Back on my TWEWY!VBS au bullshit
Featuring headcanons post-Game!!
Toya is less reserved and does things without a hint of shame to the embarrassment of the others
He randomly kisses his teammates (akito corner of mouth, kohane's fingers, an's cheeks) just to see them redden. He enjoys it immensely.
Hes still rlly kind and earnest and genuine but the game kinda fucked with him yanno he's adopted a yolo kinda mindset
Akito is more or less settled in his own skin. Hes had to get some help from others but ultimately he realizes that even without his passion/dream or talent, he is still a very good person and someone important to his team. Hes more of a live for the people you love kinda guy now
Hes still temperamental and moody but around his team he's less harsh and moreso just blunt
When hes embarrassed, he will find kohane first to bury his head in her hair, if he cant find her its an's shoulder, and when those two arent around toya's jacket it is. (Toya does most of the teasing to him, so more than likely akito's trying to hide from him)
An turns up the physical affection a lot. You will now see her hanging off toya and akito's shoulders, linking arms with kohane or just in general having an arm wrapped around their waists
Shes scared if she lets go of them theyll disappear haha abandonment issues go brrrrr
She likes changing up her hairstyle a lot, and lets kohane and akito mess with it. Kohane likes brushing an's hair a lot
Kohane goes nonverbal a lot bc she forgets she has her voice again
When it happens in a show she somehow finds a way to make sure the audience is still engaged haha. She might force herself to make sounds just to backup their song vocals, but this is rare. An akito and toya can tell when she cant speak so taking over her lines is seamless
Though toya once done goofed by doing his funky kohane voice like he does in the hollow song. He thought itd be funny....akito didnt talk to him for a day
All four of them get odd when ppl ask them about their incident and the one week hospitalization
Toya is the most normal, you ask him about it and he just goes quiet and doesnt want to talk about it. Its like attributed to a regular trauma response, bc to everyone else vbs DID nearly die so like.
Akito kinda avoids the issue. When ena corners him about it he shifts to his more polite persona except its jarring bc you can feel him glaring at you. Ena of course is confrontational so another fight breaks out between them
An gets super weird. She starts acting like Nagi -- it was never noticeable at first but the longer she did it ppl started to get concerned.
Kohane suddenly goes Akito Mode, getting all grumpy and huffy haha. Just dont ask about the game to her, it wont end well
Did i mention Joshua becomes Toya's music teacher? Harumichi goes bug eyed at this bc Joshua is kinda famous with classical musicians. That toya managed to ask him for lessons is insane. He starts thinking that toya is back on the classical music grind
Joshua shoots that down pretty quick and says hes a music teacher, not a classical only teacher. Hes got a condition for toya to come to him for lessons, and thats to continue his activities with VBS and succeed at them. Harumichi is stunned lmao
Kohane pesters Neku a lot, as more visually creative people. He helps her create a tag for VBS bc surprise graffitti artist kohane wheeee
She has An or Akito spot her a lot.
No one knows if VBS is dating or not and tbh neither do they, they just like being close.
Akito gets annoyed with some of the reaper uniforms and drags mizuki to help him redesign them (mizuki doesnt know about reapers lol)
An learns breakdancing! She puts a blush on her partners' faces everytime she makes a move, bc goddamn An is fucking gorgeous
They all take commissions and requests from shibuya to perform haha. Ken is surprised when some well known person goes into Weekend Garage to ask specifically for VBS
Ken somehow also becomes their manager. An has tried to tell him he doesnt have to, they can manage, but goddamnit Ken nearly lost his daughter and her friends (ppl he considers his own kids at this point) he really doesnt want to let them out of his sight
The SEKAI changes too. Its still a street sekai, but now there are more...people, kinda? Like in stage sekai theres an audience, the livehouses in Street Sekai have audiences too, which delight the vocaloids
Somehow there are also shops and stores containing the kids' interests
The changes are honestly due to the influences the twewy cast has on VBS. Their souls are unnaturally strong, so some part of their soul latches onto the VBS squad and sorta imprints on the sekai.
Its like fragment sekais but it anchors to the street sekai itself so it becomes stable
So now VBS goes exploring their sekai a lot. Kohane likes going to the rooftops, toya tours the livehouses, an and akito go through the stores
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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