#this makes it seem like izzie's dead

[catharsis-in-a-bottle]

i have come to the conclusion that i really love the characters in ofmd but really dislike the way their arcs were handled in season two. i let it stew for a while but that's where i'm at. it's okay though at least there is ao3 and probably a season 3

[bvnnywrites]

Still Waters Run Deep

Chapter 1: Apple of His Eye

PAIRING: Eldritch!König x Reader

AUTHOR'S NOTE: As I've said before, English isn't my first language, so this would e fun. Hehe. I'm so excited to share this fic with you guys hehehehe. I'm posting this on both Tumblr and Ao3. Who knows, the story on the other site would be different hm...? I'm not telling when, but hehe. Also, reader is in her twenties, specifically 22, so yayeet. If you don't like how fucked up this story is gonna get then please turn around and go on your merry way. I'll be posting the first chapter here on Tumblr because jesus, my ao3 invitation has yet to arrive. Also, don't forget to write comments, I need feedback because I eat them like it's groceries-

WARNING: NON-CON/DUB-CON, DARK, SMUT, NSFW, Creampie, Breeding Kink, Fingering, Stomach Bulge, Age Gap, Unprotected Sex, Cockwarming, Implied Discharge, Power Imbalance, Abuse of Authority, No Beta Reader, Dom! König, Size Kink, Size Difference, Cannibalism, Dead Dove: Do Not Eat, Cannibalistic Thoughts, Older!König, Eldritch!König, Monster!König, Masturbation, Dark Romance, Blood and Gore, Violence, Monsterfucking

WHENEVER A CERTAIN COLONEL PASSES BY the soldiers would grow quiet, as if he’s sucking the joy with him and then the chatter would continue once his thundering footsteps would fade away into quietness.

A silence would hang over the air for a brief moment – like they’re making sure the danger has passed before proceeding – and the soldiers would continue to chat once they're sure it was safe to proceed. Babbling away but their voices would be a bit hushed, as if their ears were on the lookout for the colonel’s presence.

The colonel was absolutely – you remember his name being König because you saw him score several shots using a sniper rifle in training – wholeheartedfuckingly terrifying.

König strides confidently across the battlefield and KorTac base of Operations in the same damn manner—Arrogant, egotistical, prideful. The mountain of a man walks in like he owns the place, and troops would be so relieved if they see him in the battlefield because they know that he'd be able to turn the tides to their favor.

And the fucker knows it. He knows people look up at him. Looking at him like the fucking messiah that would save them right then and there.

He relished in it.

And he was so fucking gigantic as he is muscular too, to the point his huge hands could definitely crush your head with his fingers if he saw fit. To say he was a Greek God was insulting. No, he was like Kronos.

Destructive.

All-devouring force.

Whenever you stood too close to him—even tho you recall not stepping too close to the colonel because you wanted to respect the five-foot rule for everyone lest they give you the go signal to hog their personal space like Izzy does—you can see the way his muscles would bulge whenever he tightened his fists, or how the veins on his arms were so… alluring, and holy shit he has scars. Battle scars that should've repulsed you but you find yourself wanting to trace it with your fingers.

His form is almost mesmerizing—like how you'd imagine Fenrir slaying Odin from one of the Norse Myths.

However, like Fenris Wolf, he too was bound and shackled to base. Most of the time, at least. You would see him buried and drowning and several paperwork when you go to his office while Roze waited for you by the door.

And you could see his baby blue eyes squint and conjure a glint of annoyance as you hand him your report. He has pretty eyes, that colonel. He doesn’t speak to you, always uttering grunts or huffs. Dismissing you with a wave of his hand—always gestures but never talking.

It reminds you of gray skies and blue muted waters, and sometimes they seemed vibrant when you hear the sinister glee in his voice of bashing an enemies head open like how watermelon breaks – and then he'd look at you and you'd immediately avert your gaze because oh god that would be so fucking awkward if your superior had caught you staring at his eyes like a creep.

As mentioned before, König is mostly quiet, and you didn't really hear him talk since he never talked to you at all. In the battlefield, when he barked out orders, gunfire would drown them and those closest to him would relay the message on to the others.

Lieutenant Izzy – Izanami actually, but she preferred being called Izzy – always spoke in Japanese, but she can speak a few broken English words. She didn’t seem to see you as a liability, often asking you out to grab lunch with her and Captain Roze. The white-haired girl always made sure you never missed your meals, and if you did, she’d make sure to hand you some MREs for the sake of making sure you’re taken care of.

She said to you once, “Be careful of that colonel, he is… what is English word that for… word you use when object is not good to you—harms life.”

“You mean dangerous?” Roze would correct her. “We really need to work on your English, girl.”

“Yes, that the word I’m looking for.” Izzy would laugh. “ローズ先輩、訂正してくれてありがとう。”

Roze, on the other hand, was more closed off. She was ruthless and strict, but you’re convinced that she cares about you the same way Izzy does because she gets this soft glint in her eyes when you tell her that you forgot to eat or missed lunch. Then five seconds later you’d feel an MRE smacking you on the chest, and Roze is barking at you for being stupid enough to not eat and say you’re lucky that her and Izzy are looking out for you.

But you can tell that both are highly protective of you, like older sisters making sure their youngest sibling didn't fuck up on missions or get hung by their rib by enemy soldiers.

Whenever the colonel passed by, you remember Roze’s words “Keep your gaze down” because apparently there was an incident where König had beaten the shit out of a recruit because the poor thing looked at him funny. Something about the recruit scrunching his face in disgust at the colonel or was it because he had mocked him behind his back? 

Either way, the kid was beaten to a pulp. 

The colonel was never given a court martial, however, since he had been able to pull rank it seems. Roze was the one who told you during lunch, voice in a hushed whisper.

Then your thoughts wander back to the nightly horror stories your soldiers would tell to one another. You had a habit of visiting them before making sure they all slept on curfew time. It was fun and it helped boost morale amongst the troops. It also helped that you were a younger lieutenant, so you were able to easily connect to your platoons’ humor and quip remarks. 

You remember the hushed whispers in the barracks, each of them uttering stories of what König might look like beneath the mask.

You often thought maybe he looks so mutilated that it resembles Nemesis from Resident Evil or maybe Salvatore on the Village Version. But you've seen the pretty blue eyes König possessed and you just know that deep down, he was a handsome man. 

Sure, he was old enough to be your dad, had a huge ass age gap that's wider than the forehead of the colonel of the Mexican Special Forces you had previously worked with due to König being forty-five years old, but you'll admit a pretty man if you see one.

However, your soldiers' claims were way more hilarious as they spoke. Each sounding absurd and stupid than the last.

"I heard he has three faces, like the demon Asmodeus. I mean, I wouldn't be surprised if he's a prince of Hell in disguise. Have you seen his body? What I'd give to climb him like a tree." 

"I could've sworn I saw worms underneath. Kind of like maybe a maggot-infested lower jaw since I heard the skin of his jaw had been burnt off."

"I think he has the face only a mother could love. Men like that exist."

You had grown up in a small town, people believing heavily in superstitious beliefs. However, once you've left said small town, you realize that they were silly things that old people simply uttered into the wind.

"Did you know a psychic said I would get murdered when I was ten?" You laughed at the absurdity of it all, wanting to add some scary shit of your own.

"Really, L.T?" One of your soldiers said. "Oh, this has to be good!"

“Yeah. I remember she was very old, and if I were correct, I think she moved from Hallstatt? Wherever the fuck that is.”

You told them the stupid little story. How you lost twenty dollars to a fraud only for them to say you'll get murdered, and how it spooked you as a kid and made you all paranoid only to realize you just got scammed out of your money.

"The thing that will kill you is hiding its face. The thing that will kill you has its crown scraping the ceiling. The thing that will kill you has sharpened teeth. The thing that will kill you will charm you with its glamor and false promises. The thing that will kill you will devour you with its appendages and fill you with its seed. The thing that will kill you… you won't see it coming."

The soldiers all laughed, including you, after you've said it in the most croaked voice as you mimicked the old psychic. 

You've never laughed so hard in your whole life, but you were glad that it was your troops that were with you and not stuck up stoic alpha male soldiers. It wasn't real, but it didn't hurt to be cautious. 

All of you got along. 

Sure, most of the soldiers given to you were teens – because the military was just hiring eager and stupid kids, and by God you were going to protect these little shits with your life – but it was fine because they had you. For as long as you live, you promised yourself you'd make sure they were all safe.

And you took them under your wing and you feel bad because they were kids compared to you. They shouldn't be here dressing up as soldiers and being sent off to war zones with you. These kids were supposed to be at home, where they could be safe, and worrying about teen stuff. But then again, KorTac was a company at the end of the day. 

A Private Military Company—basically just glorified mercenaries at this point.

Of course, they would exploit anyone who is willing to serve for their country while also getting paid generously compared to being in a government affiliated military—Hell, you're here, aren't you? Why? Because they can be greedy fucks and capitalism exists, and KorTac rivals Disney in terms of being a well-known PMC in the military world, and you're broke. 

Not to mention that the BAS – Basic Allowance for Subsistence – was fucking higher in KorTac than the government affiliated military you used to serve in. A BAS rate of seven hundred sixty-two point sixty-nine euros for enlisted members, while officers are given the same but with an increased rate of four hundred ninety-seven point fifty- eight euros is better than the current BAS.

You also get the average of six thousand and seven hundred eighty-two euros at an average per month here in KorTac. The pay is way fucking better and you can save up money to the point you were able to pay off your own student and credit card debts and leave your parents' nest since you were basically loaded at this point. 

Money was enough to blind you from the dangers that lurked beneath the still waters that run deep that is KorTac.

"The thing that will kill you… you won't see it coming."

“Did you hear what happened?”

“What?”

“Another soldier went missing again.”

Captain Stiletto changed her mags, examining her scope as she spoke to you with a calm voice—as if she hadn’t just dropped the news of someone going missing. Again. You were ready to hear which recruit was unlucky enough to be whisked away and never to be seen again. That or they turn up mutilated and scared, and the poor things won’t even talk. However, a missing rookie suddenly turns up out of nowhere after months of disappearing without a trace was statistically low.

No, really, it would be low—unusual at best.

The best way to analyze it would be using the Bayesian Inference, and using a probability model to express the uncertainty towards the situation. In this case, using a binary variable would be ideal, $Y$, to represent the outcome whether the missing rookie ever did turn up or not. $Y$ = 1 if the rookie is found, and $Y$ = 0 if the rookie isn’t found.

Then assume that the probability of finding said missing rookie is equal to the proportion of all missing persons who are eventually found. As evidence becomes available, then update the model with that evidence and compute the posterior distribution for the probability of finding the rookie.

In this case, if one of the higher ups discovered the rookie all pale and shaking and are obviously had been terrified to fucking death, the information in that scenario could be used to update the posterior distribution, taking into account that the probability that the rookie had seen something scary in that location, if they were ever found that is.

Once the model with all available evidence has been updated, the posterior distribution to make predictions of the probability of finding the new recruit can now be used. The officers tasked with finding them—at least those who hasn’t given up—will be able to find them within a certain time frame or calculate the probability that they’re are found alive or dead.

Just some basic statistics you’ve learned in ninth grade, that’s all. Or at least from what you can remember.

The scar that ran down the captain’s face was evident like the blood smeared in your hands when you’ve killed an enemy. No one knew why there was a huge damage to her face or why it was there in the first place. You’ve only been in KorTac for a month, almost everyone you’ve met have given you warnings and it was all the same—keep your distance from the colonel. You have half a mind to say “Fuck this” but the pay was good.

Not to mention your contract hasn’t been finished yet and you doubt you’d find a good paying job like this while doing what you love.

“Who was it?” You dared to ask.

