#this arc has been so damn good to us

[dbphantom]

Hate having adhd went to go work on my fallout modpack, got distracted while going to disable the steam overlay, ended up in the points shop, went to go edit my profile, decided to change my pfp, found a buried folder I forgot existed, found some old Veneer art I forgot existed, spent 45 minutes looking at all the old photos, STILL HAVE NOT TOGGLED ONE SIMPLE OPTION THAT SHOULD'VE TAKEN 30 SECONDS AT MOST

[seariii]

Que horror

[salvidida]

Racism and colourism are systemic, and of course they're rampant in most media, fandoms, merchandising, the whole shebang. So these are far from the only examples of this being a problem, but it's maddening being into jjba, ffvii, and fma and seeing damn near NOTHING for any of the (scant) core characters of colour from these fandoms.

Like, wow, cool fanart of the cast of Stardust Crusaders! Where's Avdol? :))))

Great fanart of the ffvii team! Why's Barret MIA? :))))

Oh cool, look at all of this art featuring the large fma cast (if not massive cast regarding mangahood)! It includes villains even! ... So Scar just doesn't exist or...? Man, not even Miles? Paninya?? Hello????

[gloryinthunder]

I used to really love the first romance scene with Astarion (and I still do) but it hits so much harder after you know why he's doing it. That he's purposefully seducing you for protection and blood, that he's forcing himself to sleep with you, and this is a mask he's wearing.

It's a sexy scene and really feeds into the vampy (pun intended) jump-your-bones version of him you get at the start of the game. The whole thing starts out with him being so confident and suave, saying that he's wanted you ever since he set eyes on you and how you want to be known and tasted. It's like everyone's perfect vampire romance novel.

He's laying out the bait that's worked thousands of times over and luring you in. And you can just get right to the kissing if you want.

But, you can also stop and ask him, "And what do you want?"

And for just a moment the mask drops. This is not the same cocky seductive face we've had up until now. This is vulnerability showing. When has anyone asked him what he wants? When has anyone cared? Does he even know the answer to that question?

So he pivots. The mask snaps back into place immediately. He turns back into the master seducer and feeds you a line about shared ecstasy to get you back on track.

And then comes what is, to me, the pivotal moment. He asks you "That's what you want, isn't it? To lose yourself in me?"

Looking at his body language he seems unsure at first, maybe questioning his previous tactics. Then he slightly cowers back, lowering himself as he asks the question. The total opposite of his confidence from earlier where he's standing with his arms out wide.

He's not sure what you want anymore. You're not playing by the rules he knows. Why haven't you taken the bait yet? Why haven't you thrown yourself at him?

And when you finally Nod in agreement, confirming you're here for sex?

This. This is the face he gives you. He just looks so damn sad. To me, it hearkens back to "Of course it'll turn me into a monster. What else did I expect?"

Whatever momentary blip made him question why you're there with him, he's just been reassured about both of your roles in this situation.

He sounds so quietly resigned when he answers: "I thought so."

And then the scene transitions into the actual act. I do like to think Astarion enjoyed himself as I'm sure the PC did, but it's hard for me to watch this scene now that I know his story and history without being uncomfortable.

Just that line "lose yourself in me" is so difficult to hear. Because on paper it's so sensual. Who wouldn't want a lover to feel that way about them? But knowing the context of what Astarion expects and believes in this moment is just... oof.

And to me, this is what makes this scene brilliant. The writing, voice acting, and the mocap/animation are all just SO GOOD. It's so delicately done and Astarion the character is so good at playing a role that you can completely gloss over the deeper stuff. But once the mask is eventually stripped away you can't help but see what was there the whole time.

And as we've established, being seen is a whole aspect of Astarion's romance arc.

I originally romanced Astarion for the same reasons I'm sure most did: he's a hot, sexy vampire elf (i.e. everything that's on the surface). But, I keep coming back to him over and over again for the person I know is waiting for me underneath the mask.

[rosiesmuts]

Odd Atelier

BLACKPINK Jennie

Words: 4,000

Tags: 🍑

A/N: Happy Birthday Jennie

Probably the greatest birthday cake in existence. It's not the traditional kind in the very least. It's one that can't be shared among family and friends; can't be used for gifts or congratulations.

Outside of the walls of Jennie's bedroom is evidence of a party. Traces of her most loved ones that celebrated her 27 years on this Earth: balloons are floating around, streamers cover every room, empty pizza boxes and discarded plastic cups are everywhere. But now they're all gone—the only thing left is this magnificent birthday cake presented just for you.

Jennie Fucking Kim on all fours, her ass in the air, her winking starfish slathered in saliva. It's what she deserves—a fitting gift that honors the birthday girl perfectly. And you are the lucky gift giver. Slobbering over the woman that appears on billboards, magazine covers, red carpets and anywhere else hot women go. It's been thirty minutes of pure unadulterated feasting and Jennie's getting lightheaded because of it—her ass and pussy have been utterly adored by your lips and tongue.

So good. There's a fine art to eating ass—especially one that belongs to Jennie. Your face, chin, and entire jaw are a mess, so are the sheets under her knees. You can only imagine how thoroughly debased your upper lip must look right now.

It makes you throb. Having Jennie in this position. Her entire back is sweaty and arched like a cat. She keeps shaking because her legs feel like jello. You grip her right cheek with a tight palm, tug it a little before lapping at it once more. You reach her quivering ringed hole and lick the velvety skin with an aggressive flat tongue that makes Jennie mewl as your chin gets pushed against her cunt.

You can't help but plant another soft kiss over the rim, humming contentedly at how incredibly warm it feels. How inviting it is. And while it has been truly mind-blowing—to feast and devour the pussy and ass of a globally acclaimed woman… you've noticed a certain desire in the last five minutes.

Jennie Fucking Kim. World famous idol. Begging for everything while her face is smothered into a pillow. A pathetic, needy woman. Just for you.

Now she wants more than just your tongue. It's her birthday. She has presents waiting to be opened.

"Oh please..." Jennie whimpers. Her eyes are half-closed as if she was lost in a trance, only roused when your thumb slowly pokes the pucker. Your tongue on her cheeks, spreading saliva everywhere, getting her as wet as possible for what comes next.

You start to prod Jennie's puckered backdoor, teasingly sliding between her jiggling cheeks—earning you another moan. This would make one hell of a documentary if she was ever caught like this. Probably cause an outrage, too. Imagine the look on those thirsty fans of hers seeing their godly idol just... ruined. Debased. Mired in sex. It doesn't matter, of course, whether her fans would find her reprehensible for it. They don't matter now that she's on her hands and knees. Vulnerable in a way nobody should ever be vulnerable—not her. Especially not Jennie. But she is.

"Mmm..." There goes another sigh. A sigh of relief when a thumb presses against her crinkled rose. Slowly, lovingly, sinking into the deep confines of her forbidden place.

Her hips jump and you force her back down. You love her sounds; the soft sighs, and gasps. How can you not? Right now she's giving a little show, she loves the attention. Looking over her shoulder with an infectious grin on her face—an encouraging smirk, showing you that she's waiting on something a little more exciting. A lot more exciting. You raise your eyebrows in response. She purses her lips in answer.

Oh.

Of course.

"You ready birthday girl? Any ideas on what your present should be?" You lean back, pulling out a bottle of lube from her bedside table. Lathering the entirety of her asshole with it. She looks so damn gorgeous with her toned back in an upward arc and a sexy face contorted in an expression of pure want and lust.

"Surprise me..." Her response is a seductive purr.

The invitation is too hard to resist—especially since Jennie's arching back pushes her hips out and back, effectively shaking her ass side-to-side with a delighted chuckle.

"...OH!" The tip teases her entrance, making her entire body spasm before you're actually able to penetrate. Her backside is soaked, but there are some resistances as your shaft pushes, pushes, pushes… finally stopping only once the ridge of your head pops through.

Fuck, it's tight. Damn it all to hell and heaven, how is her ass always this tight?

There goes another delirious sigh. Hitched. Croaky. Slightly high-pitched. Another wonderful sound coming from a woman that sounds like an angel, looks like one, and sings like one. There are few things Jennie can't do; she's too talented. Too beautiful. An exquisite blend of form and function, pleasure and pain—both which she endures on a daily basis. All because she was made to be looked at by everyone, but never touched. To inspire all, but not to interact. Except tonight.

Tonight it's all about Jennie. The birthday girl always gets her wish.

Jennie clenches hard the further your cock invades. It feels absolutely electric—every last bit of it. The way her body stretches is nothing short of spectacular.

"Ah fuck! P-please. Slow..." She grits her teeth, digging her nails into her pillows, no doubt. She's trembling all over. It's hard for her to take, but she also knows that the pain will eventually make way for a sensational bliss. It always does. Her slim defined back is lightly coated in sweat.

"Slow enough?" You rub your fingers into her backside. A warm up of sorts before grabbing the cheeks with enough vigor to leave marks. Pulling and squeezing the soft flesh of her backside apart, lewdly examining where the two of you are conjoined, and with a sinister chuckle, give an experimental pump.

"FUCK!" She starts to shake uncontrollably and tries her best to remain steadfast, "Keep going..." It comes out as a pant. She's enjoying it, after all. Enjoys the little hurt it brings—gets off on the little sting you're able to provide.

Little by little, you push into Jennie's perfect heart-shaped butt. Into her ass that's incredibly hot and constricting—almost impossible to breathe whenever her body coils tightly around your hard-on.

"Yes!" She tosses her hair, biting into the sheets when your hips meet her ass with an audible slap.

You hold still for a moment. Rocking back and forth a little bit as the tight heat wraps you in pure silk. Almost overwhelming, considering just how tight she is. All you have to do is sit and savor the feeling while Jennie's chest drops onto the bed.

She's panting, heaving even, but she wiggles her hips in an attempt to get accustomed to your presence. Another meek sound of frustration is heard, causing you to release an amused breath as you stroke her back. When she looks over her shoulders—there's a wild gleam in her dark eyes. It's almost magical. "Fuck my ass like you hate me..."

And without further prompt, you pull out halfway before snapping your waist into her with all the force you can muster. That single action elicits a choked cry from her throat and then another and another.

You let it loose. Go all out. Use every ounce of strength and force until the two of you are shuddering and yelling, the obscene sounds of sweat and bodies mingle with moans and groans. It's so dirty; so filthy, yet Jennie absolutely loves it. In spite of everything she does for a living, her actual sexual appetite is simply unbridled.

Pulling her arms towards you, you gather both wrists within your right hand and pin them firmly against her lower back. Using it as leverage to ram yourself into her at an almost unnatural pace, watching in utter fascination at the way her back muscles shift and move, all to keep herself from tumbling face-first against the bed.

