#this doesn't make any sense and that's the whole point

[tealeavesandtrash]

Wolfstar Micro Fic - @wolfstarmicrofic prompt: Soulmates - 560 words

Remus tugs at his pyjama sleeve, refusing to let it slip past his wrist. Sirius sits opposite, legs crossed as he watches with silent anticipation. The glow of the waxing moon illuminates his face - there’s less than a week until the full and Remus isn’t if that’s why his body prickles with anxiety, or if it’s apprehension about his potential soulmate mark. 

The whole ordeal feels like some sick joke - to spend your whole life knowing the last words you’ll hear from your soulmate, or not get any words and second-guess every relationship. It seems like a lose-lose situation in Remus’ eyes.

“This is all a little morbid isn’t it?” Remus mutters.

“Yeah but it's still interesting, isn’t it?” Sirius says, eyes sparkling with excitement. 

“There’s isn’t anything exciting about knowing what the love of your life's last words will be.”

Sirius huffs. “It’s not that deep. Honesty, most people just think it’s superstition.”

It doesn't make Remus feel any better. Whether the words are legitimate or not, there'll still be a lifetime of paranoia.

He can feel Sirius’ eyes on him, waiting patiently. “Can I see?” he asks tentatively, edging slightly closer. Remus refuses to meet Sirius' gaze, but he doesn’t protest when Sirius reaches forward and pushes his sleeve up to reveal his pulse point. He takes his wrist with soft fingers and gently manoeuvres Remus’ arm to catch the light, trying to make out any tiny script. 

“Oh!” Sirius gasps suddenly, “There is something!”

Remus’ eyes snap back. Sirius squints at his wrist, holding it so close to his face that Remus can feel his breath tickle his skin. “What does it say?”

“Thought you didn’t want to know?”

Remus scowls at him. “Yeah well now you know,  I may as well know what it says too.”

“Nice one, James.”

“What?”

“Nice one, James,” Sirius repeats. “They’re your soulmate words.”

Remus’ brow furrows, “What does that even mean?”

Sirius shrugs, dropping Remus’ hand. “I dunno. This is why so many people don’t believe in soulmates, most people’s don’t make any sense.”

“But that’s useless, what am I even meant to do with that?”

Sirius flops down, rolling onto his back to look up at Remus. “I don’t think you’re meant to do anything. It’s like meddling with fate y’know?”

“You wouldn't want to try?”

Sirius shrugs. “Yeah but how? It’s all so ambiguous, you can’t go around trying to predict what’ll happen.”

Remus sighs and moves to lie down next to Sirius. “How do you do that?” his voice comes out quiet, barely louder than a breath.

Harry, don't! He’s gone, I'm sorry, he’s gone. Those words appeared on Sirius’ wrist on his sixteenth birthday. Remus isn’t sure he could cope with words as cutting as that.  

“Whatever happens probably won’t happen for over a hundred years. And I know it’s hard because you’re a chronic overthinker-” Remus jabs him in the ribs and Sirius huffs a laugh. “There’s isn't any point focusing on something so far away.”

They lie together in silence for a little longer. “Hey, Sirius?” Remus says suddenly. “Can you - please don’t tell Prongs about this. I don’t want him getting the wrong with his name being there.”

Sirius squeezes Remus’ hand lightly. “I won’t. And Remus?”

Remus rolls his head to the side to look at Sirius’ profile. “Yeah?”

“Happy Birthday, Moony.”

[buckttommy]

Idk I feel like that would be a very regressive storyline for Eddie and I don’t know how that would help anything move forward I think maybe a “what if” type thing would make more sense. Maybe not a whole episode like the one with buck but like little dream sequences or a single one

No, I think it could work in the sense that, like... Eddie meets this woman. She reminds him of Shannon. He finds reasons to see/be around her (not in a stalker way, just, like. They go to the same coffee shop or something and see each other frequently). Looking at and speaking to her is like a blast of what he could have had if things had been different between him/Shannon. She, of course, doesn't know any of this. To her, he's just some guy. But anyway, at some point (ep.9 or 10) she asks him out on a date (because hello, obviously. It's Eddie and he's beautiful) and he says no and comes clean and is like "I'm flattered but I have to be honest..." and he explains — not even about Marisol necessarily — but about his feelings and why he was "pursuing" her (or what could be interpreted that way, from her perspective). And it's like... It's one of those things that could go REALLY badly, especially since this woman has been reading this situation all wrong, but she's like okay (because she has Shannon's easy demeanor, of course she does) and is just like "so say to me what you would say to her." And Eddie does and it's part of his healing process to be able to "talk" to Shannon without actually talking to her. You know? IDK but that's just how I would do it.

