#though i have reason to believe that's not true

[vigilskeep]

hello! you know a lot of dragon age lore so i thought id ask you— i saw a post earlier that was discouraging to me aa trans person where the op said that veilguard having top surgery scars in the cc goes against established worldbuilding. does it make sense for top surgery to be possible in thedas? thanks

my rule of thumb is that in a world where healing spells exist, there’s absolutely no logical, believable reason for it not to be possible. you don’t have to go back and provide sources about historical surgeries—which is something i personally know nothing about—for this to be true

like, i just can’t take this line of thought seriously. ohhh we can have floating cities and magical neon lights and spirit healers who can mend injuries just by passively standing next to you, but we draw the line as soon as it’s something that would make our trans players happy! it’s so transparent. do not listen to these people or let them discourage you

if you want to get into the worldbuilding potential of it—which is just fun to do—we can probably guess that for the top surgery scars to be as neat as they seem to look in the veilguard character creator, similar to modern ones, magical healing was involved. now i do believe that the chantry might get suspicious of body-altering magic, that magical power is hoarded by the circles in the south and the wealthy in the north, and also that “out” trans people are a minority in thedas. so i’m not saying that this is something easy for your average guy to get hold of. that’s where you can feed it into backstory. are they powerful and connected enough that they could find specialists willing to go beyond the ordinary? or do they have underground connections to hidden apostate healers, whose only priority is what helps (or perhaps just how much you’re willing to pay)? do they belong to a culture that might not be restricted by the chantry’s norms about gender or magic, like the dalish or the rivaini? or do they belong to a mage-focused community or order, who among themselves do whatever they like? endless options

some might be referring to a line in dai from krem, a trans man, where you can ask him about potentially changing his body with magic and he essentially says he wouldn’t let magic that could do that anywhere near his body, though when he was younger he might have dreamed about the possibilities. firstly, krem is absolutely not the gold standard for trans representation and nobody should care about being flexible from what bioware put out a decade ago. secondly, krem is a random mercenary who knows one (1) mage, who spends the entire time insisting she’s not a mage. i very much doubt he’s the no. 1 source for what might be magically possible in this or any regard

also ultimately, and i cannot express this enough, you can do whatever you want forever. it could be absolutely fundamentally impossible in-world somehow and it would still not be that serious to be “unrealistic” in the dragon video games. don’t let anyone discourage you from making the character you want to make. it being an option makes it canonically part of thedas, end of. they put it in the game and nobody bitching about it can take it out

[raven-at-the-writing-desk]

Hello Miss Raven!! So it’s unfortunately a pretty well known fact that the TWST English translation has a bad habit of botching important dialogue and lore, and even removing lines altogether, and I saw a reblog a day ago regarding that.

The original post was a fact sheet on Leona & how he interacts with women (alongside other stuff but that’s besides the point). And the reblog I was looking at was saying that the English translation just makes it sound like he’s a feminist, when it’s implied in the original JP game that the beastwomen tend to be more aggressive, giving Leona a reason to be afraid of them. And that reminded me that on the TWST fandom wiki under Leona’s trivia he said he’s intimidated by them, and every time I see that I remember that just can’t seem to find that detail at all anywhere in the English game.

So I wanted to ask you what did the original JP game say about how male and female beastmen interact with each other and why Leona would be cautious around them? Because this is a piece of info that I really would have liked to see in ENG, and I’m kind of annoyed I didn’t know about this before.

I believe this is the Leona lore post you’re referring to? Both TWST wikis (the fandom one and the .gg one) state the same trivia point about Leona being “intimidated” by beastwoman. I’m assuming this is where the reblogger picked up the idea of beastwomen being more “aggressive”, and this being Leona’s reasoning for being “intimidated” by them.

In a nutshell, the claims of Leona being a feminist only in EN + beastwomen aggression and Leona being intimidated by that is not true. The “Leona is a feminist” take was around long before the official English localization, and that’s because the Japanese text also has Ruggie (Leona Ceremonial Robes vignettes) and Cater (Cater’s School Uniform vignette) commenting that Leona is “nice” and “respectful” to women. To claim that they made Leona feminist in the localization is false. They never use the word “feminist” in JP or EN though; the label came from the fandom interpreting this bit of lore as Leona being more considerate of women.

As for the reasoning! Leona states in his Ceremonial Robes vignettes that “[Beastwomen are] already way stronger than us. Goin’ against them only brings more trouble.” I believe that someone probably misunderstood that second line of dialogue as Leona fearing the strength/aggression of beastwomen. He never actually indicates or implies that he feels that way. However, these vignettes being cited for the trivia on the wiki likely led to some confusion.

So if Leona isn’t afraid of beastwomen and their physical fitness, how is that second line supposed to be interpreted? Well, let’s think about his character. Leona is a smart guy. He dislikes having to put forth effort into pointless things, especially if he can plan ahead and avoid it. As I tend to say whenever I talk about his Big Brain Cells, Leona likes to work smarter, not harder. Again, look at this line:

“Goin’ against them only brings more trouble.”

It’s likely Leona just wanting to appease his sister-in-law to avoid having to deal with the fallout of not fulfilling her request. It would otherwise be a pain to deal with—and we’ve seen Leona act in various ways to avoid such pains. For example, he goes to Playful Land with Jack to make sure his dorm member comes back alright (or else Leona is responsible for the consequences), purposefully not choosing a vice dorm leader so he doesn’t have someone to challenge his authority, and generally has convenient excuses prepared to get out of things he doesn’t want to do.

If we want to think of it from another angle, this better fits what we already know of Leona’s cunning. He knows when to call it quits and make a strategic surrender. The most notable example of this occurs early in book 6, when he stops fighting Styx agents and willingly gives himself up to them. He also throws in the towel in book 2 and refuses to play because he already knows that his team is destined to lose to Malleus since they didn’t succeed in eliminating him beforehand. In the situation with Leona’s sister-in-law asking for a picture of him in his robes, Leona is acquiescing because that’s just the smart thing to do. Why even argue if he knows it won’t be fruitful? It’s wasted effort.

I would like to add that physical strength isn’t even the only factor here. Ruggie points out in one of his Chats that “Girls have both the grit and the camaraderie to triumph when the goin’ gets tough.” Grit refers to courage or resolve. The latter, resolve, lends credence to the idea that beastwomen are also determined or strong-willed. In which case… yeah, I don’t think they’d back down from an argument/verbal fight or a physical one.

If we circle back to the previous paragraph, it supports the interpretation that Leona giving in to what his sister-in-law wants is the result of him wanting to avoid a pointless and prolonged fight if he refuses. Cuz like… why waste that time and energy to come out of it with nothing, right?

If it was true that Leona listens to what women day only because he’s actually scared of beastwomen, then that doesn’t explain his interactions with non-beastwomen. Why would he agree to attend a party for an enchanted portrait (Rosaria), which has no means of harming him? He agreed to the proposition as soon as he heard Rosaria is a lady; there didn’t need to be a threat or significant verbal pushback for him to go. As Leona states in Cater’s School Uniform vignette, “Portrait or not, I respect ladies and Rosaria is a lady.” (I think the reblogger may have been confused and was actually referring to THIS line being made “more feminist” in EN. In JP, Leona says something closer to, “Even if it’s a portrait, a woman is a woman.” JP does not have the “I respect ladies” portion.)

Sooo, in conclusion… Leona agreeing to do as his sister-in-law says does not necessarily mean he is intimidated by beastwomen; as I’ve explained, there is an alternate explanation with evidence in canon: he wants to avoid pointless hassle.

I hope this helps to clear things up ^^ I know the localization isn’t exactly perfect, but let’s take care to not assume changes or mistranslations!

[altair214]

I think Hob Gadling's absolute favorite and least favorite thing about the modern world is that he doesn't even have to worry about keeping his immortality secret from most people. Simply because even if he did tell them, they probably just wouldn't believe him unless they saw him survive a fatal wound right before their eyes, even then they probably would just assume that the wound was never actually fatal in the first place. Or they'd just assume they were hallucinating. Simply because of Occam's Razor, the simplest explanation is most likely true, so never in a million years would people think that anything suspicious was because he was actually immortal, they'd just come up with a million other reasons for why he survived a fatal wound.

On one hand this makes hiding his immortality around people from day to day extremely easy, but on the other hand, it's very lonely to tell someone a fact about yourself over and over again and never be believed.

The only things Hob really has to worry about is his social media presence, government documents, and hospital visits. Though I think most hospital visits would end just fine for Hob as even doctors would probably still talk themselves out of whatever they just saw happen. But he'd still have to be careful because if he were to survive a fatal wound in front of the wrong doctor, it would be all too easy for the government to lock him up to experiment on (and then Dream would have to go rescue him)

[wilcze-kudly]

Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as she is. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

[crescenthistory]

you are my favourite silence

Pairing: Paul Atreides x Reader

Summary: Jessica's lecture and the eventual nightmare-catalysed-reunion, from Paul's tortured, yearning perspective. Based on "in the silence, there is an us".

Words: 3.6k

Warnings: not proofread, angst, hurt/comfort, references to nightmares, intense yearning, descriptions of anxiety and panic, feeling like the world is demanding too much of you, being super in love but not able to say it out loud, cuddling, lady jessica being a c*ckblock/heartbreaker

***

In the face of change, of being pushed into the final phase of growing up, Paul wanted to cling to you like a lifeline. To the gentle rhythm that once existed between him and you, the one he felt becoming more and more unbalanced as the world around dumped expectations on you both. He almost had not noticed it happening at first. You had grown up beside him, a constant presence, and yet now, each time he glanced your way, he was increasingly aware of what could be taken from him. He was only just beginning to grasp how much he cared for you, and the idea that you might feel like you did not belong here, or worse, being shown you do not, made something twist deep inside him.

Sitting beside you in the library, Paul could hear his mother’s words – sharp and pointed, even as he believed they were meant to guide. His whole body felt tense, not because of Jessica’s talk of duty, or the future he would soon shoulder, but because of you. Because he knew what her gaze did to you, how it picked at the part of you that never felt enough. When Jessica moved on to discuss personal relationships, the weight of her underlying meaning came pressing down, and Paul could barely keep his attention on her. His eyes flicked toward you, searching for any sign that her words were cutting too deep. Even when scolded himself, all he could think about is how it would affect you.

He hated this. Hated the way his mother’s eyes would linger on you, as though you were being measured and found wanting. It wasn’t true, but he knew you felt it. He could see it in the way you lowered your head, trying to hide from the sharpness of her tone. His jaw clenched. You were not some distraction, you were his best friend, and that should count for something. You were the reason he could breathe when it all felt either too small or too big.

When the speech was finally over and Jessica left them alone, Paul let out a breath, half-realising he did not listen to a word she said towards the end. The silence between the two of you felt heavy, thicker than it should have been. You should have been able to laugh it off together, snicker at his mother’s dramatics, but he knew you would not do that anymore. He risked a glance at you. His heart sinking at the way you avoided looking back. 

“She didn’t mean it like that,” he said, voice low, unsure how else to cut through the tension. When you didn’t respond, he moved closer, needing to bridge the growing distance. “She’s just worried. That’s all. My mother –”

“Your mother is always worried,” you cut in sharply, and Paul flinched. The tone in your voice was one you rarely ever used on him, only in your worst moments. He knew what it meant. You were pulling away, not just from the conversation, but from him. He could feel it. He wanted to stop it, wanted to reach out and pull you back to where you belonged, beside him. “Maybe she has a point. I’ve been distracting you. I shouldn’t... I shouldn’t keep coming to you.”

No.

Paul’s chest tightened as you began to move, began to slip from his grasp. Before he could even think, his hands moved on their own, gently but firmly gripping yours, desperate to ground you. “No,” he said aloud, his voice more forceful than he intended. “You haven’t been distracting me. You’ve... you’ve been keeping me sane. It’s not the same thing.”

He didn’t have the words. Not really. Not for what he was trying to say. All he needed was for you to understand, to know how important you were to him, but no words were worthy in the moment. His mother could never see it the way he did, she was too caught up in her visions for his future to realise when the only future he cared about was right in front of his nose. She didn’t understand how all the qualities that could make him a good duke were the ones you brought out of him.

He could see your brows twitch in the way they do when you are holding back tears. “But your mother thinks –”

“I don’t care what my mother thinks.”

The words tumbled out before he could stop them, and for a brief moment, Paul felt a surge of panic. He blinked, startled by his own admission that he had not realised rang so true for him, but he didn’t let go of your hands. His grip tightened slightly, and he looked at you, willing you to understand all he could not say. “I don’t care what she thinks about the time we spend together,” he continued, trying to keep his voice level. “She doesn’t understand. She doesn’t know what it’s like to feel like you’re drowning, like the world’s pressing in from every side, and you’re just. Alone.”

She doesn’t know you’re the lifeboat. 

“Whenever I’m with you, it’s the only time I don’t feel that way,” he confessed, his voice raw. He was laying it all out, unsure if he was saying the right things or making things worse, but he couldn’t stop himself. It felt like he was pleading a case. “You’re not a distraction. You’re the only thing that keeps me steady.”

He saw the way your eyes briefly squeezed shut, the blush still remaining in your cheeks, the slightly quivering curve of your mouth, all that internal struggle on your beautiful face. It tore him apart. You wanted to argue, he could see that, but something held you back. Paul wasn’t sure if that was better or worse. He felt you giving up instead of giving in, as you softly said, “We just need to be more careful.”

Careful. That word grated against his every instinct. Paul didn’t want careful. He wanted you, the way you had always been – close, inseparable. 

But then you said, “We can’t keep hiding away in each other’s rooms. We can’t... we can’t keep acting like kids.”

Paul’s heart sank, his body sagging slightly as he was giving up, too. Not on you, on himself, on his situation. He rubbed at his face, trying to shake the helplessness threatening to take over. You were right, but it felt painfully wrong.

“But we’re not acting like kids,” he muttered, trying to keep you from slipping too far away. 

“Aren’t we?” you whispered, your voice filled with something that sounded like heartbreak. “We’re literally sneaking into each other’s beds in the middle of the night, Paul. We’re still pretending like nothing’s changed.”

Paul didn’t have a response. Not immediately, too caught up with the ache in his chest as his disturbance turned existential. Why must sharing a close connection with someone, being tethered by someone, be a thing of only childhood? He felt he needed it more and more the older he got. Yet, he knew better than anyone all he had to do and all he had to be, and that it was time to step up to the challenge. But that didn’t mean he wanted to lose this, lose you, at least this part of you it felt he had always possessed. The idea that things had to change, that you couldn’t be the way you had always been – it was unbearable.

“Nothing has changed though,” he finally said, aiming for conviction. “Not between us.”

Deep down, Paul knew you were right. Everything had changed, just not in the way you were currently discussing, and he didn’t know what to do with it. He was not ready to face it. 

When you stood up to leave, the panic flared again in his chest. He wanted to reach for you, to stop you, to pull you back down beside him. Show you why you had to stay. He did anything but, he could only watch as you walked away, leaving him behind with the oppressive atmosphere of the library. His finger tips lingered on your seat as he clung to your promise: I will see you tomorrow. Even that small promise felt like a lifeline made of plastic.

Paul stared at the spot where you left, the weight of the future settling heavily on his shoulders. 

The following weeks, Paul did everything in his power to bury the gnawing unease that twisted inside him. He cherry-picked from his continuing lectures from his mother, trying to keep only the positives and leave out all the doom everyone seemed to hand him these days. The tension that hung between you only worsened in the silence of the castle’s long nights. You had always shared a restlessness after dark, a sort of curse that made sleep seem impossible unless you were together. But after his mother’s warnings about appearances and responsibilities, Paul felt obligated to put distance between you, to keep his emotions in check. At least for as long as you claimed that was what you wanted, too.

God, he hated it.

At first, he tried to do everything right, tried to focus more on his studies, his duties, his pretenses. He could not afford to slip up, not when he was being watched so closely, not when he was meant to prove himself a future Duke. But the more he tried to be the person he was expected to be, the more he felt himself, Paul, not the future duke of House Atreides, unraveling. 

Every moment spent apart from you gnawed at him, like a thread slowly being pulled loose from the fabric of his mind. His concentration splintered; during meetings, his eyes trailed to the door, wondering if you would ever walk in, during training, his movements felt sluggish, his mind always wandering to whether you were okay, whether you missed him too.

The longer you kept your distance, the harder it became to focus on anything but you and the looming elephant that was your friendship.

He soaked up every interaction you had like a parched man trying to survive in the desert. Even something as simple as sitting beside you during meals or brushing past you in the hallways felt like a lifeline. He clung to those moments, storing them away like precious memories, replaying them in his mind when he found himself alone. He knew you still saw each other a relatively normal amount, the amount usual friends dedicate to each other – but it was far from enough.

During it all you kept up your facade too well for Paul’s state. It was like you practiced it all when you could not sleep at night, you were polite, composed, like nothing had changed between you. Paul knew you better, of course. He could see through it, see the cracks forming beneath the surface. The bags forming under your eyes, the strain on your smiles, the flickering of your gaze when met by any member of the Atreides family now. You were just as affected by this distance as he was, but you were better at hiding it from everyone but him. It only made him want to reach out more, to break through that wall, to remind you that you didn’t have to carry this alone.

Paul sat beside you at the long wooden table in the dining hall, trying to act as though nothing had changed. The usual hum of formalities and business between his tutors, his mother, and the few remaining nobles blurred into a background buzz. All of it felt irrelevant compared to the tension sitting between you and him. He tried to tell himself the change was not that large, out of all the seats in the room, you were still sat together. 

He sneaked a glance at you from the corner of his eye. You were sitting perfectly still, your posture as composed and graceful as you had been trained to be, eyes downcast as you picked at the meal in front of you. On the surface, you looked calm, indifferent even, but Paul could see it so easily. The way your fingers gripped your knife a little too tight, the way your shoulders tensed as if trying to make yourself smaller, invisible. It’s not the same.

Despite his appetite having long since vanished, Paul tried to take a bite of his food. Beside him, you sipped your water, eyes flicking up just once to meet his before darting away again. The briefest connection, but it hit him like a shockwave. He was desperate for more of you, the real you, not this version that was carefully packaged to meet the standards of the room.

A thought ran through his head and before he could compose himself, Paul’s foot nudged yours lightly under the table. A small, almost childlike gesture. His heart raced, wondering if you would acknowledge it, if you would look at him like you used to. When you glanced his way, a flicker of a smile tugged at the corner of your mouth, a sign that you were still there, but it withered away fast.

You straightened in your seat, breaking eye contact, your attention turning back to your plate. A clear signal that you couldn’t do this, not here. Not now.

Paul’s stomach twisted, and he gripped his fork tighter, his knuckles white against the silver. This wasn’t how it was supposed to be. There had been no distance between you before. You used to laugh together, share inside jokes over dinners like this. You used to sneak glances that said everything without needing words. Now, there was just this unbearable restraint. The longer it stretched on, the more suffocating it became.

He wanted so desperately to just be your best friend again, like when you were younger, when things were simple. When sharing a bed was not plagued by conventions or the expectations of his mother. Back then, it had been about adventure and laughter. Now it was about survival for poor Paul, it was all he needed to secure him. He wanted you to know how much he cared, how much he needed you. 

He remained silent.

When night fell, it became unbearable. Alone in his room, Paul felt the weight of everything pressing down on him—the responsibilities, the expectations, the growing distance between the two of you. Sleep evaded him. Each night felt longer than the last, and the silence of the castle, once comforting, now felt suffocating. 

He thought of you constantly. 

He wondered if you were having nightmares, the way you always did when there were no storms to distract you. You never reacted well to the stillness of nights like this, and Paul knew it. He knew you too well. 

Should I go to her? 

The thought flickered in his mind more than once, the worry gnawing at him more than usual, but something held him back. His mother’s words still lingered in the air between you, but more importantly your words. You asked for space, even if the reasons felt as tragic to him as they did. He could not risk making things worse, could not risk losing you completely by overstepping. Nevertheless, the longer he lay there, staring up at the ceiling, the more unbearable the thought of doing nothing became.

The hours drifted on, whisking away into the night air streaming in through his cracked open window. He had zeroed in on the sound in hopes it could form a lullaby, but to no avail. In the silence of his room, he heard footsteps in the hallway.

Before he could finish thinking, he was up and out of bed, hand on the door. He was fully expecting to open the door and be met with a wall of nothingness, forced to face how truly delerious he was becoming, but the possibility of any other outcome made him throw the door open without hesitation. 

His pounding heart all but lit up as he saw you standing in the doorway, almost hidden in the darkness. Surprise was etched onto your features and your hand was half-raised, presumably to knock on the door. A relieved smile made it onto your lips, and Paul briefly wondered whether you were aware, or if it was instinct. He breathed your name as a silent thank you to whatever forces brought you back to his doorstep.

In the half-shadows, you looked haunted, and he immediately stepped to the side to make room for you to step back into his world. He had been waiting for you. Hoping, somehow, that you would come to him, that you still needed him the way he needed you. 

You slipped inside quietly, and Paul closed the door behind you, sealing the two of you away from everything – his mother, the expectations, the fear that had been building between you for weeks. His chest tightened as he watched you, taking in the way your shoulders tensed, the way your eyes flicked to his like you weren’t sure if you should be here.

Paul had never been more certain of anything. He needed you here. 

As if your muscle memory controlled your actions, you moved toward the bed, and Paul followed hot on your heels, not willing to let you get too far away from him. There were no words, but there didn’t need to be. You both knew what this was. 

As he watched you climb into his bed, Paul felt something settle in his chest, something that had been fraying ever since the distance had started growing between you. He slid in beside you, immediately wrapping his arm as tightly around your waist as viable and pulling you close.

The quiet of his room that had just felt so suffocating now felt like a refuge. You were his anchor, his constant. For the first time in what felt like forever, the world outside didn’t feel so heavy. 

He heard your breathing slow as you nestled against him, your head resting on his chest. Without any real thought behind the action, he buried his nose in your hair and breathed you in, feeling every part of his body that was touching yours. He could feel the tremors in your body start to fade, and with them, the knot of worry that had been coiling tighter and tighter inside him began to loosen.

“Are you okay?” Paul whispered, his voice soft, almost afraid of shattering the moment.

You nodded against him, but Paul could feel the weakness in the movement, could feel the words you did not say. In response he held you tighter, his thumb tracing slow, gentle circles on your arm, offering comfort in the only way he knew how.

“I’m glad you came,” he murmured, his voice so quiet it almost didn’t reach his own ears. He had not realized how much he needed to say it until the words were out. “I wanted to come to you, but—” He trailed off, guilt wracking his mind while trying to somehow silence yours. His hand began to trace up and down your bare arm, needing to feel the warmth of your skin to remind himself that you were real, that this moment was real.

