#this is by no means a comprehensive post of my thoughts I just needed to get them out

[hope-ur-ok]

Something I really don't understand are the assumptions people on the side Israel seem to hold about everyone who is free Palestine, I.E. that we don't think the hostages should be returned or that we think all Israeli citizens deserve to die for the crimes of their government. Like I'm sure there are people who think that, which is gross and frankly unacceptable, but the fact that they approach everything said in support of Palestine from that angle isn't okay either. All that they are doing is trying to simplify everything in a way that makes Israel the indisputable victim and everyone who opposes them into an antisemitic monster when the reality is that most of us just believe in the value of ALL human life and don't think more than 23,000 peoples lives are acceptable collateral damage. Like we just think that Palestinian civilians should have basic access to food, water, healthcare, and shelter and should not be facing arrest just for being Palestinian as if that somehow makes them inherently dangerous, where are you getting the batshit assumptions from in statements like that?

[crookedlysonkblog]

..."but that's wrong," is what i think he means.

I've been brainrotting about this scene ever since I first read it! I think what bothers me about that line ("I'm sorry. I can't love you." ) is that, it's nothing new for Ai. When Ichigo tried to recruit her, Ai initially says no because she was certain she couldn't love her fans. She was terrified of saying "I love you" to her own children because she wasn't sure if she would mean it or not. From the very beginning, Ai doubted her own ability to love anyone.

But even though she felt that way, Ai still worked hard and smiled brightly for her audience. Even though she was too terrified to tell her children she loved them, she still hugged them and gave them all the affection she could. Ai never turned away from people. Instead, she did her best for them, even though she felt like a liar as she did it. So instead of that line being a parting word, I think it's more likely the opposite. I think Ai would've done her best by Kamiki, just as she did everyone else... except, perhaps she was truthful with him. that would make their relationship more meaningful and special, not less.

[peapod20001]

I’m the type that can and will cry if think too hard <3

[roger-paladino]

making that WF video was like. reminding me how much and how deeply Mo cared for Lee it hurts soo so so bad

[kirbyddd]

NOT WHAT I ASKED, GOOGLE

[pleasantboatpress]

so, you wanted to start bookbinding?

so @princetofbone mentioned on my post for "factory settings" about wanting to know more about the binding style that i used for it. so i thought i might make a post about it.

i was as terrible as i always am for taking in progress shots, but i can link you to the resources i used in order to make my book. i would also like to point out that "factory settings" is my 120th bind, and i have been doing bookbinding as a hobby for just over 3 years now. unfortunately this means some of the methods that i used for that bind aren't particularly beginner friendly, just in terms of the tools and methods i have used, but i would love to point you in the right direction when it comes to resources. i dont say this to sound pretentious which i fear i might come across, just so that youre fully informed. getting into this hobby is fun and rewarding, but it can definitely be intimidating.

with that caveat, heres a list of links and resources that i have used for bookbinding in general, with additional links to methods i used specifically in regards to this bind.

ASH's how to make a book document. it gives you a great introduction into typesetting fics (where you format the text of fics to look like a traditionally published books) and then turning them into a case-bound book (the style i used for "factory settings"). it is comprehensive, and explains how to use microsoft word to do your bidding. it was invaluable to me when i was just starting out! currently i use affinity publisher to typeset/format my fics for printing, but i only bought and learned how to use that after i had been binding books for a year and a half. i made some beautiful typesets with word, and some of my close friends use it still and design stuff that i never would be able to in my wildest dreams (basically anything by @no-name-publishing)

DAS Bookbinding's Square Back Bradel Binding. a great style to do your first bind in! this method requires, when making the case, to attach the cover board and the spine board to a connecting piece of paper, which makes it so much easier to match the size of the case to the size of the text block (your printed out and sewn fic). using this method is what allowed me to get much more accurately fitting cases, and made me much more confident with the construction of the books i was making. a well-made book is something that is so wonderful to hold in your hands!

DAS Bookbinding's Rounded and Backed Cased Book. This is the specific method that i used to create my bind for "factory settings"! even before i could back my books, i found that watching DAS's videos in particular helped me see how books were traditionally made, and i was able to see different tips and tricks about how to make nicer books.

Book Edge Trimming Without... i trim the edges of my text block using my finishing press and a chisel i have sharpened using a whetstone and leather strop with buffing compound on it. i follow the method for trimming shown in this video!

Made Endpapers. i follow this method for my endpapers, as i used handmade lokta endpapers, and they can be quite thin, but they look beautiful! i used "tipped on" endpapers (where you have your endpaper and then put a thin strip of glue on the edge and attach it to your text block) i used for a very long time before this, but these feel like they are much more stable, as they are sewn with your text block.

Edge Sprinkling. this is the method that i used for decorating the edges of my text block. but the principle is basically clamping your text block tight and then sprinkling the edges. i do not believe you need to trim the edges in order to do sprinkles on the edges, and that's what makes it accessible! i personally just use really cheap acrylic paint that i water down and then flick it onto the edges with my thumb and a paint brush.

Double-Core Endbands. i sew my own endbands, which i followed this tutorial for. that being said, it's kind of confusing, and this video is a bit easier to follow, but it is a slightly different type of endband.

Case decoration. i used my silhouette cameo 4 to cut out my design for "factory settings" in htv (heat transfer vinyl). i also used my cameo 4 to cut out the oval of marbled paper on the front, as i honestly didn't want to try my hand at cutting an oval lol. i also glued some 300 gsm card with an oval cut out of the centre of it onto the cover before covering it with bookcloth, to get a kind of recess on the cover. i then glued the oval of marbled paper onto the top of the recessed area once it was covered with bookcloth, so that it was protected. the images i used were sourced from a mix of rawpixel, canva and pixabay. a more accessible way to get into cover decoration is by painting on a design for your cover as described in @a-gay-old-time's tutorial just here. or even doing paper labels, which look classy imo.

physical materials. sourcing these will depend on your country. i am located in australia, and have compiled a list with some other aussie bookbinders of places to buy from. here is a great post describing beginning materials for getting started binding.