[mostowa]

Justice for Chenford aka my inital thoughts after 6x07

Ok, for starters. I really liked the episode. I liked that it was slow paced with all of them dealing one case and that it was basically the whole episode about Chenford and the aftermath of break up. I loved it, because it just shows that writers know how important it was for us and for them (the whole Mid-Wilshire gang) to process that. Now when I think about it I am kind of surprised they decided to not write any Angela/Tim scene, but I guess they are this type of friendship, when they are always for each other, but not necessarily on a daily basis. As for other things:

Tim and therapy. I am so proud of my boy. I really loved how they write it. I loved that nobody made him do the therapy and Grey even allowed him an opt-out that he chose. His initial defensivenes towards London was so in-character. I think that it was very good he decided to go on his own (did he? let me get to this in the separate point :D), I also liked that all of his major problems were highlighted in this episode, which we all identified (I mean @theflyindutchwoman could be Tim's therapist at this point lol). I am really happy that Tim is also still good at his job. It was a great scene with Grey, because Tim was actually surprised he did so good, when he was still thinking he is shit at everything he does (he is not).

Lucy I really like how she's been written, too. Obviously she went through a lot. But it's very clear after this episode that she is the one that is mature and much better grounded. Ok, she is a bit alone, but I think there is a whole new chapter starting for her with Celina --- I really like it. They haven't had much interaction until now, but I feel they will bond a lot over energies, cat personalities and mental problems. They will be a good team. Lucy is obviously dealing with breakup much better than Tim because, well, she is dealing with it. Pairing with Grey was great too and I loved how he had this "I'm your boss but also kind of dad" dynamic. It was great. I loved that Tamara was there for her. I even liked the "imma invite everyone else" just to show Tim she doesn't want to see him. This one wasn't mature, but it was very Lucy and nobody ever acts 100% mature over break up ahahaha.

Chenford I love mad Lucy and lost Tim and I was kind of hoping for this kind of dynamics so I'm happy they went for that. The final scene crushed me, but only in the right way. I feel it was so necessary and it's good that it was awkward. I loved that Tim went for a safe ground with work talk, because he, well, he just wanted to feel close with her and this is how they were close. It's good that she called him out on that, too. I think we will get this mature talk between them, but I'm glad it didn't happen now. I'm sure Tim wouldn't be able to take the mature stuff from Lucy. I genuinely think that this convo was the tipping point for Tim for going to therapy. I think it is once again Lucy that makes him choose right things and I am so in love with that. I'm happy she opened his mind.

dr London Y'all need to come down. For me, if anything, dr London in this episode proved that she is 100000% professional. All she did with Tim is to talk about his issues, she was very strong with that and she was also very good in not taking Tim's BS haha. She is a professional, extremely observant and I think a good therapist. As for the last scene, for me it showed only the sense of urgency. It showed how much Tim actually wants to work on himself (I think he feels he is losing Lucy a bit) and that he wants to work on it right now. Of course, we won't know what is going to happen and of course feelings towards therapist are not an uncommon in therapy and especially when patient is so lost, but I really hope they won't go down this path, because it would feel a little cheap.

Overally I loved how they wrote it. I love they went for the very Rookie path of dealing with the stupid decision the right way. I love that there are some seeds thrown to grow and I think this is one of the most in-character episodes we got all season. I'm anticipating the show again and I'm happy!

I am also curious who is going to be the officer down and I'm loving that we will get some more action!

[ctrl-alt-tahu]

Counting Turaga

So... open question to the Bionicle fandom: how many Turaga are there? Or, perhaps, putting it better: how many Turaga are there supposed to be?

Without really thinking about it, I have two not-quite-compatible mental images, which we'll call "Plenty of Turaga" and "Turaga are Rather Rare."

Plenty of Turaga comes from the original years of the saga: there are six of them, one per village, as many as the Toa. There's a footnote on BioSector01, on the Turaga page, that Greg said there were more Turaga than Toa left at the end of the story (so, "more than 58" as the page put it).

On the other hand, the rest of the saga really has me imagining fairly scarce Turaga: there's never more than one mentioned in Metru Nui, Jovan seems to have been a Turaga alone. The norm seems to be: one Turaga, one village. Metru Nui, in particular, seems to highlight this contrast: there were 11 Toa Mangai, but there's only one Turaga.

Thinking about this, I suppose that it's partly just attrition: the same thing happening to the Turaga that happened to the Toa by the end of the MU. And not every Toa is going to survive to be a Turaga.

But...

What if it's by design? What if there aren't SUPPOSED to be that many Turaga? A village may need a team of defenders, but does it really need more than one sage leader in the same way? When the Great Beings made the first Turaga, how many Toa did they expect to transform?

What really has me thinking that the ratio of Turaga to Toa probably isn't supposed to be 1-to-1 is Destiny. If it really is the case (I've grumbled about this before) that only certain Matoran are destined to become Toa, why would it be the case that all Toa are destined to be Turaga? Doesn't it make more sense for only certain Toa to be destined to be Turaga?

(Sidebar: destiny in Bionicle is basically whatever you want it to be--it's as malleable as time travel in Doctor Who, but I don't think it matters for this argument if destiny means "programmed from the very beginning," "an ever-changing, ever-adapting plan of Mata Nui to meet the circumstances," or something else. At least as long as you don't stray too far toward the edges...)

I find that I actually really like the idea that Turaga might be rarer than Toa and only the destiny for a few of them, larger because it really makes the Toa Metru take center stage: if the norm is that only a few Toa become Turaga and then an ENTIRE TEAM becomes Turaga, that means they are special, right?

