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maggyme13 · 5 years

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Request List:

Because I happe to get a lot more Requests than usual, I decided to make a Post that contains any outstanding Requests. I will add new ones whenever they are requested. So if I don´t answer to your ask, please take a look at this post :)

The order in which they are listed, is NOT the order I am going to write them in.

I write whenever I feel like writing/ have ideas. So it might take days, weeks or longer before it will be posted!

BE AWARE THAT THEY MIGHT CONTAIN SPOILERS!

The Requests are under the cut:

1.I want to request an angsty one. Where reader is mutant, like she is daughter of Charles and Magneto (genetically) so she can bend metals & read minds. Fury takes her in as she looses her X-Men family. But every one in avengers is not happy about her arrival & are very cold towards her(ik they won't do it but still). She's alienated & is left all alone. End as you like

2.thor reader Steve smut inspired by Steve lifting hammer? Like reader is mjolnir, like Thor can get his full power only when reader is around cus she is his soulmate. Then Steve reaches his full potential learning it's not Peggy but reader is his soulmate. They have sex rough one maybe?

3.Thor & reader. Where their marriage is arranged & he's not very happy about it, he loathes her basically all angst. Then leaves fir Ragnarok events but when he comes back & sees how she's protecting everyone & fighting for Asgard he falls in love with her apologizes & passionate sex maybe

4.Are you comfortable with dark Clint? Endgame Clint maybe who's very pissed & unlike movie no chance of getting his family back. So takes it out on reader who works for avengers, he thinks she hasn't lost anything & takes all his anger on her. Maybe tries to impregnate her to start a family?

5.dark Thor? Endgame Thor preferably. Where instead of gaurdians, he goes to reader who thinks he's dead and sorta moves on with life so he goes all dark.

6.I wanted to request. In really horny rn so please don't judge 🙈🙈. Can you do a really dark noncon reader, Thor, Steve & Tony. Where maybe they all lost to thanos, and take it out on reader

7.I'm fighting with body imagery issues. keeping this in loop, can you do a Thor reader smut? Angsty fluffyish

8.dark Thor & dark Peter quill. Where maybe when they travel together they find reader(waitress, Idk just a thought) & take her noncon?

9.reader, Bucky & Steve? Where Bucky is dating Steve and reader as well, reader is oblivious about Steve but Steve knows( loves reader as well) Steve makes move on reader, reader feels guilty & tells Bucky he laughs it off saying he dates her cus he wants Steve to date her too. She gets pissed & stuff. Lil angsty & fluffy smutty maybe

10. noncon? Where reader is stripper & Bucky always visits her place & drools over from afar(reader is oblivious) One day she wears captain America themed lingerie & does her pole dance. Bucky looses his cools & after show goes after her. A rough noncon.

11. Bucky & Steve both sleep with reader(not threesome) when they miss Peggy & Natasha, reader just feels they love her. Once she hears them saying how easy fuck reader is & basically all angst. End is as you like. Make reader happy though

12. Thor, Steve & Bucky with reader. Where reader is basically an intern but they sleep with her (individually) they treat her like an escort. She wants out but they all blackmail her. When they sleep with her they keep degrading her & calling names etc. All angsty. Until one day, when there's a fight, reader lifts mjolnir. They sorta kneel & respect her?

13. Tony & reader?abo dynamics? If yes, I'd like to request one where reader has crush on Steve & Tony on reader. Once reader goes in heat Tony takes the chance & claims her against her wishes. Maybe she's pregnant later

14. AU where Bucky is famous writer very rich & rude. Reader is simple intern at his office. He fucks her for sake of writing the scene but she falls for him & thinks he loves her. But at opening of his book he brings some girl. This breaks her heart, he also says she's just a good fuck. Angsty. End as you like.

15. Thor reader & Steve? Where they are in relationship, but it so happens that Steve & thort get competitive as to who fucks reader the best. So to prove the point they have sex with her(individually) give her orgasms, like 3-4 in a row but this exhausts reader. She gets tired, can hardly walk is always covered with hickeys. There comes a point she avoids them & cries to herself. Fluff ensues?

16. request where reader is ex hydra. She's new on team & obviously no one trusts her. They're rude to her, ignore her if she tries to talk, Don't take her suggestions if she makes any. She's left alone until Peter befriends her. He tells the team how nice she is, how helpful she is etc. They feel bad & try to make up but till the time she's transferred somewhere. End as you like

17. scene from killer inside me. It's basically spanking. Can you do a Thor reader based on that? It's on YouTube

18. request an AU with mobster Tony stark, where he's married to reader who's quite younger than him(I'm 22), but he doesn't see her as wife cus he loves pepper (died or didn't marry due to political reasons) so he only has sex with her takes her raw & rough. Doesn't care if she's hurting, he doesn't talk to her ever. They even have a kid but still he's cold towards her. Then Thor comes, things change then. It's on you what you like, divorce or happily ever after cus Tony gets jealous.

19. Sam & reader? Where Bucky & reader are in relationship but reader is like a rebound & backup if he doesn't get nat again. He ends up having sex with some random chick, reader sees it. He also mentions her how he had to get himself off with reader like she's not enough. So reader gets all sad develops body imagery issues. Sam had crush on reader anyway so they end up together. Make Bucky regret little

20. Reader, Steve & Bucky, where reader is Brock rumlow's gf. She doesn't know anything what he does. She thinks he's nice. As to take revenge Steve & Bucky kidnap her rape her & torture her. End as you like

21. A Viking Steve? Where he invades reader's land, takes her as slave & fucks her raw & rough(noncon) _ shares her with Bucky & Thor maybe?

22. One where reader is sex slave & Tony buys her for the team(Thor, Clint, Steve). So basically the things they do to her dark, rough & noncon. Maybe later on they get in polygamous relationship?

23.Dr. Strange & Reader? Where reader is his wife & before the accident he never respected her, even though she's a Dr like him, he belittles her, doesn't talk to her, feels ashamed. Later becoming the master, he sees her through portal that how dedicated she is & how dearly she loves him. All fluffy & maybe a passionate love making?

24. Thor & reader, where reader & Loki are engaged but Thor rapes reader cus he wants her, but feels guilty & goes away. Meanwhile Loki leaves reader saying she's impure. Valkyrie takes reader under her wing & helps her heal. Maybe she ends up pregnant? Happy ending please .

25. One where Bucky is married to reader but is insecure. Reader is planning to tell him about her pregnancy & plans a surprise. Bucky thinks she's cheating on him & kid isn't his. So he leaves her. Steve helps her through out, Bucky thinks they're together. All angst but fluffy ending.

26. dark avengers, where they experiment on people to make them strong. They kidnap reader & do brutal experiments on her, to make her strong they physically, mentally & sexually harm her. Idk how to end it. It's on you?

27.Endgame Thor & reader noncon

28. noncon reader & Thor, where he wants to breed her. He keeps saying gimme baby over & over. He continues to do so until she's pregnant.

29. Au, where hydra & avengers are kingdom. Reader is married off to Steve. He's not very keen about it. Reader is Brock's adoptive sister, he raised her only so to get in avengers secrets. Reader is oblivious to all this, she's just innocent girl. When avengers find this out they begin to torture her. Amongst this torture she looses her baby. Brock seeing all this surrenders. Readers fate in your

30. One where Dean Winchester forces reader to give him blow job. Facial humiliation to be precise.

31. SOA au, abo dynamics where Jax claims reader against her wishes & takes her virginity?

32. request where Tony dates reader they have sex & he tapes it. His main intention is to bring reader for Steve & Bucky to enjoy? Tony blackmails reader saying if she doesn't comply he'll upload that tape for everyone to see. Bucky & Steve take her rough & new noncon.

33. Could you do a lactation kink of Steve? Reader is pregnant with Bucky's child, Steve can't control how soft & big her boobs get. One day he looses his control & tears her shirt & sucks on her boobs. Reader feels humiliated & tells Bucky. Bucky supports Steve & shares her with him even though reader doesn't want it.

34. One where Peter & reader are siblings, children of Tony stark. Reader is elder one & never been treated right by avengers. Peter is always favoured, pampered etc. Reader is left alone even though she's smart. Reader is married off to Brock rumlow, but he's abusive (physical &sexual). Avengers don't know, once Peter gives her surprise visit& sees her bruises & brings her home. Fluffy ending? Sorry if it's confusing.

35. How bout sex slave reader, who's new in business & is really young gets bought by Tony for Steve? She develops feelings for the man, but he doesn't. Can you make a holy trinity, smut, angst & fluffy ending. Thank you 💛

#Requests #Requests I have to write

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wintersoldeer · 5 years

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ok here's some totally incoherent thoughts about endgame that i just have to write down or i might explode spoilers: i loved it also actual spoilers spoilers very spoilery spoilers

1. Steve and the goddddamn mjölnir!!!!! FINALLY!!!!!! when thor, iron man and cap were like 'aw yeahhh we're gonna fight thanos' i was like what the heckie is steve even doing there, supersoldier or not he's just a human. then thor drops his hammer and i’m like oh my gods please literally crossing my fingers. then thor’s fight is not going so well and oh no he definitely needs someone to save him! i’m like ohhhhhmygooddss. and THEN IT FINALLY HAPPENS I HAVE BEEN WAITING FOR THIS FOR YEARS HELL YEAHHHHH

2. steve & peggy dance. yes. just yes. fucking finally. i love it. it was perfect i cried

3. clint should’ve died. (finally haha) he was my fave since before the avengers and i was so sure he was going to die back then, but then he didn’t and look what’s became of him since.......... i had a violent flashback to watching age of ultron for the first time and for the first time just hoping that my fave character (that would be clint) would just die, bc they’re screwing his character over so badly........ and most definitely it. should. not. have. been. natasha. who. died. that was such a bullshit i mean WHAT THE FUCK???? i mean maybe clint and natasha were the only remaining avengers that actually loved each other (?¿¿????¿¿¿?¿ tho that’s just flimsy, i’m just trying to....idek) and that’s why it had to be them on that stupid fuckin death cliff, but why did natasha have to die?? just because clint had a family (still with no actual characterization, not that i even care, or maybe i would if the movies had given me any reason to...) to return to and she didn’t??that fucking sucks and what sucks even more is that not only was natasha the only character that died (i’m not even counting tony, bc that was very Different) but she’s the only original female avenger AND it’s the same stupd fucking rock that the only original female gotg gamora died in such a bullshit way just last movie??? goddddd i hated that so much like maybe if she hadn’t been the first one to die and all the original avengers would’ve died as was i kinda hoping (tho i love happy endings so i didn’t actually hope that it would happen..), maybe then i would be okay with her being dead. now i am very much not okay, and that means very much not okay in a angry way, not in a sad way

4. speaking of death: to me tony’s was perfect. i might not be the biggest fan of how he always got the most screentime and a bigger role than other characters, but i can’t deny that he definitely is the heart of the whole mcu and it had to be him who saves the day in the end and what else could it have been that a very tony-like self-sacrifice..... god i cried. i loved that he got a funeral (even tho natasha didn’t...) and i loved his funeral with all the people and fricking harley and then the kid saying how much she likes cheeseburgers and the frickin ‘proof that tony stark has a heart’ and sfghkklkghhhh

5. i gasped audibly when i noticed that natasha was wearing the arrow necklace

6. i kinda forgot that vision ever even existed..... in the end i first thought that wanda was talking about pietro and then i was like ok well maybe not maybe she’s talking about tony or something WHICH MAKES NO SENSE LOL i don’t even remember what she actually said, but as was pointed out to me, she was probably talking about vision. who was a thing that existed... whoops

7. ugh i hate brucenat, i really thought we were over that shit already. i also very much disliked that they actually decided to go with professor hulk, but idk w/e i don’t care that much. but natasha’s death sucked tho and the one thing i do not want to see is bruce’s pain or whatever when the movie didn’t even give me the time or reason to actually grieve for her goddd that whole thing was such a bullshit

8. i did not like that thor was treated as a joke most of his screentime........

9. that stevepeggy dance tho. love it. it’ll probably take me at least another seven years to get over it

10. i fricking adored the whole going back in time thing, especially the 2012. the callbacks and the humor really worked for me, the elevator scene straight from cap2 but reversed and hail hydra and steve fighting steve and loki’s expressions when things go wrong and goddhhh i loved it all aaaaaaa, that was the moment when i was like ok i need to see this movie again immediately.... also the fact that their time travel rules were that they were just creating new paths or w/e i guess, and not actually changing what happened to them specifically... good. so many aus

11. that final battle was so perfectly epic

12. tho shouldn’t valkyrie’s (who really just doesn’t have a real name, now does she..) horse have died after being shot haha

13. i loved that clint had the gauntlet for so long, like he’s definitely the Least Qualified Person to keep it safe, why would that be his job, it was amazing

14. i hated natasha’s death with burning passion, but i loved how she and clint fought each other over who gets to throw themselves off that cliff. tho i really hoped that their ‘yeahh we know what we have to do’ would’ve rather meant that they decided to just throw red skull down bc who even knows if it even actually needs love sacrifice or w/e, a soul is a soul is a soul

15. i loved the human jarvis whatever-his-first-name-was cameo and i really need to finally watch/rewatch agent carter

16. i really liked the tony howard scene even if i thought it felt a bit iffy, bc i feel like there’s so much more to unpack w/ those daddy issues.... but maybe that scene means that there is that one universe where howard was actually a good dad. i want to believe that. yeah. (maybe not but let me dream)

17. i like how they totally forgot that sharon carter ever even existed

18. damn that moment when black panther comes through that portal

19. damn that moment when gi ant-man is giant

20. damn that final battle was so epic

21. damn that steve with mjölnir

22. this movie was SO GOOD when it was good and so mehhh when it was bad, and i’m really glad that it was just good enough that i can forgive overlook all of its flaws. (tho i will not forgive what they did to natasha, even if i can mostly ignore it when thinking about how good most of the rest of the movie was) but idk if it would’ve been perfect, maybe i wouldn’t have survived like there’s this One Huge Thing (natasha) that really brings down the movie that otherwise would’ve been just Amazing

23. i don’t know if my heart has ever beaten as fast as when steve finally picks up the hammer. never while watching a movie, at least

24. i love that carol has her short haircut, bc it bothered me so much in cpn marvel that she should not have been able to see anything when her hair was just constantly on her face haha

25. i feel nothing but seething resentment towards clint’s stupid family and that stupid family man role he is stuck with

26. why was natasha’s hair so weird and ugly. why can’t it just be red??

27. clint’s hair was weird and ugly too and i think i have finally kinda given up on mcu!clint (tho he has those small Very Good moments and i cry for what could’ve been.....we could’ve have it aaaaaalllll.... i think i’m going to watch swat (2003) again and still pretend it’s the clint backstory movie i deserve haha, it’s been ages since i’ve seen it idk if it would still work for me, i’m gonna try)

28. i love nebula tho

29. i loved the trip down memory lane! frigga!!!! the way the continuation of the avengers capturing loki just felt so natural and like it probably happened just like that! nebula and rhodey judging quill’s singing and dancing haha yes! everything! just as i was hoping it would be!

30. doesn’t really have anything to do with this movie but: i still firmly believe that coulson never died. i still firmly believe that pietro never died.

31. falcon cap helll yeah!!

32. i guess i’ll never get my strike team delta movie with clintasha best friends soulmates and with buckynat and the red room......... goddd there really should’ve been a black widow movie after cap2. like that was The Perfect Spot for a black widow movie, it’s really a crime that there isn’t one, and even if they make a black widow movie now, it’ll definitely be too little too late.

33. like..... a for effort..... for that female heroes girl power.... ughhhh.... scene, i guess, but that. does. not. cut. it. when you have just killed natasha

34. things i really wished they would say in some perfect moments: “hail hydra” “avengers assemble!” “i am iron man”. things they did say in those moments: “hail hydra” “avengers assemble” “i am iron man”, gogssgddd that was perfect (ok i also really did wish steve would’ve said the “i could do this all day” in the fight but couldn’t say bc the movie had just made fun of that.. i’m kinda sad but haha it’s not that big of a deal, maybe if he hadnt said it in civil war which i dont like but well...)

35. haha people are already complaining about the steve going back thing and how it’s definitely not moving on and erasing character development or whatever and HA. i finally got my stevepeggy dance i don’t care about anything else i am so happy!!!!!

36. i am so glad i managed to avoid any spoilers bc i hear that there was some pretty massive ones going around??¿?¿?

37. also: ok from here on out i am not here for any of you negative nancys complaining (probably very reasonable complaints idec) about the movie, god i really wish it was 2012 again

38. in final thoughts: i absolutely loved it and i love that it turns out that i’m apparently still very much marvel trash........ if natasha hadn’t died, especially in such a bullshit way, i would’ve been able to overlook everything else that was kinda meh about the movie and just purely and blindly loved it. i still did love it, a lot, but now there’s that bitter aftertaste.....

ok now, maybe that’s enough rambling and repeating myself....... i’m going to need to see it again asap

//EDIT

39. I FORGOT TO MENTION IT BC I FORGOT ABOUT IT but goooooooooodddd i loved nebula and tony playing that game in the beginning and tony letting nebula win ääääää

#i say #endgame #endgame spoilers #me = apparently still marvel trash™

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kierongillen · 6 years

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Writer Notes: The Wicked + The Divine 33

Spoilers, obv.

I suspect this one may ramble. Or it may not. The odd thing is always when things which have been internally discussed forever end up not needing to be discussed in public. For Journey Into Mystery and Young Avengers, I always had the idea of the essay I'd end them with... but when I got there, I shrugged and did a couple of paragraphs which covered the basics.

(There was a grace note in both, in terms of highlighting a motif – Write Your Own Happy Ending and Be A Superhero. Save The World – but that's really minor detail compared to what I presumed I'd be writing.)

Well... I know it's going to be quite long, as I'm going to include the miniature essay on plot twists I lobbed up to respond to a question, just so I can include some WicDiv specific stuff.

So, WicDiv 33. The “Everything you knew is wrong” issue.

Jamie's Cover

Jamie coloured this himself.

There was a lot of discussion over this, in terms of how to resolve the equation that we'd set up. Where to go after the maximalist nature of Dio's 32? I won't mention the other options, as at least some of them may end up being used down the line. One suggestion I quite liked was doing the equivalent of the ABC Look Of Love album...

...which is this scene of posed romance on the cover, and when you flip the album, you see all the lighting and crew. In some ways, that's what this issue does.

But black makes sense on many levels as well. I suspect the idea of the specific bleakness will confound the expectations a little, but the statement of it is very there. We did say this was our Black Parade too.

Worth noting – first cover without a quote on the back. If we were sure the readers wouldn't have looked at the back cover before reading the book, we may have put Lucifer's “Am I the only one who didn't see that coming?” on there. But we couldn't be sure of that, so we didn't.

Russell's Cover

What Russell and Matt are doing over on Thor is state of the art superheroics. I've loved seeing what Russell's done across his time with Jason, and the idea of him doing a cover was just exciting. It's meant to be the full range of the medium, after all. I was surprised Russell went quite as maximalist as he did, but also pleased. I love this kind of operatic movie poster cover, and it screams Imperial Phase, including all the cast of the main arc. Dio's the hardest one to spot – that would be the black eyes over it.

IFC At this stage in the arc, working out what on earth to put in the synopsis is tricky. You have to throw your hands up to some degree.

The tweaks to the bios are the other thing – clearly we've got to set up the information required to comprehend the issue for those who may have forgotten it, without just saying what the thing is. For the very close readers, even the fact it's changed will be a tell. It was another reason we didn't do a preview for this issue, and even if we did, we wouldn't have released that page. Velocity in reading is key here.

With Woden we restate “She had some mysterious hold over him” rather than specifically talking about the Blakes. With Minerva we remind people that she was tortured on Ananke's machine, and then distract with a :( emoticon.

Page 1

I believe the script for this page and the next is in the trade as “Making Of” material, which is fun. Chrissy tends to choose pages in terms of what's interesting, especially if we have something else to show. In this case, it's my drawing for the design of Woden's Secret Base.

My basic description for this was the Bat Cave, which is a man cave, if you squint. Having an enormous penny in it could have been a giggle. We had to have a few passes to get the lighting right on this – debating the colours on the bars of the cage was also tricky.

In terms of pulling out a detail, the suit of armour missing a head on the right would be a useful one. Balancing the “making sure it's visible” while not leaning too much into “LOOK AT THE HEADLESS SUIT” is Jamie's storytelling problem here.

The main dialogue problem was balancing the level of Cass' response here with her noise at the end of the last issue. Swearing to some degree is fine, but it has to be a specific kind of fffuuuucccckkk last issue. It couldn't be a swear that promised too much.

Page 2

And it's Pink Woden! But he's blue. Lighting, everyone.

Well... There was some debate on the colouring of Pink Woden, in various modes, and various reasons, not least the slight differences in colouring in his previous appearances.

(Issue 14 and issue 21-22, respectively.)

Have I said Pink Woden is my favourite fan name? We use it all the time internally, not least because Mimir is oddly hard to remember. Also, if we get used to saying “Mimir” we may end up saying accidentally in public.

Page 3

I had someone reach out to me wondering whether Cassandra choosing to gender someone by their voice and physical appearance was off. It's something I was thinking of at the time when writing it, and it's not exactly a line I'm happy with. But on balance, I felt it more likely that Cass would say that than Persephone would say anything.

Cass is imperfect in her language in lots of ways. I decided she's more likely to apologise about it down the line and kick herself, which I may end up working in, depending.

(You could also ask “why have anything there?” and that's only answerable in terms of the flow of information and ideas and conversation across the whole scene. Difficult Difficult Lemon Difficult.)