Stiletto looks away for a moment, before turning back to you. “Private O’Neil.”

Your eyes widened at the information. You don’t know the person, but to hear a private going missing was surprising. Usually, it was the recruits who disappeared for the most part or at least from your observation in your stay here. Now that’s very strange.

“Huh… a Private? How come it wasn’t a rookie?”

“That’s what I’m thinking too.”

Stiletto responds with the same confusion as you, her lips pursed. She looks worried, unsure to react.

“The colonel had been tasked to investigate the missing cases, but even he isn’t getting any answers.” The captain says, her face troubled. “It’s like there’s a serial killer at base.”

“Like playing Mafia, huh.” You joked.

“Exactly.”

You’re scared of what this could mean. If whoever it was plucking the recruits off like grapes were about to turn to privates, then it won’t be long before your ass is on the line. You have half a mind to help, maybe offer your insights on the investigations, but thanks to Roze and Izzy’s advice, you knew better than to get too close to the colonel…

Unless you want to get beaten by König with your incompetency—what he deems incompetency—since he loves doing things his way according to the soldiers who had worked with him.

It wasn’t enough to scare the rookies, however. They’re still chatty and happy, all of them seemed unaffected by these rumours.

Of course, they’d be unaffected, everyone is telling them that it’s just rumours and the soldier that disappeared had simply been discharged for wanting to leave or go back home. There were a few who didn’t believe it, but those with higher ranks – including you – were reassuring them that it was merely rumours.

That they shouldn’t really worry their pretty little minds about it. And what infuriated you the most was because it worked. They were gullible kids, as young as sixteen to nineteen—basically a six to three years old age gap between you and them. They should know better than to believe the honeyed words from yours or their superiors’ mouth.

But could you even blame them?

They’re just kids. You and the other high-ranking officers were older than them, obviously they would trust you. They expect all of you to guide them, showing them the real ropes of war and violence unlike the trial sessions they’ve had in boot camp and the infantry.

So, really the blame was on every high ranking official—including you.

Everyone from being a specialist to the general of the army were losing their shit over these incidents because KorTac was supposed to promote opportunity and valour, but how can you do that if your fellow soldiers – doesn’t matter what rank they are – are going missing like some monster was plucking them off of their rooms one by one or rather off of the hallways when they’re past curfew.

Curfew falls under your responsibility too, sergeants up to lieutenant colonels were tasked to make sure that every rookie or corporal has to be following the curfew or rather their curfew. KorTac had implemented the curfew for the rookies up to the corporals’ weeks prior to your official employment according to Roze.

The last thing the people who called the shots wanted was a widespread panic amongst their troops.

“Do you have any hunch as to who it might be?” You asked her curiously, wanting to know the captain’s thoughts.

“It could be that newbie before you, Phillip Graves, but he’s mostly out on missions. So, that checks him out.” Stiletto answered, looking at you. “Then there could be the possibility of it being Horangi.”

“Why him?”

“He’s too violent.”

“Aren’t we all?”

Stiletto laughs at your response, shaking her head as if you’re being silly. The captain was nice, in your opinion at least. She pats you back lightly like an aunt would when you remind her of your mom when they were younger. There’s a twinkle in her eyes, one where it makes you wonder just how exactly does Stiletto see you—a daughter, sister or maybe a friend. Either way, you were in her good graces and that’s enough to quell your curiosities for now.

The two of you were practicing alone in the firing range. Those at the lower ranks had gone to sleep or were forced to sleep since it was curfew for them.

The atmosphere had gone heavy.

It was light and cheery in the morning, but at night, the happiness and laxness of the vicinity disappears, and you and the rest of the soldiers with a higher rank are faced with the reality that someone was picking off all of you one by one like candies inside your granny’s bowl of strawberry candy that you don’t see anywhere in the grocery store.

You know, the one’s you get when one day you became a grandma – or great-aunt, or even an honorary old “auntie” – and these things just magically appear at the bottom of your purse. The ones that once they start spilling out of your bag, you’ll find an intricate cut-glass bowl or dish in the middle of your living room and your grandkids or kids would just come and go while pocketing a handful of them, and the refill is somehow always in your purse.

Stiletto hands you a rosary from her pocket. You looked at the long wooden beads coated with silver chains and designs before glancing at the captain. You took it gently, letting the coolness of the holy object cool your skin that wraps around it. Oh, it’s a sweet gesture. Now you have something to wear around your neck, a little good luck charm despite the fact that you don’t really believe in God or a higher being. Her head is tilted to the side, looking at you with an analysing glance as silence befalls the two of you.

“Why…?” You asked her underneath the fluorescent lights of the firing range, riffles forgotten at each other’s side.

Stiletto shrugs, sighing tiredly, “Maybe the thing that’s picking us off one by one would be scared of the Lord.”

“I doubt he exists.”

“He’ll save you in your time of need. He answered my prayers. Maybe He’ll answer yours too.”

“What did you pray for?”

Stiletto is quiet for a moment, looking away before looking back at you with worry. She placed a hand on your shoulder, giving you a gentle squeeze.

“That you would still be alive the next time I see you… that you wouldn’t be next, lieutenant.”

“You’re the lieutenant that Horangi had referred to the company, ja?”

A voice says with a German accent to it, and by Mary, Joseph, and the Babeh Jesus what an alluring voice he has. It was low and rough, a tad bit raspy—gravelly. You thought to yourself that if you were Persephone and you heard this voice coaxing you into the warm embrace of the Underworld, you too would have cartwheeled and backflipped into Hades’s lap. Leaving the nymphs and the flowers, and the warm sun to drown in the enticing embrace of the God of Death while he whispers sweet nothings into your ear.

You turned around, half a mind to fuck the brains out of this man until you saw who was speaking to you and all horniness came to a halt as you realized who it was.

König.

You glanced directly at his eyes briefly before averting you gaze, Roze’s warning echoing in your head. You nod your head, confirming his question. You tell him your name and rank, which country you came from, and basically any general information you can tell to confirm your identity. Konig nods his head at your words. His eyes crinkled—was he smiling underneath the sniper hood?—and you can hear a smug tone on his voice.

“Ja, leutnantin, I’ve read your files.”

“Oh.”

Your eyes glanced to the side, seeing some soldiers chattering at the end of the hall. Good. There are people around. A polite smile blossoms on your face, offering it to the colonel – just like you would whenever you bump into a senior officer. Your mind raced why he was suddenly talking to you.

HE BARELY RESPONDED SO WHY WAS HE SUDDENLT BEING A CHATTER BOX?! You internally panicked since he often responded in hums or grunts whenever you give your report, didn’t even glance at you whenever the two of you passed by each other.

So, why now?

“Did you need something, sir?” You asked him politely, tilting your head a little as you crane your head to look at him properly because holy shit, he’s so fucking tall.

“I do, actually, Schatz.” König responds, cold eyes gazing down at your smaller form. “I need your help with a… serious matter. Come with me to my office.”

His strides are big and long as you struggled to keep up with him as he walked down the halls. Your eyes glued to his massive thighs… and oh. The soldiers within the halls part like the sea as König passed by as if he was Noah. They all lower their gaze, chattering going to a halt until only the sound of the storm raging outside can be heard.

“So, why do we need to go to your office?”

But König doesn’t answer, and his hands balled to a fist. You can see the cloth crinkle as his grip dug into his palms, while he ignores your question. Which is, in a way, rude since you were simply trying to gouge out information as to why your colonel was summoning you to his office. You furrowed your brows at his actions.

“It’s the least I should know, don’t you think–”

“Are you always so noisy?”

You blinked owlishly at his words, the colonel barely looking or glancing at you as he continued to walk down the halls of KorTac. Your breath hitches in your throat as you register the slight annoyance in his voice.

He finally looks at you, eyes crinkling as he laughs. And oh god, his laugh. The mere sound of it makes your cheek warm and make both of your lips smile.

“The look on your face earlier is funny, Schatz. However, you’re a lieutenant, no? I’m sure that despite how young you are, you’re mature enough to know that there are classified things that can only be discussed within the confines of an office, ja?”

“I’m sorry, colonel. I didn’t mean to let it slip off of my head.”

You feel like winning the lottery, but the prize isn’t a billion bucks—it’s the fact that you haven’t angered the colonel, and he’s not bashing your head to the pavement or maybe stabbing you where you stand and tearing your flesh with his gloved hands.

You don’t notice the guilt that settles on your face… nor the look of softness and endearment on König’s face as he admires the look of culpability blossoms on you face.

The softness of your face, the way your eyes are filled with such an adorable shyness when you think that he would actually reprimand you for something so innocent. You were so little compared to him too, so fragile… so weak. He relishes in this power over you—power over your reactions and your expressions. You looked so eager to stay on his good side. So eager to please him in your own innocent way. Whether you intentionally do it or not, König is being pumped full of dopamine at just you talking to him.

He's had his eye on you for a long while. The moment you stepped foot on base, beneath the scorching sun of the tarmac, König wanted nothing more than to snatch you and make you his. Drag you away from KorTac, smuggle you to Austria and lock you away in his house by the sea shore, away from prying eyes.

Where he can have you all to himself.

But even his rank and reputation in KorTac couldn’t save or excuse his behaviour if he does that. Everyone would think he was a freak or someone creepy if he were to ever just scoop you up. The way your voice echoes when you bark out your orders to those inferior to you, the way it softens when you talk to your friends – especially to Horangi, and König s gnawing at the cages of his enclosure because he wished you would talk to him the way you would to Horangi.

He wants to talk again without addressing you formally, but he is awkward with connecting to people. Even when he tried to follow his psychiatrist’s advice in trying to open up to people, König still has a hard time trying to initiate a conversation. The words piling up in his throat—stuck there for the rest of eternity.

 König doesn’t know what to do with his hands, resisting the strong urge to grab yours—so tiny and adorable­—and let his giant hand envelope it. You are pouting, gaze averted to the ground, cheek rosy from embarrassment, probably reprimanding yourself that you should’ve known better.

König isn’t sure if he wants you to be scared of him or not – and he hates that you are the first one to be an exception to his desires, because he wanted everyone to fear him. There is something dark, disgustingly predatory almost, in his thoughts as he watched you beat yourself up, but he doesn’t speak, and his fists are balled up because your voice and adorable face were too fucking much and he doesn’t even know how to talk to a girl in his adult years.

“C-colonel, we’re here.”

You hate that you stutter, but you can’t help it since your heart skipped a beat when you looked up and saw König looking at you with such softness and tenderness from his gigantic height. You had to take a deep breath, shaking your head at the delusion it’s not a delusion, you aren’t seeing things runnin in your head.

No.

That was wrong. That idea in itself would be wrong. The colonel was someone wise despite his violent tendencies. He would never entertain the idea of being with a fellow soldier. Not to mention bend the rules just to risk his position and rank. It would be stupid for him. It wouldn’t be worth it for him, and you just fucking know it.

“Ah… right. Bitte, wait a minute.”

You can see how miniscule the keys are to his hand, his form bending down a little and when he stood back up, he was at least three inches taller than the fucking doorway. He turns the lights on and gestures for you to step in. He closed the door behind you as you took a seat in one of the chairs in front of his gigantic desk.

The desk looked proportionate to his form, and the office chair he has accommodates him greatly and it makes your heart flutter because he looks like a king and all he had to do was give out his decree, and you would be scrambling to do said decree to please him because holy shit something about how big he is, is making your insides churn deliciously–

Wait. Bitch, you better stop. Your thoughts screeched to halt, smacking yourself internally because you’re sure you’re not yet in your ovulation week because you just finished your period four days prior… No, that’s not true, you lost track of your cycle due to the recent events that happened at base. The colonel was twiceyour size, and you’re not sure if you can take him.

Not in a fight, of course.

