#this is wonderful im having a great time

[madamemiz]

BOOPMAXXED YIPPIEEEEE

[napping-sapphic]

*gives you a gay little kiss that feels like home*

[morii-moth]

"this is me on day one of NO rendog !!"

[ardate]

Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you

[finelythreadedsky]

JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

[always-a-joyful-note]

More music-based media and music in general needs to take a page out of Revue Starlight and make their songs at minimum 6 minutes long. Intersperse it with dialogue or intrumental breaks if you want, but I expect it to drag at least 8 minutes in length

[jaarijani]

✨Happy birthday to our favorite little drummer!!✨

[marcelineuntitled]

silly little drawing of these two :))

[hysteriafossil]

mild suggestive humor ↓ . . . .

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more funnies.... i cant be stopped

[crescentfool]

the persona 3 protagonist 25th anniversary nui in food appliances!

[tomfrogisblue]

Had a thought.

I genuinely think Wilbur will be delighted by Pomme.

I think the legend of The French Sniper and her lil sister relationship with Tallulah will make her carve a place in his heart instantly.

I also think he will dig out all the French language knowledge he has at every opportunity to talk with her, and the attempt will be both endearing and mildly atrocious to listen to.

Can't wait ❤️

[smallsafespace]

Dont worry if you’re new, i’ll show you what to do!

[baguantte]

In black ink

YOU.

yes you! are you looking for a iwaoi fic filled will pirates, slow burn and endless seijoh shenanigans as found family?? AND IS ALSO FINISHED????? LOOK NO FURTHER than In Black Ink. Personally my favorite iwaoi fanfic of all time for making me feel every single emotion i've ever had! So if you think you'd enjoy a fic where Iwaizumi is whisked away on the adventure of a life time then this is the fic for you!!!

Made by @matsuwuhana whos got lots of other fics if that doesnt suit your fancy. They're really cool.

Oh also I made the graphic for the last chapter as well as made a copious amounts of fanart of this fic. so check it out.

[burningcomputerpersona]

i almost forgot i caught a pick at sad summer fest!!!

[concert-bflat]

Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.

Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.

And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.

And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.

God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.

Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.

Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh

Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie

Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye