I also think it's nice that they made Camilla a sci-fi nerd and Luz a fantasy nerd. They're genres that are often seen as completely opposing one another by many people, which is what we're led to believe about Luz and Camilla in season 1. Luz is silly, nerdy, frequently in over her head and irresponsible and loves the boiling isles. We're led to believe that Camilla is the normal, conventional TV mother who'd be disgusted and terrified by the demon realm if she saw it.
Then yesterday's lie gives us a lot of nuance to this, and we realize that while they're still very different and now on opposite sides of a conflict, both mother and daughter are incredibly kind people (seen in their treatment of Vee) who love each other but struggle to make the right choices without hurting one another.
Then thanks to them drops all this Camilla characterization and we realize! She was a nerd too this whole time! The wedge between Camilla and Luz is motivated by past traumas and grief! and for the future has them switching sides on the central conflict of where Luz should stay (Camilla now wanting Luz in the demon realm because it's what's best for her, and Luz believing that staying in the human realm is what's best for the people she loves). They finally talk and realize that, like Willow pointed out earlier in the ep, the two are so alike. Camilla reveals that she's a secret nerd too! That she had a hard time growing up and accidentally hurt Luz trying to save her from the same fait! It's so important to me that Camilla keeps calling Luz a good witch. It's affirming her interests and goals, reminding her that she's just as good as the hero of her favorite story. And Luz finally only realizes that she wants to be understood...when she's finally able to understand her mom. When she realizes that the woman she loves and admires is just as much of a nerdy screw-up as her and that there's hope for her. Her palismen ends being multiple animals at once, showing both how Luz making unconventional choices (like carving an egg) keeps paying off for her and how her potential is limitless now that she finally knows and accepts her own goals, but to me it also reminds of the fact that Camilla is a vet and passed a love of all the weird and unliked animals (like wolves, possums, snakes, etc) to her.
It's just so so sweet and it really shows how much love and thought the crew put into this mother daughter storyline (FTF haters are not welcome on this page, respectfully). I can't wait to see how both of these misunderstood but healing women (who radiate "little/big sister" and "mom" energy respectively) are gonna interact with a) the lonely, easily manipulated and well intentioned but ignorant collector (a mix of both their interests as a magic being with a space motif! I just realized that lol) and b) the nasty puritan white man who's really obsessed with conforming to society's norms even when it literally doesn't benefit him at all.
Anyway, I believe in noceda( AND clawthorne 👀) family supremacy 💙
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Everyone sending you their Alfred hate, my take is I like Alfred maybe 70% of the time as a character in the DC world where literally everyone is a weird as hell, mild-moderately offensive stereotype. If he existed irl though I would hate his guts just like I would hate pretty much every single member of the extended Batfamily. Maybe some of the pets get a pass, Batcow is on thin ice
I do seem to be the hub for alfred hate this week I should really tone it down this level of negativity isn't really good - but yeah I get where your coming from I think like I said just for me personally it's bc I dont see alfred as a character as much as he's a easy don't think about it explainer for writers to not have to worry about the little things like Alfreds been dead since 2018 and I know alot of people joke that they keep forgetting about that bc you know he's still showing up in comics and dc will bring him back eventually but I also put it to you it's bc he had so little character presents like it doesn't feel like anything has changed since he died
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did you ever notice how merry doesn't actually volunteer for the quest? pippin is the one who assumes he and merry will go, gandalf vouches for them both, but merry doesn't say a word for the entire encounter. it's a stark difference from his insistence on going with frodo in the conspiracy chapter, and i think it's because he's totally lost his confidence. in the beginning, he's very confident and fully believes he'll be able to lead the group through the old forest to bree with no trouble, and then they all almost die twice basically immediately. notice that when they get to bree, he refuses to go to the prancing pony with the others, deciding instead to stay in their room alone? and then of course he gets attacked by nazgul, which definitely doesn't help matters. i think by the time they get to Rivendell, he no longer believes himself capable of helping frodo. he'll do it, obviously, if frodo or gandalf or elrond or pippin ask him to, but i think he's at a point where he no longer believes he'll be any good.