Lovely expression by Persephone in the background of the first panel – in fact, her conflicted expressions throughout. I especially love the reflection of the arriving Woden in the reflection of Mimir's mask in panel 6.

Page 4-5

The challenge here was always choosing where to put the page turns in this issue. What are the big beats. In my original draft the LITTLE WODEN BOY interstitial was actually on page 6, which would change the rhythm in lots of ways – not least in putting the Falling God sequence on a page turn. In the end, we gravitated to this. I'm much happier with it.

(Little Woden Boy works as a creepier punchline at the end as well.)

Anyway, hello! It's David Blake.

I... I maybe should save writing for the reveals all together. In fact, fuck it. Let's drop the ask essay here and we can then talk about the stuff I don't include in it. I'm asked whether you change something when someone guesses something, or how that feels?

****

Oh, god, no. Never change anything if someone’s guessed something. Nothing good lies in that direction.

Why?

Okay, let’s talk – with no specifics – Game of Thrones. If you go into the depths of fandom, Game of Thrones is – to some degree, in some areas – a solved problem. There’s a good selection of fan theories (some of which have come to fruition) which have so much meat on them it was clear they had to happen, or the book would break its structure and become unsatisfying.

These twists are available to anyone who wishes to google for them.

The vast majority of people don’t. So… why change the direction of the story? What’s the point of fucking over the enjoyment of the vast majority of people (i.e. making your story make less sense, as you’re abandoning the already existing thread) for playing gotcha on a tiny fraction of your audience?

(As a quick aside – compare and contrast theorising in a fanbase with actual events in the text that’s being adapted. Clearly, anyone who is watching GoT could have googled the synopsis of the book. Equally, anyone who’s read the books knows the big beats. Does the adaptation change the big beats? If surprise to everyone in your audience is all that mattered, you would. We don’t.)

It’s also worth noting that, while obviously some complain on the nature of the adaptation, most fans of a book generally complain that they wish it was more like the book. In other words, things that surprised them (i.e. differed from their knowledge of the text) were less satisfying. They wanted to see the big dramatic beats, even if they’re stripped of their surprise.

Surprise only matters the first time you read something. For me, any worthwhile piece of literature exists to be reread, and will open up more upon rereading. In other words, knowing the twist should add to the rereading of the book. If it doesn’t, and renders the story less than it was, it’s probably a bad twist – which is one reason why I don’t tend to call them “Plot twists” to myself. I call them reveals. The plot doesn’t contort. It’s merely revealing something in the nature of the world the reader was unaware of.

(As an aside, this means that someone who has guessed successful the direction of the plot is actually effectively skipping to their second read of the book earlier.)

There’s the other side of this as well – not just whether a plot beat has been guessed, but the almost inevitability of a plot beat being guessed. GoT fans have had twenty years to puzzle this out. In that period, a mass communication device emerged which allowed fans to talk to one another and share ideas. This machine would have torn apart any plot.

No one individual needs to guess anything. People can make one step in a chain, and then that step is exposed to thousands of minds. If even one of them can make the intuitive leap to the next step, then it continues. No one person needs to be clever enough to see the whole thing. The internet hivemind is Miss Marple, seeing through the most contorted of machinations.

(In passing, this is one reason why Alternate Reality Games are hard to do, because the mass hive mind will figure almost anything out, almost instantly. Equally in passing, the failure to understand this is another reason why Ready Player One is bad, but that’s irrelevant.)

In other words, the reason why twists are guessable is the same reason they are satisfying. A twist that isn’t foreshadowed sufficiently to give the possibility of being guessed by someone is not a satisfying twist, as it – by definition – came out of nowhere.

To make this specific to my own work. In the case of the biggest and most intricate of my current books, WicDiv, we sell about 18k in monthlies and sell 18k in trades (in the first month of release). That’s our hardcore devoted readership. How many people of them actually read the essays in the WicDiv tags? I’d say 500 at the absolute maximum, and likely a lot less. So for a maximum of 1.3% of our readership, we’d derail a still effective twist for everyone else? No, that would be a bad call.

Especially – and this is key – the people who have chosen to engage with a fandom are aware that they may figure something out. They are trying to figure something out. Why take that pleasure away from them?

In a real way, I think, in long-form narrative, pure plot twists which no one in the world guesses are dead in the Internet age, at least when dealing with any even vaguely popular work of art. You can do them in short-form narratives (like a single novel, a single movie and perhaps a streaming TV show they drop in one go) but for anything where you give a fanbase the chance to think, it’s just not going to happen. A creator should be glad their work is popular enough to have enough fans to figure it out.

Yes, I may have overthought this.

But that’s only half the question.

How do I actually feel when someone guesses something that’s going to happen? Well, this is long enough already. Let’s put the personal stuff beneath a cut…

I’d say you sigh “Oh, poop”and shrug.

And then you get over your ass, because you know all the above is true. Writers are often megalomaniacs who think they can control everyone’s response to their work. We don’t. We can’t control everything. We can barely control anything. We really have to let go. I’ve said WicDiv is a device to help me improve as a person, yes? It would include in this area. I have to learn to let it go, and internalise all of the above. If I can make most of my readership have the vague emotional response I’m looking for, I’m winning.

I’ve mostly succeeded at this. I’m certainly better than I was two years ago.

(I’ll probably write more about spoilers and twists and stuff down the line. I’d note that setting up twists that *are* easily guessable by the hardcore is part of the methodology. Having a nice big twist foreshadowed heavily is a good way to hide another twist behind it. “Hey – pay attention to this less subtle sleight of hand while I perform the actual sleight of hand over here.” In which case, there’s less of an Oh Poop response and more of a cackling evil mastermind response.)

The sigh can occasionally be accompanied with a “Hmm. I wouldn’t have posted that” or – more likely – “I wouldn’t have posted that THERE.”

To stress, what follows isn’t about my work per se, but culture generally, and is very much personal. This is stuff which good friends disagree with me on.

As a fan, I never tweet my own fan theories. I only tweet joke ones. Even my crack theories I don’t tweet, as they’re normally so bizarre that if they actually DO happen, I wouldn’t want to take the thrill away from people. Even in person in conversation I make sure we’re going into a deep fan hole before sharing them, aware that they may be true.

In a real way, the more likely I think something is true, the less likely I’ll say it. As this is my job, I tend to see basic structural ways stories are heading way in advance of most people. I’m a composer. I know how music works. You have a vague sense of what way they’ll go.

(One day I’ll write down my crack theory for the end of the previous Game of Thrones season. Maybe after next season, as it’s not impossible that they may end up doing it, though it’s increasingly unlikely.)

If I had a really good theory I’ve gathered evidence for? You can guarantee I’d put it beneath a cut. That’s the stuff which bemuses me. It’s a cousin of posting major spoilers about any piece of culture the day it comes out. The worst is one regular twitter trope – I’m always bemused when people do a “Calling it! XYZ will happen” tweet. Which strikes me a little like standing up in the cinema 20 minutes into a film and shouting out that you’ve guessed the ending. This ties back to the stuff I wrote above about twists being less effective in the modern age, except in a place where you can control the context and conversation. People may message in movies, but they rarely message everyone in the room.

(In passing, as it’s vaguely on topic – you may remember the research from a few years ago saying people who know a twist enjoy the story more than people who don’t know a twist. Even if this is true – and a single study should always get an eyebrow raise – it strikes me as a confusion over what “enjoy” means. All pleasure isn’t equivalent, and you can only have surprise on your first time through a work of art. That’s novelty. You can have that and then gain the “not surprise” experience second time through. If you spoil a work, it means the “novelty” experience is something you will never have. You may enjoy something more if you know the twist but you can always rewatch it to get that pleasure. If you’re spoiled, the individual specific pleasure of that first watch has been stolen.)

But that’s a conversation of social mores. Really, it doesn’t change anything in terms of how we act… and sometimes, I even grin when someone gets a twist in advance. The machine is working as intended. It’s actually kind of worrying if no one is thinking something is up in an area you’ve set up to be iffy. And… the alternative is worse – hell, there’s buried twists and details in Young Avengers that no one’s managed to figure out yet.

Twist ending: oh, no, I was a ghost all along.

****

I'm pretty sure the asker was asking about the Woden/Blake/Jon twist, and I'm primarily talking in terms of balancing the various needs of the group.

The problem with this twist was less making sure that people didn't get it, but making sure that everyone understood its import. If, hypothetically, I didn't want (barely) anyone to get it, we wouldn't have mentioned Jon after we introduced him in issue 6. Problem being, everyone needs to know Jon is a person who is Blake's kid when they hit this beat. My solution was to just reintroduce Jon hard, and resolve it, knowing that most people would just accept that. Then everyone knows who Jon is, so the father/son switch makes sense.

(In other words, far better some people suspect Woden is Blake rather than everyone going “Jon who?” Especially because the real horror of the Woden/Blake reveal is in its details.)

There's the other aspect to it as well – it's the sacrificial decoy aspect that I mentioned above. Even if guessed, it's a big enough twist to distract people. I reveal this at the start of the issue, so people will probably suspect that's enough big reveals for the issue. Yet no.

(See also: issue 11's dual deaths)

In reality, I was much more worried about the relatively small leap from realising Woden Is Blake And Jon Is Pink Woden to Mimir Is A Head.

But more on that later, I suspect.

Anyway! Storytelling!

There is something incredibly instantly disturbing about Blake without the helmet on, right?

Persephone's line was tweaked a bunch. I cut it as far as I could while still existing. It's a tiny moment of Rising Action, immediately squashed.

The switch to green as the cage goes to full power, plus Matt Wilson's wonderful pixel effects.

Love the Tron-eque light-bike trails seguing into flashback...

Page 6-7

The first date is just before Ragnarock 2013, where we first saw Jon on the stage in Laura's Flashback in issue 6.

This is a “Performance” by Jon, so is presented as such, in the same manner of Persephone's performance in issue 20. Jamie's integrated circuitry design is great, and allows us to go to a limited palette. 8 panel, 8-bit glory.

And Jon Blake.

You write and discover the characters. Jon has barely been in the book – he has a couple of lines of dialogue in issue 14, and that's it. I always knew why Ananke rejects him as unsuitable, but specifically how that would be articulated was something I thought I'd discover on the page. Writing a new character this far into the book is the sort of thing which keeps it interesting.

I was worried it would be hard, or shallow, as surely all the relevant little bits of me are already taken with the rest of the cast? Within a couple of sentences of typing, I knew I had completely forgotten one Gillen archetype.

I realised Jon was a heroic take on Lloyd/Mr Logos.

I laughed. Of course. Perfect.

The 11 days later says so much about how intricate the timeline is around here. It's the day before Baal and Sakhmet made their public debut.

The “She's a fucking weirdo/language” panel is a joy.

Yeah, Ananke really does like hanging around in people's gardens.

I specifically called for Ananke to be in an outfit from a previous God-creation sequence...