From a meta perspective, of course the Metru as special: they're the archetypes of Turaga for any fan who followed along from 2001. Having it turn out that they're actually a massive reversal of what is normal makes their personal destinies fit really well with the reveal that the island paradise of Mata Nui is not actually where they belong: fans imagine Mata Nui (and plentiful Turaga) as the default for Matoran, because we entered the story there, but an island paradise (and a whole Toa team becoming Turaga) is not what was normal in the MU.

I also like it because it lets you have fun with the "who really is the destined team of Toa" story, where Mata Nui is putting forward the Toa Metru and Teridax is nudging forward the Mask Matoran. If the Mask Matoran couldn't become Toa, then what was the point of that? Lhikan would give them stones, it wouldn't work, he'd take them back, and he'd try again (right?). On the other hand, if they were able to become Toa, what's the advantage to Teridax in picking those six rather than the other six?

My proposed answer: Teridax has no idea. He can just read the signs that Mata Nui wants the Metru, so being the contradictory bad guy that he is, he figures a different set of Toa has got to be slightly worse. After all, Teridax has picked off a lot of great Toa already--the new Toa will need to be superb to do what the Mangai couldn't, and if the new Toa aren't quite what Mata Nui wants...

But what Mata Nui really wants isn't warriors; it's wisdom. The Metru do important and valiant things as Toa, but the single greatest thing they do is sacrifice their power for the Matoran, and that was an act of wisdom. When Mata Nui picked them, he wasn't only picking Toa who could save them once in battle, but Toa who could save them again in transforming, Turaga who could lead them.

I think this takes a little bit of the sting out of the end of LoMN (not necessarily a good thing--bittersweetness and loss is a huge part of Bionicle--but I think we do want our faves to be happy and significant). If being a Turaga is special and rare, then there's a eucatastrophic miracle in all six of them becoming Turaga at the end: a miracle that speaks of hope in a dark hour.

Maybe it would also explain why they founded six villages on Mata Nui: one village for each Turaga.

[the16thtower]

Wyll Ravengard fucking undoes me because while a lot of fans and the BG3 writers do him dirty, there's so much going on with his character that just isn't explored or elaborated on that is so fascinating.

I have a parent who functions as a pillar of the community in my hometown, who is incredibly competent and admirable, and who judges me harshly for supposedly making choices that ruined my life. It's really difficult trying to wrap your head around all the different layers of that kind of relationship and Wyll never gets to really address it properly.

If we think about what happens after he gets kicked out of home:

What does he get to take with him? Does he even get a chance to pack any belongings? He looks like a normal human for the most part when we first met him, so what did Ulder tell people? We don't know about his mother's side but is there any family or family friends he could stay with? Did Ulder poison the well with everyone Wyll knew by being upfront about the pact or did he lie and make up another equally damning excuse for exile? God, just the idea that Ulder looked his son in the face (freshly injured) and immediately threw him out is devastating. Wyll is so certain about the prudence of his father's decision when we met him but either:

This is a perspective he's eventually made peace with

His conviction in his father never waned

which both suck! Either his idol, his father, screwed up massively or he has so little concern for himself that it never occurred to him that Ulder's justification was shit. Ulder is the Duke of Baldur's Gate, with all the resources that grants him, and he didn't even try to contact an expert on demons to try and get more info on his son's situation? What the fuck! There's the whole bit with the Trials of Balduran about appropriate punishment that Wyll agrees with that he doesn't even think to apply to his own situation. It can really fuck you up having your hero, who you admire for the good they do for others, decide you're not worthy of that same good.

Wyll tries so hard to be a good person and to lead by example but never seems to see himself as an acceptable recipient of the grace and kindness he shows others.

Does Mizora just immediately whisk him off to different parts of the Sword Coast to start acting the part of the Blade of Frontiers? He's seventeen, homeless, no support network, and fighting monsters - I'm going to lose my fucking mind. That's ridiculous. That kid was already dealing with his father's intense expectations (from what Wyll describes, Ulder was raising Wyll to follow in his footsteps, which is a steep ask). He then suddenly loses everything, on top of the stigma of demon association - Wyll's mental health must have tanked at some point. Depression, anxiety, and PTSD are definitely on the table (plus phantom pains from the prosthetic eye).

Just thinking of this teenager learning how to drink properly with no one looking out for him, trying to numb things a bit, and just becoming a sad wreck every time. Just... there's so much there with Wyll having to grow up very quickly in very lonely circumstances. We know he has some acquaintances, like the tieflings, but who actually knows what's going on with him? Is he still shouldering his burdens alone? Is MIzora around bothering him or does she flit in and out of his life? He's in exile for seven years.

And he's still a romantic and an idealist! Unflinchingly, genuinely, with his chest! He endures! He becomes a hero. It's beautiful. He survives and cultivates his best qualities in the face of awful circumstances. Wyll has this intense sense of morality and will (pardon the joke) that never permits him to sway from the right thing, even with everything stacked against him. And it routinely costs him! It's so, so hard to do the right thing and he still does it because he simply can't see another outcome worth living through.