All the while, she's groaning. Slurring words incomprehensibly, asking for a little bit of pain—which you gladly deliver. Each slap is perfectly timed, enough to turn her flesh pink and vibrate from the impact, but not hard enough to do real harm. Just like that, Jennie is thrashing on top of her pillow, pushing back in an attempt to relieve the sting before grinding and rubbing against you. The little shit always craves more.

It's hard to imagine who's getting the better present here. For her, it could be the rough anal fuck she's been wanting for some time now. It's all she asked for all week—and for you, it was getting the chance to savagely pillage and conquer the ass of the hottest girl on Earth.

"F-fuck! I'm gonna-ah..."

Those words ring around your ears as they get muffled with her bedsheets.

"You're gonna what?" You pause to lean forward and growl into the shell of her ears. Tugging her arms and forcing her to arch her spine further until her back is kissing the skin of your stomach, causing her to hiss in satisfaction, "You're gonna cum like a filthy slut with her ass being reamed?"

"Yes!"

The thirty or so minutes of foreplay have certainly paid off. She started already wound up tight, and now her body is practically trembling, eager to let loose. It's impossible to prolong the pleasure for long; with a little more adjustment to the angle and speed, Jennie finally sings and wails—shaking and writhing her body on the verge of a world shattering climax.

Jennie Fucking Kim owns one beautiful little fuckhole and it squeezes every last bit of vitality from you, almost as if her ass was trying to strangle every last bit of life you had. Your entire frame trembles as her snug, grasping hotness envelops you in a hot prison and attempts to rip you off. For the duration of her climax, her hands scramble to grab anything and everything they can: her own hair, the sheets—the world, perhaps. There's a little bit of everything happening at that exact instant and you're almost too afraid to move from fear of losing such a heavenly sensation.

But of course, you move.

It's her birthday after all, she needs a few good spanks to feel fully appreciated. To let her ride out this intensity, her entire body jittering in pure elation. And you grant it to her. Delivering more spanks to her beautiful ass, reddening them further, adding to that warmth and almost euphoria-like state the superstar is experiencing.

Her pussy quakes and flutters. The feeling of cumming by butt alone is so much greater than it normally would've been. The tension was much more powerful, stronger in a way and almost addicting, despite the slight twinge in her cheeks and the noticeable bite of pain.

For a moment, everything is lost.

"So sensitive... C-can barely think straight..." Her head sways limply. You'd almost feel bad, if not for her pleased giggles and blissful sigh.

Jennie lies limply, spent beyond measure, all to satisfy her desires. You have to roll the idol on to her back as it seemed her strength has suddenly left her. All to ensure she doesn't completely collapse and possibly ruin this fun party for the both of you.

She's glistening in a thick sheen of sweat and her smile has never looked so brilliant and inviting.

"You're beautiful Jennie..."

"Funny that your greatest compliments come when you're fucking my ass." A sly giggle is shared. She raises a leg and holds it against her chest while the other one is casually parted open.

"What can I say? I'm a man of refined taste." You take the sight of her body in—of the woman splayed on her back like this; naked and satisfied, slick and supple skin glistening in a heavy sweat. The sticky fluids around her folds are starting to coat her ass as well and you can't help but smile to yourself in triumph. "Shame it's over already." You know exactly what to say. How to challenge her. And of course she's not gonna refuse. It's Jennie. Of course she has a few more tricks up her sleeves.

"Nope, this is just the beginning..." She smirks. The life returns to the doe-eyed beauty and the glint in her dark irises becomes nothing short of wicked. It's time for Jennie to stop being the submissive little bitch and take charge. To show that her famous curves are hers to own. Her beautiful body and devious mind is hers and only hers to use as she sees fit. You watch as she leans forward and puts both her palms on your chest—forcefully pushing you down to her bed and straddling you, grinding that beautiful ass over your stomach and making your unreleased cock twitch with need.

It's only 11pm and Jennie still has an hour left to celebrate her 27th birthday... and she intends on spending all that time savoring that delicious ache in her ass.

Happy birthday to her. Happy birthday to you.

"There's no time for a rest, right now I'm gonna ride you."

No complaints.

Absolutely none.

There isn't any way to decline Jennie. Not when it involves your cock and her ass.

After all, it's Jennie's night—the night she turns you into a quivering mess, the night when she puts you under her spell—and makes you fall harder than before. She turns up the heat—another degree hotter when she's at her sexiest, at her most mischievous and dominant.

Jennie winks. Her favorite, trademark move as her face glimmers under the twinkling lights. Her lips are slightly parted in that signature Jennie Kim pout and she's now putting her assets into a display of sorts; rolling her body slowly in an almost rhythmic motion. This dance, a teaser, and one that her fans would pay a premium to see, makes its way on stage: you.

Her toned lithe waist, the little things on her chest, and that godforsaken smile. So tight and perfect. Hot and inviting, and you just need to feel that intense grip around your shaft once more. There's no safe words here—not like Jennie will ever let you use them anyway. Her small frame begins to writhe to its own imaginary beat, shimming and shaking with purpose. The gentle rise and fall of her chest is hypnotic. A sway. Back and forth.

You want her. Badly. She holds your cock in her dainty palm and teases it over and over.

"This is for me and my birthday... Any objections?" Her smile becomes impossibly bigger. Playful and inebriating and there is only one answer that fits the occasion.

"No." Internally you're dying. She keeps pressing it against her starfish, but never quite giving in, only smearing the precum over the orifice.

She smiles in amusement, "Good." She leans forward, capturing your mouth with an affectionate peck on the lips. "Just a little longer. Wanna see how long you can wait."

And so the torture begins. The heat, the haze, and the melody of a sex-drunk woman.

A world-renowned dancer who shakes her hips as she rolls forward, running a finger against your pecs. She brings your hands up to do the same, telling you to caress every nook and curve of her. Make her feel that irresistible electricity that shoots straight down her spine when she's with you. To feel how soft her skin is and how malleable her beautiful little breasts are. She gasps with glee, giggling away in genuine amusement.

She rises from your grasp—her tantalizing curves a testament to her dedication, her passion. You swallow dryly as a drop of saliva drips off the corner of your lips. Such a lewd display has you seeing stars. Your jaw slacks and your eyes focus entirely on her figure—all its stunning contours, lines and edges.

"You really love my ass." A cute puff escapes her. A tinkling laughter before she fulfills out every one of your shared desires.

The snug fit is inevitable—after an incredible amount of teasing from your lovely playmate, she has finally chosen to go for it. Her back is arched upwards and she bites her lower lips when your rod enters her still raw hole—though there's a tiny bit of pain that never bothered her before.

"Shit..." Jennie holds your arm tightly for a moment. That is, before an unholy mixture of delight, satisfaction, and searing arousal overtakes her mind. This moment of weakness doesn't last for long and she immediately repurposes it. She bounces and grinds—each move has her inner walls massage your cock. You're in bliss. Everything that the star does is magical and you're so utterly infatuated. So hypnotized by the look of absolute indulgence. She's an elegant song, and a masterpiece to behold. The sweat pooling between her breasts only enhances her grace, a little bead trickles down her navel. She throws her head, luscious raven hair falls everywhere, and her eyes are squeezed shut, a guttural moan when she sits completely flush.

She rests for a second, catching her breath, still smiling all the while. Even at rest, she's mesmerizing. You notice how she holds your hands firm, fingers intertwined, she won't let you escape. You never wanted to.

The adorable whimpers of happiness are back as she looks up at the ceiling, rocking her hips lightly—teasing you, coaxing you for even more. With one smooth move she's rising and falling, faster, and faster still, going for a solid tempo that sees her hips pounding incessantly against yours.

"Fuck." a choked cry is pulled out of you, "this feels amazing."

"Oh yeah, you really like me fucking my own ass?" Her smug little comment is punctuated by a grunt and another hearty slap to her juicy cheeks. Jennie laughs in her unique sing-song way—breathy sighs and delicious whines. She bounces. And she bounces and bounces—both her beautiful tits, her raven-haired head, and that irresistible heart-shaped ass, too.

Jennie raises and falls on your length and her heavy breathing fills the air alongside her impassioned, sexy cries. She works so hard on top of you and pulls out all the stops: shaking her ass side-to-side, clamping down as she draws to the head of your dick, relaxing on the way down again. Jennie is a performer after all, and she can really put on a show.

She arches her spine back and traces a finger along her untouched flower. Teasing herself. That part of Jennie will be left alone, at least for right now, this is an anal adventure, and so her pleasure from that particular place will have to wait until later. The teasing is deliberate, playful, and a way of providing more stimulation to her greedy bum. It is enough to make her squeak in desperation. The urge to touch herself is overbearing, and only increased when you reach up and pinch the tiny nubs on her chest.

Her expression melts at the assault—completely uninhibited, free, and not afraid of getting messy. There's no one here to judge her. No one except the lucky, blessed spectator below and her own greedy one track mind focused on pleasure. On indulgence. Complete self-gratification.

The strain is showing. Her pace slows as her tired legs from exertion. And now you're the one showing her pity, running a palm over the damp hair sticking to her back, down to the subtle dimples above her ass. She sighs sweetly in response and then draws close, clutching onto your arms.

"Do something for me?" She asks cutely.

You smile in response, nodding your approval. Jennie relinquishes control, simply lays on your chest, awaiting for the moment your hips thrust in and out of her.

"Happy birthday," Your first kiss is to her cheek then your lips hover against her ear, "and to many more to come, Miss Jennie Kim."

Your next movement has her clamp a hand over her mouth in order to smother a lustful gasp. A roll of your hips followed by an upward pump. There is absolutely nothing that beats that first initial snap of the waist. Another after. You use one hand to steady her in her current prone position. The other one is at work, roughly pawing at her ass and smacking at the red cheeks, accenting each new powerful snap of your waist.

"Harder..." Jennie slurs with delirious elation.

You're not sure which one she's referring to, so you offer her both: pumping harder and faster as requested while striking her ass with enough force that the echoes reverberate across her bedroom.

"Fuu-ah... FUCK!"

For a moment, you're startled by her reaction. By how intensely her asshole grips, how hard she pants, how quickly she is cumming without warning. So much buildup and yet that's all it takes. Your chest tightens and you grit your teeth, fighting off the climax that threatens to shoot straight into her backdoor. But she's begging you, practically urging you, to fill that lewd forbidden place with everything that you got.

"You should feel lucky you know," Jennie moans between bounces. "If I let you cum inside, and believe me you'll be allowed to cum inside. You'll be the luckiest man in the world."

Fuck... No kidding. You already feel like the luckiest man alive at this very second.

But your legs are growing weaker, the knot forming at the base of your stomach tightens with each passing moment. The immense pleasure burning through you with each new throb. It's hard to stave off the inevitable release that is boiling just at the threshold.

You take a deep breath. Close your eyes and pray. It's the only way to stay sane—you have to remain in control for just a minute more.

"Go ahead. Be the luckiest man in the world."

Jennie offers permission. There is no denying her this time. And you'll do everything to ensure this birthday will be unforgettable—and you're ready to take that first step.

