#this image is unrelated I just thought it was funny

[abs0luteanarchy]

*violently shaking*

I’m so normal I’m so normal I’m so normal I’m so normal imsomormaliksonormanlimsokdjfdkjfkf

[windowsmillennium2000]

i think im underestimating how much i need to transition. i keep pushing it back thinking it isnt important but its kind of the most important thing. but diy testosterone scares me

[dormiloncito]

me right now

[chirpxstomk]

:3c

the headcanon grows…..

[fitzfunnymoments]

Just watched the new episodes of Clone High

[immortal-cataclysm]

Romeo sleeping: peaceful, shut eye, he can even emote, with his head up (tho I doubt he could do anything else w those straps)

Delilah sleeping: drooling, half lidded, using her arms as pillows

[opens-up-4-nobody]

...

[hajimedics]

[erveinangel]

Appears in ur inbox cutely

⠀ Hellowo …⠀ What brings you into my inbox of all things. ⸺Prince.

[marblepasta-creepyhornet]

Usually don’t send requests, but since you asked: which creeps do you think would take psychic damage from a friend or partner who purposefully misuses slang? Just thought to ask cus I thought Ben would probably have a physical reaction and I think that mental image was funny lol 

———

Characters used: Ben, Jeff, and EJ, Tim

———

BEN:

He’ll cringe. No questions.

Now, I headcanon Ben as a self-taught modern-day gamer in the creepypasta universe (as in he’s bought every modern day consoles and devices and has slowly learned the mechanics and is now an expert), he’s got a plethora of video games for all his devices, his PC, consoles, Nintendo switch, and even his old DS!

So imagine when he’s showing you a new game he got for his switch….

But then immediately regrets it.

As you were sat in his lap, watching him play, you just casually drop, “Wow, Ben! This game looks so litty on fleek, fam!”

MF hasn’t EVER put his hands on you, but he is now-

He pushed you off his lap and looked at you like you kicked a puppy!

“I…I can’t even look at you,” he’d be all dramatic, “I don’t know who that was, but I NEVER wanna see them again!”

You’d just be laying in the floor in a puddle of giggles.

———

Jeff:

It would happen on a mission. You and Jeff were targeted with killing a family and to leave none of them alive!

So, let’s say the targets son was a bit more than Jeff bargained for, so you swooped in and had to save the day, managing to tie the kids arms behind his back, “GET FUCKING YEETED, SCRUBLORD!”

Radio silence.

“WHAT THE FUCK DOES THAT MEAN?!”

“What do you mean? Like, we gotta yeet him, you catching my driftwood, fam? No cap!”

At this point Jeff just rubs his temples and finishes off the target by stabbing him. His brain too absorbed in other things to try and decipher whatever you’re talking about.

Soon after you two left, blood stained and all, Jeff spoke up, “Please, never ever, ever, ever, ever, ever, ever, talk like that again!”

“Alright fine! No need to get so hostile, we gucci lit” you finished off with finger guns and a sly chuckle.

“(N/N)!”

———

EJ:

You were sick. Like, contagious sick.

So, per Jack’s orders, no leaving his infirmary only for the bathroom, always cough and sneeze into the elbow and not the hand, use tissues sparingly, wash your hands, and take showers to help alleviate headaches and open up your sinuses.

Unrelated, but don’t worry, he’s made sure his baby gets the best comfort, after all, he needs you well rested and feeling better! 🥺💙

It was around 8pm when he knocked on the door before slowly opening it, he was dressed in pajamas holding a bowl of soup, “Hi, love” He’d greet you with a smile, not wearing his mask, as a demon he couldn’t get sick and because he was comfy around you, “How’s my baby doing?” 😭

Of course you’d answer the same way every time, stating you were still sick, just like since the beginning of the week. 😔

“I made you some soup, I know it isn’t much, but it’ll help alleviate some symptoms, and you look like you’re freezing, baby” he’d say while handing you the soup.

You took a few bites of the noodle and a carrot piece, a small moan escaped your lips, “Fuccckk~ This shit is straight bussin’, Jack”

His smile that he had while watching you eat was replaced with one of confusion. “W-what?” 😩

You’d have to suppress a giggle, “What do you mean, ‘what? This soups straight bussin’”

He’d try to understand what you meant, trying to wrack his brain for any semblance of what the word could mean 😭

Overall, confused baby boi :(

Tim (Masky):

Masky angled the binoculars as he let out a low growl, watching as the group of targets were stationed at all access points. “Fuck.” He grumbled before lowering the piece of equipment as he turned to you and Hoodie. “This is gonna be a close call, they’re stationed at all points of access. Do you guys have your weapons?”

