a quiet kid. So quiet and calm that he didn't was totally a child, more was like a mini adult.

NOTE:

This is like REALLY late, because I had problems with my internet and the power on me going out, so I apologize for that.

As always, thanks to our beta reader: @igotmessymind.

And wiht no further ado, I hope you find wait worth it, I apologize again and that you for reading!!

XOXO ELLA.

This story is part or the BATMOM SCARLET WITCH UNIVERSE that I have create. I hope you enjoy!!!

𝐅𝐀𝐍𝐅𝐈𝐂 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓.

WARNINGS: Mentions of child neglect; Jason (not his actual) mom death.

Contrary to popular belief, Dick was always the son who kept you and Bruce on the edge of your seats. 

People were always surprised when you told them this. Probably, because with those blue eyes and adorable dimples, your eldest son knew how to fool people so easily. But the boy had grown up in the circus and had more energy than a thunderbolt. You couldn't count the times you found him hanging from the ceiling lamps, practicing his pirouettes. He was the reason there was a strict rule at Wayne Manor about not taking your feet off the ground without adult supervision.

Jason, your baby, he was easy. People were shocked at this statement as well.

People expected him to be a little savage whenever you guys made a public appearance, whether it was at a gala or going to the market.

Yes. You had to keep him from talking to the press, because he had a habit of being verbally deadly, but other than that he was always the calmest of kids. But other than that, he never left his calm character at all times when being in public and in private as well. 

This unfounded popular belief probably had something to do with the boy being taken off the streets by you and your husband. Literally.

Your husband kidnapped a child from an alley in Gotham on a given winter night.

Mmmh, maybe Bruce was your most chaotic boy and not Dick like you thought.

You weren't in the batcave that night, so Alfred was the one supervising the computer. But when it got particularly late, just before the sun began to rise, you woke up to find that your husband still wasn't sleeping clinging to your waist like he usually did. So you decided to go downstairs to see what was going on.

You meet Alfred, waiting with a tray with three cups of freshly brewed tea.

“Are we expecting someone, Alfred?”  you asked as you approached the man preparing everything with elegance.

“That's right, Miss” the man said, looking up with amused eyes “Master Bruce has found company on tonight's patrol” he gave you the look of a father disappointed but not surprised by his son's actions. But before you could say more or ask questions, the sound of the Batmobile in the distance made you approach the platform where the car typically parked.

Bruce jumped out of the car, in his Batman suit, without any injuries that you could see, then leaned over to help a small body out of the vehicle. He was a boy, skinny to the bone, in your eyes, dressed inappropriately for the weather, and looking around with startled eyes. You looked at your husband in confusion, Bruce could practically see the question mark on your forehead. So he walked over to you, while the boy was too gawking at the cave to notice that you guys were talking to the side.

“¿Did you kidnap a child again?” you asked in a worried whisper.

“No” Bruce defended himself, pulling off the hood of his suit so that you could see all of his beautiful face in front of you. “His name is Jason” he explained to you while they both looked at the boy for a moment. Jason had stepped away from the Batmobile to look down at the edge of the platform at the void below you, his cheeks against the metal of the railings. (You were mentally grateful to have convinced Bruce to put those railings all over the cave, after that Dick started spending more time there years ago). “And I found him trying to steal the tires from the Batmobile. He was alone, and he told me that he intended to sell it to buy food” he told you, and you instinctively looked at said car.

That beastly car had almost been desecrated by the little hands of a hungry child, who didn't seem at all affected by the idea of almost robbing THE Batman. You found the situation amusing.

“Really?”, you asked your husband, smiling amused. 

All while Jason was looking fascinated at the ceiling of the cave and wondering: ¿Where did the lights hang from?. He couldn't see the roof of the place.

“Yeah. And he almost got away with it.” Bruce seemed almost proud of the boy's actions, and you couldn't feel the same way. Press your lips together in an attempt not to laugh out loud. 

“¿And how does all that explain your kidnapping him?” you asked teasingly, to which Bruce rolled his eyes in exoneration and giggled impishly at it.

“You are Bruce Wayne's wife” the boy's voice made them both look at him, but the boy was not intimidated and kept talking. “Which makes sense, because if Bruce Wayne is Batman, obviously his wife will know.” he said, more like a thought out loud than a conversation with you. “My mom used to say that she would die from one of the shoes you put up and that they showed on TV, but in the end she died from the drugs, not your shoes” he explained naturally. To which you threw your head back a bit in surprise at such a natural statement about something that must have been very sad. Looking at your husband and his eyes told you it was the first time he heard about this. “I hope you don't mind, Mrs. Wayne.” the boy apologized quickly, suddenly very aware that he was talking to two of the richest people in Gotham (and the world as well) “B told me I could spend the night here. But don't worry tomorrow, in the morning I'll leave without causing any problems” he quickly explained to you.

You looked at your husband again, and he left a memory in his mind for you to see as an explanation. He showed you how he had found the boy, how Bruce had talked him into agreeing to let him buy something to eat and then offered him a place to sleep, because the boy admitted that he was all alone. With a dead mother and a father who was in prison, the boy lived on the streets of Gotham, surviving as best he could. Jason hadn't trusted him at first, which was understandable. Who knew what he had seen living on the streets of a city like Gotham. So Bruce did the only thing he could think of to gain the boy's trust, so he could get him to safety, as he took off his mask. And Jason, faced with such a show of honesty, agreed to get on the Batmobile to return with Bruce to the cave. (Or, Bruce put the boy in the car before he could get over the shock of the news. It depends on how you look at it.)

“Oh honey. Don't worry, it doesn't bother me at all, we have plenty of space available” you assured him with a sweet smile to which the boy smiled back. It was true, since Dick had moved in with the Titans, there was too much empty space for your liking. “Come, sit down and have some tea, it will help with the cold” you said, pointing up the stairs to the main platform of the cave.

“Cool!” the boy exclaimed as they started walking. Bruce instinctively reached for your hand, not wanting you to stray too far from him, just because.

Then Jason ate a dozen of Alfred's cookies, drank all his tea, and at the end, Bruce let him touch the batcomputer, watching the boy's fascination with all the buttons. (Of course, the latter was under your and Bruce's watch. You didn't want the boy to activate some self-destruct protocol or something). He played with the satellite map for a while, showing you the places he had been and the school he used to go to before his mother died. Then he started to yawn, and you were sure the sun should have risen outside by that point.

“Well, it's time to go up” you said when you saw him yawn widely for the third time. “Come on” you stood up from your seat next to him to offer him your hand. The boy frowned at you, severely confused.

“¿Up where?” he asked, looking at your hand suspiciously, but rising to take it and follow you nonetheless. You had that effect on him. You were so pretty, and warm, and kind that he thought to himself, there was no way you were real, surely all of this must be a cruel hallucination of some kind.

“Up home, Jay” you told her as you turned to be greeted by a Bruce who had already come out of his suit and was waiting for them both on the stairs to the elevator. “We're below Wayne Manor” you explained, thinking that he was confused as to what was above your heads and why they would go there.

“Will you let me sleep in your mansion?!” the surprised boy asked. There was definitely something wrong there, there was no way two of the richest people in the city would let him sleep in his house, in one of his beds, with expensive mattresses and even more expensive sheets. Impossible.

“Of course” you said with a sweet smile, “We have many empty rooms and now one of them is yours”

“Your room is ready, young Jason.” Alfred told him, joining the walk to the elevator. “Though maybe an extra cookie or two was left in the room by accident. I hope that's not a problem for you” he said, smiling complacently, at which the boy laughed mischievously. You gave him a look that Alfred pretended not to catch, and they all went on their way while.

“I didn't think you would let me sleep at your house.” the boy admitted shyly, looking at his shoes, once again thinking aloud.

It took you a second to realize that Jason had thought she'd leave him sleeping in the cave, like a stray dog, and it broke your heart. You promised yourself to do everything you could to make that little boy feel like he deserved nothing less than the best in the world.

Jason didn't leave the mansion after that day. 

Social Services didn't put up much resistance to the adoption, for two reasons. Firstly, you and Bruce already had a pretty good record of adopting and raising Dick. And second, stirring up the issue too much would show how they hadn't looked for Jason after he had run away from his last home. From what you've seen, his file only contains basic information leading up to the fact that he was supposed to be in foster care with 10-15 other kids, but clearly they've been on the streets for quite some time. And Jason seemed to have adjusted quickly when the caseworker came to visit for the first few weeks, at least to her standards. But in your eyes, the child was far from having adapted to the idea of being part of the family.

Jason gets up early, before everyone else in the house.

You had learned from the experience with Dick that establishing a strict bedtime schedule was important in the long run. So you knew he was sleeping because you watched him before you went to sleep yourself. So the boy sleeps well and you could confirm it. He had admitted to you that it had been difficult in the early days to sleep at night because he could never really be asleep while living on the streets. Something about the heavy blankets over him made him fall asleep peacefully. His lights went out before he could even finish laying his head on the pillow. Of course, this one you had invested a lot of money in more blankets for the child, which was the only thing that Jason had allowed to be bought for his room.

He assured you that the room was fine as is, and it did not need to be changed. What you'd called bullshit all along, because there was no way a kid would like a room that was the closest thing to a blank page. But you hadn't pushed him, waited until he was more comfortable in the new  environment. 

So the boy was sleeping in a guest room he didn't want to make entirely his own. He was up before anyone else in the house, even Alfred. He would get ready and go down to breakfast alone. He got what he needed by scaling the counter and cabinets if necessary, leaving Alfred to clean up the marks on his slippers. This until Jason overheard him, after which he started taking off his sneakers before climbing up to find the cereal. He ate breakfast in silence, looking out the kitchen window at the patio, then washed everything he had used by hand, even though there is a state-of-the-art dishwasher in the kitchen. He then left the kitchen and got lost in the mansion. 

Bruce found him in the mansion's library a couple of times. Jason said that he was trying to practice his reading, since he hadn't been to school since before her mom died because he had to take care of her when her dad was arrested. Your husband offered his help, but the boy refused. And since Jay realized that his hideout had been discovered, he began to roam the mansion, picking random rooms to hide in during the day when you and Bruce began to keep him company in the library. 