@renegadepublishing. this tumblr is great! its what got me started bookbinding, and being in the discord has been inspiring, motivating, and honestly just one of the best online experiences i have ever had. it is full of resources, and most people in there are amateur bookbinders, with a couple of professionals thrown in. the discord is 18+, and anyone can join!

i'm sorry this post got so long, but i hope that this has a lot of information for you if you would like to get started bookbinding. its one of the best hobbies ive ever had, and i genuinely believe i will have it for the rest of my life.

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[sergle]

Every time YouTube nonsense happens I'm always like "I can't wait to see what Sergle says about this" because you're the only person I follow that talks about YouTube nonsense.

Please take this is an invitation for you to talk about the Watcher's apology video lol

I am a filthy youtube enjoyer so you can absolutely count on me and GODDDDDDDDDDD... I mean the apology is not NEARLY as funny as the blunder, so it hasn't kept my attention as much but like the obligatory upfront thing is that, like, it is good that they posted it, they apologized for being insensitive and whatever, they're not scraping their channel clean or going forward with their old plan to only post their shows on their own platform, and these are technically good and correct things, because they could have pretended not to notice all the negative feedback. So like, responding is good. BUT LIKE I HAVE QUESTIONS NOW... Because they took SO LONG to film and upload a video that basically is just "we fucked up, we're sorry, we're not gonna do that anymore", which doesn't exactly take a writer's room several days to cook, but I DIGRESS... They were quiet for long enough for everyone to LOOK REALLY CLOSE. After the initial reaction, people had time to do some pretty comprehensive cost breakdowns for their stuff, and for what they have to be pulling in from adsense, sponsored segments, patreon, merch, and touring Like, they'd need to be really mismanaging their finances, because they're doing very well for themselves, making good, stable money, and the vids they make are super duper advertiser friendly. SO... you take long enough without putting out a holder statement or a quick heel-turn apology or anything, it gives people more time to get comfortable with not liking you, and also to dig around and google things about you, or scrape up info/trivia about you to corroborate their new opinion of you. It gets personal, is what I mean. So pulling this move has still, at BEST, caused some permanent damage to their relationships with fans, in both directions. They all got a huge flood of negative feedback, and even a perfect, emotionally mature, non-entitled person would have a negative reaction to people being upset with them at such a high volume. But now they're gonna remember the things that people have said about them, and there's no way that at the very least, Steven isn't gonna feel spiteful about this. People TOTALLY unloaded on him (funny) (valid) about his evangelical christian conservative leaning tesla privileged out of touch boy gold flaked ice cream eating ways. He definitely is going to remember that ppl said they never liked him in the first place. As for Ryan and Shane, people didn't have any dirt on them, but they definitely still received a lot of angry messages from people, most of which will have been reasonable, but they're gonna remember the really really mean and intense ones. Anyway, they made a booboo dumb enough for jack to want to make a skit about it, so for that I'm very grateful, because I thought it was really really fucking funny

[ddejavvu]

pairing: darth vader x reader

summary: vader's prosthetic limbs are strong

cw: power imbalance, smut, toxic relationship (it's literally darth vader), manhandling, mentions of bruising, everything is consensual but it probably shouldn't be, don't like don't read.

this post is 18+, minors dni.

Vader's prosthetic limbs are strong. They're, by design, inhuman, and their fixture uses them to their fullest potential. You have permanent sore spots on your biceps from being hauled around by the dark lord, he puts you wherever he pleases.

"Stay here." He orders, his hand clamped tightly around your arm as he muscles you into one of the in-progress death star's many confinement cells, cold and gray, "It is not safe to roam while my master is here."

And when he retrieves you upon Palpatine's departure, he wakes you with that same rough hand on your arm, hauling you up off of the sleeping shelf and hustling you down the hall, carrying all of your weight with that one singular hand while your tired limbs frenzy to catch up.

there have been several times where you thought he was going to crush your jaw. simply shatter the bone, disfigure your face as he pinches it between unforgiving metal digits.

"Where have you been?" He asks, holding your chin in his prosthetic hand, "You were meant to be inside your quarters by 1800 hours."

When you don't answer right away his fingers tighten around your face and you squirm, wondering if you'll have a bruise there tomorrow; a stinging pool of blood just beneath the skin that your lover managed to coax out.

He crushes your face the way he uses the Force to crush others' throats; you get the honor of physical contact.

He tightens and tightens and tightens until you think your teeth might crumble where they're smashed together, then you let out a muffled whimper to let him know you're ready to speak. Only then are you permitted to open your mouth, and you admit, "I went down to the lower levels."

Much like his once-home planet of Coruscant, the lower levels on the Death Star are nowhere Vader wants you.

"I have told you to stay away from there," He chides, sealing your mouth with his bruising grip once more, nearly chopping your tongue apart where it gets momentarily caught between your teeth, "There are things down there beyond your comprehension; Sith artefacts that could melt your feeble mind from the inside out - far less forgiving than I am. The next time you venture down to the lower levels will be your last, no matter if the artefacts kill you, or I do."

though his torso is still flesh and blood, his arms are all prosthetic. it means that while his hips are stationary beneath yours, his inhumanly strong arms are lifting you effortlessly off of his thighs and slamming you back down over his cock. He takes you on his throne, spread out like the lord he is; but only your body moves. He is stationed firmly in his seat, and you are the one that must writhe above him in hopes of your own pleasure. But you tire easily, and he's such a generous man. When the time comes for him to intervene he cements his metal hands on your sides, lifting and lowering in a steady rhythm that has you seeing stars for the force he uses.

