PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute
(prev olympics au here)
the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool.
your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win).
kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along…
by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her.
she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.
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Romance is (not) dead
Ghostwriter was one of the most annoying ghosts Danny tended to deal with, ever since their altercation at Christmas their fights only continued to escalate.
However, the halfa swears that he didn't mean to tear up the little book Ghostwriter was writing for Valentine's Day. He may not have a partner for that year but he understood how important books were to the ghost, they were his obsession! Danny didn't mess with obsessions.
But a ghost angry with his obsession attacked won't listen to reason, so Ghostwriter trapped Danny in another of his novels. The halfa was seriously considering destroying the keyboard that was causing all his headaches but that would be quite awkward.
Now, he had faced this scenario many times before. The problem was, this was a fucking romance novel, and what's worse, someone got stuck with him.
The tourist, whose name was apparently Jason, also had free will, which made more sense when the rest of the people in Amity Park started acting like they were a couple.
Contrary to expectations, Jason seemed thrilled about the situation, even after he explained that it was the fault of a ghost. The man was offended when he told him that he would release them! He didn't even seem fazed by the fact that they had been forced to be a cliché couple.
Jason on his side was quite happy to have visited Amity Park, he heard stories about ghosts and since he had nothing to do during Valentine's day he decided to check it out. The ghosts not only turned out to be real but they were also helping him fulfill his childhood dream, it was amazing. The boy he had been matched up with was also cute.
That's how an excited Jason Todd and an incredulous Danny Fenton found themselves stuck acting out all the typical scenes portrayed in books, from love at first sight to a confession in the rain. At least one of them seemed to be having fun.
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Childe’s Story Quest: theme, storytelling, form follows function
Content Warning: self-destructive behaviour, mentions freezing and mutilation
Spoilers for the entire quest.
—
Showing both Teucer’s and Tartaglia’s perspectives throughout the quest sure reveals more about Tartaglia.
The quest on so many levels conveys its theme: the divided perspectives between a naive childhood lens and a disillusioned (??) adult lens.
One is unknowingly caught in a wonderful yet deceiving story (the tone and form), the other sees reality for what it is but tries to maintain innocent childhood dreams with these stories (the content and meaning).
Tartaglia was once the former, and is now the latter.
—
For example during the hide and seek cutscene, the tone set by the soundtrack “Foul Legacy” and the flashy cinematography & visual effects is very adventurous (in an anime way).
This is how Teucer views Tartaglia. (Teucer literally shuts his eyes and thinks it’s all a game.)
But the reality of the situation is shown moments before, where we see Tartaglia looking all soft and mortal against the dangerous Ruin Guards right behind him. Like, if you didn’t know what the game is, you’d think this is a moment of dramatic irony where the boy is gonna die because he doesn’t seem to notice the big scary automaton right behind him.
And it’s not that he’s weak in general, but in this specific moment he just defeated a few dangerous automatons, and he’s about to use his physically draining technique to fight off even more of them under the limit of ten seconds—all for the sake of protecting his kid brother’s innocent dream.
—
But really, this divide between childhood and adulthood is shown straight from the beginning. And I think the whole quest could be summed up with that nursery rhyme:
拉钩拉钩不许变,变了丢他去冰川。冰川冷,雪原寒,撒谎的舌头都冻烂!
The Chinese rhyme scheme is ABCBB.
Literally speaking it’s
Pinkie promise, pinkie promise, [you’re] not allowed to change [it], change [it and we] throw him [onto] the glacier. The glacier [is] cold, the snowfield [is] cold, lying tongues all freeze [and] rot!
(Note that 丢 is a verb that could either mean to throw away or abandon [something physical or abstract]. The syntax here is a bit odd because it’s a nursery rhyme. 丢他去冰川 doesn’t have a preposition so I’m not sure if it’d be “throw him onto the glacier” or “throw him into the glacier’s river”. Also, 冷 and 寒 are two different adjectives that both mean cold, essentially.)
But if I try to rhyme it with a bit of rhythm then it could be something like
Pinkie promise, pinkie promise, you’re not allowed to change it. He who goes back on his words gets thrown onto the glacier. The glacier’s cold, and so’s the snow. The tongues that lie shall freeze and rot.
English dub equivalent:
You make a pinkie promise, you keep it all your life. You break a pinkie promise, I throw you on the ice. The cold will kill the pinkie that once betrayed your friend, the frost will freeze your tongue off so you never lie again.
Rhythmically and tonally it sounds like a fun and naive nursery rhyme (emphasized when the innocent Teucer first says it at the start)—but the content is about the fatal consequence of breaking a promise… especially as a Snezhnayan (emphasized when the traveler and Tartaglia repeat at the end after the near fatal situation in the factory).
Ohh, so a character’s theme could also be done this way.
—
In hindsight as I was explaining how 丢 could refer to throwing away something physical (e.g. an object) or abstract (e.g. dreams), the person in the nursery rhyme could easily be a stand-in for childhood dreams, huh…
A childhood dream that promises to never change, but ends up changing anyway, so it gets abandoned at the glacier and is left to freeze…
拉钩拉钩不许变,变了丢他去冰川。冰川冷,雪原寒,撒谎的舌头都冻烂!
As Paimon says, “Wow... That one nursery rhyme kinda says all you need to know about Snezhnayan culture…”
Miscellaneous first reactions of third act
Teucer takes the path straight into the factory but the door immediately closes, so Childe is forced to enter from the side with a more difficult path
What goes into a world of danger and unknowingly get trapped? What has to use more lopsided methods to sneak in just to protect… Teucer symbolizes childhood innocence, and Childe is adulthood?
Hm, that overhead shot of tiny Teucer running into the factory with Childe and Traveler watching from higher grounds behind bars— It’s like Childe watching his younger self… rushing into the forest and into the abyss? Oh, and consistently Childe is forced to take the dangerous route and face all the difficulties while being unable to reach Teucer.
aw…
Paimon and the traveller witnessing Childe’s moment of vulnerability yet still needing to keep up the toysalesman illusion to Teucer in the domain is…
(Actually, this feels similar to Thelxie’s Fantastic Adventure where Zuria is optimistic about the plan and Freminet later pulls the two aside to tell them the truth about the condition)
Well, both have the theme of keeping up childhood dreams with stories don’t they
Wanting to keep up the illusion longer and not wanting to let Teucer see his weak side of him, huh…
Yet still wanting to fight the traveler in the future despite still recovering from a serious injury. What kind of self-destructive tendency is this
Ah, the idea of meeting Childe in his home turf is interesting considering Snezhnaya is so far from Liyue
It’s all so sad. Why does he trust the traveler this much even though they’re on opposite sides and fought in the Liyue archon quest not long ago
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