The child hides and avoids both of you. You at first thought that was a repeat of Dick's first few months, that Jason was mad at the world. Consequently, you would expect anger and yelling anytime you ran into Jason around the mansion. You mentally braced yourself for the thought of all that chaos again, how he would sneak out of school when he started once the holidays were over and the whole package was over. 

This time, you were ready and prepared to help him with that rage. You won't let it consume you like Dick did for a long time because you didn't know how to handle it. This time you will do well.

But Jason's eyes would light up when you or your husband greeted him in the mornings after meeting him at the house. He clung to the hands of one or both of you every time you went out into the street. He would hug your waist when you hid him from the paparazzi in the park. (You had a no-photos rule for your kids, only official photos approved by you and your husband, so you and the paparazzi didn't have the best relationship in the world.) He let you guys hug him and look at him without problem. He never initiates affection, but he clung to it when it was given to him, both from you and from Bruce, or Alfred even.

So you were confused, to say the least.

However, you had learned your lesson with Dick. There were situations in which you had to be active and aggressive to help your children. So you talked to Bruce and you both decided it was time to talk to Jason about this peculiar pattern.

Then Alfred told you that if they both faced him at the same time, it would be too intimidating for the boy, causing him to shut down more than help.

Blessings be Alfred. He has always been the smartest in the house (don't tell that to Bruce).

Like every night, Jason had already gotten ready and tucked themselves into bed. Also, he had offered to help Alfred with the cleaning like every day, but the butler had refused as he did a lot lately. So he decided to do the whole night routine without bothering you: he brushed his teeth, put on his pajamas, got into bed and read a book, like you usually offer to do. It cost him less than before, but still some words were complicated. 

You arrived shortly after he had finished reading his fourth story of the night and had accidentally gotten hooked on reading another one. You knocked on the door softly as you opened it.

“Oh, you're already in bed,” you commented, surprised that the boy had done everything himself. Usually, he lets you help with all of this without a problem, so you're disappointed that he won't let you help him.

“Yes, and I just read one story,” he said, quickly trying to hide that he had disobeyed the one-story rule. Jason didn't want you to be angry. He knew you wouldn't hurt him, but he feared your disappointment more than your fury.

“Really?”, you asked excitedly. You knew how hard he had worked to improve his reading these past few weeks to prepare for school. “That's amazing, honey,” you told him as you closed the door softly and walked to sit next to him. Jason smiled happily at your tone of pure joy and pride in his accomplishment.

“Yes,” Jason said as he closed the book and left it on the nightstand, excited to tell you about his progress, “I still have a hard time with some words. But I will fix it before school starts.” He made it clear to you right away, so don't worry.

The truth is that Jason didn't want to bother. Not you, not Alfred, not Bruce. In his mind, that was the way to be a good son. That was what his parents had taught him.

Willis Todd hated it when Jason was in the way. He always ran into him around the house (although that was probably beer-related), and that ended badly for Jason. So Jason learned quickly to stay out of the way so as not to be in the way, not in the sight of his parents, because that was good. His mother never said anything against that arrangement, so he always assumed she agreed.

When his dad left, disappearing without any notice (Jason eventually found out on the streets that he had been arrested and sent to prison), it became difficult for his mom not to see him since she had to do everything. But she was too high to notice half the time. And the other half, when she was aware of him, she wasn't aggressive towards him, she went from hugging him lovingly to crying on her shoulder. As if Catherine were the child and Jason was the father, she was comforting. Then she didn't get up after one dose, and the police came after he called an elderly woman who lived next door to her to ask her to call an ambulance. Then they put him in a couple of foster homes. But no one paid much attention to him, and it wasn't worth putting up with the other children, especially the older ones, who enjoyed tormenting him for being smaller. So he ended up on the street, taking care of himself. It was more natural for him to depend on himself alone than to let them take care of him.

“Well,” you said, settling next to him against the headboard, “but there's no need for that. That's why you're going to school — to learn,” you explained as you ran your hand through his curls. “It's okay if you don't know everything before that.”

“But I don't want to be behind the rest of my classmates, they surely already know how to read very well,” he explained regretfully, somewhat embarrassed.

Only once had his parents been called to the school he had gone to in Park Row. The teacher meant well, for sure. But telling her father that Jason seemed to need a little more help than usual with his reading and that it would be a good idea to move him to a school with a special program for kids like him only made her father see it. And that was never something good. He didn't want you to feel upset with him for that, either. 

“It doesn't matter what other children know or don't know, Jason,” you assured him lovingly. “It matters that you learn without fear of not knowing. It's not a bad thing to not know how to do something that's hard for you to do, sometimes,” you tried to explain, and the boy nodded slowly, processing the information you had given him.

Jason thought for a moment, absorbing what you said, but he was not sure how to respond in a way that would make you happy but not be a nuisance to your daily life. But you didn't let him get to a question because you asked him one in return.

“Jason, my dear,” you called, breaking the boy from his thoughts, who looked at you with big, blue eyes. So precious your baby was. “I have a very important question for you, and I need you to answer me honestly,” you asked him seriously, to which the boy adjusted himself with a worried frown to face you more.

It reminded you of Bruce, who made the same gestures when you talked to him seriously.

Your heart tightened with pride at how your two boys, Dick and Jason, were beginning to imitate Bruce so soon after meeting him. Despite all of his doubts, he was someone the kids immediately looked to as an example. You reminded him repeatedly, despite his complaints, because he needed to be reminded that being Batman wasn't the only way he could make a difference to people. He did it every day in his home, with your children, and with you.

“Yes, Mrs. Wayne - Sorry, y/n,” he corrected himself quickly, but you thought nothing of it despite the way he cringed in place at his own mistake.

“Jay, do you like being here with me, with Bruce, and with Alfred? Are you happy being part of this family?” you asked a little fearfully, sounding as soft as possible so that it didn't feel like an interrogation.

Jason was stunned. His blue eyes looked at you in confusion: Why would you ask such a question? Of course, he was happy, Jason had everything he could need to survive and the company of you and Bruce. Why would you think he wasn't happy with you?

You saw the confusion painted on his face the moment you asked, so you decided to elaborate a little more on the situation.

“You see, Bruce and I have noticed that you don't seem to be around the house much even though you're here. You even get up to have breakfast alone. It seems like you are hiding from us, Jay. Which is why Bruce and I are worried” you began to explain in a soft tone, “Did something happen? Is there something bothering you?

“No, there's nothing that bothers me,” Jason assured quickly, so worried about the situation. “I just don't want to be in the middle,” the boy explained, as if it were the most normal thing in the world. Which made your heart break, and you wondered why he would believe that.

Would there have been any comments from you or Bruce?

Or something you guys did that gave Jason that impression?

Whatever it was, it needed a solution because it couldn't be further from the truth. Personally, you had missed having a child in the house, and so had Bruce, despite his attempt to pretend that Dick's departure hadn't bothered him.

Your husband and eldest son had a very ugly fight before he went to live in the Teen Titans Tower. He had arranged for you and Alfred to serve as intermediates. But that didn't change your oldest son's decision to move out of the house. A lot of his stuff was still at Wayne Manor, but he wasn't, which made it a little depressing for you.

“Why do you think you're in the middle?” you asked sadly.

“Well, I know it bothers adults when kids are all over them needing things and asking questions. So I try not to be too intense with you because I am very grateful because now I am part of the family.” Jason shrugged as he looked at his hands, trying to remove his cuticles. A nervous habit that you had noticed.

Unsure of what to do, you played it safe and hugged Jason over the shoulder with one arm, holding him close to you, while with your other free hand, you stopped the suggestion of pinching your cuticles by taking his hand and caressing his plasma instead.

You thought for a moment about how you could handle the whole situation without the need to abruptly destroy the belief system and give it a crisis. You also didn't want all of this to sound like a reprimand for believing something that couldn't be further from the truth, because it wasn't his fault. But you weren't going to leave things like that.

“You know, Jay. Bruce and I are not like other adults," you started feeling a little like Mean Girls' mom and her 'I'm not a regular mom, I'm a cool mom', which made you want to roll your eyes, but you kept going. “We love having you around. Dick got us used to that, you know, so we’d love for you to get in the middle as much as you like Jay,” you explained, and the boy looked at you with wide eyes, a gleam of hope in them.

“Really?” he asked doubtfully.

“Really serious,” you assured him with a smile, which Jason couldn’t help but quickly spread. “Besides, you can always know without a doubt that as long as you are in the middle of your father and mine, you will never have to worry about anything. Because you will be safe and sound,” you assured him gently, moving a hair from his forehead and then kissing the area lovingly.

“I like that,” Jason whispered, as if the thought had escaped him, looking at you with stars in his eyes. He really liked that idea.

Jason ran down the stairs while you calmly entered the house with bags of clothes in hand. Alfred was behind you with more bags and resigned to the fact that you had once again bought extra clothes for the whole family. Yes, you also bought him a couple of new sweaters, the kind he liked, but he insisted they were too expensive.

You didn't finish passing through the living room towards the stairs when Jason ran up and hugged your waist without thinking twice. Now, at thirteen years old, it would probably be time for you to start asking him to take care of the force with which he threw himself into his arms whenever he saw you. But the truth is that you didn't want him to. If you two fell, so be it, but you would never ask Jason to walk away. Not after what it was like the first time your son was in the house.

“Hello, sweet boy,” you said to Jason while hugging as best you could with the bags in your arms. “I got you another one of those hoodies that you said you liked. I got it in red, I thought that color would look good on you”.

Jason didn't stop hugging your waist as the three of you went upstairs to leave the bags so he could try on what you had bought him. Nor when, after trying everything on and being satisfied with his new clothes, you went back downstairs to have tea and eat cookies in the library. Not even when the two of them left there to greet Bruce when he arrived late from the Wayne Enterprise, and he received the same hug, but with more balance than you. Dick arrived, and Jason was still clinging to your waist until all sat down to eat dinner.

“Was I like that?” Dick asked in a mocking whisper to Alfred.

