#this thread was so important

[archerdepartures116]

Ill post this au( inspired by tweet above) i started on my twt on Tumblr too

First part

more comic panels below

Second part

Third part

Fourth part

Shenanigans side extra

this is currently an ongoing series, if this does well here, I will continue posting these in bulk (～￣▽￣)～

for more frequent uploads, you can follow my twitter at ArcherD116, feel free to ask me ab this au and give your suggestions!

[sixth-light]

I have had these thoughts bubbling away in my head for like...eighteen months or so now (it will become very obvious why shortly) but the discussion in this post has pushed me to write them down: I think societally we HUGELY underestimate how motherhood for primary caregivers, particularly first-time motherhood, can be a source of vulnerability to radicalisation.

There is obviously huge cultural variance here, but for a lot of cis women becoming primary caregiver to an infant in a capitalist Western society represents a time of immense vulnerability because in general you are:

Incredibly sleep-deprived (which has well-documented knock-on effects for your judgement, mental health, etc)

If you gave birth, recovering from a significant challenge to your physical health (even in the best-case scenario)

Isolated from your previous networks and communities of people in full-time work

Completely separated from the context of your prior career goals and achievements

Under huge amounts of stress to learn how to care for an infant (don't get me started on breastfeeding)

And on top of this, you are also be experiencing a huge amount of messaging about how all this is natural, wonderful, something you're meant to do, something you should love doing, and something that you must do for the welfare of their child. It's a huge amount of pressure and life change even when everything goes right and there's very little cultural space to express negative feelings about it.

Any group of people who offer community, support, and affirmation to cis women in this situation are going to have a really good shot at radicalising them into some very weird and dangerous headspaces and in fact we see this happen all the time - think antivaxxers and TERFs. It flies under the radar because of the hazy positive glow that associates with motherhood and babies and also because we don't take the radicalisation of women seriously I guess because they rarely shoot anybody, but...yeah. It is such a vulnerable time!

[sir-kettle-of-countertop]

So, I saw a post circulating here about the “extinction of birds in 2023“, with this picture attached

My, what a bold claim! All these poor birdies, “went extinct” in just one year alone? Why would such an outrageous, depressing and catchy claim be spread around? Let’s fact check it.

All the species listed, Bachman’s wabler (Vermivora bachmanii, 1988 or 1980s), Kāmaʻo or large Kauaʻi thrush (Myadestes myadestinus, 1989 or 1987), Bridled white-eye (Zosterops conspicillatus, 1983 and 1983), Kauai ʻakialoa (Akialoa stejnegeri, 1969 or 1960s), Kauaʻi ʻōʻō (Moho braccatus, 1987 and 1987), Kauaʻi nukupuʻu (Hemignathus hanapepe, 1899 and 1899), Maui ʻakepa (Loxops ochraceus, 1988 and 1988), Kākāwahie or Molokaʻi creeper (Paroreomyza flammea, 1963 and 1963), Maui nukupuʻu (Hemignathus affinis, 1896* and 1996 ) and Poʻouli (Melamprosops phaeosoma, 2004 and 2004) are all, indeed, either extinct or possibly extinct, according to IUCN Red List of Threatened Species and U.S. Fish and Wildlife Service.

What are the dates after the scientific names? Well, those all are *last sightings* per IUCN Red List and USFWS accordingly. So, these birds were not seen for DECADES and in one case FOR MORE THAN A GODDAMN CENTURY. And sure as hell there is NO information about them very suddenly being gone all last year.

What’s the deal then? Where did this claim even come from? Well, likely from this article "21 Species Delisted from the Endangered Species Act due to Extinction" from U.S. Fish & Wildlife Service. It includes all the birds in the picture (with the last date of sight, listed above).

From the article: “The U.S. Fish and Wildlife Service is delisting 21 species from the Endangered Species Act due to extinction. Based on rigorous reviews of the best available science for each of these species, the Service determined these species are extinct and should be removed from the list of species protected under the ESA. Most of these species were listed under the ESA in the 1970s and 80s and were in very low numbers or likely already extinct at the time of listing.”

They didn’t ALL fucking suddenly drop dead all in the same year – if they did, as some other people have already pointed out, there would be an uproar EVERYWHERE. Ornithologists alone would not let it live down. They were officially delisted from endangered status by U.S. Fish & Wildlife Service that year, there was a proposition to do so back in 2021, too. Some were already declared extinct before by IUCN.