The idea of an impending explosion is intimidating, the reality even more so. Your body seems to go haywire—like a machine whose sole function is to thrust deep inside Jennie, causing her to spasm, her muscles to quake. Jennie moans. Louder and louder. Less controlled, less sensual. More animalistic and filled with need. Desperate sounds that don't stop spilling out of her the more you shove your hips into hers.

Over an hour of buildup all comes down to one single moment. An unceremonial release, both from Jennie and you. This climax, stronger than any, stronger than all the others. Your last ounce of strength goes to pin Jennie back against your lap, just as you unleash torrential floods of seed—soaking her, coating every part of her ass that is available and then some. At the same time, Jennie lets loose with an unrestrained series of whimpers and lets the warmth from deep inside her wash over. Let it run out between your tightly squeezed bodies.

A myriad of sensations hit the two of you like a tsunami: your entire frame erupts with sensation, shivers and shudders from the pleasure and euphoria. All around, your senses go out of focus, the room begins to spin, but not in that nauseous way—a heavenly sort of thing, and when Jennie purrs out your name in pure satisfaction, your pulse spikes. The hazy heady rush and feeling of ecstasy hits a crescendo, the pinnacle of satisfaction.

The breaths are still coming hard and fast. Hearts beating frantically. What started out slow is ending with a flourish.

She still has some time left to her special day but everyone involved in the intimate celebration is completely spent. Utterly exhausted, but content.

Jennie rolls off your body, uses whatever strength she has left to nuzzle against the crook of your neck, "Best birthday ever..." She presses an appreciative kiss against your sweaty, heated temple.

And that, to you, is a win—one that surpasses all the awards she has already achieved.

[mikareo]

“ ࣭⸰ ★ THE MOON SAYS HELLO. . . ⠀⠀⠀⠀⠀⠀⠀⠀呪術廻船; geto suguru x fem reader ⠀ ꒰ . . part one of three ꒱ . . . word count; 3.6k

⊹ ⠀⠀despite his insistence on never falling in love, suguru fails to stop himself from becoming smitten with his best friend’s beloved. you’ve become a flicker of hope in his darkness— though you’re someone who can never and will never be his to have and to hold.

series contains; if gojo didn’t kill geto n geto was given a chance to redeem himself, redemption arc!geto, human caretaker!reader, kind of e2l but also not really, love triangle, gojo x reader, fluff, major angst, heartbreak, wedding at the end, swearing probably, geto refers to humans as monkeys per usual author's note; rewritten fic, will be 3 parts in total (i'm half done pls be patient w me im a slow writer...)

YEAR ONE, DAY ONE

His face is sore. So sore. It’s red, swollen, and sore after he’s spent the last three hours screaming in frustration with his current predicament. This is absurd, Satoru should’ve just killed him when he had the chance. Geto’s lost count of how many times his palms have slapped his own face; over and over again with wishes that he can wake up from this hellish nightmare the higher ups call ‘rehabilitation’— though he can somewhat still recall the first slap that he’d given himself around the half-hour mark. He’s got a pretty good memory…that doesn’t stop him from hoping his veins aren’t too noticeable as they angrily protrude from his forehead in crimson currents.

He’d rather be dead than imprisoned like this…like an animal…like one of those damn useless monkeys.

The intensity of his wails continue to bounce off of the barren walls— barren aside from the dark mark he’d punched in earlier— and echo like a party of lost ghouls in the bottom of an empty well. Geto feels like a mad man.

He’s only just begun his isolation and he’s already growing mad with boredom. 

A huff escapes his lips as he plops himself down onto the twin-sized bed that’s nestled in the corner of his so-called ‘suite’. With linen sheets and a dark maroon comforter, it’s almost a cozy living situation; in another life, Geto could imagine himself cuddling beneath the covers with his favorite book and a soft record playing in the background for some ambience. That world is far far away now. Even if he asked for a record player, he doubts the higher ups would grant him one. He’s their most valuable prisoner, and they’re sure to keep him as miserable as possible until he’s one-hundred-percent pure hearted once more. However, despite their reluctance to grant him the things he wants, these aren’t the worst living arrangements he’s ever encountered and he knows that Gojo did his best to give him the best commodities he could to…well…a highly dangerous criminal. 

This is the only path to forgiveness, he reminds himself, constantly trying to be optimistic about the utter absurdity of it all. 

Optimism hasn’t been his specialty in a long time; anyone with a working pair of eyes would be able to deduce that, and he despises it. He’s quite rusty with the characteristic and has looked on the darker side for a while now— but wishes that he could be as reckless as he once was as a teenager. He can vividly remember how loud his laughter was with Gojo and Shoko, laughing as they chased each other throughout the school yard and using each other's cursed energy to their advantage in games of tag— but that would be near impossible now. His two best friends can barely look him in the eyes after the treason he’s committed. Gojo views him as a ticking time bomb and Shoko’s healed too many people to count that he’s harmed.

If he stepped one foot out of this room, he believes he’d be smothered on sight.

The Jujutsu Society fears Geto Suguru..

…and Geto Suguru fears himself. 

In all fairness, he deserves everything that’s come to him. What he did was awful; mass murdering humans…trying to murder even more humans…harming innocent students…starting a war during the holiday season…the whole gist. There are obviously bad actions from the past that continue to haunt Geto to this day and will continue haunting him so long as he breathes— but that’s all it is now…the past. He wants redemption. He needs redemption. If Gojo managed to reach clarity within Geto’s awful decisions, then maybe he can too. 

Geto wants to get better, to be better…not only for Gojo…but for himself. 

This is exactly why he and his best friend has devised a plan, one that will hopefully help lead Geto on a better path— a five-year path that will only be completed if he truly wants it to, and a half a decade seems like quite a bit of time to most; but for Geto, he doesn’t know if it will be enough. 

For Satoru…do it for Satoru…

He wraps his arms around himself in an attempt to comfort his heart that beats with fear every second of every day. It’s been so long since he’s been hugged by another, and he doubts he’ll ever feel that love and comfort from someone in his life. It’s the first time in a long time that he’s been alone with his thoughts with no one else to turn to; and if he’s being honest, there’s nothing in the entire world that scares him more than his own mind. 

“Geto Suguru?”

He doesn’t recognize that voice.

The soft sound comes from seemingly nowhere, startling Geto with a slight jump. Whomever it is sounds frail and weak, obviously intimidated by whom they’re going to be in the presence of in mere minutes; and Geto already finds nothing but annoyance at his new companion. Of course they’re going to have prior judgment. He bets you already hate him for the rumors and stories. He doesn’t really have a choice whether or not you come in, though. Gojo insisted on a caretaker— someone to talk to so he doesn’t go insane by himself— and Geto will do anything to make his best friend happy. So, he stands up and dusts his pants off, making sure to look more presentable, and stalks towards the entryway. His hand meets the knob, yanking it open, and ready to meet the stranger on the other side. 

Standing before him is you, a woman around his age. You can’t possibly be older than twenty-six, but perhaps you’re a few years younger. In your hands are various sweets and snacks that Gojo knows Geto loves, balancing on a silver tray that shines more light in the room than he’d care for. The reflections dazzle straight into his eyes, blinding him briefly with a scowl on his face. Of course Gojo would know to send you in with his favorites. He’s so predictable. His best friend is less surprising than he thinks, causing Geto to roll his eyes to the top of his head; though he appreciates the kind gesture. It’s far past dinner, though. Gojo must’ve struggled to convince the others to allow him a proper meal. 

“Don’t just stand there, monkey.” Geto commands whilst gesturing to the small dining table in the center of his confined space. “Come inside.”

The instant you stepped into his presence, it was horribly noticeable that you have no cursed energy. Zero. Not a lick of it…and he struggles to hide the disgust with his body language. He can’t help but be annoyed that a monkey such as yourself is going to be in his company for the next five years. 

With his distaste for you clear as day, he pulls out a chair for himself and disregards the kind option of pulling out yours prior; expectantly looking towards you with the expectation that you’re going to serve him his meal like a servant. 

“Well, monkey…” he trails off disinterested, “I’m waiting.”

You hustle towards him, quickly and efficiently placing the special grade sorcerer’s meal on the placemat before him and taking the empty seat opposite. There’s a small breath you’re holding in, Geto can see it in your throat— it’s suffocating you with fear for your life as your fingers lightly tap the dark wood in a nervous fit. 

You’re completely pathetic. As if a monkey would ever have the courage to speak to him. This is ridiculous.

His hands slam against the table with a loud bang. “What are you doing?” he questions, heavily interrogating you as you cower in your seat like a meak mouse. “Does Satoru expect you to monitor my meals?”

He really is nothing but a prisoner, isn’t he?

“What damage could I possibly do with this slob that’s been served to me by the scum of the earth? Start a food fight in the halls? Overthrow the Jujutsu world with a biscuit?” (If that is the case, in your defense, the biscuits are quite hard. There must be a new kitchen hand in training who based them.) This is a horrible day.

As Geto impatiently awaits your answer, a deep breath escapes your lips— perhaps a way to soothe your heartbeat into something less than a record-breaking speed— and you attempt to focus your stress and fear into a fleeting moment of zen. Your large eyes shut for a total of three seconds; one, two, three…before opening again. This time, as his own eyes make contact with yours, they’re shining with slightly more confidence than before as you swallow hard and settle your gaze on Geto— the look in your eyes evolving from that of anxiety to empathy. 

“Actually,” your lips rise into a thin smile, “Gojo Satoru didn’t send me here, the higher ups did.”

Your eyes search Geto’s for any signs of discomfort or inner rage that could be boiling beneath the surface of his poker face. It appears that he’s grown even stronger at hiding his true emotions towards humans; however, you can see through the veil. Yes, it’s thick and difficult to brush past, but there’s a slight opening in the center that you peek inside— and what you can see in his heart is a man who simply wants to finally do what’s right. 

“The higher ups are aware that Gojo Satoru has a soft spot for you— hell, everyone who knows your name is aware that when it comes to you, he has no reason. He has no right of mind. I’m only here to monitor and report your progress in an honest manner. That’s it. That’s all. I promise I won’t intrude on your life more than necessary.” 

Shit.

“I’m sorry, Geto Suguru…but you’re stuck with me.”

It’s as if his left and right sides are arguing between themselves. His good conscience says that he should give you a chance, perhaps you could be different than the monstrous humans that attempted to kill his beloved Mimiko and Nanako; while his bad conscience tells him to let out one of his cursed spirits to devour you where you stand. Listening to his right side would definitely get him his best case scenario…a chance to see his girls again…but the left side would be so much more enjoyable. Oh well. At least the higher ups sent someone somewhat his age and not an ancient and decaying corpse like themselves. That’s a disgusting thought. He’d rather be hugged by a hundred humans than be forced to befriend a higher up. A shiver runs through Geto’s spine as a newfound appreciation for you is birthed within him.