“Was?” mocked back the butler “Master Dick, you are still exactly like that”

𝐓𝐚𝐠 𝐋𝐢𝐬𝐭: @some-lovely-day @simonsbluee @yuki-chan23 @miyakana @myst3batz @otchae @d3m0n8ch1ld @marsenbie @mynameisnotlaura @andieperrie18 @igotmessymind @amarawayne @kodzukenmaaa @mellowdiy @noah-uhhh-what @blarba-girl @dead-sane-stuff @huhuhhuhh @kimmis-stuff @undecided-shipper @poppyalice2001 @lafrone @voodoo-writer @lilvampirina @astrial @maliagurl @kazhaelfuhghi @poppyalice2001 @totallynotme420 @calsjack @igotmessymind @pato-spoiler-27 @urminebutidontwantyou @cluelessteam

[stqrgirlie0]

⋆✮theodore nott✮⋆

part 2 /part 4

theo’s had a hard childhood, his mother sadly died and all he has left his father. his fucked up father. there’s no wonder as to why theo took up smoking, but this doesn’t change the fact that he’s completely addicted. every inhale and exhale takes him further away from the walls of the castle, just what he wants. just what he needs. despite his mother leaving him from a young age, theo continues his and his mother’s shared passion for learning, doesn’t necessarily mean he’s at the top of his classes but he’s doing pretty good if he says so himself. theo was also taught how to play the piano but avoids doing so because he thinks it reminds him of his mother too much. but if you wake up in the middle of the night, you might faintly hear a sweet sweet melody being played from the common room.. all the neglect from his father’s end corrupted his innocence growing up, and as a child Theo often spent his time in solitude. however he didn’t let this affect his relationships in his teenhood, and still chose to foster relationships- but only as far as friendships. Theo has never been in a relationship and the ‘sleeping around’ thing his friends so often did, didn’t seem so appealing to him. that is, until he saw you. he was sure you were new but when you first talked and told him you’ve been here since first year, let’s just say it wasn’t one of his proudest moments. from that moment he knew exactly what he was going to do. it took a while, his grovelling weirded you out at first- did he like you? was he trying to do this as a joke? eventually you’d realised it was in fact not a joke, and theodre nott actually did like you, yes. however did you know what to do in response? absolutely not, so of course you turn to everyone’s go-to flirting method: feigned dislike. it worked wonders while also creating a tense but playful rivalry between you and theo. did this confuse theo at first? slightly, yes. but was he also turned on by it? absofuckinglutely. in case it isn’t obvious, things did eventually get heated… everything about you had him going crazy- your smile, your eyes, your laugh, your comebacks, your scent, your hands, YOUR HANDS. gosh he goes absolutely feral over your hands (mainly because he imagines he’ll be putting a ring on it one day, but asides from that..) the way that they fit so perfectly into his alters his brain chemistry or something because trust me this man will be holding onto it and fidgeting around with it EVERY. SECOND. OF. THE. DAY. while everyone thinks he’s a complicated character, he’s actually not. there’s a limited amount of ways to get to his heart- food, hugs and hickeys. food: you know it, every theo enthusiast has heard this about a million times, all the more reason to believe it to be true!! he will literally eat his whole weight and won’t think anything of it, and will STILL be skinny af. hugs: this man needs his hugs just to relax and have a lil breather. a back hug, a side hug, a bear hug, straddle hug, you name it he will hold onto you like a koala! hickeys: alright, enough of our soft teddy, Mr Nott knows his way around your neck, shoulders, chest, EVERYWHWRE. there’s nothing sweet about this, he wants everyone to know who makes you a hot moaning mess every night.

#hmm should I do a part two??🤔🤔#y’all know I’ll do anything for my theo bby

[ihaveforgortoomany]

The American Dream explored through Schneider (spoilers mainly for Chapters One and Two)

Back again with Great Gatsby parallels with Reverse 1999, this analysis is inspired by the parallels seen in Chapter Six between characters like Isolda, Kakania and Marcus to the characters in Tosca; as well as how the nature of tragic plays are explored in said chapter.

Anyways here is a exploration of Schneider through the lens of the "American Dream" because while I love oranges I kinda wanna explore Schneider as a character more outside of the romantic angle (thats still here ofc but more on her motivations and development) .

What is the American Dream?

(Im not American, just someone who/ studied the Great Gatsby)

In short this is the idea that in the "New World"/ America, anyone can do anything as long as you worked hard for it - Gatsby embodies this idealism.

This idealism is notably disillusioned by the end of the 1920s known as the Jazz Age - a period known for Hedonism, Prohibition and the belief that society had become less moral. The Great Gatsby and Tender is the Night by Scot Fitzgerald is born from this pessimism of the 1920s.

So how does this relate to Schneider?

Schneider

Putting aside her flirtatious manner and being a literal mafia boss, she is a character that was forced to grow up very fast and provide for her family at a very young age of 11. The male voice hammers home how Schneider had taken on the mantle of the breadwinner for the Greco family and how she will go to every length to help and care for them, such as turning to the Foundation and the Manus.

Now cue the oranges

The American Dream and the nature of it being a myth is expressed in the storybook scene between Vertin and Baby Schneider, specially when they share that final big orange. Im pretty sure this scene the game sets to auto as baby Schneider talks about the New World and how the "God loves the world there" intercut with Schneider suffering and pleading - just like Vertin's illusion that idealised is not real.

Baby Schneider talking about the New World with so much hope and joy being cut by the older Schneider, now jaded by the rejection of the Foundation and now the Manus reinforcing the pessimism of the 1920s that concludes with the 1929 Wall St Crash.

The American Dream is a myth, it has always been: Schneider was denied salvation on the basis that she was human, denied by the Foundation, denied by the Manus once they found out her lie and is finally taken by the Storm because she could not be on the Ark/ the suitcase would not protect her.

(I wonder when Schneider realised no matter the outcome she would be reversed alongside her family, maybe the moment she told her mother to starting moving once she realised Forget Me Not was not going to hold the end of his bargain.

I mean like everyone I would of liked a playable Schneider or even more on her as a character than the crumbs we got. But I think it is more fascinating how we Don't. Know. Schneider. At. All. Purposefully we are left wondering who she is as a person with only less than 24 hours of knowing her.

We don't even know her actual name but shes left enough of an impression to

One - Trigger Vertin's deep sated trauma of the Breakaway Incident/ giving false hope of salvation for to fail

Two - Create a fandom wide trauma for oranges and haunt the narrative that we actively call a depressing moment oranges

Less than 24 hours Schneider gave us enough to never forget her.

[sorcerersandskillusers]

Fyodor and the Devil: Analysis of Fyodor's motives and role in the narrative

Asagiri has stated that he based Fyodor not on Dostoyevsky the author but on a specific scene from one of his books The Brothers Karamazov where Ivan Karamazov confronts “the devil” in his room.

(It's a really good book, you should read it if you have time. Also. fun fact, Fyodor and the devil wear the same hat, “His soft fluffy white hat was out of keeping with the season.”)

Having read the book and gone over this scene, I realized that this could be used to find out a lot more about Fyodor as a character than we see in the story, including a potential glimpse at his real motivations.

A bit of context for the scene. Ivan Kramazov is a clever but deeply trouble man who has struggling with the concept of God and rationalising him with the cruelty of humanity, at one point while very sick, Ivan starts seeing a man in his room who claims to be “the devil”. Their conversation is a fascinating look at morality and why evil exists in the world, and if you look at it closely it reveals a lot about the role of a “villain” in a story.

This line from “the devil” is really interesting to me, and seems to explain a lot about Fyodor’s character, as well as align perfectly with how Asagiri has described Fyodor in interviews:

Before time was, by some decree which I could never make out, I

was predestined 'to deny' and yet I am genuinely good-hearted and not at all inclined to negation.

'No, you must go and deny, without denial there's no criticism and what would a journal be without a column of criticism?' 

Without criticism it would be nothing but one 'hosannah.' But nothing but hosannah is not enough for life, the hosannah must be tried in the crucible of doubt and so on, in the same style. But I don't meddle in that, I didn't  create it, I am not answerable for it. Well, they've chosen their scapegoat, they've made me write the column of criticism and so life was made possible.

Basically the devil is saying that he was created because without evil then good means nothing, if everything was perfect then nothing would happen or change, life couldn’t exist, so he was forced to be that evil even though he never wanted to be.

This is so similar to how Fyodor is described in the BSD exposition 2020:

Fyodor is the antagonist, he is the villain of the story, that is the role he plays. This explains why he chooses to commit so many atrocities in the name of  “following God's plan”. It even connects to his line in The Dead Apple, and his ability name. He is both crime and punishment, as “crime” or sin originates with the devil, but it's also the devil who punishes sinners.

(I mean the title of the episode he is introduced in is literally “My Ill Deeds Are the Work of God” by committing evil acts he is fulfilling God's purpose for him.)

And if Fyodor is really based on “the devil” it's very likely he also either does or used to wish for release from this role that was assigned to him, but he knows that he cannot stray from his path or the story will cease to exist. My evidence for Fyodor wanting to be free of his mission is just one interaction, when he kills Karma.

Look at Fyodor's expression here, this is the only time in the entire series where we see him look truly sad. This isn't an act, there is no one there for him to trick, he simply says a quiet prayer for the life of a boy who's only purpose was to suffer and die.

This next part of “the devils” speech actually seems to fit very well for Dazai, it's interesting since he is the narrative foil to Fyodor and clearly is a very similar character.

We understand that comedy; I, for instance, simply ask for annihilation. No, live, I am told, for there'd be nothing without you.

If everything in the universe were sensible, nothing would happen. There would be no events without you, and there must be events. So against the grain I serve to produce events and do what's irrational because I am commanded to.

For all their indisputable intelligence,men take this farce as something serious, and that is their tragedy. They suffer, of course... but then they live, they live a real life, not a fantastic one, for suffering is life. Without suffering what would be the pleasure of it? It would be transformed into an endless church service; it would be holy, but tedious. But what about me? I suffer, but still, I don't live. I am x in an indeterminate equation. I am a sort of phantom in life who has lost all beginning and end, and who has even forgotten his own name. 