Hoodie gave Tim a firm nod as he pulled out his pistol from his hoodie pocket, Masky reached into his duffle bag and pulled out a rifle, cocking it. He was about to ask you when you suddenly grabbed the weapon.

“Whoa! This thing is so fire!” You’d say as you inspected it with awe. “Tim, bro! This gun so fire! This definitely screams ‘I have BDE but I’m not trying to make it a big deal’, you know what I mean?”

…

….

“What the actual fuck are you talking about?!” He’d ask in confusion and irritation, quickly yanking his rifle back from you, “And give me that!”

You let out a small yelp when it was harshly yanked from your hands. “Calm down, Timmy, on the DL you’re still on my DTF list frfr. No cap”

Masky silently sat the rifle down, gloved hands pinching the bridge nose of the porcelain mask.

Overall: disappointment, confusion and irritation.

[alittlebitofloveliness]

Underrated Sad Outsiders Moment

"I had to read Great Expectations for English, and that kid Pip, he reminded me of us--- the way he felt marked lousy because he wasn't a gentleman or anything, and the way that girl kept looking down on him. That happened to me once. One time in biology I had to dissect a worm, and the razor wouldn't cut, so I used my switchblade. The minute I flicked it out--- I forgot what I was doing or I would never have done it--- this girl right beside me kind of gasped, and said, "They are right. You are a hood." That didn't make me feel so hot. There were a lot of Socs in that class--- I get put into A classes because I'm supposed to be smart--- and most of them thought it was pretty funny. I didn't, though. She was a cute girl. She looked real good in yellow." (Hinton, 1967)

********

This quote always KILLS me because this is a KID he's just a fourteen year old kid who is so used to being judged and looked down on that it is kind of an afterthought in his story, so normalized that he is no longer surprised and has begun to internalize it and just UGHHH it kills me. Every time something like this is mentioned it's quickly glossed over but I can FEEL his embarassment and that feeling of being inferior and the way that everyone he cares about and looks up to is treated exactly the same by society and its such an important and consistent and underrated part of the book because like everything else in the outsiders it applies to real life and SO many people in the world and much like in the the book it is overlooked and brushed off and never adressed because people want to pretend it isn't a problem when it IS. just...this is will always be one of the saddest parts of the book to me.

(also, kind of unrelated but this specific instance might be a contributing factor as to why Ponyboy 'doesn't care too much for girls' because of this interaction with a 'cute girl' and his own negative self image that she perpetuated)

[ourrechte-blog]

Part 3 of, Funny take on Daddy Danny and DC

Bruce working away at the Batcomputer was what Dick stumbled upon when he arrived in the cave. "A third kid already?" he asked Bruce as the image of a boy with dark hair and blue eyes was on the screen Bruce's response was to bring up the image of a girl, younger than the boy, with the same traits. "This is Danielle, though she prefers to go by Dani. I offered to take her in before she panicked" Dick whistled. "Someone's learned stranger danger a little too well," he remarked. "So what does that to do with the other kid?" A video was then played. Danielle running, a net falling onto her, and then she screamed for Daddy. "A net, seriously, Bruce?" Dick teased. "That was unrelated. It just caught her due to irresponsible users," Bruce defended before the angle changed. The boy from earlier launching out the window, unharmed by the glass shards, and landing protectively in front of the girl "Is... is that a Kryptonian kid?" Dick muttered. The video continued to play before he spoke again. "Wait, he's a time traveller?! Who thought that would be a good idea to let a kid have access to time travel?" "Someone more responsible than whoever gave Booster Gold the same ability," Bruce said as another clip was played "Guys, no!" Danny nearly yells, causing his daughter to flinch from his tone. "The last time the past was changed, Dad ended up with ecto acne and 40 pounds heavier while Mom ended up in a loveless and childless marriage!" "But Danny, don't you want to go back and raise her? And give us a grandchild to spoil?" "They're taking the whole thing rather well, all things considered," Dick remarks. "If anything, it's kinda disturbing they'd encourage him to be a teen parent" "The Fentons are well known to be quacks in the science community, though very credible once their ghost portal started working," Bruce explains "Ghosts? Why haven't I heard of this before now?" Dick asks "It was never relevant in any of our cases," Bruce answered "But you've worked with a ghost before!" "Yes, but a ghost wanting to solve his own murder has no bearing on needing to know about a portal made to the afterlife," Bruce defended. "It says here that the portal didn't work initially until Daniel went to take a look at it" "And that somehow gave time powers instead of ghost ones?" "My current hypothesis, it failed to connect and instead gave him access to time travel, which he then used to correct the portal," Bruce explains as Danny then touched a floating grandfather clock and vanished with his child in tow "Wow, a grandfather clock too? You sure you're not looking to adopt him too?" Dick teases, "He already takes after you. If a bit more budget friendly"

------

Bruce: He made a time portal Tennant: The untempered schism Me: And if I used the core fanon, he'd have 2 hearts as well

[maniculum]

Bestiaryposting Results: Dolthruk

More physical description than usual on this one, some of which I worry makes the creature a bit obvious, but we'll see how that plays out.

