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#this is my main writing AND drawing device
clockwayswrites · 1 year
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*opens my tablet to write*
*literally falls apart in my hands*
This is fine. 🙂
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brynn-lear · 3 months
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🍵 𝒲𝐻𝒪𝒟ℛ𝒜𝒩𝒦𝐼𝒯? ‧₊˚❀༉‧₊˚: A Yandere!H:SR x Reader Otome Game
this is a repost because tumblr won't show up the original in the tags ;;-;;
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✧ romanceable characters (© hoyoverse): Professor Veritas Ratio, "Your friend" Kakavasha, and "Gallagher" [for now]
✧ content warning: yandere themes, mentions of racial/species discrimination (your character is SEA/Filipino-coded), (y/n) uses they/them, the story takes place in a modern hybrid alternate universe where each planet (Belobog, Penacony, etc) is considered a country.
PLAY THE DEMO HERE (available for download on PC & Mac AND online play for any devices, though download is preferable to avoid pixellated graphics & misaligned textboxes)
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You (name changeable) are a hardworking and full-pledged human cafe owner in Penacony City. Your Dreamjolt Cafe has been a go-to for residents and tourists alike. But your loved ones' lives took a sharp turn for the worst when you decided to take a much-needed vacation back to your homeland, Perlas. While your family eagerly awaited your arrival, you disappeared en route. Where did you go? How did this happen? Who did this? Was it...
☕ the prickly yet fascinating Prof. Veritas Ratio, your self-proclaimed avian-hybrid regular,
☕Kakavasha, your longest fellow human friend who always seems to have a secret or two;
☕ or Gallagher, your hound-hybrid roommate whose past is as peculiar as his loyalty?
☕ or are there two more you're forgetting?
... so...
𝒲𝐻𝒪 𝒹𝓇𝒶𝓃𝓀 𝒾𝓉?
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Please support this game by reblogging the post & sending asks/comments! I put a lot of time and effort writing, drawing, and learning to code for this. Thank you so much, my beloved yandere!H:SR community and of course, @dreamjolt-hostelry, for being supportive friends!!! - @beloved-brynn
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✧ Characters, Background Art and UI Credits
Hoyoverse assets sourced from the-astral-express-archive. I just tweaked em a bit!
Canva freestock images... Haha...
✧ Intro video, sprites & CG art Credits
Me!!! Hi <3 I hope you enjoyed them! I can't believe yall made me learn adobe after effects a bit for this-
✧ Music Credits
The main menu theme (the first song upon booting the game) is made by @naraven!
The rest of the royalty free music soundtrack (such as the music used for the video above) is sourced from Vodovoz Music Productions!!! Please show the creator some love!!! I was actually vibing so hard while listening to them lmao
✧ (Fan)Story
lol hi again!!! man. i feel like Argenti.
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If you wish to support my work and want to see more of this in the future, please buy me a coffee! So I can at least prove to my parents that my work is at least worth one dollar ;;;;
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soularsss · 2 months
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Drawing Likeness: with Tem!
okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out
I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)
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I am putting the whole thing under the cut because I have a feeling its going to be long:
Read more!!!
a couple disclaimers before we start
-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it
-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently
ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!
SO LETS BEGIN
Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so
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(all of these can be found on my pinterest)
Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:
focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces
age will play a part, your face changes a bunch throughout your life!
lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features
SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.
Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.
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I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.
Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D
Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:
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We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.
I did the same for the rest of his features!
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You'll notice I highlight the prominent shapes and ratios,
When drawing anything, it is important to start from the very base shapes and build up.
When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.
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I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.
When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.
NOW, with an understanding of his facial features in place, lets take a detour to colours:
before I start, a couple things to note:
-Temuera morrison versus the clone troopers in the animated shows:
While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.
Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.
The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.
But that is a tangent! What we are aiming for is to stay true to Temuera.
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Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?
Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.
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You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.
Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!
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a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)
anyways back to Tem :))
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Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:
the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?
The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!
When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.
The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!
But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!
anyways, after fixing your sketch, add local colours!
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I rexified him because why tf not! But this is where you can go crazy with that clone personalization!
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And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!
TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run
If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))
also if you see a spelling mistake.. i don’t know how that got there
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ganondoodle · 5 months
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(totk rewritten/botw 2 concepts)
Vah Narisha! elaborated on things and slightly polished it
(info written on there but for ease of reading writing it here again)
-its a prototype titan (divine beast) that crash landed on an island and was left there, its name is based on the big sky whale from skyward sword (its german name)
its very overgrown and half broken, with its tail hanging off the edge, but if you try to use the infusion power of links shiekah arm it will suddendly twitch and empty your entire energy meter immediately since it uses more power than you could provide on your own- serving as a hint that it can be reactivated
once its reactivated (zelda helps, perhaps with a quest attached) it will fly in circle patterns across the sky, you cannot control it (its still a half broken prototype after all) but you can use it as a place to rest and reach other islands that are very hard to reach otherwise
single parts will suddendly move and twitch or freeze as its ... a damaged prototype, its a slight hazard as the shaking can throw you off if you are standing in a bad spot (but not so much you cant reach it again), occasionally it will lose some parts
unlike the "modern" titans, who require the main energy network sourced from mainly ganondorf as their power source if there is no pilot/champion (thus stopped working after the intro), vah narisha draws energy from its surroundings, just like links arm does, so its still able to function even after gan wakes up; however the amount available is barely enough to keep it afloat and that only moving very slowly too- it is unclear if the reason for other malfunctions or unavaible controls is bc of lack of power or damage, probably being both, but after taking off there is no way to try and repair it further since you cant control it and it would pose a danger by falling if misshandled so its mostly left to its own devices
its not required for anything of the main story or to traverse the sky, but it is a cool thing and can make it easier to reach things, the idea for it is mainly from the unused prototype hanging in the hateno lab in botw since my goal is to make totk into botw 2 i thought its a neat idea to bring in previously scrapped ideas :3
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ultralightpoe · 7 months
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Anti-hero - Roy Kent
Authors Note : Based off a request I got {Could you do a Jamie or Roy fic with a girl who feels self conscious as their date to a gala or something? Lots of fluff and comfort! If you don’t want to write it, no worries 💜} A quick reminder that you are all beautiful and truly wonderful. You all deserve the world, and I hope you all find your own Roy Kent. -Ultralightpoe
Word Count: 3,997
Warnings: self doubt. curse words
Requests: OPEN
Main Master list - - Midnights Event List
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(Thank you for the gif @50shadesofpemberlypost )
x Enjoy x
I have this thing where I get older but just never wiser
Midnights become my afternoons
When my depression works the graveyard shift
All of the people I've ghosted stand there in the room
It had been an issue for years, one that was directly caused by your mother. 
It’s not that she was a villain, and it wasn’t like she knew she was doing it anyways, it was always something that just managed to slip out of her mouth in passing moments . A quick ‘that shows your back fat’ there and a ‘are you sure you like that color? It washes you out baby’. Always said with that tone that made you rethink every decision in life. 
She did it out of love. 
But the comments she made built up, that and the pressure of school and social media building up. It all took a toll on you. You found your life mixed with new issues. Anxiety, self-doubt, depression, and you became a new person. 
It was like a shadow version of you, one that tracked how much she ate and thought about how loud she laughed and how much was too much talking. Every single move you made was tracked and overthought.
But then Roy came into the picture. 
At first you did what you usually did, you tried to speak low and not draw too much attention. Tracking how much you laughed and how much you ate. It was fine because your friend group never really realized it, they didn’t know a thing was out of place. But Roy, who had been brought by his sister, was quick to call it out. 
“Fucking stop that.” He muttered when you tried to fix your skirt, using his hand to slap yours away. “You look fucking perfect. Take a breath, yeah?”
“I just…. I’m debating the color, everyone else wore pastels and I hadn’t realized that it would be that type of party.” You admit, body hot with embarrassment as a group of girls pass you at the party. But that was the least of your worries, you had eaten too much cake and had tripped on the stairs in front of your friends. Could everyone see your makeup on your neck? Were they laughing at you-
“Do you overthink everything?” Roy blurts, catching your elbow to pull you back gently as a waiter with a heavy tray passes by. “Because I’ll tell you right now that you’re the prettiest fucking woman at this party.”
“You can’t say that at someone’s birthday party.” You laugh, stepping closer to him without realizing. “That’s one of the biggest rules. It’s like saying someone is prettier than Aphrodite. Next thing you know that person will be cursed to marry your father because the goddess hates you.”
“I’m sorry?”
“It’s…. Greek mythology. I’m not going to marry my dad. It… okay. I’ve ruined this so I am just going to-” You move away quicker than he can follow and you think that it was over. But you had not known just how determined Roy Kent was. 
Soon enough he was taking you out, one date became 4 which led to a relationship. 10 months in and you were the happiest you had ever been. He saw you, in every outfit and every mood and every way, and he loved you just as you were. 
But there was something you didn’t expect, the amount of attention that would come with dating a professional football player. It was a whole new demon in itself. 
I should not be left to my own devices
They come with prices and vices
I end up in crisis (tale as old as time)
I wake up screaming from dreaming
One day I'll watch as you're leaving
'Cause you got tired of my scheming
(For the last time)
Lunches with your mother were the worst, and yet you loved her more than anything. Today she chose an extremely fancy restaurant dressed in a Valentino outfit and her makeup to perfection as she cut her salad up with her fork and knife. 
“Oh this is dreadful.” She sighs, shaking her head. “There is barely any chicken in here. This is insane. Do you see chicken?”
“There is chicken.” Roy shrugs, narrowing his eyes a bit. Lunches with them were always such a weird dynamic considering they were exact opposites. Your mother looked for drama, she thrived off of arguing. Roy chose brutal honesty, he worked best on shutting arguments down before they could even start.  “It’s right there.”
“Oh, baby that is a terrible color on you.” She huffs, sitting the plate back down and turning her glare on you as her hand raises to call the server over. “It washes you out. What have I told you about-”
“She looks fucking stunning today.” Roy scoffs, blinking slowly. 
“It’s fine.” You whisper to him, trying to defuse the situation. 
“No, it’s not.”
“Now I read somewhere that there is a big fundraiser gala coming up, it was in the paper. I assume you both will be attending.” Your mother begins, smiling when the server starts heading over. “You should let me dress you darling. I know how you get anxious about that all and I want to make sure you look your best.”
“She’ll look bloody fantastic in anything-”
“Oh you finally decided to serve your table.” Your mother interrupts him, talking to the server and completely disregarding your boyfriend. 