Despite not being seen for so long, they remained on the list of critically endangered for a long while, cause you cannot just immediately declare a species extinct. There’s no RTS unit amount number that goes to 0 once there’s nothing left; people keep checking for them over and over and over again. Sometimes it turns out that a species previously thought to be extinct is actually still out there. Attenborough's long-beaked echidna for example was last sighted SIXTY YEARS ago before being sighted again in 2023. It was thought to be extinct for a while, before 2007, when signs of its activity was spotted again. More often than not though, a species turns out to be actually very extinct, unfortunately – like in this case. I cannot possibly know if the creators of this picture, or people that spread it on social media ever had good intentions behind it for awareness, however even if they did, it turned out to be nothing but very blatant misinformation, with a fearmongering effect. The only thing this achieves is not awareness of habitat destruction or pernicious tourist influence or climate change or what have you – the only thing this achieves is despair and panic. People already so casually fall into complete doomerism, they’re very used to hear bad news. And guess what doomerists do? Typically nothing. It renders people helpless. It’s not gonna make people get up and be ready for action, it, at best, would just make people feel sad and/or angry, or at worst, feed into the current alarming rise of ecofascism. NOTHING good comes out of this. At the very goddamn least, no one needs to lie to promote a goal.

The aim of the USFWS article, on the other hand, IS to make people aware about those animals that are already gone from the face of the planet, no matter how long ago, and that now we have to protect those animals that are critically endangered and still out there – to not have to repeat those tragedies.

Be very critical of what you see on the internet, especially if it’s sited with no sources. Especially-especially if it causes a strong emotional reaction. Lies and misinfo could only hurt the cause, no matter how noble. And please, be aware of your local wildlife status. Check in with it accoding to trusted sources.

[*sic, possibly a typo and it was meant to be 1996, other confirmed date listed there is 1989] Addendum: I could not for sure find the uncredided (who woulda thunken that ppl that don't cite their sources would also not credit the artists) author(s) of the bird illustrations. If someone finds them, please, let me know! Edit: Huge thanks to moosefinch for finding the sources for the artwork! I'll add their contribution below:

"Image sources!

The Kauai ʻakialoa, Kauaʻi ʻōʻō, Maui ʻakepa and Kauaʻi nukupuʻu are from Birds of the World.

The "Maui nukupuʻu" and "Molokaʻi creeper" illustrations are also Birds of the World, but are actually a female Kauaʻi nukupuʻu (the other being the male) and Laysan honeycreeper/Laysan ʻapapane respectively.

The bridled white-eye is by Lauren Helton according to this source.

Bachman's warbler is by Lynn Hawkinson Smith/smithhouse2 according to this Etsy listing.

The Poʻouli is by Christina Czajkowski."

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: hiii idk if u take these kinds of requests but id like to see jealous reader (preferably if reader and hoshina are already in an established relationship and reader works in a different division, meaning they dont get to see each other much) like maybe he’s used to calling okonogi “my dear” and its the first reader heard him call anyone with a pet name like that and she starts to overthink and gets pouty/ sulky and hoshina doesnt notice it at first but when he does he starts teasing her which doesnt help HAHAHAHA if its ok can it be hurt/ comfort and end in fluff & HELLO!! can i request an angst to fluff with hoshina where reader thinks he likes okonogi more than him especially since he is against revealing him n reader’s relationship to the third division (for other reasons of course). hopefully this isnt too specific!! i hope u have a wonderful day:))

notes: hoshina calls the reader “darling”, hurt comfort, him accepting jealousy a valid emotion (very important to me i fear), so sorry i merged the reqs!! i hope this was satisfactory for both TY FOR THE REQ!, this is a twt thread i thought about while writing this, (l/n) mention in the bonus part

wc: 1400

Oh, you hated when this happened. You hated when your heart started to tighten in this horrible way you knew well. You hated being jealous.

You hated how self centered it made you feel and how it ate away at your thoughts and feelings. It made you feel like your good thoughts were disintegrating to horrible ones. However, what you hated even more was how it meant you were doubting his love for you— and that was the last thing you wanted to do. You didn't want to doubt him, nor did you doubt him, but when the jealousy got to your head it was over. You were stuck in a loop.

To top it off, the cause of this all was truly harmless and hardly that big of a deal, but that's usually how most anxious thoughts start. They start little.

