#this scene is such a masterpiece

[curioscurio]

I'm rewatching Steven Universe and I will never forgive Fandom for what it did to her

[beif0ngs]

BLUE EYE SAMURAI

I never said I was a samurai, you did. I’m on the path of revenge. There’s no place on it for love or friendship or weakness.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[portraitdelajeunefilleenfeu]

@metaldamage ! #Avatrice #WarriorNun #SaveWarriorNun

[linusbenjamin]

Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan

[the-clotpole-and-the-disgrace]

barbie is one of the best aroace characters ive seen on the big screen yet. in a world where aspecs are slowly getting more recognition, hence increasing the targeted negativity from others that comes with not confirming to societal standards, having such a well known character not only have no interest in sex or romance while others in her environment do, but showing that her lack of romantic or sexual feeling is not something that stands in the way of her being her true fulfilled self sends a powerful message against amatonormativity. in this essay i will

[panstovoid]

I would just like to thank across the spiderverse for further confirming my belief that one cannot be Spider-Man without being at least a little gay or trans

[im-a-goat-in-disguise]

no you dont get it you dont UNDERSTAND this scene at the end of wall-e is so aburpt and emotional. especially in the context. the whole movie it's all been up in the character's faces, filling the frame. but the camera steps back and you see how small they are. so insignificant. massive towering monoliths all around them but at the end of it all.. they're just robots.. two tiny little robots. they're in the shadow and wall-e is *gone*. The bright spark of life has quietly been whispered away. that spark, so small, so bright. the framing gives you the eerie sense of emptiness [emphasised by the previour shot - showing wall-e's lifeless eyes.

there's no emotion there. it's empty. he's gone. not just gone, but the lights aren't on. sure you rebuilt the house but you look inside and nobody's there. the echo of your love doesn't return. it's hollow. it's so sad. i could cry about this for years and years and years. so much is being told. EVE was lifting his eyes and they dropped back down in the most robotic way possible. no swagger or humanity or personality. just back to inhuman efficency. compared to the swift, sweeping, emotive movement throughout the movie - this feels not just bad, but wrong. there's only about 2:30 from wall-e "reanimating" until he comes back completely. but that 2 and a half minutes. its some of the most heart-tugging animated movie i've ever seen.

[earthfluuke]

"this is it. the last image i want to see."

the way mork tries to hold it together, but his lips end up trembling. and when day is so gently holding his face, tracing over his lips, he finally breaks down. he is the one crying, the one mourning day's sight. but day? day is smiling, keeping his eyes on mork's face until everything fades away.

the very last thing he'll ever see is the man he loves. and while it's bittersweet, it makes him happy. because mork is day's last twilight. he'd happily turn to stone and stare at him forever.

[crispywizardtale]

[frogprinsen]

So in Season 1, during the intimate scene, we saw more than we need to because it was showcasing how we are invading their privacy by watching.

In Season 2, it faded to black after they closed the curtains because this moment is only for them and no one else should be able to watch them now.

Following this, I honestly expected that they wouldn’t have shown us more than they did in season 1 cause they did it before with a purpose BUT I WAS WRONG.

Now that I think about it, it’s completely fitting that they showed is these scenes explicitly and not just implied some of the things happening like in previous seasons. I thought it would’ve been for no reason to do so anymore but I completely went over the fact that this is how it is. THEY ARE PUBLIC NOW. Everything they do, there are people watching. They no longer have actual privacy, everyone will be able to see them and make comments and assumptions whether they want to or not.

And I think it’s just amazing how these intimate scenes are written based on the stages of their relationship.

[psykopaths]

Interstellar, (2015)

[vertigoartgore]

Dean Stockwell (alongside Dennis Hopper) in Lynch's Blue Velvet.

[linusbenjamin]

The Walking Dead 5.16 — Conquer

[londoneh]

Thought I’d post a silly thing I’m in the middle of 😋

Why does drawing different fashion give me such happiness? AAAAfGGGHHHHG

💖ミ★💖

[softiedingo]

𝒂 𝗙𝗟𝗔𝗨𝗡𝗧 𝒇𝒊𝒍𝒎 𝒇𝒆𝒂𝒕𝒖𝒓𝒊𝒏𝒈 𝐏𝐄𝐃𝐑𝐎 𝐏𝐀𝐒𝐂𝐀𝐋 𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒆𝒅 𝒃𝒚 𝐋𝐎𝐑𝐎 𝐏𝐈𝐀𝐍𝐀 (2023).