“I know,” you whispered, your voice hoarse with emotion. “I wanted to come sooner.”

Paul didn’t say anything, but his heart ached at the truth in your words. You had wanted to come sooner, but something had kept you back. The same thing that had kept him pacing his room, wondering if he should break the unspoken rules and go to you. Although he had always known, being told that the distance was killing you too felt oddly good.

For a long time, neither of you spoke. The silence between you now felt different, like the quiet after a storm, when the air is charged but peaceful. Paul’s hand drifted up to gently stroke your hair, the motion instinctual, as his other hand held your waist. It was one of the most intimate embraces you had had, and it felt so right, to the point where he did not even question it. He wanted to offer you more than comfort, more than just a place to escape your nightmares. He wanted to give you the world, guaranteed safety. Not just a reprieve or a shelter, but a true home, a good life. But the words weren’t there yet. He didn’t know how to say the way he cared for you, that it was more than just… caring. That you were the only person who had ever made him feel like everything might be okay.

Instead, he whispered, “I’ll always be here. I swear it.” It was close enough for now.

You looked up at him, your eyes meeting his in the dim candlelight, burning low. For a moment, Paul’s breath caught in his throat. He saw everything in that look – your fear, your doubt, your hope. Your care. He craved to kiss you, to close the distance that still felt like it hung between you. Instead, he pressed his lips to the top of your head, a tender, quiet gesture that said everything he couldn’t yet.

Neither of you spoke after that. You simply held each other, the world outside disappearing as you both drifted into a peaceful sleep. Paul finally felt safe.

[dark-frosted-heart]

Choose Your True Love - Keith Howell (part 1/4)

This is the from the 4th anniversary event

As usual, can’t guarantee 100% accuracy on this. 

The twittering of birds stirred me from my slumber.

(Mmm…I ended up falling asleep)

(Huh, but I was waiting for Keith in his room, so how did I wind up in his secret room…)

When I sat up and rubbed my sleepy eyes, I felt something hit my hand.

It was Prince Keith’s diary, with its neat script unfinished.

(It’s an old diary. Was I reading this before I fell asleep…)

I stared up as I tried to remember—the sight that greeted me had me jump to my feet.

(No way…Half of Prince Keith’s diaries are missing…What in the…)

The shelves looked so empty, but I couldn’t find the missing diaries anywhere.

While I tried to wrap my head around what happened, I heard the door open.

Alter!Keith: …

Emma: Prince Keith! The diaries—

Alter!Keith: …

(Huh…?)

I suddenly felt a painful tug on my arm and found myself pinned against a bookshelf.

He held my wrists above my head and glared down at me with cold eyes. 

It’s the first time anyone's been this hostile toward me.

Alter!Keith: Who’re you? Why’re you here?

Emma: Huh, who…I’m Emma.

Alter!Keith: Emma? Sorry, but I don’t remember anyone with that name.

(It doesn’t sound like he’s joking. Does he really not know me…?)

(...Calm down. Panicking won’t change things)

I was trembling in confusion and fear, but I took some breaths to calm myself down.

~~ Flashback ~~

(It’s an old diary. Was I reading this before I fell asleep…)

(No way…Half of Prince Keith’s diaries are missing…What in the…)

~~ Flashback end ~~

(If the diaries never existed in the first place rather than just suddenly disappearing front he bookshelves…then Prince Keith’s reaction is “justifiable”)

(Am I…in the past?)

Emma: …

A large hand touched my neck and a chill went down my spine at the feeling of my life being in his hands.

Alter!Keith: You thinking about something? You’re underestimating me just ‘cause you’re dealing with a failure. Some damn noble told me I shouldn’t be nice to trespassers just ‘cause they’re female.

The grip around my neck tightened slightly.

(I don’t know if he’ll believe me. But at this rate, he won’t be just threatening me)

The wicked Prince Keith in front of me was way more like a beast than the one I knew.

Emma: …I have no idea why I’m here.

But one thing I know is that I’m not from this time, rather, I’m from the future.

Alter!Keith: Haha, your skills at deception suck so bad that it almost sounds true. You got proof?

Emma: …I know who “you” are. You’re a Prince Keith with an alternate personality…I know why you were born.

Alter!Keith: …

Emma: Please, believe me.

His golden eyes wavered, as if doubting reality.

As he opened his mouth to speak, a knock sounded on the door in the other room.

Liam: ……Excuse me?

It was Liam, Prince Keith’s butler.

He stared at me in surprise and raised a brow.

Liam: Prince Keith…What is the meaning of this?

This pressure he’s exuding…He must think that wicked Prince Keith snuck a woman in.

Prince Keith gave an irritatingly wicked smile.

Alter!Keith: Found her in the study. Our guest says she’s from the future.

Liam: ……Huh?

(He furrowed his brows…That’s a valid reaction)

(But even I’m surprised)

Emma: You believe me, Prince Keith?

Alter!Keith: It’s not that. But “my” existence is also improbable. So someone coming from the future isn’t impossible either. You said your name’s Emma? Tell me the reason why I was born.

Emma: Well…

(Though it’s something that happened to the nice Prince Keith, it’s still a painful past for the wicked Prince Keith)

I stuttered as I recalled the pained look on Prince Keith’s face when he told me.

Alter!Keith: …You actually know. Liam, you believe it a little more now, don’t you?

Emma: Did you just ask him to verify?

Alter!Keith: I said I didn’t believe you. 

Liam: The reason is as absurd as ever. …However, I don’t believe you’re lying. Besides, you’re the first to not freak out about Prince Keith acting differently from usual. But even I…didn’t believe you in the beginning.

(Liam and Prince Keith have known each other since they were children)

(Maybe it took him a moment to come to terms with reality because he was too confused)

Those furrowed brows and look of regret broke my heart.

Alter!Keith: We can throw her into a cell and torture her if she acts suspicious. You don’t look like you’re good at running away.

Emma: I won’t. Rather, I won’t leave your side no matter what. Because I personally don’t want to.

Alter!Keith: Oh? You care a lot about this failure. A guy without any merit.

Emma: What, yes he does. He has a lot.

Alter!Keith: Fine, he has a lot. Pardon me.

(...He just brushed me off)

(At least I can stick around as long as I don’t act suspicious…That’s a relief)

Suddenly, what happened in the study came to mind.

(Now that I think about it, I wonder what Prince Keith was going to say)

Alter!Keith: …So, did you bring it Liam?

Liam: Yes. Please be careful with it.

Alter!Keith: It’d be better to spread them out. That way, they can wreck each other and resolve this immediately.

He snickered, took the documents, and looked over them.

He was smiling, but his eyes were surprisingly cold.

Alter!Keith: Reliable as ever. Good boy. For now, I’ll go pay the guys here a visit. Prepare a carriage.

Liam: On it.

After bowing, Liam left the room.

My eyes drifted to the documents and some of the names on it caught my attention.

(If I recall correctly, they’re all nobles that support the king’s brother)

I remember coming across them while I was reading books to prepare myself for my official duties.

Emma: Um, what exactly are these documents?

Alter!Keith: …Wanna come along?

[yanderes-galore]

Yandere Husk please

The request for a Sinner darling was pretty much the plot I had for his concept... so I hope it's okay I combined the two :(? It would make more sense than me repeating myself.

@okchijt helped me out with this to make sure I got the character right and filled this with good ideas ^^

Yandere! Husker Concept

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective/Possessive behavior, Stalking, Drinking, Trauma, Emotional Manipulation, Clingy behavior, Murder briefly mentioned, Blood mention, Biting mention but not done, Scenting, Dubious relationship.

For how moody Husk is most of the time, I imagine he'd care for his obsession very much.

