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#this was definitely not because a friend and i say this a lot
kianamaiart · 2 days
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Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.
One: Is the story character driven, story driven, or something else
Two: Is the story rated G, PG, PG-13, or something else
Three: Would the story be a web comic, web show, or something else
Four: Will there be a lot of lore and world building, yes or no
Five: what other inspirations did you have for the story's characters, plot, and art style
Six: What humor do you use for the story
I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.
So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.
At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.
I'm so glad! Thanks so much for your interest <3
Character driven (always)
PG/PG-13
Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends
Depends on what you mean by a lot but I'd say a soft yes
For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.
I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist
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calware · 12 hours
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as time goes on my interesting in shipping (for homestuck) (that's really the only fandom i'm in) has just gone down lower and lower because i used to see "shipping" as just "characters who were compatible in some way". for example i would look at karkat and feferi and be like "they didn't interact much but a lot was going on with the two of them in terms of their themes and how those themes intersect. and since romantic relationships are "more complex" or "better" or "more potent" than other relationships the natural progression is to ship them together romantically" but the stuff that would make them potentially interesting as a pairing isn't inherently romantic at all. and i feel like that goes for a lot of if not most of the characters. homestuck to me is way more centered on the idea of friendship (and family sometimes but moreso friendship) than romance and when characters have something important going on between them the interesting part is usually not inherently romantic
even the characters that start dating where their romantic attraction IS very important is based on their initial friendship..!! vrisrezi wouldn't be nearly as meaningful if they weren't friends first, same with dirkjake, etc. arasol is such a popular ship and they only dated once when they were 8 years old…. their relationship from that point on is SO important to who they are but it isn't even inherently romantic after the fact, but people see romance as the "natural progression" from there so clearly they "should" date once they get the chance to do so again. my point is i wish people would pay more attention to some of the non-romantic aspects of relationships in hs because i really think that's what takes center stage within the story most of the time (not ALL of the time of course there are definitely parts where romance is important. but you get what i'm saying)
and then of course to take that a step further and be even more of a hater i'm so tired of people taking stuff and putting it into a romantic context when it's entirely unnecessary…. i made a video with dave and karkat bickering and people tagged it as davekat for no reason. literally that post about dirk and john meeting each other that people kept tagging as dirkjohn for no reason. i'll make posts about the alpha kids being friends and doing stuff together and someone went through my entire blog tagging all of these as "alphacule" for no reason. i'll draw dirk and hal literally just looking at each other and someone will tag it as dirkhal. girl they're just looking at each other. seeing someone liveblog collide and they go "did anyone else think dirk and dave should've kissed >_<??" no i actually don't think they would do that. it's so dark in here
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munsonsmixtapes · 2 days
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Put it on My Tab
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bouncer!!logan x bartender!fem!reader
summary: You’re a bartender at the club where Logan is a bouncer and he’s going to deny his feelings for you until he’s convinced himself that he’s lost his chance.
cw: hurt/comfort
“Do you really think you can get away with this?” Logan asked the girl who was standing in front of him. She clearly wasn’t of age and the photo on the fake she had handed him hadn’t even resembled her. And the cherry on top that was that “Minnesota” was missing one of the n’s.
“And do you really expect me to believe that you were born in 1988? You don’t even look like you could have been born in 1998. I can’t let you in, kid.” He could see that the girl was crying and to the untrained eye, she definitely could have been. But Logan had been in the business long enough to know that she was just trying to garner sympathy, which never worked on him. Crying, if anything, just made the man feel uncomfortable. 
“You’re such a dick,” she cried as she watched him bend the ID right before her eyes. It wouldn’t be the first time he was called that and it certainly wouldn’t have been the last. 
The ID was tossed into the trash can right next to him and he waved the next person forward as the girl slowly moved out of the way, making her sobs louder and more pathetic as a way to get him to change his mind, but he wouldn’t. He never did. 
“You’re good,” he told the man as he glanced over his ID before handing it back. The job got monotonous, but it was definitely better than being Wolverine, as far as how easy it was. And it definitely wasn’t stressful unless there was a fight he needed to break up, but security usually handled it before he got there. 
He actually loved his job, if he was being honest, but that was really only because of you. The second he laid eyes on you, he was convinced that he was in love. Maybe. He didn’t know what love felt like, but all he knew was that he liked you. A lot. Even though he was going to convince himself that he didn’t. He tried to be mean to you to make you leave him alone, but that only made you want to see him more. And let’s be honest, as soon as you flashed him that megawatt smile, he was done for. His legs felt like jelly and he couldn’t help but smile back even though it felt very foreign. 
And as soon as you told him he had a pretty one, he was smiling all the time for you, just begging for you to say it again, and you did. If it wasn't that, you were calling him nicknames which would have usually angered him, but since they were coming from your lips, he hardly minded.
The night seemed to drag on as he counted down the minutes until he could have a drink at the bar, just you and him as everyone else had gone home. You had insisted on staying, giving him a drink in exchange for a ride home that he always gladly gave you once the alcohol was out of his system.
He smiled as he saw that his glass of whiskey was sitting on the bar, but you were nowhere to be found. He supposed that maybe you were in the back, neatening up the space. But when he went to check the back room, his heart sank as he saw you giggling with Brett, the bar back.
He had seen the two of you doing that exact thing on multiple occasions and it made him sick, angry even. Even though he didn’t feel like he had a right to be because the two of you were just friends. And perhaps that was what he was convincing himself that he was to you. Even though he wanted to be more. Even though he often fantasized about kissing you right in front of Brett to show him what was what. And on some occasions, he imagined bending you over the bar and having his way with you. Pounding into you, making you tell him who exactly it was who owned your cunt.
“Oh, hey, handsome,” you greeted with that smile that always drove him crazy and he couldn’t help but mimic your actions. Because the truth was that he couldn’t be mad at you if he tried. You somehow had broken down his walls brick by brick and had even managed to thaw his frozen heart.
“Hi,” he replied, trying his best to not let his literal claws come out, trying to keep his cool and do those breathing exercises that you had worked on with him.
“Hey, Leonard, was it?” Brett asked, averting his gaze to Logan and the man was close to rocking his shit, you could see it.
“It’s Logan,” you corrected. “I’m all good here, Brett, if you want to head out.”
“Okay, cool,” he nodded and clapped you on the back before weaving his way through the maze of boxes, moving quickly past Logan and fleeing the room, leaving the two of you alone.
You stared him, covering your lips with the tips of your fingers in an attempt to hold back the laugh that was threatening to escape your throat. And Logan was not having it. The night was long and he was just ready to go home, his whiskey that he so desperately wanted, getting watered down by the second.
You stepped forward, pushing the boxes out of the way, moving to stand on front of him. Your arms wrapped around his shoulders and you gave him a warm smile only for him to turn away from you, his signature scowl making its way back upon his face.
Without a word, you grabbed hold of his chin and forced him to look you in the eyes, still trying to hold that smile, desperate to see his own, the one that was specifically for you.
“Smile for me,” you commanded, your voice still soft. He showed you his teeth, but there was no actual smile. “Logan,” you giggled. “Just for me? Please?”
He smiled then, showing you his teeth and you felt your heart swell, knowing that you were the only person who could make him do it. And your heart leapt as you saw it slowly appearing on his face, pulling him into a hug.
“I’m not with Brett, by the way,” you changed the subject rather quickly. “He’s just a friend. More like a brother actually.”
"What?" He asked, his eyebrows furrowing and you desperately wanted to smooth them out, to find a way to help his mind stop from reeling.
"I'm not with Brett," you repeated, closing the space between the two of you, reaching up to move a piece of hair that had fallen to his forehead, putting it back in place.
“You say that as if it’s supposed to mean somethin’” he muttered, his signature frown making a reappearance.
“I thought it did," you shrugged. "Because if looks could kill, he’d definitely be dead.”
He just glared at you and you smiled again, wrapping your arms tighter around his neck while his stayed by your side. His hands were itching to hold you and he was trying to fight it off, trying to convince himself that he wasn't so desperately, hopelessly in love with you.
"And it should mean something to you." Your finger poked his chest and he just stared back at you, clearly missing the point of what you were trying to get at.
"Why?" His head tilted to the side like a little puppy and you just sighed, wondered why he wasn't understanding what you were trying to say. Wasn't it obvious? Maybe you were being too vague, but you were sure that you had said everything you could to get your point across except the actual words.
"Because," you rolled your eyes. "Look at the facts, Logan. We both know I get a lot of people asking to take me home every night and I let the grumpy bouncer drive me home. What does that say to you?"
"That you aren't looking for anything." You let out a sigh of frustration and shook your head, making Logan even more nervous. What was it that you needed to tell him and why did you need to say it in the back room of your place of work?
"Oh geez, I guess I'm going to have to spell it out for you, aren't I?" You chuckled nervously and Logan felt his heart pound in his chest as it all finally clicked in his head. Your hands rested on his cheeks and you looked into pretty hazel eyes.
"Logan, I'm in love with you," you said, watching his his widen, his mouth falling open as the six words set in. He just stared at you in response and you were beginning to take that as rejection.
Your arms slipped from his neck and seeing the look on your face was enough to break his heart into a million little pieces. And as he watched you make you way your way out of the back room, he could have sworn that he could see you wiping tears away from your cheeks.
You were leaving. You were leaving and he was just going to let you. You were quickly slipping through his fingers as the seconds passed and he felt sick to his stomach thinking about the possibility of losing you.
So he ran. He ran as fast as he possibly could, following you out to the parking lot where you were heading to your car that you had actually driven there for once. You stopped to pull your keys out of your purse and Logan took the chance to stand in front of you, stopping you from moving.
"Get out of my way," you commanded, but he just stood there, staring you down.
"No," he said firmly. "Not until I'm done speaking. And then you can keep hating me, but I need to get this out, okay?" He took a deep breath before speaking again. "I'm in love with you," he said. "I'm so in love with you that it hurts. I've never felt this way about anyone and honestly didn't think that you reciprocated my feelings, so when you told me that you loved me, I don't know...I just panicked." He was talking a mile a minute and you honestly barely understood him, ut you got the jist.
"So please don't leave," he pleaded his hands finding your waist. "Stay, because I don't know what I'd do with myself if you left."
"You love me?"
"More than you'll ever know, doll," he replied and pulled you into a kiss, neither of you bothered by the loud sound of your keys and purse falling to ground as your arms found their way to his neck once again. "Now let's get out of here."
"But what about the whiskey," you asked against his lips and he just chuckled.
"Just put it on my tab," he replied before pulling you in for another kiss.
You stayed like that until the early morning, kissing and giggling to each other, sitting on the hood of your car to watch the sunset together then heading back to your place for some much needed sleep before talking about how you were going to move forward over coffee and breakfast.
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Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.
hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.
I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.
"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.
like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.
and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."
and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.
(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)
this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?
my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.
I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.
if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:
youtube
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hochsleep · 2 days
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Relationship with Daryl Dixon (headcanons)
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This is my first experience writing headcanons, but I have a lot to say! And yes, I used a gif from Beth, but we don't support that pairing here, guys.....
Also, thanks to the author of the gif!
Pronouns: she/her (fem!reader) / (I'll do headcanons for Daryl's relationship for gender-neutral readers later on)
Pairing: Daryl Dixon/fem!reader (Y/N)
Warnings: no, not this time. Everything is decent (underage readers can read)
• Daryl Dixon is far from stupid. I mean, he can certainly tell the difference between romantic interest and friendly sympathy. He has Carol, his best friend, and he knows that he feels for her the kind of platonic friendly love he usually feels for a family member. But that's not the case with you. Sure, you've most likely known Daryl for a long time (assuming you joined Rick's group at any point from Atlanta to Prison, can pick at your discretion). So since you've known each other for a while, Daryl has had time to realize that his feelings for you are far from friendly. All the tenderness and care that he feels for you hardly compares to friendship. Daryl definitely didn't feel like kissing Carol's lips every time she came into his field of vision. That's the difference.
• But realizing your feelings is only halfway there. Daryl isn't the type to make the first move and declare his love. He's a very insecure person because of his past, so it would be hard for him to believe that someone like you would want someone like him. Daryl will just watch over you from the sidelines, he will make sure you are safe and will always be there to protect you. Even if it's just a harmless fall down the stairs when you were arranging jars of canned fruit on the top shelf in the Alexandria pantry. He will notice that the stepladder beneath you is wobbling dangerously and will be there to catch you and prevent you from bruising any part of your body. He will take great care of you.
• Daryl is probably the type of man who idolizes and admires the girl he's in love with. Both her character and inner world, as well as her looks. He would spend hours just looking at your unconditionally beautiful face. Every mole, every freckle, every wrinkle in the corner of your eyes when you smile. God, he could never get enough. Every part of you is perfect. Daryl's not sure he's ever seen a more beautiful woman. I mean, he probably had a soft spot for women he personally thought were pretty in the past, but it was never more than a glance in their direction. Just trying to say that Daryl isn't a pristine and innocent man who never thought about women. Over the many years of his maybe not the most prosperous life, Daryl has definitely had his fair share of beautiful women. But it had always been respectful. Mental admiration from the sidelines. Daryl never "barked" or "bit" like Merle. Daryl is much more respectful of women.
• That's why he likes to watch from the sidelines and think about you. A lot of thinking. Daryl is indeed a man of few words, but he has more than enough to think about. And when he falls in love, you become the center. Except when Daryl has to think about survival or when he and Rick are making a plan of action to save the group. But rest assured, all of Daryl's free time is spent thinking about you. He's very observant and remembers every little thing about you so he can think about it later. Do you like to read? Daryl will listen to you talk about your favorite books and find them during one of your outings, rest assured. Do you like wildflowers? Great, a bouquet of a hundred of them will be waiting for you on the doorstep of your Alexandria home when you come home after a hard day's work. Maybe you like a certain kind of clothing? Like something knit? Daryl will either find it during the outing or ask Carol to help with it when she's not busy. He won't say who it's for, but Carol certainly knows. And after you get those little gifts, Daryl will watch you smile widely because you know who left them under your door. And Daryl will think about your smile until he falls asleep at night. But he'll only dream about you, too.
• Somehow you were the first to admit your feelings because Daryl is actually cowardly about these things. A man can take on walkers or hostile people with his bare hands (like the Saviors), but he definitely can't just go and tell someone he really likes how he feels. No, you have to push him. And hints aren't enough, you have to say it outright. And then probably prove the sincerity of your words of love for the rest of your life, because Daryl Dixon is a very insecure man. He knows in his brain that you really do love him and will be faithful to him, but those childhood traumas are really getting in the way of his life. Be prepared for that.