Page 8-9

...so Jamie could reuse the masks and only draw Jon transforming, and pull an extra page out of the budget.

The most embarrassing bit here is that I wrote this from my memory of Mimir's legends in the early drafts, and only remembered to actually check my notes at lettering. In fact, I'd got a couple of minor details of Mimir wrong.

(Or rather, didn't grasp the complexities of Mimir – it's very hard to get a take on Mimir, because the main myths we have of him are contradictory.)

Page 10-11

Man, I want to go to Mimir's club night.

In my original draft I wrote it as Jon cutting off Ananke's “Mimir” so that the god name wasn't revealed until the last page of this whole section. As in, it would stop people putting the book down, googling “Mimir”, realising “Heads” and then possibly seeing where we were going at the end of the issue.

I decided against it, in that's only going to be a tiny fraction of readers. If people want to break the flow of their reading to look up facts, I can't control that. Even then, I also knew it would be far from certain that just because they realised Mimir is a head, that they'd then realise others could be a head before the end of the comic.

And NOT including Mimir breaks the flow for everyone else, and is a bit cheap. Better than that.

That knife gets around.

Page 12

First panel: I never get bored of modern blur photoshop to show this kind of effect.

PoV shots are something I adore in comics. The six-panel grid gives it lots of space as well.

Honestly, that last panel with Mimir's own reflection is the creepiest thing in the world, and I love it.

Page 13

Yeah, I'm much happier with the interstitial here. Horrible.

(To state the obvious: Pinocchio reference.)

Page 14-15

I just imagine the tension in this room. Ugh.

I originally had a bunch more written for Woden here, but cut it. It was much better in the silent. He may say some of it down the line, but cutting it right to the basics – the particularly creepy basics – seemed key.

We went with a normal gun. Normal guns were at the start of the story, and have sort of disappeared. Once more we return.

Lots to unpick in all this dialogue, so won't give anything else. I'll say the whole exchange about the machine was as finely picked over to imply the meaning as much as anything else in the book – that's the thing about comics. The flowery fancy stuff? That's great and fun. But the real job is the compressing of precise exact detail, especially in a book which is nothing but precise detail.

I was chatting to Jamie about issue 34 earlier, and Jamie said how much he likes drawing Mimir's helmet. Looking at page 15 makes me see it – the second and fourth panels are just excellent in completely different ways.

Page 16-17-18

Jamie chose the steady angle, I believe, with a background drop, and Matt working the colours to show the emotions.

First panel is where the last of the fun drips out of Cassandra's expletives, and we're just left with something that's really just offensive and ugly. If there's any point where the issue reaches the black cover, it'd be this sequence.

I'm glad they've got here though.

Clearly, this is a Jamie masterclass. Pick it apart, learn. delight. Like – penultimate panel on page 16. The pause, the glance aside. Perfect. Look across page 17. There's a mixture of emotion and sheer dullness and boredom and fear, and how it all pushes and pulls again.

(“And I got it” is something else)

I believe I've said WicDiv contains a recapitulation of basically everything I've ever done as a creator. Mainly the Jamie and me stuff, but basically everything. I realised Laura's arc on Imperial Phase is me reprising what I did in Generation Hope – probably one of my least remembered things, which strikes me as fair – it only landed properly as we inched towards the end of the year. The plot was basically “Is Hope Good Or Bad?” when the answer was “Her Dad died a few days before the issue started. She's fucked up.” Only in mainstream death-happy superhero comics would that work as a twist. This was a bit like that – we distance the reader from Persephone and just show the actions and see what you make of it.

“Try to be kind. You have no idea what people are going through.”

That was the stuff I'd had planned from the start, but it only got more specific as I got nearer it and WicDiv became what it was. I've talked about having mixed feelings about WicDiv's success. Laura's arc is it writ large. I hate that the definitive work of my career is this. If my Dad was not dead I would not have written this book. There is a guilt and anger that is hard to articulate directly there, and is the material I was mining for this.

On a boring technical level, we did a lot of work with Cass explicitly saying facts to ensure that no one in the readership thinks Laura is confessing to killing her family. In an issue as twisty as this, I suspect some people would have.

(The second panel on page 17 is another one – tall enough to have a bunch of half ideas.)

And Laura, after making a breakthrough, immediately crumbles to another mistake.

The “Laura” line is a nod to the song, and one of the lines in the original WicDiv document sheet.

Page 19

I was going to tweak Cass' line – in some myths he's a giant – but that she's musing gives her a little freedom to dance around what we know.

You know, I suspect one reason why Mimir was never brought up as an option connected to Woden is that he's one of the very few Norse myths who've never appeared in a Marvel superhero comic. Or at least I don't think he has.

Normally we'd put something as big as the head remove on a page turn, but it's a physically small beat, so not something you will automatically recognise out the corner of your eye when you're reading.

I love Cass' thinking face in the penultimate panel. Thinkythinkythinky.

Two major beats happening on this page, of course – it appears Mimir is a head (or a robot head, perhaps?) and Mimir thinks the machine does nothing.

And then we hard-cut to what we do, but it's worth dwelling on this a little. When thinking of plot structure, I talk about a few ways to disguise twists. Earlier, I mentioned a Big Twist can make people suspect the twists are over. This is something I tend to think of as a revealed move. As in, you create a machine of logic with a missing part. You add the missing part as late as possible, and then immediately move to what has been concealed before the audience is able to process the new information.

Hence two beats and a hard-cut...

Page 20-21-22-23

Anyway – this clearly had to be a page turn. To state the obvious.

Steady angle shot here, to have the awfulness of it there. I suspect if I’d had space I'd have had the last panel on page 19 be a third of a page, so the two removed heads could mirror one another.

As a minor detail, Minerva's running feet in the second panel of 20 are really good.

Minerva's gesture on page 21.2 is a joy. I know that feeling, Mini.

I really wanted Inanna to be talking from off panel on page 21, but that definitely would give the game away. The problem with distinctive fonts...

And 22 is the reveal on the heads. Probably best not to say much more about this, as I suspect any of the design elements will intersect with what happens in issue 34, so I'll talk a bit about it then.

Tara and Inanna's expressions really are wonderful.

Luci's line came surprisingly late. The “Talking Heads” interstitial came early. The only reason I wasn't going to use it here was in case I wanted to use it later. I decided I didn't.

Okay... twists.

In reality, for me, it's a case of once you've decided that this is the plot, the only way to do it is dovetail towards an issue like this. Any of these individual beats provide too much connective tissue to the other ones, meaning all must be revealed or none.

(You could argue about Minerva, I suspect. Maybe.)

It's been strange writing a book like this – when so much is there early on. Seeing who got what and who didn't, and how people reinforced people has been interesting. That the core WicDiv tumblr community has never really suspected Minerva was off is in some way a surprise – though I've had people talk about that directly and personally. Blake/Jon and Minerva-is-Off-In-Some-Way were the two twists I would guard, but their primary importance was in how they led to the Heads.

When Ray Fawkes told me “There's a reason you're doing all the decapitations, right?” circa issue 2, I suspected that I'd overplayed the hand by having a literal talking head in issue 3... but it turned out fine.

“Played the hand” is interesting phrasing, and telling. Writing something as intricate as this is like doing a slow-motion card trick, in public, constantly. It is a form of constant stress. I have been paranoid of fucking it up in stupid ways, and it's impacted every single conversation I've ever had about WicDiv. Like just writing one name when I mean another or something. There was a hilarious panic when I added ‘Killer Queen’ to the playlist, just thinking of it as a quite funny Ananke song... and then realised there was only one character in the cast with a connection to the band Queen, and that was Minerva. Should I take it off the playlist? No, someone may notice that, and it's against my rules anyway. I quickly added a few other things to camouflage it.

As if anyone is watching that closely, y'know?

That's an extreme example, but an entirely characteristic one. I have lost sleep over it. Even a year ago, I wished I could just get to 33 and not worry about it. When 33 dropped, it was simultaneously excellent (the response was basically what we expected) and an anticlimax (The amount of emotional and intellectual effort you put into doing this is not worth it. It could never be worth it.) I've been telling friends that I'll never write a story that operates like this again. Partially that is because I wouldn't want to repeat myself, and partially because – as I said above – I think twists are less effective in long-form serialised work in 2017, but mainly as I don't think I want to do this to myself again. I'll find some other way to torture myself.

(Spangly New Thing certainly abandons the Scorpion's-Tale narrative model in favour of an intricate character clock of woe.)

Actually, talking playlists... I have prepared something. There's a secondary WicDiv playlist which I've been using since July for songs which speak to the end of year three and the remainder of year four. I didn't want to add these songs to the main playlist in case a particularly determined WicDiv fan worked out issue 33 from them. This says a lot about the high levels of anxiety I've been running on for the last few years on this topic. It would be terrible to blow it in such a dumb way. Now, those reading in issues know secrets the trade readers don't. So it's going to be an interesting few months.

Here's the playlist. Keep it mum. I'll add it to the main list when the trade's out. Don't shoot me for the first track.

You may have seen us trying to prod people to reread WicDiv before 33. This was partially in response to a friend who read 33 before it came out who said – I paraphrase – “I wish I could tell people to reread the series now, because after they read 33, those issues are gone, forever.” She's right – it's a pure ‘everything changes’ issue, and you can't reread the comic earlier, because everything has transmuted beneath your fingers.

Which is by our design, but is still a grim thing to think about. We've destroyed all those issues on the shelves, and replaced them with a new story. On the bright side, we've given you 35 free comics. I suspect this returns to Jamie’s and my twitchiness over comic prices, and trying to make ours better value, every way we can. In this case, we want to make rereading valuable and exciting.

SIGH! This has been a journey, friends. I'm glad I no longer have to think about any of the above. There's huge stuff coming in the final year, but it's got entirely its own character and momentum. The cards we're playing with have fundamentally changed. There's so much stuff to come, but it builds from this.

Oh – I'm sort of regretting mentioning the thing about the third theme in the backmatter, as it's clearly the sort of thing that's going to drive a certain strata of reader to distraction – especially as if there's any number of other themes in the book. The one I was thinking intersects a little with pre-existing major themes, and speaks to the particular spin on them. We'll get to it eventually. Don't worry.

Anyway, to sum it all up, clearly with four talking heads, WicDiv is four times as good as Sandman. That is a FACT.

Christmas Special shortly, the trade collection in January, the 1923 Special in February and we're back with issue 34 in March, with the new arc.

Thanks for reading.

#WicDiv #The `wicked and the divine #Writer Notes

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comic-movieheroesranked · 6 years

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Cinematic Comic Characters Ranked! (Year 2011) Part III

This year I think has the most characters ranked so far, and all from movies introducing brand new characters. X-Men franchise gets a reboot with X-Men: First Class; The MCU welcomes the additions of Thor and Captain America: The First Avenger; DC Comics introduces Green Lantern, and we also get The Adventures of Tintin, Cowboys & Aliens, The Green Hornet, and Priest. Here’s #40-21!