It upsets me a little that Wyll ends up doubling down on what a good person his dad is when they reunite - as if Wyll hasn't demonstrated infinitely more empathy and compassion for other people, even when it actively impedes him. He's good because he chooses to be good and seeks to understand, not because he's able to follow the standards set by other men.

This is not a particularly organised discussion but fuck, I love Wyll Ravengard.

(UPDATE: I've just made some edits for clarification since I didn't express myself well. Also, this is a game that requires hundreds of hours of gameplay so be kind if I don't know everything.)

[r--kt]

Good boy Tobi. Why is he acting this way?

"oh yeah, it was just Zetsu" a-ha, not even close. here I'll talk specifically why Obito resorts to roleplay, and why he is comfortable with the images of Madara and Tobi. (obviously because it's not being himself but let's dig deeper)

contents | responsibility · regrets · a sense of control · conclusions

Vol. 31 CH. 280. Tobi's first appearance.

sure this looks like another defense mechanism that allows Obito to avoid reality, especially when interacting with people. full coverage, imitation of someone else's voice, name change, personality change etc. his clothes literally look like armor, and I'd like to think that hiding and protecting himself "just because it feels right" is exactly the point (no need in armor, he's intangible, so that's a psyche). the very way he completely depersonalizes himself shows that on a subconscious level he is not comfortable being in the conditions he finds himself. this alone may indicate that he is not very happy with his position of a faceless world saviour. and this is his first damn appearance.

Tobi is another manifestation of Obito's escapism, which is the central theme of his story. I have identified three advantages of using Tobi's image for Obito, and all of them will be described below. maybe you'll find some more, feel free to reblog and add your thoughts!

Responsibility

escapism is just stress-relieving. for him, the roleplay was a way to relieve tension from the responsibility that he had imposed on himself. "no one in the whole world can do it except me" must be really exhausting. so what if I just don't be myself for a while? what if I be the one who can make a mistake? it's important to be frivolous and let things go sometimes, otherwise the psyche will be disturbed even more. so, that's the first advantage, that allowed Obito not to go completely crazy.

Regrets

CH. 652

as I said, Obito is not very happy with his position. even though he believes that tsukuyomi plan is correct, this doesn't negate that he is unhappy to fulfill it and suffer the hardships because of it.

during the war, we can see that Obito really regrets that he hadn't live his life the way he could, with his friends and dear ones. he began to ask questions: "could I have a better life?" "who have I become?" "who does my friend see me as?" these feelings burst out only at the culmination, before that they were deeply suppressed, with the help of detachment from reality, which Obito achieved mostly thanks to the image of Tobi. a ridiculous stupid guy who talks nonsense and does not pretend to be any role other than a comic relief. another personality allows Obito to distract himself from the real problems, which he can't reconcile.

CH. 281 idk what an idiot. love him.

in order to avoid all these dangerous thoughts for as long as possible, he came to this escapist behavior. it is not only a convenient tool for manipulation (I'm not really touching on that in this post, though it's important too), but it also distracted him from all his regrets. though, it's funny that he still chose orange and purple colors that probably reminded him of the past.

A Sense of Control

it seems to me that this is the most important reason to pretend to be either an inept, complaisant fool or a legend of the Shinobi world. why these two extremes?

many events in Obito's life showed him that no matter how he acts, he will still be punished, which means he personally has no control over anything. during the exposition, he is late helping the old ladies, but Kakashi condemns him no matter what. during the first turning points, he commits morally correct actions in order to end up first being mutilated and isolated, and then lose the most precious (and only) thing he really had: friendship with Rin and Kakashi. in the end, he does not even have control over his own body until he learns to control the mokuton and gets used to the constantly breaking off or deforming limbs. Madara and Tobi appear as other personalities who are able to achieve control under certain conditions and give Obito the necessary mental stability.

CH. 460

Madara is the epitome of control. the ghost of the Uchiha clan, the fear of which is alive many years after his death. by taking on a character who has more control than Obito did in real life he might feel quite cathartic and empowering, and it offered him a sense of emotional security (the mask helps with it physically, the personality and famous name — mentally).

while Tobi, besides an attempt to make up for lost childhood, is a demonstration of "the lowest standards" so that for once in his life, he did feel that he always met expectations, that more was not required of him. he's incompetent, he messes up, he's irritating, and therefore others don't expect anything else from him. yes, Tobi is judged and punished, but Tobi is not trying to be praised, so his own expectations are not broken.

CH. 359

Madara's personality is convenient because it's dominant, it controls others, inspires them with a certain fear and submission. Tobi's personality is convenient because with its help Obito choose to show fear and submission himself whenever he wants, that is, it does not become an unexpected blow for him. I would add that similar mental mechanisms work in many types of traumatic experience (not talking about his sexual deviations like moderate sadomasochism yet, the man is clearly traumatized).

does it all work? obviously, yes. there's no point in explaining that this whole Madara thing worked perfectly. Tobi, although condemned by Deidara, is at the same time accepted and encouraged by him a bit, simply because it is pointless to expect anything from him. however, this works as long as the fictional personalities do not overlap, as long as others believe in the reality of both.