You were called to visit the 3rd Division to help with research on a field you were particularly knowledgeable on, and you happened to hear Hoshina's laughter from the operation room, so you went in to take a peek.

“It was not that funny,” Okonogi was saying to him, but Hoshina only continued to laugh.

“Yes, it definitely was,” he laughed. “I knew Kafka would forget about that hole in the training grounds again.”

“Why don't you remind him, then?”

“Comedic relief, of course.”

“Alright then.”

“Okonogi dear, you're no fun,” he said.

They said a few more things, but you couldn't seem to focus on their words. ‘Dear’? Was that merely a simple pet name? Or was there more to them than you initially expected?

Oh, the worries started to fill your head. And they were things you didn't want to be worried about— Okonogi was always so sweet to you when you popped by and you knew Hoshina loved you. The last thing you wished to do was doubt them, nor did you want to make things awkward around them. There were just so many things that you just didn't know about, being in a different division as him. You doubted they even knew you were dating, and the voice in your head would only get louder.

It was then that Hoshina saw you at the doorway and called over to you.

“Are you done with work?” he asked, his voice excited and hopeful. Your heart stung.

“Not quite yet,” you tried to sound disappointed, but for the right reason. “I’ll get going now.”

You walked away from the room as quickly as you could, seemingly naturally. You didn't want to be there and you didn't want to talk to him before calming down first— you were sure you'd say something silly if you spoke now.

Yet, immediately you heard footsteps behind you and a hand you knew well grab yours.

“Soushirou?” you asked, turning to look behind you.

“What's wrong?” he asked, his voice soft and visible concern in his eyes. “Do you feel unwell?”

Pang in your chest again.

“Not at all, nothing's wrong?” you said, but you could see the way he pursued his lips— the hurt in his eyes from how you wouldn't tell him what was troubling you. Gosh, why did you feel this way? Why must you feel much silly emotions.

“It's truly so stupid,” you said. “I'll tell you another time.”

“Alright,” he said, letting go of your hand. That one was your bad— you knew he wouldn't push you any further, even if he wanted to.

Dinner that night was awkward. You weren't even that jealous, but the fact that you felt something was gnawing at your brain upset you. Not to mention the fact that you were keeping something from him made you feel even worse.

“How was your training?” you asked.

“Alright, I suppose,” he said. There was a horrible moment of silence. You weren’t sure what to say.

“I think I’m getting a hang of this new technique,” he finally continued, but you wouldn’t look up at him— you were afraid he wouldn’t look your way.

“I see,” you said. “That’s really cool… I’d like to see someday.”

“I’ll show you as soon as its better,” he said.

The rest of dinner felt… quiet. The two of you still talked throughout it but it was terribly different from the usual lively catch-up you’d have— it was heart-wrenching quite frankly.

So as you’d imagine, going to sleep was even worse. You subconsciously faced away from him and pretended to fall asleep quickly, hoping he’d sleep soon too. You hated what was going on, but you just couldn’t bring this up. You knew it was silly and you knew you’d forget soon enough. You’d probably regret making such a big deal out of it.

“Darling,” he said, and immediately you turned to face him. He was already facing you. “You don’t have to tell me if you don’t feel like it… I’m sorry I pushed you.”

Gosh, you thought. You gulped. You wished he wasn’t so kind.

“You’re going to think I’m so annoying though,” you said, voice cracking in a way you didn’t wish for it to and immediately his eyes widened.

“Darling, what happened?” he asked, suddenly worried. “You could never be annoying to me.”

“I… heard you…” you started and he just listened— he waited. “I heard you calling Okonogi, ‘dear.’ And suddenly I—”

“I’m so sorry,” he said, without hesitation. “I hadn’t even realized I did that, it was completely by habit. I won’t anymore.”

You finally met his eyes and the way he looked so horrified he had made you feel bad was so prominent in his eyes.

“No, Soushirou,” you said. “I didn’t mean for you to have to change anything— I know so well that both of you are so sweet to me and there’s nothing going on. I just—”

“Darling, calm down,” he said, cutting you off. “You’ve done nothing wrong, why are you beating yourself up? This was my bad and that’s about it. None of this is you.”

“I—,” you said, taking a moment to collect yourself. “I hate to be jealous, Soushirou. I’m so sorry.”

“Why?” he asked and you paused to look up at him, utterly confused.

“Why?” he asked again.