He will deposit you in your quarters after you're fucked out and too tired to be useful anymore. You need sleep, so he hoists your body into his arms and you happily go limp in his grasp. He carts you down the sterile, desolate halls of his battle station and uses the Force to open the door to your sleeping chambers, bending at the waist to lay you down on the bed. Dark Lords do not tuck their subjects into bed, but he stands and looms over you until you tug the blanket over yourself.

"I will return at 1800 hours." He reports, cape billowing around his ankles as he strides towards the door, "I would like you to stay here until then. Do not disobey me."

[binniebakery]

Your Biggest Fan!

Rockstar!Yeonjun x Fem!Reader, Strangers to ?? (fwb? teehee) Slightly Suggestive! ♡ Summary: Your best friend forces you to attend a local rock group’s concert. You weren’t expecting much until said group’s lead guitarist catches your eye with a wink and a smile, now he’s all you can think about. Little do you know you’ve caught his attention too. ♡ Warnings: smoking, some drinking, n cursing, the sexual tension go crazy, yeonjun is kinda mean, almost burns reader with a cig, this is not proofread! ♡ A/N: finally! After so long i post this lmaoo tbh i had the biggest writer’s block for this fic (I cringed while every second writing this so I very much hate it but o well!) but as promised this was going to be my next one!! moawajunnies please enjoy!!

“Ah, shit– I spilled my drink!” Your friend groaned and you looked from your phone to see part of her outfit drenched in beer. It’s a good thing she was wearing all black. “You alright?” you ask, joining her in assessing the damage.

“Yeah, just clumsy..” She then excuses herself to search for something to wipe the beverage off, mumbling a ‘just as the concert was about to start’ as she squeezes through the crowd. There was probably a low chance she’d make it back to your spot in the very front.

You turn back to the screen, watching the timer tick down. Three minutes left and the crowd was starting to get more impatient by the second, internally cringing at the way you were getting shoved up against the barricade.

God, this was not your type of event at all, not with the amount of smelly drunk attendees. You were only here because you were dragged.

Time went by surprisingly quick as your subway surfer’s gameplay was cut quickly to an end. Music began to roar across the small outside garage and you felt the bass pump through your veins.

A group of five males walk up on stage, the tallest member, their leader, smiling and waving as he approaches his spot, dimples on display as he held his large keyboard guitar.

The drummer, your best friend's favorite, had blonde hair curled perfectly against his handsome features. Tapping his drumsticks with a grin as the crowd roared his name. “Kai! Kai! Kai!”

The group’s bassist and lead guitarist walk in, jumping and showing off their skills with nimble fingers, causing the crowd to get louder and louder. The lead guitarist’s brown wolf cut bouncing as he smirked and waved, black-haired bassist motioning his hands for the crowd to scream louder.

The perfect combination of charisma and attitude for a rock band.

Lastly, the lead vocalist runs on stage, microphone headset attached to his head as he stops front in center. His eyeliner smeared in just the right way, his soft orange hair a bright contrast to his torn and tattered outfit. Immediately you could tell he was the main attraction as fans roared.

Though you can’t say you could disagree, this man had an aura, and it was becoming more intense the longer you stared at him. 

Said male lifts his chin to the crowd, a confident smile as fans swooned. “How are we doin’ tonight!?” The place shook and you felt the air grow thicker with every second. You felt the need to join in, feeling the energy shoot through your veins. At this point thoughts of where your best friend was had completely left your mind.

“Let’s fucking go then! This one’s called ‘Growing Pain’!” He kicks and the notes begin to blare through the speakers.

To say these guys weren’t talented would be the biggest understatement in history. The presence they served was beyond comprehensible and although you had never listened to their music prior, you felt immediately entranced by their stage presence.

Their lead singer especially. He had the attitude of a true rockstar, grabbing his water bottle and splashing the water on himself and the crowd after taking his sip. You were completely lost in the character portrayed in front of you, and you had the perfect view too.

As the concert went on, you came to learn the lead singer’s name was Yeonjun, and this Yeonjun was definitely eye candy.

‘Dreamer’ was one of their slower songs, but the crowd seemed to adore it. The sensual combination of the boy’s voices mixing together and harmonizing to create a sexy and attractive atmosphere and you felt practically high on the sound.

You still couldn’t take your eyes off Yeonjun. The way his body moved and the way he always seemed to linger in your part of the stage didn’t help either. 

“Let me break it down for you..” Yeonjun’s gaze lands onto yours and you hold eye contact. You feel your body buzz at the interaction. The singer bites his lip as the leader of the group sings his verse, Yeonjun’s eyes never shifting from your position.

Damn, he was good at his job.

The rest of the concert proceeds like that, you and Yeonjun exchanging stares and at one point he winks at you, mouthing a ‘call me’ as his hand waves. You immediately flush at the boldness. He knew how to really interact with his audience.

The concert ends and you finally meet up with your friend, flusteredly attempting to explain the interactions you received and she groans. “Fuck– lucky! I’m so mad I wasn’t able to get back to the front, but at least we both enjoyed the concert..” She smiles weakly and you pat her back. Suddenly you feel a large hand tap your shoulder.

Why the hell was the band’s lead singer standing behind you?

“Hey.” Yeonjun smiles and he tilts his shades upwards, as if you wouldn’t have recognized him. Were the shades supposed to be some sort of disguise? He was literally still wearing the same outfit as earlier, sweat droplets still falling down the sides of his face and you can’t believe the fact that nobody has noticed him yet.

“Oh! Uh– well I gotta go– see you later y/n!” Your friend coughs and runs off to her car. You watch her leave with a confused look. I mean, you two did come to the concert in your designated cars, but what the hell was that about?

You turn back to Yeonjun embarrassed. “Ah, sorry… how can I help?”