He takes a moment to lean over to you, catching your eyes. “I’m about to stab my fork into my fucking eye.”
“I know.” You smile, leaning in closer to kiss his cheek which makes him growl a bit at the pda but you see the smile he fights off anyways. “We’ll be gone soon.”
“You look great and the dress you pick will be fantastic. Don’t listen to her.” He gruffs out. 
“Have you seen those posts of you two? They were commenting on your age difference and I just want you to know that I do not think you are too immature for him. Truthfully honey I am proud, I never thought you’d make it with someone so accomplished. I mean it’s not like you had many prospects.” She laughs as the server sends Roy a wide eyed look while taking her plate away leaving the table once more. 
“That’s it.” Roy snaps, slamming his silverware down on the table and pointing his finger at her. “You watch how you speak to her. She’s perfect. And she will be a bombshell at the gala.”
Your mothers face flushes, blinking at him slowly as Roy goes back to his meal like nothing happened while you fight off a smile, your foot rubbing his calf under the table in a silent thank you before you try to pull it back only for his legs to slam shut keeping your foot held there. 
He sends you a sharp look, but the corner of his mouth curves up and you know that was his way of showing his love so you take it, smiling right back at him. 
It's me, hi, I'm the problem, it's me
At tea time, everybody agrees
I'll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
The dress you chose for the gala was perfect, you were excited to wear it and truthfully you were excited about the whole thing. This would be the first event you had ever attended with the Richmond team in the public eye, and you wanted to make a good impression. 
But your mothers words from the years rang through your head constantly as you waited for their practice to end, leaning against the wall in the hallway as you thought about everything. 
“Oh! Hello.” A angelic voice rings out, pulling your attention to Rebecca Welton coming down the hallway, making you stand up quickly. 
“Ms. Welton! Hi, hello, hey…. I’m saying hi in too many ways.” You blush, moving to shake her hand. “It’s great to see you again.”
“I was just about to say the same thing. Are you waiting for the boys?”
“I am, yeah. My car is in the shop so I need a ride.” 
“Oh lovely, will I be seeing you at the gala? I have been planning it for weeks, my ex husband used to plan it. The wanker.”
“I’ll be there. I just hope I dress well enough.” You laugh slightly, but her eyebrow raises and you panic slightly. Did everyone on this team just see right through all your shit? 
“You’ll look perfect. I wish I still had a figure like yours.”
“ANGEL!” Someone calls out before you are lifted into the arms of Danny Rojas, kissing the side of your face as he swings you around. 
“Alright. Set her down, will ya?” Roy snaps, coming around the corner and rubbing his knee as Danny sets you down quickly, kissing your cheek one more time before heading away. You lean forward and rub Roy’s knee right where you know he feels the most pain. 
“Is it hurting a lot?” You mumble, as he pulls your hand away. “Sorry, did I hurt you?”
“No, I just don’t want to moan in the middle of this hallway. Let’s go home?” Before you can even answer he is grabbing your bag and moving to take you to the car. 
Sometimes I feel like everybody is a sexy baby
And I'm a monster on the hill
Too big to hang out, slowly lurching toward your favorite city
Pierced through the heart, but never killed
Roy was in a shit mood the day of the gala, slamming cupboard after cupboard. You knew he was irritated about having to dress up and see the reporters that used to write about him all the time, and you knew in moments like this it was best to let him work through it. But sometimes you just couldn’t stay away. 
Shuffling closer, in his shirt, you wrap your arms around his center and shove your face into his back. He huffs out as he keeps swiping  the sponge against the counter, but he doesn’t push you away so you take a chance and kiss between his shoulder blades. “It’s going to be okay. What they say about you doesn’t matter.”
He sighs out, letting go of the sponge before turning around in your arms and wrapping his own around you, placing a kiss on your forehead. 
“You were young and they were assholes for that…. So fuck them.”
“Fuck them.” He repeats. 
“You’re going to walk by them in your fine ass suit with your fine ass body-”
“Please don’t objectify me.” He mumbles, but a smile is already on his lips as he leans down to kiss you deeply before pulling back. “And I will have the brightest fucking gem with me tonight.”
“Oh, c’mon.” You blush, trying to pull back but his arms are tight around you. 
“I think we need to fuck.” He huffs kisses at your face again. 
“Don’t be so crass!” You laugh, trying to escape him and shuffling you both to the bedroom right as your phone rings. “It’s my mother.”
“No. Don’t answer.”
“I have to, or she’s gonna be mad.” You answer back, watching his face turn dead serious as he looks at you. His hands come up to rub at your jaw. 
“You listen to me you little rat.” He mumbles, you fighting back a laugh at the nickname. “Don’t listen to a word she says, because you are beautiful.”
“I won’t. I promise.” You promise, kissing his lips deeply and losing yourself to the kiss for a moment before he pulls back and shuffles to continue cleaning the counter. You swipe your thumb across the screen and mumble out a “Hello mother.”
“Oh you’re there! I thought you were about to ignore my call.” She snaps through the phone. 
Did you hear my covert narcissism I disguise as altruism
Like some kind of congressman? (Tale as old as time)
I wake up screaming from dreaming
One day I'll watch as you're leaving
And life will lose all its meaning
(For the last time)
You broke your promise, and you let your mother get the best of you. 
Her words from earlier bounce around your mind as you get ready. You debate whether or not your hair looked healthy as you spray hairspray across it. Did it look greasy? Untamed? Could they see your split ends?
Was your nail polish the wrong color? Was there a patch of hair on your legs that you missed? Did the dress color wash you out? Did you look too heavy? Was it too late to cancel?
“You look…. “ Roy blinks, coming up behind you to help zip the dress. “Fuck.”
“Is that good?” You ask, biting at your lip as he leans to kiss the nape of your neck. 
“Good? You look bloody amazing.” He snaps, kissing your neck one more time before standing straight. “Now let’s go make money.”
“What are we fundraising for? I never looked into it?”
“I have no fucking clue.” 
“Right.” You laugh, turning with your hand in his as he kisses your knuckles softly. “Then let’s go make money for whatever needs money.” 
“Make a fortune.”
It's me, hi, I'm the problem, it's me (I'm the problem, it's me)
At tea time, everybody agrees
I'll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
Your lip was worn down from the amount you had been biting it. 
Walking up to the gala you saw a red carpet with dozens of flashing cameras and begin to panic as you get closer, your hand tightening in Roys as he stands straighter. You would not be able to handle the cameras and see your picture all over the internet. What would people say? They would trash you, oh how bad would it be?
But Roy, ever the perfect man, simply held your hand tight and walked across the red carpet with a confidence that made your skin hot. He muttered to each that called his name, his voice deep and uncaring. “No. No. Fuck you. Fuck off. Fuck no.”
A smile blooming across your face as you let him lead you into the building where everyone is walking about with drinks in their hand. 
“I’m going to go get us drinks. Your usual?” He asks, waiting for your nod before heading in the direction of the bar leaving you standing there to take a look around. 
You took your chance to look around at everyone around you, smiling at anyone you make eye contact with. The anxieties began rising, as every gorgeous female passed you in their perfect dresses. Was your dress cheap looking? Did you look pathetic?
You were caught up in your thoughts as Jamie approached with his date, a model that introduces herself with a hug that makes you sniff caramel, leaving you with a crater in your chest as you look at her perfection. Jamie talks about the gala, looking around at everyone as a flash makes you blink, all three of you turning to the person that just took your picture. 
“The actual fuck?” Jamie scoffs, staring at him. “We were having a conversation, ye?”
“Sorry.” The man nods, moving to walk off and bumping into Nate with another apology. “Didn’t see you.”
“Hi Nate.” You smile, trying to seem calm when he walks up. “You look great.”
“Thank you! Mr. Lasso actually bought me this suit.”
“Who?” You blink, trying to see who he had been talking about. It wasn’t meant to be a snappy or snide comment, you had yet to be introduced to the new coach and the name didn’t ring a bell at first. But the second you saw the man with the mustache owning the crowd not far off you knew who Nate was talking about. 
But when you turn back to Nate you see a glare set on his features, his cheeks a little red as he blatantly looks away from you. “You look great, Jamie. You as well Keeley.”
Then he walks off, bumping into you harshly as he passes which makes the blonde look at you with wide eyes as Jamie excuses himself for another drink. 
“Oh, that was extremely rude of me. I shouldn’t have asked about the coach- that was-”
“What are you talking about?” She blinks, looking extremely confused. “You didn’t do anything wrong?”
“Here you are.” Roy grunts, handing you the chilled glass. “Keeley.”
“Hello Roy.” She smiles before Jamie whistles to pull her over. 
“Did he just call her like she was a dog?” You ask Roy as she walks over, and he shrugs. 
“He’s a wanker. Always has been and always will be.” Roy grunts out, rolling his eyes. “He doesn’t ever pass the ball. And he is a massive tool. You should hear some of the things he says to-” He begins to explain as you try to smooth out your dress before his hand shoots out to stop you. “What’s wrong?”
“Nothing.” Your answer was too quick, his eyes narrow and he catches it. 
“What happened?”
“I just…. I think I upset Nate because I asked to Lasso was and I didn’t mean to and everyone here looks amazing. But I’m fine. Everything is fine.” 
“Did that little fuck say something?”
“No. It’s fine Roy. Everything is fine.” You smile, leaning forward to kiss his lips which he allows before moving back and holding his hand knowing he doesn’t like pda.  “Let’s go find our seats?”
I have this dream my daughter in-law kills me for the money
She thinks I left them in the will
The family gathers 'round and reads it and then someone screams out
"She's laughing up at us from hell"
“Hello Roy, you handsome devil you.” A southern voice rings out, walking up to where you and Roy were seated together. “And what pairs so well with a handsome devil? An angel.”
“The devil is technically… well historically the devil is an angel.” You blush, immediately feeling stupid as the fun fact slips from your lips. “Well, I mean- I’m sorry that was stupid.”
“Stupid? Absolutely not. I feel ashamed that I didn’t know it.” He laughs, leaning to shake your hand. “My name is Ted, all my friends call me Ted which means you must.”
“It’s wonderful to meet you. Roy was telling me about all the new techniques at your practices.” You smile, making your boyfriend shake his head. 
“I said nothing good.” Roy huffs.  
“He said everything good.” You smile which makes Ted smile back. 
“You both look fantastic. Have a drink on me, since it’s an open bar.” Ted jokes, moving to walk away as Roy places his hand on your lower back. 