*SPOILER ALERT FOR THE HIGHLIGHTED MOVIES ABOVE*

40. Erik Selvig (Thor)

"Anyone who's ever going to find his way in this world, has to start by admitting he doesn't know."

Erik is a wise man of science who helps Jane work on her projects. Despite not believing Thor's story one bit when the god arrives to Earth, he still helps Jane rescue him and even leaves some words of advice to Thor that helps him understand what it means to be a king. He's a good guy so it sucks to see that by the post-credits scene, when he's talking to Nick Fury, he's been possessed by Loki himself.

39. Ivan Ivanovitch Sakharine (The Adventures of Tintin)

"Nothing I do is an accident!"

A villain on a quest for revenge in his great ancestor's name. Sakharine had every move and action planned out to find the lost treasure of the unicorn but didn't quite predict Tintin's involvement. Despite all his efforts, he's unable to complete his mission and loses to Haddock just like his ancestor did.

38. Benjamin Chudnofsky (The Green Hornet)

"My gun has two barrels. That's not boring."

The big bad villain of the film, Chudnofsky is just a crime boss who is going through a mid-life crisis. Turns out that being scary means a lot more than just killing everyone who crosses you. He learned the younger generations want something a little more flashy. He tries but it's kinda like when a father tries to hang out with his teenage son at a party. It just doesn't work. However, he's still a violent being who takes out a lot of people but in all honesty, he can't be that impressive when he couldn't even kill Britt on his own. Sure, Britt had Kato, who managed to deliver the killing blow to the crime lord, but if he was as bad as wanted to be, he would've had no issues.

37. Lenore Case (The Green Hornet)

"If you even look at my ass again I'll sue you for sexual harassment."

Geez how did this girl even want to work as Britt's assistant after finding out what a complete douche he was? His attempts at flirty were so pervy you just couldn't help but feel bad for Case. Kato didn't really help either and if I were in her shoes I'd let the cops take them both down. But for some reason she helps them and decides to continue to help them keep the city safe by the end of the film.

36. Azazel (X-Men: First Class)

"Damn it."

In my opinion, Azazel is Shaw's most dangerous assassin in the Hellfire Club. Not only can he teleport but he's also a master at wielding a long blade. The combination of the two really shows when he kills most of the government agents protecting the X-Men by himself. His combat skills are so impressive that he's able to take on Beast and Havok at the same time. He apparently can't take a punch though, as it only takes one from Beast to knock him out. When everything's said and done, Azazel joins Magneto's Brotherhood.

35. Thaal Sinestro (Green Lantern)

"Are you afraid?"

With his mentor dead, Sinestro seems to be the strongest member of the Corps alive, but he's faced with a lot. Even with his skill he can't seem to defeat Parralax, who keeps destroying planets with his powers of fear. Worse, he strongly feels like Hal isn't fit to be a Lantern so in an act of desperation turns to the Guardians to find another source of power to defeat his foe. The source is fear, the opposite force of willpower, the very essence of what it means to be a Green Lantern. Despite Hal proving willpower can overcome fear, at the end of the film, Sinestro still puts on the yellow ring, becoming the first member of the Yellow Lanter Corps.

34. Black Hat (Priest)

"After all, if you're not committing sin then you're not having fun."

Black Hat used to be a priest who was taken down during an attack on a vampire hive that went wrong. Instead of killing him, the vampire queen feeds him her blood instead and turns him into the first vampire-human hybrid, containing the skills of a priest and power of a vampire. This makes him dangerous as he leads an overwhelming army of vampire to kidnap Lucy, Priest's daughter, and destroy towns full of humans. He also proved his power by killing three priests on his own as well as nearly taking out Priest towards the films climax. However, Priest had help in the form of Hicks and Priestess and was able to see Black Hat burn up in flames at the last second.

33. Laufey (Thor)

"Go now, while I still allow it."

Man was this guy a huge let down. I truly thought Laufey was going to be the big bad villain of the movie, but turns out he was just another pawn in Loki's ultimate plan to rule Asgard. King of the Frost Giants, he's definitely not to be messed with, but he puts his faith in his son and when he goes to kill Odin in his sleep, Loki betrays him and blasts him to dust.

32. Hector Hammond (Green Lantern)

"How wonderful that all it took for you to grow up was the end of the world."

I almost did want to feel bad for all the crap Hector seemed to be getting from his dad his entire life, but all of that went out the window when the first thing he does when he sees Carol is sniff her hair. The dude is weird, jealous, and entitled so of course he ends up getting possessed by Parralax and granted these psychic powers that comes with a disturbing physical appearance. He gets his revenge on his students, his dad, even Hal for a bit before the other male manages to trick him into wearing the ring. The ring doesn't recognize him and backfires on him and when Parralax shows up and sees him wearing the weapon of his sworn enemy? Yeah Hector died real quick after that.

31. Thomson and Thompson (The Adventures of Tintin)

"To be precise, you are under arrest!"

These two are pure comedy. Not only for how they exchanged words with each other, but because they were absolutely horrible at doing their jobs yet, oddly enough, seemed to be at the right place at the right time to help Tintin save the day. I mean the two were literally at the house of the kleptomaniac they were after and were arguing AGAIST him on how he wasn't their suspect. If that isn't what you call a pure comedic mess I don't know what is.

30. Britt Reid/The Green Hornet (The Green Hornet)

"Everyone knows, you corner a hornet, you get stung."

I hated Britt. He's almost exactly like Bruce Wayne when it comes to being rich, having dead parents, and then deciding to become a superhero, but his arrogance, rudeness, and in-capabilities with mental and physical prowess proved this dude could never be on Batman's level. There was just so many times that he would screw everything up that you just wanted him to fail because it was frustrating to see someone as annoying as him save the day.

29. Parralax (Green Lantern)

"Once I have devoured your world I will have all the strength I need to defeat the Corps and destroy the Guardians."

A former Guardian, Parralax wanted to use the power of fear instead of willpower, making him an easy enemy of the Green Lantern Corps. After his first defeat, he returns stronger than ever, devouring planets through their inhabitant's fear. He nearly destroys Earth as well until Hal manages to fight him off, tricking him into being pulled in into the sun and burns away. His legacy in fear lives on though, once Sinestro slips on the yellow ring that is fused with his powers.

28. Woodrow Dolarhyde (Cowboys & Aliens)

"Get off my plains!"

At first Dolarhyde seemed like a huge asshole that let his son terrorize a town just because he was rich and that he was actually going to be an obstacle Jake would have to face during his war with the aliens, but the latter never happened. Dolarhyde was quick to band together with the others, only really showing disobedience when it came to working with the Native Americans which, granted, was only because they had just taken him prisoner. He proves to be a good shot during the final fight and even saves Jake's life at the last moment inside the ship. I would have preferred Percy dying instead of Colorado and then Dolarhyde officially adopting Colorado to be his son but instead he gives Percy exactly what he wants again but at least Percy kinda stopped being a dick.

27. Alex Summers/Havok (X-Men: First Class)

"Whatever."

Havok seemed to be the member shrouded in the most mystery when he first joined the group. He was very hesitant about being around everyone and they quickly knew why, his energy blasts are out of control. After the death of his good friend Darwin, he decides to focus on his destructive blasts but still can't manage to do it. Even though he mocks Hank to no end, the brilliant scientist helps create a device that helps him control the blasts. He holds his own when the X-Men go up against the Hellfire Club and he officially stays with Xavier after Magneto kills Shaw.

26. Carol Ferris (Green Lantern)

"You don't think I would recognize you because I can't see your cheekbones?"

Carol Ferris is a strong fighter pilot, a smart businesswoman, and Hal Jordan's ex-girlfriend. While it's clear she still cares about him, she just can't take him seriously. She's even smart enough to realize the Green Lanter is Hal, but I mean she makes a good point on him not really having a big disguise. Her bravery matches her brain power too, when she saves Hal from death by blasting some missiles at Parralax and giving him the opportunity he needs to save the day.

25. Johann Schmidt/Red Skull (Captain America: The First Avenger)

"Hail, HYDRA."

This guy takes having a God complex to a whole other level. He wants the world at his feet and in order to do so he needs power. So he creates HYDRA and joins Hitler and the German Nazis to find it. He becomes the infamours Red Skull when he tries to take the super soldier serum and his body rejects it. Even though he's really intimidating at times, he never really accomplishes anything. When his plan fails and Captain America defeats him, he grabs the tesseract and it seems to kill him with it's sheer power alone.

24. Ella Swenson (Cowboys & Aliens)

"I won't be around for very long."

Yeah Ella's true identity as another alien being was definitely a plot twist I didn't see coming but after learning who she really is you really got to admire her selflessness. She literally lost her entire race of aliens like her yet still went out of her way to warn and later help the humans before they were wiped out as well. She manages to help rescue all the kidnapped humans from the alien's captivity but her real shining moment comes when she sacrifices herself to detonate a huge bomb that destroys the entire alien ship, killing every single one of them. We did see her come back to life earlier so who knows if she actually stays dead this time.

23. Moira MacTaggert (X-Men: First Class)

"You're your own team now. You're X-Men."

Moira is a great CSI agent. As soon as she discovers that the Hellfire Club is full of mutants, she goes and finds herself an expert on one. She holds no prejudice like most humans in her era which is probably why Charles starts developing feelings for her. Despite being the only human on the team, she does her best to fight Shaw and even Magneto when he proves to be a huge threat, firing several bullets at him, one of which ends up paralyzing Charles from the waist down. Afterwards, for the safety of him and his students, her memory is wiped clean for when she's interrogated by the CSI.

22. Sif, Vostagg, Hogun, Fandral (Thor)

"We must find Thor."

Sif and the Warriors Three are some of Asgard's greatest warriors and Thor's best friends. They're loyalty is shown all throughout the film when they travel with Thor to confront the Frost Giants and when they disobey Loki and travel to Earth to bring Thor back to Asgard after his banishment. They each have their own unique qualities and abilities that brings something good to the table, but it's only when they all work together that they really become a strong force of Asgardian warriors.

21. James 'Bucky' Barnes (Captain America: The First Avenger)

"This isn't a back alley, Steve. It's war!"

Steve's best friend who's looked out for him his entire life before he joins the army. He reunites with Steve after he becomes Captain America and rescues him from a HYDRA facility. Bucky really becomes that sense of home for Steve, but I couldn't help but feel a little hint of jealousy in him? I mean I think he was so used to being the better man and then all of a sudden Steve is the face of the US army. Don't get me wrong, I think he cared about Steve one hundred percent but I think it was a hurt ego that made him try to rush that giant machine with Steve's shield before he gets blasted away and falls to his apparent death.

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jacobtmcelroy-blog · 7 years

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Marvel Films Ranked (1998 to 2016)

Comic book films. In my opinion, they are their own genre now. Why is this? Well, look how many are coming out in a year nowadays. A good portion of the summer blockbuster season belongs to the superhero genre alone. Over the past twenty years, there’s been a superfluous amount of Marvel films. Many of them meh, some of them good, and others flat out atrocious. So, I have compiled a list of my personal rankings on the matter. Let’s knock this out.