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"THERE CAN BE a huge range of reasons why a show in 2024—this one or any other—doesn’t have the reach it deserves; endless pixels have been spilled on streamer fatigue and fractured audiences in the past few years. AMC, a darling of the prestige-TV-on-cable era, is in an especially strange position: Even when Interview’s first season was a hit on its streaming service, AMC+, it was still held up as an example of a troubled industry in transition. Two years and two Hollywood strikes later, the situation is even more complicated. As the industry restructures and changes who can watch what where, a disconnect has emerged between what viewers like and what critics do. At the same time, social media platforms—the loci of 21st-century word of mouth—continue to implode, fracturing the conversation of an already dispersed audience.
Amidst this, IWTV faces specific hurdles due to the nature of the show. An adaptation of Anne Rice’s 1976 novel that pulls heavily from the many Vampire Chronicles books that followed, the show racebends many of its leads—its titular vampire, Louis de Pointe du Lac, is now Black—and goes all in on the queerness of the books. And it is, of course, about vampires—specifically, vampires who do terrible things. “IWTV has so much that a modern audience could want from a series but, unfortunately, some people won’t receive it solely because it’s a queer horror show with majority BIPOC leads,” says Bobbi Miller, a culture critic who recaps the show on her YouTube channel. “Genre TV is always going to have to jump through more hoops for success than a standard drama.”
For the converted, the idea that more people aren’t watching Interview is maddening. One could certainly argue that the show, with its dark, twisted Gothicness and emotional maximalism, isn’t for everyone. But in an era of unceremonious cancellations—even of shows that execs touted as hits—and with an absence of information about the show’s future, it’s understandable that its most dedicated fans would be pushing for more viewers. Interview isn’t the only show whose fans question its marketing efforts; it’s a common accusation leveled at streamers of all sorts, especially when a show is canceled. But in this conversation, Interview fans pointed at specific decisions made by the network that many feel have made this season’s rollout feel so much more muted than the last.
“It’s been a conversation that fans have been talking about for a while now, but I think what really set them off was the comment made by Film Updates,” says Rei Gorrei, a fan who dubs herself the “Unofficial Vampire Chronicles Spokesperson.” A pop-culture aggregation account with nearly a million followers, Film Updates revealed they had been denied interview requests with the show’s talent—and since fans were worried no one was hearing about IWTV, they couldn’t understand why that reach wasn’t being capitalized on. “I think the combination of these things along with little marketing leaves fans in a word-of-mouth scenario where we now feel like it’s up to us to campaign for the season three renewal,” Gorrei says.
Many questioned the promotion the network had been implementing, too, like the decision to never have Anderson and Assad Zaman, whose characters’ romance is one of the main focuses of the season, interviewed together. Episode five in particular, with its explosive fight scene between the two, would have been a prime opportunity. (AMC did not respond to emails seeking comment for this story.) Other fans raised concerns about the unceremonious cancelation of the widely admired official podcast, whose Black female host, Naomi Ekperigin, felt like the perfect interviewer for a show with Black leads and nuanced racial storylines. Then there was the fact that too few episodes would air in time for Emmy consideration—not the fault of marketing, but yet one more source of fan worry."
Interview With the Vampire Fans Say the Stakes Have Never Been Higher by Elizabeth Minkel
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[Start ID. A drawing of @mieczmaszyna 's character Izzy. In the words of its creator, Izzy is a humanoid robot with a white chassis, oval head, black headset, square green glasses, claws, and a tail resembling a cable plug. Ai wears a cowboy hat, vest decorated by a star and bottle cap, pants with tassels, spurred boots, and a red bandanna. He's viewed from the side, kicking up one leg and holding both arms out in front of itself to shoot finger guns, looking excited and rather jaunty. The background is a dull yellow-green, muddied by the warm reddish tone of the drawing, and in paler green are the words "BANG BANG!!" by ais arms. End ID]
robot cowboy!!!
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