“Why the fuck would you tell him that I said good things?” He huffs and your stomach drops. 
“I’m sorry. It was just teasing and you do always say great things about him so-”
“Take it easy. You are fine.” He shakes his head. “Are you okay?”
You hadn’t noticed but your fists had clenched and your nails were digging into your skin, his own fingers were quick to make you release the hold and rub his thumb over the crescent marks left on your skin before bringing your hand up to kiss your palm. 
“I thought you hated pda.” You whisper, leaning so your foreheads were pressed together as he pretended to roll his eyes. 
“Fuck it. I have a gorgeous date and I deserve to kiss her in public.” 
“Are you sure? It’s a big move for you.”
“Have you seen yourself? Prettier than the goddess aphrodite.” He smiles and your eyes widen. 
“How. Dare. You! What have you done? I’m going to have to marry my dad now. Roy, how could you have done this to me?” You laugh, shaking your head. “I also cannot believe you remember that from almost a year ago.”
“Of course I remember.” He blinks. “That was the first conversation I had with the love of my life. Who would forget that?”
“Oh knock it off.” You mumble, shaking your head. 
“Knock it off? Knock what off?” He snaps. “Do you realize how fucking lucky I was that day? The day you looked at me? My life was made. The second best day of my life.”
“Second?”
“Second. My niece’s birth is the first.” 
“I’m fucking honored.” You laugh, smiling from ear to ear. 
“Did you just cuss?”
“I did. I’m sorry. My mother would kill me.” You blush. 
“Can I be honest with you for a second?”
“When are you not?”
“Fuck your mother.” He blurts, which makes your eyes widen. “I hate her. I think she is miserable and you are far fucking prettier than aphrodite and you don’t have to worry about the goddess making you marry your dad because I will be marrying you. No goddess or god could keep me from you.”
“Oh yeah?”
“You’re stuck with me. And I need you to stop being to fucking mean to yourself. You hear me?” He asks seriously. “Because that’s the love of my life you are talking about.” 
“I can try.” 
“Good. Now lets get another round and wait this fucking gala out. Then lets go get actual food because I know you skipped lunch.”
“Sounds like a plan.” You smile before a flash blinds you once more, making you both whirl to the man with the camera. 
“You fucker-” Roy begins to stand as he dashes off. 
It's me, hi, I'm the problem, it's me
It's me, hi, I'm the problem, it's me
It's me, hi, everybody agrees, everybody agrees
You both end up at a late night potato stand, sitting on one of their benches as you both laugh at the memory of the auction that had taken place. 
“A fucking grandma bid on me. You know how embarrassing that was?”
“Hey! I bid on you too!” You laugh, body shaking from laughing so hard. “And Keeley!”
“Keeley was pissing that little wanker off.” He huffs, rubbing your thigh gently as you keep his blazer wrapped around you. “Thank you for coming with me tonight.”
“Thank you for bringing me. I am sorry I upset Nate-”
“Stop saying sorry. You have nothing to be sorry for.” He mumbles, leaning to dig his spoon into your baked potato and take a big mouthful of it. “Fuck. That is good.”
“You say that about anything I get! You always do this!” You laugh, pretending to pull the potato away. 
“You always choose better!”
It's me, hi (hi), I'm the problem, it's me (I'm the problem, it's me)
At tea (tea) time (time), everybody agrees (everybody agrees)
I'll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
“Fuck!” You wake up to the sound of Roy yelling from the kitchen, rushing to wrap yourself in the sheet left on the bed from last night as your feet pad across the floor to find where he is at. 
You find him sitting on the couch with a cup of coffee, glaring at his laptop, until he sees you coming out of the bedroom in just a sheet. 
“Fuck.” Unlike his last curse this one is said with a lusty tone, setting the coffee down as you come closer to the couch and move to sit by him. 
“What’s got you so mad, handsome?”
“They posted a picture of me and they said I’m retired. What fucks.”
“Is it a bad idea? To be retired?” You ask, moving to straddle him before he can pull an attitude. “You would have more time with me. More time to hang out and cuddle and sleep and…. You can finish the rest.” 
“.....Fuck.”
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deusvervewrites · 7 months
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The First Line
A lot of people out there will tell you that the first line of a novel is the most important. I've seen the wisdom that the first line must grab the readers attention, be some kind of a "hook" to draw them in deeper, or to tonally reflect the main themes. That the first line needs to throw the reader into the thick of it!
But how true is that really? It's been nagging me for a while now as someone who has started more fics than I've completed.
Out of curiosity, I grabbed a handful of my favorite novels and compiled their first lines.
"There are many legends about my mother." Daughter of the Moon Goddess, Sue Lynn Tan
This line doesn't really establish much about the plot of this book. Not the narrator's name, goal, conflict, or even the setting. We can make some inferences from the existence of legends around someone, but 'legendary' only narrows anything down because of the book's title. It is, however, indicative of the narration style and the novel's prose.
"Mary Jekyll stared down at her mother's coffin." The Strange Case of the Alchemist's Daughter, Theodora Cross
This line puts us right into a scene. Some real In Medias Res. Except... it's not really an action scene. It's a somber affair. And from Mary's staring, it's safe to say she has some heavy thoughts on the matter.
We can also make some assumptions from the wording choice. Looking down at the coffin suggests that she is standing over it, so we know at once this takes place during the funeral.
Interestingly--and I'm going to break my soft rule of not addressing the rest of the text here--this line does not allude to the novel's framing device.
"The temperature of the room dropped fast." Bartimaeus: The Amulet of Samarkand, Jonathan Stroud
This is another opening that's setting a scene instead of trying to introduce us to the cast or conflict, or even to the setting. Why is it getting colder? We can infer from the fact that the temperature is dropping fast that this probably isn't a good thing or at least not a normal thing.
"I've seen Steelheart bleed." Steelheart, Brandon Sanderson
This line fascinates me. It says a lot and, at the same time, very little. We know that someone named Steelheart exists, obviously. However, the narrator is giving gravitas to the sight of them bleeding. So we've already learned that Steelheart doesn't bleed very often, and seeing it was worth remembering. But who Steelheart is and why the narrator cares? Nothing in this line indicates that.
"Kendra stared out the side window of the SUV, watching foliage blur past." Fablehaven, Brandon Mull
I think this is the most relatable opening line I have listed here, since I can instantly in my mind picture the expression on Kendra's face knowing nothing else about her, or where she's going. We can guess she's probably not happy to be going there since she's staring out the window with what I would assume to be boredom. That's some conflict there. But, like, extremely minor conflict.
"The tired old carriage, pulled by two tired old horses, rumbled onto the wharf, its creaky wheels bumpety-bumping on the uneven planks, waking Peter from his restless slumber." Peter and the Starcatchers, Dave Barry and Ridley Pearson
Well this sentence rambled on a bit didn't it? But it's very evocative. It tells us very little about the story (beyond Peter's name) but it sets the scene beautifully. Not only is it evocative of the scenery, but the time period (from the horse-drawn carriage) and the tone as well. We also know that Peter wasn't sleeping very well, which indicates that he's either anxious about something or that sleeping in this carriage wasn't very easy. Or both.
"In a hole in the ground there lived a hobbit." J.R.R. Tolkien, The Hobbit
This is the kind of line that would get me murdered by a lot of writing advice that I've seen over the years. This line tells you next to nothing, not even whether or not its weird for hobbits to live in holes. What this line does do is ease us into the narration style that Tolkien employs, which is generally slow and descriptive.
Okay...?
So what was the point of all of that?
Well, this experiment has solidified my opinion on something. As I said, I've been having thoughts about opening lines, but I think that the actual first line of the book is not as important as the first scene of the book. None of these lines out of context are that good. Sure, The Hobbit is iconic, but that's not because that line itself is phenomenal. It's practically "Once Upon A Time."
But it works for the scene.
The first scene is far more interesting to me than the first line. I'm not so impatient that if the first line fails to captivate me I'll toss the book aside. And I know that's true for other people because H. Bomberguy posted a four-hour video on plagiarism and we all watched it.
What this means, I think, is that we don't need to treat our audience as if we're in an arms race against their dwindling attention spans as if we'll lose them forever to TikTok if the first sentence isn't the pinnacle of literature.
People will give a work a chance. That's what the summary is for; to tell people if they'll like it so they can know to give it a try.
If you were afraid to write, or to share your writing, because you didn't think the first line was good enough... I don't think that matters. I think that people won't hate it. Won't turn up their noses in disgust.
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praetorqueenreyna · 2 months
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well i AM asking for the essay on modern ACOTAR fandom please🙏😩
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YOU ARE ALL ENABLERS!!! FINE I SHALL WRITE MY ESSAY!!!!! I'm putting it under a read more because I'm embarrassed of how long it is.
ACOTAR fandom is strange in a fascinating and NOT FUN way. Fandom has gotten SO restrictive recently, it's suffocating. And idk what it is about ACOTAR, but its fans are among the WORST. Whatever discourse you've seen in other fandoms, multiply it by 10 to get the experience of being in mainstream ACOTAR fandom. It is an unchallenged belief in this fandom that writing, drawing, or consuming any kind of content that isn't 100% healthy in the real world means that you - YOU!!!!! - are a danger to real life human beings. Criticizing a character's choices and the author's writing decisions is warped into you being an abuse apologist and also you probably yell at abuse victims in real life. A drawing of Tamlin and Elain sitting in a garden is now a disgusting acceptance of real life abusers and you're traumatizing every abuse survivor.
I can think of countless examples off the top of my head of real life human beings being harassed and bullied and called all kinds of nasty names for the fictional content they create about fictional characters. Like, I cannot stress enough the irony of these puritans spouting off in woke-enese about how "dangerous" certain fans are being incredibly verbally and emotionally abusive to people in this fandom. A fanartist on Instagram was painting portraits of each of the ACOTAR characters, and as a fun framing device, each painting was meant to be a painting that Feyre would make, and the captions talked about how the artist thought Feyre would paint this character. A charming and delightful series taking advantage of the fact that the main character is a painter, right? WRONG!!! This artist did a painting of Tamlin, and she was raked across the coals for DARING to even IMPLY that Feyre ever even THOUGHT about Tamlin or could even CONSIDER forgiving him enough to paint him. She was accused of "forcing an abuse survivor to think about her abuser." Like, do you see how absurd that is?? Feyre isn't real!! Nobody forced anybody to do anything! That's the kind of batshit insane nonsense we're dealing with.