This ties perfectly into Dazai and Fyodor’s debate on the nature of God in the sky casino arc.

Dazai here points out that it's not perfection and harmony that make the world move, it's the irrational, it's the foolishness and stupidity of humans who charges into life making a million mistakes but always finding ways to fight on through it. Here Dazai and Fyodor represent the conflicting sides of “the devil” with Fyodor embodying his mission to drive the world and Dazai embodying his secret love for, and wish to join, humanity.

“I love men genuinely, I've been greatly calumniated! Here when I stay withyou from time to time, my life gains a kind of reality and that's what I like most of all. Yousee, like you, I suffer from the fantastic and so I love the realism of earth. Here, with you, everything is circumscribed, here all is formulated and geometrical, while we have nothing but indeterminate equations! I wander about here dreaming. I like dreaming. Besides, on earth I become superstitious. Please don't laugh, that's just what I like, to become superstitious. I adopt all your habits here: I've grown fond of going to the public baths, would you believe it?

And I go and steam myself with merchants and priests. What I dream of is becoming incarnate once for all and irrevocably in the form of some merchant's wife weighing eighteen stone, and of believing all she believes. My ideal is to go to church and offer a candle in simple-hearted faith, upon my word it is. Then there would be an end to my sufferings.”

“"Why not, if I sometimes put on fleshly form? I put on fleshly form and I take the consequences. Satan sum et nihil humanum a me alienum puto."*

* I am Satan, and deem nothing human alien to me.”

This piece from the devil feels like it could be a description of Dazai’s character, his wish above all else to find happiness and love as a human despite believing he is a demon. Both Dazai and Fyodor have strong ties to the Devil, both of them are often described as demonic or inhuman, with emphasis placed on the darkness of their souls and the isolation they feel due to their minds.

But the difference between them is how they dealt with it, Fyodor chose to embrace it and fully commit to his role in the story as the ultimate evil for the greater good, but Dazai has always shown a fasciation with humans and has spent his life trying to connect to them and find meaning in his existence.

Finally, let's look at what we can learn about Fyodor’s motivation. Fyodor is the villain, he is the final obstacle the protagonist has to overcome, he is the driving force behind so much of Atsushi’s life and the reason so much of the series has played out at all. He sent Shibusawa to torture Atsushi as a child, he was an informant to the guild who put the bounty on Atsushi making the mafia turn on him, he was involved in the guild invasion, and obviously he was the master mind behind cannibalism and Decay of Angles.

If he is aware of his position as the antagonist, then he also is probably aware Atsushi is the protagonist, he knew he was the “envy of all ability users” after all, so he knows Atsushi has some significance to the world as a whole.

Atsushi is also the “guide to the book” which is seemingly Fyodor’s end goal, so even though Fyodor doesn’t seem to be focused on Atsushi, he has been indirectly influencing his whole journey up to this point. This also explains why Fyodor is only moving actively now, because the protagonist has appeared and his role as the villain can finally be fulfilled and he, like “the devil” can finally get the “annihilation” he asked for. Hence, Fyodor’s true goal is to erase himself from the narrative.

There is actually quite a lot of evidence for this. The obvious part is that Fyodor wants to rid the world of ability users while he himself is an ability user, he cannot exist in his perfect world. 

Then there’s the fact that in the Dead Apple, Fyodor calls himself “crime” if Fyodor is “crime” or “sin” then a world free of sin would not contain him at all

Even when Fyodor talks about sin, he says how humans are easily manipulated into killing each other, while he constantly manipulates characters into killing each other, he is the cause of the sin he fights.

A really strong bit of evidence is this interview with Asagiri and Harukawa

Not only does Asagiri reiterate Fyodors role as the person who moves the story, Harukawa specifically mentions that Fyodor might be trying to create a world without ability users because he thought it was a “bad thing to do” aka the action a villain would take that would lead to a hero stopping them.

“Dos-san is the biggest villain in the story so far, but I have continued to draw him with spaced out eyes that are neither righteous nor evil for a long time. The only time I drew his eyes completely white was when he said he would create a world without skill users. It was because, in reality, we would decide what is evil or not by our own scales, but I wasn't sure if he himself was doing it because he thought that was a bad thing to do.”

This also connects to how Fyodor was able to understand Gogol when no one else could, Gogol is chooses to fight against the way the world is to prove to himself that he truly is free. Fyodor, who is bound to play a part in a narrative, would understand that feeling and that longing to be truly free.

To be clear, I don’t think that Fyodor is really a good person whose just been trapped in an awful position against his will, we see many times that Fyodor revels in his cruelty and enjoys killing and torturing others. Its the same with “the devil” in the book, although he hates the job he was given, he tells Ivan stories of the people he’s corrupted and seems very proud of himself for it.

My personal interpretation is that the sadistic zelot personality Fyodor displays is a mixture of a mask and a coping mechanism, kind of similar to Yosano developing a sadistic side to help her deal with the guilt of half killing people in order to heal them. I think it makes sense that after centuries of cruelty and manipulation a person would become detached and stop really caring about the lives he destroys.

This analysis is partially unfinshed but I wanted to post it now and see what other people think of it.

[wolfy1298]

Don’t you ever wonder what kind of secrets and plot points Venti keeps hidden? He claims to be the weakest amongst the Seven-and that could be true given his whole 500 year slumber and poison and all- but he’s still a god. AND one of the original Seven. You gotta be good at SOMETHING to survive for this long…

He’s also the only archon so far that doesn’t have a second story quest so what is he hiding?! We have accounts of him literally shaping the land with ease from both the Golden Apple Archipelago events and his character stories. We know that he has close relationships with the Hexenzirkel and somehow managed to avoid conflict with them??? And there’s also the fact from the skyward sword series that he was originally a catalyst user before picking up the bow in honor of Amos. He’s pulling a Childe when it comes to weapons he currently uses and the ones he’s proficient in.

And don’t even get me started on his connection with Istharoth and Celestia! Mondstadt already has the Thousands Winds Temple AND the nameless island where both Venti and Istharoth were once worshipped. And from Before Sun and Moon, we know that the Thousand Winds (which Venti IS A PART OF) were once called the Thousand Winds of TIME, all of whom were created and controlled by Istharoth. AND THEN you have Venti suspiciously appearing in the right place at the right time again and again and again. He even self proclaimed knowing every song: past, present, and future. Hell he’s probably one of the only few beings in Teyvat who can naturally bypass Irminsul because of his songs: Nahida already shown it’s possible to save deleted info if rearranged into fiction so the same should work for songs and poetry. And there’s also what the hydro fungus in Nahida’s second story quest said about changing forms. That you need time for growth to occur. And Nahida - an ARCHON- had trouble maintaining her fungus form for even the short period of time. She was even told that to do so for longer, one would need to bypass time itself which is near impossible. AND YET VENTI CHANGED INTO THE FORM OF HIS FRIEND IMMEDIATELY AFTER RECEIVING HIS GNOSIS AND HAS YET TO CHANGE BACK OR TIRE FROM FATIGUE (as we know it). HOW STRONG IS HE. Sure, the yokai in Inazuma and Adepti in Liyue can all change into a human form, but we know in game that it takes a long time and steady energy to take on a human shape, and the Adepti all seem to have that ability naturally: there’s no bending the laws of nature if it’s already natural to them. So what’s Venti’s excuse?!

As for Celestia: there’s already written in the statue of Barbatos “the gateway to Celestia” and what not. And Khanreia! In the chasm AND in the Caribert quest, Barbatos and Mondstadt keep getting named dropped. According to Dainself, the city in the chasm is supposedly OLDER than Khanreia and possibly the Seven, yet BARBATOS of all beings is mentioned in the records you find??? And in Caribert, it’s a Mondstadtian woman who that one bloke had a child with. Never mind that Mondstadt is where Kaeya and Albedo - the two characters with confirmed Khanreian origins- end up! There’s also the fact that Khanreia seems to base its gods and names and whatever around Norse mythology….which has strong ties to GERMANIC HISTORY. WHICH MONDSTADT IS BASED OFF OF. And Enkanomiya, which was once ruled by Istaroth, is Greek origin. Suspicious considering all the connections to HERMES Venti keeps portraying. (And then there’s also a connection to all three places with the hexenzerkel with their Chinese names? Like I think I read somewhere that Alice is Aries(?)/Eris(?) and Nicole is actually Nike in the Chinese version? Which are very much based in Roman/Greek origins)

Oh and something I forgot to mention earlier with the whole Istharoth connection. Mondstadt’s saying “seeds of stories, brought by the wind, and cultivated through time”. SUSPICIOUS

Anyways, this has been my nonsensical Venti theory rant

And you’re stuck with me @worldsokayestmagicalgirl

[hadesisqueer]

hows is it obvious that daenerys was the prince who was promised?

im not saying she is not i just havent read the books and im curious

I mean, I read the books a long time ago, so I'll tell you what I remember after a bit of research.

There are two figures, The Prince That Was Promised, which is a prophecy hero, and Azor Ahai, a legendary hero from thousands of years ago who'd be reborn. They have been used interchangeably, which implies that they're believed to be the same person.

There are several characters who are believed by others to be —or who believed themselves to be— Azor Ahai reborn/TPTWP. Melisandre thought it was Stannis, then if I recall she thought it was Jon Snow. Rhaegar, who was obsessed with the prophecy, thought it was him, and then he thought it was his son Aegon (the son of Elia Martell, not Jon; Jon is not really confirmed to be R + L's son in the books yet if I recall, and we don't know if his name would actually be Aegon... probably not tbh because who names his two sons Aegon). Maester Aemon first thought it was Rhaegar, and then he became convinced it was Dany.

After looking back, I remember that a witch told Jaehaerys II (Dany's grandpa) that TPTWP came from his children Aerys and Rhaella's line, which is why he arranged the marriage with each other. If we assume that that is true, then actually there would have been six possible TPTWP: Rhaegar, Aegon VI, Rhaenys, Viserys, Daenerys and Jon Snow. Rhaegar, Viserys and Rhaenys are all dead, so I guess whe could scratch them. Aegon VI (Young Griff) is supposedly still alive in the books and he fits one part of the prophecy —and so did Rhaegar in a way. But lots of people are not really sure that Aegon is actually who he says he is and that he might be a fake.