It's said he lost the ability to love long ago... which he no doubt believes to be true for a long time.

Even when his obsession begins Husk would still be in denial of the idea.

There's no way he's feeling love towards another sinner here.

Yet here he is, worrying for you more than any other.

His obsession would be the most likely to occur with someone who's in the hotel.

So another sinner employed to help out the hotel or looking for redemption.

For the most part, Husk tends to stay out of the way and observe.

Most of his behavior is obviously cat-like.

Which means he'd keep his distance and watch you... just to see how you behave and what you're planning.

Husk's obsession is slow... gradual.

It's not like other yanderes who feel an immediate spark only for it to grow.

He watches you for a bit... Then slowly talks to you over a drink, then you become close.

His mood can put people off.

He's always drinking, always grumpy, apathetic, and gruff...

Yet he really does like to listen to people and help.

In that case... I can imagine one of your bonding times is opening up over a drink.

Maybe you're anxious about the hotel or some other thing.

The cat's good at listening... soothing your nerves with a drink and advice.

You'd swear he's the hotel's therapist more than the bartender.

However...

A good drink certainly would start a bond between you two.

Observant and empathetic... Husk would care for you once he shows some interest.

It's certainly not romantic immediately to him...

But it is a curiosity.

He's patient with you and often knows if you lie to him.

Which at first is revealed by something innocent... like you trying to hide some problem you have.

Yet that ability can turn sinister later on... like if he feels you're lying to him about something to distance yourself from him.

Husk is said to be sweet and protective of those he likes.

Naturally, as a fellow sinner in the hotel, Husk often keeps track of you.

He looks forward to sharing a drink with you or playing a game of cards.

You don't even have to trauma dump on him, he enjoys your casual conversation in his normally dull day.

He doesn't even realize he enjoys your company so much until someone, maybe Angel, points out he's purring when he sees you.

This would probably occur within a couple months.

You two often chat as you work and get along pretty well.

Better than he thought apparently if he's purring when he sees you.

He can't seem to help it...

You just stir something in him... It's familiar but... it can't be anything serious....

Husk is a subtle yandere for a couple reasons.

One reason is he's in denial of being in love for a long portion of his obsession.

He often tries to rationalize with himself that he just sees you platonically.

That he's just a shoulder to cry on....

Another reason is this... Even after he comes to the conclusion he does love you...

There's Alastor.

Husk's soul is still owned by Alastor, the radio demon is his master.

He can't show his love for you much as he fears Alastor will pick up on it.

The last thing Husk needs is causing you more stress because Alastor needs leverage against him.

Such a thought forces him to keep his obsession over you out of sight.

Both out of shame and fear.

Doesn't stop him from accidentally dropping hints, though.

When you two talk in private, or even in public and he lets his guard down too much, you can hear Husk purring around you.

He denies it the whole time, of course.

When alone, Husk tends to be more affectionate once he accepts he's in love.

However, he excuses it to try not to give himself away.

For example, if you're having a stressful day, he may hug you and start purring.

When you question him, he claims he's just trying to get you comfortable.

After all, did you know a cat's purr supposedly eases the mind?

In reality... He's trying to excuse his urge to touch you... just to keep up his facade.

So you'd just keep venting while he nuzzles into you to "cheer you up".

Apparently....

Husk is limited in his obsession.

Kidnapping and physical isolation would draw too much attention.

Alastor would definitely find out then.

Although... Emotional dependency and social isolation?

He can make that work.

In fact, making his darling dependent on him is core to his yandere tendencies.

It's easy since you already come to him for help anyways.

He wants to be the only one you're vulnerable around.

Husk wants you to seek him out for help, comfort, and company.

Perhaps even love eventually.

Making you dependent on him makes you his... Yet keeps Alastor out of it.

... Hopefully....

Because you vent to him, Husk knows nearly everything about you.

More than you know yourself sometimes.

While such secrets and info would be great blackmail... Husk wouldn't want to ruin your trust.

Instead he uses it to his advantage, a way to gain your favor.

He'd use the info he gained to help you.

He knows what you like, what you hate, what situations make you uncomfortable...

He's always around and ready to tug you out of a situation you hate.

He acts like such a caring friend, he's even protective of you.

Husk may actually leave his post at the bar to follow you and check on you.

He does some stalking but has to make it subtle.

If someone was messing with you or hurting you, Husk is quick to step in.

Considering how he handled those Loan Sharks in the show...

Safe to say you're in mostly good hands.

The only time he'd murder is if your life is in danger.

In that case... Surely you can ignore the blood in his fur?

Not like it's very new to you, though....

Hell's violent... Which is another reason Husk hates you wandering off alone.

While Husk is subtle... I can see him scenting his darling in secret as he nuzzles and purrs.

He may even be into biting you... leaving marks to show you're his...

Yet since he has to be subtle, he reigns in such urges.

Overall, Husk is a subtle protective yet possessive yandere who would make his obsession vulnerable and dependent on him.

This way, you're kept safe and cared for...

All his... even if you don't know it yet.

[flutterbyoz]

It's 2024 and still the Rick/Jessie discourse is still making an appearance 🙄

It's something that seems to pop up every now and again and just becomes another excuse for people to voice their dislike for Michonne and Richonne. I get everyone has their own opinion, though many of these opinions have little to no evidence to back them up, but let's just make one thing clear, Rick loves Michonne. He loved her when he met Jessie, he loved her when Jessie cut his hair, he loved her when he and Jessie shared that awkward garage kiss and when he chopped off Jessie's hand. He loved Michonne then and he loves her now, more than life itself. Had Jessie lived he still would have fallen in love and married Michonne.

Some people like to invalidate Richonne anyway they can, even grasping onto crumbs like Jessie, but in the end none of it matters because Jessie was never supposed to be anything more than a plot device, all she did was delay the inevitable. The believability of Rick having feelings for her was dashed pretty quickly given the heart eyes he gave Michonne every time he saw her and I'm sorry but no one can compete against Andy and Danai in the chemistry department.

If you can't see the electric chemistry between Rick and Michonne/Andy and Danai then I do feel a little for you because you're missing out on experiencing what I believe is the best love story to have ever graced the screen.

I do sometimes wonder if I'm watching the same show because the way some people interpret storylines and character interactions can be so polar opposite that it makes me think that they must just be purposefully ignoring the facts just to make it fit their opinion. I'm all for differing opinions but when the facts go completely against those opinions and clearly prove them wrong then it's not so much someone giving an opinion as them just saying whatever just to arouse a response. And yes I know I'm feeding into that with this post but I just needed to say it and sadly I think we all know the reason for most of this dislike and hate towards Michonne and Richonne.

Michonne is not Rick's second choice, she's not his third choice, she's not someone he got with just for the physical side of a relationship or because Jessie and Lori died. Michonne is his first, last and forever choice, the love of his life, the mother of his children, the woman he'd kill and die for, she is his entire world. This has been confirmed multiple times throughout TWD and TOWL, there are no ifs or buts about it, all of this is canon and fact and ignoring it doesn't make it any less true. I always have this thought that if you mentioned Jessie to Rick now it would take him a moment to remember who she was.

This ended up being longer than I thought but when I began writing I just kept going! People will always find a way to disrespect and invalidate Rick and Michonne's relationship, no matter what canon tells them but their negativity changes nothing. They can have as many opinions as they wish but Rick and Michonne will still be married, living happily with their children and being more in love than ever and if we are lucky enough to see them again then that will be shown over and over again.

Forever and always it will be Rick and Michonne

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[bicheetopuff]

You ever think about what was going through izuku's head whenever he saw katsuki warming upto the other students in 1-A (particularly Kirishima), respecting their abilities, and accepting them as friends (before his own relationship with katsuki started to develop)

I know obviously he would have been happy that katsuki is making true friends, but a part of him must have felt so insecure about himself and wondered why katsuki didn't want to accept him.