If you're not sure what any of this is about, please refer to https://maniculum.tumblr.com/bestiaryposting.

To see the entry the artists are working from, click here:

To see the one we're doing for next week, and possibly contribute your own work, click here:

Art below the cut.

@silverhart-makes-art (link to post here) started with a platypus, then added some other influences to make the described size work. I think it came out quite well -- that is a solid depiction of what a platypus relative might look like if it were huge and terrifying.

@cheapsweets (link to post here) has also given us something quite frightening -- I don't think I'd want to get near this one. Or see it in person. The inspirations for this design are pretty interesting -- I'd recommend checking them out in the linked post. And, if that distinctively-patterned hide looks familiar to you, that is addressed in the linked post as well. (Also thank you for providing alt text.)

@citrvsdrake (link to post here) also has a quite fearsome rendition, this one almost draconic -- in their post, they mention that they originally thought of some sort of river snake, but with armor and legs this becomes more of a dragon. I think it's a good dragon, too.

@pomrania (link to post here) also started with the idea of making a large, dangerous platypus, but went in a different direction, emphasizing scales and spikes. I like the serrated bill here; that's a nice touch.

@wendievergreen (link to post here) has instead drawn something adorable, noting that they decided to go in the opposite direction of what they suspected the animal was. I think it's delightful. For explanation of the inspirations for this design, and a close-up of the image, see the linked post. (Also, thank you for providing alt text -- and I think the banana thing is still funny too.)

@coolest-capybara (link to post here) brings the Beast Vibe back to "frightening" with this creation. Some fantastic work with the faces on both the Dolthruk and the fish, and of course I love the Stylized Plants... listen. Does anyone else think this looks like the cover of a really wild album? (Also, thank you for providing alt text.)

Anyway.

Aberdeen Bestiary says...

... no picture for you. It's not been cut out this time, they just didn't draw one. This section is more or less without illustrations, in fact. Maybe they considered it less important -- according to the bestiary's categorization system, this is a fish, actually. Sure, it has legs, but it lives in the water, what else do you want?

The Ashmole Bestiary, my backup illustration source, makes the same decision, but Bodley MS 764, my backup text source, does provide an illustration (and doesn't call it a fish).

Okay, so that's not a hugely realistic depiction, but it's probably not completely shocking to say that this is the crocodile.

I was surprised not to see any reference to tears in the Aberdeen entry -- the concept of "crocodile tears" is popular in the bestiaries.

The bit about color that I redacted from the entry claims that the crocodile's name comes from crocus due to its saffron-colored hide (not in evidence in the above image). I don't think this is true -- both English words can be traced back through Latin to Greek, and they certainly sound similar, but it seems crocus is probably a loanword into Greek from somewhere in the Semitic language family (hard to say which language specifically), and thus unrelated to crocodile despite their shared elements.

[gin-juice-tonic]

can i ask how youre able to make so many comics or if you have any tips for aspiring internet funny comic makers? your gag comics are always so creative and funny and well-executed, and your longer form stuff is just a delight to read, i would love to know if u have any advice/insight into yr process

I'm not good at advice so you will have to bear with me here. Also I'm putting it under a readmore cause images make it into a long post. The like first 3/4th of this I talk about specific comics I did, but if you scroll to the end I tried to give some general advice.

My stuff is unfortunately very inspiration-based as opposed to planning-based. So my process might not be helpful if you're looking for something structured... The first thing I should say is I write down basically anything that pops into my head ever. I have a bunch of nonsensical tumblr drafts,

I have stuff in my phones notes app,

I have pages and pages of papers and post-it notes littering my apartment (if you want to know the extent, my sister asked me how I could live with my apartment being so "messy". The only messy thing in it is my papers scattered about). I find the paper stuff the best, because I can draw instead of just writing down concepts.

This is the page I did for the comic about Stan "comforting" Dipper over his unrequited crush on Wendy. (The tumblr version being here)

You will notice aside from the order on the page being strange and some scratched out dialogue, there's not really evidence of a 'plan' here. That's because I was just drawing this as I was thinking it. You will also notice there are two random unrelated Ford drawings in the middle of the page. That's because I was drawing ANYTHING that I was thinking of.