• Your relationship with Daryl will gain momentum gradually. I don't think Daryl really likes all these formalities and labels like "girlfriend" and "boyfriend". You're just his and he's just yours. There's no need to complicate it all, the world of the zombie apocalypse is already very complicated. But if you care about dates and formalities, surely Daryl can learn to take it seriously. Not right away, but he will. Just give him time and he'll lay the whole world at your feet. And he'll start marking your anniversary with a marker on his calendar so that he definitely won't miss this important day for you (he won't admit it, but for him too). Daryl will be learning and you'll have to be a good mentor in this relationship for the first few years. It will be worth it, trust me.
• Daryl Dixon gets attached to people easily. He's like a big loyal dog. I mean, have you seen how loyal he is to Rick and Carol? He bites at first, doesn't want to let anyone in, but eventually he gives in and lets you take his heart and soul under his protection. Take care of that. My point is that this is the same way love works in Daryl's case. I'm pretty sure Daryl doesn't believe in the concept of love at first sight and stuff, he rather believes that love only comes about through the process of a relationship. So at first he thinks you are just a pretty woman. Then a friend. Then a good friend. And yes, he may feel sympathy, affection and probably crush at this time, but not love. No, he falls in love with you gradually. It's a slow process, but in Daryl's case it will be forever. He's definitely a one-woman man. And when he allows himself to really love you and not just be a little bit in love, when his heart completely belongs to you and he finally says "I love you" with all seriousness and responsibility, rest assured that this is love. This man will show you what true love is. Safe, sincere, and endlessly committed. Just give him time. Let him love you.
• The following headcanon (though I think it's unqualified canon) about Daryl's loyalty follows from this. You may try to be jealous of him or think he'll fall in love with someone else (it all depends on your confidence), but Daryl will prove time and time again that he's only loyal to you. This man is serious about his and your feelings and your relationship. Therefore, he will not give not a single reason for jealousy. But there could be quite a few women around (and men probably too) who might like Daryl. He doesn't care, he will never look at anyone else. Why would he do that when he has you? You're perfect for him and his heart doesn't belong to him anymore. So if Daryl notices your jealousy and insecurity, he'll spend all his time trying to prove to you that you're the one for him. He's deeply committed. To Rick, to Carol, to Maggie, to Alexandria. He's eternally devoted to you.
• The relationship with Daryl will be full of complexities, let's not turn a blind eye to that. He's a complicated man with a lot of trauma behind him. The situation is more acute if you're a complicated person, too. There's a lot to put up with. Probably a lot of fighting at the beginning of the relationship, especially if we're talking about Daryl from the first seasons of the show. But if you're both willing to work on that relationship, it will work well. Again, not right away, but it will. Daryl is sure that his love for you will be enough for both of you and certainly for solving all your problems in this relationship. He will try his best for you and you will try your best for him too.
• Physical intimacy is probably going to be difficult. Daryl's not a fan of close physical contact, especially with someone he can't call his family. You know, the boy had a shitty childhood. But he feels the need to feel the warmth of your skin on his skin. So he may unknowingly touch you before your relationship even begins. It could just be a "casual" hand collision when you both reached for the same item on the shelf. Or he may lightly touch your shoulder when he needs to get your attention and say something to you. You shouldn't pressure him with this and force a hug or anything like that. He will definitely come to it on his own when he's comfortable and he sees that you're okay with it. As your relationship progresses, he will open up to new types of physical contact more quickly. Sure he'll hug you a lot, try to hold your hand in his, but it's all in private. And of course kissing. I think Daryl actually likes kissing, but he's not very good at it for lack of much experience. Teach him how to kiss well if you have enough experience yourself. He'll be a good student. Especially when it comes to lessons involving his lips on yours. I'm pretty sure Daryl will become very clingy as your relationship progresses. When you're alone together, he won't be able to feel comfortable unless his arms are around you in one way or another. He physically needs to hold you, to bump his nose into your neck and hair to smell your scent, which he loves so much. And of course kissing. Gentle kisses or passionate French kisses, he loves it all.
• Daryl definitely doesn't like the display of attachment on the publick. He considers it yours and his alone. Something private that needs to be kept out of the public eye. Well, he's also pissed off by those ambiguous looks Carol and Rick give him after you call him "baby" or "cutie" in public. But Daryl is willing to hold your hands and will even let you kiss him on the cheek in public if he's in a good mood. He'll save the rest for the two of you alone in your sweet home in Alexandria.
• As for intimacy, everything is ambiguous here. I think for Daryl it is not at all a mandatory aspect of the relationship. If you are asexual, he will have absolutely no problem with this. You are more than enough. The opportunity to see you smile, hug you and make you happy is all he needs. Sex is not necessary and Daryl can definitely live without it if you are not interested in sexual relations. But if you are not against it, then he will be happy to please you. I mean, he does it every day just by existing and loving you, but if he can please you in a sexual sense, he will be happy to do so. But again, not right away. You both will go to this gradually. Trial and error. Only when he completely opens up to you and is not ashamed of his scars, knowing that you love them completely and completely because they are a part of him. But most importantly, when you yourself tell him that you are also ready, then you can act. Daryl has some experience. Merle ordered Daryl... a prostitute for his twenty-first birthday and Daryl had to do it. I think he was the one feeling like a prostitute, not the woman. And maybe he's slept with random women from a bar a couple of times after drinking too much. But it was never anything special and not out of great desire. With you, it's different. Sex with you is his way of showing you love in a new way. Either way, he knows how it works, but you still need to guide him. Show him how you like it and help him the first few times. Daryl is a quick learner, especially if you help him. So pretty soon he'll memorize all the right places and positions to make you feel good as hell, nothing less. Daryl will make sure that you feel good first.
• Your comfort is Daryl's absolute priority. Over the years, he will learn to compromise and give in when necessary. Daryl loves you unconditionally and is ready to be on his knees in front of you, this is what you have done to him with your love and tenderness. Daryl Dixon has become soft and fluffy around you. Just for you. Merle would call him a pansy and laugh, but Daryl doesn't care. Not anymore. You're all he cares about.
• You're his safe place. His home. His heart and soul belong to you, take care of it. And then Daryl Dixon will move mountains for you, you bet he will.
~ A cute little headcanon as a bonus: I honestly think the soundtrack of the relationship with Daryl, is the song: The Goo Goo Dolls - Iris.
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charlott2n · 5 hours
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drop some doom metal recs please 🙏
ABSOLUTELY. first of all u cant go wrong with witchcult today by electric wizard. dopethrone is kinda their most acclaimed album as well as the most popular post-sabbath doom album and the first two songs are definitely worth a listen at yhe very least but witchcult is definitely more approachable and catchy. lots of great rhythms and riffs
secondly i would be remiss to not mention @wyrmweed's album Book of Rituals under her band Saturniidae. really awesome doom that i legitimately love and listen to all the time even beyond the merit of just being my friend's album :) that is to say i dont just listen to it because i know the person who made it. but yeah please do check it out!!
also blood lust by uncle acid and the deadbeats!!!!! ill cut you down was my very first doom/stoner metal song :) its just such a killer album with so many great songs
master of brutality by church of misery is another great one! i love the guitar tone its very Juicy for lack of a word that makes any sense at all
also in the same guitar tone vein is belzebong! incredibly weedy band but the riffs are great and its a good time with any of their albums ^-^
i also need to recommend bongripper! if you like more droney stuff theyre great, and their album from this year is a fantastic doom monoloth imo.
also windhand!!!! please try out their debut or soma. two of my favorite doom albums of all time easily.
also for something a little sillier i want to recommend eight foot manchild :) theyre like jazzy funky doom its soooo cool youve gotta hear them at least once
also spider kitten!!!! i love their album Behold Mountain and i want to listen to more at some point. theyre so silly with it
lastly meditations by bong-ra! jazz doom. incredibly cool. and thats probably enough thanks for asking^-^
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aniesvision · 2 days
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𝑵𝒐𝒕 𝒉𝒊𝒔 𝒕𝒚𝒑𝒆 | 𝒑𝒂𝒓𝒕 𝟐
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𓅷𓃗 𝙽𝚒𝚌𝚔, 𝙼𝚊𝚝𝚝 𝚂𝚝𝚞𝚛𝚗𝚒𝚘𝚕𝚘 𝚡 𝙵! 𝚁𝚎𝚊𝚍𝚎𝚛
𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝒎𝒂𝒕𝒕'𝒔 𝒑𝒐𝒗, 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒊𝒗𝒆, 𝒌𝒊𝒔𝒔𝒊𝒏𝒈
𝚊/𝚗: 𝒉𝒆𝒚𝒚 𝒉𝒆𝒓𝒆'𝒔 𝒕𝒉𝒆 𝒔𝒆𝒄𝒐𝒏𝒅 𝒑𝒂𝒓𝒕 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒇𝒊𝒄, 𝒕𝒉𝒆𝒓𝒆'𝒔 𝒏𝒐𝒕 𝒈𝒐𝒊𝒏𝒈 𝒕𝒐 𝒃𝒆 𝒂𝒏𝒚 𝒐𝒕𝒉𝒆𝒓 𝒑𝒂𝒓𝒕𝒔 𝒕𝒐 𝒕𝒉𝒊𝒔 𝒔𝒐 𝒊 𝒉𝒐𝒑𝒆 𝒚𝒐𝒖 𝒆𝒏𝒋𝒐𝒚 𝒕𝒉𝒊𝒔 𝒐𝒏𝒆, 𝒆𝒏𝒈𝒍𝒊𝒔𝒉 𝒊𝒔 𝒏𝒐𝒕 𝒎𝒚 𝒇𝒊𝒓𝒔𝒕 𝒍𝒂𝒏𝒈𝒖𝒂𝒈𝒆 ☕︎
𝚜𝚞𝚖𝚖𝚊𝚛𝚢: 𝒘𝒉𝒂𝒕 𝒉𝒂𝒑𝒑𝒆𝒏𝒔 𝒘𝒉𝒆𝒏 𝑴𝒂𝒕𝒕 𝒅𝒊𝒔𝒄𝒐𝒗𝒆𝒓𝒔 𝒚𝒐𝒖𝒓 𝒐𝒍𝒅 𝒕𝒘𝒆𝒆𝒕𝒔 𝒂𝒃𝒐𝒖𝒕 𝒉𝒊𝒎?
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Matt's pov
I was scrolling through tiktok when I found that account. A few comments mentioned it, making me curious to check it out. They were so sure it was her old account, bringing up tweets about things she'd definitely say nowadays, stuff about me and my brothers when she was just a fan, it made me think of what she used to say.
I searched the name up and it popped out immediately, she didn't have a lot of followers but there were a lot of tweets. I started to read a few, not minding most of them since it was just random comments about her life or about our videos. I was about to leave the website when one of her tweets got my attention.
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3rd person
Matt's eyes immediately widen at the words he is reading. He couldn't even believe his friend would say something like that about him, but the really surprising thing was that he liked it.
He continued reading some tweets, taking screenshots and finding it amusing to know how you really feel about him, or felt, he wasn't sure, those tweets were from months ago.
A few days passed and Matt still couldn't take your tweets out of his mind. He wanted to talk to you, but didn't know how he could confront you about it without it being weird or uncomfortable, so he decided to talk to Nick.
He asked Nick to ask you about that account, showing him screenshots with some of your tweets that weren't so explicit like the last one he saw, but that you still were talking about Matt. He wanted to know if things changed or not, but he wasn't sure how he'd react to any of the possible answers you could give.
And then, the next day, Nick was pissed at you, and Matt had an idea why, but he'd let his brother calm down before asking anything else.
Matt's mind was full of questions and assumptions. Your account was deleted and Matt noticed it, he went back to read more but now he couldn't. It made him even more sure Nick talked to you and he was so curious to know if Nick was pissed because you thought those things before, if it was because you still think like that, or something else entirely.
But the next day, you and Nick were fine again. He went to your apartment and left Matt wondering when he'd get any answers, his anxiety to know more was almost making him do something stupid like calling you. He didn't need to, though, Nick's text popped up at the same time Matt was about to take his desperate action.
Nick: She denied but I'm pretty sure she's still a matt girlie
Matt's pov
So what now? What the fuck do I do with this information? I'm not going to confront her about it, I shouldn't even bring this up. I shouldn't even be thinking about it. If she denied it, then maybe she doesn't feel like that anymore and Nick's just being insane, but for some strange reason I kind of want Nick to be right about it.
I put my phone down, deciding to play Fortnite and forget all about this stupid situation for a while.
3rd person
Meanwhile...
-Are you kidding me, Nick? Why would you say that? -You ask, trying to get his phone and delete the text he just sent to his brother.
-What? It's true. -He laughs, slapping your arms away.
-He's gonna think I'm into him. -You throw your arms up, rolling your eyes and making a beeline to sit next to him on the couch.
-Girl. -He tilts his head to the side, giving you a knowing look.
-I'm not into him, Nick. -You're quick to reply.
-Yeah, you're right, you're not into Matt. -Nick smiles, turning his attention back to his phone. -You're just in love with him. -He continues, laughing when you slap his arm.
-You're crazy. -You shake your head, noticing that trying to argue with him wasn't going to change anything.
You cross your arms, reach for the remote and press play on a random show to distract yourself. Gladly Nick didn't insist on the subject and changed completely the mood by showing you cute videos of babies interacting with animals and Matt was long forgotten.
Unfortunately time passes and Nick needs to go home, which means Matt is going to pick him up at your apartment. You try to ignore this fact, but Nick is way too immersed in making you confess that you like his brother. That's why he made up an excuse and asked Matt to come upstairs.
Nick locked himself in the bathroom, and just a few seconds later you heard knocks on your door. You open it just to find Matt waiting on the other side, your cheeks blushing already.
-Hey. -Matt says, giving you a small smile.
-Hi. Nick's in the bathroom. -You step aside to let him in, trying to sound as natural as possible.
Matt nods, taking a seat on your couch while you lock the door. Obviously Nick did it on purpose, he wasn't going to come out of the bathroom so soon. You sit next to Matt, cross-legged, reaching for the water bottle on the coffee table.
-So... -He starts, adjusting himself and clearing his throat. -The tweets...? -He goes straight to it, making you almost choke.
-Matt, I'm really sorry. -You set the water bottle down, turning your head to look at him, but he interrupts you.
-Do you still think like that or you're over me already? -He playfully asks, with a smirk that makes your heart beat faster.
