#this is . beyond anything

[eachlittlebird]

THIS SHOW. OMG THIS SHOW.

[cholvoq]

“Oh Al, such a gentleman.”

I really like to draw him if you couldn’t tell—

[chaiaurchaandni]

have humans developed a language that can accurately describe the intensity of this grief?

[raepliica]

i think they should take turns cuddling for healing purposes

[imissthembutitwasntadisaster]

Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick

[crustaceousfaggot]

I like my men how I like my wine: full-bodied and with fruity undertones

[theophagie]

I thought I was losing it but no, kh1 Sora's fast swimming animation really does change after you've been to Atlantica. It's a small detail, but also a cute and smart one 🥺

[nerdpoe]

There was a slight miscommunication.

Danny says "Get souped!" or variations of it when he soups a rogue.

In a different dimension, the few recordings that the Justice League was able to get their hands on of the High King of the Infinite Realms didn't really have a lot of sound coming through, just static.

They need to summon him to wrangle a threat from his home dimension, but they can't hear what he wants.

But Batman can read lips.

Clearly, the best offering to summon the Ghost King is soup.

"I'll have Agent A make soup," he says, completely neutrally.

"I think we'll need the best soup, though. How about I go get my Ma to make some?" Says Superman, side eyeing Batman.

"I believe my mother knows of a fantastic recipe only found in Themyscira," says Wonder Woman, checking her nails.

"My dad left me a recipe for the best fish stew I've ever had," says Aquaman, already halfway out the door to get groceries.

"My pop makes a real good chicken noodle; you can't beat the classics," says Static, already texting his father.

"I have managed to make the most accurate approximation that I can to a very widely enjoyed Martian stew," says Martian Manhunter, staring Superman down.

All of the Heroes assembled glare at each other.

"...How about we let the King decide?" Asks Constantine, shrinking in on himself when the attention gets turned on him.

The High King get's summoned to a row of Superheroes glaring at him, with different soups laid before him.

They're all encouraging him to eat the best one, but he knows a trap when he sees it. He's a Midwesterner, and they fight their social battles with recipes.

Daniel Fenton forces himself to eat it all.

When asked which was the best?

"Oh, they were all so good I just can't bring myself to choose one over the other."

@simplestoryteller

[dandeeliion]

the thing is. you are dick grayson and eight years old, and your parents’ deaths are a spectacle. then, you are dick grayson, with many more years behind you, and the unveiling of your identity is a spectacle. you are a flying grayson, the last of the flying graysons, and so your own death, too, is made a spectacle.

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[thehobbitwithstickyuppyhair]

sorry I just.

Dariax trusting that Opal had a plan

Dariax going back for Cyrus to see his lifeless corpse

Dariax seeing Morri leaving in the opposite direction

Dariax not knowing what happened to Fy'ra

Dariax putting aside dealing with his feelings of betrayal over Opal magically compelling them to leave specifically so he can make sure Dorian is okay and support him as best as he can

Dariax turning around in a crowded tavern with a smile on his face, holding Dorian's lute...

and not even seeing his last friend leave him

[what-the-f-is-going-on]

My 32yo extremely cishet no social media brother whose only contact with anime has been childhood runs of dgb and pokemon games has just discovered watching anime, needless to say he called me today to ask if naruto and sasuke are gay. He's on episode 15.

[darkblueboxs]

Glass Onion Spoilers - Foreshadowing and Among Us

I’ve seen a few posts dunking on glass onion for being “cringe” because of the Among Us scene and a few praising it for accurately reflecting the fact that this is all everyone was playing in 2020, but I haven’t seen anyone really talk about how brilliantly Among Us works as a foreshadowing/storytelling device.

On the surface - as the film itself points out! - the game is a neat little parallel of the island: one murderer hidden among us, with the objective being to find them out. But this comparison goes far deeper than the basic premise of the film.

Firstly, Benoit appears as the game’s imposter, and then, it is later revealed, is literally an imposter, arriving on the island uninvited under false pretences - one of the first major twists of the film spelled out to the audience in the opening act. And he isn’t alone - just as two imposters generally work together to deceive the other players, so Benoit and Helen work together to infiltrate the group. BUT, and this is the bit that really drives me wild, the endgame format of Among Us perfectly reflects the endgame of the film. The way to win Among Us isn’t necessarily a case of killing everyone or surviving every round - the way to win is by convincing your fellow players to believe you, and to vote accordingly.

During the trial Andi loses because the imposter - the billionaire impersonating a genius - convinces the other players that she should be voted out; she is as effectively thrown out of the airlock as she is the business, and then literally killed to protect the [fortune of] the “crew.”

But, Andi was not the imposter, and so the game continues.

The imposter kills again, and when Miles confesses to causing the lights to go out, this is another excellent hint - only the imposter can sabotage the lights!

Then, with all the characters assembled much like an “Emergency Meeting,” we reach the climax of the film: Miles burns the napkin evidence, and immediately the ensemble is back to the voting booth as Helen, like her sister, fights for the players’ support in voting out the imposter. Any Among Us player will recognise the infuriating feeling when you literally just saw them vent for the love of god you were all there vote them OFF- and that frustration - of speaking the truth and not being believed - is evident in this scene.

But these players don’t care about the truth; they care about surviving (ie staying rich), and so they will vote off an innocent person to placate the shark. Which is absolutely not how you win the game.

Then, then, the game’s final round: the imposter has lost his tools, is revealed for the useless fraud he is, and it’s when he has nothing left to offer the other players that one more vote is held - the characters literally raise their hands as they pledge their support to Helen, in part to give the appearance of swearing in upon the witness stand, but also in part to give the visual of a literal vote... such as that of an Among Us emergency meeting vote.

And it’s when Miles is finally, rightfully ejected that at last, the game is won.

Among Us is a game of social engineering, of lying and convincing others of your lies to prolong your survival, deception, and the malleability of truth. Presenting this game in the opening of the film is more than a gimmick or scene-setter: it illustrates the social structures at the heart of the story.

TLDR: Among Us foreshadows the film’s premise, but also plot twists, character choices, and significantly the film’s resolution by way of group vote.

[akolnoix]

after finishing p4 vanilla i started rewatching p4 golden. so that's where im at right now

[cringefail-clown]

dirkkri propoganda dirkkri propoganda

asshole to asshole communication

[carnivalcarriondiscarded]

i've been asked multiple times for Awake Barnaby so instead you get messy lights out Laughingstock doodles