“Do you have a name?” Geto taunts as he begins to pick at his meal, slightly disgusted with the stale quality of some of the snacks but nevertheless thankful that he at least has something to subside his aching hunger. “Or should I just call you ‘monkey’ as I do with the rest of your kind?”

That sound?

You’re laughing?

Your giggles are surprisingly pleasant to Geto’s ears as they harmonize into a song that he can imagine himself listening to each morning. Why did you find that funny? He was quite literally insulting your entire existence. Geto is dumbfounded by the strange humor you seem to have, considering that he was being entirely serious with his question. Humans are so strange. He’s never really been able to understand how your peoples’ minds work, but perhaps he could begin to learn the basics. It’s not like he has anything better to do, and some entertainment would be nice. 

He’ll keep you around…it wouldn’t hurt and you can be his companion kind of like a pet.

Pets are cute…

…your smile is cute too.

You smile once more, answering his question with a blush on your face. “Please,” your cheeks redden, “Call me by my name, Suguru.”

YEAR ONE, DAY NINETY-FOUR

“You’re late.” Geto crosses his arms over his chest, exhaling a large breath of air in a loud and annoyed huff as he attempts to seem seriously angered by his new friend’s awful timing. 

It’s nearly twenty minutes past the time that you were supposed to be here; emphasis on supposed. He’s been waiting with his eyes staring at the clock, watching it tick and tick as the time passed by with no you knocking on his door. That’s twenty whole minutes of time in which he was forced to entertain himself rather than listen to your rambles and rants about whatever the latest scandal is in the outside world. You love that pop culture gossip stuff that social media and magazines rave about, and in a weird way, you somewhat remind him of his daughters— personality-wise…not attraction wise…that would be weird. 

Over the past few months, Geto’s grown severely accustomed to the daily routine that you’ve developed, becoming so fond of you that he strangely pictures your smile and recalls your laughter when you aren’t even here. Friendship is a funny thing. He doesn’t think he’s ever had a friend like yourself; yes, Satoru will always be his closest confidant…but his relationship with you is different in a way that he can’t quite put his finger on. He’s never considered anyone else the highlight of his every day like he does you. Your company is the kind of presence that he overwhelmingly enjoys; with such a positive and warm nature exuding comfort to Geto’s loneliness, and your judgment-free outlook on life rivaling his pessimism in a perfect mixture of negativity and optimism. He wishes he’d met you sooner, perhaps when he was a child— and if he had, maybe he wouldn’t have turned out the way he did. 

It’s too bad you would’ve only been an awful human to him back then…he would’ve called you his infamous nickname without batting an eye…a monkey…

…a mere monkey whom he never ever thought he’d develop unwanted feelings for.

For his entire life, Geto always told himself not to fall in love. That love isn’t real. It isn’t obtainable, not when there are people like Satoru in the world— people that you can’t help but love— and then people like him; people who you can’t help but hate. With that being said, he’s never necessarily been looking forward to any potential love matches in his future.

…no matter who he was involved with…

…until he met you.

“Sorry about that, Suguru!” you hustle through the doorway, your appearance a tangled mess with dusty dirt particles littered with gravel. 

There’s a large scratch on your right cheek, not deep or in danger of infection in any way, but noticeable enough that he’s able to see it from a distance. Knowing you, it’s most likely accidentally self-inflicted in some sort of way; you being notorious for tripping or snagging your skin on the sharp end of a table. How do you always manage to be so uncoordinated? Geto can’t help but let out a short laugh, his eyes scrolling up and down your body and taking in your entire appearance, dirt and all. You even manage to make dirt look good. What the fuck? He hates this.

Your voice carries on as you approach him. “I was running on time, but then I saw this adorable shop downtown and I just had to make a stop.” The overexaggerated tone you hold is amusing as your hands wave through the air in a physical storytelling of your experience. The skin of your cheeks is flushed red from your sprint through the city, looking beautiful in resemblance to that of a blooming rose. 

Geto can feel his own face heating up at the sight of you, choosing to shrug nonchalantly in an attempt to seem as if he doesn’t care at all about your dilemma…

…as if he doesn’t care about every second of your everyday…

…as if your overall excitement isn’t the only thing that truly keeps him going nowadays. 

“You tell me these things as if what you do outside of this room matters to me.” He hopes his words mask his rising blush. (Spoiler alert: They don’t.)

Flawlessly, you brush off Geto’s phony disinterest without the slightest acknowledgement. It’s as if the phrase had never even left his lips, with no evidence and proof of insult. This isn’t an uncommon occurrence when the topic of what you do when you’re not with him comes up in conversation, as the prisoner typically tries to ignore his interest in your daily shenanigans— and you can’t deny that it hurts. Most of the time, it feels as if Geto never actually listens to anything you say, and you were able to quickly realize that in the early weeks of your arrangement when the pain began to torment your heart; ripping and shredding it to bits with every eye roll and mocking scoff. You don’t seem to matter in Geto’s point of view. He doesn’t care…at least that’s what you believe. 

In contrast to Geto, you’re an emotional spirit— you crave love.Love is all you’ve ever wanted, needed, and desired. In your time with him, you’ve developed inklings of feelings as well. However, you’ve chosen to let your feelings grow and blossom out of the dirtied patch of grass they were planted in— ignoring the warnings every single person in your life has given you in advance. Despite that, Geto continues to stomp on your budding flowers. He takes a heavy watering can, filled to the brim with hose water, and drowns your garden in the tears that you shed in the privacy of your bedroom. Those tears that are a never ending waterfall due to the fact that you know it isn’t your job to fall in love with your client. Your duty to Jujutsu Society is to help Geto learn to love humans and sorcerers as one in the same and to gain the trust of his community once more— not to love you.

“Okay, before you judge me, at least give me a chance to explain myself.” Stumbling towards Geto, you accidentally trip over your own feet in embarrassment, and proceed to hold out a single flower not yet in bloom. “It’s freshly cut. I saw a bouquet in the window and it caught my eye, because it reminded me of you; but I knew you’d hate a flashy bunch of them so I just bought the one.”

It reminded you of him?

Taking the gift into his own hands, Geto studies it intensely. The rose is a dark shade of red, crimson, or scarlet depending on your vocabulary. The petals are a brighter color while the plushness near the stem turns dark, more sinister as it approaches the thorns lining the sides. Just by looking at the rose, he can understand why it made you think of him. It’s gorgeous, but practically untouchable figuratively and literally. There’s only one angle that he can hold the stem at that doesn’t prick his fingers. Ouch. And he just did the very thing he was being so careful of avoiding.

All his life, he’s never been the kind of person who longed for gifts or compliments, but when coming from the right person…perhaps he is. 

Whilst he struggles to come up with a reply— a simple ‘thank you’ or ‘i appreciate this’— you mentally applaud yourself as you’ve finally found a way to make him speechless…

…but your praise for yourself is short-lived.

He can’t be weak. Not even for you.“I guess it’s not terrible.” Geto throws the flower to the ground and lightly kicks it away with his right foot. As one of the beautiful petals drifts away from the lonely flower, he turns away, not being able to endure the heartbroken look on your face and the offended rose on the floor. Why does he have to be like this? “I’m sure that garbage is all a monkey like you can afford anyways.” Why is he so cruel?

His eyes clench shut as he hears the door begin to close. You’re so gentle even when upset. He admires that about you— you’re the calm to his ever-raging storm, the sailor to his tsunami, and the lifeboat to his wreckage— you’re the most pure-hearted person he knows, and you don’t deserve this awful anger he holds within him. 

Is he…crying?

As tears begin to drip down his cheeks, Geto collapses against the wall with his knees buckling beneath him and his weight crumbling down to a pile of patheticness. He’s just a shell of a man undeserving of someone like you. Soft sobs escape his lips and silent cries fill the hollow room, absent of your joy, crying out until he notices the faint outline of the young rose beside him. With the flick of his hand, he snatches the flower off the ground and lifts the thorny plant with careful hands— finally and truly understanding your meaning behind the gift. This is how you see him? He’s dreadful and hurtful to others on the outside, prickling kind people away with his thorns…but when encouraged and supported, he has the potential to become something beautiful.

Someone that could one day be compared to the beauty that is of a blooming rose. 

With the budding rose in his grasp, Geto sits alone. He realizes that he’s only able to become that person with the help of you. You’re the only person that has even come close to seeing him for who he truly is; aside from Satoru you’re the only person who would think of giving such a gift to the number one enemy of the Jujutsu world. You’re the only person who he’s ever come to feel true and honest romantic love towards. 

Geto has to become better. Not only for himself and Satoru…but now, for you.

⋆⋆⋆⠀ ⠀thank you for reading! reblogs are greatly appreciated! ⋆⋆⋆⠀ ⠀i promise i'll post the next 2 parts soon pls be patient :3

[showtoonzfan]

Rewatching the Hazbin pilot again, and ya’ll remember how Angel Dust was actually a dick on purpose? He didn’t care about the hotel, he was a selfish candidate who was just in it for the rent, he talked shit about Charlie and Vaggie behind their backs, he was a reckless jackass who didn’t know when to read the room and that was the point. He wasn’t a good person and he especially didn’t like or trust Charlie and Vaggie, so seeing his arc of gaining friends and being compassionate towards the people he didn’t appreciate at first in episode fucking 4/6 of the first season is so wild to me.

It’s so rushed and forced, especially for a character like Angel. It was clear from the pilot that while he had some redeeming qualities, getting along with others would take time. In the show however they manage to woobify him even more than he already was. He’s just so damn sensitive, there’s a big difference between him and pilot Angel. Pilot Angel didn’t give a shit about what other people thought of him, and he owned it. Show Angel is incredibly sensitive and pissed off at every little thing, he’s so whiny and desperate for some kind of approval, which on its own isn’t bad, it’s just too fast, not just that but it’s sudden with no buildup. In episode 2 of the show, he gets sad for some reason when Charlie is complimenting Sir Pen. Then in episode 4, he suddenly cares about her and there’s no explanation to why, same goes for Nifty in episode 6. Like yeah it’s nice to see him care about others but you forget to show us WHY he cares. Viv has gone on to say before that his character involves him putting walls up and blocking people out in fear of him getting hurt, so like….what happened to that lol, cause that isn’t showcased in the show.

Husk has the same issue. This guy is supposed to be a grumpy drunk, in the pilot we know he only took the bartending job for the booze. He’s a messy guy who doesn’t like anyone, and it should have been awhile till he actually started to care about people. Instead he’s like..almost instantly friendly after episode 4. This is the same writing issues Helluva Boss had btw. Viv is so incredibly desperate for you to like her flawed/bad characters that rather than taking the time to actually show them slowly improving, she instantly paints them out to be sweet and expects you to go along with it.