“So, about the recent events happening here at base, I’m sure you’re well aware of it by now.” König starts, leaning at the desk. “Soldiers are disappearing left and right, the younger ones wouldn’t take long before they stop buying our lies, and we need a way to stop whoever it is that is picking is off and making us drop like flies.”

He stopped, eyes roaming as if he’s analysing you.

“Hase, you are quite the prodigy that at such a young age you’ve managed to achieve the rank of lieutenant, and I am completely impressed.” König says, nodding to himself as if he’s proud of you. “Someone of your calibre would be of valuable help to catch the culprit or, rather, the creature that’s currently on the loose in base and hunting us one by one.”

“Creature? Don’t you mean person?”

“I’d like you to look at these and tell me that a human was behind these incidents.”

König slides you a dossier and you merely throw a confused glance at him before opening said dossier, and you almost–No. You do regret opening the fucking folder.

The entrails of the victims are chewed off and sprawled across the floor, the ground was a sea of blood. Some of them had missing parts, but mostly the torso was empty, intestines being the only thing left behind from the inside of the corpses, and there were a few where the eyes hangs out of its socket and runs down their faces like a veiny egg yolk. You want to look away, but you can’t. Some pictures showed the skins have been peeled off, most had been cleanly peeled off. Even the nipples were intact. Never to this day have you seen anything so horrible.

Finally, the urge to puke tore your attention away from the files, smacking it to the table as you swivelled your head away, and your mouth unhinged as the familiar disgusting liquid of your insides went past your throat. Before any of it could spill past your lips, a bucket had been shoved to catch it. König holds the bucket to your mouth. Meanwhile, you did nothing but vomit. Over and over again. Long after it seemed there was nothing more to bring up, you continued to vomit.

At last, after a good solid minute, you stopped. Tears prickled your face as puke-mixed snot went down your throat. König was kind enough to offer you tissues to help clean yourself up before he hands you a glass of water, and getting rid of your vomit.

“I’m sorry.” You weakly said. “That caught me off guard and I–” The words cut off in your thought as you shuddered as the pictures seared into your head. Well, guess this is my thirteenth reason.

“It’s fine, Schatz. Nothing to be sorry about. It is rare for someone to stomach such evidence.” He reassures you.

His giant hand rubs soothing circles on your back and it’s so comforting that you eventually calm down and catch your breath. The taste of bile still lingers and you downed glass after glass of water just to get rid of it but seemingly failing to do so. Yet it is nothing compared to the electrifying touch of König’s fingers that glide behind your back, passing by the wing ang hooks of your bra. Of course, he didn’t mean to do that he most definitely did intendes to do that because he was just trying to ease you out of your sickened state.

“I’m sorry.” You say again.

The pout on your lips was making you adorable and König was glad he was the way that he was right now. Had he been the same age as you, he wouldn’t have been able to hold back. He would’ve pushed you down on his desk, giant hands spreading your legs, tearing your clothes, while he makes you beg for his cock–

“As I’ve said before, Schatz. It’s fine. We have to recompose ourselves from time to time. After all, we’re only human, no?”

You look up at him from where you seat, smiling softly at him. He was so nice. Your eyes flickered to his neck, and then on to his fingers. Seeing the lack of wedding band on him had you feeling butterflies. Was he not married? Who wouldn’t want to marry him? Was he ugly?

His baby blue eyes—like a mixture of storm grey skies and the heartless depths of the ocean—were a soft hint to the fact that he was handsome. You just know. Unconsciously licking your lips, your eyes scanned him over – in the most shameless manner, but that was fine. You can always chuck it up to you just analysing him.

“Now, Schatz.” His fingers wrapped around you chin, coaxing you gently to look up at him. “Lieutenant colonel Allard, Captain O’Neil, and I will be conducting a manhunt starting at 00:00 up until to 04:30 this Friday. Allard would be taking the North side of the base, I’ll be taking the South, and O’Neil would be taking the West area–”

You paid attention to every word he said, nodding your head every now and then. You kept your eyes locked to his, unaware of the growing tent inches away from your face in your colonel’s pants.

“–which is why I called you to my office.” His voice rips you out of your trance. “I wanted to ask you if you would be willing to lend out a hand in catching whatever it was that’s picking us off one by one?”

“Yes, sir.”

The way you responded with such speed had you internally clutching your pearls. You were so confused as to why you had agreed so easily without even asking for the details. Hopefully, your colonel would be kind enough to graciously brief you and the team before he sends you all out to play limbo with this culprit.

König smiles at your eagerness to help the team—to help him. The younger ones weren’t so eager like you; often having to be bribed with a reward just to help. But you? You said yes without any hesitation.

“Are you married, Schatz?”

“No, sir.”

“How come? Most female or male soldiers your age are married. Why aren’t you?”

“Why aren’t you?”

Your body tensed as your mind caught up with that loose mouth of yours, but before you could even stop yourself the words had already been uttered into the world.  Holding your tongue and making you blurt this in front of your superior needs to be fired. Like, bro, pick a different sim to fuck up. Please. You might’ve had the chance to be in his good graces, being offered promotion after promotion because König did say he’s read your files – he’s awfully touchy too, but maybe that’s because he’s comfortable around you. You might’ve had a chance of walking out the office, alive and healthy with nothing but a nod of a head and telling you to be prepared for the operation this upcoming Friday – but now you’ve said those words with such casualness that it doesn’t really suit the dynamic between you two, and could promptly land you to some punishments. You could–

The colonel chuckles, eyes closed as his shoulder’s shook, and the sound of it makes your cheeks flare with warmth.

“What gave it away, Schatz?”

Your body relaxed, seeing he wasn’t offended or irritated by your response.

“It’s uh… um, the lack of wedding ring, sir.”

“Oh? What an observant klein leutnantin.”

He looks at you, contemplating for a moment before König spoke.

“I have trouble finding a… suitable mate, if you will. Mutter often tells me that I’m a carbon copy of my father, which could explain why she’s so distant and hostile towards me. I don’t… I don’t know or saw the need to find a partner until… until recently.”

His gaze lands on you as he said the last two words. You furrowed your brows, wondering who or what could’ve changed his mind. With a tilt of your head to the side, you asked him a question that stems from his words.

“How come your mother hated you just because you looked like your father? You can’t exactly control your looks.”

“Because he was a monster who had forced himself on her, and forced her to carry his child – which would be me.”

Your eyes widened at that. You didn’t exactly expect the colonel to say it so casually, as if it’s a fun fact you’re telling to a kindergarten. You pursed your lips, looking away, feeling awkward and bad now that you had brought up the topic.

“I’m sorry… I… I didn’t… know.” Was all you can muster.

“You seem to not know anything at all, Schatz.” He cooed at you. “It’s alright. You needn’t be sorry. How I was born is something I cannot control, but the outcome of who I can be is.”

König chuckles, walking over to pat your head affectionately and holy shit it has your heart racing.

“Growing up, the children my age shunned me. They had thrown rocks at me, calling me a monster. My mother did nothing to comfort me, dismissing me and shoving a sack to cover my face. I spent most times outside the house, often sleeping on caves by the waters or at the sand by the shore. The lake is something comforting, I must say… I miss it – yearn for it, if you will."

“Lake? Don’t you mean ocean?”

“My hometown was in Hallstatt Lake, Austria.”

His words ring a bell. You could’ve sworn you’ve heard of Hallstatt Lake before. You tried to remember where you heard it, but couldn’t. Oh, well. If I can’t remember it, then it ain’t that important.

 My father travelled from the ocean and dwelled by the lakes of that area. Then he saw mein mutter and... you know how that story went. Anyways, I have learned that I am… hideous. Therefore, that is one of the contributes as to why I am still, in your kind’s terms, single.”

“So you’ve never had partners before? Not even… I dunno… doing the devil’s tango? Sex?”

He laughs, shaking his head. “No, Schatz. They back out the last minute.”

You looked at him pitifully. He was a lonely man, wanting to have someone beside him and yet his self-esteem was so low. Maybe fucking him could boost his self-esteem. It’s not like I’m craving him, I’m simply helping. Maybe I could be the first to teach him the intimate touch of a woman. The comforts of the flesh. There was something about damaged men that are just so fucking hot. After all, it’s just a twenty-three years old age gap between König and I – Woah, what?! Pause. Your thoughts screeched to a halt, pinching yourself for letting it wander off that far.

How did it get to this?

How did the two of you get so comfortable to the point he’s literally just trauma dumping on you, and you’re lending an ear to listen. You should be walking out f the door, telling him this was unprofessional but you find yourself glued to the chair, heart going out to König as you empathize with him.

“I may not know what you look like under the mask, but mom did tell me that you can see if a person has a handsome or beautiful face is by looking at the shape of their eyes.”

“Oh? And what have you deduced from just observing my eyes, Schatz? Am I considered monstrous?”

“No, sir… I’d say you’re beautiful.”

König’s eyes widened at your words, his cheeks burning beneath the mask and he’s so fucking thankful that you can’t see his face or what he looks like underneath. His heart thumps louder than it did when he first saw you.

He is fighting the urge to invite you to move in with him to his quarters, keeping you all to himself. König’s sure that his bedroom is way more spacious and comfier than that of a lieutenant’s. The Austrian giant has to physically restrain himself from snatching you, and dragging you into the shadows with him where no one can rip you from his embrace – he can’t bear thinking about you being with someone else.

“Was it offensive… sir?”

“No, liebling. I just think you are blind.”

König would absolutely whisk you away right now. All you need to do was say the word, and he’d be following your words as if they are the ten commandments. He can and will buy you an estate if you want, just pick a place—preferably in Hallstatt, Austria—and that would be easy for him. König would love to just provide for you, to get to go home to someone as adorable and meek as you are – eager to succeed and be praised by the most little of things. You would be protected there. No one would ever disturb you.

His father was never there for his mother. Left nothing to support her other than trauma after he was hunted down by the townsfolk and brutally murdered. König tells himself that he would be different, that he would give you the world. You need only ask. 

He understands that being delusional isn’t healthy, and that his psychiatrist would definitely shoot him with a Nerf gun for letting himself descend into this type of madness, but he was old.

And lonely.

And you’re just so sweet and so nice to him, going so far as to tell him he’s beautiful. And despite spending too much time in waters, König drowns himself in fantasies about you being in a giant house, welcoming him home after his deployment, pregnant and eager to kiss him sweetly. You who can be his everything. A cure for his troubles and woes, even though his psychiatrist had severely advised him to not put your partner on high pedestals because it is extremely unhealthy and co-dependent.

König knows he can’t just blurt shit out as he pleases, lest he scares you away. You would scream at him, call him a sociopath – or a psychopath if you aren’t as knowledgeable as him in the department of terms. He is only self-aware enough to know that he can lose you if he made one wrong move.          

He’s old and tired. And he wants to experience fatherhood before he dies, preferably having you as his klein Frau. But he can’t rush you. He needs to bid his time. In that moment, König decided—regretfully so—to let you go back to your duties for the day.

He needed to get close to you than he ever did before—needed to work with you to have you close to him at all times.

“That would be all, liebling.” König says to you. “You are free to go now. I don’t really want to hold you up here for too long.”

“It’s an honour to be picked by you, colonel.” You chirp happily, eager to maintain this casualness between you two in hopes of getting promoted faster.

The giant, behemoth of a man watches you walk away from him, eyes glued to your hips and adorable, plump ass. Your frame still smaller than him even when you stood up to your full height. It was endearing to him. Soft blue eyes following your every move, watching you as you give him one last smile and a friendly wave before you closed the door shut behind you.

“I’d say you’re beautiful.”

Your words echoed in his head, making the older being flustered as he ran his hands over his face and sighed. He couldn’t get it out of his mind, and he knew he’d be clinging to that until the day he died.