Not to mention any depicition or joking about the series' villains is seen as you endorsing REAL LIFE VILLAINY!! me and my friends are constantly under fire for DARING to enjoy villainous characters or dark content. I feel like I shouldn't even have to say it, but the content that you create and consume doesn't say anything about you as a person. People who are very well adjusted, kind, and happy will engage with dark content for a variety of reasons. Some use it as a coping/healing mechanism, some just find dark content fascinating and worthy of exploration, and some people have dark fantasies. This fandom behaves as if the things you make and consume are examples of what you consider "healthy" and things that you want to do to real life people. It's INCONCEIVABLE to them that you could enjoy something in fiction and not endorse it in real life. INCONCEIVABLE!!
Aside from the irony of people claiming to battle against toxicity screaming violent insults at real life people over fictional characters, this is very very funny. Those of us that have been in the rarepair trenches in other fandoms can't help but laugh at these grown ass women losing their minds because somebody drew a blonde man. The culmination of this has been the runners of Elain Week refusing to even SEE characters they don't like. The visage of Tamlin will shatter their fragile minds and send them to their early graves. And this isn't even TOUCHING how their standard for which characters are Acceptable and which ones aren't is almost solely decided by what the author has explicitly stated and not based on any critical thinking or analysis.
The sheer and utter absurdity of this fandom in particular being SO hung up on canon should be studied. SJM is such a poor writer that she contradicts canon within the same book. I am firmly convinced that nobody actually reads her novels all the way through before they are published. This canon is bad. Which is why it's so baffling that this fandom in particular is so obsessed with canon and what the author has stated both within the books and in interviews. SJM says this character is bad, and so they are BAD!!! This character is good, and so they are GOOD. Oftentimes if you see people try to tear down Tamlin, they'll bring up SJM saying that he's abusive in interviews, talking about how she doesn't like him, and bringing up that she put a hotline for abuse survivors in the back of one of the books. SJM has said that he's an abuser, and so therefore he IS, and there is no further investigation.
Again, a kindergarden concept I didn't think I'd have to explain to a bunch of grown adults on the internet, but a creator's intention is not the end all be all of discussion. It's certainly a part of the analysis, but it is also up to the reader to determine if the author has convinced you of the story they're trying to tell. For example, the creator Joss Whedon clearly created Buffy the Vampire Slayer to be a feminist, empowering show for women. However, the viewer can watch the show and point out areas where he failed in this intention and allowed misogyny, racism, and homophobia to seep into his works. Imagine if every time you tried to criticize a "feminist" show made by a man, the fans screamed at you that the creator said it's feminist, and so therefore it is, and that's the end of that.
This is PARTICULARLY galling with SJM's villains. A lot of them are just...not written well, or convincingly, or realistically. BUT a lot of them are sexual predators, and so any discussion about them and their character is cut off at the source. SJM tells you that these people are BAD GUYS and you have to accept it, otherwise you're defending r*pists. It's especially hilarious because a lot of her "good" guys also commit many horrible acts. Part of the hilarity of the Elain Week nonsense is that the man that the creators ship Elain with, Azriel, is a PROFESSIONAL TORTURER. But SJM says he's good and sympathetic, so therefore, he is. And it's an entirely different essay to go into how SJM portrays her female villains, and I got Cancelled for it last time I tried so NO YOU CANT MAKE ME!!!
Lastly, I'll mention the bloated victim complex of people that like popular things. Again, not unique to ACOTAR fandom, but certainly very prevalent. The people who are in the majority NEED to feel like they're the underdog, fighting the good fight. Hence having the people who like one of the MAIN CHARACTERS and one of the Top 5 Most Popular Ships acting like they are Jesus on the cross for shipping Elain and Bland Dude #4. They work themselves into a paranoid frenzy, feeling attacked at every twist and turn. I would bet my LIFE that the people that run Elain Week have never even seen Beron/Elain content, let alone had it submitted to their event. But they got themselves all worked up about the Evil Tamlin Cabal RUINING THE EVENT that they made these rules that are simply ridiculous. And it backfired on them. Me and my friends have been accused of ruining other character weeks for making content for ships that WE like but the moderators don't. They'll see one single Rhysand/Tamlin drawing and act like you've fucking shot them. They genuinely feel like nobody likes Feyre or Rhysand, the most popular characters, and everyone supports Tamlin. It's insane and they need to get offline. I've seen people wearing Night Court merch in real life. Trust me, you won. You are not the victim.
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gleefullypolin · 3 months
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Another of my musings, shall we? Indulge me...
Today, let’s talk about why Cressida was never set up as a redemption story in Season 3, but simply as a lesson for our three main character leads…
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I’ve seen a lot of discourse around the treatment of Cressida in Season 3, and I find it kinda funny because Cress has always been a side character and never a main plot point and it was very evident this season that it was still very much the case. In Season 3, she was what is known as a plot device. The point of a plot device is to jettison the main characters forward.
So, let’s look at how they used her to do that this season.
Eloise Bridgerton:
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Cressida was a huge plot device in moving Eloise’s story along in a heavy way this season. El has been very close to being stuck in quicksand for a while now. What do we know about her character between S1 to now?
She doesn’t want to get married.
She believes that women are held back but is questioning her place in society and what to do about that.
She’s angry at Pen and feels betrayed by friendship currently.
So, when we last left her, her closest relationship ended because Penelope was Lady Whistledown, she realized she knew nothing about the one person she thought she was closest with, her belief that her say in the world as a woman was rocked, and the one connection with a man she ever had, Theo, dissolved before her.
She goes off to the country and meets up with Cressida, the one person who hates the person she also dislikes the most currently, who befriends her and thus we start the new season.
But in the story, Cress is now there to show Eloise a different side of the Ton. Eloise has always had a not so small issue…her mouth. It NEVER stops. She literally never shuts up. Pen was the type where she let her go on and on and on, and never stepped in to stop her. But Cress is like... Ok shut up, stop talking now and listen because bad shit is happening to me and I need you to hear about it.
And El finally saw that life outside the Bridgerton drawing room, was shit. Not every Mama will protect you from marriage you don’t want, not every word said at a ball stays between friends, and not every friend is welcomed by your family. El had to grow up this year. She had to learn that her family protected her from things others were subjected to.
El whispered in the ballroom about her brother helping Pen find a husband and that rumor spread like wildflower and El was quick to blame that on Cressida, only to find out that it was her own mouth that spread the rumor because she didn’t think, she just spoke loudly in the ballroom with no thought of consequence for her actions. And it was Cressida who had to point it out to her, Plot point made.
Cressida was desperate to escape a life her father was forcing her into. El could have easily been forced into marriage to a man thrice her age, but she was not. But she was still El. And El was caught up in her own worries with Pen/Colin suddenly announcing their engagement and she didn’t listen to Cressida’s concerns.  She didn’t see the desperation until it was too late, and Cress stood up and claimed she was Lady Whistledown.
It was only once Cressida, with no other alternatives left on her plate, and no loving parent to guide her, chose a path that led her to take actions against Pen/Colin by writing against the Bridgertons and blackmailing them that Eloise truly was forced to face herself and forgive Penelope and see the difference in how Pen wrote versus how someone with no remorse or responsibility held the quill. Plot point made.
But she then sees the difference in how Pen stands up and takes responsibility for her actions, faces consequences, holds her own as a woman of the ton and gives her back a bit of understanding that a woman can have a voice in the world. Now we see El facing that she has much to learn and going off into the world with excitement to find it.
Penelope Bridgerton:
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Cress has always propelled Pen forward as a plot device, the evil queen who tortures the princess as the knight in shining armor comes to her rescue.
Case in point, Season 1, spills her drink, Colin to the rescue, I’m afraid I’m to escort Miss Featherington to the floor. Season 2, she tries to take Eloise from her, for her to be rebuffed, then she dances with Colin happily for him to only use her as a ruse to once again save Pen from Jack Featherington’s ruby scheme. And then Season 3, she does take Eloise from her, stands on her dress for Colin to chase after her, then tries to defeat her in her pursuit for Debling as a suitor.
All of these plot devices move Pen’s story forward. They have a purpose of either knocking her down a peg or by having a man dive in to rescue her thus making her feel important. This season ramped it up a notch as Cressida came after her true worth. Lady Whistledown. Sure, going after Debling was part of it, but one could argue that Debling was a red herring. Pen never truly cared about him. But Lady Whistledown was her true value.
Having Cressida take her prize, was the true crux of the plot device for Pen this season. Cressida stole her glory by claiming to be the one thing that Penelope truly felt she was worthy of. The power of Whisteldown. And once that was taken from Cressida by her proving to the Queen that Cressida was a fraud, once Pen felt she had beat her, Cressida struck the final blow in their showdown by trying to take away her worth and ruin her in the eyes of her family.
Having Cressida out her to her mother and then strike the blow to her new husband by demanding they pay her with blackmail and humiliation to destroy any hope of love and happiness that Pen had found was the final act of villainy in their story.
This was the part that Pen needed to propel her to take a stand, to allow her what she needed to say ENOUGH is ENOUGH and that she would not let this person take everything she loved away from her. She would not let Cressida deal the final blow in her life, her marriage, her family, her purpose. And it would not control her. And thus, she made her final move.
Colin Bridgerton:
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Colin had a huge turning point with Cressida, and I did not see it coming. I will be honest when the scene came, I was like why the fuck are they wasting this scene between these two and he’s not having this conversation with this wife. But the more I sat on it the more it made sense because Colin couldn’t have this conversation with Pen. Because he was so hurt and so angry with Pen, he didn’t want to lash out and say mean things to her, but with Cressida, he didn’t care what he said to her. It was easier to say thing to someone he had no feelings for.
And thus, the blackmail conversation happened. Or Cressida/Colin’s Therapy hour was born. Because that plot point was exactly what happened. It was a way for us to hear Colin’s inner thoughts. In a book, it’s easy to know what the main character is feeling, because you read it. But in the show, you don’t get that intimate knowledge. Here we got to know what Colin was feeling.
He shared with Cressida that he left town wanting to hear from Pen, and when he didn’t, he withdrew from himself. He started to take away feeling, to hold back things he needed from others. He become Pod Colin! And then he talked to her about how Pen was treated by the Ton and by extension (CRESSIDA) He talked about loneliness and how that makes a person feel and for fucks sake he bared his soul.
And then he talked about how people pay this damned woman Whistledown to read what she has to say and boy if Cressida didn’t take 3 seconds to call him out for his whining and jealousy of his wife. Because that is what it was, and he recoiled as if she bit him. And thus, jealous Colin reared his ugly head. Plot point made.