“It’s such an… ugly feeling,” you said.

“Is it?”

“Is it… not?”

“What’s wrong with being jealous?”

“Because it’s like I’m doubting you or something… when I don’t at all.”

“I think that’s a different thing entirely, no?” he asked. “You can know in your head that I’m in love with you and still feel something else— they’re not always the same. A little jealousy is perfectly healthy, I think.”

“Oh…” you said. You wanted to say so much more but there was so much to process first. Your heart swelled with such warmth.

“I get jealous too. I hate when Narumi gets too close to you or bothers you when I’m not around,” he continued on. “But in my head I know you’d never do anything to hurt me and you’d stop him if he crosses a line. I’ll try to stop if that bothers you though.”

“No,” you said. “That sounds… nice. I’m rather… happy… you were a jealous actually. But I’ll make sure to keep some more distance between Captain Narumi next time.”

He laughed. “Sounds good. But you tell me if there’s anything more that bothers you okay. I’ll fix myself up.”

“I will,” you said and he kissed your forehead. “But Soushirou, I don’t mind much anymore. You can stay the way you are.”

“No, no, stop overthinking. You need to sleep now, you have an early morning tomorrow.”

“Yeah. You too Sou,” you said and he hummed.

Once you were certain he was asleep, you kissed his cheek and slipped your hand into his. You liked holding his hand when you fell asleep, but you weren’t sure if it made it harder for him to fall asleep.

“Thank you,” you whispered to him. “You mean the world to me.”

You lightly kissed his cheek, careful not to wake him up, but to your surprised he smiled. He squeezed your hand and without opening his eyes, “You missed,” he said.

He kissed you on the lips and you laughed, snuggling up against him. “You were awake.”

“I was waiting for you to hold my hand,” he said. “I like when we hold hands when we sleep.”

BONUS:

From then on, Hoshina stopped calling Okonogi “dear” as much, and it’d only happen when it truly slipped out of him from force of habit.

“Vice-Captain, you’ve started dating (l/n), haven’t you?” she said to him one day while they were sorting through files.

“How... did you know?” he asked. The two of you had been dating for quite a while now, but he was more surprised she guessed you correctly.

“It’s terribly obvious you’re completely in love,” she said.

He blinked. And then he laughed. 

He’d have to ask you that night if he can share the news with everyone, properly, then.

[little-pondhead]

I’m Not The Sun

—

Y'know, when Kon ‘died’, do you think a grieving Tim could have mistaken Danny for his best friend? Do you think that, in a moment of desperation and exhaustion, he might've kidnapped a floating Danny in an attempt to bring Kon home? And when he realized he kidnapped a random civilian, do you think he still kept Danny for a while as a replacement for Kon?

Do you think Danny got tired of being called 'Conner' after the first week but was too distressed himself to correct Tim? Trying to leave or tell the fellow teen his name was Danny was obviously sending the kid into a spiral. He seemed to think Danny was the dead spirit of his best friend. Maybe if he played along, this Conner guy would show back up?

Hopefully, before Tim completes his cloning research. Danny's been doing everything he can to sabotage the equipment, but even with ghost powers on his side, Tim is a smart person. Every time Danny sets him back one step, Tim takes two steps forward. And since he's well outside of his haunt, Danny is starting to feel weak and ill from lack of ectoplasm. He's running out of time.

Do you think Kon would feel upset that his best friend replaced him?

[peachssodapop]

Every day I live in fear they will make a Zelda movie and they will have Link talk and I will hate it and Never be able to complain about it because know it all jack asses will act like they know more about Zelda than me and tell me there was no way they could make a big movie like that where the main character can‘t talk

[livsmessydoodles]

thinking about this scene today

this scene alone convinces me that byler is endgame bc you cannot make will actively say that hes not gonna fall in love and then write a whole plotline abt him being in love with mike.... just for it to not be reciprocated???

will is the only party member who's completely unexperienced with romantic relationships, which of course has to do with the fact that he's gay in the 80's, but this is a TV show. all of this is fictional so they can take whatever route they want with these characters, and making will continue to stay alone and suffer through unrequited love would be awful storytelling, especially when people claim that will moving on from his feelings would bring character development and growth.

wills feelings for mike arent there just to "show his growth". weve seen this kid go through hell and back yet even with everything kicking him down he stays strong and kind. hes the most selfless character in the show and always puts others needs before his own. in s4, they put a lot of emphasis in these character traits of his, and they're always picturing his love for mike as something selfless and pure.