“It shall be the day that the sun is at its peak when you find what you longingly desire. Once the sky is thick with water and the blood of warriors are spilled, the gods will give you a chance to converse with this creature. You should turn them away. Put them at arms-length, but you are a selfish being. You would devour them, drain them until they are merely husks because of your depravities… I pity this young girl.”

He recalls the stupid reading he had gotten from a so-called ‘wise woman’ twelve years ago in her quaint house at Wolfengasse street. Maybe that völva was genuine in her craft before she left Austria.

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[mottlemoth]

Re: "But don't you find it beautiful and meaningful that Izzy got to experience happiness before he died? He ended his life surrounded by love and that was great for him."

You folks are sailing right past our one main issue here. Namely, why did he have to die at all?

It's a comedy show - a comedy show where not-really-deaths outnumber actual deaths by ten to one - why did Izzy have to die? Some of you are talking as if he died the way that people in real life die, like it's one of those things you just can't change. But this wasn't like that. This was a constructed narrative where a decision was made that not only should he be dead at the end of the series, but that it should be confirmed beyond all doubt with OFMD's only grave. Even the Badmintons weren't shown in their graves.

So why did Izzy have to die?

And why do so many of you find it fitting and appropriate that he died? This is a good opportunity to sit down with yourself and maybe examine your own thoughts around ageing and disability. Con O'Neill is in his 50s, not his 90s, and a missing limb is not some kind of down payment on death. The show even went out of its way to fit him with a new leg, breathe new life into him. So "he had to die because he was basically halfway out of the door" is rooted in some nasty ideas about ageing and disability, ideas which you should not allow to fester in yourself. Dig those out. If you're healthy and young, this might seem like a very remote issue to you. It won't always be.

David Jenkins has indicated in interviews that Izzy had to die because (1) he was Ed's 'mentor', a frankly baffling assertion which is contrary to nearly everything established about Ed and Izzy's relationship in the show, and (2) "it's a pirate show."

Okay! It's a pirate show. Seems fair at first.

Until you remember it's also a comedy show where guys turn into birds and people routinely survive explosions and gun shots and being stabbed through the liver on a regular basis. Throughout the narrative, OFMD has established and confirmed over and over and over again that it upholds the comedic law that death is never really death. You can relax seeing Roach fall from the rigging because it's a comedy show - they're not going to do that to you.

But then they did.

They reversed that fundamental law within the world just so that Izzy could die - and so that Izzy could just die. Nothing came of his death. It didn't open up a new section of plotline or change anything. The show could have ended with Izzy off on adventures with the crew he'd grown to love.

Instead he just died. And we're struggling to understand why.

Telling us that he got to be happy before he died doesn't make any sense. If it was all so beautiful and meaningful to see him experience temporary happiness, wouldn't it have been nice to see him happy ever after?

So why did the writers give him death instead?

We're scared that it's 2023 and some folks still think it's just fitting for visibly queer characters to be tantalised with happiness then struck down. We're scared that at the bottom of this, it makes sense to you that Izzy died because you think he was old and broken and no use to anyone now. We're scared to have discovered that even the show which said kindness, kindness, kindness right from the start had none for this character we loved, and we're scared that you find it so beautiful.

[chuplayswithfire]

i have seen some people bothered that the crew seems more mad at ed and forgiving of izzy considering that ed was their friend and they didn't like izzy at all, but like, that's exactly the point!

i actually love the crew being more upset at ed than izzy, because ed was their guy and they fucking liked him and were into him and there for him, so him turning on them and lashing out hurt and *some* of them are sus now (they do think ed killed buttons but also they're not really doing much about it?).

meanwhile izzy was just some dick to them and so they didn't hate him personally it was just lets get rid of this guy. then they saw him pathetic and crawling and drunk (and before that half of them saw him crying in the storage room, and before that three of them saw him begging for death) and they look at him and are like damn are we gonna be like THAT and the answer is no. they're not. so they give him another chance, make him a new leg and write him a note and now he's doing better at being in a crew bc he hit rock bottom after digging his way down with being a dick and the crew offered a way up and he's decided to grasp that.

and like here's the thing, even as they're wary of ed, half of them were still offering him something as he left, be it that it was unfortunate that they chose banishment or a sandwich or understanding of the gravy basket (and yeah ed was kinda half dead for it and mean). they let him come back because he had no place to stay and they still kind of care. and his youtube apology was hilarious but not the best (i have half a meta on this) but... the bar is on the ground because they are pirates and life is bad. and yet still that shit apology still worked on half of them.

it's because they actually care about ed that it takes more to heal what was broken with them.

[follows-the-bees]

I wanna talk about Jim's journey. Their character arc is one of my favorites of the show.

In season one, Jim fits into two very well-trodded tropes and each one is subverted by the end.

First, we have the trope of a person (typically a woman) disguised as a man to go into hiding and also the old wives tale of no women on ships because they bring bad luck. We see some of this attitude through Frenchie's superstitions but the trope is subverted fairly quickly when Jim talks to them about wanting to be just Jim and the crew (and Nana) effortlessly use they pronouns.

OFMD has many, many ties to classic Western tropes and style of filmmaking. And Jim's whole character arc of season one fits the Revenge trope.

They have been trained to be a killer, hardened by life, only open to Olu but even that openness is just a sliver. When Jim is spurred on by Nana to complete that Revenge arc, they fall into it, leaving the safety of the ship, the community built there, from Olu.

But instead of more killing, Jim comes to an understanding with Spanish Jackie. They share a drink (which oftentimes in Westerns ends in a gunfight, unlike the show which starts with a knife fight and ends with communal drinking). Upon hearing that most of the men they are after are likely already dead, Jim decides to put down that knife and instead returns to the aptly named Revenge.

But in perfect subversions of tropes, Jim does choose Revenge, but not the type that eats at your soul and often ends in unhappiness or death. Rather, they are choosing community and softness.

Jim is one of Stede's loudest critics at the beginning of season one; Stede represents the opposite of how Jim was raised and once viewed the world.

But the beginning of season two shows how much Stede's way of piracy has influenced Jim. They no longer are following the Western Revenge storyline, but rather serving as the storyteller to the crew. (A direct parallel to the pilot.)

In fact Jim is reciting that same exact story that Stede told in the pilot. But it is different, darker. And that is because Jim is a different person, and in a different, darker environment at the moment. But invoking those good times that they remember. S1 Jim would have never told a story to try and make a crew member feel better.

We see Jim continue to choose kindness, mercy, grace with several characters. With Izzy, who is a dick but is their dick. And yes, also with Ed, until Ed's plan of suicide by crew now has affected and threatened their lives.

They also seem to be the first to realize what Ed is doing. And they refuse to kill Archie, who was drawn to them because of Jim's hope.

Jim's journey the rest of the season fills me with warmth. They get to be soft, they reunite with Olu, and form the cutest polycule with Olu and Archie. They also intervene and talk to the Pirate Queen about Olu, repairing their status.

The giant smiles on their moustached face during Calypso's Birthday, handing out drinks to the captain and Ed (showing the repaired relationship there), dancing with their lovers, and cheering on Izzy's singing shows how free Jim (and the whole crew) get to be now.

Jim is the embodiment of how Stede has tried to change piracy, of how Stede's effect has created a community.

Jim is the embodiment of the queer joy that this show unabashedly embraces.

[ourflagmeansgayrights]

also a fascinating detail abt 2.02 Red Flags that i think has gone mostly overlooked: the way after the crew leaves ed and izzy alone and izzy presumably kills himself we don’t hear the crew mention izzy again. they don’t show us anyone mourning him or even just talking about “i can’t believe we spent so much effort trying to save izzy’s life and then ed killed him anyway” we just see frenchie talking to ed and then the whole crew in the hallway whispering about “do we think (ed)’s better?”

like this is probably just a time thing but i can’t help but feel like from a doylist perspective, if they wanted to sell the idea that izzy’s dead now (or not even sell it but just like, really lean into the dramatic irony of the crew and ed all believing his dead but the audience knowing that they didn’t show it happening so it’s still fair game) there could’ve been like, at least one mention from the crew that they all think izzy is dead now, even if it wasn’t necessarily them mourning izzy. and then from a watsonian perspective the fact that nobody mentions him just makes it seem like none of them rlly care that izzy’s presumably dead. or at the very least it feels like they care way more about whether ed is finally getting better after months of him being visibly mentally unwell (and oh it is so interesting that the crew thinks there’s a chance izzy being dead could make ed finally start acting like the cool captain they all know and love again) more than they care about izzy

[piratecaptainscaptainpirates]

The thing that still annoys me so much about fanon characterizations of Ed is how we're shown, over and over again, that Ed's first reaction is almost never violence.

And that's impressive, in itself, because of how this show is about pirates who are otherwise not shown as shying away from violence in the sligtest. In the early episodes of s1, we see characters who we're supposed to love engaging in violence gleefully - like Roach begging to torture the hostages. It would have been understandable for Ed to be just as violent as everyone else.

But Ed's complicated relationship with violence makes him actually one of the least violent characters in the show. Repeatedly, we're seen that it actually takes quite a lot to goad him to the point of violence, and he almost always gives others a chance to de-escalate first. In s1e5 he asks the racist captain "what's that supposed to mean" after he insults him and doesn't start shouting until he doubles down; in s1e10 he reminds Izzy that "I am still Blackbeard" to try and get him to back off, and that was after Izzy told him he "should have let the English kill you!"

And so much of his violence is performative, too. Like with threatening the captain in s1e5 - the way he pulls out his knife and starts threatening is so practiced and casual. During the raid montage in s2e2 Ed doesn't participate directly (except for shooting a guy who was probably dead before he hit the floor). Stede says he's seen Ed maim a few people so we know that's not out of character but we don't see it. In s1e9 Ed specifically lists cutting off toes and making "some poor bloke" eat it as something he hates about pirate culture.

The writers of this show have gone out of their way to depict Ed as a person who is not, by nature, violent.

It takes a lot to actually goad him to react with violence, and Ed has so much trauma around believing that he is somehow uniquely predisposed towards violence. Even when Izzy is threatening him in s1e10, Ed looks fucking terrified, not just because of what Izzy's saying but because Izzy reacted to Ed finally choking him with glee and told him "there he is" - that violence is all Ed is good for. Ed is absolutely horrified by own capacity for violence, even though we're shown time and time again that he is not a very violent person.

So, when I read about Ed having "anger issues" or being somehow uniquely violent among a cast of pirates...this show is not subtle. At all. It beats us over the head with Ed's hangups about violence and how being forced to react with violence feeds into his self-hatred. Other people who try to insult and manipulate Ed, who act as the voice of his self-hatred, tell Ed that he's violent, and it concerns me that so many people seem to believe them.

[thesezombiestastelikeashes]

Normally I post about Dimension 20 on my main blog but a thing happened on Adventuring Party and I'm gonna talk about it

So watching through the Episode 2 Adventuring Party, something really amazing happened at 2:15 ish. And now I'm gonna talk about consent and content in Tabletop and how @quiddie and Izzy (and everyone else at the table) absolutely fucking nailed it

Edited because I cannot believe I spelled Aabria wrong so many damn times in a row I'm so sorry

Specifics below the cut for spoilers and content warning: parasites and squick

The notes for DMs (and players) to take away from this:

Look for soft no's, even if you know your players. Make space for a no, even if you are excited. Once the no has been said, move on and no complaining that someone's comfort level isn't the same as yours.

So Brennan asked a question about the parasites, Chipmunks, and bear in Adventuring Party to clarify if Chipmunks and Parasite were one in the same or different entities (it was just the chipmunks being massively fucked up)

Aabria, as DMs who put their entire heart and soul into making a campaign often do, went to start explaining the basis for the parasites (link to ribbon worms, very content warn, dead dove do not eat). The table reacted. Brennan does a very physical ick response, Erika's face was very "I am listening to something gross", while the rest of the table looked interested in that way nerds do when they don't know what they're walking into. And Izzy said "I want you to stop."

Aabria just said ok, told the camera/audience to google it, and they moved on.

And I wanna talk about what a baller move that is on Aabria and Izzy's parts. (And Quiddie if you see this please tell Izzy she's an inspiration and I adore her and all of the compliments)

So first and maybe least controversial: Aabria

-While giving the explanation of the fucked up thing she slows down her talking (I'm not sure if it was intentional but it seemed it so I'm gonna talk about it) Instead of rushing through the explanation the way people excited tend to do she said everything slowly, gave lots of pauses to be interrupted, and really took the time to let the party know what she was describing was icky

-While doing the describing, she looked around the table. Not just at the person with the biggest visual reaction, but you can watch her make the rounds with her eyes to look at everyone and make sure they all know she is still engaging with them and checking in on them

-Her "ok" is so pleasant. It's not just polite, it's not just kind, it's upbeat and pleasant to listen to. There's no judgement in it, there's no "but I wanted to keep talking about this thing" its just "ok"

-And that's the fucking hard part, letting someone know you've heard them without any judgment or disappointment when they want you to stop talking about something

And now Izzy

-Most people aren't going to applaud someone for saying "I want you to stop" to a DM explaining something but I will. A+ Izzy

-She found her boundary and enforced it and felt comfortable with it

-She did it in such a specific way "want" instead of "need"; "I want" instead of "You need", not to mention the full firmness of it where it couldn't be misinterpreted (A+, hardest part)

-The flick of her eyes to the rest of the table, I can't tell if she's checking in with other people's comfort level or just watching Brennan's arm thing, but the way she looks at her fellow players is just such a Thing that I cannot Words about, whether its checking in for their comfort or looking for support for hers its an important look that I might be reading too much into.

Now some other important beats

-No one comments that Izzy made Aabria stop.

-Brennan says he can connect with Aabria later about it, without mentioning any of the content, and Siobhan and Jasper make the note of "maybe don't google it" but no one mentions the content after Izzy says it

-They just move on. Like even if it briefly sounds like they might hit back onto it (we'll never know what Erika was leading to with their "I've always been obsessed with") they just move on immediately

It's a goddamned masterclass of consent at the table. Aabria checking in and looking for soft no's and giving space for hard no's and then once a hard no was thrown immediately shifting the entire direction of the conversation was amazing.

[canonizzyhours]

The thing that really upsets me about the canyon is - look, they're always claiming their opponents are committing the sin of Character Hate, right? Character Hate is supposedly always bad faith and always wrong. But the only takes on Izzy that they'll accept as not qualifying as "hate" are ones that require incredibly bad faith uncharitable interpretations of other characters.

Season 1 left a lot of stuff about Izzy open to interpretation. But one thing was clear: what Izzy said to Ed in the "namby-pamby" scene was not just cruel in the usual way it's cruel to tell someone who's heartbroken to just man up because he'd be better off dead than acting like this (which would be bad enough honestly), it was the absolute most hurtful thing Ed Teach specifically could hear at that moment because it was stabbing him directly in the core trauma he'd carried for his entire life. Ed's absolute worst fear in the whole world is that the violence he's capable of, as exemplified by having killed his dad, proves he is a monster instead of an actual human person capable of love or friendship. So Izzy tells him he's just embarrassing himself trying to reach out to others, says his real self is a violent monster, then goads him till he does something violent and says see, this is the real you. That's insanely targeted. If you sat down and tried to think of the single most most incredibly harmful and triggering thing you could say or do to Ed you couldn't have done any better.

So that means the viewer has two options for how to interpret Izzy:

1) Izzy does not really know Ed very well at all when you get down to it, despite how long they've worked together. He doesn't get what Ed's trauma is all about or how it affects him and the fact that what he said is Ed's absolute deepest fear is just a coincidence. So he truly does not understand just how hurtful he's being and would never have said that stuff if he'd known.

or

2) Izzy does understand Ed pretty accurately and therefore he is being incredibly viciously cruel on purpose by deliberately reinforcing his most painful and unhealthy beliefs about himself, knowing how it's going to affect him.

Those are the only two possibilities! You could have an Izzy whose relationship with Ed was close enough to deeply understand him, or you could have an Izzy who actually cared about Ed and didn't want to hurt him. But you could not have both. The closer you assumed Ed and Izzy were, and the more actual trust and intimacy and understanding you thought existed between them, then the crueler you had to assume Izzy was being.

But the canyon didn't want to accept that! They want to insist that Ed and Izzy had a really close relationship involving trust and intimacy and understanding AND that Izzy cares deeply about Ed's well-being and only ever wants to act in his best interests. So they found a third option, which was to just throw out Ed's entire character arc.

If you refused to believe Ed's arc was what it very obviously was, then you could deny that Izzy was actually being all that hurtful. You just deny that Ed's arc is about fearing the exact things Izzy told him were true about himself. Instead they said...well, a lot of them just didn't seem to really care that they didn't have a clear sense of what Ed's arc was at all, but those who did seem to care about Ed settled on: Ed's problem is that he actually DOES have something deeply wrong with him that makes him uncontrollably violent and he's simply trying to run away from that, which is unhealthy, so Izzy is looking out for him by trying to force him to confront these hard truths, which he needs to do before he can grow. But unfortunately Ed completely overreacted to Izzy's harsh truth-telling.

Now I mean think about the narrative this implies. This means OFMD is a romcom centered around the idea that the indigenous lead's deep seated belief that he's an uncontrollably violent monster is ACTUALLY TRUE and the white man who tells him so is just trying to help him. That would be a narrative that was (a) incredibly mean-spirited, (b) intensely racist, and (c) made no sense at all as a love story centered on this character. Which is how you should be able to tell it's an absurd read! And it's supposed to be the people who say "no, Ed's arc is what it looks like, which means Izzy either isn't especially close to him or is emotionally abusing him on purpose" who are spreading character hate.

This is why we're always pointing out that you have to understand Ed is a lead character and Izzy is a supporting one. I know the canyon thinks that's some sort of pedantry but it matters here, because if an interpretation you like because of what it does for a supporting character's arc comes at the cost of making the lead character's arc totally nonsensical, that's a pretty basic way you can tell it's reading against the text!

So now we're post season 2. And season 2 not only unsurprisingly followed up on the character arc Ed actually did have in season 1, but it managed to go with the canyon worst case scenario of repeatedly reinforcing that Izzy really does not understand Ed very well in many ways AND ALSO AT THE SAME TIME specifying in his final scene that Izzy DID understand JUST enough to realize the whole time that he was being terrible to Ed and did it anyway on purpose for years. Super embarrassing for those guys. I guess the massive tantrums they threw about season 2 aren't really a surprise.

#406.

[darkfire359]

So part of Izzy’s problem is that he has this harsh, piratical attitude that treats vulnerability as weakness, right? And it’s this tragic character flaw of his that he can’t just embrace love and kindness and affection like the rest of the Revenge, yeah?

… But is Izzy even wrong? Did he ever have a chance to do anything otherwise?

Like, Izzy peacefully passes by the Revenge, has a perfectly civil business transaction with the tribe, and then Stede comes by to steal the hostages from him. Then he goes to ask Stede to meet his boss, and Stede is immediately nasty to him, even calling him the wrong name (something that, when done to Stede, is an immediate sign that the person doing it is a bully).

Then he treats the crew like prisoners—because that’s the usual procedure that Ed has him do, with no indication otherwise. He wants Stede dead—because Ed told him he was going to kill him, and never said otherwise. Izzy literally quits his job and civilly apologizes to Ed for his anger issues, and then Ed drags him right back into everything. It’s no surprise that Izzy tries to duel Stede, knowing that Ed has issues with killing (he’s probably the person Ed has mostly been “outsourcing the big job” to), and with an unbiased judged, he probably would have been declared the winner—but instead he gets mocked and jeered at.

Then when he arranges the deal with the British, he clearly goes out of his way to keep Ed safe—but also relatively out of his way to keep the crew safe (even though they all hate him). He really is trying to just focus on Stede, and admits that it’s totally fair when Ed punches him. Then he acts kind of dickish as captain—and immediately everyone tries to murder him for it. First time around when he said “What can I do better? I’m open to suggestions!” it seemed ungenuine, but on later watches, I wonder. Buttons warned Stede of his own impending mutiny, but Izzy had no such ally. What would have happened if he did?

His rant to Ed in e10 is particularly assholish, yeah (though Ed’s speech to the crew subtly happens to be about as heartbreaking for Izzy as possible). But Ed also gives him permission to speak freely immediately beforehand, and proceeds to premeditately torture him shortly afterwards.

Even on the Revenge (which is theoretically this complete outlier among the many ships Izzy has been on), did Izzy EVER actually have an opportunity to feel safe and comfortable? Or was he always either stuck around people his boss said he’d have to murder, stuck around people who’d tried to murder him, stuck around people who actively mock him (Frenchie, Lucius, Stede, and Wee John are all seen making fun of his name), or all of the above?

[honeyjars-sims]

3.25 The Arrival

Once the desks arrive for the new work area, I get to work on setting it all up (well, me and a few interns). Lacey helps when she has time, if only to make sure I'm presenting the right aesthetic, which apparently is pretty important when choosing decor for your work station. I think I did pretty good.

We're excited to see that our break area is part of the revamp as well. Right now things seem pretty empty as it's just been me and Lacey in our area until the new staff members arrive. Oh, and Lucy, too, since she has a new office.

But that's all set to change because the new staff is set to arrive any minute now. I'm in Lucy's office and she's filling me in on what I need to know before they get here.

“Damien has always been interested in creating a student program,” she explains. 

“But we already have interns,” I respond, confused.

“We do, but this goes beyond what you’d find in a typical internship,” she replies. “This is part of a collaboration with Del Sol University to help students earn credits and gain some on the job experience at the same time. Plus there's the possibility of being offered a full-time position once they graduate.”

“That sounds like a good opportunity. What exactly will they be doing?”

“A little bit of everything. They’ll learn things in every department and help with some of the smaller tasks. I’ll be supervising them, so I’ll have my own little team now. That's why I wanted to move my office here.”

“Oh, more underlings for you. How exciting!”

“Oh, shut up!” Lucy rolls up a piece of paper and throws it at me, hitting me square in the face.

“This is turning into a hostile work environment!” I shout gleefully, launching the paper ball back at her.

“Take it up with HR." She smirks.

“I’ll be a step above the students though, right?” I ask, returning to the topic at hand. “So I’ll kinda be like their boss.”

“Uh, no,” Lucy corrects me. “But I do need you to show them around, you know, get them acquainted with everything.”

“I guess I can do that.”

“Wasn’t really asking, but good. They’ll be here in about 30 minutes.”

Once we receive word that the students have arrived I make my way to the lobby to greet them. When I open the lobby door I stop dead in my tracks.

Standing in front of me are Chase, Kelsey, Izzy, Donovan, and…Lexie.

Previous | Beginning of story | Beginning of chapter | Next

[sapphicsigh]

I don't want a 3rd szn without Izzy. I just don't. Call me dramatic or whatever, but I'm so genuinely heartbroken by his death. I feel so betrayed. Izzy was the heart of the show, and now he's gone.

The aftermath of his death felt rushed, he wasn't buried at sea (like what the fuck, a lifelong pirate like Izzy would've wanted to be buried at sea) and the crew was just happy to get back on the revenge and set sail without their unicorn? Everyone just gets a happily ever without Izzy? Izzy died a painful death shot by a pompous asshole and for what? Some metaphor about the end of the golden age of piracy? Piss off. Closure for Ed? That could've been achieved a number of other ways. Izzy couldn't get any assurances that HE was loved? Even on his fucking deathbed? The man who protected the crew with life and limb? It doesn't feel right, and it never will. Izzy deserved so much better, and so did Con.