And then Cressida, just like she had shown his sister, showed Colin, that outside the Bridgerton drawing room, life sucks. Cressida was able to hit him where things hurt, because she doesn’t care about Colin, she’s not Pen looking at him like he hung the moon, to Cressida, he’s just another spoiled Bridgerton. So, he gets to learn that you don’t always have a loving family to support you and welcome you back from mistakes and responsibility you don’t want with open arms. Sometimes your life just sucks, and you get forced to marry an old ugly man who wants 4 kids from you.
And then she charged him double for all her trouble and sent him home with his tail between his legs. Plot point made.
Colin now ready to accept that he failed, that he should have listened to his wife, and it was time to do things differently, returned to his wife perhaps ready to listen a bit more.
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And thus, we see, that Cress was not a main character, she was there to propel our leads forward, to get them where they needed to be, and sometimes, just sometimes, the villain has to be the villain.
I’m not saying she will always be that, they did a good job making you feel sympathy for her this season, but this just wasn’t her season for redemption yet. Maybe in the future, but it wasn’t for Season 3.
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mothiepixie · 1 year
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This is an Adult space ONLY.
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Please do not interact with me or my account if you are a minor. Minors will be blocked.
This account will not show anything sexually explicit. But it contains suggestive and mature themes.
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COMMISSION INFO HERE
Commissions Queue!
My carrd
Support me if you like!
kofi ☕️
✨My Patreon ✨🔞 only!
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I do NOT give permission make an AI of any of my characters nor use my artwork for them. I do NOT give permission to trace or repost my work.
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🏳️‍🌈🏳️‍⚧️ LGBTIQA+ safe and welcomed! 🏳️‍⚧️🏳️‍🌈
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Do's& Don'ts, FAQ Below
I do not do yn x canon content. Asks pertaining to yn x canon content will be discarded!
I'm only interested in creating content of my OCs x canon.
Be ⚠️ warned ⚠️:
Some of my content may include dealing of drugs/drug abuse, depression, past abuse and possessiveness. There will be possible depiction of wounds, blood, violence and fictional murder. It will be tagged.
If any of my content makes you uncomfortable feel free to block me and stay safe.
Do's and Don'ts:
An indication you're an adult must be visible for me to interact with you!
Commissions or tips are the only way I will draw if you are not a mutual, of my own device, or friend.
please don't ask content of pregnancies. I will not draw Motti pregnant, giving birth or talk about pregnancy related content.
Some related asks for your info ⤵️:
SOME Sanses will want kids, not all will. Passive cannot have children, he's infertile. Motti doesn't want kids in most AUs.
Please be advise I am not aware of every UTAU or its creators. I cannot draw them all or may not get into them, so please don't ask.
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Please ask permission to dub my comics. I can revoke my permission at any given time and for any reason.
Can I ship my oc/myself with Boysen, Crust, any other of your skellies variants or Motti?
I don't mind you ship yourself or your ocs with the skellies. But please be respectful and don't do anything immoral with them.
I don't mind answering asks about the skellies height, appearance or use of my art, but I won't answer asks that involved how they would treat a partner that isn't Motti. That falls in YN content and as stated at the start of this pin I don't do yn x canon content.
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If permitted: Please do not draw Motti in situations where she cannot consent: i.e: drunk, non-con, coercion. It will result in a block.
FAQ:
Do you do Art Requests?
No. I don't really have the mental capacity to take on requests. What free time I have, I draw art for myself or friends.
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I do! I usually make an announcement when they're open and how many slots. I provide a google form to be filled out. I do not take commission inquires through DMs or Asks. Check my Bio or Badge for when I'm open.
Failure to comply to my TOS will result in a blacklist.
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I go by Mothie! You can find my sona here
Motti is my main muse and separate from me.
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My pronouns are They/them/fae/she.
Questions about Motti!
What are Motti's pronouns and sexual orientation?
Motti goes by she/they. She is Demisexual/Pansexual.
Is there different versions of Motti?
Consider each AU I dabble in as a different Motti, but they are essentially the same person/personality. I won't always draw a different design for Motti or take away her key features.
Can I write/incorporate Motti in my fics?
It's friends and close mutuals only. I am not comfortable with people I don't know writing/using Motti like that.
AS LONG AS YOU ARE 18+ AND CLEARLY STATE YOU'RE AN ADULT INTERACTING WITH ME, YOU CAN DO THE FOLLOWING BELOW:
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Yes, I do. But they show explicit content so you have been warned ⚠️. Tumblr's nsfw rules are more restricted and thus account will only show suggestive themes. Minors not welcomed!
If you are a person who does not like explicit content, but doesn't mind suggestive content; this acc will be your safe place.
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astral--horrorshow · 1 year
Text
Around-The-Clock Shadows
Platonic Yandere ROTTMNT x Reader
Info: This will be a full-length fic including multiple ROTTMNT characters, the main storyline revolves around the Mad Dogs.
Fic Summary: You sure are likeable, aren't you?
Chapter 1: Preparations and Purple Dragons
Characters: Kendra, Jase, Jeremy, Donatello, Raphael, Michaelangelo, Leonardo
A/N: Kicking off the first day of my summer break with a fic! I've been working on this for a while now, so I hope you like it! Apologies for the short length and any bad writing! I was very inspired by @yanteetle , @pianocat939 , @yanyanderes , and @yandere-toons ! (edit: @oleander-nin too!!)
If you want to be added to a taglist, just say the word! If you want to draw fanart or make anything based off of this, I would be literally honored. Please don't be shy, I will love whatever you make! If you have any questions about the fic, feel free to ask!
TW: Kidnapping plans, toxic relationships, stalking, Jase gets kicked in the shin (spoiler: it's Kendra), attempted(?) peer pressure, Leo and Donnie are creepers.
I do not condone any of the behaviors found or done in this fic. This story is purely for entertainment purposes. If you or someone you know is being treated like this, please contact the authorities.
Please Reblog writer's work!
Chapter Summary: You hang out with the Purple Dragons, and the Hamato brothers prepare for your arrival.
Word Count: 1166
☆~☆~☆
Kendra had her hand on the back of your neck, leading you further into the Purple Dragon's closed-off corner of the computer lab.
"And this is the Dragon's Tooth," she said as she pointed to a large, circular table with a small, green device suspended in a glass tube.
"Oooo!" You leaned towards it in curiosity, careful to not get too close to the lasers, "What does it do?" Before Kendra could answer you, Jase rushed over and started to explain with a speedy voice, "The Dragon's Tooth is a military-grade piece of technology that- ow!"
Kendra had kicked him in the shin. Hard. From what you had known about her, she didn't like to be interuppted.
"Shut up, Jase," Kendra snapped.
Jase kneeled on the ground on one leg, rubbing the kicked one with a grimace on his angular face. You reached out to him, but Kendra casually pulled you by the collar of your shirt next to her, placing her hand on the back of the neck you craned to see if Jase was okay and pushed you along yet again.
Your watch suddenly let out a long, piercing beep, which caused your gaze to turn to the plastic screen.
"Oh, I need to get home!" You exclaimed, rushing from Kendra to grab your bag.
"Awh, c'mon, can't you stay a little longer?" Jeremy strolled towards you along with the rest of the Purple Dragons. You were, quite literally, cornered by them, but you still persisted in your quest to return home.
"But I really gotta leave! I'll see you tommorow!" You rushed out, waving to the students strung up by their knickers outside their tech cubbyhole. The Purple Dragons didn't pursue, looking at the silent, red device on the collar of shirt in a cocktails of smugness and satisfaction (mostly from Kendra) and slight guilt of invading your privacy (mostly Jase).
You rushed to the bike racks as soon as you came out of the double doors of the High School. Going to unlock your bike, you spotted a figure in purple slink down an alleyway.
You pulled up to your residence, locking your bike and unlocking the door to your home. Taking off your shoes, and setting your bag down on your bed, you flopped down onto the carpet, feeling the rough material rubbing against your cheek. Despite it grating against your face, you found a sense of comfort in the act. You turned towards your bed, focusing on the underside. Stuck to one of the nails of the supports, was a bright orange piece of cloth. You reached out your arm, grabbing the fabric between your fingers. It was a bit worn, but perfectly clean otherwise. How odd, you didn't remember having any clothes like that.
☆~☆~☆
You opened the freezer door, shivering at the blast of cold air hitting your face. You grabbed the ice cream container as fast you could, and gingerly closed the freezer as to not wake up your family. As you sucked the spoon free of the frozen treat, you gazed at the moonlight filtering through your kitchen. There were a few clouds, but otherwise it was clear. You couldn't see the stars, though. Not in New York City, where lights and air pollution thrive. Putting the ice cream back, (you couldn't eat so much to the point where it would be noticeable) you pulled your blanket tighter around your shoulders and tiptoed back to your bedroom. You buried yourself under the warm covers, a welcome respite from the cold, and closed your eyes, unaware of the being outside your window.
Leonardo chuckled to himself, and propped his elbows up on the windowstill. He watched you cutely snuggle your pillow, your cheek squishing against it. The only thing he wanted was to pinch and squish them 'till they got numb, but bringing you home sooner than planned would make the rest of your new brothers irritated at him. You fell asleep almost immediately, you must've been so tired, poor baby. He pulled out his phone, and dialed a number.
"Hey, Don- what? Yeah, I know it's late. Don't shout at me right now. Yeah, add ice cream to the list."
☆~☆~☆
Mikey skipped into the room, holding a pair of slippers in his hand. He set them down near the bed just as Donatello finished spreading a thick, fluffy blanket on it.
"Ah, thank you, Michael," Donnie spoke upon seeing Mikey with the slippers.
"Anything for them!" Mikey squealed, obviously shaking with excitement.
"Hey, party people," Leo casually called out as he strolled into the room, holding his ōdachi over his shoulders like they were regular sticks instead of mystical, deadly weapons. Upon the red-earned sliders entrance, Donnie turned and glared.
"Leo, I don't see why you had to call me at exactly 2:38 AM last night. It could've waited until morning."
"What?" Leo pulled his hand to his chest in mock indignation, "And not complete the list? I swear, it's like you don't even want them to be happy here!"
"Of course I do!"
Before their squabble could turn into a full-on argument, Raph burst in the room with a number of plushies of different shapes, sizes, and colors in his arms, which he started to arrange on the bed. Donnie sauntered away from Leo to help Raph in an attempt to keep his temper under control, and Mikey arranged things around the room. Leo slumped his shoulders, made a portal with a single slash of his ōdachi, and fell backwards into it.
☆~☆~☆
Donatello typed on his keyboard, occasionally turning his gaze to the other screens, which had a plethora of security cameras, locations of trackers, and information displayed on them. "Occasionally" being every few seconds. Eventually, he gave up on his coding and leaned back to soak up all the information on you and blue light the multiple moniters could give him. He was the number one expert on you, which he had to be if you were going to be happy in the Lair. He was also going to be your older brother soon, which meant he had to make up for all the missing years. You didn't know how much you needed them all, but you would soon. Very, very soon. A ping from his phone pulled him from his obsessive thoughts. He had sent S.H.E.L.L.D.O.N to guard you throughout the day when he or his brothers couldn't do it themselves. His eyes widened to saucers when he saw the feed from his creation.
You, standing there. With the Purple Dragons. Talking to you. Touching you. The Purple Dragons. You, oblivious to their danger.
Donnie leapt up from his chair and sprinted toward the door, racing through the halls. He wouldn't let that horrible, deceiving, Kendra and her flunkies take advantage of you. Over his dead body.
"I'll be there very soon," he thought, "Wait for me just a little longer.
I'll save you."
☆~☆~☆
A/N: *chuckles* you're in danger.
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reasonsmandy · 1 year
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You're the hottest girl alive
Warren Rojas x Fem!Reader
✧.* requested by anon — i know you were looking for warren requests!! this thought just popped into my head - how would warren react to his girl being able to play the drums? like he didn’t know that she knew how to play but he walked in on her playing his set. i didn’t really think of any other details though like her backstory or anything :/
✧.* summary — Warren was mesmerized by you since the first time he saw you, and even with a lot of time together you always surprised him. And he fucking loved your surprises.
✧.* warnings — None.
✧.* word count — 1.7k
✧.* 🥁 — Warren's masterlist
✧.* mandy's notes — This was actually one of my favorites to write, I really loved writing his reaction. Warren is simply the Golden Retriever boyfriend.
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The first time Rojas walked into the label and his eyes landed on you behind the soundboard, his heart skipped a beat. The way your hair was tied up showing off her neck, he admired your skin from afar thinking he had never seen anything so beautiful, your eyes were focused on the equipment in front of you and he just loved the way you bit your lips while you were focused. He was amazed, and since that day he was sure that he needed to get to know you.
So little by little he approached you, staying a few days later at the record company helping you with what you let him do, showing you some new beats he had invented, commenting on the band and asking your opinion on various things, you didn't understand why he wanted your opinion on things so much but his presence always did you a lot of good.
"Can you play that one again?" Warren asks, pressing any button on the soundboard.
"Hey Rojas, don't do that!" You laugh, smacking his hand lightly to get his hand away. "Don't touch my baby without my permission."
"Your baby?" Warren laughs. "Alright, sorry baby…" He pretends to talk to the device in front of him, you laugh, he makes you feel so good.
"Exactly, the baby doesn't like strangers." You say playing along.
"Well, to make you less worried baby…" He keeps with the joke, talking with the soundboard. "I'm not a stranger anymore, I'm your mama's boyfriend."
You take your gaze to the drummer, your eyebrows raised and a small smile on your face. Warren was looking right into your eyes, that smirk you knew very well in that angelic face of his, you lick your lips trying to decipher if what you understood was really what he meant.
"If she wants that, of course." He says more like a whisper, you get closer to him placing your both hands on his bare chest.
He looks down at your hands, feeling butterflies in his stomach at the contact, you get up from the chair leaving him with a confused look, eyes still on you. You go towards the studio door and close it, he arches hin eyebrows trying to understand what you were going to do, he loved that even if he tried hard it was very difficult to decipher you.
You smile, noticing that it was now you who had made him nervous in a certain way, you sit on his lap and notice his uneven breathing.
"Come on Rojas, take care of your girlfriend." You whisper and he wastes no time kissing you intensely.
Things between you two were wonderful, you understood each other like no one else and each other's presence was always the main point for your daily smile. Warren loved every detail of you, and he loved the fact that you always surprised him in a different way every day, he never knew what to expect from you but he knew that every surprise from you was one more reason for him to want to put a ring on your finger.
Warren had you in his arms, you caressed his shirtless torso drawing a few hearts as he stroked your hair, it was probably around 2am but the drummer wasn't able to sleep at all, although you were struggling to keep your eyes open you did your best to keep him company.
"Rojas, I have an idea." You say through a yawn. "Come here, lie on my lap."
You say sitting on the bed, he looks at you with a big smile on his face, without asking too many questions he lies down keeping his eyes on yours.
"I want you to relax, okay?" He nods, closing his eyes.
Nothing in the world could have prepared him for what was to come, as he closed his eyes his ears began to witness something that leaves him in awe, you were singing and not any song you were singing Honeycomb.
He was sure he never heard anything better than that, even Daisy couldn't sing like you to him, he sits on the bed and you stop singing confused.
"I told you to relax Rojas." You say chuckling, he looked shocked and you didn't get why. "What's wrong baby?"
"You sing!" He exclaims, his passionate gaze on you. "Why did you never tell me this mi amor? You have the most beautiful voice I've ever heard."
"Don't exaggerate handsome, I sing like anyone else." You felt very happy to have someone like him by your side.
"You have the voice of a little angel!" He kisses you tenderly. "I'm so fucking in love with you."
You smile looking at your hands next to his, taking his hands and taking them to your waist. Lacing your arms around his neck then, you get close to him placing kisses on his neck.
"I'm in love with you too." You say between kisses, making your way to his mouth and kissing him there. "If you can't relax by yourself, let me relax you."
"With pleasure." He says, sighing at the contact with you.
That's what Warren meant by nice surprises, you always surprised him with details about yourself that he wanted to show the world, to introduce everyone to how you were the most wonderful person on earth. He was very proud of you, a woman who didn't care about what anyone thought of her, but was always there if anyone needed help, you were one of a kind and he felt so lucky to be with you, to be the one who you called boyfriend.
Today was the day of recording the instruments for 'The River', so Eddie, Graham, Karen and Warren were spending the afternoon with you and Tobias taking care of making everything right. You were sitting at the soundboard, Warren beside you with his arm around your neck and a cigarette in his lips, Tobias had left to get some more microphones, Eddie and Graham had left to buy some snacks and now was Karen's turn to play.
"She sounds so fucking great!" You say fiddling with some things on the soundboard. "Get ready handsome, you're up next."
"Yes mama." He says putting out the cigarette on his tongue and then throwing it in the trash can next to you.
Karen finishes playing and takes off her headphones, giving you thumbs up in question, you raise yours confirming to her that she nailed it. She smiles and goes to you leaving the room for Warren to play.
"And Graham?" The blonde asks you, pretending not to care too much.
"He must be outside with Eddie." You say with a smirk on your face, she leaves but not before patting you on the shoulder.
Now it was just Warren and you in the room, he had his headphones on his head and his drumsticks twirling between his fingers ready to go. He winks at you and you nod for him to start.
As always he was the best drummer you've ever seen, but there was something that maybe you could improve there, you had an idea of ​​something but while your boyfriend was playing you architected your ideas better.
You get up from the table entering the studio, Warren frowns and stops playing, removing the headphones afterwards.
"Is there something wrong, pretty girl?" He says, watching you get closer.
"Would you mind going there for a bit?" You ask, he shrugs without questioning too much sitting in the chair and waiting for what you were going to do.
You sit in the drum chair and he starts to get more confused, you take the drumsticks and he arches his eyebrows.
"I was thinking maybe this might work at the beginning of the song." You say and count down to start the playing.
And there you were, majestically playing the drums, Warren was speechless he felt like he was witnessing the most wonderful scene.
"Did you know she played?" Eddie asks, biting into a sandwich as he watches you. "Warren?"
"Shii! Be quiet, let me hear her." He says to the bassist and he immediately goes quiet, laughing at Warren's reaction.
When you're done, you leave the drums with sticks in hand, going back to your place behind the soundboard, but before you could say anything Warren kisses you passionately, at first you are surprised but then you kiss him the same way.
Your hands caress the drummer's curls and he grabs your waist as he wants you closer and closer to him, Eddie fakes a cough but Warren completely ignores him so he decides to go and leave you two alone.
When you break the kiss in search of air, you look at him in question, waiting for an explanation.
"So?" You say with your hands on your hips. "Why's that?"
"Are you serious right now?" Warren cups your face in his hands. "You're the hottest girl alive, fucking hell!"
You roll your eyes and shake your head, he pulls you closer to him.
"I mean it, is there something you can't do?" He looked at you with enormous admiration, he loved you so much.
"You overestimate me way too much, you know?" You smile at him.
"I'll make sure you know how perfect you are." he whispers, kissing her neck. Your hands go to his hair stroking the curls.
"Oh yeah? And how do you plan on doing that?" You question, still feeling the man's kisses on your skin.
"We're going home!" Warren wanted to get you closer, and he sure as hell couldn't do that in the record company's studio room.
"We have to finish this." You laugh, looking in his eyes.
"Fuck this, you've played amazing we can keep your version." He looked at you with tenderness in his eyes.
"I'm not keeping my version handsome." You say, playing with his hair. "That's your band, and besides my place is right here." You say pointing to the studio booth.
"In fact, your place is in my bed." He says making you laugh.
"Can't you think about another thing?" You say when you finally take your breath. "We have to work."
"Hermosa, are you serious?" He looked indignant, and you waited for him to finish his thought. "I just saw my girl, the woman of my life playing my drums… that's literally the sexiest thing you've done!"
He grabs you by the waist and spreads kisses on your face, and you couldn't resist that boy anyway so you went home with him.
Y/N L/N: Yes, we lost a day of recording but... It was worth it.
Warren Rojas: *laughing* For sure it was worth it.
...
Hi, I hope you enjoyed it... If you wanted to ask for something my requests are open, and if you want to ask and don't have any ideas check out my prompt list :) xoxo
Want to be tagged when new stories come out? REASONSMANDY'S TAG LIST
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brynn-lear · 3 months
Text
🍵 𝒲𝐻𝒪𝒟ℛ𝒜𝒩𝒦𝐼𝒯? ‧₊˚❀༉‧₊˚: A Yandere!H:SR x Reader Otome Game
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✧ romanceable characters (© hoyoverse): Professor Veritas Ratio, "Your friend" Kakavasha, and "Gallagher" [for now]
✧ content warning: yandere themes, mentions of racial/species discrimination (your character is SEA/Filipino-coded), (y/n) uses they/them, the story takes place in a modern hybrid alternate universe where each planet (Belobog, Penacony, etc) is considered a country.
