#this is edit 1 of 3 lmao

[house-on-sand]

running, heart thudding. exertion? or fear? "i might lose control! i might hurt you!" the emerson system is a hollow shell. no help there. no sense remains. "DON'T COME NEAR ME!" no rules apply. there are no rules for this. "no one can come near me! ever again!"

— featuring kit connor as damage.

(google templates & insp by @cal-kestis)

(secondary insp by @roseapothecary)

[stellarspecter]

@pscentral event 20: antagonists ↳ THE LORDS IN BLACK in NERDY PRUDES MUST DIE

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 2

[Pt. 1] [Pt. 3] [Pt. 4] [Pt. 5] [Pt. 6]

[royalarchivist]

Phil: We're gonna– we're gonna sing you a song. I'm not sure- um, if this disc is- is a good lullaby– [Hiccups] Let's try it out.

[ He plays C418-13, a very ominous song ]

Phil: THAT'S NOT A GOOD LULLABY SONG [Laughs]

Missa: WHOAAA–! I got two discs, I got two discs though! I got two discs.

Phil: Oh, you got discs? Sorry– [Laughs]

Missa: [Tosses his discs to Phil] There's one, there's two of them.

Phil: ...IT'S THE SAME DISC

The (mis)adventures of Phil and Missa's first day as Egg parents.

[mushiemadarame]

...and Comfort ⇢ Top Form, 2025, EP05

[kbsd]

eugene sledge & robert leckie // "station to station"

it's too late to be hateful the European canon is here

-> WATCH ON GOOGLE DRIVE

(i've been thinking about this video for a long time, but this gifset by meg @ww2yaoi really inspired me to finish it. i also drew a lot of inspiration and themes from where to begin by ama @warriorgays. thank you both!)

some content warnings under the cut:

i wanted this video to be a really comprehensive dive into both leckie’s and sledge’s arcs, which meant including the particularly horrible parts of the war: namely the dehumanization of japanese people, the way the marines used that dehumanization to justify their actions, and how it eroded their own humanity in turn. as such, i included a lot of elements of the show that i wouldn’t normally put into a video and that i don’t often see in visual fanworks, so i wanted to content warn accordingly. this video includes (in addition to the usual canon-typical violence and discussion of ptsd):

canon-typical racism including racial slurs, desecration of corpses, animal cruelty, frontal nudity, and suicide

[gunsatthaphan]

GMMTV Outing 2024 out of context (not that it would make more sense with context) - part 2

[rockethorse]

... and they were ROOMMATES

[meamiki]

Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[jennilah]

its 2:30 am, i cant tell if im more tired or high, and the thought "Saw but every scene is in chronological order" blasted into my brain and made me laugh

linearized Saw

[harryzroze]

small lyric comic | timestamp 2:10

Concept is based off the Eyeshot AU by @dynamicsimp ! | this is specifically inspired by @/m4cstarz_ / @/v1x.st3r ‘s Eyeshot AU animation on tiktok and insta <3

FINAL edit version with sound here | full animation isolated here

this is best experienced on insta or tiktok with the audio!

Closeups + scrapped ideas under cut

[waitingforsecretsouls]

arguing in Irregular style

[helloanthy]

your shapes are so fluid and soft and dynamic—it inspires me so much and i hope to someday reach the same level of skill in my own art ; U ; can i ask what your inspirations are? specifically for your shape language, but any general insp that contributed to your style would be super cool to hear about! thank you for sharing your beautiful art with us!! 💘

aaa thank u thank u so much for ur kind message ! 🥹 im honored you think so highly of my art and that it inspires you. the best compliment anyone could give me is that my art inspired them to make art too. and its really validating whenever im told my art is fluid and dynamic because i try very hard to make it so … drawing for me is kinda like carving marble i lay the initial sketch which is incredibly blocky and i spend an absorbent of the time trying to chip away at the edges make something rigid seem natural … pensive. i hope im understanding what ur asking correctly, but to quote ikuhara in regards to my shape language: "I think it's more beautiful when the body silhouette has clear contrasts (laugh)." i think its because i'v always been greatly inspired by fashion illustration & fashion editorial photography. runway and editorial makeup included in these i feel like also inform how i render eyes (yassified 💀) i started out drawing clothes and mimicking 20th century and 90s fashion illustration when i was little. in the salon i was always excited whenever we got new magazines so i could look at the celebrity fashion and red carpet sections. i also liked looking at the hairstyle lookbooks. late 90s and early 2000s so a lot of big/spiky/gelled/sprayed hair. and iv always loved haute couture especially sculptural clothing in the realm of guo pei, robert wun, heaven gaia, miss sohee, thierry mugler, schiaparelli, and richard quinn but i dont know if any of these influences translate here since the houses i named are heavily textiled and avante garde ... i try not to spend too much time rendering clothes bc at a certain point it becomes laborious which im trying to avoid feeling …… but i love sharing good art and these r my favourite designers 🥴 maybe this explains my silhouettes tho ? shrug mm perhaps more noticeable influences in how i shape fabric & clothing with my art here though would be houses like vivienne westwood, simone rocha and shushu tong besides fashion illustration & photography as i got older i got reallyyy into reading shoujo manga and that informed a lot of my style development too. particularly works of arine tanemura, matsumoto natsumi, ai yazawa, shinohara chie. and individually, mangas like kodocha, beauty pop, say i love you, kamisama kiss, kyo koi o hajimemasu (i dont remember a lot of these works plots only the art really but PLEASE do not read this last one i remember its really. really bad lmao) hononary mention of rosario vampire, which is not a shoujo but the first manga i read and was extremely attached to the art style artists who's interpretation of shapes and movement that i aspire to are kris anka, rené gruau, sara pichelli, j.c. leyendecker, hua sanchuan, and hisashi eguchi lastly iv never thought about my shape language explicitly in technical terms so i thought itd be interesting to try and put it into words. if it helps. so to me its kinda like

but also stylistic inspiration and aspirations aside, half of it is just the way my hand instinctually likes to move tbh. for example i drew out quickly what kind of lines make me feel the best and theyr like this

another contributing factor is probably that i really really dont like how it feels drawing straight lines. i like how they look and i wish i could Do them but hand tremors aside before even i still felt drawing straight lines was stifling and tedious like doing math. i love making a line that feels like a running rabbit i feel like for me at least in my art there is a lot that gets lost between inspiration—interpretation—execution—reception but i hope that i explained all this ok. its hard to put things into words haha. thank u again for the lovely message 🥲💗

[psilliguykai]

Hey uhhh @hmsdoodlin/@sunnysaurr I. I drew ur thing :]

I love him so so much he’s so cool aabsjdnfjfkfkkf … the soul beast ……

[pkmoth]

hold gently like hamburger

[gunsatthaphan]

GMMTV Outing 2024 out of context (not that it would make more sense with context) - part 1