And worst of all, perhaps, is that Djenkins was planning on killing him all along. The whole time, while we were falling in love with the little angry man, rooting for him and rejoicing when he wore makeup in front of the crew and was vulnerable with them...he was a dead man walking.*

*I've seen ppl make rlly good points about how death was treated throughout the show and I wanted to add that context here. If I can find whose post I'm thinking of, I'll tag them

**Edit: Izzy's death was an incredible shock. EVERYONE ELSE IN THE SHOW survived their near death experiences!!! Stede got choked near to death, stabbed (twice!), and survived all of that unscathed. Ed got his head smashed in by a FUCKING CANNONBALL, pumbled by the crew and made it out with barely a scrape. Even Calico Jack could've (apparently) escaped death after being shot with a goddamn cannonball. The Swede was poisoned but was already immune to it. Wow! We (at least I felt this way), as an audience, believed that there wouldn't be any character deaths due to the overwhelming evidence we'd been given thus far. So after alllll the in show evidence that the laws of medicine or physics don't apply to ANY of the pirates, why suddenly apply it when it comes to Izzy? Hmmm??? It makes no fucking sense. It's cruel and unusual punishment. They really killed off the queer disabled elder??? Jesus christ. Did not a single person in the writer's room have a qualm about it? The optics alone are bad. But more importantly, killing off the queer disabled elder is inherently political, whether djenkins thought of it that way or not (& i dont think he did). The mere existence of queer people is inherently political in a society (the US), which wishes for our eradication. So killing off a beloved queer disabled elder, on a show which seemed to promise us queer joy and a happy ending, IS POLITICAL. it's a slap in the face and a punch through the fucking gut.

It feels doubly awful because we, as an audience, were given something we've never had before, an unapologetically queer show. One that didn't soften or censor itself for straight viewers. It was created with such love, at least it felt like, for us. So to be given that gift, and to feel recognized and seen and appreciated, only to have it snatched away...

I can only speak for myself, of course, but it's genuinely heartbreaking. I'm so utterly disappointed. I wish so badly that Con got more time with Izzy. I think Izzy means a lot to him, and he means a lot to us, too.

❤️‍🩹🦄❤️‍🩹I love you, Izzy, and I always will. Rest in peace, my little meow meow, you were and are so loved.❤️‍🩹🦄❤️‍🩹

[ladyluscinia]

Izzy Hands Is Manipulative, But Not That Way

...or I finally finish that long ass meta post about why I love the fucking Navy Plot lol

The Izzy manipulation debate has been really interesting to me pretty much since it started, because I'd see a post arguing he's manipulating Edward and go "No, and he couldn't if he tried" and then the next post would say he sucks at manipulation because he's a blunt fucking instrument and I'd go "Yea- wait. Hmm. No, he can be targeted and tricky as fuck." Which does, on its surface, seem like a contradictory stance, but I swear it works.

Because the thing with Izzy - and this is such a fun thing imo - is there are two core types of manipulation that characters engage in, and Izzy fucking sucks at the one you expect his style of antagonist to focus on. But he's scarily good at the other.

Long meta under the cut, so get comfy.

...

From his role under Edward to the protagonist vs antagonist dynamic setup to his introduction scenes, Izzy is very much invoking the conniving second in command. We know this character from other media. He doesn't have the full power he wants so he's constantly scheming to get it. He can't or won't challenge his boss for some reason, so he settles for being the devil on their shoulder or working behind their back. He's the voice constantly ready to inflame insecurities and turn relationship cracks into chasms, and usually he's lying constantly to do so. His fingerprints are all over his boss's problems up to the moment they show some weakness, and then their loyal second goes right for the backstab. He is THE ambitious manipulator. The shady advisor. The snake.

And then you actually look at Izzy and he is not that guy. In fact, it's a testament to the strength of Edward's character arc how much his evil little henchman is not causing his problems.

So - Izzy and manipulation:

Izzy Can't Convince People To Do Things

Like. He really can't.

This interpersonal struggle is fairly fundamental to his character. And moreover, it's a skill that Izzy is intensely aware that he lacks, so usually he doesn't even try.

In his first episode he walks right up to Buttons and just straight up asks him for the information on his party. He doesn't even resolve to steal the hostages until he realizes that Stede has lost them in the bush already, and Izzy obtains them by buying them. When Stede confronts him they end up splitting the pair in a very above-board negotiation and he pretty much just goes with what Stede suggests.

Then in 1x03, people make a big deal of Izzy "manipulating" Edward by not clarifying that Stede didn't know who he was when he turned down the invite, but kind of importantly he repeats the damning line of the conversation faithfully. If he was going to lie, then why not lie? Why even go see Stede at all? And, if he didn't want Stede dead until after the conversation (understandable, tbh, since "Iggy" was stab-worthy), surely he could invent a better insult to rile Edward up. It makes his omission hit more like being bitchy about Stede not recognizing the obvious - namely that Izzy Hands works for Blackbeard and literally everyone knows this - than a slander campaign to get him killed. And once we properly meet Izzy and Edward in 1x04, Izzy's inability to manipulate becomes his main struggle.

Izzy's a blunt and direct person. He leans on authority bestowed by Blackbeard to take control of situations, playing the role he's supposed to play, and without it he lacks a Plan B. In 1x04 he doesn't have any authority over Edward, so his efforts to get him to take the danger of the Spanish seriously amount to "Well as bored as you might be, if you don't make a decision soon we're gonna fucking die." And this is true! There might be a very subconscious attempt at manipulation in his resignation speech before the "That's Blackbeard. I'm Stede, remember?" line - of the piss him off to get him to get his shit together variety - but Edward literally makes a joke out of it so not exactly effective.

And once Edward stops giving Izzy authority in general, his plan to make Lucius do stuff is still just... brute force. Which works at first when Lucius doesn't realize that Izzy's on his own now, and stops working as soon as Fang breaks ranks. His last ditch blackmail attempt isn't manipulative either - he just plans to tell the truth to Pete and assumes he'll be pissed about it. My guy loses a fight over the pirate equivalent of making an uppity employee clean the coffee maker while the boss is out. Not only does he fail to manipulate the crew in a conniving antagonist way... he doesn't even try.

I mean, the only time he (somewhat) succeeds in talking someone into things is 1x06. Getting Edward to agree to killing Stede isn't really manipulation - Izzy gets Fang and Ivan to back him in a very straightforward way because they all actually do have a stake in this - but he's passably able to push Stede to go through with the fuckery via fake compliments. It's not exactly high level work, though. Stede being vulnerable to ego-stroking / dares is pretty obvious.

So what is Izzy good at?

Well, if you can't make people do anything other than what they were going to do in the first place, you might as well lean into that.

...

Izzy Manipulates Situations, Not People

Situational manipulation is one of those fictional tropes that rarely can happen in real life, but there's not much resemblance because real life rarely gives you all the building blocks for a proper gambit and lets you loose. Too many factors. In narratives, though? It becomes one of my favorite ways of having a character be clever.

And before I get into this too much, a really fun sidenote - I think Izzy does situational manipulation more like the way protagonists do it. See, antagonists are usually emotionally and situationally manipulative (ex: provoking the hero to lash out and using it to frame them for a bigger crime), but it's not a good look when your hero drives the target to do something bad and then punishes them for it. So heroes lean on stuff like Batman Gambits - where the lynchpin of the scheme is the target fucking themselves over by behaving completely in character. They've written Izzy so ineffective at emotional manipulation that he pretty much has to rely on other characters' flaws or histories to cause problems, which has a very similar result. And it's wild.

...

Going back to the 1x03 confrontation in Jackie's bar, Izzy doesn't really do anything abnormal in how he conducts himself, but people are picking up on an agenda for a reason. Namely, the whole damn conversation quickly turns into a trap, and Izzy fully sits back and watches Stede spring it from sheer idiocy.

There's no indication that when Izzy walked up he wasn't going to carry out his task with all the bitchy professionalism expected of him, while probably hoping that Stede would eventually stick his foot in his mouth without Izzy's help (assuming he's the kind of idiot Izzy thinks he is). His first section of this conversation is nearly polite:

Izzy (about the Nose Jar): "I have a few colleagues in there." Stede: "Ugh. You again." Geraldo: "Mr. Hands, welcome. It's been a while." Izzy: "(To Geraldo) Yeah, because I hate this fucking place. (To Stede) But for some inexplicable reason, my boss would like a word with you. Bonnet."

It's not until Stede starts talking that I think Izzy clues in that Stede doesn't actually know who his boss is. He didn't introduce himself until the literal last second of their 1x02 interaction, so it wasn't obvious Stede wasn't literally bolting into the forest in horrified realization.

And Stede? He goes hard on being a bitch right out the gate. Brushes Izzy off, tells him to "get in line", calls him the wrong name, says he doesn't care who Izzy is...

Izzy so far has met Stede in a public place, in front of people who clearly treat Izzy with respect and fear. He doesn't bring up their previous interaction, Stede does. He doesn't even goad Stede beyond existing. He corrects him on his name, and watches it not register in the slightest. The next line is the clincher:

Izzy (slightly incredulous): "So I'll tell my Captain that you're declining then, yeah?"

As Izzy is speaking the conversation becomes a trap - he chooses a reasonable way to refer to Edward that isn't "Blackbeard" and waits to see if Stede will make this worse. The jump from "no I'm busy" to "tell him he has terrible taste in flunkies and he can go suck eggs in Hell" is all Stede, completely ignoring context clues as Geraldo stares on in horror. Hell, Jackie only refrains from later de-nosing Stede on the spot because Geraldo knows what's up, and Stede still doesn't pick up on the fact he should maybe be asking some questions (though I'll give him the knife was distracting).

Izzy returns to the ship, quotes Stede directly for his damning line, and waits to see what Edward will do with it. It's not good behavior on his part (and if he could have seen the future he might have tried worse), but switching mid-conversation to offering Stede an opportunity to fuck himself over is a very different mindset than simply lying to / provoking Stede or Edward to get what he wants. He's mostly being petty.

Stede did insult Edward of his own volition, after all, and just because Izzy fudges the truth to hide he didn't know he was insulting Blackbeard instead of just Izzy and a random stranger doesn't change that. All Izzy did to "escalate" that conversation was give Stede a second opening to do so himself.

But there is a far better example of Izzy masterfully manipulating a situation than this in-the-moment bit of pettiness, so let's move onto my favorite bit... explaining in extensive and slightly awestruck detail why the Navy plot. Fucking. Rules. Because it does. Ready?

...

How to Mastermind the Decisive Removal of One Stupid Fucking Stede Bonnet Over Drinks

Ahem. The Navy plot. Masterclass in intimate betrayal. Izzy's biggest escalation in the total collapse of Edward and Izzy's relationship, but also a completely fucking fascinating glimpse into whatever tangled web of codependency they've got going on, because Edward isn't even mad after 1x09. This wordcount is going to be insane enough without me getting into the Blackhands relationship connotations, so I will... attempt... to stick to breaking down the actual scheme.

And what a scheme it was.

Let's start at the beginning. Jack showing up to lure them into the trap at the start of 1x08? Nope, earlier. Izzy getting kicked off the ship and going to Jackie at the end of 1x06? Further back. Edward proposing the "kill Stede" plan at the end of 1x04, which is the domino that starts all this, right? Closer, but still no.

Izzy's first appearance on screen is in episode 1x02, and that episode is where the seeds of the Navy plot are first planted. See, during Stede's confrontation with Izzy, both of the hostages chime in:

Hostage 1 (Wellington): "Believe him, he's quite insane." Hostage 2 (Hornberry): "He does have the eyes of a madman. Sorry, you do."