-I'm... -You start, but you have no idea what to say. A sigh leaves your lips and he notices the turmoil in your eyes.
-I don't mind them, in fact, I kinda liked to know you liked me that much. -Matt turns his body to face you, resting his arm on top of the couch, just behind your head.
You decided to take that as a joke so as not to embarrass yourself too much. Letting go of a breathly laugh you roll your eyes, playfully pushing him.
-Shut up, I was a fan, alright? It's not the same now, I wouldn't say those things about my friends. -You furrow your eyebrows, trying to convince him.
-Are you sure? Because I think you still like me. -He raises one hand in defense, leaning slightly closer.
-I do like you, as my dearest friend. -You tilt your head to the side with a playful smile.
Although you were still nervous, it was good to know he wasn't mad at you, and the way you could talk about it so easily was a relief.
He chuckles at your response, getting even closer to you and you swore you saw his eyes flicking to your lips for a second.
-Friend, huh? -He asks, in a lower teasing voice. -That's funny, Nick told me you're into me.
Your eyes widen slightly, not expecting him to bring this up. The mask you built to hide your true feelings about this was fading away and just like that it was like he could see all your deepest secrets through your eyes.
-Nick has no clue what he's talking about. -You reply, watching nervously as he leans closer and closer to you.
-He's normally right about things, though. -Matt shrugs, tilting his head slightly like he was mocking you.
-Not this.
You two stare at each other for a second. It seemed like years were passing by, the time stopping just so you could look at him, his eyes so attentively searching for any hints of what you were thinking, his cheeks slightly pink and his lips curled up in a smirk that made him look like he knew exactly what to say, like he knew everything about you already.
-Well, that sucks, I was hoping you'd like me back.
His words echoed in your mind. Like him back? You wondered if he was still joking or if he meant it. He slowly starts to lean backward, making you even more confused.
-You like me? -You ask, confused, but sounding desperate to hear his response, to hear his assurance.
-I thought Nick told you that. -He chuckles, using his hand that was on top of the couch to brush a strand of your hair behind your ear.
-I thought he was lying. -You basically whisper, unsure of how things are going to be now.
Matt looks at you with a soft smile, caressing your cheek and pulling you so close that your noses are touching. Your breathing hitches and he notices it immediately, rubbing his thumb against your skin gently.
-He wasn't. -His voice is low but firm, wanting you to believe him.
A smile grows on your face, the situation making you giddy. It was so unreal, yet so right. He lifts your head slightly so you are looking into his eyes.
-Can I kiss you now? -He asks, and although he sounded calm, his eyes showed a certain kind of desperation.
When you nod, he quickly presses his lips against yours, cupping your cheeks as if you were going to disappear at any second. He was trying so hard to keep it slow and soft, but he waited a long time to do this. Before he even knew about the tweets, you passed through his mind a lot more than he wanted to, but knowing he had a chance he knew he had to take it.
His lips moved precisely and desperately against yours, one of his hands sliding slowly to your waist, squeezing it lightly and taking your small gasp as an opportunity to slide his tongue in and brush it against yours. It was so perfect and you two were so caught up in the kiss that neither of you heard the bathroom door open.
Matt was about to lay you down on the couch when he heard a scream. You and Matt quickly pull away from each other, turning your heads to the sound.
-I knew it! I knew it, I knew it, I knew it. -Nick yells in a singing voice.
You laugh timidly, your cheeks burning and turning extremely red, and you turn your head to the opposite side to hide it. In the meanwhile, Matt rolls his eyes, grabbing a cushion and throwing it harshly at his brother.
-Fucking idiot. -Matt sighs, annoyed, ignoring his brother's laugh and little dance.
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𝒕𝒂𝒈𝒔 ✍︎
➪ @riowritesitall @mattsfavbigtitties @sturniolosarethebest @hyacinthst @flow3rsturns13 @sturncakez @watercolorskyy @delooshunalhoe @sarosfilms @blahbel668 @sturniyolo69 @sturniolosl0t @sturnsxbitvh @colbsposts00 @fallingforfalll2 @stvrnmc @starnoirr @katie-tibo @sturnioloblues @monroesturnns @mattnchrisworld @shaquilles-0atmeal @fratbrochrisgf @dayzeandhaze @sharkcat1928 @phimstarz @h3arts4harry @s1ut4chris @star-yawnznn @asherrisrandom @pip4444chris @jupiter1700
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theninthdoor · 1 day
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⭒˚。⋆ 🍓 pac || inside your crush's mind ⋆。゚☁︎。⋆ 🐞
𖦹 think of your crush, take 3 deep breaths and pick one of the piles below! lets see what is/was going through your person’s mind & if you have or ever had a chance with them. 𖦹 take only what resonates. if you feel like the pile you’ve initially picked doesn’t really apply to the person/situation you’re thinking of, it’s OK to pick another one. I'm also leaving some extra messages and keywords at the end of each reading. those may work as confirmation for some people, but if they don't mean anything to you, that doesn't mean that that's not your pile. what you should really take into account is the description I make of the person (your crush) in each pile, and that's how you will know if you have chosen the right or wrong one. please use your discernment. 𖦹 remember that this is all for entertainment purposes and that free will still exists. don’t feel pressured to do anything you don’t want to, just because your person thinks this or that, ok? 𖦹 enjoy, my lovelies!
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Pile 1 || ☎️ cards: four of pentacles rx, death rx, knight of pentacles rx, judgement rx, the chariot
not you guys landing on the player's pile… omg So, yeah- Did you ever had a chance? For sure. Anyone would have a chance with this person, I feel like. This is someone who's either constantly in love or just can't stand being alone for too long. Maybe it's just their personality - being extroverted, a connection-seeker, always open to new relationships and whatever experiences come with it -, or perhaps they are simply that charming and the options never end for them. This does feel like someone who's very much a feeler, but maybe not the wisest or yet the most mature in general (or even the most emotionally available!!). For the most part, their relationships feel quite short lived, and mostly based on physical attraction. They may have had one or two longer ones, still (for some people in specific, it feels like your crush may have been in longer-term relationship that was very talked about and known about, and they may still be heavily associated with this ex of theirs). Now, when it comes to their thoughts and feelings towards you: I'm sorry to say it, but I just don't see them having cared or caring too much... They see you quite plainly (if they know you at all); you're just a friend, coworker or acquaintance. Yet, as I said, I feel like you'd definitely still be able to have a chance with them - all you would have to do is take that step towards them and get yourself noticed. Be confident about it! I think that's what attracts them the most to someone, actually: boldness. Flirt a little with them, and see where it leads you… It might not result in the most serious, stable or long lasting relationship of all time, but maybe you'll still get to have a good time together.
⋆ extra messages:
This totally feels straight out of a 2000s coming of age movie, or some rom-com set in high school, with your crush being the popular guy/girl everyone knows and is attracted to lol. Just thought I should add that in.
Milena. Mimi. Mario. Jet-black hair. Affluent neighbourhoods. Family business. Taking acting classes. Ankles/ankle bracelets. Big family event or gathering coming up soon (like a birthday, a wedding, some special holiday…). Talking about or someone's been worrying about frown lines recently. Jennifer. Janet. J surnames. Wearing a lot of orange lately, or having just bought a new orange clothing item. Ash. Ashley.
⋆ channeled song: The Bellamy Brothers - Let Your Love Flow
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Pile 2 || 💄 cards: page of wands rx, ten of pentacles rx, knight of pentacles rx, the hermit, seven of wands
So, my sweet pile 2, here we have someone who has, for sure, noticed you before! Seven of Wands + The Hermit at the bottom of the deck = this person would do anything to get to know you a little better and/or to spend more time with you. There's something about the way you are or carry yourself that makes you stand out from other people - or perhaps you're just your crush's type and that's why their eyes are on you... I don't get a whole lot of communication or movement coming from them, so even if they talk to you, it doesn't feel direct; they're not letting you know how they feel; they're not openly flirting with you. This person actually feels very much like a Virgo or Capricorn Moon; logical, careful, slow moving. Once you get them to come of their shell and finally they feel ready to say something, though, you can definitely expect them to be very direct about it. At first they study you, consider the potential of this connection, and then they decide if they should go for it or not. If they do come towards you then, they won't waste any time, again. They're saying, you know… "Hey, let's go out one of these days. I'd like to spend some time with you." or "I really like your vibe. Would you care to go on a date with me, sometime?". It's quite dry and lame actually lol. They're still not flirting, exactly. They're just putting it out there that they're interested and want to explore this connection - again, very direct and logical about the whole thing. (And their flirting skills may actually suck, btw…) In the meantime, they may get closer to you by asking you about your interests, by sitting nearby in class or at lunch, watching your ig stories or something like that. It's the small things, and they're gonna take their sweet time with this. It's not something they are losing their sleep over; it's a case they are studying.
⋆ extra messages:
Is anyone here working or studying in a scientific field? Science feels very relevant. Ron, Rob, R names. Lab coats. Law; rules and regulations. College towns. Planning (or planning on attending) a big Halloween party - and putting a lot of thought into this as of late. Wisconsin. Big 3 Libra placements. Glasgow. Glass working/art. Gallows. Gallows humour. G surnames.
⋆ channeled song: John Legend - All of Me
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Pile 3 || 🎧 cards: the chariot, four of swords rx, the magician, ten of swords, queen of wands, two of wands
Listen!!- Pile 3, please go for it!! Even if this doesn't last too long, I think there's great potential here for an absolutely amazing relationship/fling! The chemistry here is just insane… I don't know if it's this person themselves, or if it's actually the result of you two coming together, but I'm feeling HOT. I'm blushing. I'm excited. There's just so much passion here! I think this person is a smooth talker; not necessarily the most extroverted or talkative, but when they do talk to you, you can't help it but feel absolutely charmed. They are good-looking, smart, polite. I get a very venusian vibe coming them. They may put a lot of effort into how they look, not by vanity but because they genuinely like to take care of themselves + find it unmannerly to go out looking like a mess.
As for what's on their mind, my dear pile 3, I have good news for you! They have noticed you and thought about you before, and everything's very positive. They find you attractive, interesting, and a great catch, really. It also seems like they may have heard quite a bit about you (coming from others), and whatever was said gave them a very good impression on you, so even if you're not that well acquainted, they hold you in high regard already. However, with this 2oW, I feel like they may have other options, and if you don't make it clear that you want to explore a relationship with them, the opportunity might just pass you by. I actually don't see them making that move themselves, I'm sorry… There are other things/people holding their attention at the moment and for the foreseeable future. Still, The Strength rx + Queen of Cups at the bottom of the deck = the potential is here, and so is the chemistry I was talking about. Once you get this started, there's no stopping it! You'll be pulled in and taken on the most amazing ride.
⋆ extra messages:
E names. Emily. Emmett. Emerson. Soccer/football. Lia/Leah. India. Indya. I + IY/YI names. 2016 being a significant year - moving, meeting, Instagram following. June. Born on the 6th of the month. History. Brown hair and green eyes. Hazel eyes. Hazelnut. German family or travelling to Germany. Studying architecture or building architectural models. Learning french.
⋆ channeled song: Rihanna - Love On The Brain
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Pile 4 || ♣️ cards: justice rx, page of cups rx, five of cups, page of pentacles rx, eight of pentacles
There's something very sad about this person and this pile. Your crush may have been or may be going through a difficult period, yet I feel like they've been doing their best to hide it. They laugh a lot, smile all day, joke around, but on the inside they are going through something that has been bringing them down. I think they feel lost, confused, alone. Maybe it's a family matter (like a divorce or some kind of separation), or perhaps it's just that, for some reason, they are now being forced to leave their home, friends and/or family, and it just hasn't been easy to them to accept and deal with that. There's a loss of stability here, and a loss of community. It could've happened already, too, by the way - they may already be in separation from their loved ones or away from the place they were used to calling home. On a positive note, I feel like this is temporary and they'll recover soon. It's just a low point for them. Also, they may be dealing with some concerns regarding their future and where to go next (professionally, academically, etc.), and that only adds to it all. As for the two of you, my dear pile 3, it seems like right now just isn't the right moment for anything to happen here. You can offer them friendship, some comfort, advice, support, but that's about it, I believe. This person has a lot to figure out at the moment, on their own, and whatever they have to offer you doesn't seem to be exactly what you need or want, deep down. It would lead to heartbreak, most likely. Still, this feels so sweet and so warm. So, maybe, you should give it some time and then give it a try… Because, honestly, I do think this person has some good feelings for you (or could grow some good feelings for you, if you aren't yet acquainted). They may not know what those are exactly, but I still think something really good could bloom from this.
⋆ extra messages:
A names. Adam. Adrienne. Greenland. Finland. Art class. Discussing or studying politics. Georgia. G names. Galicia. Meeting or seeing their father/father figure for the 1st time, or their father being mentioned in conversation a lot. Surgery. Torn ankle or some other leg/foot injury. Mockingbird. Buzzcut. Red nail polish.
⋆ channeled song: Billie Eilish - Bored
deck used || Tarot of the New Vision
(Disclaimer: Based on current energies. All is alleged and for entertainment purposes only.)
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cemeteryvalentine · 2 days
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astro observations part 4 !!! ^____^
(specifically based off my family :3 pleaseee don't get offended at anything that doesn't resonate)
🗝️: one thing about a sag placement, they are gonna hang up FIRST !!! i swear, if anyone misses flip phones, it's a sag placement/dominant. i just know they miss snapping that phone shut in a petty manner LOL. my mom is a sag moon AND rising, and she'd call me and demand me to do something in such a bitchy tone and then hang up on me like girl who tf do u think u areee 😭😭😭😭 LMFAO. but honestly good for her, i love being petty like her.
like i swear i take after my mom because everytime she does that annoying hang up before i can respond thing, i call her again just to say a snarky remark, and hang up on her back!
🐇: i swear, virgo placements have no problem being the grossest people alive, but suddenly it's a problem when someone else does it :/// it's really annoying. my brother has a pigsty of a bedroom, doesn't wash his hand when he pisses unless i make him, and leaves his trash everywhere, but constantly gets on my sister for the same things 😭. like the calls coming from inside the house !!! i think basically, (some) virgos are like picky(?) with what areas they'd want clean. like they're only really comfortable with THEIR mess and no one else's.