And when I say write down anything, I do mean it. Write down something you did that week, something you remember from when you were 8, something you said out loud and laughed at, things you thought about in the shower, a fact you learned, what your friend had for dinner. See if you can apply it to something. I've mentioned before that this comic only exists because I ran out of toilet paper and went to buy a large bulk pack of it...

When I already have a base idea and just want to expand on it, I usually draw first ask questions later, and things seem to just snowball into being a story. As an example, for the comic I did about Dipper's swimsuit, the base idea was just "Dipper and Stan both wear fully covering swimwear - because they're trans and its what they're comfortable with." But when I went to look up what Dipper wore to the pool, i noticed mabel had a Star one piece suit

Dipper has a star hat in the first episode that he loses, right? SO why don't we give him a matching star one piece that he abandons.

Of course then that single drawing CREATES the story, because we have to explain how he eventually ends up in what he's wearing in the episode. And then I just draw and draw and draw until either the comic ends or I can't continue for whatever reason. The outline for the full thing usually forms while I'm drawing. If I'm worried about forgetting, I'll write down what comes next.

Some of this stuff I didn't stick to, or greatly expanded upon. It's good to be flexible with what you're doing. If something you originally intended only to be a throwaway bit inspires you, roll with it and keep going. (If it ends up being nothing, you can always discard it or turn it into something else later anyway)

I did the swimsuit one basically fully on my computer, but if you want to see another paper based one, a lot of the comic with the kid stans and crampelter I'm doing currently is down on paper.

If you can make out my writing, you can see it says "Crampelter has found out about Stan and Ford's boxing identities" at the top there, which was the general main idea of this part of the comic. This one was a lot more planned than the dipper swimsuit one. There's multiple pages of this sort of stuff, and I knew the idea I wanted was "If Ford and Stan are trans, why would they still be called those names as kids?" (So I guess the takeaway from this one is if you're wanting a structured comic, write down the main idea on the top of a page and brainstorm dialogue and drawings on it?)

There's a lot of sort of floating heads with dialogue, all that matters is I get the emotions or general idea drawn. They're important for me to draw out because being able to "see" the scene (even if I'm seeing it heavily unfinished) is what usually inspires the next bit of the comic.

And I know I talked like a lot already but some general other advice:

Draw, ask questions about what you've drawn, draw more to answer the questions, see if those new drawings ask any new questions, continue this process till you come to a satisfying resolution.

It's fine to not draw something immediately after you've thought of it. I have a lot of things I've just squirreled away for later. And in the same vein its okay to drag something old up that you've never used and try to work with it.

I almost always put on music while I'm trying to think of things. Something I feel fits the mood of what I'm doing tonally. And then I usually just put the same song on repeat, though some people im sure would feel like that is psychological torture. But its helpful to me.

This might sound silly if you're someone who leaves the house a societally normal amount, but I try to go out into the world and do things so I get new ideas and experiences I can build on. Sometimes those things are literally just "go to the park", but sometimes it's venturing out somewhere several hours away or doing an activity i'd never care to do normally... I try to take note of anything that stood out to me and write down thoughts or feelings I had during.

When it comes to trying to be "funny", you should try to make yourself laugh first. Not only because you want your comics to bring yourself joy, but also because its just hard to make stuff you don't care about (And harder to be consistent about it). Though if you think of something and you don't really think its funny, you don't have to throw it away! You might be surprised what other people end up liking. So don't kill yourself to write jokes you yourself don't really get, but if your brain spits out something on its own you dont care much for, it still may be gold to someone else.

It's okay to make comics about simple and relatable things. People love relating. And depending on what you're writing about, that relatability may be really needed!

Everyone has something of value to say. Even if you yourself don't feel like the things you're saying matter, or that they're too silly or un-serious to matter. They matter.

[cadaveerie]

related to this post about the gameinformer articles.... but also kinda unrelated: here are some funny things that i realized while putting it together:

the names of the pictures that you can read on the drive are the names they were originally uploaded with by gameinformer. my hightlights are "davris" and "tassh".

i'm. sorry. it's driving me insane that when talking about romance they have A PICTURE OF HARDING AND VARRIC to accompany it. like ok, we know we can romance her, BUT WHY VARRICCC WHYYYY

THE SAME PICTURE IS USED IN THE NUDITY ARTICLE. AND THE COVER IMAGE FOR THAT ONE IS SOLAS. WHAT AFJSHGHSGL ARE WE FINALLY GONNA SEE THEM NAKED-

*loads the game* *a varric x solas very explicit sex scene unfolds before my eyes* wow... goty

sorry i just thought it was. funny. and weird. and suspicious. *tries very hard not to make this post part of his varricmancer agenda* auuuggghhh..