CH. 396

another interesting topic is that Obito himself began to mix these personalities and demonstrate the falsity of one, which deprived him of the very opportunity to avoid reality (Madara clearly reminds him more of the responsibility on his shoulders than Tobi) and relieve the constantly increasing stress. therefore, starting from the moment when "Madara" shows that "Tobi" was just a cover, Obito loses the advantages of Tobi's image, suppressed regrets gradually surface, stress accumulates, the sense of control disappears for lack of any new personality other than his own (which has problems with control). and all these consequences falls on him during the war.

Conclusions

the reasons for this defense strategy appeared in Obito due to his low self-esteem, which was facilitated by the following. the early death of Obito's parents was most likely at the age when he was too young, and therefore psychologically this loss was fixed as "I was left because something was wrong with me. I can't be loved naturally, I need to deserve it first". because of that there was a constant attempt to be better, to reach the level of a genius opponent, who not only shows with all his appearance that you are not enough, but also constantly pokes you in your own shit like a puppy. and that's not the only situation where you're not that good. there's a lot, actually.

such an environment forms an attitude "to get recognition, I need to try harder than anyone else, because something is wrong with me". subsequently, this attitude is transformed into a new one: "I cannot get recognition in any case, which means I will achieve recognition, respect, attention through pretending and forming other personalities". and that's how Tobi appeared.

I don't even know what to add at the end. it's just great that you can see the depth in Obito, even when he's acting like a moron. here's some admiration for this silly guy

[soupthatistohot]

BSD: An Absurdist Analysis - Ch. 114.5

Fyodor: The Unkillable Devil

[BSD Absurdism Masterpost]

So, I was mostly correct in my speculations from last month's chapter! I'm really proud of this, though I will admit that my theory wasn't a complete match to what ended up happening

I assumed that Fyodor took on the guard's lifeforce, but it was Bram who he body-swapped with, which makes for a much for interesting (and higher stakes) situation.

Admittedly, this post is going to be a bit less analysis and more me sharing my thoughts and questions, because not much has changed from what I said last month: Fyodor being practically unkillable is the ultimate absurdity for him as a villain -- how do you defeat a literally immortal super genius?

It's just made even worse now by the fact that it is Bram's body who he's "subsuming." It puts considerable distance between himself (now in Japan) and Dazai (in France), who is the only human being capable of killing him due to his nullification. This is deeply ironic in that Dazai was so goddamn close to killing Fyodor, if only he had delivered the final blow himself, he would have succeeded. That's dramatic irony for ya!

The ultimate absurdity lies within the fact that Dazai was so close to victory the entire time; Fyodor was in genuine danger throughout the whole prison break thing (because either poison or Dazai could have actually killed him), but one lapse in judgement has now left Dazai relatively powerless.

There is also absurdity in the fact that Fukuawa, Fukuchi, Aya, and Teruko are basically incapable of stopping Fyodor not only from subsuming Bram's body, but from carrying out his plan with the tripolar singularity. They don't even have enough time to enact a last-ditch effort to stop him before he stabs Fukuchi.

Jumping back to the reveal of Fyodor's ability, this chapter has left me with some questions about Fyodor's plan:

Why allow Sigma to learn of this? I see no really good reason for why Fyodor didn't kill Sigma when given the chance. The only thing I can think of is that he wanted to distract Dazai, ultimately knowing that he would eventually go back for Sigma and try to figure out why he was passed out, killing some time. Still, this doesn't really make much sense to me, as killing Sigma would have done practically the same thing. Also, at that point, there's really no reason to distract Dazai, the deed has already been done. My only other idea is that he figured that once he was able to subsume Bram, it wouldn't matter if Dazai knew about his ability, so he allowed Sigma to obtain this information in order to let Dazai know of his loss. Still, this doesn't make any strategic sense in the way that keeping Dazai in the dark for as long as possible appears to be the optimal course of action.

Does Nikolai know about Fyodor's ability? If so, it would explain the usage of the poison in the prison break challenge, given that his ultimate goal is to kill Fyodor. It might also explain why he considers them to be "besties," because he's one of very few people who know the true nature of Fyodor's ability. This is complete speculation, though, as it could really go either way.

Did Fyodor know Chuuya was faking it the whole time? Because if not, I think Chuuya was his fallback plan. If he truly believed Chuuya to be a vampire controlled by Bram, then at any point he could have ordered him to kill him, but I think the only thing that stopped him from doing so was his desperation to have Dazai killed as the only person capable of actually taking his life. If he did indeed know Chuuya was just acting, though, I wonder if he had just thought far enough ahead to know how things would go and needed Chuuya to be present to get to that conclusion. I'm really curious as to how much of this plan was actual foresight and how much was improvisation.

As for the tripolar singularity... well I think we know where that leads, given that the anime gave us a little preview to future events.

I'll admit that the concept of the singularity is one of the things I least understand about the BSD lore/universe, but this certainly raises the stakes. I might be wrong about this, but aren't there theories that somehow Akutagawa and Atsushi's abilities combined are able to supersede singularities? In this way, they'd be the only hope against Tripolar Singularity Fukuchi (which I've got to assume works much like Arahabaki in that Fukuchi is not in control anymore).