Wellington says his line in a tone of voice that clearly indicates a story to tell, and it should also be noted that he is the same one who earlier jumped at the chance to tell the tribe chief about Stede murdering their captain - Nigel. And he's the one that Izzy leaves with, in a sour mood and wanting information about this "Stede Bonnet" character.

When Izzy later reaches out to the Navy, it's no coincidence that he finds Chauncey. He's known since right after their first meeting that Stede was directly responsible for the murder of an Admiral's brother and that the English Navy would know soon enough, since he was literally about to ransom a hostage back to them who would tell the story. And he filed that information away until it was useful or relevant like a clever pirate should.

Moving on to Jackie's bar in 1x03, Izzy gets more potentially useful observations / inspiration. Jackie is actually the first person in the series to make a deal with a naval power. Izzy and crew track the Revenge to the Spanish warship, which means they must see Geraldo sold out Stede to them. Izzy isn't stupid. He knows Geraldo and Spanish Jackie, knows that she's the brains and brawn behind this deal, and has seen enough of Stede that he'd absolutely believe that he did something to get Jackie pissed enough to plot his murder. File away Jackie wants Stede dead and details of how she nearly succeeded in offing him for later.

Izzy spends 1x05 up to the fuckery demonstration observing Stede's crew while waiting for Edward to pull the trigger. I definitely want to note the scene where they interrogate the Frenchman at the beginning of 1x05, because Izzy is staring directly at Stede as he leans away from Edward threatening violence (we know this will later be in his love montage so not actually a turn off, lol, but like... it looked like one). His opinion of the crew is that they like to fuck around without structure (1x05 during the party), probably that they enjoy more standard pirate levels of violence (not shown directly since they are kept out of the 1x05 raid, but fairly obvious), and that they are really easily awestruck by the chance to hear "real pirates" tell charismatic stories (1x06 ghost story).

Any of that sounding like someone we know?

And now to go back to Izzy in 1x06, when he gets sick of Edward being cagey about the plan to kill Stede and decides to "make" him stop stalling, he's straightforward again. Getting Ivan and Fang to back him isn't emotionally manipulative, but it does give him weight in the conversation. They are the ones who bring up the whole "love of a pet makes a man weak" thing, and they do it in the context of calling out hypocrisy. Izzy knows the standards Edward holds his crew to. He lets them convince Edward it's time.

Taking the chance to suggest Stede try a fuckery is a strong blend of situational and emotional manipulation, and later challenging him to a formal duel knowing he'd be overconfident enough to accept is more situational again. Even the terms of the duel are designed to take advantage of the situation. And then Izzy loses in the most comedy way possible, Edward lets him get banished, and Izzy decides that if he was ok with just sending Stede Bonnet on his way to fuck-off before... he's fucking gonna kill him now.

My guy is not a creative thinker, but he's definitely a logistical one. And as he rows away from that ship, all the pieces fall into place.

First, Spanish Jackie. Who listens to him bemoan his relationship woes because she likes him (Izzy gets Jackie in the divorce). Who wants Stede dead and has the clout to summon and deal with a distasteful ally - Chauncey. Together, they concoct an arrangement where a trap will be set and Chauncey gets Stede and only Stede. This isn't a tip-off or a free-for-all. Stede comes from Chauncey's world and they are sending him back. Permanently.

Then it's time for the trap itself, which needs to do two things: get the Revenge somewhere that Chauncey can corner it, and get Edward out of there. And Izzy? Izzy knows Edward. Knows there's one particular person in his past that will have no trouble integrating with the crew, getting Edward to act more like a pirate than a gentleman, and who happens to have a great ambush location on hand.

I've said this before but I'm gonna say it again - I don't think outside characters realize how hard and fast Edward is falling for Stede. The BlackBonnet bonding moments happen almost exclusively when they are alone. The place Izzy dramatically fails to manipulate the situation is not having the evidence he would need to predict Edward going back for Stede. He (and Jack) both think that a precise wedge between BlackBonnet - one that Jack delivers near flawlessly by playing into real issues - will be enough to remind Edward that Stede isn't his people. This isn't a plan to murder the love of Edward's life while his back is turned. It's a plan to get rid of Stede, and remind Edward why he was on board with doing that in the first place. "That's fair," Izzy says about a punch to the face.

Instead, Izzy's plot accidentally backs Edward into a corner and forces him to publicly pull a grand-gesture relationship level-up that he was not emotionally ready for, and the fallout from that explosion is way worse than any of our conspirators were counting on.

Still... you gotta admit. It was a really good plan.

[yourpersonaljaskier]

Hello hello! I watched Whitepine and now I'm insane! I also watched a theory video! I'm very insane and I need to ramble as to what I think is going on

Theory will be under read more, spoilers ahead

First things first:

Who is mrs. Hemlocke, and how long has she been dead?

So, some things to establish the estimated time period:

- steam locomotives and steam engines are around (meaning it's past the year 1712)

- The colour black may be associated with the mourning period (early roman period til the 20th century, now very well known because of Queen Victoria, who mourned her husband for 4 decades til the the early 1900's and wore black daily)

These bring us to a rather specific time frame between 1712 and before the 20th century

Black doesn't seem to be a very 'fashionable' colour, as the theory video I watched relied quite heavily on the idea that the Hemlocke family is in mourning. While the idea in of itself isn't a bad idea, I heavily disagree with this notion for 3 simple reasons:

1. The family isn't in ACTUAL mourning! They wear black clothes, yes, but there's no other indication they're in active mourning. They wear colours not permitted by the mourning rules created by Queen Victoria (assuming they're in England due to the name Whitepine and the general outlay of architecture), which was from 1861 til 1901 iirc, which is a HIGHLY likely time period they were in. Zam participates in hunting, the household isn't in mourning (the women aren't wearing any amount of mourning regalia, ie, veils, jewelry, full black attire, similar with the men), the HEAD BUTLER doesn't tell Ivory about the passing of the hear mistress (which MEANS the mourning period is long over and the topic is dead at this rate, Ivory doesn't need to be a genius to figure out why the mistress is never mentioned), Izzy permits Ivory to be the piano, so on and so forth

2. Serapter doesn't know why the piano room was empty. Her death was before his time, and he seems plenty adult to me.

3. There were no search parties (if she had disappeared), there were no funeral arrangements, no active mention of her or her recent passing, and black clothes are not an indication of a mourning period.

These, to me, are clear signs that the family, at least the children, have long moved on.

Now, how long has mrs. Hemlocke been dead?

Well.

Let's look at the Hemlocke children. So far, we only know that Pyro is the oldest, with the others having to clear indication of when they were born. But, to me, the Hemlocke children all seem to be of a similar age. There are no tutors or extra teachers for the women to learn etiquette, Zam goes hunting and invites Pyro with him, they seem to go out semi regularly as known bacherlors (as none of the children are married), and seem to have a close bond with how they interact with one another

None of the children seem teenage-d to me, but we'll see as the show progresses

In my mind, mrs. Hemlocke died when the youngest was a few months old. It makes the most sense with how the family and household act around her death and items. The piano was moved but is still taken care of. It's tuned with no obvious dust, out of sight and out of mind but with instructions to keep it in good shape

Izzy easily absolves the previous order to not let anyone touch the piano, meaning it's been long enough where she finds it doesn't matter if someone plays it, and as Clown mildly implies, it seems that the order was given by Zombie, as he advises Ivory to not make too much noise

Obviously, as mrs. Hemlocke was the mistress of the estate, all the older staff would have been relatively fond of her and followed whatever wish Zombie made about her items, but as Serapter doesn't even seem to know as to what some of the rooms are for (like the piano room), and that he 'forgot [the piano] was down there,' quite heavily implies her death was wayyyy before his time

To compress: Mrs. Hemlocke died perhaps decades ago, to a point where none of the household is in mourning and have seemingly moved on, with new servants being unaware of the affects her passing had on the family (ex. Serapter)

Who killed Mistycat, and why do people think it's the forest?

I personally think the forest has got absolutely nothing to do with Mistycat's death, and that there's a different perpetrator at hand with no supernatural element. I'll explain after this segment as to why the forest is such a focal point to Ivory, but for now:

The forest is an ominous 'character' and looming figure during the whole episode. Multiple shots include Ivory spacing out and simply staring at the woods in some sort of trauma reaction

The forest is ominous, dense and is eerie due to the atmosphere

Forests are easy ground to get lost in and die

Supernatural activity can easily be tied with a supernatural forest

Misty's death is sudden and seems out of nowhere after a bit of a long shot with the woods

From Misty's injuries, it seems like the attack was quite violent, but it's not above that she fell down the stairs after being attacked. The injuries on the back of her head could suggest a blunt force blow, while the rest of her injuries were amassed from her tumbling down the stairs, which would draw someone to check out what happened, and of course, then the freak out

Do I have an idea as to who it could be? No. Fuck no lol, I'm not a psychic, I just don't think it's supernatural for now. There's absolutely zero reason as to why a supernatural entity would be killing the household now and not then

Why is the forest such a big deal, and Ivory's behaviour

Now. Hear me out on this: Ivory is from a cult like environment, where a settlement was in a similar forest, quite like the surrounding area of Whitepine

Her behaviour, past being autistic, is very submissive, with a fear of authority, the fear of disobeying orders to such an extent that she asks a fellow coworker permission to go outside, and a general reclusive behaviour that I associate with a want to conform and not cause issues for the ones in power

Obviously, all of these can be attributed to Ivory's implied autism, but I think it makes more sense with Ivory's behaviour towards the woods and other people

She seems afraid of talking, saying anything outside of what is asked of her, and even then, she struggles greatly and panics about being in trouble to a near panic attack level. Her dissociation with the sight of forests seems trauma related, along with the buzzing noise she gets after people rush to see why someone screamed

She seems afraid but in an abstract sense. She stares for seemingly hours after being dismissed her first day, just staring at the woods that caused her to zone out first thing

It's not normal behaviour. Even from a neurodivergent standpoint in my opinion. Her anxiety seems to come from an outside place, and Minutetech not knowing anything about her, past where he found her and what she did on the train ride gives me the impression she ran away from her cult, and now associates forests with them, causing her to have bad reactions when on edge or stressed

And that was it! Thank you for the read, hope you enjoyed my unhinged thoughts!!

[veeagainsttheday]

Ed, Killing, and the Kraken in Our Flag Means Death S1 and S2

This meta contains a whole heckuva a lot of spoilers for Our Flag Means Death seasons 1 and 2. Thanks to @petrichorca who gave it a read through and left some helpful comments!

When we first get to know Ed in s1e4, the episode concludes with him telling his first mate, Izzy Hands, about his plans to murder Stede Bonnet and steal his identity so Ed can retire from piracy. Ed and Izzy discuss the plan in a casual manner, like this act isn't shocking or deviant from previous conversations and schemes Ed and Izzy have had before. This is consistent with how other characters, especially Black Pete, have described Blackbeard in previous episodes (‘when Blackbeard kills man, woman, or child…’). While Black Pete is (probably) lying, Buttons was with him until the flip. 

As the song ‘The Empty Boat’ by Caetano Veloso plays, Izzy tells Ed, 'You've still got it' and Ed says, 'I know,' turning away to face the empty deck. Only the audience witnesses his true facial expression - the Blackbeard mask falling, a kind of dead-eyed exhaustion (echoed by the lyrics of the song) taking its place. 

In s1e5, we see Ed threaten violence against the French captain, but he doesn't actually hurt the man himself. We also see him act as if he's about to go kill the French partygoers before Stede steps in and 'handles it'. At this point I think we the audience would, if asked, have said that Ed seems to have a casual attitude towards killing that you would expect from 'the legendary Blackbeard'. He's scary ('next one goes through your fucking eyeball') and almost cartoonishly violent ('skin him. And use the snail fork'). So we the audience maybe make some assumptions about where the show stands on violent killing - not only that Blackbeard is familiar with it, but that it's a commonplace act for him.