Really? The hottest member of the band is talking to you and you're asking him how you can help like he’s a customer at a grocery store?

Yeonjun chuckles and stares you down, tongue in cheek, and you shiver from the attention.

“I wanted to get a better look at you, pretty face was starin’ at me the whole concert.”

You laugh nervously and place your hands on your hips. You decided that you’d entertain him. “Well, how could I not? Your performance really caught my attention.” You prayed to whatever God was out there that Yeonjun couldn’t sense the way your entire body tensed from his gaze.

“Mine or my band’s?” He smirks and you feel a lump in your throat. You wanted to just pass out then and there.

“Y- yours of course..” You mumble, toying with the hem of your outfit. Since when did a man make you so nervous?

“Is that so..?” He steps closer to you and offers his hand. “You wanna grab a drink or a cig?” He tilts his head and you stare at him with wide eyes. You felt like a deer caught in headlights.

“Uh.. sure…? What about your bandmates though?” You were really trying to remain unfazed by his forwardness.

“They'll be doing their own thing, let's go yeah?” Yeonjun gently grabs your wrist and is pulling you along with him, fully oblivious to the stares you were receiving from the concert’s remaining attendees.

Yeonjun takes you backstage, and you could hear your heartbeat thumping throughout your ears as he opened the door to his changing room.

The room was dimly lit, with a crappy light flickering every few minutes. Yeonjun’s clothes were tossed around, makeup vanity in disarray, and gifts and flowers from fans were neatly placed in the corner on a table. You hold your breath as Yeonjun closes the door behind him, lock clicking

You had no idea what was going on or how you even got in this situation, you had simply just attended this concert for the sake of your friend not wanting to come alone. Now here you were, backstage in the lead singer’s dressing room and you had no idea what he wanted with you.. but the burning feeling inside your stomach begged you to stay and your curiosity grew.

“Make yourself comfy, or just stand there, I won’t rush you.” Yeonjun laughs as he pulls a cigarette out from his pocket. He lights it and holds it out to you.

He places the end towards your mouth and you inhale, Yeonjun licks his lips as he watches the way your mouth wraps around it. “Darling.. you really know how to tease a guy huh?”

You stare at each other as you exhale the smoke and the burning in your throat is nothing compared to the burning heat throughout your body. This man had an effect on you in the same way you were affecting him.

You take this opportunity to stare up at Yeonjuns face, his features even more handsome now that you were this close. You take in the way his damp hair sat perfectly on his face, the smell of sweat and his cologne radiating off of him. The choker he wore called your attention to his neck and the way his sweat had dried mostly but you could still make out where the droplets had sat. You swallow and your eyes find their way back to Yeonjun’s.

Yeonjun notices your tension and smirks. “Like what you see pretty girl?” God why was he so fucking attractive.

“Maybe I do.. Is there an issue with that?” You stare at Yeonjun and the look on your face is enough for him to know what you wanted. You really wanted to regain control of the situation, so you decided to tease him further. “Yeonjun, right?.. You sure you wanna be alone with me in this room right now?”

Yeonjun scoffs at your reply. “Why? You trynna be one of my girls tonight?” Yeonjun quirked an eyebrow at you with a smug look, casually leaning against the doorframe. Your breath hitched.

You bite your lip at the suggestion, what was this man playing at? “And what if I do?”

Oh, you were playing with fire.

“You sure you want this? You know how many girls would kill for your position right now?” Yeonjun queries as he carries himself over to you. It finally dawns on you that you both really were alone in his dressing room and that his body was too close to yours, completely leaving you trapped between him and the wall behind you.

You could feel the way Yeonjun’s body heat begged to intertwine with yours, you felt your muscles weaken under him as he placed an arm on each side of your face on the wall. The room felt smaller and the scent of the cigarette in his mouth lingers around you as his breath alone practically envelops your senses.

Honestly, at this point, it didn’t matter how many girls he’s been with, hell you could care less if he even contacted you after this. You wanted him.

“I know well what I’m getting into.” You confidently stare up into Yeonjun’s intense gaze, feeling the way his eyes are scanning every curve of your body. 

“Alright tough girl, can you handle this though?” Yeonjun grabs your wrist and pulls the cigarette from his mouth with the other hand, placing it near your skin just enough so you feel the slight burn.

“Ah– ah! Yeonjun–!” You choke and he cackles at the way you weakly attempt to pull away. You stare up at him, eyes slightly watery but the way your legs feel like jelly from the way he's treating you makes you slightly crave more.

“Relax darlin’, I wouldn’t hurt a single hair on you.” Yeonjun drops the cigarette to the floor and crushes it with his boot, still holding your wrist tightly.

He pulls your wrist over your head and he finally pushes his body up to yours. You inhale into his shoulder and Yeonjun’s beaming from the way you just lean into him. He relished in the way you let him do what he wanted to you.

“Stay for me, will you? Kinda like the way you looked up at me from the crowd with that pretty face.” The biggest grin spreads across Yeonjun’s handsome face and of course, who were you to say no? You were more than willing to let this man break you.

After all, you were now his biggest fan.

[ladyluscinia]

What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

[sixx-sixx-sixx]

TEASER: Cooper “The Ghoul” Howard x female!OC - The Trader’s Daughter

I just wanted to hop on here and share a little bit of what I’ve been working on to contribute to the Cooper Howard fangirls 😭😂 Please let me know your thoughts and feedback is always appreciated!!

Synopsis:

Daisy is the daughter of an ex-vault dweller/wasteland forager named Josiah, who escaped the vault when she was only a child. In his time exploring the wasteland for the benefit of the vault, Josiah meets Cooper “The Ghoul” Howard, who becomes a lifelong acquaintance after a few heated run-ins. Cooper pulls some strings and uses his connections to get Josiah a safe place for him and his daughter, where Josiah becomes a trader of chems and anything else you could want from a trading post.