🗝️: i love how pisces mercury communicate because it's like what the hel are u awn about 😭 in the NICEST way though :3 they're so kewl and interesting to talk to, plus they're so nice and understanding. maybe because they're water mercuries after all. speaking of, my favorite artist ever kurt cobain was a pisces mercury and it SHOWSSS. a lot of nirvana lyrics feel artistic and metaphoric, or just realllyyyy silly. liiike "angel left wing, right wing, broken wing. lack of iron and or sleeping" from milk it, one of my nirvana faves. and "i vomit C*M and DIARRHEA". like girl whatever that means !!!! (song, mexican seafood)
🐇: mars influence on the asc makes for prominent features. especially eyebrows. my brother has an aries rising and he has such a bad case of RBF. i swear he never looks happy 😭 his virgo sun and cap moon definitely don't help at all either. then im a mars rising and i have big eyebrows like my brother. like we're the only ones with big eyebrows, while our parents brows look invisible LOL. also i'm a virgo rising !! and ppl are always saying i look mad which honestly pisses me off :P so in conclusion, mars influence + virgo placements = major rbf
🗝️: i HATE to add on to the cancer hate train since i'm one myself and i loveee being one + we get soo much hate, but i feel a (unevolvled) cancer makes for the worst pick me girl ever !!!! this def doesn't apply to all cancers, but the few cancer women i know can be so mean to other women so unprovoked. especially my mom, it gives me the ick when she calls random women b*tches or makes fun of them to me for their features or success or soemthing. i used to be a pick me too up until i was like 13 (im soooo happy i grew out of that mess QUICK!). i would constantly strive for male attention, it was embarrassing 😭. ik another girl who values her shitty boyfriend over her (girl) friends and i haaate it. like ive only known a few cancer women, but a lot of them are like the meanest pick me bitch ever, or such a sweeet, caring soul :). i feel like being a pick me stems from cancers being feminine AND traditional. yk? i pray i make sense, but yk how it's traditional for girls to be perfect for her man, and value him no matter the circumstance ?? and cancer/moon being **traditional** ? yeahhh 😭
anywayzzz that's all :3 tyyy for reading !! i had sm making a new observations, considering it's been a year since my last LMFAOO. and again, if it doesn't apply, let it fly. ty bye ^__^
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warlocksoup · 2 days
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into the spider-verse: nishinoya yuu
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volume one, chapter one: emails
word count: 2.1k
masterlist | main masterlist | taglist
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I know about him.
Teeth gnawing on the inside of her cheek, she stares down at her laptop screen. At the same email she’s been staring at for the last three days, ever since she first got the notification for it on her subway ride home. From [email protected]: I know about him. To anyone else, it might not bear the same weight. To her, it’s suffocating.
She’s done everything she can to try and trace it. Everything she can, of course, being Googling the address and enlisting the help of Yachi from the IT department at the Bugle. The outcome of the former being: Your search - [email protected] did not match any documents, and the outcome of the latter being Yachi’s entire laptop getting infected with malware.
So, not great.
She shifts on the stiff stuffing of her couch, legs crossed under her and the heat from the bottom of her laptop on the bare skin of her thighs. I know about him. She hopes it’s a bluff. Realistically, she knows it’s not. But she’s still in the denial stage.
The screen goes dark, and she wiggles her mousepad to brighten it up once more, just so she can stare longer. She can’t tell him. Not yet. Ideally, not ever. But definitely not yet.
“What are you doing?”
She jolts, automatically slamming her laptop shut as she does so and jumping to face the source of the intrusion.
Spider-Man’s in her living room.
Which is fair. It’s his living room too, even if she does pay the lion’s share of the rent.
“Porn,” is her immediate response and the only thing she can think of to justify her reaction, even if it makes her cheeks burn. “Watching porn,” she doubles down, because she has to.
He reaches behind his head and grabs the end of his mask that sits at the back of his neck, pulling it off in one swift movement. Nishinoya looks at her with his hair flattened against his forehead, blond streak brushing against his brow, and a blossoming, deep purple purse spread across his cheek. “In the living room? Well, I guess I am home early, so can’t complain there.”
She pushes her the laptop off to the couch, and stalks towards him, eyes now fixed on the bruise that stains his features. “And what the fuck happened to you?”
Noya grins at her, bright and unfazed. Almost proud, like his injuries are a badge of honor. “Just ran into my good friend Alexei Sytsevich. He was super stoked to see me.”
Her hand shoots out and takes hold of his jaw, lightly squishing the soft flesh of his cheek together as she tilts his head to the side, trying to get a better look at the damage. Noya just stands there and lets her. “Thought that guy was in jail.”
“Broke out,” Noya says, words barely making it out between his smooshed-up lips. She releases him, and steps back. “He loves breaking out of jail. It’s like his favorite thing to do.”
Noya steps back, and retreats into his bedroom, closing the door with his foot as he does so. Still, she can hear his voice coming through their thin, plaster walls. “I don’t even know what that guy’s end game is anymore. I’m pretty sure he just wants me dead. It’s always like, ‘this is your end, Spider!’ when before he was a lot more focused on his personal goals, so.” 
She sighs and collapses back onto the couch again. Freak emails from freak strangers with untraceable email addresses and Sytsevich breaking out of jail for the thousandth-fucking-time to wreck his havoc on Noya’s face. Her hair is going to start turning gray. “You’d think they would’ve built a cell to hold him, by now,” she calls, and Noya is swinging open his bedroom door to saunter back out into living room, suit abandoned in favor of old gym shorts and a vintage looking Godilla t-shirt. “What do you think costs more taxpayer dollars, building a better cell, or paying all those cops to get him back in again?”
Noya rolls his eyes. “Well, I’m the one they call, and they don’t pay me, so.”
That she knows all too well. It’s hard, being a single-income home. Since Noya’s full time job is both incredibly demanding and also unpaid, rent and utilities and groceries mostly fall on her shoulders. Which, it’s not like she can complain or hold it against him. In exchange, he’s the one and only Spider-Man, and she could do worse for roommates.
And he helps when he can, selling candid photos of Spider-Man to the Bugle so they can use them to accompany their hit pieces on him (Noya, of course, finds it incredibly ironic every time they write out a check to him, gleefully paying him for photos of himself).
Noya flicks on the kitchen light, and as he’s lingering in the kitchen, popping open the fridge door with his hip to stare blankly at its contents, she grabs at her laptop once more, opening it back up so she can stare at the email once more. “Do you wanna get a pizza tonight? Some guy gave me a twenty for saving his car from the Rhino’s path.”
“Twenty?” she echoes back, fingers hovering over the reply button. Should she reply? What would she even say? Her Internet safety training at work taught her to never reply to spam emails, just to report it to the system administrator. But looping in the Bugle on an email like this is the last thing she wants. “Seems kinda cheap for saving his entire car.”
“Beggars can’t be choosers,” Noya calls back, closing the fridge. He flicks his wrist in the direction of the living room, and string of white web following it. It attaches itself to the side of a crinkled up, plastic water bottle she was drinking, and before she can blink, the water bottle finds itself in Noya’s hand.
“Dick,” she says, without looking up from her computer. “I was drinking that.”
“Can you look at your porn later? Do you want the pizza or not?”
🕸 。𖦹°‧✩。🕷˚⋆。
Between them is a half-eaten box of pepperoni pizza, propped open on the fire escape. Noya chews loudly on a slice, his eyes on the city skyline, and hers on him. She watches the bruise on his cheek, and how it moves and shifts with each bite he takes. She reaches out and grazes her thumb against it. He swats her hand away. “Stop it, stop worrying.”
She frowns and slides her hand between her pressed-together knees, like she’s trying to hold it still. “Who the fuck said I’m worried?”
“You’re always worried,” he replies, dusting off the end of his pizza nad leaning up against the closed window behind him. “Every time I come home with so much as a papercut, you’re staring at me like there’s a bullet hole in my chest.”
Her eyes drops, and she looks at the greased-stained cardboard between them. “Well, you have come home with bullet holes before, so.”
He sleeps them off. He wraps up the wound in that fucking webbing of his and he just sleeps it off like it’s a headache or scratch or something most people wouldn’t even go to the doctor for. And then she’ll find dried, rusted bits of that webbing, littered around the house.
“Yeah, and I turned out fine,” he assures her, voice a bit softer now. She looks at him, brown eyes shining and slight grin unwavering. “A bruise isn’t gonna kill me. I don’t want you to waste your energy freaking out over me. You have better things to be freaking out over. I know how horrible your boss is.”
She scoffs, rolling her eyes. “Yeah, but I don’t really give a shit about him, to be honest.”
Her fingers fidget, and Noya reaches over, covering both of her hands with his. She looks up at him. “I’ll always take care of us both. Okay? Nothing can happen to me while I’m out there, because I know I gotta come back home and make sure you’re good. That’s my number one priority, and I’m not gonna break that promise. Alright?”
She nods her head. “Yeah, alright. I trust you.”
His grin brightens, and he leans forward to throw his arm over her shoulder, pulling her into his side. “See, that’s my girl. Complete and total faith in me. I love to see it.”
“Whatever,” she grumbles, but rests her head against his shoulder. It feels nice, in his arms. “I’m really the one who takes care of you, y’know. By like, paying the bills.”
“Oh, that reminds me. Can I borrow ten bucks? I bet Tanaka-“
He stops and straightens out. She peers up at him, at watches as his focus narrows in on something in the distance. By the time she catches up, and she can hear the sirens start to go off in the distance, Nishinoya is gone, leaving a slight breeze against the strands of her hair.
🕸 。𖦹°‧✩。🕷˚⋆。
On her desk are two rejections.
The first is on Spider-Man, a feature piece that details his symbolic value to the people of New York; how valuable his presence in the community is and just what he represents to the average New Yorker. It theorizes that identity of Spider-Man isn’t what matters, but the meaning of the mask itself. And it has a big, yellow sticky note on it with the word ‘WRONG!’ written out angrily in thick, black marker.
She sighs. She knew that one wasn’t gonna make it past Jameson. Hardly any of her Spider-Man pieces do. Noya told her to just start writing smear pieces on him, just to get more articles published. But she’s not willing to sacrifice her journalistic integrity to write a bunch of bullshit about how her best friend is ‘getting in the way of the NYPD.’
The second is on the recently passed Norman Osborn. Most obituaries have been fluffy love letters to the capitalist, and maybe Jameson was expecting more of that, rather than a scathing dissection of his life, including, but not limited to, his involvement in developing and selling weapons of war. The sticky note on this one reads, ‘what is this commie crap?’ which, in all honesty, she should’ve been expecting.
She sighs and falls back into her chair. She needs a new, better job. At a place that will publish her articles without twisting her words into nonsense propaganda. A place that will pay her properly, and not like it’s nineteen-eighty-five.
There’s only one silver lining to her job, and that’s the blonde-haired girl depositing a hot latte and everything bagel on her desk. “Rejected again?” Yachi asks, pulling up a chair from the empty desk beside her.
“Ugh, apparently billionaire, tax-evading war criminal Norman Osborn was a friend to the masses that needs to be celebrated, and the guy that says innocent lives every day for free is public enemy number one,” she rants at once, snatching that coffee up and immediately gulping it down, ignoring how it burns her tongue on the way down.
“Yeah,” Yachi agrees. “You didn’t know that?”
She rolls her eyes, wiggling her mouse to wake up her computer. “Shut up.”
Yachi leans back in her chair, and gestures towards the computer screen. “Any more emails from that anonymous guy?”
“No, and thank god for that.”
“It’s so weird,” Yachi notes. “’I know about him,’ is weird, but they’re not threatening you for like, money or information or like any other average email scam. And from what I could see that guy really did not want to be tracked down, and spent a lot of time making sure you couldn’t. And for what? To say something weird.”
Yachi doesn’t know the weight of it. Doesn’t even begin to understand the threat, the implication. Yachi doesn’t even know how the ‘him’ is supposed to be. So she really doesn’t get how disconcerting those facts are. She contemplates, for a moment, slamming her head into the keyboard in front of her.
“Whatever,” she decides ultimately. “I’m just going to ignore it and hopefully absolutely nothing will come of it. It’s how I deal with most of my problems.”
“Oh, what a coincidence, me too,” Yachi laughs, and then stands. “I gotta go. Jameson accidentally downloaded malware onto his computer trying to claim a Target gift card. Have fun rewriting your articles.”
“See you for lunch?” she calls after Yachi’s retreating form.
“Yep!” Yachi confirms with a wave of her hand, disappearing down the line of small, cramped cubicles.
With one, deep, calming breath, she returns her attention to the desktop in front of her. She stretches her neck to the left, and then to the right, and prepares for another day of endless bullshit.
Ding!
YOU HAVE ONE NEW MESSAGE.
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taglist: @wyrcan @causenessus @seroh @19calicos @w4nyoung @soulfullystarry @chocolains @jaynawayna @baylz @vuntysharck @mollyrolls @boooolame @staileykout @angee444 @kameyyy @choerry-picking @giocriedpower @sunakeiji @sleepzyy @lunasfics @thecoolestlia @yoshit-he-dinosaur @bectoshi @thatonecroc @karasyuu @iatethemochi @itsdragonius @syverse @savemebrazilhinata @localgaytrainwreck @snail-squasher @atzixo @ahdbodhr @nbcvs @dailyakira @kasumiixs @s1ckntw1st3d @noble-17 @atsumuenthusiast @jino0ix @boobilater @keeboismine @scxrcherr @acowboykisser @impatienscush @loverlunaire @oneiratxxia10 @kattiscrying @dazqa @termite-joe @quikhs @cupidsblonde @izukuwus @greninjafan5000 @mplesyrup
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seyaryminamoto · 3 days
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My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D
The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!
The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...
Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD
Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!
Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...
... And that is my likely unexpected choice for Yao:
ZUKO.
ZUKO IS YAO.
YES.
I'M NOT EVEN SORRY.
(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)
People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)
Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:
Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).
And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...
So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.
... but this isn't all.
Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:
WHY ZUKO AS YAO, THO??
... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!
What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...
He treats Mulan as his RIVAL.
And more often than not? SHE SCREWS HIM OVER. Intentionally or not.
What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!
The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?
So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!
I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.
So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.
Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.
And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!
Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!