We also now can now assume that Akutagawa (and assumedly anyone else who was turned into a vampire) becomes un-vampirified because Bram ceases to exist when Fyodor takes on his body, so this explains how we get to the above situation.

That's all I got for now! Please feel free to add to my analysis and discuss the questions I've asked, I love talking about this stuff with y'all! :)

Edit: Ok so of course almost immediately upon posting this I thought of more things to add in terms of how this all relates to absurdism. The concept of Fyodor being unable to die is not only absurd from the storytelling perspective of him being BSD's ultimate villain for so long, but also on a personal level for himself.

One of humanity's defining qualities is mortality -- the idea that we all die eventually, whether we like it or not. For Fyodor, this isn't true, though. His ability is a curse that traps him into living so long as people try to kill him. This further explains his ultimate motive of wanting to eliminate all abilities, probably because he recognizes many abilities to be curses and also that abilities have potential to be abused by those in power, whether for "right" or "wrong" reasons.

The irony in this is that Fyodor is doing just that, he has used his ability to remain alive far longer than he should have, and is thus able to carry out his plans. Yes, he believes what he is doing is for the good of humanity, but as the reader, we also know that this is not his decision to make. He has become the very thing he's trying to fight! This can be seen as Fyodor giving into the absurdity of reality, rather than actually rebelling against it, which makes him the antagonist to our absurdist protagonists, who refuse to give in and continue to push back against life's absurdities.

Fyodor's problem (and I think I talked about this in the chapter where he "died") is that he wants to control the absurd reality, but that is just not possible. You can't control meaninglessness, all you can do is not become a part of it, which Fyodor fails to do in his effort to not do so. It's a complete paradox.

Hopefully what I'm saying here makes sense, I am currently running on like five hours of sleep (which not a lot for me) and black tea lol

[just-some-random-girl]

Look, I can understand where people are coming from when they criticize the portryal of the female characters in Helluva Boss.

But extending that same criticism to Hazbin Hotel is where I draw the fucking line.

Hazbin literally has a female protagonist with her own independant goal, who has to work hard for it because people constantly belittle her ideas and beliefs, and eventually gets proven right when it works in the end. Charlie tried to do what was thought impossible, and accomplished it when Sir Pentious gets ascended to heaven. Her love interest has her own backstory before meeting Charlie, where she used to work for the same exorcists who are responsible for nearly driving Charlie's people to extinction and almost making her fail to redeem anyone at the hotel. Vaggie kept this a secret from Charlie since they met, and Charlie feels betrayed by Vaggie to the point of not feeling like she should trust her anymore until it gets resolved. Vaggie has more characterizarion in season 1 of Hazbin alone than Millie does in the entirety of Helluva Boss pre-Hell's Belle's.

Lute is one of the main antagonists. She contributed just as much to the genocide as Adam did, is openly bigoted like Adam, has more common sense than Adam, is the only exorcist with a name, is just as much of a threat to the hotel as Adam is and most of all she survives while he doesn't. Sera approved of the genocide, but felt guilty about it because Adam would've probably killed her or something, which Emily calls her out on regardless. Speaking of Emily, she joins Charlie in on calling heaven out for their hypocrisy and literally says she detests being treated like a child.

Velvette is no less evil than the other two Vees. She sells love potions (aka date rape drugs) and treats her employees cruelly just like they do. She also disrepected the other overlords without giving two shits. Carmilla wasn't having any of Velvette's BS, is protective of Zestial, literally killed an exorcist (despite angels being much more powerful than demons, so that's pretty impressive on it's own) to protect her daughters and figured out that Vaggie was a fallen angel just by knowing what her choice of weapon was. She encouraged Vaggie to fight for the whole hotel, not just for Charlie. Cherri Bomb has an interesting rivalry with Sir Pentious in the pilot that eventually grows into a healthy relationship, and she goes against Valentino just to help and comfort Angel Dust in the Addict music video. Sadly she doesn't do much after that, but at least she got to participate in fighting for the hotel in The Show Must Go On, so it's better than nothing I suppose.

Rosie is one of the few people who Alastor has a genuine friendship with. She played a big part in Charlie trying to give a speech to Cannibal Town, and encouraged her to trust Vaggie again. Mimzy, while I dislike her, is the whole reason why the plot of Dad Beat Dad even happened. She tried to use her friendship with Alastor to get herself out of trouble, so the episode techically wouldn't of happened without her. It's also telling that Alastor didn't eat her or try to kill her for screwing things up, since he's done just that to others for much less. Even Niffty, who's mostly just there for comic relief, is another character who Alastor gets along with. He may own her soul, but he's a lot nicer to her than he is to Husk, who he keeps on a chain and abuses in a not-so-different way that Valentino does to Angel Dust, only without SA involved. Niffty is also the one who kills Adam in the end, so there you go.