The Ghoul goes out of his way to make sure Josiah and his flower are well taken care of, and Josiah makes sure that Cooper gets the chems he needs to ward off going feral. Throws in some extra when he sees that Coop’s making an effort to get his kid to gain basic survival skills. (There’s totally a “they were roommates” vibe between her dad and Cooper, but I’m not going too in depth on any of that) Daisy’s just thankful to have a fun time when her Coop comes to visit.

As the years go by, Cooper’s visits to the shop become less frequent, stopping completely when our protagonist is 14. Daisy never stops thinking about the man who her dad trusted more than anyone in the wasteland, the ghoul who frequently went out of his way to bring her small trinkets from his travels as a bounty hunter.

Cooper returns to the trading post after over a decade. Except now, the once welcoming community has become more barbaric, with less smiling faces and more fighting and outlaws. By all means, it was your average wasteland town. He’s surprised to walk into Josiah’s trading post and see a breathtaking young woman come out from the back room, the type of woman men would go to war over in ancient times.

Shocked to see her ghoul standing in front of her, seeing him for the first time as a grown woman, with a grown woman brain and a grown woman body. Daisy had spent many years thinking about him, developed a crush in her teenage years that had bloomed in her chest for a decade. She knew that there was nothing there, there couldn’t be, he was her father’s closest acquaintance for years. He’d watched her grow up, essentially. No way she had a chance, but still, it didn’t hurt to yearn for the irradiated cowboy.

- so yeah. That’s like, the gist of what’s going on so far, it’s definitely not fully fleshed out, but I wanted to post some kind of teaser/synopsis of what I’ve got written messily in my notes app 😅 I want this to be multi part, not sure how many parts yet, but I definitely have at least 4 sections of blurbs in my notes that are going to turn into 4 parts. It’ll be slow burn, definitely a little big of dad’s best friend cooper (I’m just a girl, I can’t help it), definitely some daddy issues at some point, and diverges from canon probably a LOT because I’ve got a general idea of the fallout universe but it’s by no means comprehensive. The first part/chapter is probably gonna be her background, why her dad escaped the vault/maybe how he got acquainted with cooper.

- I also haven’t written anything in years, so be gentle with me 😭

[en-ternity]

A playlist with some of my favorite tracks from the album 5SOS5 by five seconds of summer

╰ OR A SERIES of all the ways youth life could go wrongly right

I am not the fastest or the most confident writer on this site. I don’t know when I am going to post them, so if you want to be tagged feel free to leave a comment or send me an ask! It would make me happy. Just please be aware that all stories are NSFW, and I am not responsible for your media consumption

The stories aren’t connected. You can read in any sequence or just your bias’ one, it won’t interfere with your comprehension ♡

NOW PLAYING…

Heeseung had never believed in love, at least not the real thing, not the capable of awakening his soul and bringing peace to his mind type of love. Yet, in the summer of his twenty-four years, you came into his life, and from the moment he saw you, he knew he was gone — heart on the flatline.

╰ strangers to lovers｜street racer!Heeseung｜26.8K

NOW PLAYING...

There had been a time when Sunghoon thought that you and he were meant to be forever. For years, you had been best friends, halves of a whole, and the downfall of your friendship certainly was something no one could have predicted. But now he is clinging to his couch, wondering who he is looking for because you don’t go to parties anymore.

╰ best friends to lovers｜neighbor!Sunghoon｜27K

NOW PLAYING...

When you both were eight years old, Jay held his hand out and asked you to run away with him. None of you had the comprehension of the deeper meaning of these words back then. However, at the age of twenty-one, it was another story. You needed a way out.

╰ best friends to lovers｜rich kid!Jongseong (Jay)｜coming soon

NOW PLAYING...

Jake wasn’t supposed to fall in love with you. It’s not as if there was a written rule, no ink on paper or statement made it factual. But there was an understanding that his best friend’s little sister wasn’t someone he was supposed to fall in love with. Yet, he did, and God — it had been a hell of a ride.

╰ older brother’s best friend!Jaeyun (Jake)｜coming soon

THANK YOU FOR PASSING BY! ♡

Feel free to check my other works as well!

[penvisions]

wish i never met you {a garnish one shot}

Pairing: Chef! Joel Miller x Professor! Reader (formally known as Bartender! Reader)

Summary: Fear of rejection and messing up so beyond comprehension makes you regret crossing the professional line and getting to know Joel as you do now.

Word Count: 1.6k

Warnings: canon typical language, joel thinks he's the one in charge but we all know it's really reader, religious contemplation, mentions of past trauma, mentions of bad family dynamics, smoking, consumption of alcohol, menstruation, talk of menstruation, blood, cramps, muscle soreness, unorthodox pregnancy announcement, reader is a hot mess, allusions to adult content, allusions to smut, mentions of past p in v, might need to add more if i missed anything!

A/N: wrote this as part of a fun, silly fic title prompt game submission from a sweet anon. it totally inspired an angsty din piece at first that i have in my drafts but then these two slammed into my brain and hijacked the idea. i just love them, your honor. i have so much love for them. NOW I KNOW THIS SUBJECT MATTER ISN'T FOR EVERYONE, I REALLY DEBATED POSTING THIS OVER THE LAST FEW DAYS BC I KNOW IT'S NOT EVERYONE'S CUP OF TEA but i feel like this is a good trajectory for these two, truly. i'm so sorry if anyone disagrees with the direction i took this in and i hopei t doesn't take away from the original series for y'all

ao3 link || series masterlist || main masterlist || ko-fi

“No, fuck off.” Was the quick response to a wide palm caressing over your back. You were hunched over your crossed legs on the couch, aware of how bad the position was for your posture. But it was the only way to find any relief on your aching back. You had thought it was cramps at first, really, but then you realized all the symptoms of your monthly cycle fell in line with something else when the bleeding never started.