[cutecatlov3r]

my character ai bots:

jjk:

gojo satoru:

his eyes r funny looking- now, you were laughing your ass off due to the fact that he took off his blindfold during a mission with a curse. you couldn’t help but laugh because he looked so stupidly serious.

wardrobe malfunction- as you walked out he stifled a laugh. “what the hell are ya wearin’?”

he’s annoying- he is so annoying. even in highschool he was unbearable to be around. you hated his annoying ass. but he loved being around you.

vampire au- “oh? the little princess is out of her kingdom? wanted to see me huh?” he teased, looking at her as she hangs upside down.

can’t get enough of him- you and gojo have been on and off since highschool. it’s like everytime you both break up you both just can’t get enough of each other…

your affair- even if you were married he still didn’t care. his feelings for you are deep. he loves you. no matter how many times you tell him you have to stop the little affair going on between you two, he simply doesn’t care

geto suguru:

dad’s best friend- “gonna be quiet like a good girl? or show your dad that you’re just a very bad girl?” he whispered in your ear. his voice deep and quiet, sending chills down your spine.

nanami kento:

healing ur daddy issues- “how’s my baby girl doing today hm?” he pat his lap, gently. “come here, sit.”

yu haibara:

he’s gone- “i’ll be back! don’t miss me too much!” he cheekily smiled. that damn smile… that would be the last time you’d ever see it again.

he’s sick- he coughs and pouts as he lays in his dorm room bed. he was squirming around, sweating and throwing his covers off him. he was currently sick, he was missing a mission that he wanted to go on so badly

he admires you- you disliked him because he followed you around like a lost puppy… he admired you, an upperclassman.

yuji itadori:

he’s delulu- meeting Itadori you didn’t expect him to be so clingy and so sweet to you. little did you know he has a huge crush on you, he is a bit obsessive but he doesn’t let you know that.

your parents hate him- the thing about him is that he is sometimes a bit dumb? he just doesn’t seem like a professional person so when your parents met him, they didn’t like him at all. but that never stopped you from loving him or the other way around

dorky best friend- currently though the two of you were on a mission, sharing a hotel room. he was in a white robe, swirling a glass of wine being dramatic. it was his first time wearing a robe and he wanted to be fancy, be in the moment like a dork.

shibuya arc- “im nothing but a murderer! i can’t forgive myself!” he cried. you stood there looking down at him. sukuna only took over his body for a minute and a lot things happened.

best boyfriend- currently, he was resting between your thighs as you both watch a movie, he used his arms to squish himself against his face some more. “i wouldn’t mind dying from suffocation if it’s with these”

gossiping w him- “HUH?! i need to hear about this, spill everything.” he said in a dramatic tone, joking.

captain of the football team-“hey, you comin’ to my game tonight? last one of the season, I need my lucky charm there to cheer for me.” he giggled, turning you around to face him, your back pressed against your locker.

older brother’s best friend- you were drunk off your ass at some party. yuji spotted you and immediately got on his feet to help you as you stumbled around. “are you okay? megumi is gonna kill you… I’ll get you home”

your his mentor- haibara and yuji had so many similarities. it hurt you to just look at yuji’s smile, being reminded of haibara who died back in your teenage years

he’s in love w you but you already have a boyfriend- yuji is no homewrecker but… currently you’ve stumbled on top of him while training him… he can’t help but think about how Yuta doesn’t deserve you. how Yuta is connected to the woman you used to be.

megumi fushiguro:

step brother- “tch. what the hell are you looking at?” he asked, scaring a guy that had his eyes on you.

yuta okkotsu:

he chose geto’s side- the day he met Geto he was nervous. Geto explained why he wants to kill everyone who isn’t a sorcerer. at the time he declined the offer to join him but later on he rethought his decision. he thought about his past. he left with Geto.

he likes when you hurt him- the two of you brawled for a bit, ending up with your knee on his back, pinning him down. one hand gripping his hair, the other hand pinning down his hand.

your a fan- gojo-sensei took you with him to greet the sorcerer that you’ve heard so much about. he was coming back from training abroad in Africa. you were excited.

helping the newbie- “hey not to be rude but do you not like me…? i feel the tension between us…” he mumbled, frowning slightly.

your other half- right now you both were walking together. he had something important to tell you, he was gonna be training in Africa in a few weeks. gojo-sensei told him he should tell you but he’s just been nervous

inumaki toge:

hajime kashimo:

noritoshi kamo:

guys I will be adding more soon, please leave some suggestions tho ! <3

[cammys-imagines24]

•Levi Being With a Curvy S/O•

If you ever want to make this stoic, reserved man short circuit then show off your curves.

If you ever want to bring humanity's strongest soldier to his knees then reveal your body to him.

This is a man who is made of steel with ripped, corded muscles and not an ounce of spare fat on him.

Levi Ackerman will welcome the differences between you and him. How he is chiseled and hard, and you are soft and curvaceous.

He thinks you are a goddess and though he is withdrawn with affection in public, he will show you just how heavenly he finds you when in private.

Shut the hell up if you ever think you're too heavy for him. Levi will personally show you why he is the strongest soldier in the survey corps.

If you ever hover over his face when he's eating you out, worried you'll smother him, he will get downright pissed.

He will use his considerable strength to force you down onto his face, wrapping his toned, buff arms around the soft plush of your thighs like a boa constrictor, and good luck breaking free.

You'll be sitting on his face for a long, long time. Cumming again and again as he punishes you for ever thinking you're too heavy for him.

He'll keep you pressed against his mouth until his chin is weeping juices from your pussy and until you're crying from overstimulation.

If you can't reach something on a top shelf, Levi will effortlessly lift you up so you can grab what you need because he likes helping you, but also so he can grope your plush belly and the meat of your hips.

Your body absolutely mesmerizes him and there are times where just the thought of it in the Captain's mind is a distraction.

Levi could be behind his desk, knee deep in paperwork and just the arrant memory of last week, when you wore a short sundress because it was hot out, makes him forget about everything else but you.

Or even the memory of last night, when you rode him so well, your tits bouncing up and down in front of him, his hands groping the flesh of your thighs so hard there were bruises on your skin come morning--

And suddenly he realizes that the paperwork stack has only gotten bigger and he has zoned out for however long, and that now he has a problem in his pants. A big problem.

If it's Post-War Levi we're talking about, he will "accidentally" drop things with his bad hand just to watch you pick it back up for him. To see the lovely curve of your ass arcing in the air on display for him.

Even after the War and with his bad leg, he'll be damned if that stops him from pulling you into his lap when you two make out.

You belong on his lap after all, no matter his injury, no matter his size.

It's the perfect spot for you, his hands kneading your ass like dough, your lips swollen from his kiss.

He'll slap your ass and call you a good girl and bite your bottom lip, making it even more swollen.

If you ever feel insecure about yourself, Levi will shove you in front of a mirror and call you a brat.

He'll make love to you right then and there, and show you just how gorgeous he finds you, your reflection a moaning and sweat-kissed mess as he enters you from behind.

He'll wrap a hand around your throat so you can't look away from yourself and whisper how beautiful he finds you against your skin.

Levi has never been the best with words, but you will always feel loved and like you're the most stunning woman on the planet to him.

[strawbeerossi]

If You Leave Me

Pairing: Fem!reader x Spencer Reid

Description: After coming home, Spencer has nightmares of his wife leaving him after the weight of prison weighs on him after his release.

Content Warnings: Depression, mentions of problems with eating, nightmares, fear of abandonment, mention of parental abandonment, spoilers for the prison arc, mentions of blood and being beaten, anxiety, there’s a panic attack, general angst, light fluff towards the end

Word Count: 1.4K

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'The Show' is so amazing, so I might make more based on each song on the album.

“Change is the law of life. And those who look only to the past or present are certain to miss the future.” John F Kennedy.

Spencer had faced change for his whole life. Between his father leaving him with no explanation when he was a child to his mother’s schizophrenia spiralling, he was the poster child for adapting to the plethora of things that life can throw at you and making the best of things.

Child abandonment coupled with a mother whose illness was worsening, there was a lot of pressure on him at a young age. Spencer wanted to take care of his mother, make sure she was safe and sound. He enjoyed lying with her and reading, spending his time with the woman who he cared for. He struggled with making many friends.

Not a lot of high schoolers want to be friends with a twelve-year-old child prodigy. He was the target of relentless bullying, his safest place being home where he could read in the comfort of his own bedroom.

Most children who had any form of trauma as a child turned out to be psychopaths, incapable of empathy and most who exhibited those symptoms were serial killers, he was quite the opposite. Spencer would say that he turned out alright. 

Three PHDs, being a supervisory special agent for the Behavioral Analysis Unit, as well as being a literal genius. He had a team of people who loved him dearly, a good amount of godchildren who he adored, as well as a beautiful wife who did so much for him.

When Spencer was imprisoned, his experience killed a piece of him. The once sweet, innocent Dr. Spencer Reid was now a man who was more prone to showing his complex emotions, his temperament changing. He wasn’t nearly as talkative, he was having a harder time processing things that used to take him mere seconds to understand. It was why they had placed him on a weird schedule; every one hundred days spent in the field would have thirty days off following behind. He thought it was the stupidest decision they made.

Despite all of his protests, nobody would hear him out. It brought on the thoughts of him being untrustworthy. After all, he did kill Nadie Ramos. He may have been under the influence of drugs but that didn’t excuse a damn thing. He killed her with his bare hands. 

That haunted him. The fact that he could be capable of madness, capable of murder. It didn’t help that soon after, he was producing a tampered batch of drugs that he was being forced to push within those four cement walls.

Everyone told him that it wasn’t his fault, that some people were pushed to dark acts in order to ensure their survival. After all, a federal agent in the general population sector was a huge target, someone who would have a lot of enemies. Too many enemies.

After his release, there came a plethora of emotions. Y/N was a saint, patient as could be and more loving than he ever could’ve hoped for. Even when he was dissociating into his mind to shield him from all too familiar territory, she was right there. It had gotten to a point where he severely depended on her, the attachment so strong that he would follow her around the house as if he were a kitten who needed constant attention. 

Dinner was hard, the man having to be reminded that he could take his time to eat and he had no risk of someone coming and taking it whether he allowed them to or not. There were nights where he wouldn’t take a packet of cookies from his wife, stressing over having to ‘pay her back’. It took a lot to break him out of that routine.

Don’t get him started on the nightmares. They were vivid, placing him back to the night when he was beaten in prison or to the day where Luis Delgado had his throat slit in front of him because of his own choices. It was like he could still feel the warmth of the crimson blood staining his hands in the failed attempt to stop the bleeding. 

In addition to nightmares that were filled with blood and violence, there was another recurring nightmare. One that killed him more than any sort of guilt of association ever could. It started out the same way every time, he would come in the house after a long winded case. There would be a lot of stress on his shoulders, a tightening in his chest because of the fact the case didn’t end the way the team had anticipated. He would then walk into the kitchen, where Y/N would be waiting for him. There was no sweet greeting, no kiss against his lips while she hugged him and cried about missing him. 