I also feel like the moment during the final exams when katsuki said he'd rather lose than work with deku must have hurt izuku atleast a little because he saw katsuki working with others during the cavalry battle or during the usj incident. He even acknowledges that kirishima has become katsuki's friend.

I’m sure he’s glad that Katsuki is making friends, but at the same time I think a part of him is kind of feeling left out about it, considering how he doesn’t acknowledge it until it’s absolutely dire while still making it clear that he noticed. I feel like it could a similar case as Ochako’s, feeling silently jealous and hating the feeling because he wants to be happy for him. I feel like that’s somewhat confirmed by this interview that he did in 2019 when Heroes Rising was about to come out.

(This translation is different than the one I linked, but are essentially saying the same thing)

And considering the way he was drawn in the panel where he made this choice, I’d say yeah, he definitely feels some sort of insecurity.

He takes both Katsuki and Uraraka’s words as “he doesn’t want to be rescued by *me* specifically” which is sad because I feel like it’s clear that that isn’t what Katsuki intended when he said what he said. Like, yes he probably wouldn’t have liked to have been Izuku to reach out to him again, but I doubt he’d let his petty grudge let him stay in All Mights way in a situation like that. I think he wanted him to not follow him because Deku was already in a fucked up state and would’ve been made a liability fairly quickly, especially considering how Deku had already been targeted by the league of villains specifically before this. Katsuki is brash, but he’s not dumb.

In the case of their final exam, I actually don’t think Izuku was hurt because Katsuki would rather work with other people, I think he was more hurt that Katsuki was willing to lose at all, under any circumstance, because that’s just not the Katsuki he knows.

(Some of these panels are edited together, so if they don’t feel like they’re in order, that’s why)

Deku has always had this unfaltering faith in Katsuki. Faith that ran so deep, that Katsuki saying something otherwise, legitimately pissed him off enough to punch him in the face and lecture him. He doesn’t want to hear it because he doesn’t want to believe it. It has nothing to do with how Katsuki feels about him but more how Katsuki maintains his own values, so that he can continue to look up to him without regret. You know why?

All Might is the worlds Symbol of Peace, but…

Katsuki is Izuku’s Symbol of Victory.

And I think Katsuki started to treat his urge to win differently, especially after his and Izuku’s final exam. It seemed like he was more willing to act like Izuku when he needed to, just like Izuku acted like him when he knew it’d benefit him. Willing to work as a team with people and sacrifice himself a little more. Because he literally can’t let Izuku one up him in anything. Hence why he died for no other reason than to prove a point. That he’s willing to do anything to win even if that means breaking himself.

(There’s like three panels I want to put here but I can’t cuz I’m running out of space and want to keep space for the last point I wanna make.

Basically, just reread the end of DvK2, Class A v Class b joint training arc, and the PLW arc. If you care that much lmao.)

It almost seemed like that even though he wanted to keep winning to Deku, he didn’t really want Deku to lose him at the same time. Which is why we never saw them fight again. Neither of them wanted to win or lose, which was why their training was always basically just Deku letting Katsuki get the best of him, because let’s be real… Izuku could’ve beaten Katsuki physically, easily. But he can’t stand seeing Katsuki lose, so he never let him. And I’m pretty sure Katsuki was aware of that, considering how his internal monologue in the PLW arc was saying.

Anyways…

Katsuki has to win, but also, Deku can’t lose. That’s basically the conclusion they came to terms with silently.

Literally the definition of “Person A fell first, but Person B fell harder,” but y’know… they’re just being silly. What they want for themselves are contradictory from what they want for each other, and it makes it so that they simultaneously want both of them to be the best version of themselves.

It also kind of mind fucks you when you think about how Katsuki strived to be the hero that Deku already saw him as, while Deku did the same thing, but both were kind of in the opposite direction/a direction neither of them really wanted the other to take… Katsuki believed that Deku’s urge to save was his biggest strength while simultaneously being the reason for his lack in success because he stopped taking himself into account if it meant saving someone, which is true, while Deku believed Katsuki’s biggest strength was his urge to win while also simultaneously believing that it was the reason for Katsuki’s downfall in some cases because it inflated his ego too much and he’d be willing to do anything to win just to protect that ego… which is also true… ugh they hurt my brain

This post ended up being a lot longer than I intended, oops

[shadowqueenjude]

I DIDN’T KNOW IT WAS ELAIN DAY UNTIL NOW SO HERE IS A LITTLE SOMETHING I JUST WROTE:

Smile, Elain. They won’t like you if you’re cold.

Elain blew out a long hard breath through her mouth as their mother’s words came back to her. Moira Archeron had never had much time for her, always busy doting on her eldest. This had left Elain to run into her father’s arms, who had been more than happy to indulge her. Alwyn Archeron had never received much love from his first-born, too pre-occupied with their mother and grandmother as she had been, so Elain seeking parental love in him was a pleasant surprise.

While Elain knew how demanding Moira could be, at least she was invested in Nesta’s success. At least she believed in her, guided her, hoped she would be something. When it came to Elain, her advice was minimal; she mostly stuffed Elain into pretty, suffocating dresses, pulled her hair up tightly into a bun, and hissed at her to smile. Elain very much felt like a prize horse on display.

“Do you think I will marry well, Mama?” Elain had once asked. Moira had merely looked down at her, those eyes- the same eyes as Nesta- frigid as the winter snow. “Of course, Elain. You have a fine face and build, and you have grace. Some man ought to take a fancy to you.” She made a face. “The same cannot be said for your wild sister, I’m afraid.”

Feyre. She had always been the black sheep of the family. She had always been a little too wild, a little too free for their mother’s taste. While Moira put minimal effort for Elain, there was no attention given to Feyre. Elain tried to help her. She would brush her hair and put it into braids and make sure she wore her corset, and when she could, Elain tried to play with her. One time, Elain fell and twisted her ankle while trying to climb a tree with Feyre. Perhaps it had been a bad idea to try and climb in a dress, but she owned no pants unlike Feyre.

Mother had been absolutely furious; though surprisingly not at her, but rather at Feyre for “dragging her into this.” It was as if Moira didn’t view Elain as capable of making her own decisions.

Well, not much has changed, then, Elain thought bitterly to herself.

Graysen had been the only one to see her. He’d told her that her kindness was the most beautiful thing about her, not her face or her body. Elain had fallen hard and fast. It all ended bitterly when Elain was thrown into that cauldron. But now, looking back on it, Elain wondered if she had simply latched onto the first person to see her for more than just a pretty face.

As these thoughts ran through her mind, Elain sighed once more. She hadn’t had much luck here in the Night Court either. They loved Feyre and although they disliked and lacked trust for Nesta, they still respected and valued her more than Elain. They had sicced a couple of wraiths to spy on her like some kind of toddler in need of monitoring. Rather than call them out on it (Elain didn’t see the point in arguing with people who could kill her), she had simply won them over with her charm, turning Nuala and Cerridwen to her side. Although the beginning of their friendship was strange, eventually they became true friends.

But although Elain enjoyed their company, they were not reason enough to stay in this place. She would never have a place here. And much as she had been avoiding him, there was only one person who could get her out of here.

Elain closed her eyes to calm her body. Just being near her mate drew out feelings she wanted to hide away forever. It was cowardly of her, but Elain didn’t want to face it: how very much faerie she was now, how much of her humanness had been lost.

How much he affected her.

He drove her mad simply by being in the same room. She was afraid he could read her every desire on her face, or feel it with his faerie senses. She wondered if he had sensed it the nights when she’d woken up from a very scandalous dream of the two of them together.