Melisandre believed it could be Jon. If I recall, there's a part where she said something like 'I ask the lord to show me Azor Ahai and all I see is snow' or something like that (again, it's been a while since I read the books, sorry?).

Now, Daenerys? She fits the prophecy to a T.

Born of Aerys and Rhaella's line? She is their daughter. Check.

Born amidst salt and smoke? Well, she was born in Dragonstone, a volcanic island, so literally born amidst salt (from the sea) and smoke (from the volcano). Metaphorically speaking though, she was also reborn amidst the salt of her tears and smoke from Drogo's funeral pyre. So... Check. Twice, I guess.

A 'bleeding star' would be a herald for the arrival of the prince. There was a Red Comet when Daenerys went into the funeral pyre, where she was reborn. So-- Check.

It was also said that TPTWP would 'awake dragons from stones'. While there are other characters that fit other requirements, Daenerys is the only one who fits this one, unless someone else manages to make three petrified dragon eggs hatch like she did. So-- Check.

Now, the whole thing: Lightbringer. Lightbringer was Azor Ahai's legendary sword. He tried making it three times, but the first two times the sword broke when he tried tempering; he finished the sword by stabbing his wife in the heart. It was said that Azor Ahai would be reborn when stars bleed and cold comes or something like that, and that that warrior would draw Lightbringer as a flaming sword from a fire.

Does Daenerys have Lightbringer? As an actual, physical sword, no. Metaphorically-- yeah. It's Drogon.

She tried to make her dragons hatch (create her weapon) twice and fails-- until she kills her husband and places the eggs in his funeral pyre: she places Drogon's egg beside Drogo's heart, just like Azor Ahai stabbed his wife there and that's where Lightbringer came to be. Then she emerged from the pyre with dragons while there was a red comet (again, bleeding star; the 'cold' would be The Others —White Walkers in the show— and the Winter that comes). Dragons, well-- are fire made flesh. So-- yeah. While she doesn't have a literal sword, Daenerys has her Lightbringer, and it's Drogon.

So, yeah. While people have a lot of theories about who TPTWP/Azor Ahai reborn would be, and there are other characters who fit some requirements, Daenerys is the only one who fully fits the prophecy. That's why a lot of people aren't shocked that it's her in HOTD. It is kind of obvious in the books lmao

[starcurtain]

I guess it's because his Warp is called 'gilded imprisonment', and the phonecall with Jade where he says 'I don't wanna bet anything just to escape your clutches'.

Kinda makes him a foil to Robin and warped parallel to Sunday in a way I think if you see him as thinking of his job as a gilded cage. It may not really be true, maybe he can walk away anytime he wants I'm sure he has the power and ability to even if hed be up for silencing if he left the Stonehearts, but he has nowhere else to go so he may just be trapping himself there with his own apathy. Hope that made sense lol

Always enjoy reading your thoughts ty for the food 🙏

(Will answer the part about the character foils in a different post because that is a whole long thing of its own!!)

See, I definitely think this is the issue, because I have had people say that exact thing to me "Well his warp is called gilded imprisonment so that has to be referring to the IPC!" Like... Do people think the IPC has a monopoly on the word "gilded" or something? Or that "gilded" can only refer to literal gold coins and not any of the many, many metaphors for being a prisoner to destiny that are swirling around Aventurine?

"To gild" means to "cover thinly with gold." It doesn't mean to create wealth, to imply actual money, or even to relate at all to the concept of "golden handcuffs" (which is what people seem to be mistaking it for). Gilding could more accurately be described as a process of taking something cheap--like low-quality nickel--and plating it over with the thinnest layer of gold, to try to make the item seem much better than it is. Gilding something is often like dressing up a pig--you can make it look pretty on the outside, but on the inside, it's still a pig.

Just the thinnest layer of gold over a darker interior...

There's nothing about "gilded imprisonment" that automatically has anything to do with the IPC, unless you're already coming in with the impression that Aventurine is a prisoner of the IPC. If you start with a preconceived notion of what "imprisonment" means for Aventurine, then and only then do we make the jump to "Oh, this must be in reference to the IPC." Take that preconception out and there's zero connection lol.

Even the Chinese name of the warp, "囚石铸金" (lit. "Prison stones cast [in] gold") and other languages' translation of the banner name (like German's "Stein zu Gold," lit. "Stone to gold") imply that the most important element of the banner is "coating over something bad with something good"--i.e., turning prison walls into gold, turning the "stone" of his dark past into something shining. (This actually makes a nice irony in several languages, because he turned the rocky desert of his homeland and the stone walls of a prison into gold by... earning a Cornerstone and becoming a "Stoneheart"--or, that is, he himself is a "worthless" stone that has been thinly coated over in shiny wealth.)

But personally, if we really want to go by the English name of the banner, I would argue that it is much more likely Aventurine's banner name is a reference to his own troubled relationship with the concept of "blessings" and "destiny" than anything to do with the IPC.

From the beginning of his life, Kakavasha was told he was "blessed" and that he was the "chosen one." He was favored by a goddess, born on the day of her rebirth, and told that he will be the savior of his people. So, we can literally say he's the Avgin "golden child," which is further supported by the constant connection between Aventurine and gold colors (his golden-haired appearance, his mother's gold accessories with him since his birth, the word "Avgin" itself even meaning [golden] honey). So as the "golden child," we have this perception that his power of incredible luck, gifted to him by a goddess, must be a blessing, a good thing.

And yet that's not how it plays out for him. What his family tells him is a blessing ends up functioning more like a curse for Aventurine, when it becomes clear he can't use that luck of his to protect those who mean the most to him. He might be the goddess's golden child, the chosen one--but no one else is chosen with him. He's a failed savior, an incapable hero, and there is no escape from the destiny which has been decided for him.

There's a reason his lightcone is called "Inherently Unjust Destiny." His own destiny, decided when he was born favored of an aeon, makes him a prisoner of the suffering that he can survive but never avoid.

We see how much this haunts him constantly throughout his experiences in 2.1...

To me, I would interpret the English banner name "Gilded Imprisonment" as much more related to how Aventurine's blessing, which is supposed to make him the favored, lucky, golden child, is actually nothing more than a thin veneer over the terrible destiny that binds him, continually costing him everything and everyone he loves.

On to the other point entirely, I think people might also really be misinterpreting that sentence about "escaping Jade's clutches." Again, I think this relates a lot to the fact that people are coming into Aventurine's character with this preconception of him as a prisoner to the IPC, so they're interpreting this sentence in the most literal way possible ("I want to get away from you"), but that is actually not what Aventurine is saying at all there.

Jade's rank in the IPC is P46. If Aventurine is promoted to P46, he would no longer be her subordinate. Therefore, when he says "I don't want to bet anything just to escape your clutches," this is actually a (vaguely snarky, to be sure) compliment. Aventurine is saying "I don't want you to think I'm engaging in a bet [that I know I'll win] because I dislike working for you."

It's supposed to be flattery. He's saying "Don't think I'm trying to get away from you, oh great Madam Jade. I wouldn't try to make any bets just to get out of being your underling."

I think it's got a healthy dose of sarcasm to be sure, because Jade herself would have trained Aventurine to snatch every chance to get ahead. So now he's in the hilarious situation of having to balance the expected respect to his mentor ("Of course I would never want to leave you! You're the best boss!") with the fact that his own mentor wants him to be cut-throat at all costs lolol.

It's irony-laced flattery for sure.

That's why his next line is "Well, if it's just a friendly bet though, then sure, I'll engage." He's saying "So long as you know I'm not betting because I dislike working for you, sure, I'll play along." Because he knows that's what he's supposed to do--as a Stoneheart, he should be seizing every opportunity to advance. He virtually has to make this bet that he'll be promoted just to demonstrate the desirous personality that Jade would be expecting.

And honestly, it's supposed to be a callback to their first scene together too. They literally add that to text so people can't miss it. Kakavasha came to Jade as a person "hungry" to rise up the chain, to change his circumstances. He's making the same bet again to suggest to her that he hasn't changed in the slightest even after his experiences in Penacony.

(Now, why he's trying to act like he hasn't changed in front of Jade is another story, and "Aventurine is out to destroy the IPC" conspiracy theorists can run wild with this one for sure.)

But yeah. That line... really does not mean what people think it means, apparently.

Anddddd I'll get to the character foils in another post; this was already long enough as-is! 😂

[makethosenarratorsfight]

UNRELIABLE NARRATORS; SIDE C

*NOTE; propaganda is out of order due to poll length!

Eugenides Propaganda:

the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time

Harrowhark Propaganda:

She gave herself a lobotomy and gives completely incorrect flashbacks to the previous book. Things that straight up did not happen. Gaslight gatekeep girlboss.

She’s schizophrenic (confirmed by the author) and also lives in a world with necromancy and ghostly revenants. She’s not just an unreliable narrator for readers, she’s an unreliable narrator of her own internal experience. She knows this and has to work with people around her to compensate for it. Descent into spoilerville below. Seriously Do Not Read if you want to read these books. There’s also the little matter about how she is *not actually the narrator* of a huge chunk of the story that we are initially led to believe is being told from her perspective.

(Spoilers) Holy shit she is THE most unreliable narrator. This gremlin gave herself a lobotomy so that she could forget about Gideon Nav, the most important person in her life (for magic soul-preserving reasons) so half of the second book in the series is spent gaslighting the reader about a book they just read. She comes up with an entire alternate version of the events of the first book in the series to carefully exclude any mentions of Gideon, and any time someone says ‘Gideon’ in front of her she LITERALLY has a stroke and/or an intercranial hemorrhage as her brain overwrites the word with someone else’s name. God occasionally intentionally triggers her memory revision to get out of difficult conversations. She also hallucinates ALL the time (unrelated to the lobotomy). She shows up at her frenemy’s room in the middle of the night (think little kid stumbling to their parents’ room and saying “I frew up”) to ask her to come check underneath her bed for the corpse that’s been wandering the space station. When frenemy checks underneath the bed, frenemy claims not to see anything, and Harrow is such an unbelievably unreliable narrator that it’s an open question in the fandom as to whether frenemy genuinely didn’t see the corpse or if frenemy was just yanking Harrow’s chain. Harrow is also haunted by a literal ghost that fucks up her already fucked up alternate history. Girlie will pick up a piece of paper and read from it the most violent and haunting piece of prose ever composed, when in reality all that’s written on the paper is the elementary school Superman S*. I am NOT joking that is a real goddamn scene. Harrow was created to win this poll. TLDR; she has brain damage and memory loss, she hallucinates, and is also haunted. * https://twitter.com/vestenet/status/1301012651145859072

Girl is so unreliable, she unreliably tells me events I was there for!!! She's retelling the previous book and I'm like "girlie, this is absolutely not how it happened". Also, she gave herself a DIY lobotomy, it has to impact your memory center I guess

She literally had a lobotomy, how can she be reliable

More Propaganda under cut!