That's a BUNCH more than what can be said for most of the ladies in Helluva. (Most of whom I also like, but their writing really does leave something to be desired, though it does seem to be slightly improving with the Hell's Belles short and the promise of a Millie focused episode in Ghostfuckers.) For the record I don't think the writing for the female characters in HH is perfect by any means, but it's a far cry from being anywhere near as bad as HB like many antis claim it is. I think they just say that shit because HB takes place in the same universe as Hazbin and both shows were created by the same person, (aka the guilt by association fallacy) or they just think Vivzie can't do anything right no matter what she does.

[tyrantisterror]

Woah, that’s pretty heavy, dude. I’ve never seen anyone analyze the series that way, but now that you brought those themes up, they seem pretty damn obvious. Can you elaborate on this interpretation of the shorts and the series? As well as each version’s respective symbolism? How do you think the main cast gaining new colors at the end of the original, only to lose them for the new series factors in to this interpretation. What do Roy and Lesley represent?

Each of the original shorts puts the three main puppets in the role of students and has a different teacher force a "lesson" upon them.

In Creativity, the teacher keeps telling the students how great creativity is, while constantly shutting down their attempts to actually express their own thoughts and feelings, whether it be by questioning the purpose of her arbitrary rules for what they should do or by making artistic choices she doesn't approve of - "Green is not a creative color" isn't just a funny joke, but the whole point of the short and how education often fails when trying to teach art. Because schools put so much emphasis on "objective" evaluations of student progress, they often fail to truly teach inherently subjective subjects like art and creative writing - you can't let people express themselves freely if you have to force them to fit a super strict rubric. "Be creative, but only use the colors I allow you to, only do the activities I've assigned, only think the way I think" is inherently contradictory advice, and by the end of the short the students are so frustrated that they express their creativity in a way that gets them banned from doing it ever again - "let's all agree to never be creative again" is where the short ends.

In Time, the teacher tries to explain the concept of time in an inherently over-simplified and often borderline inaccurate and nonsensical way, to the increasing frustration of the students. The teacher specifically puts a big emphasis on 1. being punctual and 2. believing that the past was generically shitty but it's done so we don't have to worry about it, and the future will be great so don't worry about it. All of these "lessons" are designed to make the students think about time only in the sense of it being a rule they have to obey - a schedule to stick to. When the students actually ask insightful questions about time - "Is time even real? Does anyone know?" - the teacher gets angry and punishes them by forcing them to contemplate their own mortality, all to reinforce the idea that time is just an arbitrary set of rules they have to obey or else.

In Love, the yellow puppet is given lots of empty platitudes about how great love and compassion is and how he should value them, only to then have a bunch of arbitrary rules about how and when one should love heaped on him once he agrees that love is important, with the rules eventually saying his love should be to some nebulous authority figure - "Our king" in the cult imagery of the episode is very much a stand-in for authority in general. We're shown how education can make even the most wholesome-sounding of lessons twisted for a purpose of controlling and manipulating students, forcing them to believe in things that aren't real for the benefit of a select few.

I feel I don't need to explain the Computer episode to anyone who's been in a public school's computer class in the 90's/early 2000's, it kind of explains itself. But a huge problem in education to this day is the persistent belief that you can make students teach themselves by throwing shitty yet expensive "cutting edge" education programs at them - it's what 90% of school budget increases go into because it makes the politicians who buy them look like they care without actually putting any work into understanding what education really needs.

The nutrition episode makes fun of how goddamn mercurial nutrition education has been over the last few decades - one minute eggs are good for you, then you're having too much of them, then you need more of them again, it's fucking madness - and how ultimately all nutrition education does is give you so much anxiety about the foods you pick for yourself that you just buy whatever's advertised for you the flashiest, even if it's really bad for you (like canned meat from one of your few remaining friends).

In the final episode of the original shorts, the Red Guy, having escaped his teachers, finds himself in the dreary adult world, and despite everything actually pines for the simpler days of being a student. He decides to look into the nature of his education, and sees not only how shitty and half-baked a system it is, but also the true root of it: that it wasn't made for the benefit of students, but for the parents who made those kids and want them indoctrinated so they behave better. That's what Roy represents - the parent who doesn't really care about their child learning anything useful beyond "obey the people in charge."

As for the show being about the horrors of the mundane adult world, well, I think that's pretty obvious. One episode is literally about getting jobs. Another is about confronting your own eventual death. They're not subtle about it. And hell, it builds off the finale of the original shorts - Red Guy already transitioned from childhood to adulthood, it's only fitting his pals came with him.

[10underoot2]

I finally rewatched Queen of Tears Episode 16.

Its given me a lot of clarity on why I didn't like it all that much. The episode feels very filler like, reiterating what I already know, no development nothing to draw me in. So here's a list of thing I really like vs things I had beef with: 

The Good:

- Hyunwoo's understanding of what marriage is is very profound and beautiful. Really appreciate that bit.

- The employees in this corporate sector have been 10/10 throughout. I cannot with how much I love them to bits. Still not over 'I just want to see the rich argue' 😭😂

- Yangi's bond with Hyunwoo is absolutely 10/10 

- I like Haein trying to find the reason of their divorce. It's important for her cause why did two people who love each other want to divorce each other. But again I hate how this wasn't a main cause of comcern around epsidoe 7. Like don't brush over it fam. Don't you wanna know why the man you love and who loved you to bits wanted to divorce you?