PLAY THE DEMO HERE (available for download on PC & Mac AND online play for any devices, though download is preferable to avoid pixellated graphics & misaligned textboxes)
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You (name changeable) are a hardworking and full-pledged human cafe owner in Penacony City. Your Dreamjolt Cafe has been a go-to for residents and tourists alike. But your loved ones' lives took a sharp turn for the worst when you decided to take a much-needed vacation back to your homeland, Perlas. While your family eagerly awaited your arrival, you disappeared en route. Where did you go? How did this happen? Who did this? Was it...
☕ the prickly yet fascinating Prof. Veritas Ratio, your self-proclaimed avian-hybrid regular,
☕Kakavasha, your longest fellow human friend who always seems to have a secret or two;
☕ or Gallagher, your hound-hybrid roommate whose past is as peculiar as his loyalty?
☕ or are there two more you're forgetting?
... so...
𝒲𝐻𝒪 𝒹𝓇𝒶𝓃𝓀 𝒾𝓉?
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Please support this game by reblogging the post & sending asks/comments! I put a lot of time and effort writing, drawing, and learning to code for this. Thank you so much, my beloved yandere!H:SR community and of course, @dreamjolt-hostelry, for being supportive friends!!! - @beloved-brynn
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✧ Characters, Background Art and UI Credits
Hoyoverse assets sourced from the-astral-express-archive. I just tweaked em a bit!
Canva freestock images... Haha...
✧ Intro video, sprites & CG art Credits
Me!!! Hi <3 I hope you enjoyed them! I can't believe yall made me learn adobe after effects a bit for this-
✧ Music Credits
The main menu theme (the first song upon booting the game) is made by @naraven!
The rest of the royalty free music soundtrack (such as the music used for the video above) is sourced from Vodovoz Music Productions!!! Please show the creator some love!!! I was actually vibing so hard while listening to them lmao
✧ (Fan)Story
lol hi again!!! man. i feel like Argenti.
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If you wish to support my work and want to see more of this in the future, please buy me a coffee! So I can at least prove to my parents that my work is at least worth one dollar ;;;;
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sleepy-vix · 4 months
Text
How to annotate your books like i do
i'm writing this because i am bored :)
📰🪶
what you will need:
- a bunch of annotation tabs in a variety of colours (you can buy these on amazon)
- a pencil (preferably tiny so it's not always in your way, but that's up to you.)
- no pens. too permanent and they bleed
- no eraser
- no ruler
- no highlighters, colour pens, or colour pencils
- a pencil hook holder thing that you attach to the plastic flat thing that your annotation tabs are on and put your pencil through. compact. keeps all your stuff together when you're not using the pencil
- a book. obviously
- a drink: optional, and unrelated.
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How i make the key:
choose colours that match your book. I usually pick out 5 based on intuition. This is how i make my key:
- the darkest colour is for sad/ horrifying/ basically wtf moments
- i always have one for quotes
- i sometimes have one for fun fact; depends on the book
- i like to have a tab that i label as "hm" which basically means "ooh interesting idea proposed here" (not all books will let me have this tab. like a fantasy book wouldnt have this tab, but a dystopian book would. i love it when books allow me to add this tab ^^)
- sometimes i have one for beautiful descriptions and writing
- i have one for cool protagonist moments
- i have another for 'cool character moments: side characters' (i only give side characters their own tab if i find that i am very attached to them. like i was reading the poppy war, and i was bookmarking kitay moments alot so i decided to give him his own colour)
honestly, i do alot of this based on my intuition, and i like to adapt it as i go along
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also here are some more general facts abt my annotation habits:
- i usually leave space in my annotation key because half way through the story i will probably add more to the key
- i don't believe in having a tab for plot points. i'd much rather write my thoughts on foreshadowing and plot theories in the margins of the book with my pencil. i see no need to give it a tab
- my pencil is everything. i try to use pencil to express my thoughts whenever i can. i only tab when i really loved a scene or line and feel that my future self would want to easily flip to it
- i don't force myself to be articulate in my written annotations cus there's no space to be. most of the time i just wrote lol, aw, draw a skull, draw a straight lined face, or draw a crying face so that my future self can see what i was feeling when reading it
- i don't like underlining a whole paragraph, i feel like it looks clunky. so instead i draw a bracket like this [ in the margine so it draws my attention to that entire paragraph and future me will know that i found that entire paragraph to be interesting
- my lines are messy, and i love it. it breaks my reading rhythm to bust out a ruler and meticulously rule my lines, i just wing it and move on
- usually, in my annotation key, to start with, there are no tabs for ships. i usually add that in later on if there is any that i care about. if there is romance that i don't care about then i simply won't add a tab.
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my annotation experience is very personal and it's done for my future self, or anyone that would like to see my personal thoughts on the story.
i don't care to annotate in a logical way. i won't make tabs for every main character or every plot device or every romance ship. that makes me feel like i'm shallowly categorizing the scenes in the book... ykwim?
- ooh also, by the end of the book, if i find that i am head over heels in love with it, i'll usually go back and draw on any blank space i can find (i try to draw the scene that is happening)
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btw none of these photos are mine
thanks for coming to my ted talk
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Note
are there correct and incorrect ways to write open endings? do you think you could share some tips on when a open ending should be used, and when it shouldn’t?
thank you!
Open Endings and When To/Not To Use Them
The two main ways to end a story are with a closed ending or with an open ending. In a closed ending, the main storyline is concluded, the story's questions are answered and the threads are tied up. The fate of all the characters is clear. In an open ending, things are tied up more or less, but sometimes not as completely as in a closed ending. There might be some unanswered questions, some loose threads, and the fate of the characters and world are left to the conclusion of the reader.
Let's say you were writing science-fiction with a romantic subplot, where two people meet on a transport ship, get roped into a mission where they have to safely deliver an object to a certain destination, and they fall in love in the process. If by the end of the story the mission is completed, the characters have completed their arcs, and one character proposes to the other and they fly off to start their new lives together on their favorite planet, that's a pretty closed ending. For the most part, the story is concluded and we know the main characters' future trajectory. However, if by the end of the story they still haven't completed their mission, and they're on opposite sides of the galaxy, hoping they'll find their way back to each other, but both with their own side gigs in the meantime, that's a pretty open ending. We know they're still going to try to complete their mission, but will they? We know they're still in love and hope to find their way back to each other, but when and how? What if they don't? Where will their side gigs lead them? We don't know, but if done right, the writer will leave enough clues for the reader to draw their own conclusions.
What kinds of clues would help the reader draw their own conclusions about the potential fates of these characters? Clues about who these characters are--their personalities, their skills, what types of decisions they're likely to make. Clues about whether or not they will be successful in their side gigs, and how those side gigs might lead them back to each other. Clues about the world of the story and the likelihood and/or importance of them having to reunite to finish their mission--these are all things the reader can consider when coming to their own conclusion about where things are headed.
Open endings work best in stories where a satisfying ending isn't necessarily expected or guaranteed. Straight up romance would be a bad place for an open ending, for example, since a "Happily Ever After" ending is expected. A mystery would usually be a bad place for an open ending since the reader will expect the mystery to be solved. (However, you could do an open ending in a mystery where the mystery is solved, but other things are left up in the air.) Open endings also work best in stories that were more about "the journey" than about the end goal, and in stories that are meant to deliver a very realistic story.
Some writers find that they get to the end of their story and aren't sure where to end it, so they may be tempted to use an open ending as a solution. However, this is not a good excuse to use an open ending. Stories with open endings need to be crafted that way from the beginning. They're not a device meant to get you out of having to find an appropriate ending for your story.
Happy writing!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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yaut-jaknowit · 8 months
Note
first of all I absolutely love your work honestly it is amazing!! And that last gawtin ask hurtttttt I was wondering if you could make a part two? If you want to of course maybe communication saves the day? I hope you have a good day!
Argument with Gawtin Part 2
Pairing: Gawtin (Female Yautja) x GN!Reader
Word Count: 2276
Summary: For hours, you stay in your art room, sobbing away the time until the tears run dry. Now, it's the time to figure out what to do. You don't want to leave, you never want to leave Gawtin or Qui'oky. They're your family. You'll find a way to fix this or die trying.
Author Note: Communication in relationships are incredibly important! Here, it does save the day. Thank you so much! It hurt me too to write it because I hate conflict and to have my favorite pair fight...
Masterlist
Ao3
Part 1
Once the tear ran dry and left stick, crusty lines down the lengths of your cheeks, you picked your head up enough and looked around. The space was the same, empty and void of Gawtin. Old paintings and drawings covered the walls from floor to ceiling, making this place yours. A room that the green Yautja had given to you. She done so much for you.
An ache started behind your sternum as you hung your head in shame again, unable to cry again. In an instant, you shoved it back into her face while flipping the middle finger at her. You sat up in your desk chair, chin level. You had to fix this. You wouldn’t let her go, wouldn’t let this go. Not her love, the sweetest thing you’ve ever tasted before. The two of you were meant to be together, no matter who or what said otherwise.
How would you show how sorry you are though? You glance around the room. It’s not like you’re a hunter like her. You couldn’t bring how creature five times your size. No, you were her artist. You wield pencils, not knives.
What could you make? Something she could understand in her own culture, something that would be of great value. Then, you shook your head. No, if it came from you, it’ll be enough. You dipped your head.
A newfound determination filled your veins. You stood up abruptly and walked towards the only exit. Once you’ve reached the door though, you paused before hitting the button to open it. What if she was out there? You couldn’t just ignore her and walk out. That would be incredibly rude and inconsiderate of Gawtin. Well, you’ll cross that bridge if you reached it.
All was quiet and dark in the main room of her hut. Your shoulders sagged both in relief and disappointment. Where had she gone? Qui’oky wasn’t here, meaning he had to be with his mother. She wouldn’t leave him to his lonesome.
You left the safety of your art room. The door sliding close behind you. The floorboards barely made complaints as you walked over to the front door. A satchel hung off your shoulders, a knife sitting in one of the pockets. Not much more than for cutting stems rather than the throats of animals that could consume you whole. In another pocket sat a device similar to a GPS and could lead you back home.
So be it. You wanted to show you cared about her, that you truly did. An argument would not ruin everything you’ve built with her. You wouldn’t let it, no matter how much you wanted to take the next flight off this planet. This was your home.