now if his feelings are not reciprocated, how does this teach will a lesson that leads to character growth?? he already doesn't expect anything. life has shown him time and time again that he always gets the short end of the stick, why would he think this is any different?? making him have feelings for his best friend just to get rejected would just be a nail in the coffin, reaffirming to him that no matter what hes not worthy of ever getting what he wishes. this isnt character growth at all.

but if his feelings ARE requited, that gives us a twist to the story we havent seen. we would get to see actual growth for will, him learning to give himself value and realize that he DOES deserve happiness!! instead of leading into the expected spiral of bad things keeping up the consistency with everything else that has happened to will so far, finally giving him one good thing leads to us seeing a shift in his whole nature, and wed see him dealing with things he hasnt dealt with before!!! GROWTH!!!

besides why would they make such an intricate complicated storyline.... just to lead to a rejection we all saw coming? the GA expects him to get rejected. his feelings not being reciprocated would not be any surprise. but twisting those expectations in a way to shock the GA AND give wills character the happiness he so deserves after being through so much..... now THAT would be world shattering and a satisfying ending to both the viewers and will himself!!

this scene establishes a clear subversion trope, making us aware of how will believes he's never finding love, just for the show to later on subvert expectations and reward will with the love he deserves and never thought hed get🫶

[giiyus]

//tw for hate speech, racism, antisemitism, homophobia, transphobia, and pedophila in the photos

MY STREAMER BRINGING IN THE RECEIPTS AND FACTS TO DESTROY KICKS ASS 🔥🔥🔥

[actual-changeling]

no i am not done with the breakup scene yet. it haunts me during the day and it haunts my dreams, soon i will be able to replay it in my head on command. today's obsession: tell me you said no

firstly, i think it's important to point out just how deep the miscommunication runs here. aziraphale is excited, outright giddy about the news he is delivering, and he expects crowley to be just as happy about them.

after all, he thinks he is giving crowley what he has always wanted - they can go off together, he can be an angel again, which to zira equals being on the good side. the side of *light*. he remembers crowley's creation, remembers how in awe and happy he was with it, and thinks that is what he is offering.

aziraphale's expressions during this scene are probably gonna be their own post, but long story short he switches between excited and confused like a broken light switch, unable to decide which one to settle on.

crowley, well, crowley is angry. angry and confused and completely caught off guard because aziraphale is shaking the very foundation of what crowley currently thinks to be their relationship. the horror dawns on him pretty early, but he tries to fight it off, tries to convince himself that no, aziraphale wouldn't. he wouldn't agree to that, he KNOWS me. he knows i don't want to go back, he knows both sides are equally bad.

tell me you said no. tell me i wasn't wrong about you, about us. tell me i didn't misjudge our entire relationship. tell me the last millennia were worth something, anything.

tell me you said no.

if you rewatch the scene, you will notice that crowley never breaks eye contact, he stares aziraphale down the entire time. unless it was literally blink and you will miss it, i am pretty sure he does not even blink. not once. aziraphale on the other hand is looking everywhere but at him, his gaze flicks around just as much as his expression. crowley tries again, one last time. tells him you know they will both destroy this planet, humanity, us. it doesn't matter which side wins, the result will be the same. we KNOW that. we SAW that. we stopped it from happening.

aziraphale does not answer.

he does not have to. crowley can read him well enough to know exactly what he responded, and even if he couldn't - he knew from the beginning. he just cannot believe the answer. he still can't.

it's one of his fatal flaws, isn't it, believing in aziraphale and in them against every rule and threat the universe throws at them.

now to get to the part that breaks my heart.

crowley repeats himself again, not breaking eye contact while aziraphale tries to avoid his gaze.

tell me you said no.

he still hopes. after that entire conversation, he still hopes.

when the silence stays unbroken he steps towards him, asking one. last. time.

angel tell me you said no.

this. this frame. this is when the realization hits him full force, the truth he has been trying to talk and rationalize his way out of. he has been begging aziraphale to tell him that he did not betray him, them.

everything he has been fighting for the last six thousand years, all the thoughts telling him he is worth less than aziraphale because he fell, because he is a demon, evil, on the wrong side. everything he has been unlearning, accepting that he can be kind, he can be good. accepting that aziraphale cares about him, fuck, maybe even loves him.