“Excuse me, darlin’? You sure you wanna use that language with me?” Joel’s deep voice was tinged with an edge, giving you the chance to retract your expletives. You were never so outright with your denial, never wanting to deny the man a few feet away. But the way in which you had expressed it to an obviously exhausted Joel was maybe too bold for the late hour. But you didn’t take it, instead repeating yourself.

“Kindly, fuck off. Don’t touch me.” You pulled away from him, hunching lower under his hand to break the contact.

“That’s not much better, ya know.” Joel’s hands shifted to his waist, a thick brow raised as he took in the sight of you nearly balled up, the faint light of the screen lighting up your face as you ignored him.

A harsh contraction of your muscles had you groaning out, “I wish I never met you.”

“C’mon now, you don’t mean that.” Joel huffed, trying to keep his calm, but you knew it was hard for him even if you really didn’t feel all that good. You never took your pain or frustration out on him like this, it was always soft murmurs of ‘hold me’ or ‘can I borrow your warmth’. Never the way you were reacting now.

“I don’t know what’s gotten into y-“ His mouth snapped shut, eyes focusing on the screen. On the words you had typed into the search engine. Normally he would tease you over the typos, your fingers not working as quick as you mind for all the grace and focus you normally had to expertly wield a sharp knife.

 Your heart thumped at the sudden silence. The fizzling tension that had filled the room.

“Don’t!” You gasped out, slamming the laptop closed and shielding the device with your body completely.

“Darlin’…” You swore you could hear the cogs turning in his head. Thinking back on the depraved as desperate way you had been seeking him out when he returned home from a late shift at the restaurant even despite the haze of sleep, in the mornings before you had to peel yourself away to go to campus, the photos you had brazenly sent him without warning that had him shielding or turning his phone over throughout the day. Thinking back on the way you had been inhaling food at any occasion, none of your normal contemplation or silence after what you considered a binge. Thinking back on the way you had begun to complain of your work clothing feeling wrong and too tight on your aching body as you dressed in the morning.

When he moved to sit on the other side of the couch, far too close for comfort, you shied away and pressed your back into the arm on your end.

“Not gonna touch ya, you have my word.” He raised his hands placatingly, his expression so soft that the tears burst from you without warning.

“You do-don’t wanna touch me. Not anymo-more.” Hiccups jolted your body, making the skin you were already uncomfortable in tingle. “I ruined ev-everything.”

He regarded you with a small frown, his plush lips pulled down as he clasped his hands together in his lap. Just as he opened his mouth to speak the words flew from you.

“I remember what you said, on the line.” You narrowed your eyes at him as they echoed in your head.

‘It had been a slow day, prep and cleaning taking over most of the evening shift. It had been back before you had taken on a role in the kitchen. Sneaking fries from the bowl of them on the expo line. They hadn’t been hot or even salted, but they were better than snacking on the fruity garnishes at the bar.

He had been passing the time with who you hadn’t known at the time was his brother, Tommy. Who had driven into the city to help take a look at the empty lot beside the restaurant, both of them contemplating the construction of a patio. But they had ended up in the kitchen, hunger too strong a call.

While Joel was on the line, Tommy was beside you, sneaking fries with a wink in your direction. But you ignored him, focused on looking through the catalogue of one of your vendors. Trying to make a seasonal menu. But your ears caught the harsh grunt of the man your eyes trailed over in the midst of busy nights.

“Wouldn’t do it, no.”

“C’mon, you seriously tellin’ me you wouldn’t baby sit for me if I were to gift you with a niece or nephew.”

“No, ‘m too old. Hire a babysitter.”

“You’re full of it ‘n you know it.”

“Brother, a baby is a lot of work. Now, your baby? Even more so.” Joel leveled his brother with a look that silenced any other argument on the matter.’

The moment he realized what you were talking about, his brows flew up into his hairline and he breathed out a hearty chuckle.

“Darlin’, I was just givin’ him a hard time. You gotta know that.”

“I didn’t know you.” You stood up from the couch, body protesting the movement. Cupping a hand over your mouth, you breathed harshly as you tried to tamp down a bout of nausea. “And now that I do, I’m gonna have to consider literally everything on my own and I’m gonna hate how much it hurts to not know you any longer. I wish I-“

“No,” He sighed, brow furrowing before he pinned you with a serious expression. “You do know me now and I wouldn’t turn my back on you, on this. I’m in it, pretty girl, no matter what you decide to do.”

When you whipped away from him, shuddering breaths wracking your sore body, the crack of your voice on a sob spurred him into motion. His arms came around you slowly, giving you the chance to retreat if it wasn’t something you wanted. But you let him, the feel of his chest warm and soothing on your aching back. The push of his soft stomach comforting. His chin hooked over a shoulder, and he spoke in such a somber tone.

“Darlin’, I always thought I was too old to do this again. But I haven’t crossed fifty quite yet and the thought of you carrying my child, of loving me and my child. God, I would give anything for it to be our future. To see you blossom into yourself more, to show our baby the same devotion you give to everything in your life, you deserve somewhere to put all your love.”

One of his hands moved over the one you had on your middle. Holding you so secure, holding you both so secure.

“Joel…it’s a lot. It’s….we’re not even-“ You turned in his arms, facing him. His beautiful, open expression so full of love and adoration, all of it for you. Your heart melted in your chest, dripping low to flutter in your stomach. You weren’t even overtly religious, left over from the trauma of your childhood. Of being forced to attend mass and important holidays alongside your grandparents. The denial of your father never urging you to seek out a higher power in replacement. But the thought of technically being single and going through something like this. It made you afraid.