#sokkla#sokka#azula#mulan au#xin long#zuko#aang#kino#the herbalist#momo#if you squint he's there okay he is just too damn complicated as a hybrid cricket-lemur alright#Xin Long is scale-less because he was too small and it was gonna look weird so for once he was a little less tricky :'D#I wish I could've had MORE epic scenes really this movie is a goddamn GEM#goldmine of glorious moments#it's just wonderful#I usually get sick of things as I work too much with them...#... Sokkla and Mulan are clearly a glorious exception to that rule#I wish I could've put in scenes with other correlating characters#Combustion Man was gonna be Shan-Yu#Chi-Fu was gonna be Long Feng#I can't remember who I had in mind for the emperor anymore#wasn't Kuei because he had to be old but welp#and yes it's too bad it's too sad there are not enough female characters here for the rest of the ATLA female cast...#but while I BRIEFLY considered making Toph one of the trio (Yao ofc)#the naked scene convinced me of the opposite quickly#... Toph would not succeed at convincing anyone that she was born a man she would straight up not even try#she'd just beat everyone up and scare them into shutting up#and while I'd LOVE to see that... it absolutely takes out the stakes from Azula being discovered as a woman pretending to be a man :'D#how tf would you kick one girl out while keeping the other one in the army#when the other one should be bold enough to stand on a rock in her birthday suit showing herself off in front of everyone
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raihann1 · 2 days
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✶.˚PLAYING DTI WITH THE CREEPS⋆⭒˚👠
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CHARACTERS: Jane, Nina, Jeff, BEN, Toby
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JANE THE KILLER🔪★
Loves the gothic themes.
She KNOWS how to make a good outfit.
Definetly votes you 5 stars no matter what.
Will match with you!
Plays in her freetime.
Has custom makeup and VIP 😭
Definitely uses Inspo from her outfits.
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NINA THE KILLER🔪♡
Definitely teams with you.
Never votes anyone besides you 💀
Uses pintrest for inspo
LOVES when you play with her.
The kind of person to hate teaming but teams with her friends all the time
Goes overboard
Lots of Layers.
Has Custom makeup and spends at least half her time to make a face.
Listens to spotify while playing :)
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JEFF THE KILLER🔪♪︎
Uhh what the fuck?
Does not know how to play
Definitely rages
"That bitch did not deserve to win."
Writes curse words at players who "joined late"
Got banned 💀
Does not know the theme so he copys the person who knows what they're doing.
Will ruin your duo, do not do a duo with him.
"Pay me 5 dollars and I'll vote you 5 stars."
Does not have any gamepasses (broke ass)
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BEN DROWNED☆🎮
Try hard
Makes fun of everyones outfits
His outfits are worse
He hacks the game so he wins every time 💀
Will scare little kids 💀
Refuses to duo
Says he'll give you 5 stars if you do the same (he doesn't give you any stars)
Little shit
Will copy people.
Fucks with peoples chats 😭
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TICCI TOBY◎🪓
Bro does not know how to even walk in the game.
Asks you "how do I chat?"
Definitely gets too distracted on all the items and has a unfinished outfit 💀
He bought you VIP once because you really wanted it (he stole money)
He'll vote you 5 stars no matter what.
He'll call people who do duos hackers 💀
Thinks Lina is a real player 😭
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pedroshotwifey · 24 hours
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Trouble in Paradise (Part One)
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Pairing: DBF!Joel Miller x f!reader
Word Count: 3.4k
Summary: Of all the things you thought you might be doing on your summer break, falling in love with your father's best friend in Hawaii wasn't one of them.
Tags/Warnings: Nothing crazy yet! Some kind of maybe tension, pet names, talk of Joel knowing reader since she was small, reader has a dad, mom is not mentioned, yadayada
A/N: Hello my friends! I'm terribly sorry I've been away for so long. There have been a lot of...unsavory happenings lately. Want to say sorry in advance because I know this isn't my best writing, but i'm trying to get back into the groove of things. I'm hoping I'll be back to my scheduled programming (TTF, FB, answering requests) by the time this short series is done. Expecting it to be around 3-5 parts. Thank you so much for sticking with me <3
*******
You’ve been laying in your bed blasting your “chill” playlist through your earbuds since you got home from school around five. The last exhausting day of your freshman college year. Lana Del Rey, Cigarettes After Sex, Hozier, and the like have been floating lazily through your head as you watched the sun go down. 
After a long day, you’d hung your head off the foot of your bed, intent to bask in the golden glow of the evening in a baggy T and your underwear until your eyes shut for the night. You were almost asleep when you were interrupted by a sound that didn’t quite go with “Wicked Game”. 
You yank your earbuds out, sitting up on your bed. You don’t remember it getting so dark. Your cracked window allows the late summer breeze in to gently rustle the curtains framing it. Crickets and cicadas chirp loudly outside, creating a symphony to compliment the stars shining through the inky sky. 
“Sweetheart?” 
Your head swivels to look accusingly at your closed door. The name was shouted from the stairway. Definitely your dad.
You roll your eyes but get out of bed. The clock on your nightstand tells you it’s 8:02pm, so he’s probably calling you for dinner. You’ve told him before that it’s easier just to call your cell, but when has he ever listened? You pad to your door, crack it, and shout back. 
“Be down in a minute!”
Getting no response, you can only assume he heard you. You close your door back and pick up the polka-dotted pajama pants crumpled into a pile beside your bed. You tug them on through a yawn, almost tripping a few times before they’re on all the way. 
You check your mirror before heading down. You look sleepy, not like it really matters. Your door creeks as you push it open again and make your way down the stairs. The soft carpet laid in the middle of the hardwood keeping your steps quiet. It’s about halfway to the kitchen that you hear a second voice to your father’s. It sounds vaguely familiar, and your heart skips a beat. Surely it’s not—
You climb down a few more steps and stop in your tracks at the sight of Joel Miller sitting at your dinner table. You haven’t seen him since at least your high school graduation. You’d harbored a small crush on him then, but that had to have been nothing compared to whatever the hell you’re feeling now. Your entire body seems to glow with some mix of embarrassment and surprise. 
You really thought you’d gotten over this silly little crush. Then again, it’s hard to get over something like Joel Miller. High school boyfriends? Sure, no problem. But the classic DILF next door of a best friend your dad has isn’t so easy. He’s been a constant in your childhood, always kind and there for you even when your dad wasn’t. So, in other words, highly inappropriate for you to be so attached to. 
It’s easy to say the years have been kind to him. He’s a few years older than your father, so probably about mid-forties now. He’s started to gray, a fine amount of silver peppered into his mousy brown hair. That beard of his has taken the brunt of it, though. That beard you’ve imagined between your thighs so many times. 
His dark eyes seem to have become kinder thanks to the crow’s feet carefully etched into the corners. He’s wearing his signature T-shirt and worn jeans, his brown leather jacket and work boots likely disposed of near the front door. 
He smirks as his brown eyes fall on your disheveled form, halted on the bottom step. You, in contrast to the god-like figure he’s sporting, must look like an absolute mess. Despite that fact, he looks at you almost in a different way than he used to. More intensely. It makes you resist the urge to squirm. 
“Joel,” you finally manage to choke out. “Hi.” 
Smooth, you think. 
“Hey, trouble,” he returns, light amusement lacing his tone. It makes you nervous, like he’s clocked your little secret. 
He gets up from his seat, and you can tell he’s going for a hug. You shock yourself into action and take the few steps to reach him. He envelops you in his strong arms just like he used to, and you take the opportunity to breathe in his scent. Smokey pine, whiskey, and a hint of mint—just like you remember. 
You’re smiling like an idiot despite yourself as you pull away. Luckily, your dad makes an appearance before you say something embarrassing. 
“Hey, sleeping beauty,” he teases. “You remember my buddy Joel, dontch’a?” 
Joel scoffs before you can answer. “‘Course she remembers me, Scott, known her since she was damn near in diapers.” 
Your dad rolls his eyes. “Well, just to ask,” he argues. 
You shake your head. Same banter between those two for as long as you can remember. They’ve been friends since your dad’s freshman highschool year, and Joel’s senior. Everyone who knows Joel and Scott considers them to be brothers as much as Joel and Tommy.
Cheeks heated, you make your way to the bathroom to freshen up while they’re distracted. You shut the door and comb through your hair with your fingers, straighten your tank top, and wipe away the smudged mascara you didn’t care to wash off earlier. 
When you look half-decent, you wash your hands and walk back to the dining room, choosing to ignore the fact that you just tidied yourself for your dad’s best friend. Totally normal thing to do, right?
Joel is sitting back in the same spot as you found him the first time, your dad in the seat opposite of him. There are three bowls of spaghetti served, one in front of each man, and one beside Joel. You’re not going to complain about that. 
You slide into the seat next to him, flashing him a quick smile when he turns his head to acknowledge you. You swear his gaze lingers for a second, but it’s probably just wishful thinking. 
You look away and dig into your food, zoning out as Joel and your dad talk about work. Joel’s presence beside you fuels your daydreaming, his deep, drawling voice keeping it running. You wish so badly to lean into him, feel the comfort of his embrace. Maybe more. You wish, not for the first time, that he would look at you the way you looked at him. You wish he would—
You jolt when you hear your name in conversation, your spaghetti-filled fork halfway to your mouth. 
“No, I don’t think she’d mind at all, would’ya, honey?” 
Your dad looks expectantly at you. Your eyes dart between him and Joel. 
“Uh, sorry, what?” You ask, your cheeks heating for the second time tonight. 
“Helping Joel out. I know it’s been some years, but it’s just basic stuff. Plus, it’ll be in—” 
“Really, Scott, you don’t have to volunteer her if she don’t want to—” 
“No, no,” you interrupt. “I don’t mind at all.” 
In all honesty, you didn’t think your answer through. You have no idea what you just signed up for. Though, if it’s with Joel, it can’t be too bad. 
“No, really, sweetheart,” Joel interjects. “I wouldn’t wanna have a pretty ‘lil’ thing workin’ away on her summer vacation.”
You turn to look at him, flashing him your sweetest eyes. He called you pretty—you feel like you might explode. “I really don’t mind.” 
He waits for a moment before he clears his throat and turns back to your dad. “Alright then,” he says before taking a sip of his drink. “We leave for Hawaii next Tuesday.” 
You just about choke on your dinner. Your dad laughs. 
“Told you, Joel, she doesn’t listen to a damn thing we say.” 
*****
Hawaii? For two weeks? With Joel? What do you even pack?
You stare at your suitcase, waiting for your closet to help you out and throw something in there. Should you bring sundresses or work clothes? Both, right? Probably both. Maybe more work clothes. You said you’d be helping, after all. But with what? 
God, you should have just paid attention to that damn conversation. 
It’s late Monday night, and you haven’t been able to pick up on enough over-the-phone conversation to get the gist of it. You need to stop being such a wuss and just ask. But that would mean calling Joel. Do you really want to call Joel? 
Well, yes, of course you do. But do you really want to sound awkward around Joel? No, no you don’t. And you know that’s exactly what would be happening over the phone with a man you’ve never talked over the phone with. 
You groan, flopping yourself onto your bed to stare at your ceiling and overthink. You don’t want to overpack, because you don’t want Joel to see that you overpacked. But you also don’t want to underpack, because you don’t want Joel to see that you underpacked, either. This really shouldn’t be that hard. You’re about to get back up, say screw it, and throw a mixture in there, when you hear a knock on your door. 
“Come in,” you call, unmoving.
“Hey, honey,” your dad says as he creeps in. “Just got off the phone with Joel.” 
You sit up at this. “Yeah?” 
“Yeah, he figured you might want some advice on what to pack.” 
Oh thank God. 
“Said he’s gonna be puttin’ you to work, but to bring some pretty clothes if you want. There’s a pool at the place you’ll be workin’ at, and a beach nearby.” 
You nod along, thanking all that is holy that Joel had the idea to give you some input. 
Your dad eyes your empty suitcase and raises a brow in your direction. 
“He’ll be here around 4:00am, so be ready by then.” He looks back at you. “I love you, sweetheart, I’ll see you when you get back.” 
He gives you a hug and closes your door. 
You take Joel’s advice and pack mostly for work—with a few pretty things just in case. 
*****
As expected, Joel’s truck is in your driveway at 4:00am on the dot. You’re in the passenger seat and headed for the airport by 4:03. 
The ride is less tense than you thought it would be, mostly because the two of you are so tired. You’re practically in a coma against the window, the dull classic country music playing quietly from the old truck’s speakers lulling you to sleep. Joel is in about the same mindset, the lazy drumming of his fingers against the wheel the only thing convincing you he’s still awake. 
Buildings pass in a dark blur, everything mushed together into one big half-dream. Joel’s scent fills the cab, sealing the state you’re in. You glance at the clock: 4:48. You blink, and it’s 5:20, the truck is stopped at the airport, and Joel is gently nudging you awake. You squint at him, the cab light rudely intruding, and you can just barely make out the faint smile on his lips. You have a strong urge to lean forward and kiss him, but thankfully you’re conscious enough to not make a complete fool of yourself right now. 
“C’mon, darlin’, we got a plane to catch.” 
You nod, trying to get your bearings. Joel slides out of his side of the truck, and you follow out of yours, getting a good stretch in before leaning back into the cab and retrieving your suitcase from the narrow backseat. When you make your way around the truck to Joel, he gently grabs it from your hand. 
You look at him, mouth open and ready to argue, but he gives you a look that makes you shut it just as quick. Your stomach flutters at the gesture, and you kind of want to slap him for it. Or maybe yourself. Either way, you keep close to him until you’re entering through the sliding doors out front. 
It only takes about an hour to get through TSA and in line to board the plane, but you’re wide awake by then. And hungry. 
“Hey Joel,” you whisper. He hums at you but doesn’t look down. 
“I’m hungry.” 
Now he looks at you. “I don’t think we got time to grab anything now, darlin’, but we should have a layover at LAX in about three hours. Think you can hold tight ‘till then?” 
You nod, trying not to overthink the conversation. It was literally a few words exchanged between the two of you, but it might be the first time you’ve conversed alone outside of your dad’s house. It felt domestic to you in a way that makes you feel like an idiot. It was one conversation. 
Of course, you have to ruin the moment by humming “Party in the USA”. I mean, it’s Joel’s fault. He was the one to mention LAX. 
He laughs and nudges you. “Quit that,” he commands, though you can tell he thinks it’s funny. You giggle but indulge him. 
“Fine,” you draw out. “Somebody hates fun.” 
He scoffs another laugh, but says nothing. 
Finally, the two of you are next to board. You stop around the middle of the plane, and Joel hoists your bags into the compartment above your seats. Then, he moves aside to let you in first. 
“By the window, darlin’,” he says.
You smile with excitement and settle in, Joel sitting next to you a second later. 
“Your dad said somethin’ about it bein’ your first time flyin’, so I figured you might want a window seat,” he explains. 
Your heart warms at this. Why does he have to be so thoughtful? 
“Thank you, Joel,” you say genuinely, flashing him a smile. It may be the lighting, but you swear you see his cheeks pink up just a little before he nods and faces forward. 