crowley thought aziraphale is the one being that sees him, truly sees him, which is why he offers himself without his glasses - his last layer of protection.

he betrayed us. he has never been with me, we have never been on our side, not when he chooses heaven over the fragile, peaceful existence they have carved out for themselves. he took care of the bookshop, allowed zira to take his bentley, cleaned up and tidied and prepared it for his return, for the both of them. just to get all of it thrown into his face, to have it degraded as not good enough. to have HIMSELF degraded as not good enough.

and after all that. after that realization, the pain, the break in what he thought was their reality.

after aziraphale telling him that he plans on leaving earth and wants crowley to be someone he is.

crowley swallows his tears and he steps back, keeps his glasses off and continues with his confession anyway. his voice breaks several times throughout it, he is on the verge of crying. i will probably make a separate post about all that but once again, tldr he suppresses tears throughout his entire speech.

i want to spend eternity with you and he cannot say it because he knows he would break on eternity and start crying. somehow, crowley still hopes that maybe this will change his mind, this will make him realize that he needs to stay here, stay with me.

crowley hopes and hopes and hopes and aziraphale finally meets his gaze and all he responds is nothing lasts forever.

no, i don't suppose it does.

still, what is left but to keep hoping that maybe one day, they will be an us, even if it isn't forever. even if it's just one day, one kiss, one second of being held and kissed back.

crowley keeps hoping and that, to me, is the most painful part of it all.

[macbethz]

some of my friends and I (hi @merupasse and @cyclopsboxhead) are working on our own little version of the marvel universe a la elseworld or “what if?” and I’ve been rewatching the new timeline xmen movies so naturally I had to do my own little version of Professor X (and a little Magneto) pre-xmen. 

Really enjoyed how XMFC and DOFP reinterpreted the X-Men mythos through the lens of 60s/70s culture and politics, and I wanted to take that and push it even further. Charles’ pacifism fits in nicely with the hippie movement and I’ve been doing a lot of reading on 60s psychedelia lately so I decided to make him a Timothy Leary-type drug guru figure who uses psychedelics to develop his mutant abilities. (There’s a lot of very clear DOFP Charles DNA in this especially vis a vis addiction and telepathy.) Another fringe part of 60s psychedelia I’ve been deeply invested in is self-trepanation (yeah I don’t know either but if you go on your own little research deep dive I think you will understand) which is so perfect for this I couldn’t resist. 

in conclusion

[blueskyscribe]

The reason the third set of Earthspark episodes were such a disappointment to me was that I expected all the plot threads from the previous two thirds of the show to interweave and instead a lot of them were just dropped.

Like why did Optimus need to keep Bumblebee's existence a secret? Why did GHOST think he was dead? And what consequences did Optimus face once GHOST found out Bee was alive? Seemingly none. Optimus showed up so little in the second batch of episodes that I kind of thought they'd retaliated against him and imprisoned or brainwashed him but nah, he's fine and it's never explained why Bumblebee had to fake his own death.

What was the Cybertronians' war initially about? It is unbelievable to me that this wasn't explored. First, it's interesting! Second, it would give us insight into the motivations of the Decepticon ensemble.

The show is a sort of a "what if" AU based on G1, and in G1 the Decepticons were warmongers who wanted to rule the galaxy and enslave everyone. However, if you've read MTMTE you might notice Megatron chiding Shockwave for dismissing the Terrans as "lower class beings" and conclude that the war was about classism. But ultimately the viewer shouldn't have to fill in the blanks from other media. Earthspark should address this within its own show, because the question "Can the Decepticons be trusted, can they be redeemed?" can't be answered without it. Like, if the Decepticons were just The Evil Bad Guys then it wouldn't matter, but if you want them to end up freely walking the Earth then it's extremely important to know if the average 'Con's motivation for joining the army was "I'm standing up for my civil rights" versus "y'know, I just love killing people." Especially since, unlike the easy-breezy G1 cartoon, in Earthspark the TF war resulted in human injuries and deaths.

Shockwave and Soundwave's complicated feelings about Megatron never get resolved or even addressed outside their solo episodes. Which is very odd in a series that put such an emphasis on working out emotional strife, what with the cyber-sleeves and all. In the finale the Decepticons team up with the Autobots and Terrans because Mandroid wants to destroy all robot life: a purely physical threat. And that was a cool fight. But it doesn't resolve any of the emotional baggage. This disappointed me because the emotional fallout of Megatron's side-switch was the most interesting part of the show imo.