A lady mustn’t have these thoughts.

It wasn’t as if Elain was unfamiliar with the marital act. She had performed it, even if it was just once. Graysen had insisted, begging and pleading her, and Elain, convinced they would be married soon and swept up by the romance of it all, had obliged. It was only afterwards that Elain felt dirty, felt wrong, an overwhelming sense of guilt overtaking her. She should not have let Graysen push her into it. It was the first and last time she had raised her voice on him.

“You have taken my purity from me!” Elain had shrieked, beyond hysterical. Tears were heavy down her face, and she knew she had to be red. Graysen, to his credit, looked abashed, but it was all too little too late.

“Elain-“

“I did not enjoy it,” she whispered. Her voice broke. “That was not how I imagined it would be.”

He had been too rough, too impatient, and he had only lasted about a minute or two. Elain knew little about sex, but even she knew that it ought not to be like that.

“You…did not enjoy it?” Graysen asked hesitantly.

“That’s what you’re worried about right now?!!!” Elain snarled. “Not the way you have violated me?”

“I did not violate you-“

“YOU INSISTED THAT I DO THIS BEFORE MARRIAGE! I WILL NEVER FORGIVE YOU!”

Elain had run away, run to the one person who she knew would protect her at all costs, the person who had been more a mother to her than her actual mother.

“Nessie,” Elain had sobbed. Nesta’s sharp blue eyes had widened in concern at Elain’s words. She immediately rushed over to her, grasping her shoulders. “Elain! Are you alright?”

She shook her head, pressing her forehead against Nesta’s shoulder. Nesta wrapped her arm around her, rubbing soothing circles against her back. “Want to talk about it?”

Elain took shuddering breaths, trying to calm herself enough to explain. “Graysen-I-we-“ Another breath. “I let him take my maidenhood.”

Nesta’s other hand moved to stroke Elain’s hair. “I’m sorry,” she said quietly. Nothing else needed to be said.

That night, Nesta read her stories until Elain’s eyes became heavy and she fell asleep. They slept together on the same bed for the first time since the cottage. Although Elain typically liked her space while sleeping, she had to admit that she had missed this: the closeness, the easy comfort of sisterhood.

And now Nesta wanted nothing to do with her.

Elain clenched her fists. Moira Archeron would be shocked to see it, but she wasn’t alive to scold Elain. Elain had spent far too long being afraid to be angry, for fear of upsetting someone. But she was a sentient being, was she not? Was she not allowed to get angry, same as Feyre and Nesta?

Was she not allowed to feel desire, the same as Feyre with Rhysand or Nesta with Cassian?

When would she be allowed to live?

It was a long shot, but Elain knocked on the door to Lucien’s Velaris residence. He spent little time here, but Elain hoped he would be here this time.

To her relief, the door swung open a few moments later.

“Elain?” The surprise in Lucien’s handsome face quickly molded into something like…was that nervousness? He bowed low to her. “How may I be of service today, m’lady?”

Elain waved him off. “No need to be so formal, Lucien. I just have a request.”

His metal eye whirred as his brown eye studied her intently. “Anything.” And Elain knew he meant it.

“I want to explore the rest of Prythian and the continent.”

If Lucien was surprised at her request, he certainly did not show it. He merely opened the door a little wider, giving her room to enter his home. “Of course,” he replied. “When I leave tomorrow morning, you are welcome to come with me.”

Elain smiled in relief as she looked around his house. It was incredibly tasteful, mostly decorated in the colors orange, green, and blue. It was so much brighter than the interior of Rhysand’s palace, and far prettier too. She delicately settled down on the suede couch on one end of the living room, her heart buzzing with anticipation as she realized she would be leaving this place tomorrow.

@elainweekofficial

[darcytaylor]

I understand your pain as a fellow non-shipper in this fandom. I don't know where to go anymore myself. I fully understand why you needed to step away. I often wonder if anyone is having any fun here anymore. There are entrenched narratives that are easily debunkable yet people will chop your head off if you dare to even suggest they aren't true. You can either join the entrenched echo chambers or get out, which I find absurd. I for one have been very over it for a while and I hope they don't put you off again because a more balanced space is desperately needed. There are more of us here than you'd think, we've just been beaten back from engaging because you can't reason with some corners of this site. The brainrot is alarming.

Thank you for sharing this with me, and letting me know that there are people who may be more like myself out there! I completely understand where you’re coming from - it really does feel like navigating a minefield at times in fandom spaces, especially when things become so polarized.

I love diving into the complexities of the characters in Bridgerton, but I also enjoy following the actors’ careers and seeing the variety of roles they take on or the work and things they do outside the show.

I still believe that speculating is fun and a natural part of engaging with any fandom. It can help keep the excitement alive between seasons or during gaps in content.

It’s also human nature to be curious about what’s going on behind the scenes with the actors or within their social circles. There’s nothing wrong with wondering what Nicola, Luke, or any of the Bridgerton cast are up to in their personal lives. It becomes tricky, though, when speculation turns into certainty or when people lock themselves into one interpretation of events.

I try to approach it by coming up with multiple possibilities instead of latching onto one theory and running with it. I believe that way, it stays playful and open-ended without diving into a rabbit hole of "this must be true." I also think it can be a healthier way of engaging because you’re acknowledging the unknowns while still allowing space for curiosity.

Nicola could be dating Jake, Luke (N or T), Eamon or the bartender that works down the street from her house. The options are endless! When you come to a conclusion with the little facts that we actually know, it can hinder the balance between curiosity and respect for the actors and their close circles.

I think it’s fun to explore all the possibilities without getting stuck on just one explanation. That way, I can stay open to new information and avoid getting swept up in the frenzy of needing certainty.

I think it should be about enjoying the journey rather than rushing to a definitive answer. Staying open to possibilities keeps the fandom fun while ensuring we respect the boundaries of the actors and their personal lives.

Bring on the possibilities!

[rayssyscourse]

syscourse hot take (more like syscourse tired take honestly) "pro/neutral/anti-endo": for anyone who's endogenic in any way, or even just previously thought they were endogenic, it's really tiring (and not conducive to constructive conversation) to have so many syscourse labels revolve around...an innate aspect of someone's lived experience. Like. We are fully aware that plenty of people who label themselves "anti-endo" don't necessarily think that endogenic systems are fake and/or evil etc, that's just purely a demonstrably true statement. We don't even think that the people using "anti-endo" that way are necessarily Terrible People for doing so. Simultaneously, though, speaking as a system who spent years thinking we were 100%-basic-vanilla-endogenic but still wanted to take part in nuanced discussions around system experiences and offer our perspectives on discourse--seeing 'anti-endo' or even 'endo-neutral' always still...stung a little? Even when someone was conversing in good faith. Like, the idea that it was acceptable for our personhood (which really is what it felt like the arguments were about! whether one of us was 'just a made-up daydream' and not a person) to be up for debate, that it was an acceptable "political football" or thing to be "neutral" about...wasn't a good feeling. And honestly, even though we technically have a DID dx on paper these days, we still get that little flicker of distrust whenever we see 'anti-endo' in someone's bio--because we're still exactly the same system that we were before, and if they wouldn't have believed us about our experiences then...why do they think so much depends on some rubber-stamp diagnosis? what do they think changed? We don't have a good answer to this problem, though. Telling people that they're automatically terrible bigots for not labeling themselves pro-endo doesn't feel like it'll actually solve anything, because crucially I don't think that most of the "doesn't actually believe endos are fake or bad"-anti-endos are calling themselves that for a reason that simply shaming them sufficiently will change. Also, the internet is a big place, and expecting everyone to be up-to-date on every possible niche discourse stance is absurd--and if someone really just wants to stay the heck away from system discourse entirely, they should be able to. But also...yeah, we wish they'd use different words. Don't use "anti-[unchangeable aspect of someone's identity]" and not expect it to feel hurtful to see. "Well, I just don't want people Like That interacting with me..." what if they just thought your art was cool? What if they agreed with your hot take about [insert fandom here]? Who else are you 'anti', not because you disagree with some opinion they hold, but purely because you're 'nothing like them'? Idk. It's frustrating, and I wish we had some kind of easy, magic solution.