anyway that's it.. can't believe we'll FINALLY see varric's hairy ass and solas' massive schlong in 4k *gets shot*

[fullmetalbunny16]

Ok so I'm going to like rant for a minute here about my latest hyper fixation that's been going on for about a year AKA one of the best obscure 80s horror films of all the time

REANIMATOR 1985 directed by Stewart Gordon

AKA one the most goated if not THE most goated obscure 80`s horror film ever

-I'm not very good at writing essays so this is just a brief analysis of the dynamic between Dan and Herbert and how I think Herbert screwed Dan over narrative wise (it's not as simple as I'm putting it)

(Unrelated but also I wanted to mention how unnecessary SA scenes happen to be a common trope in the movies unfortunately)

Starting with this fucker right here

(that is PEAK pathetic meow meow he's so awesome I hate him I wanna put him in a microwave💖)

-one thing I wanted to note is how Herbert doomed Dan from the get-go, so if you let me explain basically Meg was doomed by the plot because due to her being a female side character in an 80s horror film and being seen as a nuisance by West soon that image being projected on to Dan but not as direct and only seeing it as a difficult situation to where she is being quote unquote "unreasonable" when it comes to the work up until inevitably it's too late for Dan to take it back cuz his fiance is killed Wests very creations,the very thing that he assisted in resurrecting being the very indirect cause of his fiance's death.

-now moving forward we can see a turn of events where the very moment that leads to Daniel Cain's downfall is when he allows Herbert to move in. Megan's off put by him and tries to voice her concerns to Dan but Dan just brushes it off believing that West is just a little strange but nothing to be concerned about, then Meg discovers rufuses dead carcass in wests room.

-any normal person would immediately kick Herbert out and notify the police but of course Dan shockingly gives him the benefit of the doubt AGAIN after Herbert tells him he didn't kill his cat and he found him like that.

(of course Herbert probably didn't kill Rufus but it's still creepy and weird to keep your roommates dead cat in your fridge)

-my point being Daniel is doomed narrative wise, the very moment of his downfall could have been was the day he met West but also whenever he allowed him to live as a roommate with him and his fiance.

-his true Fall from Grace is when West manages to convince him that he can reanimate dead parts and "needs" his assistance (maybe he did but let's not ignore the fact Herbert is openly manipulative to try to keep Dan from leaving the work and it works every single time because Dan is shockingly easy to manipulate)

(also but to be fair if I was in Dan's place I would be easily manipulated too because Herbert's freaking adorable while also being a conniving bastard)

-one funny thing I wanted to note is how Jeffrey Combs accidentally implied Herbert doesn't know what sex is just thought that was funny

-another thing is it's not just Herbert's work that also caused the death of Meg but also caused the death of Meg's father and indirect loss of dans scholarship leaving Dan no choice but to turn to West and assist him, and yes maybe Daniel could leave any moment he wanted to but due to the damage that's already been done he probably felt like he couldn't go back so he felt like he just had to double down on the work.

-also how Herbert convinced Dan saying how they could cure brain death which basically is unheard of and how Dan himself saw how Herbert's serum worked in front of his very eyes and how Dan also happens to be a very caring person who just wants to help people this gave Herbert a pretty solid opportunity, and boy did he take it!

-also quoting what Bruce said on the actors commentary Herbert's work to him is basically what sex is to anyone else, it's borderline erotic especially that one scene in Bride where Dan decides to take control when they're reanimating the bride and Herbert's look of absolute flabbergastation is hilarious.

-also I'm not justifying Dan staying with Herbert knowing openly what they're doing is kind of inhumane but "it's in the name of science of course!!"

-so basically yeah Dad is kind of doomed by The narrative basically since you know Herbert is the main character of reanimator, I mean Lovecraft literally wrote small separate stories dedicated to West so of course he's the main character I'm just saying that due to Herbert's influence it caused Dan to essentially lose everything.

And basically if Dan just slammed the door and Herbert's face none of this would have happened the end!!

(also I'm dog water at making essays and this wasn't even an essay it was just a small analysis of how I thought Herbert doomed Dan from the get-go and how I thought like the chain of events that happened when Herbert entered his life caused us downfall for him and I also have a deep head cannon that in the events of beyond reanimator Dad's life spiraled even further because West wasn't there he had no one to assist he had no one, Herbert was the last person he had left before he turned him in and sent him to prison and I doubt Francesca stayed with him after the incident with the bride so yeah that's basically what I think)

This is how I headcanon how Dan is during the events of beyond because I refuse to believe that man is living in peace