Harrowhark is simply the unreliable narrator of all time. Can’t remember shit because of a lifetime of trauma? Check. Maybe lying to yourself and those around you a bit? Most definitely. Being gaslit by the survivors you depend on to orient you to reality? For sure. How about a little bit of canon schizophrenia? She’s got it all. Ghosts? Or something? Spirits that are attached in some way to your body and are not perceivable by others? Sure, sure! But how about spirits that are attached in some way to your body and are gonna use you to hijack others’ bodies and maybe kill God, too? Absolutely. Wee bit of DIY brain surgery? If it would make you an unreliable narrator, friends, then Harrowhark Nonagesimus has been there, been subjected to that!

Okay I don't know that much about this series since I haven't convinced myself to read all of the first book, but this is my blorbo in law so I'd feel bad not spreading propaganda (all of what I'm saying is something I've read, as to prevent myself from straight up submitting misinformation). So all of Harrow's unreliable narration takes place in the second book, Harrow the Ninth. Basically, without her even seemingto acknowledge it, Harrow's brain is very fucked up during this book, to the point where even she's not sure how reliable her narrative is. There's many questions left unclear as a result of her fucked up little brain, like what's real, what's fake, whether we can trust her judgement, whether even she can trust her own judgement, whether her original cavalier is dead or not (Harrow is convinced she is), etc. Let me tell you, I adore unreliable narrators who aren't even that sure if they're reliable. I have yet to eat that trope up here in this circumstance, but this poll might not run again by the time I do, so for now, here's my messed up blorbo in law.

OKAY SO REMEMBER MY GIDEON SUBMISSION? HARROW DOESN’T! SPOILERS AHEAD BECAUSE SHE LOBOTOMIZED HERSELF TO FORGET GIDEON BECAUSE THAT’S A HEALTHY WAY TO GRIEVE AND THEN IN THE ONLY PARTS OF HER BOOK THAT SHE NARRATES (THE REVISED CANAAN HOUSE PARTS) IT’S LITERALLY A ROOM FULL OF GHOSTS HER BRAIN SUMMONED TO DEAL WITH THE FACT THAT SHE CUT HER BRAIN IN HALF TO FORGET GIDEON. she also is a) haunted and b) psychotic, experiencing hallucinations her entire life of both the ghosts haunting her and less supernatural hallucinations- bells tolling, bones rattling, her parents (some of the only dead people NOT haunting her), etc! in the revised history of canaan house that her brainghosts invent, she brings along someone who knows about her psychosis to help reality check her when she tells him go! her caregiver as a child and support when she got older, crux, is a horrible man- but at one point, when someone other than harrow is in harrow’s body and tells him “i am not harrowhark, i am sorry,” his response is simply “aye, you’ve said that before too. who are you then, if not my lady harrowhark?” showing his familiarity with her psychosis and his love for the child he wouldn’t dare see as a daughter. but enough about that lets talk about her unreliable narration! she lies about her feelings of course but she also simply hides the truth from everyone, all the time, compulsively. also literally the entire section of her book that she narrates is a lie she’s telling US about a lie she’s telling HERSELF and no one understands even a little bit of the truth until like the last act of the book. queen.

[thechaoticdruid]

[This Bites] (1)

Pairing: Astarion x F! Chubby! MC

Plot: Through some mysterious and very miraculous events, a young woman finds herself literally stuck with a character from her current video game obsession. You can guess it already. It's an isekai type fanfic. Except in this case Astarion is stuck in our modern world.  I was gonna call the MC Tav, but since the actual game character Tav is mentioned I just named her Winnie. 

Content Warnings: Death….sorta, An asshole of a stepdad, MC uses She/Her pronouns, eventual smut and sexual content in future parts. Characters may be Ooc, grammar/spelling mistakes are possible. MC has very low self esteem. Depressed MC.

Chapter One: You are here!

Chapter Two: Here!

~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

“Argh I knew something would go wrong with this game!” The female huffed, staring down at her computer. Her eyes scanned over the error message titled ‘Character not found.’ She gritted her teeth in frustration. “God forbid I try mods….” 

The young woman groaned, shutting her laptop and falling back onto the bed. Apparently after finally installing a cheat mod onto Baldur's Gate 3 the game decided to retaliate and locked her out of her save files. She couldn't even create a new character either! The same ‘Character not found’ message seemed to pop up no matter what she did. The girl’s name was Winnie, a college student in her early twenties who was still living at home. Not too long ago Winnie had gotten the game upon release. She'd played it several times since then and even yet was still able to find some hidden secrets she didn't notice the first time. Honestly this game had really helped with her current state. Life had just been dull and miserable. All her friends had moved on and had their own lives now and she really wasn't the best at making new ones. 

She had a dull boring job, did online writing classes and also had to put up with the asshole her mother married. This game had been a godsend for her these past few months. It gave her an escape. A way to be someone else, at least for a little while anyway. 

Not to mention live out her somewhat cringey teenage girl fantasy of dating a walking red flag of a vampire. In this game she felt important. Like she was some badass heroine who was ready to take on any foe.  Not the shy, scared, awkward woman who she saw in the mirror.

Her cat Maddie broke Winnie from her thoughts as she hopped up onto the bed and crawled onto the young woman's chest. Winnie ran her hand over the cat's thick fluffy black fur.  Maddie gave a small mew before purring noisily and gently kneading her claws into Winnie’s chest.

Winnie sighed, scratching the sides of Maddie's face as she was soothed by the feline’s pur. 

“WINNIE! GET YOUR ASS IN HERE!!” A gruff male voice shouted from the other room, causing Maddie to jump and scramble off of Winnie and hide under the bed. 

The brunette haired girl sighed and got up, walking out of the room and cautiously stepping down the hall. 

“Yes, Brian?” Winnie spoke up as she entered the kitchen.  She looked over to see her stepfather stumbling about. Brian was a rather large man with short dark hair and beard. He was well….very unpleasant.

“Where are the goddamn car keys?” He growled out. 

“Dunno, I don't drive.” Winnie said calmly as she leaned up against the wall, “mom probably put them somewhere. Check the coffee table by the recliner.” 

Brian stomped off, a tiny tan fluff of a dog following after him.  He grabbed the keys before walking back into the kitchen. 

“I'm going to the store. Keep that stupid cat of yours in your room! It keeps shitting all over the carpet!” 

“I've told you over and over. Maddie only goes in the litter box. It's your dog that keeps making a mess in the house because you don't take him outside when he needs to go.” Winnie rolled her eyes.

“Don't fucking talk back to me! You're lucky your mother lets you stay here, if it was up to me you'd have been kicked out of here a long time ago.”  Brain snapped, making Winnie flinch a little at his tone.  “Now make sure the trash is taken out before I get back.” He said before stomping out the front door and slamming it behind him.  Winnie flinched once again at the loud sound before letting out a sigh and pulling the trash out of the can despite the fact that she distinctly remembered her mother telling Brian to take it out this morning. 

Winnie took out the trash before coming back inside heading back to her room. Her eyes scanned over her laptop as Maddie crawled out from under the bed.  She walked back over and opened the device, logging herself on before attempting to open her game back up.

[Character not found.]

Winnie groaned before filling out a bug report and then putting her computer up. She needed to get ready and go to work anyway. 

~•~•~•~•~•~•~

A few days had passed and nothing seemed to work. Winnie had disabled and deleted all the mods, sent in about a dozen but reports and still nothing. The only thing left she could try now was uninstalling the game and then reinstalling it. 

Winnie sat on the bed waiting patiently for the game to download though she knew it would at least take an hour. She pulled out her cellphone, noticing a text from her mother. The message was informing Winnie that Brian and her mom wouldn't be home until late tonight. At least this meant she'd have plenty of peace and quiet in the meantime. The young woman spread out on her bed, stretching her limbs before slowly closing her eyes, resting lazily.

Time passed as she slowly dozed off…Eventually she was awoken by the sound of beeping? It was some strange noise that she couldn't quite put her finger on. She quickly looked over to her laptop and her eyes widened as she noticed it seemed to be going crazy. Blinking and beeping.

“What the fuck!?” She exclaimed, grasping her computer and frantically clicking the mousepad. 

Then the screen went black before seemingly returning to the home screen. However, everything on the computer was gone save for one shortcut. Baldur's Gate 3.

The game’s shortcut sat in the very center of the computer, practically screaming at Winnie to click on it. She clicked it and the game opened up. 

Everything seemed to go as normal up until the title screen.  Winnie’s eyes widened in shock as she noticed all of the menu options were gone aside from (New Game).  She raised an eyebrow before clicking on the only option available and waiting as the opening cinematic played. Everything continued as it usually did. Winnie created her Tav, a human druid with an urchin background, then proceeded to hop into the game. 

Winnie did a bit of a speed run, moving through the Nautiloid as quickly as she could. She recruited Us, Lae'zel and freed Shadowheart before reaching the helm and crashing the ship.

Upon reaching the ravaged beach was when things began to get strange. 

The game buffered and blinked a bit, skipping the scene where Tav would check themselves out followed by some voiced narration. Tav was kinda just there on the beach. 