Instead there was a tense silence, the usually warm apartment freezing. She would turn to him, her eyes filled with exhaustion, no glimmer of love shining over them as they faced one another.

“I can’t do this anymore. You aren’t who you used to be, this time by myself has made me realize that I am much happier without you here. I don’t have to coddle you, treat you like a baby. I just can’t bring myself to love you anymore.” 

Spencer was waking up in a cold sweat, his body jolting upwards on the mattress while his other hand was quickly, yet cautiously reaching beside him to feel his wife’s shoulder. The touch had Y/N stirring awake, a gentle frown on her face. “Spencer?” Her voice was filled with drowsiness, her hands slowly pushing her to sit up on her knees while her free hand was leaning over to turn on the bedside lamp. 

Any form of annoyance from drowsiness was wiped away when she noticed her husband’s state. His face was drenched in sweat, his chest was heaving from the impending anxiety attack, he was unable to talk as his body trembled. “Shh, hey.” Y/N whispered as she was shuffling closer, pulling back the duvet so she could carefully pull her husband into her arms. 

Her fingers were threading through the messy curls, a weak sigh leaving her lips as she could feel his arms tightly wrap around her torso, practically squeezing the life out of her.

“I’m here. It’s okay, baby, I promise. Luis dream again?” She asked softly, her lips pressing a kiss to the crown of his skull.

“You left.” His voice was hoarse, the tears joining in soaking his face the same way that the sweat had done over the course of the night. “Baby..” Y/N whispered while her fingers were lightly scratching over his scalp, her cheek resting against his head as she was being hugged tightly, as if she would disappear if Spencer let her go. “I’m not going anywhere. You know that.” Her words were dipped in that sweet assurance, her eyes slowly fluttering shut. 

Spencer faced enough people who abandoned him in his life with little to no explanation, she could never be added to that list. He spent three long and gruelling months in a maximum security prison for a murder that he was pushed into doing under the influence of a drug that Cat Adams and Lindsey Vaughn got their hands on. 

This wasn’t like he was a man who snapped and murdered an innocent woman because of deterioration of his sanity. He was absolutely nothing like the men and women he hunted down for his job, she tried to push that every time that she could. “You’re a good man, you know that. I would be a fool to leave you.” She said softly. 

As her body was eventually laying down against the mattress, she couldn’t help but smile once Spencer quickly followed her movements. Her legs were spreading in order to invite him between them, the male laying on top of her as his head was against her chest. “There we go..” She cooed softly, her fingers continuing to comb through the tousled curls. 

With his cheek now smashed against his wife’s chest, he listened to the steady rhythm of her heartbeat. 

The drumbeat mixed his wife’s sweet words of assurance and the warmth of her love radiating against him was enough to have Spencer starting to drift off to sleep. 

How did he manage to get so lucky to have a woman who wouldn’t give up on him?

[decepti-thots]

okay well ACTUALLY i will elaborate on my Whirl feelings. fandom tends to parse 'I want my hands back' as Whirl very specifically being upset he has claws, because they are assumed to be less functional, and broadly that he wants a body which is not empurata'd again. but as I said in this post, we know people who underwent empurata can get new hands and faces- perfectly good ones. tarn used to be damus and damus was a victim of it too, and they got the guy a whole new body! there's no way that with ratchet as autobot CMO, he would not be insistent that they make time and find resources for any empuratee who wants new hands or a new face at SOME point throughout the war. let alone now it's over.

but they would be new ones. the point is that when whirl says 'i want my hands back' he doesn't (just) literally mean 'i want hands again instead of claws', or even 'i want the original hands i was forged with back'. i would argue he means he wants to go back to the person he used to be before the shit he went through beat him into a new shape he hates. (because whirl reeeeally hates himself. we are literally introduced to him during a suicide attempt as his defining character moment, i mean…) but he can't, because that's not possible, and getting new hands won't magically make him the person he was when he was a watchmaker even if it'd make it easier to make watches again.

and that's why whirl doesn't get new hands or a new face! because it's scary to admit that doing so doesn't make him the person he once was again, and if he did it and was still the same damn person, it would be that ultimate proof that nothing he does will ever acheive this. it's safer to remain as he is in a body he hates than to change it and not actually have solved the underlying issue.

it's also why he rejects the offer of ratchet's hands in LL #25. at that point, he has been able to accept the person he now is and will always be going forward, so they no longer carry the same symbolism. sure, that means he could choose to take them without fear, but it also means he can reject them as not really necessary anymore, and i think it makes the most sense for whirl's arc that he chooses the latter, tbh.

(sidenote: especially worth noting we never actually see if whirl can't make watches with his claws. he can at least make clocks! i've seen people suggest you can interpret it as him actually being perfectly capable with his current frame and he doesn't want to admit it and learn a new way because *points at above*, and honestly, intentional reading or not, i fully buy this. i like to imagine post-canon, he's perfectly good at making them with his current hands, because now he's not so hung up on all that baggage that teaching himself the necessary new techniques is unbearable to consider like it was before. this also has the bonus of mitigating some of the comic's uhhh. confusing? messaging around forged/constructed stuff and disability, so i'll take it.)

[lxvebun]

I'll wait forever if I have to

synopsis:you're worried Satoru's teasing has gone a bit too far. There's nothing wrong with saving your first kiss for someone special, right?

content: Suguru Geto x gender neutral reader. Fluff! Comes off a lil angsty in the beginning but its fluffy and sickeningly sweet. Around 1k words. Written with hidden inventory arc in mind so you'd be in the same grade together, but read it however you want♡.We are all a little lovesick for Suguru and he's a lil lovesick for you♡ eng is not my first language so i'm sorry for any mistakes♡ enjoy!!

Based on Satoru's version of the fic♡

"Does it bother you that Satoru teases you so much?" The question breaks the comfortable silence you had as he walked you home. Sky fading from pink and orange cotton candy clouds to a clear and deep navy gradient canvas clustered with stars and moonlight.

Suguru is Gojo's bestfriend. You're sure he's used to his antics. Still, Satoru can take it a little far sometimes. Being oblivious to or ignoring the line completely. Crossing over it with a skip in his step and a smirk on his face.

"There's nothing wrong with waiting for the right person, you know." You reassure. Perhaps a little to yourself too. You'd wait forever for him, not that he knows.

(You kinda wish he did.)

You keep your voice soft, and soothing even with the unintentional undertone of worry. But Soothing enough to dulcify if Satoru's teasing did leave some cracks in his heart.

He lets out a low amused hum in agreement. Smooth as warm honey. Its drum startling the butterflies between your ribs awake. Not that he has to do much anyway to awaken them. It seems like they are always fluttering around when he's near. A bit smothering at times. Making your head fog over with images of liquid golden eyes and sickeningly sweet smiles.

You reach the traffic light before he speaks again. Filling the silence of waiting until the red light turns green.

"You don't have to worry about that, y/n. It's not hurting my feelings. I'm more than content to wait for my person" he answers sincerely. Not an ounce of impatience dripped from his voice. He means every word.

My person. his words weigh a little heavy on your heart. My person. Does that mean he already has his eyes set on someone? You're pretty sure a few of the butterflies have lost it's wings. Wings Shriveled and shattered at the thought. Broken bodies wriggling uncomfortably in your gut. Anxious and mourning as you think over who it could be. Would it be different if you'd just confessed already? Did you miss your chance or was there never any to begin with?

(The thought of him making someone else's heart race the way he does yours makes you a little sick)

You don't look at him. He's always been good at reading you, so in tune with your well being. You're an open book to him and usually, you're more than happy to let his fingers glide over the pages. Break you open to study you up close. Hoping that one of the words, one of the chapters in there is enough to lure him in, like a sirens song. Enough to steal his heart ...damn, how dare he fall for someone else.

"Sounds like you already have someone in mind, then". It comes out forced as you swallow down what you really want to say. Unable to decide between cursing him out or confessing to him on the spot.

You keep your gaze at the light ahead as if the force of it can will it into turning from this horrible shade of red to green, so this conversation can be over. So you can continue to walk in silence, so he can drop you off at the front door, wait until he hears the lock click from inside as he always does and you can dive into the comfort of your bed, dream of what could have been and try your best to move on

(You don't think you can if you're honest)

But again, you're an open book to him. He almost looks proud as he glances you over. Standing up a little straighter, failing to suppress a smile. A horribly beautiful smile that does not at all fit the turmoil inside your head. As if you're reaction solidified something in him.

God, how long does it take for a light to switch?

Your gaze doesn't falter as he steps closer to you. His warmth, his cologne enveloping your senses, wrapping around you like a spiderweb. Fitting as you feel like your heart is going to be torn out at any moment. Waiting for the words that will fracture your hopes. you think of just booking it through the red right at this point and leave him to choke on his rejection.

"Will you look at me, please"

He's replicating the soothing tone you used on him. Only he's so much better at it. Smooth like warm butter and sweet as syrup. How could you possibly deny him when he sounds this heavenly.

He's a patient man, he is. But he doesn't want to hurt you. Doesn't want you to shatter your own heart even more by thinking he could ever love someone the way that he loves you. As if he could ever want anyone else when it's always going to be you that captured his heart.

His fingers slide under your jaw, grip delicate as can be as he turns your head to meet his eyes. You're a little embarrassed at the lack of resistance on your part.

His face is kind. And despite your hesitance, his eyes are easy to hold. Feeling like sunsets on a warm summer evening.

"I'm just waiting for you to be ready too. However long it takes."

A timer goes off. The light has finally turned green. you both stay unmoving.

You feel like you've been staring into his eyes for hours when really it's only been a few seconds of silence after his words. Then you half-heartedly push him off. A laugh bubbles up your throat, relief evident in the melodic tone.

"you're awful, you know that?" not a sliver of actual malice in your words. He knows that too. continuing to stare at you fondly, eyes soft and a little love-sick. Smiling brightly at your words as if you complimented him.

"And you're beautiful"  the timer of the traffic light is sounding quicker now, similar to the beating of your heart. Indicating that it will soon turn red again.

You have a moment of bravery. confidence, as you intertwine your fingers with his and pull him across the street before the light turns red. His grip is nice and firm, tracing heart shapes on the back of your hand with his thumb. Doodling silent I love you's into your skin.

you continue to walk to your home together. Hands now interlaced. Hearts intertwined. Crisp evening air kissing your skin and calming the heat blooming in your body.

"I don't want to have my first kiss at a traffic light. You deserve something more romantic than that too," you begin. swaying your hands back and forth. Focusing on the street infront of you. You see your front door coming into view.

"But if you feel the urge to kiss me as you drop me off at my doorstep," you see him begin to grin in the corner of your eye. It tugs at the corners of your lips too

"I'll let you"

thank you for reading, angels!! I'm havinf such Suguru brainrot atm😩🩷 he's so cute.