The flight goes by relatively quickly. Joel does some sort of paperwork on the little desk in front of him, and you pop your earbuds in and listen to a downloaded playlist while you read. The light romance you chose was cute, but it failed to distract you completely from the hunk of man beside you. 
You’re not sure how many times you caught yourself staring at the flex of his wrist as he wrote whatever down. It was maybe once or twice that your eyes found their way up to his bicep, possibly a few times that they landed on his lower lip, his teeth bitten into it in concentration. You definitely got heated more times than you would’ve liked. And as your book started heating as well, you had to put it down. You really hope it’s not just you that feels this new tension.
For the last twenty minutes or so, you’ve been looking out the window, content to listen to your music and watch the land go by. For the last five, you’ve felt Joel’s eyes on you. You refuse to look back at him, though, just in case it’s your imagination. 
But you swear you can feel the weight of his stare. You fidget, trying to ignore the feeling as you stare out the window and at the clouds. Then you hear a sharp sound from the speakers 
through your earbuds. 
You take them off and look back at Joel as the pilot informs you that you should be landing in about ten minutes. 
He was staring at you, and he didn’t look away. You don’t look away now, either. You don’t say anything.
“Thank you for comin’ with me, darlin’.” 
You’re taken aback. Of course you would go with him. 
“It’s no problem, Joel,” you say. He gives you a short smile. “I mean, really,” you joke. “You’re the one taking me on a free vacation.” 
He smiles fully this time and rolls his eyes. He tends to do that a lot with you. It makes you smile too. 
The speaker dings again:
“Should be some light turbulence, but we’ll be on the ground soon, folks.” 
Joel looks away after the announcement, gathering his work to put back into his bag. You shake yourself off and choose not to acknowledge whatever the hell that was. 
******
You knew LAX would be busy, but. Holy shit. This place is insane. 
You keep close to Joel as he navigates the two of you through the crowds and to your next gate. He keeps slightly in front of you, and you keep getting the urge to grab his hand to keep up, but you don’t. You don’t think you’ve ever seen this many people in one place—and you thought the Austin airport had been overwhelming. 
There are a million shops and restaurants and gates as you make your way down the massive hallways, up and down the escalators, and through trains. It takes an hour and fifteen before you can even see the sign for your gate. Your legs hurt from walking, and your head hurts from all the noise. 
You keep an eye on some of the closer restaurants you pass so that you can backtrack to them and grab a bagel or something before you have to get on your plane. You catch a glimpse of a Burger King when you’re suddenly slammed into. 
You gasp as you’re sent flying onto your ass by a man who couldn’t be bothered to glance your way to see if you’re alright. Joel whips around and sets the bags down, quickly helping you up. 
“Shit, are you alright, darlin’?” he asks, a deep concern in his eyes. Your cheeks are burning with embarrassment even though it wasn’t your fault. 
“Yeah, I’m okay.” 
Joel looks you up and down to make sure as you stand on your own two feet. He turns around, trying to scope out the man who bumped into you, and turns back when he finds that he’s long gone. 
“I’m sorry, honey,” he finally says. “People don’t give a rat’s ass here.” 
You nod, smiling at his choice of words. “I’m alright, Joel.” 
He sighs and picks his bag back up, slinging the large weight over his shoulder, and then picks your suitcase up in one hand. WIth the other, he grabs onto yours. His hand is rough but warm and comforting. 
“Just stay close ‘till we get to the gate.”
Practically glowing, you hold onto him and let him lead the way. It only takes a few more minutes before he’s telling you to sit down at the waiting area. 
“I’m gonna grab you somethin’ to eat, ‘nd I’ll be right back.” 
You decide to read while he’s on his errand, picking your book back up to a particularly smutty part. You’re not going to pretend like you aren’t picturing the characters as you and Joel as he eats her out on a countertop. You bite your lip, consuming each word with fervor.
You’re just finishing the chapter when Joel strolls up with two breakfast sandwiches, a coffee, and an orange juice. He hands you a sandwich and the latter drink, and takes the seat next to you with a groan. 
“Probably have at least thirty minutes,” he grumbles. 
You nod as you thank him and unwrap your sandwich. It’s silent for a few minutes, before you can’t bear it and break the peace. 
“What all are we going to be doing?” 
Joel looks at you, almost flustered. He must have misheard you. “Huh?” 
“Like when we get there, what are we going to be working on?” 
“Oh, uh,” he clears his throat and takes a sip of his coffee. “Mostly flooring ‘nd some drywall, but there should be somethin’ to do in the kitchen if I’m hearin’ right.” 
You nod and take a bite of your sandwich. Joel continues. 
“Should have a few days to relax, though, if we get everythin’ done in time.” 
Your stomach flips at the thought. A few days to relax with Joel. 
“Sounds easy enough,” you say. 
Joel nods again. “Atta girl.”
“Flight 332 is ready to begin boarding.” 
You and Joel take the last bites of your sandwich in silence and stand up to get in line once again. This flight is going to be longer, about six hours. 
Joel throws your trash away and comes back to grab your bags. Same as last time, you have a seat by the window. Not like it matters much in the long run, because just after Joel takes his seat and the plane takes off, your head falls onto his shoulder, and you promptly fall asleep. 
******
Thank you for reading!! Part two should be coming soon.
Itty bitty mini taglist: @callachloe @kewwrites @casa-boiardi @pastawench (love you guys)
Pls let me know if you would like to be tagged in pt. 2!
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DRDT Chapter 2 Episode 14: Initial Thoughts
What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!
SPOILER WARNING FOR DRDT CH 2 PART 2!
T/W: Murder, hanging (with depictions)
The Reactions
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Hu is literally so pretty.
I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.
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RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.
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I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.
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Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.
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This is honestly very valid.
Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?
Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.
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Like, girl. They literally JUST said that they don't trust anyone. That includes you.
She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?
(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)
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Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???
If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.
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It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.
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(The entire fanbase nods in agreement.)
I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.
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I got so jumpscared by the Closing Argument-style CG.
I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.
I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.
This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.
I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???
where did their cape go :(
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Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.
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*Levi's secret quote looms*
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Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??
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Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)
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TAPE TIME :D
The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???
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Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."
Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.
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I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.
In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.
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Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.
I'm probably reading into things too hard, but it's so hard with David. What do you know!!!
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Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.
I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.
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This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.
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It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.
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I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.
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I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.
To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.
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I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.
It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.
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It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.
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will I EVER understand what the fuck this man is cooking
Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos
My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.
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I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.
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...*squints REALLY fucking hard*
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The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.
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Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?
i'm out of images :(
I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.
On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.
Theory Update/Analysis
Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.
I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.
EDEN
Reasons Eden Would Be The Blackened:
THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.
THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.
NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.
A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.
INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Eden Wouldn't Be the Blackened
HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.
HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.
THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?
THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.
GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.
Points About Eden That Could Go Either Way
THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.
RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.
CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???
ACE
(why are they both orange)
Reasons Ace Would Be The Blackened:
NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.
WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.
WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Ace Wouldn't Be the Blackened
OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?
SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.
EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.
STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?
ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.
COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?
Points About Ace That Could Go Either Way
TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).
ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?
Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!
For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.
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wannabehockeygf · 2 days
Text
Good Graces | Conor Garland
"With your favorite athlete, Shoot his shot every night, Want you every second, Don't need other guys."
request: "I was thinking of a fluffy fic between him and a fem!team medic who he is good friends with because of how often he ends up getting hurt, putting himself in the middle of scrums and everything. I know that's kind of just a general premise, but I wanted to leave it up to you where you want to take it from there :)" summary: two times conor wanted to kiss you, and one time you kissed him.
word count: 5.3k
pairing: conor garland x fem!reader
warnings: blood & injury
notes:
hiiii welcome & thanks for requesting. hope I fulfilled your wishes!
i don't know much about garland but I love making players divas so I inserted that here lmao :3
keep requesting new & different players guys!! i love doing it.
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You signed your contract for your job with one goal in mind–don’t fall for a hockey player.
Pretty easy, right? Especially since, as a team medic, you largely dealt with them all sweaty, bloody, and generally in a state of chaos. Not attractive at all. Definitely not. Yet here you are, hovering over him again.
Conor Garland, number 8 on the ice and, in your opinion, number one in "most likely to get into a fight over nothing." You fold your arms as he limps into the med room, wearing a ridiculous grin despite the cut above his eyebrow. “That bad, huh?” he teases, his voice holding that familiar playful edge. He’s pretending to wince as he climbs onto the exam table, like it’s a whole ordeal for him.
You roll your eyes, but you’re already reaching for the gauze, your hands moving on autopilot. “You know, if you stopped fighting for five seconds, you might actually get through a game without needing stitches.”
He chuckles softly, but the sound is laced with something else. It’s subtle, but it’s there—a little too relaxed, too content, considering he just came off the ice. “Where’s the fun in that?”
You look up at him, raising an eyebrow, but the sight of him smiling, like he’s enjoying himself a little too much for someone who’s supposed to be injured, throws you off. He’s been doing this a lot lately, showing up with bruises and cuts that could’ve been avoided. You’d never say it out loud, but part of you suspects he’s getting into these scrums on purpose.
His eyes flicker to yours, just for a moment, before he quickly looks away, feigning a deep interest in the ceiling. “What?” you ask, crossing your arms again.
“Nothing,” he says, far too quickly.
Right. Sure.
You press the gauze to his eyebrow a little harder than necessary, and he winces, though you can’t tell if it’s real pain or exaggerated for your benefit. You narrow your eyes. “Stop squirming.”
He gives a mock salute. “Yes, ma’am.”
Despite yourself, a smile tugs at your lips. There’s always this easy back-and-forth with him, like the two of you have fallen into some unspoken routine. You patch him up, and he finds new ways to annoy you, all with that same boyish grin on his face.
You finish dabbing at the cut, the soft pressure of the gauze soaking up the blood that’s already drying around the edges. As you work, the steady rhythm of your movements almost feels too comfortable, like this is the hundredth time you’ve patched him up—because, well, it probably is.
"Conor," you murmur, half to yourself, half in warning, as you reach for the antiseptic. His skin smells of sweat and ice, a mix that’s become weirdly familiar, like the scent of the rink itself but so uniquely him.
He tilts his head a little, trying to catch your eye, but you focus on the task at hand, avoiding the gaze you know is waiting for you. Your fingers brush against his temple, and for a split second, you swear you feel him tense up under your touch. But it’s gone as quickly as it came, replaced by his usual casual grin.
“You gotta stop doing this,” you sigh, and it comes out softer than you intend. The antiseptic stings as you swipe it across the cut, and he flinches again, though not as much as he should.
“Doing what?” he asks, his voice low, almost playful. He’s watching you again, those brown eyes darkened by the fluorescent lights of the med room.
“This.” You gesture vaguely at his face, at the various bruises and cuts that seem to accumulate each time he steps onto the ice. “Getting into pointless fights. You think I don’t notice? You’re not even supposed to be a fighter, Conor. Half the time, you’re chirping at guys twice your size. Why?”
The silence between you stretches just long enough to make you uneasy. You feel the weight of his stare, the slight twitch of his mouth like he’s holding back from saying something.
He shrugs, but there’s a flicker of something else behind the movement, something unspoken. “Part of the game, right?” he offers, too nonchalant, like he’s testing the waters.
You don’t buy it, not for a second. But what are you supposed to say? Call him out directly? Admit you’ve noticed the way he lingers around the med room a little longer than necessary, how his smile stretches wider every time he manages to make you roll your eyes? It feels too much, too real, to acknowledge the way your heart stutters just a little when you hear his name over the PA system.
You sigh again, grabbing the butterfly stitches and nudging his chin up with more force than necessary. His skin is warm, too warm for someone who just came off the ice, and you have to focus hard not to notice the way his jaw clenches under your fingers.
“You’re gonna end up with a permanent scar if you keep this up,” you say, and there’s a softness in your voice now, one you can’t quite hide. The words come out before you can stop them. “I don’t want to see you hurt.”
For a moment, he doesn’t respond, and the quiet stretches on again, filled only by the sound of your breath and the subtle scratch of fabric as he shifts on the exam table. Then, his voice cuts through the stillness, quiet but sure.
“I don’t mind it,” he says, and it takes you a second to register what he’s talking about.
You blink, pulling back slightly to look at him. He’s still smiling, but there’s something different in his expression now, something that catches you off guard. “What?”
“The scars,” he says, shrugging again, as if it’s the most obvious thing in the world. “I don’t mind them. Means I get to see you.”
Your heart does a ridiculous little flip at his words, and you curse it for betraying you so easily. You try to play it off with an eye roll, but you can feel the heat rising to your cheeks. “You could just... I don’t know, say hi like a normal person instead of getting into fights?”
He chuckles, but the sound is softer now, almost fond. “Where’s the fun in that?”
You press the final stitch into place, leaning back to assess your work. His face is still bruised, still battered, but somehow, he looks completely unbothered by it all. And the worst part? You can’t help but think he looks good like this, even with the mess of bruises and dried blood.
As you’re cleaning up, you feel his eyes on you again, watching with that same stupid grin, like this is all just some kind of game to him. But there’s something else in the way he’s sitting, the way he’s still lingering on the table long after you’ve finished patching him up.
“Are you just going to sit there?” you ask, pretending to be annoyed, though you know the act isn’t fooling anyone.
“Maybe.” He leans back, propping himself up on his elbows, looking far too comfortable for someone who was limping in here five minutes ago. “Depends. You gonna kick me out?”
You roll your eyes, but your chest tightens at the implication, your heart doing that traitorous little skip again. You turn around, crossing your arms, meeting his eyes this time. He’s sitting there, propped up on his elbows, looking at you like you’re the only thing in the room that matters. And maybe that’s what’s been throwing you off lately—the way he looks at you. Like these moments mean something more to him than just routine check-ups and bandages.
“Conor,” you say, and this time, your voice has more weight to it, though you can’t bring yourself to say what you’re really thinking. Instead, you gesture toward the door, trying to salvage the situation with a teasing edge. “Don’t you have somewhere to be?”
“Not really,” he shrugs, still not moving. “Besides, where else would I go? The ice isn’t as fun as this.”
You bite the inside of your cheek to keep from smiling, though it’s a losing battle. He’s always had this way of disarming you with a few words, like he knows exactly how to find that crack in your armor.
“Well, you can’t stay here,” you say, but there’s no real bite to your words, and you both know it.
He swings his legs off the table, wincing slightly—more from habit than pain, you suspect—and stands up, but he doesn’t head for the door. Instead, he lingers, too close now, and you find yourself staring at the small cut above his eyebrow, the one you just stitched up. Your fingers itch to brush it gently, to make sure you did it right, but you keep your hands firmly crossed in front of you.