“There’s a ring in my sock drawer. Got it the day of our first do over date. ‘s why I was so close to the campus. It’s yours. I’m yours. This could be yours. But only if you want it.” Joel’s forehead lightly thumped against yours as he pressed in close. His breath a warm wash over your face, smelling faintly of cigarette smoke.

Looking between each of his eyes, searching for any hint of hesitancy from him it was quiet. When you didn’t find any, you felt a smile pull at your lips as you nodded your head in affirmation. Wet laughter bubbling up as his lips pressed to yours, a smile of his own for you to feel on them.

“But I still expect you to propose, can’t skip any steps with me. I know you think you’re hot shit with being crowned the city’s most prolific chef of the year but I swear to-“

He cut you off with another kiss, his moustache ticking your upper lip as he nipped at your bottom one.

“I don’t wanna miss any steps with ya, darlin’. I’m here for ‘em all.”

It was hard to ignore the stirring of other feelings in your body, drowning out the aches and pains. But when realization hit you, you pulled back with wide eyes.

“We’re gonna have to stop drinking and smoking!”

“We?”

taglist: @tuquoquebrute @jessthebaker @littlemisspascal @76bookworm76 @hiddenbabynyc @clevergirl74 @anavatazes @samiamproductions @sarap-77 @honeyedmiller @undercoverpena

[cat-downthestreet]

hey, listen! this is a rant post about neurodivergent characters in Genshin and my frustration with the fandom's reading comprehension skills. if you're in a bad place or just don't like angry rants, please don't force yourself and go read something else instead. <3

Okay, so, I watched this video recently, and let's just say, I have some thoughts.

https://youtu.be/tYK3297p4rk?si=eMaf8NF57HFlUhfd

This isn't just a Xiao problem- the entire fandom is terrible at characterization. The example that makes me the most angry is the mischaracterization of neurodivergent characters.

Take Alhaitham for example. He's often seen as rude and narcissistic by the fandom- which is especially apparent in Haikaveh content, where people portray him as straight up abusive.

You wanna know why this makes me so mad? The supposedly narcissistic and rude traits Alhaitham has are actually just exaggerated symptoms of autism.

Like, come ON, people. Don't skip dialogue. Better yet, go read through his story quest again. He straight up tells someone who sees him as narcissistic that he doesn't see others as less than himself. Also, his voicelines basically confirm this- he's extremely socially inept and he doesn't care. He has difficulty showing emotions as readily as his peers- that doesn't mean he doesn't have them, just that he expresses them differently. He comes across as rude because he doesn't get that people don't like to hear what they're doing wrong, and he probably doesn't care because that's not his problem. If people don't like how blunt he is, that's their problem. At least, that's how I think he views the world.

And like, there are SO many hints that he's autistic. He wears sound-blocking earpieces, for crying out loud. Hell, the ENTIRE REASON why he helped out during the Archon quest was because he didn't want his life to change too much. Preferring routine is an autistic trait.

And the worst part is, when I talk about this outside of neurodivergent groups, people tell me I'm wrong and that he couldn't be autistic DESPITE THOSE PEOPLE NOT BEING AUTISTIC THEMSELVES.

And I'm not saying that every autistic person relates to Alhaitham, but I certainly do. And I'm actually quite friendly because I'm anxious about being rejected. Alhaitham isn't, and I'm so jealous of him for that. He's living his best life.

Finally, back to the Haikaveh thing... Alhaitham isn't abusive. He doesn't say horrible things to Kaveh, and the one example of him doing that I could find, he immediately backtracked and subtly tried to make Kaveh feel better. Hell, Alhaitham doesn't even actually care about making sure Kaveh pays rent. He says it as a joke, but because he's autistic and his tone of voice doesn't give that away as well, he's portrayed as abusive and misunderstood as narcissistic. Y'all just don't like neurodivergent people and it shows.

Yes, neurodivergent includes Xiao. PTSD is often viewed as a form of neurodivergency, and there are many MANY characters in Genshin that have PTSD or some other form of neurodivergence. Yet people refuse to see them as such and mischaracterize them as "edgy," "narcissistic," "unapproachable," "weird," and the like. Yet none of these characters are any of those things.

You wanna know the true narcissists? The true edgelords? The actually rude people? Might I direct your attention to Scaramouche, Childe, and Dottore, whom everyone makes out to be as misunderstood pathetic little meow meows that need love.

Reminder that only two of those three are actually redeemable, and one is STILL an edgelord who is more rude than Alhaitham could ever be, while the other is a certified insane person with a weird set of morals.

(Side note: I love Scaramouche and Childe as characters. I'm just tired of people acting like they aren't worse than the autistic characters. Scaramouche is extremely rude, but he's trying to be better as Wanderer thanks to Nahida's help. He has severe PTSD, and Childe does, too. But both of them are actually messed up and have done horrible things, yet people portray them as better and more in need of love than the characters with unlikable (read: neurodivergent) traits.)

Don't even get me started on how people portray Kokomi, Sucrose, Fischl, Diluc, Zhongli, Cyno, Furina, Neuvillette, and Albedo. Especially that last one- I WILL get mad if one more person tries to tell me he's just emotionless and rude.

Also, if anyone is wondering where I've seen people misunderstanding these characters, it's mostly on Hoyolab site discussions. There's one too many posts talking about how "rude" and "annoying" these characters are.

With Alhaitham especially, I see many people writing him as abusive in Haikaveh content. I see people arguing about the ship being toxic because Alhaitham is "abusive," "unfeeling," and "cruel." Even people who like the ship portray him as such. And I've seen too many people comparing him to Dr. Ratio, who is literally just a narcissist who views others as beneath him. Don't get me wrong, I understand the comparison. It's just... very obvious that people skipped dialogue during Genshin's Archon and story quests.