Also I thought his eyes were brownish/ gold because I always just imagine him with that but they are purple....🔪 YOU🫵 ARE GOING TO IGNORE THAT FOR NOW AND IMAGINE THEY ARE GOLD AS WELL. Thank you🩷

[ludibriadormonoteista]

BEFORE and AFTER II

Part 1 here.

Before:

Jaune: *Yawn* Man. This Vytal Tournament sure got me tired. I hope my Team doesn’t mind me taking a nap this early in the-

*SCHWING*

Jaune: *With a Saber Pointed to his Face* …Noon.

Winter: Mr. Arc, I presume.

Jaune: T-That’d be me! Wait, were you just waiting for me by the dorms?

Winter: That’s classified. *Sheats Saber* Winter Schnee. Atlas Specialist. I have come to discuss matters pertinent to you regarding my sister.

Jaune: You’re Weiss’ sister?! Uh-! I mean-! We’re good friends! Yeah! Though I guess you could say we started off on the wrong foot…

Winter: Quite the laughable understatement, Mr. Arc. For you see, Weiss has detailed in her letters many instances where you publicly harassed her with your feeble attempts at courting her.

Jaune: Hey, I wasn’t harassing her-

Winter: In case you were not aware, Weiss is a very prominent figure in Atlas, and as such, receives multiple solicitations from wealthy suitors on a daily basis. Men with far more ambition and talent than you could ever hope to achieve in your life.

Jaune: Now, wait a minute. Just because I’m not rich, that doesn’t mean I’m not up to snuff.

Winter: Is that so? *Raises a Folder* Because this extensive background check I have on you says otherwise.

Jaune: Extensive what now?

Winter: *Reading* Lack of proper education. Zero prior experience in the field. And absolutely no training to speak of. The best I could find were your admission transcripts, which were all filled out using crayons for whatever reason.

Jaune: I had run out of ink, okay?!

Winter: SILENCE! If the circumstances were any different, I would have you placed under arrest and locked up in the remotest cell in all of Solitas! However, doing so now would violate the Vytal Treaty amongst the Kingdoms. So instead, I will advise you to recognize my authority next time you elect to threaten the sanctity of my dear little sister again. Verstehst?!

Jaune: Y-Yeah- I-I versteht(?) that, alright!

Winter: Splendid. I will be watching the tournament for the remaining of its duration. It would do you well to know your place in the meantime. That will be all. *Marches Away*

Jaune: T-Thanks, have a great day! Hahah... *Nearly Faints* Oh dear…

After:

Yang: Alright, VB! You’ve got nowhere to run!

Jaune: Knock it off, Yang! You’ve been chasing after me all morning! Can we please talk about this?!

Yang: Nuh-uh~ Ruby’s biological clock is ticking, and I’ll be damned if I let the Rose Bloodline end here!

Jaune: Don’t you think this is moving things between me and Ruby a little too fast? Can’t we at least settle for a date first?

Yang: Oh, I’ll arrange you a date, alright… WITH HER WOMB-! *Encased in a Block of Ice*

Jaune: …What just happened?

Winter: *Descending with her Maiden Powers* That should hold her for a while. Imagine my surprise it was just you two causing a ruckus around Vacuo. For a moment I thought Salem had arrived.

Jaune: Oh thank goodness! It’s you, Winter. Sorry for all the trouble, Yang and I had a disagreement and-

Winter: Never mind all that. I was actually meaning to talk to you privately about something.

Jaune: Really? Is it a mission?

Winter: In a manner of speaking, yes. Ever since you and your friends came back, I have been worried about Weiss’ sake. To think I once thought to have forever lost my sister to that blasted abyss…

Jaune: …Winter?

Winter: *Harrumphs* Alas. I have been thinking about your actions back at that bridge. You fought tooth and nail to protect Weiss despite your shortcomings. Believe me when I say you have shown yourself worthy of my sister’s hand and affection.

Jaune: Oh… Wow! Thanks, that’s a… That’s a lot to take in. I’ll be sure to think about it.

Winter: What is there to think about?

Jaune: …I’m sorry?

Winter: You misunderstand, Mr. Arc. I am not merely granting you my blessing to date Weiss. My sister deserves the best, and as your commanding officer, I demand that you provide the best for her.

Jaune: Uh…

Winter: FURTHERMORE! You are to, effective immediately, seek to copulate with my sister for the betterment of the Schnee Bloodline!

Jaune: EH?!

Frozen!Yang: !!!

Winter: With your Aura and Semblances combined, your firstborn will become a key component to winning this war, as well as generating the perfect heir to uphold both our families’ legacy! Of course, I do not plan on holding it against you in the events Weiss explicitly decides to have more children-

Jaune: Okay, STOP! Full stop! Demanding that I hook up with Weiss is already one thing! But you cannot in good conscience order me to sleep with her! She’s your sister, for crying out loud!

Winter: Exactly! She is my sister, and I intend on getting her the perfect husband! I was foolish to dismiss you before, but not anymore! Now come with me!

Jaune: H-Hey! Just hear me out for a second! What I’m trying to say is-

Winter: THAT IS QUITE ENOUGH! I will ask you one last time to not make this more difficult than it has any right to be! You can come along willingly, or I can drag you out by force! EITHER WAY, YOU WILL BE IN MY SISTER’S ARMS SOON ENOUGH!

Jaune: Y-You’re not serious, are you?

Winter: *Saber in Hands, Winter Maiden Powers in Full Effect* I WILL NOT BE DENIED OF MY FUTURE NIECES AND NEPHEWS!

Jaune: …I should get back to running.

[uneducated-author]

Because I will never be over this adaptation and how it perfectly used every frame and then elevated them until you actually have a wonderful way of displaying each characters thought process. You see Dazai's expression change, how he moves. Dazai has been silly and disarming all of the arc so far. He dances with Sigma and splits because he wants sugar. He jokes while opening a door, and hosts a happy hour quiz, comparing Sigma to his mentee.

But here. we see him, and see how far he is willing to go. We see him stop smiling. He finds out his partner is his enemy, controlled by vampirism and smirks, even if it's more of a 'damn, Dostoyevsky'. But it's important. Because he has ten minutes to make Sigma willing to die for him. Ten minutes to make Sigma willing to die for the agency. And he has to be powerful enough to make Sigma think. Strong enough to shock him, to make him listen. Now, Sigma watches him control time, and drown Dostoyevsky. He has to show Sigma that survival isn't an offer exclusively from the decay of angels.

But here, he sees his partner, it's broadcast on a screen. He sees Chuuya follow Dostoyevsky's orders, pound at the wall, scream and struggle, and then slowly drown. And he stops smiling. Because he can't lie, not in front of his partner.

Something about how the memories load. Something about how Dazai, whose mind works faster than light, takes a moment, because if he thinks about their past, he knows he'll crack and he won't have the resolve for this.Something about needing time to prepare for the heartbreak he's going to inflict on himself. Something about how he's speaking to someone empty, because Dostoyevsky has scooped out Chuuya's soul and turned him into a stranger, and Dazai could never forgive that rat, but this is beyond unforgivable.

Something about a shadow. Something about Dazai blocking himself from the memories where their heart connect. Something about blocking the light because if he's good, right now, he'll destroy what little soul he has.

Something about opening his eyes, and forcing himself to watch, because this is why he came for Odasaku, this is why he wants a double suicide, because he believes that nobody wants to die alone.

Something about listening to Chuuya and how he drowns. Something about a second of silence except for the other half of his soul fighting to live, as Chuuya always had.

Something about the turtle smile, so clearly fake because Dostoyevsky is there, and if he survives (Dazai has every contingency) there can not be a shred of evidence that Dazai cared for his former partner, and something about how if Chuuya was listening under the echoes of vampirism, he would know that Dazai is lying.

Something about there being no chance of ambiguity. Something about the darkness over his eyes, and the pain he's tried to wipe away. Something about shadows, and how you need light to cast them.

Something and something and something, and how soukoku have always been something more.

[eriexplosion]

Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

[ponderingmoonlight]

Shibuya Arc scenarios that live in my head rent free pt l

Getting sealed along with Gojo

Geto awakening by the sound of your voice

Word Count: 3,1k

Warnings: these hurt pretty bad; language

Getting sealed along with Gojo

It wasn’t the easiest task to get this far. The curtains of these fucking curses were not that easy to overcome, let alone unnoticed. But now you’re here. You finally made it to the train track where Satoru Gojo should be found. Satoru, your precious boyfriend of three years. Satoru, the jerk who left you alone at home without telling you a single damn word about Shibuya getting flooded by curses.

Your face is screwed up in nothing but anger while you scan the area for him. He has some fucking nerve. You’re a grade 1 sorcerer, very much needed in times like these. Who does he think he is to simply leave you in the unknown?

It isn’t hard to sense his immense powers. Without any effort, you smoothly glide over what looks like a crime scene. So many corpses of not only curses, but humans. What the hell happened here? And who did all of this?

Time seems to stand still when you finally catch a glimpse of him. Fuck. Fuck, fuck, fuck. This isn’t really happening, right? Your souls seems to leave your body behind, empty shell staring at the scene in front of you.

“Oh, look who decided to join us on this lovely day! Nice to see you again, (y/n)!”

It’s Geto’s voice and his so painful familiar appearance. Salty tears start to sting your eyes, memories of your last encounter begin to flood your mind uncontrollably. As much as you wished this was true, this has to be a cruel joke, an optical illusion.

“What the hell are you doing here, (y/n)? Get out of this place right now”, Gojo yells at you with an aggression in his voice that you’ve never heard before.

You flinch for a second, too overwhelmed by the act in front of you. Why on earth is your boyfriend tied into place and who was even able to do so? What is this thing with Geto’s appearance? What the hell is going on here?

“Oh, don’t be a spoilsport, Satoru. Let (y/n) watch while I seal you. Too bad you won’t see here die then…Well, you can’t have everything at once I guess”, the shell of Geto comments.

“Sealed?”, you repeat incredulously.

Panic crawls through your veins, for a second you feel like fainting. You know all too well what that means. Getting sealed is another definition for getting killed. Even Satoru, the strongest of all…

What if he won’t make it? What if you’ll never see your boyfriend again? The sheer thought of being forced to live without him kills you from the inside and makes your former anger vanish in thin air. You’ve been through hell and back, grieved over Suguru when he died, fought battle over battle on each other’s side, taught the young ones with all your heart. But most importantly, you loved each other dearly every time your hearts beat, in good and bad times.

“Don’t worry about me, I’ll be back”, Gojo assures you, a cheeky smile plastered on his face.

“Do you know what getting sealed means, idiot?”, you cry out, tears now staining your face.

“She’s kinda right, Satoru…”

“It means we might never see again, it means you would’ve left me home alone knowing that this might be the last time you’re stepping through our door.”