“I think I’m fine now,” he says, his voice quieter than before. “Thanks, doc.”
The nickname always makes you smile, even when you don’t want it to. “You’re welcome,” you reply, but there’s a softness to your tone that wasn’t there a moment ago.
He takes a step closer, and the room suddenly feels smaller, the air thicker. For a second, neither of you says anything. His eyes search yours, like he’s trying to read something in your expression, something you’re not even sure you understand yourself. But whatever he’s looking for, he doesn’t find it—at least, not yet.
“I’ll try not to get into too much trouble next game,” he says with a smirk, though there’s a warmth behind it, something genuine. “But, you know, no promises.”
You shake your head, fighting the smile tugging at your lips. “Of course not.”
He starts toward the door but pauses just before stepping out, his hand resting lightly on the frame. He turns back to you, his eyes softening in a way that makes your chest ache a little.
“Hey,” he says, and there’s no teasing in his voice this time, just something real. “Thanks for always looking out for me.”
You nod, swallowing the lump that suddenly forms in your throat. “Just… try to keep yourself in one piece, okay?”
He grins again, that easy, boyish grin that somehow makes you forget for a second that he’s a professional athlete, bruised and battered from a game most people would never survive. “I’ll do my best,” he promises, but there’s something in his tone that makes you think he’ll be back sooner rather than later.
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Another game, another set of bruises.
You’re halfway through patching up another player when you feel it—his presence, the familiar, teasing energy he brings with him. Conor walks into the med room, limping just a little too dramatically to be real. He’s cradling his arm like it’s hanging by a thread, his expression an exaggerated picture of pain.
“Doc, I think this might be the one that does me in,” he says, his voice a mockery of seriousness. The guy you’re helping, one of the newer players, snorts in response, shaking his head as he slides off the table.
You shoot Conor a glance over your shoulder. “I’ll be with you in a minute, Garland.”
The younger player leaves, chuckling under his breath, and suddenly it’s just you and Conor again. You can feel the shift in the air, like it always does when it’s just the two of you. The playful banter, the teasing looks, that undercurrent of something unspoken hanging between you like a thin thread.
You turn around, and there he is, still putting on that ridiculous act. He’s cradling his arm as if it’s broken, but the glint in his eye gives him away. “Oh, I’m sure you’re in agony,” you deadpan, rolling your eyes but unable to hide the smile tugging at the corner of your mouth.
Conor leans against the table with a dramatic sigh, giving you a pained look, as if he’s the one who should be annoyed by all this. “It’s bad, doc. Might need surgery.”
“Surgery, huh?” you quip, folding your arms as you walk over to him. Your eyes roam over his jersey, scanning for any real signs of injury, but all you see is his usual scruffy, disheveled mid-game self. “I can’t really check if you’ve got something serious going on with all that gear.”
He raises an eyebrow, still in character. “Oh, yeah?”
“Yeah,” you say, keeping your tone casual, but there’s a hint of something else in your voice now. You tap his arm gently, feigning impatience. “Take off your jersey if you’re so hurt.”
For a split second, the playful energy between you shifts. His teasing smirk falters, his eyes flicker with something you can’t quite place, and suddenly, Conor’s posture straightens. The banter evaporates, leaving only the echo of your words hanging in the air. His hands hover near the hem of his jersey, clearly caught off guard by your request.
He stares at you like you’ve just asked him to do something much more intimate than you intended, and it takes a moment before he recovers his composure. “Uh… right. Yeah. Okay.”
You watch as he hesitates, tugging at the fabric, trying to hide the way his fingers fumble with it. And for once, he’s flustered—really flustered. It’s not the usual Conor Garland confidence or playful bravado. His face is flushed, the pink creeping up from his neck to his cheeks, and you can’t help but find the sight... oddly endearing.
You shouldn’t be enjoying this, but you are.
He finally manages to pull the jersey over his head, tossing it aside without meeting your eyes, and you catch the briefest glimpse of the toned muscles under his shoulder and chest pads, the faint sheen of sweat from the game still clinging to his skin. You swallow hard, trying not to let your mind wander too far as you force yourself to stay professional.
You step closer, eyes focused on the faint bruise blooming across his ribs, though it’s clear he’s milking the situation. “This?” you ask, pressing your fingers gently against his side. “You came in here for this?”
You stare at the bruise, your fingers resting lightly against his skin. It’s small, nothing serious—a faint discoloration, more from the impact than anything worth worrying about. But you both know this isn’t about the bruise. It never is with Conor.
You don’t pull away, and neither does he. There’s a moment of quiet, the banter fading into the background, leaving just the two of you in this strange, charged silence. You can feel the warmth of his body under your fingertips, the slight rise and fall of his chest as he breathes. The tension in the room shifts, thickening like a storm cloud.
“You really thought this was worth all that drama?” you murmur, your voice soft now, not teasing, just… there. You trace the edge of the bruise absently, the pads of your fingers barely brushing against his skin.
Conor swallows, and you catch the movement of his throat, the way his eyes flicker down to where your hand rests on him before darting back to your face. His voice is quieter when he responds, less of that exaggerated confidence he usually carries with him. “Well, I figured… might as well get some attention while I’m at it, right?”
You don’t miss the way he says attention, how it lingers between the two of you, a little too close to the truth. Your heart skips, your pulse quickening in a way you hope he doesn’t notice.
But he’s staring at you now, the teasing smile faded, his brown eyes more serious than you’ve ever seen them. The air feels thick, almost suffocating, but in a way that’s not entirely unpleasant. Like something is about to happen, something you’ve both been tiptoeing around for too long.
Your hand is still on his side, your fingers barely moving, and you can feel the heat radiating from his body, the way he’s watching you like he’s waiting for something. Maybe you are too. The room feels impossibly small, the space between you shrinking with each breath.
“I… probably shouldn’t have made you take off your jersey,” you say, the words tumbling out before you can stop them, a weak attempt to break the tension, to say something, anything, that might diffuse whatever’s building between you. But even as you say it, you don’t pull away.
He doesn’t either.
“Nah,” he replies softly, his voice lower now, the usual playfulness gone. “It’s fine.”
You’re not sure if he means the jersey or the way your fingers are still pressed against his ribs, or maybe both. Either way, the tension doesn’t break. It only tightens, drawing you both closer without either of you moving an inch.
You can feel your pulse in your throat, your breathing shallow, and for a split second, you let your gaze drop to his lips. It’s a brief, unconscious movement, but it’s enough. He notices.
Conor shifts, barely perceptibly, but you feel it—the subtle lean, the way his eyes flicker to your mouth. Your heart pounds, the room spinning around the two of you like everything else has fallen away. You’re not even sure how you ended up here, this close, this vulnerable, but the pull is undeniable.
Your hand slides down slightly, resting at his waist now, and his breath hitches. You feel the tension in his muscles, the way his body seems to react to your touch, and for a second, you think maybe this is it. Maybe this is the moment you’ve both been avoiding for so long, the moment where everything changes.
His lips part, and your breath catches. You’re so close now, close enough to feel the heat of him, to see the soft curve of his mouth, to—
The door creaks open behind you, and the spell shatters.
You both freeze, the tension shattering as one of the assistant coaches pokes his head in. "Hey, Garland, you still in here?" The coach looks between the two of you, oblivious to what he just interrupted.
Conor jerks back so quickly it’s like he’s been caught doing something illegal, while your hand falls from him. His face flushes, but not from the game—this time, it’s from almost being caught in a moment he’s not ready to explain.
"Uh, yeah," he mutters, rubbing the back of his neck, clearly flustered. "Just, uh... icing my bruise."
You bite back a laugh, feeling the heat rise to your own cheeks. The moment is gone, but the weight of it lingers in the air.
"Well, hurry it up. Coach wants to talk to you before you head out," the assistant says, already halfway out the door.
You both stand there for a second after the door shuts, the silence deafening. Conor looks at you, the tension still simmering under the surface, but neither of you speaks. It’s like the almost-kiss is still hanging between you, unfinished and waiting.
Finally, Conor clears his throat. "Guess I should... go."
"Yeah," you say, forcing a smile. "Guess so."
He hesitates, lingering in the doorway for a second longer than necessary, his eyes catching yours one last time. And then he’s gone, leaving you alone with the weight of what almost happened.
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You’ve been replaying what happened in your head, the way his eyes lingered, the warmth of his skin under your touch, the weight of unspoken words hanging between you. It’s like a loop that you can’t quite break free from.
But now, that moment feels distant, swept away by the frenetic energy of another game night. Only this time, it’s different.
The door slams open.
You jump, turning on instinct, and what you see makes your heart plummet. Conor’s standing there, but he’s not limping theatrically this time. Blood runs down the side of his face, stark against his pale skin, dripping onto his jersey, which is streaked with snow and sweat. His eyes are wild, his chest heaving, and for the first time, there’s no playful glint, no teasing smirk. Just anger.
"Garland," you breathe, stepping toward him, already reaching for the gauze, but he doesn’t even seem to hear you. He’s pacing the length of the room like a caged animal, his jaw clenched so tightly you can see the muscles working beneath his skin.
"Stupid," he mutters under his breath, swiping a hand over his face, smearing the blood. "Stupid, stupid hit."
"Conor," you say softly, trying to get him to focus on you, to stop moving. He doesn’t. His eyes are unfocused, his movements erratic, as though he’s still stuck in the heat of the game, reliving whatever hit sent him flying into the boards.
You step closer, cautiously. "Hey, come on. You need to sit down. Let me look at that cut."
He finally stops pacing, but when his eyes meet yours, they’re blazing. "I don’t care about the damn cut," he snaps, though the anger in his voice isn’t directed at you. It’s frustration, bubbling just beneath the surface.
You swallow, trying to maintain your calm. "I know you don’t, but I do."
He blinks, his brows furrowing, like your words hit something in him, pulling him out of his angry haze. But then he shakes his head, as if he’s trying to brush it off. "They’re out to get me," he mutters, more to himself than to you, but you hear it.
Your chest tightens. You’ve seen him frustrated before, of course. Hockey’s a brutal game; it comes with the territory. But this… this feels different. Conor Garland is many things—annoying, playful, sometimes overly dramatic—but angry? Not like this. Not pacing the room with his hands curled into fists like he’s ready to punch the wall. You have to do something—anything—to bring him back to himself before he loses it completely.
"Conor, sit down," you say again, firmer this time. "Please."
Something in your voice must reach him because he stops, his shoulders slumping as if all the fight has gone out of him in an instant. He sits on the edge of the exam table, and you move quickly, grabbing the gauze and antiseptic. His eyes follow you, but they’re distant, like he’s not fully present.
You stand between his legs, close enough to feel the heat radiating off him, and gently tilt his head back to get a better look at the cut. It’s deep, angrier than you expected, but not the worst you’ve seen. Still, the blood has matted his hair, trailing down his temple, and his breathing is shallow, labored.
"This might sting," you murmur, pressing the gauze to his forehead, dabbing at the blood. You try to stay focused, but you can feel the tension rolling off him in waves, his body coiled tight like he’s barely holding himself together. His hands grip the edge of the table, knuckles white.
"That guy…" he starts, voice low and bitter. "He didn’t have to hit me like that. It wasn’t even about the puck."
"I know," you say quietly, your fingers moving methodically as you clean the wound. "It’s not fair."
For a moment, neither of you says anything. You focus on your work, but every so often, your gaze flickers to his face, to the way his jaw is still clenched, to the way his chest still rises and falls with that uneven breath. You can feel the anger radiating off him, but there’s something else too—something vulnerable, hidden beneath all that frustration.
"Why are you letting this get to you?" you ask softly, your voice barely above a whisper.
Conor doesn’t answer right away. His gaze is fixed on some distant point over your shoulder, like he’s trying to hold it together, trying not to snap. But then his shoulders sag, and he drops his head into his hands. "I don’t know," he admits, voice muffled. "I don’t know why it’s bothering me so much."
You swallow the lump in your throat, feeling your heart ache for him. You’ve never seen him this rattled, this shaken. It’s unsettling, seeing him like this, and you don’t know what to do other than be here, right here, in this moment with him.
Gently, you reach out, resting a hand on his shoulder. His skin is warm, muscles tense beneath your fingers, but the contact seems to ground him. He lifts his head slowly, meeting your eyes for the first time since he walked in.
"It’s just… one hit," he mutters, his voice barely above a whisper now. "But I can’t shake it."
"It’s not just the hit, is it?" you ask, watching him carefully.
He exhales sharply, shaking his head. "No. It’s not."
For a moment, neither of you says anything. You finish bandaging his cut, your hands moving slowly, deliberately, trying to draw out the process because you’re not ready for this moment to end. You don’t want him to walk away like this, all pent-up frustration and unresolved tension.
He’s quiet now, his chest no longer heaving with anger, but his eyes—his eyes are still filled with something heavy, something you can’t quite place. He’s staring at you, and you can feel his gaze, warm and intent, as though he’s trying to find the right words but can’t. You’re not sure if you’re ready to hear them anyway. Your pulse thrums in your ears, loud and persistent, and for the first time, you realize how close you’re standing.
You clear your throat, suddenly aware of how his legs are framing your hips, how his knees brush your thighs every time either of you moves. His hands rest loosely on his lap now, no longer clenched into fists, but the tension hasn’t entirely dissipated. It’s just shifted into something else, something quieter but no less intense. You can feel it humming in the air between you.
"Conor," you begin, your voice coming out softer than you intended, barely more than a whisper. "You’re… it’s going to be okay." You know how inadequate the words sound, but you don’t know what else to say. You just want to fill the silence, to soothe whatever storm is still brewing inside him.
His eyes flicker, and his jaw works as though he’s chewing on something he can’t quite get out. "I’m not—" He stops himself, eyes dropping to the floor, and you watch as his shoulders slump again. "I don’t usually… I’m not like this."
You don’t respond immediately, just watch him, the way he avoids looking at you, the way his hands flex on his lap like he’s resisting the urge to reach for something. It’s strange seeing him so out of sorts, the guy who’s always cracking jokes, always looking for a way to make you laugh, now sitting here, raw and vulnerable in a way that makes your chest ache.
You take a breath and move closer, letting your fingers brush against his shoulder again. "You don’t have to explain anything to me. Everyone has bad days." Your voice is soft, reassuring, but your heart is pounding harder now, louder, as if it’s trying to force its way through your ribcage.