Also, I will be discussing spoilers at a few points, so beware.

THE ATROCIOUS TIER

43. Man-Thing (2005)

Want to know how bad Man-Thing is? The entire test audience walked out of the theater before the film was even done playing. True story. Because of this, the film was relegated to become a Sci-fi original movie instead of being released in theaters. Yikes. At least one of the film’s stars, Rachael Taylor, would go on to do much greater things in the Jessica Jones Netflix series as Trish Walker.

42. Hulk (2003)

No, that’s not an early development picture of Shrek. Ang Lee’s Hulk has a cult following who love the psychological approach he took to the film. That is cool and their opinion. However, this film harms me psychologically. From the lack of smashing things (It’s a Hulk film!), to the ludicrous plot, to the zombie dog fights, and the part where the Hulk flew on a plane to space, 2003′s Hulk is a boring mess that is not even fun for laughs.

41. Fantastic Four (2015)

What do you get when you combine a group of young, talented actors and a somewhat promising director with a studio that is desperately trying to hold the rights to their non-X-Men Marvel properties? A really, really bad movie is what. Fan4stic, as many call it, is an unorganized train wreck from the production issues down to the person who decided to film every scene in the dark The mid-2000′s films look great compared to this mess.

40. X-Men Origins: Wolverine (2009)

This movie did not even need to be a thing honestly. We got enough backstory of Wolverine in X2, and he is the main character in the first three films. Anyways, Origins is a flat out mess. Memory wiping bullets? Special effects worse than the first X-Men? (seriously look how bad his claws look) The Merc with a mouth missing his mouth?! This is just a bad movie. No wonder there were not any other Origins films like originally planned.

39. Blade: Trinity (2014)

Before being booked into a jail cell for tax evasion, Wesley Snipes and his new allies imprison the unlucky viewers of this film into a sentence of 113 minutes of pure boredom. Blade: Trinity is dull, forgettable, and takes away most of the fun the first two films had (even with Dracula as a villain!) It is hard to believe director David S. Goyer, writer of the Dark Knight Trilogy, directed this blood-reduced suckfest.

Still Pretty Bad Tier

38. Ghost Rider: Spirit of Vengeance (2012)

Ghost Rider and the sort of sequel that nobody asked for should be the real title. While Nicolas Cage gives a better, and much loonier performance here, the storytelling and execution really came up short here. Spirit of Vengeance cannot decide what it wants to be. It goes from dark and serious, zany and erratic, to mid-2000′s Nicolas Cage mode at a dizzying and confusing rate.

37. Elektra (2005)

In all honesty, Jennifer Garner isn’t a bad Elektra. Not as good as Elodie Yung’s recent version, but Garner does the best she can with the awful script. The film takes itself WAY too seriously and does not have any sort of fun. Some of the plot twists are ludicrous too. The biggest flaw of the film though is the fact it focuses more on some random girl and her dad almost more than Elektra herself.

36. Fantastic Four: Rise of the Silver Surfer (2007)

The second modern stab at Fantastic Four was unfortunately worse than the first. While I still actually like the casting, (especially Michael Chiklis as The Thing) no one can save the film from the deranged screenwriters who turned Galactus into a giant hungry cloud. The plot and execution also leaves some to be desired. At least it is not as frustrating as the Silver Surfer NES game.

35. X-Men: The Last Stand (2006)

If we are ranking the worst adaptations of actual comic book story lines, then X3 would probably take the top prize. Brian Singer’s departure from this film for the snorefest better known as Superman Returns tanked both films at the same time. Here, Magneto flat out looked like an idiot after his infinitely stupid plan back-fired. Cyclops died after five minutes of screen time and somehow did as much as he did in the other films. Mystique lost her abilities... for some plot reason. Angel did pretty much nothing after being the focus character in the opening tease. X3 is just a massive disappointment.

Tier of Mediocrity

34. Ghost Rider (2007)

How do you make a badass anti-hero a lot less cool? Give him the most generic origin story in history. Ghost Rider is honestly not an awful film, it just feels like a tired retread of every other superhero origin story. Oh, but that is not the only problem with the film. Some of the humor is really oddly timed and does not hit a lot. The villain is mostly unmemorable. Sam Elliott is really good when he is on screen, but the most the writers let him do is ride a firey horse in a straight line.

33. Spider-man 3 (2007)

I am actually surprised I ranked this as high as I did. Spider-man 3 is one of my biggest movie disappointments in history. The plot is over-bloated with WAY too many characters (3 villains?!) and subplots, Uncle Ben’s death is downgraded to an accident, and every scene Emo, Cool Peter Parker is in makes my facepalm and cringe at the same time. Yeah, that piano/bar scene is absolutely painful. Venom is absolutely wasted too. If there are so many problems, why is this film not lower? There are good scenes hidden inside this waste dump of a film. The scene in the tower where Peter rips off the symbiote is good. Another is the scene after the Sandman gains his abilities and struggles to pick up the locket. The first fight with Sandman is pretty good too. Overall, Spidey 3 is a disappointing, bloated mess.

32. Fantastic Four (2005)

The Mediocre Four return! The first modern Fantastic Four movie is complicated by a lame plot where the heroes are trying to get rid of their powers rather than use them. Also, the mis-fired plot is not executed very well as the scenes feel like somewhat connected moments patched together into a finished project at times. Although, not all is bad here. While the scenes feel all over the place at times, some of them are pretty fun. I personally like the entire cast, particularly Chris Evans’ Human Torch and Michael Chiklis’ The Thing.

31. Thor: The Dark World (2013)

This film is so forgettable and mediocre I almost forgot it existed. Not much else to say. Time to move on.

30. Iron Man 3 (2013)

All I really need to ask here, is why whose brilliant idea was it to turn the Mandarin into... whatever on earth he is in the finished product?! Late 2000′s M. Night Shyamalan? Seriously. It is kind of like when they were adapting the Harry Potter movies, if the director decided to turn Voldemort into a comic relief villain with Wormtail as the true villain of the franchise. Ugh. Besides that major error, I guess there is some fun action scenes in the film and Robert Downey Jr. is as good as always.

29. DareDevil (2003)

DareDevil is my favorite Marvel hero, so this film may be higher than a lot of other people put it. The casting of this film is pretty good as I think Ben Afleck’s Matt Murdock actually is pretty good. His DareDevil is decent in comparison.Jennifer Garner’s Elektra lacks some of the edge of the original character,but she’s not bad either. The problems here begin with execution. The scenes, like Fantastic Four, feel patched together and do not flow well at several points making the film feel a bit all over the place. It almost feels like an entire story line is missing. Hmm.....

Hey, These Are Decent Tier

28. X-Men Apocalypse (2016)

Instead of making Magneto looking like a dumbass, 2016′s X-Men film forces that label on Professor X. However, the film’s main problem is that the whole world takeover plot is really forgettable. Mixed in with all of the mediocrity are some good performances and memorable scenes. A couple of these include another ingenious Quicksilver rescue and when Magneto destroys Auschwitz. Otherwise, this X-Men film feels like eating Days of Future Past two week old leftovers.

27. Iron Man 2 (2010)

Iron Man 2: Filler Man. Seriously, Iron Man 2 almost feels like an anime filler episode. At the end of the film, the characters and the plot do not advance at all from where they were at the beginning of the film in the Expanded Universe. Mickey Rourke’s meh Whiplash did not really help much. However, Robert Downey Jr., Gwyneth Paltrow, and newly added Don Cheadle are all really good here. Additionally, Sam Rockwell gives a really fun performance as Justin Hammer, making him one of the better pseudo-villains of the MCU.

26. The Amazing Spider-Man (2012)

First off, The Amazing Spider-man is definitely not a bad film. Actually it is a pretty decent film. The film’s downfall is it feels like a complete retread of the 2002 film, and even the most talented cast cannot save that. I actually laughed last time I heard how hard Uncle Ben tried to rephrase, “With great power comes great responsibility.”. The Lizard is a decent villain, but he’s nowhere near as good as either villain from the first two Raimi films. Basically the TASM is a lower quality version of a movie that already exists. The lone big improvement I can think of is the love story and Garfield’s Spider-man.

25. Thor (2011)

Chris Hemsworth was the perfect cast as Thor, as was Tom Hiddleston as Loki. The scenes in Thor in which the two interacted were a blast to watch. However, everything else was just decent. There were some comical scenes, such as when Thor screams “Another!” and breaks the glass on the floor, but everything else in the real world did not really leave a lasting impact on me. Not a bad film, but not near Marvel’s best effort.

24. Punisher: War Zone (2008)

Some of you reading this are probably shaking your heads in disgust or absolute confusion. How on earth did this commercial and critical failure rank this high on my list? War Zone is probably one of the most entertaining films I have ever seen in the ridiculous, over-the-top action movie genre. Ray Stevenson is a good Punisher. More importantly, Dominic West’s Jigsaw along with Doug Hutchison’s Loony Bin Jim are so over the top and cartoony that they make Colin Farrell’s Bullseye look down to earth. Everything is so overly violent, completely stupid, and laughable in this film that it entertains every time I re-watch it. That is why War Zone ranks this high.

23. The Amazing Spider-man 2 (2014)

Similarly to the last entry, some may question the higher rank of TASM 2 and the fact it is higher ranked than its generally better received predecessor. TASM 2 definitely has a web of problems, but not all is bad. The chemistry of Garfield’s Peter Parker and Emma Stone’s Gwen Stacy is really, really believable and well done. While many others did not, I actually liked Dane Dehaan’s Harry Osbourne due to his different approach to the character. Despite these positives, tone uneveness (Jamie Foxx’s Electro for instance) and a general lack of direction at times really brings TASM down from the better film it could have been.

22. Doctor Strange (2016)

Doctor Strange is really uniquet. As one may expect of an actor of his caliber, Bennedict Cumberbatch is a really nice fit as the title character. Also, the soundtrack kicks some major ass. However, the villains of the film are really mediocre and some of the most forgettable in the MCU, which is saying a lot. A good film, but just midpack in a solid library.

21. Blade (1998)

The first of the modern Marvel films still holds up pretty well today. Well, for the most part. As I have stated before in another list, Blade’s opening scene is one of my personable favorites to any film. It is scary, gross, and sets the perfect tone for the rest of the film. Wesley Snipes was a perfect casting choice as Blade, and the rest of the casting was pretty solid as well. However, a mediocre ending, some laughably bad dialogue, and some silly concepts (vampires wearing sunscreen?!) hold Blade back form being as good as its sequel.