Then there was the Starscream episode, which felt like the "Dear Princess Celestia" moral in the last two minutes of a MLP FIM episode without showing how the conflict played out in the previous twenty minutes.

Earthspark got renewed for a second season. (And I'm glad! It has a lot of potential, that's why I was pumped during the first two-thirds!) But they thought they might only get one season, and if that was the case they would have left us with all these dead ends.

[sunnykeysmash]

Charlie: "Hey, uh, Dennis, uh, get to Frank as fast as you can. I have Malcolm and his dad."

[tothefiniteyou]

Something that's been in my head a while concerning the brothers and their "roles", so to speak. This is meant to be about the original Mirage comics, but applies to 2003 and IDW as well. Potentially 2012, maybe more. I don't remember the exact issues, but this WILL contain spoilers for IDW and the original comics.

Raph is the one that takes on the responsibilities no one else does/wants to. He very often has to play the part of the bad guy because his convictions are more rebellious in comparison to what Splinter teaches them, core beliefs and rules that Leo in particular takes to heart. Raph keeps his family in line through his anger, for better and worse, being the one of tough love. In volume 1 of Mirage when they retreated from New York after Leo was almost killed, he calls his brother a coward for not "finishing the job" and goes off to face the Shredder alone. He almost got killed because of his impulsiveness, yes, but Leo's always been about saving his family. So really, he had the courage to face Shredder again because it was for someone else's sake. Their whole fight was kind of gruesome and full of harsh words, but at the end of it all, Leo thanks Raph for it. It's very interesting to me. It shows that Leo, even if he was originally mad, understands that his brother was only doing it because he was scared of his family being hurt again. He sees that it was for his own good, so he expresses gratitude.

Alongside that, I've said before that it's not that Raph wants to be the leader because of the title itself, but rather that he wants freedom, and for others to listen to him. He resents Leo for holding him back, not fully understanding his brother's reasoning. He focuses more on action and less on the consequences of said actions and choices.

In essence, Raph is often the one that has to do the dirty work. His parentification in Rise is even similar to this, having to parent his brothers and be the one to tell them "no", even when it isn't his responsibility. But if no one else is going to do it, then he has to be the bad guy, even if his brothers resent him for it. At his core, he always has his family in mind, even if the execution is flawed.

Raph being thought of as the shield has always felt right to me, as shields can still be used to hurt.

On to Leo - Leo is a very existential person, and that also makes him the most spiritual. Kind of a yin and yang ordeal, with him seeing how there's a balance to things. (I would also say that he needs to assign a purpose to everything, if only to rationalize bad things. It's sort of why he has a bit of a crisis in several iterations when Splinter isn't there to guide him). He's the most "warrior-like" because of the way he values life and honors things like bushido. He'll kill to protect, but that doesn't make him callous, just "strong" (putting this in quotes for multiple reasons). I think IDW tackled this quite lovely, especially when he goes on to have a greenhouse just full of life.

However, I can't say all of this without mentioning the fact that Splinter's teachings are often flawed. I've said before that a lot of Leo's major "arcs" and "growing up" is about becoming his own person and leader, and that's still very much true. Blind Sight is my favorite story to have come from the original comics, and I think it really puts into perspective how Leo struggles to see himself as anything but a weapon. It's that bad habit of his where he must assign purpose to everything, struggling when proven wrong or having to recontextualize things. There's so much more I want to say about him and his role, but a lot of it would be reiterating my points from this post. I struggle to call Leo the sword of the team considering his words to Mikey about how, if he were to throw his katana off the roof, would that be the same as throwing himself. But in Blind Sight, he does learn that he's more than just some sword for his father to wield, and that a sword not only hurts, but protects.

People infantilize Mikey wayyyy too much in this fandom for just being the youngest, which makes me have to pick and choose my words very carefully for fear of the wrong impression. He's definitely the goofball that tends to not take things as seriously, but I think something that The Last Ronin meant to emphasize is that his "raw talent" is from a place of love. It's not that he's not the best of them all just because he lacks focus, it's that he's never seen a reason for him to have to be a warrior like that. Surrounded by his brothers, he doesn't have to try so hard. He'll watch their backs and they'll watch his. He's got the same warrior's spirit as the others, it's just that he rejects some of those teachings in his own way? Raph is often seen as the contrast to Leo, and that's typically true, but I think Mikey can be as well... In a way, Mikey has the most ties to humanity, and that's why I think he's similar to Leo in some ways. Not to say the brothers don't have humanity, but... It's so hard to word what I mean, bear with me.