Then we come to a pivotal moment. In s1e6, Izzy pushes back on Ed for not killing Stede, there’s the conversation about doggy heaven, and Ed promises Izzy that he’ll be the one to do the killing. We see Ed hyping himself up (‘You’re a killer bro. So kill.’) and then holding his knife while standing next to Stede behind the curtain in the captain’s cabin. They’re interrupted by Lucius cutting off his finger. Ed doesn’t go through with it; the moment passes as Stede exits the curtain to announce the entrance of the Kraken. 

At this point, I as an audience member fully believed that Ed couldn’t kill Stede because of his feelings for him. I wasn’t yet sure what those feelings were, but I knew that Ed had a deep affection for Stede, and for a moment I believed that was all that was holding him back. Then, of course, we see Ed have a PTSD/panic attack trigger from the Kraken fuckery that sends him into Stede’s bathtub, hiding underneath Stede’s robe, where he and Stede have what I believe is the most intimate moment of the entire first season (a reading supported by s2e3). Ed tells Stede, ‘The Kraken didn’t kill my dad. I did.’ We are shown the flashbacks to the way Ed’s father abused him and his mother, and the Kraken story he told on deck earlier is shown again with the figure of the beast in the water replaced by himself, as a young teen, on the dock. 

Then Ed tells Stede, ‘If I’m being honest, I haven’t killed another man since.’ Stede tries to comfort him by reminding him how much he loves a good maim, but Ed is still preoccupied with how the fact that he killed his abusive father as a child means that he’s not a good person, and that this is why he doesn’t have any friends, aka, isn’t loveable. Stede tells him, ‘I’m your friend,’ in essence, To me, you are loveable, and Ed reacts by saying, ‘No,’ and banging his head against the tub.

The next important point happens in s1e8, when Jack invites himself to breakfast and regales Stede (very deliberately, as he’s trying to push Stede and Ed apart) with the tale of Ed setting a ship alight and killing many people. (Also note - the show’s first mention of Hornigold! ‘He treated us like dogs! Worse than dogs!’ and ‘Ground us down into nothing!’) While Jack emphasises the horror and brutality of what Ed did, Ed’s demeanour completely changes - ‘No, Stede doesn’t want to hear about that.’ Jack obviously doesn’t listen to Ed; Stede’s face passes from horrified listening to Jack to squinting at Ed like, ‘Is this - true?’ Ed looks thoroughly guilty as the story continues and Stede asks him, clearly doing his best to preserve Ed’s secret in front of Jack, ‘I thought you’d, uh, given up the killing?’ Ed surges forward in his seat and, not making eye contact with Stede, says, ‘Yeah, well, technically the fire killed those guys. Not me.’ The camera then cuts to Jack looking at Stede with a bit of an incredulous expression as if he’s both gauging Stede’s reaction to the entire thing and thinking, ‘Wow BB’s in deep here if he’s making up some weird story about not being the one who lit that fire.’  

I don’t think the show intends for us to believe that Ed was consciously lying to Stede in the bathtub scene in s1e6. Instead, we see the complex way that Ed - who is shown to be both brilliant and possessed of an internal monologue that just cannot shut up - has constructed mental barriers to protect himself from the trauma of killing while still achieving the highest possible status in a very violent profession and existing in a world marred by colonial violence perpetrated specifically against people like him. 

S1e9 shows Ed continuing to posture to everyone but Stede as Blackbeard, seasoned killer (for example, telling Chauncey that he barely remembers killing Nigel because he’s ‘a real “life is cheap” kinda guy’). At the Academy and briefly after, in the beginning of s1e10, Ed seems set to have given up killing and violence for real, but Izzy’s threats in the cabin in s1e10 send Ed reeling back to the Kraken persona he assumed when he killed his dad. The season concludes with him pushing Lucius off the ship and Krakening up to sail, rob, and raise hell forever - but the final shot shows Ed crying alone in his cabin, his Kraken makeup streaking down his face. It’s heartbreaking, but it’s one of my favourite scenes from a character perspective. Imagine if the season had ended with Ed fully transformed into the Kraken, rather than clearly miserable and heartbroken under his mask? 

Season 2 begins with Ed trying to set a record for most consecutive raids, working his crew to death under brutal and traumatic conditions. His list of crimes on his wanted poster certainly suggests a lot of violence and killing, yet the show is careful to show us Ed himself only seeming to kill one person - firing a gun into a man’s back during a raid - and if you look closely, you’ll see that the man was already dying with a dagger through his body. It feels vital to me that the only direct ‘killing’ action we see Ed taking is shooting a man who we presume he can justify as having been already on his way to death. 

In s2e1 and s2e2, Ed can’t kill Izzy, though he does try desperately to get Frenchie to do it for him. He can’t even kill himself, trying to get Izzy to do it instead. When he thinks Izzy has committed suicide with the gun he gave him, he says, ‘I loved you, best I could,’ as if any love Ed could give would by its nature not be good enough. 

Ed wakes in s2e3 in the care of his old captain, Hornigold; of course, he’s really in the gravy basket and Hornigold is serving as a Jacob Marley-esque psychopomp. They key to Ed realising that he’s really [Buttons voice] ‘down in the old gravy basket’ is the conversation that concludes his attempts to be Jeff the Innkeeper. Hornigold tells Ed that he’s not good with people - after all, he did strangle his father. Ed reacts first with disbelief then cold fury, saying he never told anyone that; Hornigold reminds him that he told one person and Ed flashes back to telling Stede in the bathtub in s1e6; then Hornigold reminds him that the one person he told left him, and we see Ed crying under his Kraken makeup at the end of s1e10. Later, when Ed (finally, even Calico Jack would have had it sooner) realises that Hornigold represents himself, he says that he’s unloveable. Here’s the crux of it - he believes that he is fundamentally unloveable because he killed his father, because he is the Kraken, the monstrous beast capable of lethal violence. That’s why Stede left, his brain is telling him even as he’s dying. 

Then Stede actually proves him wrong by returning, saving him from death, and telling him that he ‘love[s] everything about [him]’ in rapid succession. Whether or not Ed fully accepts this information, we do see him very quickly, yes, melt back into Stede’s arms. Which brings us to s2e6, and Stede’s killing of Ned Low. 

Quick digression into killing and Stede: Stede accidentally kills a man in s1e1, is haunted by his ghost in s1e2. He’s so haunted by dead Nigel that he spends a lot of s1e2 asking first Oluwande and Jim for advice on being a ‘mur-der-er’, and then asking Black Pete how his former employer, Blackbeard (!!!) handled killing. (How Pete says, ‘When Blackbeard kills man, woman, or child-’ lives in my head at all times, Matt Maher with the line deliveries of all time.) Finally in s1e2, during his court-mandated therapy with the tribal elder, Stede admits that he doesn’t feel bad about killing Nigel - he was a horrible person even when he was a child! Stede's guilt is coming from somewhere else. We see this again in s1e9, when Stede says it is time for him to face the consequences for what he’s done - it might seem like he means for killing Nigel, since that’s why he’s about to face the firing squad, but we know that Stede’s guilt is about abandoning his family (the people he’s hurt!). Similarly, when Stede kills Ned in s2e6, he seems to get over it very quickly. Ned is clearly a bad guy, and although the act of killing him was traumatic for Stede (much like the act of killing Nigel), Stede presumably reconciles it by knowing that he was protecting Ed and his crew (and avenging Calypso’s birthday). Stede as a character is shown to have a tremendous amount of natural resilience. We later see him immolate a guy and dispatch a number of British soldiers without hesitation. Stede is also one of the two main protagonists of the show, and his attitude towards killing seems to reflect the attitude of the show itself - killing colonisers and torturers to protect your loved ones is ok, actually. 

(Side note but I found this idea about how zero tolerance policies actually hurt victims very informative on the topic of why it's ok that Stede killed his childhood bully; I got that link from this very interesting post where several people are in conversation about how Ed is not Izzy's abuser.)

Back to Ed in s2e6. He asks Stede not to kill Ned; when Stede does anyway, Ed is visibly saddened and ignores Izzy telling him to give Stede a moment; instead he goes immediately to check in on Stede in his cabin. He knocks on the door and in that soft voice that he only ever uses with Stede, he starts to say, ‘Hey. You okay? Look, I was a wreck after my first kill as well.’ Then he pauses, before rambling, ‘I mean, well, it was my dad, so there's that,’ which feels like a little moment of self-reflection. Like. Yeah. Ed. Baby. You might be super fucked up about the act of killing because the first guy you killed was your dad, when you were a literal child! Also, Ed has never been to (as far as we know) court-mandated tribal elder therapy, so of course his decision to kill his father fucked Ed up for decades! Also as a very clever friend pointed out, we don’t know anything about what the consequences of that were for Ed - how did his mother react, is that why he ran away to sea, etc.

There's another important thing here that the audience knows, but that Ed has never told Stede (or, we have to assume, anyone) which is that the catalyst for Ed becoming the Kraken to kill his father was abuse. The audience is shown through his panic-attack-induced flashback that Ed's father physically and verbally abused his mother and presumably him too. All Ed has ever said to Stede or anyone about it, as far as we know, was his joke to the crew during scary story hour that his dad was a dick. Stede can probably infer roughly why Ed killed his dad, but he doesn't know the details, and he loves everything about Ed anyway, and now Ed knows that Stede does too. 

So Ed and Stede have sex, and as many metas have pointed out (like this one!), it's so meaningful that Ed feels safe enough to give up his Blackbeard/Kraken identity the very next morning. He attempts to get Stede to see that it might be nice to not be pirates anymore due to the high chance of death but Stede manages to completely misread it and laughs it off. (To be fair to Stede, they're both horrible at communicating and Ed is not saying what he wants in any direct manner.) Ed proceeds to have his big beautiful brain start to spiral out of control as Jackie points out how popular Stede is becoming as a pirate; Ed panics, tells Stede he doesn’t even know who he is, and leaves to become a fisherman before he can get left (again!). 

As Ed rows away from his failed career as a fisherman in s2e8, his boss Pop-Pop (who he has managed to recreate a fucked up father-son dynamic with that like so many things in his show is played for laughs but has pretty dark undertones) yells after him, 'If you were ever good at anything, go and do that, you bum.' Ed rows back into the port of the Republic of Pirates and sees the destruction Prince Ricky has wrought upon the pirate community. Ed's first thought is, Stede, and then he imagines Stede calling for help before straight up murdering two British soldiers. He remembers Pop-Pop's words and says, 'Have it your way,' before diving into the sea, retrieving his leather, putting it on underwater, and emerging from the waves fully dressed. It's fantastically hot and the exact level of drama I expect from this man. The Kraken musical cue is playing as it happens. 

We now see Ed murdering British soldiers in the coolest ways possible, demonstrating his skill at fighting in hand to hand combat. One way to read him taking Pop-Pop's advice is that this is what he's good at - killing and violence. 

But you know what Ed’s even better at? Protecting the people he loves. His mother, himself, and Stede. Each time Ed becomes the Kraken, he fulfils that. He protects his mother from his father, himself from Izzy after being warned that ‘[Edward] better watch his fucking step’, and Stede from the invading colonisers who want to destroy their freedom. But something has changed the third time he does it - this time, he can tell Stede that he loves him and he doesn't mean it as a tainted thing, but something that he knows Stede will treasure. He's both loveable and capable of loving. He always has been, of course, but now he knows it. The Kraken, the part of him that is capable of killing, was always a defence mechanism for Ed, but the third time he understands it and himself enough to know that it doesn’t make him a monster.