We’re Starting to Get Pretty Good Films Tier

20. The Punisher (2004)

I feel as if Thomas Jane’s Punisher movie is one of the more underrated gems in Marvel’s cinematic history. Jane had a really nice performance as the title hero as he captures both the vengeful vigilante and tragic hero complex of the comic book character. Many of the action scenes are tight, and the film contains several memorable scenes. (The ripping out piercings scene, for one) However, I feel like the film is almost holding back and playing it safe at points. Solid film, but definitely could have been one step greater.

19. The Avengers: Age of Ultron (2015)

Age of Ultron is a film that almost lands with a thud, sort of like the city that fell from the sky. The Avengers sequel is a good film, but feels underwhelming. The great James Spader is never given enough to do as Ultron, the plot is almost too over the top, and it feels underwhelming compared to Cap 2, which came out a year prior. However, the cast chemistry makes the film fun to watch as you can see they are having a great time making it. All of the action scenes are well done as well. Also, giving Hawkeye a personality was nice touch.

18. Blade 2 (2002)

Blade’s second adventure on the big screen took the impressive fight scenes from the first film and gave it a better story to go along with it. Adding Guilermo Del Toro to the mix helped out the cause too. While the film is far from perfect due to some questionable plot twists, Blade 2 is an enjoyable in a unique way.

17. The Wolverine (2013)

The Wolverine’s story is pretty forgettable, but wow does it have some of the best action set pieces of the X-Men franchise. The setting is super cool, maybe it is because of my Japanese culture bias, but I love the atmosphere and locations in this one. Not much else to say. An entertaining watch even if other X-Men films are better than it. It is a Hell of a lot better than Origins at least. *shudders*

16. The Incredible Hulk (2008)

Wow, 2008 was a fantastic year for superhero movies. DC released The Dark Knight and Marvel had Iron Man. The Incredible Hulk got lost in the mix a bit, but the reboot of Bruce Banner’s rage monster was another thoroughly entertaining superhero film. The movie gets a little generic near the end with its giant monster CGI fight, but 2008′s Hulk is a pretty nice picture. This Hulk ALMOST makes me forget about Ang Lee’s atrocity.

15. X2: X-Men United (2003)

To many fans of the superhero genre, X2′s placement on this list may seem pretty low. Honestly, I have always felt that X2 was a bit overrated. However, that does not mean that X2 is not a great film. The story-telling is mostly tight, the characters’ motivations are realistic for the most part, and it utilizes flashbacks well. (a rare occasion) One of my grievances from the first film still remains in the sequel: Cyclops does absolutely nothing. Oh well, he gets killed in five minutes in the X3 anyway.

Exceptional Film-making Tier

14. DareDevil: Director’s Cut (2004)

Okay, now this could be borderline cheating. However, the director’s cut version of DareDevil is so much better than the theatrical cut that I had to put it on this list. The box for the Director’s Cut says the version adds a “Devilish new subplot”. I think it should just say it adds a plotline that connects everything and makes the film make a lot more sense. Matt doesn’t stay on the rooftop with Elektra, The Kingpin murders an employee of his to show how scary he can be, and the court plot receives nice depth. Coolio is actually pretty good in his role in this cut as well. This version still does not fix the asinine decision of not killing The Kingpin or erase the odd playground fight scene, but give this one a watch if you have not seen it.

13. X-Men: First Class (2011)

First Class stopped the bleeding from the last two awful X-Men films. Most importantly, it brought us Michael Fassbender’s fantastic version of Magneto. (James McAvoy’s solid Prof. X as well) The scene where Magneto forces the coin through his mother’s killer’s head is one of the best in the X-Men franchise, at least in my opinion. While First Class is a solid film, it still feels like a prologue for something to come. Also, it was “outclassed” by its sequel...

12. Ant-man (2015)

This high of a position may surprise people for Ant-man, but Ant-man is just too fun not to enjoy. Paul Rudd was a perfect cast for the title hero possessing the necessary humor and right amount of emotion to carry the role. The rest of the supporting cast of heroes is also really well cast anchored by a sterling performance by Michael Douglas. However, much like many other MCU films, the villain is just pretty meh. Just an evil bald guy with a similar suit to Ant-man.... sound similar to Iron Man at all?

11. Captain America: The First Avenger (2011)

If one stops and thinks about it, Cap: The First Avengers plot is pretty average and extremely safe plotwise, but the Captain’s likability factor is so high that it carries the movie’s plot through a lot of its,,, shortfalls in originality. The First Avenger takes an old-fashioned film and gives it the perfect pinch of new age style to make it about a perfect blend. Evans’ Steve Rodgers and Hayley Atwell’s Peggy Carter also have top tier on screen chemistry, which makes the main couple of characters even more likable.

10. X-Men (2000)

With help from 2002′s Spider-man, X-Men was the major catalyst that kicked off the modern superhero era of film. Guess what? X-Men stands up pretty well today. There is good action, fun characterization, and a couple decent twists. Guess what else though? Cyclops does not do anything here either besides be an asshole to Logan. The directors really neglected his character for some reason.

CLASSSICS Tier

9. X-Men: Days of Future Past (2014)

After First Class dragged the X-Men films out of the pits of Hell, Days of Future Past took the franchise even deeper into its past’s glory. Get it? Past? Anyways, much of the stellar cast from the prior film return along with the best members of the original trilogy films.The end result is a film that combined the best of both time periods. Oh, and Quicksilver’s few minutes of screen time were amazing. Not much to knock here.

8. The Avengers (2012)

Thought this would be number one didn’t you? Well, some annoying plot holes and hype caused it to fall a little bit here. Those problems withstanding, The Avengers is terrific film that most comic book enthusiasts hoped for since childhood. All of the heroes finally group up and take on one of the worst baddies of all. In this case, it was Loki, by far the MCU’s best villain. Containing excellent scenes, such as the Hulk tossing Loki around in the room , and clever dialogue, The Avengers is just a pure fun film.

7. Spider-man (2002)

For a long time, this was my favorite film. Period. Nowadays, I still really love the film that kicked off my love for Marvel superheroes. Sam Raimi seems like an odd fit based on his past work looking back now, but it ended up being a solid match. To this day, Spidey is one of the better superhero origins story due to its mix of heart, humor, and fun. The Green Goblin is still one of the better Marvel movie villains. (even though I still do not understand why exactly Gobby hates Spidey so much after the halfway point of the film after accomplishing his original goal...). Even without the webshooters, Spider-man is a top tier Marvel film to this day.

6. Captain America: Civil War (2016)

After massive lead up and hype of one Marvel’s most famous story lines, Civil War delivered on most fronts. The main flaw was the plot relies on conveniences. While the villain’s plan is cool and different, it would NEVER have worked in retrospect. Besides over-critiquing, Civil War was pretty much all I wanted it to be: a battle royale between two balanced teams. (although Iron Man definitely had a strength advantage...) The airport scene, the Black Panther street chase, and the final fight are all some of the best in the MCU. Good job not letting us down here Marvel.

5. Guardians of Galaxy (2014)

The men and women behind the scenes at the MCU are geniuses. They took an almost unknown property and made it into a cultural phenomenon. GoG was a huge sleeper hit for Marvel and myself, admittedly. I did not really think much of it during the trailer phase, but after seeing the finished product, I was beyond pleased. Guardians of the Galaxy is high octane from beginning to end and is a blast to watch. I am eagerly awaiting to see the continuing adventures of Star Lord and crew this next week.

4. Deadpool (2016)

I dreaded a Deadpool movie being made. I read and read the comics during my high school years and fell in love with the character. After seeing the Ryan Reynold Origins version of the character, I was furious. Why would you sew his mouth shut?! Anyways, I was luckily wrong in my doomsday theories for a Deadpool film. In fact, it is exactly the type of Deadpool film I wanted. It had hilarious jokes and scenes, fourth wall-breaking, ultra-violence, and Ryan Reynolds’ absolutely nailed the character. Not much more I can say that has not been said.

3. Iron Man (2008)

I feel sorry for this film. It was completely overshadowed by The Dark Knight that came out a month later. What a lot of people forgot was that Iron Man was a fantastic film that broke the chain of mediocrity from Marvel the past few years before. Robert Downey Jr. revived his career even further by playing a character he was born to play. However, I believe the best part of the film was the way it combined realism of the current conflicts in the Middle East to the fantastical technology of Tony Stark. Obadiah Stone was a decent villain, even if he is sort of forgettable now because most MCU villains have been clones of his. Despite that, Iron Man is stellar.

2. Spider-man 2 (2004)

For a long time, up until The Dark Knight’s release to be more specific, Spider-man 2 was the best superhero film of all time. (in my opinion at least) However, one surpassed it in Marvel land a few years back. Spider-man 2 has all you want in a Spider-man movie. A terrific anti-villain, a well-written inner main character conflict where he has to choose between two paths, and a plot that makes sense almost the entire way through. The train scene and the reveal of the lair behind the mirror are still two of my favorite Marvel scenes to this date. Once again, not much more I can say. This movie still rocks.

1. Captain America: The Winter Soldier (2014)

A surprising choice to some people I bet to some people, The Winter Soldier is an almost perfect superhero film. Cap’s sequel is a fantastic film in about three genres I can think of, including spy thriller. Kind of reminds of a 60′s Bond film with A LOT better special effects. The plot of the film is modern and well thought up and avoids the common problem of being trendy with current event plot ideas. That is a bigger feat than most films of the kind can say. Besides the modern, appropriate and politically astute plot, the best parts of this film are the fight scenes. In the first Cap, he didn’t get to show off his fighting skills very much. But here, he kicks some major ass. Oh, and Black Widow does too, in what I believe to be her best movie as well. Add in Falcon for a flatout kickass trio. Overall, Cap 2 is fantastic from beginning to end and never lets up. Way to to go Marvel.