“Oh God. The game is glitching….” Winnie whined. She sighed in annoyance before clicking on the ground where she wanted Tav to walk. Winnie REALLY did not feel like uninstalling the game and waiting another hour to try again so she decided she'd play for as long as the game would allow.  Winnie had Tav wander over towards where Shadowheart would normally be laying after crash, only to find an empty space where the half elf should be.  Winnie groaned assuming it was another glitch before continuing on along the beach. While most things were there like the dead bodies and the intellect devourer enemies, Winnie did not see any sign of Shadowheart at all. Not even near the ruins where she'd be if she wasn't rescued by the player.  Winnie decided to quickly go and look for the other characters, sneaking her way past the little brain creatures and moving down the path where Astarion, the elven rogue companion, would be waiting to ambush the player.  He was Winnie’s favorite. She had a soft spot for sassy morally grey characters with tragic backstories. And he was also secretly a vampire to boot which just added to the appeal.  Winnie had her Tav approach the area before she let out a sigh of relief seeing as the vampiric elf was in his starting area shouting for help like normal. At least the game wasn't completely broken.

“Hurry I've got one of those brain things cornered.” Astarion’s dialogue began as soon as Tav got close enough to interact with him.  “There in the grass, you can kill it can't you? Like you killed the others?” 

“Uh….I kinda actually didn't kill any of them…Heheh.” Winnie chuckled before dragging her mouse over the dialogue choices.

1. [Easily, stand back.]

2. Kill it yourself. You seem capable.

3. Leave

Winnie clicked on choice 1 before her Tav walked over to check the tall grass for the intellect devourer that was actually non-existent. 

Instead a wild boar leapt from the grass and made Tav jump in surprise, giving Astarion the perfect opportunity to strike. He pinned the druid to the ground, pressing a dagger to her neck.

“Shhh…Shhh….Not a sound…Not if you want to keep that darling neck of yours.” The vampire practically purred out.  Winnie blushed, a shiver going down her spine. There was a reason she always found herself choosing the elven vampire as her character’s love interest. Initially when she first got the game she felt he came off as a pompous prick (which he is) but damn he was so fucking seductive. It drove Winnie absolutely mad. Not to mention it helped given he had sweet delicious character development later on in his story and actually could be kind of a sweetheart… To the player at least.  

The romance in this game had to be Winnie’s favorite aspect of it. She was very romantically inexperienced to say the least and this just added to what made the game her perfect escape from reality. It made her feel like someone actually liked her. Winnie prepared to select the next dialogue choice when suddenly she noticed they had changed. 

1. [……….]

2. ………..

3. ……….

4. ……….

She looked up and saw a smirk form on Astarion's lips, his eyes appeared as if he was staring back at Winnie from through the screen. Before she could speak Astarion slit Tav's throat and let them drop onto the ground.

“What. The. Fuck.” The brunette haired female went pale as she stared at her computer screen. Astarion sighed in what sounded like relief?

“Finally, we've done that old song and dance so many times! The novelty has completely worn off.” He stretched out his arms, before wiping his dagger on the ground. “It feels so invigorating to try something new, wouldn't you agree?” 

“Uhh…..What's going on?” Winnie asked aloud. She was shaking a bit in both confusion and a little fear.  Her character was kinda just laying on the ground dead…and Astarion was talking….to her!?

“Oh dear, it seems I've gone and frightened you. Ahaha!” Astarion chuckled before appearing to move closer to the screen, even going so far to place his hand on it…

“Hello darling…”

[am-i-the-asshole-official]

aita for not inviting a friend of mine into my dnd campaign?

so i (18nb) have a friend (18nb, Martin) who i play in a main dnd campaign with with all our other friends (Ill name them Dan, Virgil, Mark, and Ray). Dan is our DM after we kicked out the old one bc she was horrible. We're a pretty close group of friends, but lately we've all been really busy with respective school & work, ect. so we didnt play dnd for a solid, like,, 4 months. I DMed a one shot for everyone besides Ray cause she was flaky anyway, and added in my boyfriend Zeke for it.

Everyone had a really fun time w it and I loved everyones characters, especially Dan's. I watch a lot of dnd shows, so i just keep getting more ideas- but while the one shot was fun it was messy as hell. Ive been wanting to write a campaign for a smaller group for a while, (because when i tried making a campaign with the whole group the character creations were... disappointing to say the least. this sounds mean but i created a fairy world that was very magical & told everyone to go crazy on character creation in a world with few/no humans, and like 5/6 people opted to be a human with a fighting class :/ )

ive been writing a campaign that im really proud of and have a good vision for, and decided to include Mark (because we're best friends) Zeke (because he wants to play dnd more and has no opportunities) Dan (bc he never gets to be a player) and then another close friend of mine outside the group named Gabe (who i love but never get to see) I love their characters & we're all super excited.

Thing is. I was briefly talking with Dan, Zeke and Mark about it at school bc I'd sent everyone a little intro message for the world and they were all super excited and wanted to talk to me about their classes. Virgil had no problem with this and was excitedly asking abt the world + characters along with some other friends from school, but Martin got quiet and went and sat by himself. I could tell they were off, but Martin is generally a quiet person anyway and is often sad + doesnt want to talk for like a hundred different reasons, so i left her alone. Later that day in a different class I have with Virgil he showed me his phone where Martin had sent him a message saying she was really disappointed & felt left out that i hadnt invited them to my campaign.

i instantly felt bad and started to text him, but,,,, to be honest, i dont think im at all responsible for this.

i have reasons for leaving Martin out, the main one being that they just..... arent a very active player. Hes soft spoken and doesnt actually like rping their characters- her character in our main campaign is/was literally mute bc they said they didnt want to have to speak as him. (theyve since taken this back and went through with a curse breaking thing to be able to speak, but her character,,, still doesnt talk much.) he writes really good, sad backstories but doesnt actually play or do anything with them and gets uncomfortable acting. Their characters are not only emotional, but like. crazy. they play a bunch of cool tieflings with insane magic classes & features and then, again,,,, dont roleplay them. I didnt want the group to be big and had a good reason for including everyone that i did, and our other friends that arent in it (Virgil, Ray who is Martins sister btw, all our other d&d interested friends at school) literally dont mind at all. i just wrote a campaign that theyre not in. Martin also has their feelings hurt very easily, so to be honest i just find her being sad about not being in it just... stupid. id never say that to his face & i get that he feels bad, but like....cmon.

im aware im a very very incredibly low empathy person- to be honest i struggle with depression and bpd very heavily and am often mean to my friends & loved ones without really processing why or how much it affects them. i told Virgil that i thought Martins reaction was stupid, and he said that that wasnt fair bc Martin had always been in my campaigns before (which is, yknow, one. Martin and I were even in a campaign with a completely different group a while back and Martin willingly left it very early because the group was loud & their character wasnt doing anything (yeah)). Every time Martins expressed (or i guess not expressed) sorrow for not being invited to it ive just sort of ignored them. this again isnt that uncommon cuz when shes sad he doesnt like to talk about it, and also they havent directly confronted me with this at all.

ive been talking about the campaign a lot because it occupies frankly a lot of my brain because i have so much to write, and i especially talk to the people that arent in it bc theres no risk of slipping up and telling them something they arent supposed to know. The other friend, Gabe, is friends with Zeke and Mark and I, and Dan is good around new people,, but Martins really quiet around people he doesnt know well, so if i invited her anyway they'd probably play the game even less than they already do.

again, im really bad at having an actual perspecitve on this. Virgil said he feels bad for Martin but not for himself, as far as i know Dan doesnt know about the situation, and i literally just dont wanna involve Mark and Zeke (Zeke HATES conflict and when people fight so he really doesnt have to be involved.) Mark Martin and I have all been really close friends since literally 7th grade and I guess Martin especially feels left out that I involved Mark and not them but Marks both really good at character creation and also talking in character, and like, hes my best friend who i do everything with.

I dont wanna blow off Martins emotions but but i truly dont give a shit that they feel betrayed by my not inviting him. especially because they havent bothered actually telling me this. objectively i dont think its my fault even a little, and Martin is really horrible at handling their emotions anyway (this isnt an insult, just a fact. i am too). aita for not inviting him + not caring that shes upset by it and acting like they arent?

sorry this is so long i really like providing context

What are these acronyms?

[quarterlifecrisis-activated]

I find it interesting that Stede is the unintentional cause of all 3 deaths of characters that represent toxic masculinity. Symbolically and thematically it’s just *chefs kiss*.

First take the Badminton twins. Stede is the opposite of toxic masculinity, he’s soft and picks flowers and cries and creates a safe space for meaningful male (for the most part) friendships. When Nigel and Chauncey die it’s because they were berating and attacking Stede and this form of masculinity. They also die by their own weapons unintentionally killing themselves. Toxic masculinity will always destroy itself because it’s hollow. If Stede and the crew are family and joy and connection the British navy is the system. There is nothing there to actually help people. But it’s so pervasive, one falls and someone else steps up. Same face, different name (literally). OFMD says that attacking this new way of life is meaningless because it is built on something more and trying to combat it will only turn inward. The Badmintons die alone and no one notices or cares.

Which brings me to Izzy Hands. I have a soft spot for that little nightmare (affectionate), he’s the character that I still haven’t pulled apart fully. Yes it’s Stede’s plan that leads to Izzy’s death but I don’t think Stede’s involvement is the same like for the Badmintons. It’s Ricky that’s important in the thematic meaning of Izzy’s death. Izzy is the toxic masculinity of the pirate world. It’s pretty clear that Izzy is the stand in for piracy and the old way of doing things. And he hates Stede! He also wins at the end of season 1. He removes everything touched by Stede from the Revenge and boy does it backfire. Raids for the sake of raids and no interpersonal connection sucks. And it was everything Izzy fought for in season 1. Continuing the idea of self destruction, I find it interesting that Izzy tries and fails to shoot himself. By his own hand and all alone. I believe it was Con who said that that moment was the death of Izzy Hands as we new him. Upholding a system just for the sake of upholding the system costs you everything and leaves you with nothing. And Izzy sees that and he changes!