Being a better warrior kind of means losing his fun-loving and go with the flow nature. He would be less like Mikey. Not to say that being good at fighting exactly equates to being deadly, but that's always a possibility, you know? IDW Mikey is such a good balance and blend of his little shit characterization and his more empathetic side. When he's the first to leave and reject Splinter's ways in IDW, this shows what I mean with him being more strong than Leo's way of being considered strong. He might not be "the best", and he might not tap into his raw talent that several characters mention, but I don't think that's what he necessarily wants. Splinter's idea of strong isn't necessarily the best.... Hopefully this section makes sense and my point gets across that Mikey is both the heart and armor of the team.

And as for Donnie... Oh boy! He has to use a gun in the original comics and actually be the one to kill (since only Raph and Leo really did that from what I can remember), and it shakes him up SO BADLY... And volume 1 just ends with him not choosing to go back to the sewers with his brothers, but to stay on the farm with Splinter for a bit. This is quite a finishing scene after ending a whole war within the city...

Donnie doesn't love his brothers any less, it just goes to show that he's never wanted to be the one to have to kill, and maybe wasn't prepared for it. While Mikey is definitely a pacifist, you can argue that Donnie is more of one. Him wielding the bo even supports this idea, as it can still be deadly, but not as lethal as his brothers' weapons. He's a very soft-hearted person that prefers to invent and give life to machines.

I hate when people think he's any less skilled in fighting than his brothers, because that's wrong! He just doesn't like violence and, dare I say it, I don't think he ever wanted to be a warrior in the same way. His intellect is a mightier and more useful weapon to him, because he can use it to keep others safe and make machines that can do all sorts of things. He'll fight to protect, same as the others, but disarming is more of his goal in the end. This makes Donnie, at least to me, both the brains and armor for the group. He's more than that, but... something something, things falling apart when Donnie is missing in SAINW.

At the end of it all, something you have to remember about all of them is that, even when they grow older, they started out as nothing more than child soldiers cultivated for the sake of revenge. Killing was always in the books, but they all have a different role on the team, and killing wasn't meant to be Donnie's. He helps with plan-making and would probably rather be support than a tank, if that makes sense.

They're heroes but but but. They're just kids, too...........Gripping my head

[antaripirate]

I’m almost certain that Kell talks in his sleep sometimes.

Or at least mumbles things that don’t quite make sense, but clearly mean something.

I always imagined him as a deep sleeper, which we now know is canon, and I’ve also always imagined him as a sleep talker.

It wouldn’t surprise me if his emotions sort of took over while he sleeps. Like if he was dreaming about something, I think it would reflect that. Or if he’d been worrying about something.

Like, in Threads, we see that he won’t sleep if Lila isn’t there, because he worries about something bad happening to her, what with her tendency for trouble.

And when she’s finally there and he knows she’s safe, and they fall asleep, I can imagine him unconsciously mumbling things to her.

I like to imagine him mumbling I love you’s to her in one form or another.

I like to imagine her whispering it back while he sleeps. After all, it’s a much less scary thing to say that way.

Or maybe he just says the most incoherent things while he sleeps, and Lila is never able to make any sense out of it. I bet some nights, when she can’t sleep, she just lies beside him and listens.

Also, I can imagine years ago, when Kell and Rhy were only kids, the two of them building a den or a fort out of blankets and pillows to have a sleepover in (even though they have a literal corridor between their rooms).

I can picture Kell talking in his sleep, and Rhy whacking him on the head with a pillow, and telling him he’s making too much of a racket and he can’t sleep with all that noise. And Kell would frown and insist that he absolutely does not talk in his sleep.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[mercless]

🗡 dozing off writing replies but im curious how others go about writing out stuff/the order you write particular parts, and if you have a different way of writing depending on if it's a reply, ask, or a drabble 🤔 in most cases I find I write out any spoken words first, then the tones or actions done while talking, and then depending on the writing purpose add trains of thought, other actions or specific actions that convey emotions. stuff I looove getting lost in writing include describing scenes, settings, environments, food or the time of day! for drabbles I usually start with these descriptive elements to get into the mood of it.