Conor looks up then, his eyes locking onto yours with an intensity that sends a shiver down your spine. His gaze isn’t wild anymore, but there’s something else in it, something that makes your breath catch. His lips part, and for a second, you’re sure he’s going to say something, something that will change everything.
But he hesitates, his throat working like the words are caught there, and suddenly you’re all too aware of the closeness, of the heat between you, of how your bodies are aligned. You don’t move, don’t dare to, because if you do, you might shatter whatever fragile balance you’ve found.
"I don’t know how to say this," he finally mutters, his voice rough and low, almost pained. His eyes flick down to your lips, just for a second, and your breath stutters.
Your heart is racing now, louder than before, and you can feel the room tilting, your pulse in your throat as the tension pulls taut. He’s so close, his face inches from yours, the scent of sweat and blood mingling in the air between you, and you realize with a jolt that this is it. This is the moment where everything shifts, where the teasing, the faked injuries, the lingering touches, all of it finally snaps into focus.
Conor shifts again, his knee pressing slightly against your thigh, and his voice drops even lower. "I’ve been trying to tell you, but I—" He stops, his eyes dark and searching, like he’s looking for something in your face. "You’re more than just… I mean, I’m always…"
You don’t let him finish. Because before you know it, you’re moving, and you’re pressing your lips to his.
The kiss is soft at first, tentative, as if you’re both unsure. His lips are warm, and you can taste the faint tang of his blood on them, but you don’t care. For a moment, everything stills—no tension, no frustration, just him, here, with you. His hands, which had still been clenched on his lap, slide up to your waist, pulling you closer as he deepens the kiss. The anger, the frustration that had been radiating off him moments before, melts away, replaced by something softer, something unspoken but understood.
When you finally pull back, your breath comes in short, uneven bursts. You meet his eyes, half-expecting him to pull away, to say something to ruin the moment, but he doesn’t. Instead, he leans his forehead against yours, his fingers still gripping your waist, holding you there like he’s afraid you’ll slip away.
“That’s one way to shut me up,” he mutters, his voice low, teasing, but there’s a softness there too, a warmth you haven’t heard from him before.
You can’t help but laugh softly, your heart still racing. “It worked, didn’t it?”
He doesn’t answer right away, just looks at you, his eyes darker now, softer. “You have no idea,” he murmurs, his thumb brushing lightly against your hip, sending a shiver down your spine. His gaze flickers down to your lips, and for a moment, it feels like the world has narrowed to just the two of you, like nothing else exists outside this room.
For the first time all night, he smiles—really smiles—and it’s like the tension finally breaks. His grip on your waist tightens, pulling you even closer, and for the first time in a long time, everything feels right. The frustration, the anger, the game—it all fades away, leaving just the two of you, wrapped in a moment that feels fragile but perfect, like you’ve found something you didn’t even know you were looking for.
“I’m not going anywhere,” you whisper, and his eyes soften, the vulnerability still there, but less jagged now, smoothed by your words. “But you need to go out there and win that fuckin’ game.”
“Okay,” He says, but leans in again, pressing another soft kiss to your lips, this one slower, gentler, as though he’s savoring it. When he pulls back, his thumb brushes your cheek, and his smile lingers, the tension from earlier now a distant memory. “But, we’re doing a lot more of this–” he gestures between the two of you, “Later.”
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sturniolobsessed · 1 day
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YOU’RE HIS AND NOT MINE - M.STURNIOLO (PT1)
Warnings : Crying, arguing, bullying, reverse comfort, shouting, use of y/n
Summary : In which, Matt is head over heals in love with his best friend… but she has a boyfriend already
Authors Note : You lot are being fed right now because this is part one of a four part series. Part 1 might be a little bit boring but please bare with me, it will get good soon, I promise. There will be a angst, smut, fluff, all the emotions. Good luck and I hope you enjoy a rollercoaster of emotions. <3
Pink is reader
Blue is Matt
Green is reader’s boyfriend
Orange is teacher
Purple is Nick
Italics is flash forward/back
________________________________________
Your best friend Matt is crying in your arms and he won’t tell you why. When he finally does and you find out that it’s because of your boyfriend, your body fills with sadness and rage.
You and Matt have been best friends since you were kids. You’ve gone from playing on the parks to talking shit about people and laughing at mildly sexual jokes. You’ve changed a lot but you’ve changed together.
Although you and Matt are the closest of friends, you are complete opposites. You are literally the definition of “opposites attract”. You are popular and extroverted and Matt is nerdy and quiet.
It is not uncommon that Matt will get picked on for being nerdy and you will always stand up for him, but when it comes to your boyfriend being the one to ridicule Matt, the seas start to get a bit rocky in your relationship.
Your boyfriend, Jack, has always been jealous of yours and Matt’s friendship because he doesn’t like the idea of another man getting your attention besides him. It’s fucking annoying.
“Matt, come on, I can’t be arsed to do fucking algebra.”
“Come on, kid, we have a test in a week and you don’t even know how to find x in a simple equation.”
“Stop saying big words!”
Clearly, your protests are useless because Matt just laughs and pushes the paper and pen towards you, encouraging you to study.
After a long time of studying, Matt explaining things to you and a few minor breakdowns, you get there and you finally understand the question.
“Alright, now you can do that, let’s start adding numbers-“
“Hey babe.”
You hear your boyfriend’s voice behind you and you smile. He starts to kiss your neck and you feel a little uncomfortable, not wanting to do this in front of Matt.
“Hey, my love…”
You subtly try and push your boyfriend away when you notice Matt look a little uncomfortable. You start to feel a little suspicious because Matt went all quiet and shy the second your boyfriend walked in.
“You alright, Matt?”
“Uhh… yeah I’m alright.”
Matt shoots you a weak smile but you are nowhere near convinced. You let it go for now but you stay wary.
Your boyfriend takes a seat next to you, putting a possessive hand on your thigh as you and Matt continue to study together. You still don’t understand algebra.
After you and Matt are done with your homework and studying, you start packing up your things and getting ready to leave Matt’s house. You look over at Matt and he still looks sad.
You go over to him and give him a goodbye hug, holding him for a little bit longer, hoping that you can make whatever is making him sad a little bit better.
“Bye Matt, see you tomorrow.”
“Yeah, bye y/n! See you tomorrow.”
“Okay whatever..”
You look at your boyfriend, a little bit confused at his passive aggressive behaviour towards Matt.
Timeskip
Later that night, you and your boyfriend are lay in bed and you are lay on his chest. For some reason, you can’t get Matt’s sad expression out of your head.
“Babe…?”
“Yes, love.”
“Do you have any idea why Matt was so sad earlier? He was visibly upset and I don’t know why…”
“Why do you care? It’s not your problem?”
“Yea but it is because he’s my best friend and I love him.”
You saying that you love Matt must have clearly set something off in your boyfriend because he immediately stands up, telling you that he’s going to the toilet and slamming the bathroom door behind him.
You flinch when the door slams but you just roll your eyes and pick up your phone to text Matt, knowing that your boyfriend can be like this sometimes.
Matt 💗
Hi Matt
Hi :)
Are you alright? You really didn’t seem yourself earlier
No, yeah. I’m fine, I promise
Are you sure?
Yeah ofc, I’m just tired
Okay well let me know if anything does happen, alright?
I will, thank you
You’re welcome, Matt
Your boyfriend walks back into the room and he still looks a bit mad but you just brush it off. You open your arms for him, waiting for him to come and lie with you.
“I’m sorry for saying that, babe.”
“It’s alright… sorry for snapping at you.”
“It’s fine..”
Timeskip
You walk into school, not excited for today. You have the shittiest lessons but, luckily, the teachers aren’t that bad. You walk into maths first and you walk over to your desk.
You take out all of your equipment, getting ready to start the lesson. The teacher starts taking attendance and everyone says “here” but Matt.
“Matt? Is Matt not here?”
“He should be. He always texts me before school if he’s not going to be here and he would never skip a lesson.”
“Okay… we’ll send someone to go check on him because it does say that he is in school, he just isn’t in my lesson.”
You nod, knowing that this is very suspicious. You saw Matt this morning, driving to school with his triplet brothers, Nick and Chris. You immediately take out your phone to text him.
Matt 💗
Matt, where are you?
Matt?
You send the message and 5 minutes later, you’re still on delivered. You start to worry like mad. You spend the entire maths lesson just worrying about Matt.
When the lesson is over, you don’t care about going to history because you need to find Matt. You start searching the school.
You are pacing around the school, having looked everywhere and not finding him. You start doing a second lap of the school when you hear sobs coming from an empty classroom.
Your head starts spinning. Is it Matt? If so, why is he crying? You walk over to the door and gently push it open. You see Matt crying, sat at one of the desks.
When you see him, you instantly shut the door behind you and make your way over to him. You don’t even say anything, you just pull him into your arms.
“Matt… what’s wrong?”
“H-he said that y-you s-shouldn’t be friends with a l-loser like me…”
“Who’s ‘he’, sweetheart?”
“J-Jack…”
“As in, my boyfriend, Jack?”
Matt nods his head against your chest, continuing to cry into it. You are absolutely fuming right now, knowing that your boyfriend had made Matt sad but you don’t show it because you don’t want to scare Matt.
“Don’t listen to Jack, okay? He’s just jealous that you’re getting my attention and not him.”
“I-okay… t-thanks y/n.”
“It’s okay… I’ll have a word with him tonight. A strong word.”
Matt just nods again, not wanting to speak because it just comes out as a stuttering, shaky mess. You understand and just pull him closer to you, playing with his hair.
After a few minutes, Matt starts to feel better but he just wants to stay in your arms, enjoying the comfort that it brings him. You simply comply and hold him.
He pulls away after another minute or two and he looks up at you. His cheeks are stained red from crying and his nose is running a little. You grab a tissue and wipe his nose and eyes.
“What are you gonna say to him..?”
“I don’t know yet, sweetheart, but I’ll figure it out.”
“Okay… I hope this doesn’t make him more mad..”
“Well… if he says anything else to you, if we don’t break up tonight, I’m breaking up with him then!”
Matt simply buries his head back into your chest and nods, now starting to overthink about whether this is just gonna make Jack more angry at him.
You hold him for another little while and then the bell goes. You guys can finally go home and you can finally yell at Jack. You have a LOT to say.
You walk Matt out to the gate and you give him a hug before he leaves. He wishes you a quiet ‘good luck’ before going to his car and taking himself home. That’s when you see Jack.
You’re trying to contain your anger at least until you get home but it’s getting difficult. You get in the car with him, not saying a word. You want him to know that you’re pissed off.
To your annoyance, Jack doesn’t say anything in the car but when you guys get back to his house, you snap. He tries to kiss your neck and you push him off you.
“How fucking dare you, Jack?!”
“Woah woah woah… what’s got your panties in a twist?”
“Why the fuck have you been saying all that shit to Matt about him not deserving me as a friend and calling him a loser?!”
You watch as Jack’s face drops and he instantly knows why you’re pissed. He tries his best to explain himself but, in your opinion, it’s all utter bullshit.
“Listen, babe.. I only said that because I was jealous. He’s getting more of your time than me.”
“Doesn’t take Einstein to figure that one out, dipshit! You scoff and roll your eyes like a bitchy toddler whenever I speak to Matt.”
“Yeah… because I’m your boyfriend… you should spend your time on me.”
“Oh so now you’re tryna control me? Fuck you Jack.”
Your eyes are cold and he can tell that whatever he says isn’t gonna change your mind. He’s trying to reason with you but it’s proving difficult.
“Babe… I’m sorry. I won’t do it again. I won’t even talk to him again.”
“You said that the last time I brought this up. Last time it was just because of your stupid fucking meltdowns whenever I spend time with him and now you’re making fun of him and calling him names?”
“I know, babe… I’m sorry.”
“Don’t call me babe.”
You continue to argue for a while until you’ve had enough. You want to go back to yours but the whole reason that you were supposed to stay at Jack’s is because your parents aren’t home so you ring Matt.
“Matt? Can I come over to yours? I can’t deal with this dickhead anymore.”
“Yeah, of course.”
You can hear his smile through the phone, he’s clearly happy to hear from you. You smile a little too and grab your bags, heading out of the house. You put the phone down on Matt, telling him you’ll be there soon.
“But babe-“
“I said, don’t call me babe. Talk to me again when you’re less of a twat.”
You get in your car, leaving Jack at the door, still trying to get your attention. You slam your car door and drive off, not paying any attention to Jack.
You start speeding off to Matt’s house, not sure whether you want you want to cry or scream. Holding back all of your emotions, you reach Matt’s house. You get out the car, collect your bags and go knock on his front door.
When you knock, Nick, Matt’s triplet brother, answers instead of Matt. You, Nick and Chris are all good friends but you and Matt have always had a closer relationship. You never really knew why but you two have always been closer, since you were kids.
“Hey girl, you okay?”
“I guess… me and Jack got in an argument. I don’t know if I wanna cry or scream..”
“Shit… I’m sorry. Matt’s in his room.”
“Thanks…”
You smile at Nick and he closes the door behind you. Taking your bags with you, you head over to Matt’s room. You knock and then just let yourself in. You find him lay on his bed, just on his phone.
“Hey…”
“Hey. You didn’t sound too happy on the phone. Can I assume that it’s Jack?”
“Yeah… I spoke to him about the thing with you but he was just making up excuses. I think I got my point across though.”
Matt decides that it’s a better idea to just open his arms for a hug instead of making you talk about it much more. When you see Matt extend his arms for you, you smile and put down your bags, walking over to the bed.
You collapse down next to him, letting him hug you and you lightly hug him back. You start to feel tears welling up in your eyes but you push them down as much as you can, not wanting to pay too much attention to the whole scenario.
Matt looks down at you and he can see your teary eyes. His eyes soften and he just pulls you a little closer, rubbing your back.
“What did he say? Why did you sound so pissed off on the phone?”
“He was basically just telling me that he’s jealous that you’re getting more of my time than him. First of all, I don’t think that’s necessarily true and secondly, you’re my best friend.”
“He annoys me so much sometimes… was he yelling at you?”
“A bit.. but I was definitely yelling back.”
Matt laughs and rests his head against yours. You stay in Matt’s arms for a while, helping you feel better, and then after a while, you just throw a movie on that you both like. Matt got some snacks and you’re just hanging out together now.
After a while of just sitting together, Matt speaks up. He sounds a little frustrated for some reason but you don’t ask why.
“Your boyfriend really pisses me off?”
“Why? Is it because he yelled at me?”
“Yeah well.. that too but… it’s because you’re his and not mine.”
________________________________________
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