If someone had told season 1 Izzy that he’d lose his leg that man wouldn’t bat an eye. But if you told him his new leg would be a gold painted unicorn hoof he’d go into cardiac arrest. But it’s his acceptance of what the crew made him that brings him into community. It’s a visual representation of what is going on internally and it culminates is his full look during Calypso’s birthday. He’s fully turned away from what was and put on this softness and femininity that makes him part of the crew. And I think that’s such a beautiful sentiment and I tear up every time I watch that scene.

Which brings me to Ricky. I mean, fuck that guy amirite?! He’s the worst and I wish we would have seen more of him. I think his conversation with Izzy is also so fascinating. It parallels nicely with Izzy meeting Chauncey in season 1. Izzy could’ve saved his own skin if he worked with Ricky like he did with Chauncey, if he upheld the system and played along. But he doesn’t and I love it. It’s so impactful to give Izzy that speech because every other member of the crew was already with the program. Having a character that was on the other side go actually fuck you you’re wrong is amazing storytelling. Izzy has learned his lesson and while he’s far from perfect he’s doing better every day. And that’s profound especially when you talk about trying to change people who upheld these toxic ideals. But it’s because of this rejection of toxic masculinity that Izzy dies. There’s no loyalty in the system; just because you helped them once doesn’t mean that it won’t spit you out and discard you. Even the people who have power in the system (white men) are not valued by it. But true community gives value. Izzy dies this time not alone but surrounded by people who care about him. The people around him when he dies pretty much all wanted him dead in season 1 and now they mourn and remember him fondly.

Izzy’s arc with crew is wonderful because it’s the shows thesis on unconditional love and the willingness to be kind even to those who don’t deserve it. Because look at how it helped everyone. To be loved is to be changed and it’s no surprise that the last shot of season 2 had Izzy and Buttons together changed.

[sabertoothwalrus]

Hi!! I hope it's okay to ask, which university are you/were you attending? I want to study animation in university but i have no idea which one to choose, so can you please tell me about yours?👉👈

I go to CSUF! It’s definitely one of the cheapest places to get a degree in animation in California, if not the US.

Only a handful of the California State schools offer animation, and most of the ones that do are 3D only, and I wanted to learn 2D.

SJSU has a good 2D anim program, and they’re the only state school in the bay area that does, BUT last I checked you need something like a 3.9 GPA to get in?????? like HELLO these are animation students. who are you fooling

the other schools I considered were CSULB and CSUN.

CSULB has a strong animation program! They have the guy that literally created the worldwide 24 Hour Animation Challenge. However, they required ONE extra art history class that none of the other CSUs needed, and I didn’t have it, and I wasn’t about to prolong transferring a whole other semester just to take it. (It was prehistoric art history, I think, which I admit sounds cool as fuck)

The reason I chose CSUF, beyond liking their curriculum better than CSUN, was because I heard about the Pencil Mileage Club. It’s the largest student-run animation club in Southern California. I’d argue that networking is almost more important than your actual skill. I’ll admit, the faculty is probably not doing as much for the students as other schools, but PMC more than makes up for it. I’ve made all my friends (and girlfriend teehee) through this club. I was president of my Art Club at my community college, so it was important to me to be part of PMC’s council. I’m now an event coordinator and so I help organize and run events and studio tours and guest speakers! :)) Clubs and extracurriculars look fantastic on resumes, so wherever you go, look into what’s available.

Things I should note: when you start at CSUF, whether as a freshman or through transferring, you will not be an animation major yet. You have to do the portfolio review first, and you can’t have any of the prerequisite classes in-progress when you apply. The portfolio requirement is only a few years old, too, and therefore it’s not nearly as competitive as, say… calarts or sheridan. I often say, students make the program better, not the other way around. the higher the level of students that apply, the higher the overall education quality will need to be to match that. Though this does mean that the higher quality a program is, the more people will be excluded, unfortunately.

CSUF’s aniamtion program itself is…. a little silly. You take storyboarding and character design after doing your short film ? for some reason? The new department head started at the school the same semester I did, and she’s definitely trying to make it better. She held a screening of the production classes’ finished films, and she told me she plans to have the curriculum restructured by 2025 (after I graduate, lol).

I’ll also mention that the art buildings are in the process of getting demolished and rebuilt. The first wave of new buildings won’t be done until the end of this year, and once that’s finished, they’ll tear down the remaining two buildings and start remodeling those. For now, we do a lot of our classes in the modular buildings jdhshfjs 🫡

We also have a mated pair of gay ducks that come every spring. Their names are Pebble and Rock. They are beloved by the art students.

And really, you don’t NEED a degree in animation to get into the industry. There are SO many online resources out there, a lot that are free, that can give you just as good of an education (in fact, several of my professors’ lectures have just been playing youtube videos and pulling up articles). BUT your classmates WILL be your future coworkers. If you’re not establishing relationships with people in some way on your own, you definitely need to make that bigger priority. After all, you won’t be working by yourself when you’re in the industry.

edit: oh I forgot to say that all the california state schools are striking the first week of the semester. so uh. there’s that

[saintsenara]

I need your thoughts on aunt petunia/rita skeeter

thank you very much for the ask, anon!

and i think... hot. entirely on "incredibly niche moments in british pop-culture" grounds...

by which i mean, when i try to imagine what rita looks like, she always takes a form vaguely similar to a journalist named samantha brick, who went viral in 2012 when she published an article in the daily mail entitled why do women hate me for being beautiful?

brick's article was typical, boring misogyny - and so was the response to it, which all centred on the idea that she didn't actually have any right to call herself attractive - but the relevant point here is that i can guarantee that petunia hate-read it literally a thousand times, that she told anyone who'd listen that she thought brick was a delusional tart who should stay away from other people's husbands [especially when they're fine british beef, like vernon], and that she was secretly quite jealous of brick for proclaiming loudly that she thinks herself beautiful.

the way that jkr uses physical appearance - and, especially, the way that women we aren't supposed to like are described either as fat or as unfemininely thin - has always annoyed me [even though i recognise it's a trope borrowed from many of the children's literature influences upon the series].

when it comes to petunia, so much of her physical description is intended to hint at her villainy. that she's unfemininely tall and thin, that she has a harsh, slightly equine appearance serves as a visual metaphor for her lack of the feminine characteristics the series considers admirable - she's cold, unnurturing, brittle, sterile, nosy, obsessed with how she's perceived, performative, cowardly, and so on. lily - with whom she's always contrasted - is a good woman - the ultimate mother - because she's real. and she's also - as the text tells us on several occasions - beautiful.

but if one wants to be more sympathetic, petunia's brittleness can be read instead as fragility. after all, she's a woman who - by the time she's twenty-four at most - is caring for two toddlers [one more than she was expecting], has lost her parents and sister, appears to be at home all day without much social support, is hyper-focused on not embarrassing a husband who appears to be quite a few years older than her by fucking up the class performance he expects but she's not completely familiar with... the list goes on.

what this must do to petunia's understanding of her own embodiment is really interesting to me. the entirety of the person she presents to the world is a fiction - she's a working-class girl with a sister who was a witch, who lives behind a thoroughly mundane and middle-class mask. this concealment will have an impact on how she understands herself as a physical creature - the petunia dursley she's created will not sweat or cry or shit or have body hair or devour or laugh until she can't stand or take or bleed or want or fuck.

and so, when she's alone and the mask comes off, can she think that the real woman who lurks underneath - whose body does all of these things she tries to hide - is beautiful?

i imagine petunia as being prone to a sort of obsessive, corrosive jealousy in her attitude towards women who are more defiant of social convention - especially women who reject the expectation that they will be meek, humble, self-deprecating, and demure.

which brings us onto...

rita skeeter is another character whose physical description in the text is something i think it's important to unpick. she's an example of the second technique which jkr uses when describing women the narrative doesn't wish us to be sympathetic to - that their gender expression has an exaggerated, hyper-feminine aesthetic.

jkr clearly thinks that this aesthetic is unnatural - in that it only belongs to women who have to play up a pantomime of femininity because they are improperly feminine in any "innate" way. dolores umbridge's girlish, pastel looks, for example, are horrifying because the person beneath them is sociopathic in her cruelty to children.

with rita, i am always struck - especially given the turn jkr has taken in recent years - that she is described in goblet of fire as someone with a hyper-feminine aesthetic which fails [in the text's eyes] to mask that she is physically unfeminine.

she is described as having "hair ... set in elaborate and curiously rigid curls that contrasted oddly with her heavy-jawed face", and "thick fingers [which] ended in two-inch nails, painted crimson", and "large, mannish hands", and she's caked in make-up, and she likes her accessories with a slightly tacky vibe.

she's described - in short - in ways which are intended to make her seem ridiculous [cheap, brassy, mutton-dressed-as-lamb] within the confines of how the text [and the world] thinks cisgender women should properly perform femininity.

but she's also described in ways which suggest that we're supposed to think that she looks like someone who is not a cisgender woman trying - and failing - to "pass". the text is of the tedious opinion that we should think less of her because of this.

but fuck that!

what i like about rita is the fact that she takes this treatment by the text and... doesn't give a shit about it. she's loud and eye-catching and caustic and rude and grasping and a complete hack. what you see with her is what you get - nobody thinks she's a good or impartial journalist, including her, and she simply doesn't care! and she thinks she looks hot as hell while doing it. after all, she has her quill describe her as an "attractive blonde". harry thinks that's an offensive suggestion - but she doesn't have to.

do i think rita is a straightforwardly admirable person? no. do i think that she doesn't mask and conceal her insecurities from the world? also no.

but i think she has that self-belief which petunia would pretend she thought was disgusting but which she secretly envied rita for. and i think this - someone like petunia, repressed and concealed, meeting someone who has no shame in immoderation and who gives them permission to exist greedily - is a trope which always hits.

do i think it would last? no. i think it's a wild fling and then they go their separate ways - and i also think, as i know i say ad nauseam, that this matters. the harry potter series thinks of love as something which endures for years in solemn silence, which sacrifices and which suffers.

but sometimes love is a week of getting your nails done, sunning yourself in a leopard-print thong bikini, being trashy and immodest and demanding, and eating ice-cream out of the navel of a blonde who doesn't give a fuck what people say about her. nothing more, nothing less.

good for them.

[tleeaves]

Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.