#marvel #mcu

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quicknewsdaily · 4 years

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Quick News Reviews: Marvel's Avengers Video Game

Well hey there everyone, and welcome to this “way too early” review of Marvel's Avengers, the new Avengers game that is out now. This was one I've been waiting for for a long time, and obviously with everything that's happened, it turned out to be even longer since it got delayed from its supposed Spring release. But, I have to say, it looks like the wait was worth it. Now, again, I am going to preface this by saying this is way too early; I'm only about 30-33% of the way through the main campaign, and there's just so much to do, so take it with a grain of salt. That's why I'm saying it's way too early. The spoiler free version is: go out and try it. It seems like it'll be a fun time. There's a lot of content in there, so I'm liking that so far. From here on out, I'm just going to give a spoiler warning because it's hard to give impressions without it. So, here we go! SPOILERS!!! First of all, some issues I have with it are performance related. It's much better than it was in the beta, but there are still some frame rate issues, especially as you add in more and more heroes to the mix. I guess I've noticed the frame rate does get pretty choppy when that happens, and it is distracting at times, so be on the lookout for that. I'm sure that will be something that they're looking to patch in one of these early updates, but just keep that in mind for now. The second thing is that I'm not sure about the textures of some of the character models. The good thing is pretty much all the heroes look phenomenal, and the couple of main villains also look good, but when you get to the A-Day sequence, which is basically the prologue, Thor looks a bit sketchy (although, again, better than in the beta), same for Taskmaster (but his mask still a little iffy to me, as well as the masks of his goons). I'm not sure if that's how they're supposed to be, but those look really sketchy. Like, I'm talking like PS3 graphics. I'm hoping that's another thing that they patch in one of these early updates. Story-wise I think it's an intriguing story. It already has me wondering what's going to come next. How does this all fit together? How do we get all of the heroes back, because obviously you're not going to have all this Captain America stuff but kill him off for good right away. It seems like that's pretty much a given that he's going to come back, so I'm just wondering how that comes in, why he's been gone for so long? From a behind-the-scenes perspective, I think it's sort of a bold choice to go with such a new character to be the main character, or certainly the one that we follow the most for the first hour of the game. I'm talking about Kamala Khan, who is the superhero Ms. Marvel (which, by the way, is terrible timing because we've just spent all this time learning that Kamala Harris is pronounced “Comma-La”, and now this is Kamala (“Ka-ma-la”), so really bad timing just in that aspect because that took a while to get through to some people). The voice acting seems great, the character seems like she’s got some good backstory, especially with her family, but I don't know. I hate saying it, but I don't know how I feel about the character overall, and that's just a “me thing” because she could become the breakout star of the whole thing. Just from my perspective, I was excited for the classic Avengers (Black Widow, Captain America, Iron Man, Thor, Hulk), and that's who I was hoping to play as more. However, Kamala’s powers are certainly unique; I can definitely see how they're going to Incorporate Spider-Man in it, because her swinging with the arms is very reminiscent of Spider-Man. Same thing for black widows zip-line. But again, kind of a risky move to play with that new character for so long, especially during that golden hour (the first hour where you're really trying to hook players). But, I suppose that's what you want to do if you're trying to introduce this new character. Another thing about that golden hour is it seems like there are a lot of fighting tutorials. They show you the controls, how to get combos, and the different abilities for each character, but they teach that maybe two or three times. But there's almost on the different skills you can upgrade/upgrade with your gear (like valor or proficiency or resilience). There's almost nothing about that, and I get that you can read about it if you go in deeper, but I just think that should be more out front and visible. The last thing I'll say about it storywise is that it's kind of a bold choice to go with AIM being the main villain; the main organization you have to fight against. Maybe it's just by luck and nobody else remembers this, but I was playing Iron Man 2 last year sometime (which is how I found out about this game), and in that game, you have to play against AIM. You play against all of these spider bots, those mega bots, and you even play in these remote canyons that look like the Utah landscape in this one. It just feels really similar to that and kind of like a PS3 game in that aspect. There are humans in this one, there are like human agents that you have to go against, and that does add something, but the whole thing with the robots and being in the desert feels a little too close to that PS3 Iron Man game. But, we'll have to see if that changes as the story goes on, what other characters we start bringing back into the fold. Or, we'll see just how this robot thing works out for me in the end. So, I think those are really all the specifics that I feel qualified to talk about at this point. Basically, if you like Spider-Man for the PS4, the game that came out in 2018, I think you’ll really like this game as well. The graphics do look really similar (like almost identical to that), and the controls are similar as well, so that's really nice. It is pretty fun so far, especially going back to my childhood, I kind of grew up with the Hulk, so it is just a blast playing as the Hulk and just really beating the crap out of the bad guys. I like playing as all the characters, the story is intriguing enough so far, even though it is fighting a lot of robots, there are still humans that fight and villains pulling the strings. I really do want to see the Avengers all back together, and then just fighting alongside each other, that's going to be a blast. Some of the textures are a bit iffy, the frame rates are a bit iffy, but it's so early after the release, so I really don't want to get into that too much because another one of my favorite games, Days Gone, really had a problem with frame rates in the early weeks. Eventually, through some patches, they really got that locked down, and now you wouldn't notice it unless someone pointed it out to you, so that's kind of what I think will happen here. I think it's probably just hard to integrate all of these heroes (especially since you can play as all of them) and have them on the screen at the same time, as well as making them playable by the CPU if you play alone. You still get the other heroes alongside you, so they have to code in all of that decision making and try to make them as close to a regular human playing as possible, so I imagine that's got to be tough as well. Overall, go buy this thing, or at least rent it. Give it a shot somehow because they really did put a lot of work into this, it’s great to have all of the Avengers playable, and it really made me want to go back and watch the movies again. It’s definitely worthwhile so far!

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longboxpodcast-blog · 6 years

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As Matt likes to say, we are back on our bullshit! Tyler and Matt are back to discuss the hottest new comic book releases of the week. Tyler confuses a fan favorite comic book writer with the Big Booty Daddy. Matt finally returns to Asgard for the penultimate issue of The Mighty Thor. Also, there's a Wolverhulk, and we like him.

This Week’s Show:

NEWS

- New Justice Imprint - Frank Miller exclusive with DC - Astro City TV Deal

SPOILER WARNING

BOOKS: - Aquaman #34 by Dan Abnett and Kelley Jones (18:30) - Batman #43 by Tom King and Mikel Janin (23:01) - Superman #43 by Peter Tomasi and Patrick Gleason (28:22) - Death Bed #2 by Joshua Williamson and Riley Rossmo (31:10) - Cable #155 by Zac Thompson, Lonnie Nadler, and German Peralta (33:43) - Doctor Strange Damnation #3 by Donny Cates, Nick Spencer, and Szymon Kudranski (38:21) - The Mighty Thor #705 by Jason Aaron and Russell Dauterman (42:07) - Runaways #7 by Rainbow Rowell and Kris Anka (49:12) - Thanos #17 by Donny Cates and Geoff Shaw (53:15) - Weapon H #1 by Greg Pak, Cory Smith, and Marcus To (57:13)

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englishmansdcc · 7 years

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Spidey has always been a personal favourite comics character of mine – of yours, too, I imagine, which is why we’re all so eager to see if Tom Holland and Michael Keaton can knock it out of the park as protagonist/antagonist accordingly, in the upcoming SPIDER-MAN HOMECOMING movie.

To whet our appetite for the film, Marvel in conjunction with Funko, have brought us a Spidey-themed Collector Corps box for June 2017. Filled with exclusive goodies, only available in this subscription box, there’s non-stop web-slinging fun from the top down. And good news, webheads: absolutely zero Tony Stark in this box! Phew!

Shall we dive in? Why not, eh?

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First up, out of the nicely art-adorned box and resting on the top shelf as you open it, is our now-traditional METAL ENAMEL PIN and STITCHED PATCH. It follows the theme throughout the box of baddies-vs-goodies, with the pin showing off a almost-neon stylised Spider-Man logo in blue and red, and the Vulture (played in the film by Keaton) giving it the full glare on the patch.

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Usual high quality, usual curiosity about where to put the damn things (I think the Nerd Fu have the right idea, they’re stitching the patches to a hung fabric which they’ve framed, I believe), usual mighty weight to the pin to pull and ruin any t-shirts you may place on. Stick to the fleeces or jackets with these, is my suggestion.

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Speaking of tees, the next item we reach is a PRINTED COTTON T-SHIRT, which has a logo for the Midtown High School Of Science & Technology which is shown as ‘established in 1962’, referring to Spider-Man’s first appearance in Marvel Comics. Nice touch. It’s also nicely obscure as a tee for the hardcore Spidey fan and ideal for midnight screenings when the film hits cinemas, on 5th July.

Underneath that, we have a VARIANT COVER #1 COMIC for the new PETER PARKER, THE SPECTACULAR SPIDER-MAN book, written by Chip Zdarsky, art from Adam Kubert and colours from the hardly-taking-time-off-to-breathe genius that is Jordie Bellaire. I’ve yet to read the book, myself (as my copy is currently sat waiting for collection in my LCBS) but I’ve heard very good things and I can’t wait to dive in. From this creative team, I expect nothing but excellence. Excellence, I say, excellence, damn you! No pressure…

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We then reach the lowest tier of the box, with a compartment for the POP! Funko figure on the left and two MYSTERY MINI FIGURES on the right. Let’s hit those first.

The first thing that strikes me is that, these are hardly ‘Mystery Mini’s when the characters inside are listed and detailed on the outer box – kind of ruins the surprise element. But still, it’s good to see good-vs-bad represented again with one figure being a nicely detailed sculpt of the Shocker (who I’m guessing will be a henchman for the Vulture in the movie – again, not long to go before we find out) and the other being Spider-Man in full Thwip! mode, prone and extending his web-shooters… Well, that’s not all he’s extending!!

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The bobble head on my review copy had been attached a little back-to-front, so to speak, meaning Spidey was giving a coquettish look, over his shoulder, with his bum stuck out! I’m certain this wasn’t the intention but the image of Spidey giving it ‘full twerk’ has had me giggling for the rest of the day – I’ve still got a grin on my face. I can’t WAIT to show this to t’Missus…!

Hoo-ooo! [wipes tear] Take a breath, Leonard! Tee-hee! And on to the Main Event, the final item inside.

This POP! FUNKO: SPIDER-MAN HOMECOMING – #220 SPIDER-MAN figure is beautifully rendered, showing off the Stark tech that Peter has been granted by his favourite genius, billionaire, playboy philanthropist benefactor. The eye cowls are nicely detailed, showing the shifting grooves giving Spidey the expressionism he showed in the comics, along with dimple grills in the eye-pieces themselves. Tasty.

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That, on top of a cracking sculpt of the main body, featuring translucent plastic web-underarms which we have seen in the trailers, with Spidey utilising them in gliding over the top of a helicopter. Smooth moves, dude! It’s a great figure which, while not the dynamic of poses, is still a bold and powerful addition to any Marvel POP! fans collection.

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And there you have it: another cracking subscription box from the Funko boys and girls. All the items I’ve listed here are exclusive to this box so the only way you can get your hands on them is by subscribing to the service – head to http://www.collectorcorps.com to get hold of yours today. And sign up for next months box, why don’t you? It’s themed around the First Appearance of the Avengers, with the classic line-up of The Vision, Iron Man, Thor, The Scarlet Witch and Captain America (although the insert card also shows Firebird, who didn’t make her first appearance until 1981 in THE INCREDIBLE HULK #265, and who I’m guessing is Goliath – formerly Ant-Man, who appeared in Avengers #2 in November 1963). I’m looking forward to seeing what they do with this box – any opportunity for me to get my hands on an Old School Scarlet Witch, I’m down with. I’ll review on arrival. Till next time…

Thanks to Funko for providing me with a complementary review box for this subscription issue – I appreciate the gratuity, always!

Review: @OriginalFunko / @Marvel @CollectorCorps SPIDER-MAN HOMECOMING (June 2017) **SPOILERS!!** Spidey has always been a personal favourite comics character of mine - of yours, too, I imagine, which is why we're all so eager to see if…

#Collector Corps #Funko #Marvel Comics #Pop Funko #Spider-Man #Spider-Man: Homecoming

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