Out the door you went. Cool, humid air smack you straight in the face. It was far better than the burning binary suns that would bore down on your skin during the day. You braved your way through the humidity and started a path in a random direction. You let your heart led the way.
For a few miles, you traversed with little thoughts of where to go. Only thing that filled your mind was the flashbacks of the argument. The skin of your bottom lip had been worn down till the taste of blood, an action you couldn’t help. Not when Gawtin’s voice echoed in your head to go home. You wished you had said this was your home.
And it was. You belonged at her side, holding her hand with Qui’oky perched on your hip. This was your family, you were going to fight tooth and nail for it.
A gut feeling told you to stop. For a moment, you prayed it wasn’t an instinct you were being hunted. The hairs along your neck never raised. You relaxed and scanned the surrounding area until a feeling drew you towards your right. A feeling you followed until you found a shiny rock. The colors that matched the same hue as Gawtin’s dark, forest green. It was slipped into the main pocket and sealed off from the world it once sat in.
For what was probably hours, you continued to do this even after the yawn broke across you face. When your satchel began to dig into your shoulder uncomfortably, you called it a night.
Flowers, tied together with a thin string were held in one of your hands. The other held onto the GPS tracker, helping you to trek in the right direction home. You couldn’t believe you had found yourself five miles away from the hut. The walk back would take you forever especially with how the terrain was. This is a jungle that ranged from steep mountains to gushing rivers. A few rocks had been picked up from the riverbeds and snuck their way into your satchel as well.
Though it took at least another three hours to return home, the two suns beginning to peek through the trees, you made it. Your clothes were soaked through with sticky sweat. Hunger twisted your gut with each desperate call for food. You were smart enough to have a waterskin attached to your satchel so you didn’t perish from dehydration that far from home.
The familiar forest green roof/walls met your vision as you pushed through the thickest part of the foliage that surrounded the cottage. Home. You smiled in relief and trudged up to the door. Without even thinking, too exhausted to even think up thoughts, you pushed your way into the home. Gawtin still wasn’t home. You huffed and entered your art room.
Your satchel’s contents was dumped onto tabletop. The flowers were untied ands laid out as well. It may all look like junk you’ve picked up from the jungle’s floor, but to you, it was unmade art. All it was needing was to be pieced together, like a puzzle. You had the hands to do it.
Like the artist the whole town knew you as, you began to piece what items could go together. Even with the need to collapse and sleep for ten hours straight pulled at your mind, you pushed through.
When you grew irritated when some pieces didn’t want to fit with one another, you set it off to the side and looked at the flowers. All of them had long stems, perfect for what you wanted to do. You had also grabbed a lot, possibly too many but you didn’t want to trek all the way back out there and get more.
Covered in dirt, your hands began to weave the stems carefully with one another. A pattern you had pulled up on a tablet Gawtin had given you long ago. On the screen, it looked ease to follow but grew harder with each newly added stem. At times, you were ready to rip it apart and set it on fire. Somehow, you soldiered through and finally finished the piece.
It was far too large to sit upon your head, which was exactly what you were aiming for. You didn’t have any measurements for Gawtin’s head and only estimated on her size. Not like she was home for you to measure without her growing suspicious in the first place.
Now feeling better at the fact you finished one of the projects, you moved back towards the mess of rocks and wires on the other side of your desk.
Almost a year ago, you had given Gawtin a necklace you had specifically went out to the market for. That led you into a mess of going from one vendor to another before getting captured in the end. Gawtin had to save you from the trouble but she was never mad. She expressed that after she got you to the safety of the hut.
Everyday, she wears that necklace. A sign of either pride or love, maybe even both. But you loved it and it seemed like Gawtin did too. Now, you were designing two bracelets. Either for both arms or one. Whatever she choose to do with them was up to her.
Back in the seat of your desk chair, you sat crisscross and stared upon the rocks once more. Ideas flowed freely inside of your mind, anything for this to work.
With these being on her wrist, they had to be incredibly durable. Once a hunter, always hunter. They would be put under great distress due to her everyday routine.
The wire used to keep the rocks secure was the strongest one you could find within a reasonable price and at the nearest market. Though, you used one of the young bloods to retrieve it for you for a small price. But, you had to use what you get your hands on without Gawtin knowing. You could be resourceful yourself.
You set to grueling work of designing a bracelet that could hopefully hold up to any added stress. A thick, durable band was used to tie the rocks to. The wire themselves were difficult to for around the rocks with no heat source to soften the metal. You did your best in the moment.
Before you on the wooden desk table, sat two bracelets, large in diameter but could also be tightened or loosen if need be. Again, you didn’t have her measurements on hand.
As a breath of relief left your lips, you heard the front door open then close. Even in the near dead silent house, you couldn’t pick up on the footsteps of the lumbering giant. Just one slab of metal kept the two of you away from each other.
Both of your hands began to shake. This was your one and only chance to fix this. You took in a lung filling inhale, leveled your chin, and grabbed your three items off of the desk. Your feet marched their way over to the door. It opened a second after you pressed the need button.
In the small kitchenette stood the goddess of your life. Qui’oky was at her feet and holding onto his mother’s leg. But when he saw you exit the art room, he made a noise of excitement and waddled over to you. You bend down and scooped him off of the ground. He would’ve climbed you to get into your arms if you hadn’t. You couldn’t wait for him to get older…
Timidly, you stepped over into the edge of the kitchen, eyes pointing downwards at the ground. A submissive position you hoped would be please her.
“Gawtin,” you called out softly then picked up your gaze to find her purple eyes already on you. She was lax but not letting a single ounce of emotion fall through any cracks of features. “I’m-I’m sorry. I want to start off by apologizing.”
Qui’oky grew too heavy for you to hold and got in the way. You put him back down, hoping he would loss interest in you for the moment. The prayer was answered.
The items in your hands were offered to Gawtin. The flower crown held out first. “I don’t know what way you guys apologize so I did my best. I was out all night and searched for the best because that’s all you deserve. I should’ve never said those things to you. This is my home. I want to be here. You never took me, I wanted to come with you.”
The bracelets were shown to Gawtin next. “And… and I wouldn’t want to be anywhere else besides here, with you. I love you so damn much. More than I could ever speak or gift to you. You are my family and so is he.” You fall to your knees and clutched the gifts in your hands as if you where praying. “Forgive me, please. I don’t want to leave. Please, let me stay. With you.”
It was only a small crack at first. The twitch of her gem studded brow before her walls came crashing down. Gawtin knelt down in front of you and wrapped her arms around you.
“I must apologize as well. I apologize for mocking you, for telling you to leave. This is your home. You belong with me, with us,” Gawtin whispered, voice rumbling deep in her throat as she held you close to her warm body. “I do not have excuses. I should have not taken my pent up anger out on you. That is my fault. A mistake I will not make again.”
Being in her arms was the best thing you could ever ask for. You sagged against her and sobbed into her chest. New, fresh, hot tears ran new rivets down the length of your cheeks. You did your best to encase her torso with your arms but came up short. “I’m sorry, I’m so sorry,” you cried and held onto her as your lifeline. Because she is. She’s your lifeline.
Her massive hand ran up and down the length of your spine. “It is okay. Everything will be okay.”
An eternity passed until the muscles along Gawtin’s arms loosened up enough for you to pull back and look her in those beautiful purple eyes. She still kept you in her grasp, as if afraid you’ll disappeared. “Now, let me see what you have made for me, my little artist.”
In that moment, you knew everything was going to be fine. She was right. This was only a bump in the road you’ve gotten over. This is life. There will be more but as a power couple with your sweet child, you’ll make through it all. You smiled up at Gawtin through the blurry tears blocking your vision. Alien or not, you love her.
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avelera · 2 months
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The Author =/= The Narrator
In creative writing workshops, my teacher taught us not to say, "The author did this..."/"The author said that..." but to instead say, "The Narrator" when critiquing each other's works, for many reasons but in particular in order to avoid the author, as a person, being attacked personally for things that happened in their story.
This is an important distinction for many reasons:
The Narrator and The Author are not necessarily the same person. They do not necessarily share the same experience or view.
Thinking this way helps to decouple The Author as a person from the Narrator as a literary device or tool that is available to an author trying to achieve a specific goal with their work. For example, Vladimir Nabokov, the author of "Lolita" is not the same person as its narrator and main character, Humbert Humbert. Nabokov was, among other goals, trying to draw attention to the vile nature of Humbert's worldview, while Humbert is, among other goals, trying to exonerate his vile behavior. To confuse these two as the same person is a deep disservice to Nabokov.
That said, there are of course books and stories where the Narrator is not necessarily embodied or given voice as a character (for example, in a 3rd person omniscient rather than a 1st person narrated story) though it can still have a viewpoint and an agenda that is still separate from the authors, even if they're more closely aligned. For example, there is no named narrator in, "A Christmas Carol", but the narrator describes Scrooge thus, "Oh! But he was a tight-fisted hand at the grindstone, Scrooge! A squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret and self contained and solitary as an oyster." From this, we can deduce that maybe, just maybe, the narrator doesn't like Scrooge very much. Now, the narrator likely shares much of their politics with Charles Dickens but again, and this is important, they are not the same person. Because "A Christmas Carol" is making other wider points and has other wider goals as a self-contained work that exists at a specific point in time that is not necessarily the same as Dickens as a person.
What I think is most important for people in places like Tumblr and Twitter to understand with the use of this distinction is that it is a system designed to allow both charity and deeper critical thought towards the author.
Authors can and should be able to write awful characters and depict awful narrators without everyone assuming they share those views, (e.g. Nabokov vs. Humbert). It also allows us to understand that authors, as living people, might change their views over time while a creative work is, by its nature, frozen in a certain place and time.
That said, by decoupling narrator from author, we can also understand a story more critically (not just negatively, I mean in the sense of literary critique) and ask questions like, "Why is the story being framed this way? What agenda is it pushing, if any? What are the views its expressing, if any? What does the narrator think is good, or bad and how does that impact the way the story is told to us?"
And most importantly, y'all have got to give writers a bit more credit for being able to use their craft to depict a view they don't necessarily share, to explore ideas that they're not necessarily promoting (and might even be deriding, such as Swift's "A Modest Proposal") and to allow the author to exist as a human being that may change, for better or even for worse!, from the views espoused by the narrator of their story.
I promise you, learning to decouple these two concepts will pay back dividends in being able to thoughtfully disseminate written works more critically and be less awful to real human beings.
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