- Those last 7-8 mins. Though I wish I had more of them. I needed a linear passing of time. Something like the Germany Montage at the start would've been perfect. But at the very end just 'Way home' playing, Hyunwoo seeing Haein as an angel to pick him up, the familiar happiness and love just spreading around them was beautiful to witness. Really got me teary eyed both times I watched it. 

The Bad: 

- I'm not even getting into the uselessness and bad execution of the whole Yoon Eun Sung plot line since episode 14. 

- Still have no idea why Mol Soo Hee she wanted Suwan dead? Like there's no rationale? Why not kill Hae-in or SeoCheol in all those 20 years as well? It makes no sense to me.

- the episode felt so unnecessarily dramatic. I get it he got shot and was in a car accident but I was so sure he'd be okay? Did not understand or appreciate the over dramaticness also those Yangi shots in that sequence were a little tooo dramatic for me

- I don't like Haein getting back her memories cause they said the hippocampus would be destroyed. It's my fault for looking for logic in the first place but can we please stick to what we established writernim. Also wasn't this the whole problem that she's not getting back ANY memories EVER?!

- The scene between the mothers at this point was also unnecessary. We could've gotten to this realization back in the episode this was brought up the first time. She knew the location and date I don't see how reviewing her album was the light bulb moment.

- I feel super bad for this one but for me even Hae-in's bedside speech, once Hyunwoo woke up, lacked sincerity. As much as she might realize she loves him. He's still a stranger. Who does she miss? Her husband who's love she has no recollection of? The man she loved but she has no idea how she loved him? Take out the loss of memories and it would've hit me like a truck. Like she's not even holding his hand as she waits cause she recently met him. What am supposed to cry over here? What could've been? The pre ep 15 Baekhong I dearly misssed at this point?

- More on the Hyunwoo hospital scene. When he says 'I had forgotten' As sweet as it is I already knew all of it. It was so ill placed I didn't have to see it here.  Also like what does she care? She doesn't remember if you forgot or not in the first place 💀

- The Yangi x Haeina acene in the hospital - what notebook are we talking about? Did I miss something? Did I fall asleep somewhere like what?! Also I feally do like Yangi but I thought all of the scenes with him were kinda forced this episode.

- The conversations where Haein tells Hyunwoo he's perfect. Is it just me or is Haein extremely expressive after the surgery? I can never imagine Haein telling Hyunwoo that he's perfect even if she think so. It was a little off putting for me being introduced to this new character in the last episode. I miss my inexpressible power girl.

- Just the voice over off what happened with Mol Soo Hee would've sufficed but I guess we had to see that SNU degree in action. 

- The turn in Da hye's emotion - as sweet as it was also felt forced. They just showed me earlier she didn't care for him and bullied him. Now you want me to belive she mistook her feeling okay sureeee 🙃

- This is what meant by killing the temperment. They start Hyunwoo's monolougue 'We forgave those who we used to resent and then we cut to this long scene of Aunt Beom ja. Then we have Hyunwoo, then we have his brother's scene. The editing was off here. I wish we had a monologue of just them. It all threw me off so much.

And here's why a sequence of Baekhong was so necessary cause remember the first episode we instantly fall in love and get curious because of that lovely montage of BaekHong Germany scenes. 

All in all good ending, horrible last two epsiode. Kinda left a bad taste in my mouth. It makes me long so much for the show I saw and fell in love with before. I have never felt this way about a last episode, I think I just expected better from this show. 

[taonpest]

Sometimes being an artist is feeling like a baker seeing a chemist making the deadliest liquid in the world and wishing you could make the deadliest liquid as well but you're a baker, not a chemist, and then you feel like your bread is worthless

[catalvarezs]

"roy kent shouldn't have asked keeley who the video was for" and "roy kent is still a good person who i personally think should end up with keeley this season" are truths that can co-exist, just as "jack choosing her image and privilege over keeley is something very in character for a rich, white woman" and "ted lasso's representation of lgbtq+ characters has been phenomenal" are also truths that can co-exist

[pyromaniac-cyndaquil]

Smth I REALLY wanna say about scarlet and violet though. Epic ship/polycule headcanons aside, I think it's REALLY visible just how much gamefreak are improving at writing realistic and fleshed out friendships between characters, with actual depth and soul to them. These aren't just random npcs who the game outright has to have a professor tell you 'this is your friend!' and who you have a few nice conversations with while you occasionally battle and compare your dexes. They're much more realistic to what friendships are.

These are characters you get to know, aid the arcs of, visit for idle chitchat, witness bickering and working that out and being silly and overall? It's just like yeah. That's a real friend group right there. While there's SOME characters in older pokemon games they've kinda achieved this with, they did it for so many in sv in a way that's truly charming.

[neechees]

I don't get Christians who say atheists are like evil but then they also say they do devil stuff

[ragnarssons]

no offense because i love episode 3 for sure, but how is episode 3 80 minutes long and episode 8 is 51 minutes, and episode 9 is 43 minutes????

[steakout-05]

the twinkle in his eyes when he sees the jetpack...... i love........