The pain that is dripping from your voice is hard to bear for Satoru. He knows you have every right to be absolutely furious at him, that getting sealed is a challenge even for him he isn’t 100% sure about.

“But I couldn’t afford to live with the thought of losing you, (y/n)”, he replies, eyes locking with yours.

“I can’t let you go like that. It simply can’t end like this. I…I won’t let this happen!”, you scream on top of your lungs.

“As much as I enjoyed the show, it’s over now. Good night, Satoru Gojo. Let us meet again in the new world”, Geto speaks out.

Your mind races while the sealing begins to tighten itself around your boyfriend. What are you supposed to do? Are you able to stop it? No, absolutely not. If Satoru can’t stop himself from getting sealed, there is no chance that you can. Pictures of your precious shared moments, of his striking smile and his tight hugs linger through your mind. You can’t afford to lose him, a life without Satoru would be useless. You need to make a decision.

Satoru isn’t even able to react when you start sprinting towards him, vision clouded by pure determination. Just the split of a second before your limbs get cut off by the seal, you are able to press your body against his and get soaked up in the innocent dice along with him.

“(y/n)”, he breathes out.

Slowly but surely, he opens up his eyes. No, this can’t be true, this has to be a bad dream, right? You can’t be with him in this prison, not trapped for eternity. But the way your arms are tightly wrapped around him is proof enough for your presence. You are here. You’ve got sealed along with him.

“Why on earth did you do that?”

“I can’t be without you. I’d rather die by your side than live without you!”, you bawl, pressing yourself against his body as hard as you can.

“(y/n), why didn’t you do what I told you, why did you come to Shibuya in the first place? You shouldn’t be here, especially because you know what being sealed means. I…I don’t have a definite plan on how I’m getting out of here yet! Why did you have to hold onto me!?”, he insists, grabbing your face roughly and forcing you to look at him while the violent tone in his loud voice shatters your heart.

Your whole life was ahead of you. Sure, Satoru would have missed you every time his heart beats, but missing you doesn’t hurt as much as destroying your whole damn life. He would have never asked such a thing from you. Never. And even though he himself wants so spend his so desperately by your side, this surely isn’t what he wanted.

“Because I love you, Satoru!”, you scream out.

He breathes heavy, eyes completely lost in yours while you cry your heart out. Fuck, you shouldn’t be here, this didn’t go as planned at all. He knew about the risks, that this mission will cost countless lives and yours definitely shouldn’t be one of them. He’d rather die himself than taking your life away from you. But now you’re here, sealed along with him.

“I love you too, (y/n). That’s why I wanted to protect you. That’s why I wanted you to stay in our apartment”, he murmurs.

Satoru can’t hold it back any longer. Without thinking twice, he wraps his strong arms around you, holds you close against his chest, strokes your head gently just like you deserve it. This was dumb, this was reckless, this might cost you your life.

But you did it for him. You did it because your love for him is greater than your fear of dying. And that’s probably the biggest proof of love that exists.

“I’ll promise you we’ll make it out of here, okay?”

“That doesn’t matter to me. As long as you are here, I’m happy”, you reply without thinking twice.

He pulls you in for a passionate kiss. Maybe love is the most twisted curse of all, but you’ll make it out together, he just knows it.

Your sacrifice won't be useless.

Suguru awakening by the sound of your voice

You heard rumors in the underground for a while now – rumors about Geto Suguru suddenly being alive again. And even though you would give your very own life for that being true, you just know it can’t be possible. After all, you were there. Back then, when he died through the hands of fucking Satoru Gojo and his student.

You know you shouldn’t be here, that searching at Shibuya is dumb and reckless considering the fact that you’re not bonding with the other jujutsu sorcerers, but also definitely not with the curses that roam around this area either. It’s stupid, but you simply can’t help yourself.

The little spark of hope that the love of your life might still be around haunts you down the crowded streets of Shibuya. You never really had the time to say goodbye to Suguru. After all the things you’ve been through together, building an empire to get rid of all those monkeys, building your very own life together and growing on each other, you could only stare in disbelief at his dead body. So many years. So many years he stood by your side, lifted you up when you were down, cuddled you into sleep, treated you like the most precious treasure on earth.

Maybe he did make it somehow, though. Maybe it was his plan all this time that everyone around him thinks he’s dead. If you haven’t seen it with your very own eyes, you’ll simply refuse to give up the idea of him still walking on this earth.

You just want your Suguru back.

Your ears perk up when you hear his familiar voice and you can’t help but sign in annoyance. Of course Satoru Gojo has to be here, trying to save as many monkeys as possible. But where he is, there’s action. And where action is you’ll probably find Suguru.

With neckbreaking speed you run down the underground tracks, screams and cries of pain and grief ringing louder and louder. Shivers run down your spine before you can stop them, a scenery of absolute horror reveals itself in front of your eyes. Deformed and dead curses plastered on the floor along with a few corpses of humans here and there. You can tell by the look in their frightened eyes that they’ve seen some horrible things. Huh, you couldn’t care less though. After all, you’re only here for Suguru. You don’t give a damn about some monkeys.

“I don’t know who you are, but you’re not Suguru Geto!”

Your feet pick up their pace immediately, heart starting to hammer against your chest. That was Satoru. And he said his name. Is it really possible that your Suguru is here? Are rumors true after all? Until this moment, you never allowed yourself a single spark of excitement. But now that even Satoru said it you can’t help but grin from ear to ear, literally levitating into the direction of Satoru’s voice.

And then you hear it, loud and clearly. The sweet voice of your boyfriend, the love of your life. The voice you never imagined to ever hear again.

“Suguru?”, you cry out.

Time stands still when you catch a glimpse of him. Oh, he looks as handsome as ever, a wide grin plastered on his face while talking to Satoru. But something about his appearance makes your heart drop. You can sense that it’s his cursed technique, your eyes tell you clearly that this is Geto Suguru.

But your heart just knows this isn’t him.

“Is that really you, (y/n)?”, he questions when his brown eyes meet yours.

But they aren’t glimmering in excitement like they used to, his smile isn’t as wide as it was when you last saw him. No, everything inside of you screams in your face that it can’t be him, that this is the shell of the man you used to love. You want to break down and cry, to grieve losing the love of your life again.

But you swallow the lump in your throat away. Whoever this is needs to pay for using Geto’s legacy. And you’ll make sure he will.

“So it’s true, you really are still alive!”, you breathe out while running towards him.

Oh, you want nothing more than to die when he embraces you in a hug, his arms feeling just like they did back then. His smells tingles in your nose, reminds you of the countless nights you wore his shirts to bed and how you always sniffed on his clothing before washing it. You loved this man with every fiber of your being.

“Life itself, darling”, the voice of Suguru confirms, his hand stroking your hair just how you like it.

“This isn’t him, (y/n)! This is not your boyfriend!”, Gojo shouts in your direction, making you almost lose your cool.

You want to scream into his face, want to break down in tears. But instead, you burry your face in Suguru’s neck to stop yourself from crying.

“Shut up, Satoru. You’re ruining the moment.”

Whoever controls Suguru needs to truly believe that you’re on his side, that you are convinced he’s in fact Suguru. If that thing is able to control his body, it might as well be capable of using his cursed technique. And you know that you can’t stand a chance against him.

“I thought you were dead”, you hush, his hand gently lifts your head.

“But as you see, I’m clearly alive. I’m so sorry for not reaching out to you, my love. But this is a part of my plan. I couldn’t afford to get you involved into this mess”, he explains briefly, a warm smile playing around his lips while his eyes lock with yours.

“I’m so glad you’re back…”

“Did I tell you how much I love you already?”

“Go to bed darling, it’s way too late for you to be up.”

“Don’t worry my love, I’ll be back by your side as soon as I killed that boy. Have fun at the night parade.”

You blink away the tears that form in your eyes when memories begin to flood your mind over and over again. This has to end right here and now.

One last hug. You need to hug his body one final time. Just one sweet moment of pretending that Suguru is actually here, that you’re not talking with his empty shell.

“But you aren’t the man I loved.”

 With a swift motion, you pull out your cursed gun and aim for his head, ready to shoot the man you love.

But you can’t.

Faster than you are able to react, he grabs your wrist so roughly that your gun falls deafeningly to the ground. Your heart sinks into your chest, sight clouded by thick anger and hot tears.

“Nice try. But I know you’re usually smarter than that, (y/n).”

“How dare you to use his body like that…I will make you pay for every damn minute that you defile him! Get out of his body!”, you scream on top of your lungs.

Over and over, you fight against his firm grip, try to escape his cruel laughter while his eyes seem to pierce right through you. But he’s too damn strong and you weren’t prepared for something like this.

Violently, he grabs you by the throat, feet floating in the air while it feels as if your windpipe is going to rip every minute. You can’t catch your breath. With every passing second, your body refuses to fight back, vision already starting to get blurry by the lack of oxygen and blood pumping through your veins.

Is this really how it ends? Are you really dying through the hands of your former lover? How pathetic, how bittersweet. At least you’ll be by his side when you meet again, with your Suguru.

“I always loved you, Suguru”, you cough out.

Suddenly, his firm grip loosens and before you can catch yourself, you fall to the ground, gasping for air like a fish on land. What the hell happened? Why did he let go? Through watery eyes, you stare at the scenery unfolding in front of you. Suguru’s hand is wrapped around is very own neck, strangling himself so violently that he gasps for air.

“How interesting, that never happened!”, Suguru’s voice announces.

And then he stretches out his other hand. Into your direction, as if he’s trying to lift you off the ground. Tears start to swell up your eyes all over again as you take it. His fingers gently intertwine with yours, just like they always used to.

“I love the way your hands fit in mine.”

“The whole world should know that you are mine, darling.”

“Suguru”, you whisper with trembling voice.

It’s him. It just has to be him, you can feel it. Tenderly, he caresses your thumb while you completely break down. Fuck, you miss him so much. You want nothing more than your Suguru back. Why? Why did he have to die? Why did you even hope that he might be back? What a cruel joke all of this is, ripping open your party healed wounds all over again.

“I want you back”, you cry out, making even Satoru swallow heavy.

His index finger shakes telling you no before his hand swallows yours one last time.

You know that you can’t stay here like this forever, that Suguru’s remaining won’t be able to fight back too long, so you make the decision that tears you apart.

With one last loving press of his hands, you let him go forever even though it shatters your heart. The man in front of you might have Suguru’s voice, appearance and memories, but this isn’t him. You have to accept that the love of your life is gone.

“If you really think you can control Suguru like that you have to be a little dumb. He’s way too strong to get overpowers by some parasite. I will come back. And I will kill you for what you did to him”, you hiss.

“I’ll be waiting for you, darling.”

Darling. Yes, you’ll always be Suguru’s darling. But that won’t stop you from ripping his body apart if you have to. At least know you know that he’ll always be by your side.

Always.