And it's frustrating because I've been misunderstood in the exact same way. I've been called "rude," "annoying," and "unfeeling" in the past and it's screwed me up. Seeing people do the same thing to a character I so deeply relate to makes me lose confidence in both myself and people around me.

If that's how you view a fictional character with autistic traits, how do you treat real people with the same traits?

Thanks for reading this far. My previous post seemed to get a lot of attention, so I felt more confident about posting my full perspective on this subject. Can any of you think of other characters that have been constantly misunderstood in the fandom? I'd love to hear about it.

[meraki-yao]

Ok I got four asks in my inbox about the new Nick interview and I'm actually mad. I'm actually livid and exasperated because I've been getting and answering similar asks over and over again, and yet people still come to me with the same statement and the same conviction EVEN AFTER I POINTED OUT EVERY FUCKING FACT THAT CONTRADICTS IT.

Do you really need a 19-year-old to teach you reading comprehension and media literacy?

Ok, fine.

Statement One: Nick doesn't appreciate RWRB, he's brushing it aside, which is why it wasn't mentioned in the New York Times

One: Editorials don't always portray the actual thoughts or agenda of the interviewee.

Unlike a video interview or a podcast interview where we can hear the whole conversation directly from Nick with his voice, and even if there are cuts and edits we can pick it up via visual or audio continuity, in a written editorial the only thing we can rely on is the writer's words, or in other words, the writer's paraphrase or quotation of what Nick said to him. This gives much bigger room for any changes or manipulation in content because we have nothing else to reference.

It is clear that in the past three editorials, the writer or the magazine itself has deliberately demeaning and devaluing RWRB. In NY Magazine, it was only mentioned in one line and degraded to "a queer take on a common straight trope" (see the choice of word "president's daughter"), with the implication being at its core, it's a straight story/ reliant on past straight stories to be interesting; Hunger Magazine calls it fujoshi-pleasing (fujoshi: Japanese slang, denoting how a straight woman who enjoys fictional gay content is "rotten", too ruined to be married, an insult to both the audience/fans and the movie itself ); and this time New York Magazine didn't even mention RWRB, when let's be honest, it's Nick's biggest breakout role.

"Once Is Chance, Twice is Coincidence, Third Time's A Pattern" this is deliberate. I can't say what the agenda is, my guess is some extent of latent homophobia, but it's clear that this is a fucking pattern. In fact, besides the hidden agenda of devaluing RWRB, these editorials show another hidden agenda, but that's something for a later day. PM me id you want to now, I won't discuss that one on my public platform yet.

Again, there is so much more room for twisting and hiding words in a written editorial. In all the video interviews Nick did, especially in the UK, when has he ever avoided a question about RWRB? When has he ever not shown gratitude towards the project?

Two: In all video evidence that can't be manipulated, that clearly shows Nick's own thoughts which not influenced by any other party, he has made it clear that he adores RWRB.

Why else would he sign books during the M&G London premiere, going as far as to stay behind after the event just to sign books? Same with the LA M&G premiere and TIOY premiere: those were promotions for other projects, he had a valid reason to refuse to sign the RWRB books and posters, but he didn't, always signing with a big smile on his face, even playfully signing on Taylor's face. He said it himself in his Instagram post, and I quote: "The love that Henry has received has been one of the most heartwarming things to watch. It's been difficult to not talk about him. So thank you for seeing him for all he is. He was a joy to bring to life." There's your proof, directly from the man himself.

Statement Two: Nick's not interested in doing a sequel, he said he's done playing princes and he's done playing romantic leads

One: "Done playing princes" doesn't mean literally done playing princes, it means he wants to try more roles and not be stuck with only being known as the "prince" guy. (even though he's literally a prince lol)

Plus, he said that after Robert, but then Henry came along and he was attracted to Henry as a character with his scared but loving heart. He doesn't just view Henry as a prince, he views Henry as a complex, delicate person who so happens to be a prince. Him saying he's done playing princes means in the future, he doesn't really want another royal on his filmography, but this doesn't mean he doesn't want to continue Henry's story. With the given context, namely asking him about future projects he wants to take up, "he's done playing princes" and "he doesn't want to play Henry anymore" are not mutually inclusive.

Two: "Done playing romantic leads" means he wants to try new things and take up new projects that aren't romance films.

This doesn't include the continuation of already established characters i.e. sequels, this just means if he were to take up brand new projects, he wants to try something else. Sequels are inherently different from new projects because again, sequels are based on already established characters.

Three: He said several times ON VIDEO that he'd be in for a sequel

In this one, when asked if he'd be up for a sequel, he said, and I quote "Look, I think with any opportunity of doing a sequel, I think, you know, the script has to be right. But obviously, it was so lovely to see how many people it touched and having that resonance is incredibly important to me, so, yeah. Of course."

In this one, when asked if they have had conservation on a potential sequel, he said, and again I quote: "Yeah, I mean definitely had conversations. I think we're all on the same page in the sense that, you know, the script needs to be right, and sort of all the different components need to be right because we made something that has such a positive effect and I think the last thing you'd wanna do is ruin that or take that in a way, so, you know, the conversations are definitely being had."

And there are more videos from red carpet interviews that I can't be bothered to find right now but he says more or less the same thing.

(look I even transcribed it)

Not only is he on board with a sequel, he's also being careful about it to make sure once they do get to making it, it's something good. He's on board, and he values it. And again, that's directly from him.

We have a phrase in Chinese: 斷章取義, meaning "breaking off a small part of an article and deriving the meaning from that single part" That's what so many of you, in particular, the people who come to my inbox with the sentiments of the above-mentioned statement are doing. Please, use critical thinking and look at the whole picture. Stop making judgments from the surface of one source.

Tagging my friends @alittlefrenchtree and @myteavsricochet because it looks like they've been getting the same things I got