thank you!! this is a really well written thought, and i fully agree.

to be honest, this is one of (admittedly many) reasons i dropped pro/anti-endo labels altogether. not only can they come across as denying somebody's existence, but i feel like we just don't fit in simple boxes like that. i mean, "pro-endo" can mean any plethora of things: it could mean the person is endogenic, they support endos, they don't engage in syscourse/just don't care, they just disagree with anti-endo points, etc etc. in the same way, "anti-endo" can also mean a million things. some anti-endos think endos are all faking, some think they're misinformed, some believe they exist but think they're spreading too much misinfo, some think they're doing harm to traumagenic communities, etc. i also just don't like the black-and-white way those labels portray us. somebody being pro-endo doesn't mean they support every single endo, it doesn't mean they necessarily support radqueers (weird misconception i see a lot), and it doesn't mean they have no criticisms of the endogenic community. i know a lot of anti-endos who fully believe and don't hate endos but just have criticisms of the label and/or community, who are often assumed to hate all endos or think all endos are faking because the label is just too broad and comes across completely wrong.

sorry to ramble on for so long in one giant paragraph lol. tl;dr, you're so right, say it louder for the people in the back!!

[yuseirra]

onk spoilers (161)

Sorry, I really can't keep quiet about this because this series has been my brainrot for the past couple months and this is pretty..;; hehe.. depending on how it plays out, it will determine how I'll feel about this entire work completely. So bear with me for the next few weeks!

There are a few panels that really stand out in terms of expressions that really bug me, this guy could be acting. Putting the rest in the read-more, I'm vagueposting but still, I feel it's better manners to do so.. I'm sorry for being unable to keep to myself. I hope you understand though, I've been drawing something for this series almost every single day!

There are a few really genuine-looking ones and those.. could be interpreted as him being concerned over Aqua, it's not really my wishful thinking because he's actually persuading his son to think of things he must live for, regardless of what thoughts and intent he has behind it. He DOES want Aqua to live, and when Aqua says he'd give up on that, he has the exact same face he had when he fell in despair in the movie arc (when Ai said she'd leave him/when Airi gaslit him). I think that expression IS real. And he's really shocked when Aqua.. yeah, does what he does. So I don't think he likes the idea of Aqua dying.

I've been looking at this character a lot, and came to a conclusion that his smiles are masks. I've mentioned this a few times in my earlier analyses regarding him and in one post, I wrote:

That smile he floats is consistent through the entire time he's shown in the story and the only times it breaks is when it has to do with Ai and when she sees him through. And it starts to break the moment he sees her talking about him. Every expression he makes when he sees Ai in the video are his true feelings. His smiles, on the other hand, are his coping mechanism and are all masks.

so I actually feel this is the case this time too, the author wouldn't have made this guy a genius actor who's TAUGHT Ai to act for nothing... The whole chapter starts out with his expression being expressionless, then forming a smile, just before he starts saying everything onwards. And by doing this, he IS actually talking to his son to forget about killing him and go on living his own life while sounding pretty evil...

but that means we can't believe the god or whatever she says either, so that's why I don't know. She was wrong about Ryosuke and "a middle school boy" having gone to the hospital once if Kamiki never went and it was really Nino, but would she be TOTALLY off in this case? I have no idea. That's what makes it confusing for me and have a lot less hope on how things will unveil, but the expression cues do say something... if it weren't for her, I'd say he's acting.. but the things she mentions about him are just too...that of a third-rate villain and it's so nonredeemable. If that is right, the whole idea of Ai having wanted to help him is sort of thrown out the window. They DIDN'T need to make her say that... it was so WISE of her to leave a guy like him, and all her visions of him were wrong, you know?

So I'm just.. wondering how much we need to trust the crow.

I thought I could trust her, but how much does she actually know?;

Or maybe it IS true that Kamiki's done some hideous things the way she's depicted it, and yet he doesn't want his SON to be the same way.

If there's one thing I can pick up from this chapter that's going to be released... it'd be that Kamiki doesn't want Aqua to die. He thinks there's many reasons for Aqua to go on living. If you pay careful attention to his speech, that's what he's actually talking about... he actually looked a little relieved when Aqua agrees he has a lot to live for and that breaks when Aqua still refuses.

Yeah.. I think.. I'll stick around a bit more actually. The part that REALLY bothers me is what Tsukuyomi says, if that's really true.. ehh.....it's a huge let-down for me I don't like that. It's not a very good way to use this character. It's really dumb and I don't think it works but if the author says so; okay?? but I won't feel the need to collect the physical volumes any further if that's true. That's just me though.

[ok555ficideas]

Okay, I'm on the roll with Neil's bounds with his friends so I should add Kevin to the mix as well.

(Neil has amnesia here)

When he entered the court he saw Kevin firing the set up balls in the direction of the goal. Every single one of them landed in the same exact spot. 

Before he even decided to speak he heard himself saying. “I want that.”

Kevin turned around and looked at him. “Abby let you practice?”

Neil nodded and Kevin made his way to him. “You have to take it easy. No trying to overdo yourself or you’ll be useless in July.”

Neil rolled his eyes at that. “Yeah, yeah. I know. I’m a waste of space.” He said with a wave of his hand. 

Kevin tilted his head at him in confusion. “I didn’t say that.”

“But that’s what you meant. Don’t worry, I know how you think of me. I’m not here to make friends, I’m here to practice, so let’s get to it.”

Kevin let out a frustrated sigh at that. “I hate this.” Neil looked confused so he continued. “I hate that you don’t remember.”

“Listen, I know that not remembering all the drills is an inconvenience to you, believe me I hate it too, but I’m going to learn them again. I did once before so it will probably be easier the second time around. Now quit your whining and actually help me remember them instead of just standing there and b*tching like the drama queen that you are.” 

Neil was prepared for Kevin to yell at him, to throw him out of the court or even threaten him with throwing him out the team all together. What he wasn’t prepared for was the sad expression he saw when Kevin looked at him. It was disorientating. Kevin looked like he was about to cry and Neil didn’t know what to do with that sight. 

“That’s not what I meant.” Kevin said slowly with a slightly strained voice. “I hate that you don't remember me.”

That confused Neil even more. “I do remember you.” He said slowly.

Kevin let out a frustrated sigh. “No,” he said, “you don’t, not really. You remember me as this exy-obsessed a$$hole.”

Neil raised his brow at that and Kevin continued. “Okay, that didn’t really change, but-” He started to get even more flustered by the look of him. “So are you!” He said pointing an accusatory finger at Neil. “We both are, that’s our thing, you know. We are asholes and we love exy and-” He trailed off.

They stood in silence for a minute, before Neil managed to gather his thoughts and say something that sounded ridiculous, but seemed like the only reasonable explanation. “Kevin, are we,” he said slowly, not believing that he was going to actually say the next word out loud, “friends?”

Kevin looked at him and practically screamed the next word with triumph. “Yes!” 

“Huh, that’s-” It was Neil’s turn to be a little frustrated. 

He tried to scratch his brain for some clues that what Kevin was saying was true.

“Every night.” He whispered after a long moment of searching. Kevin looked at him confused so he continued. “I asked you once if you would still teach me and you said ‘every night’.”

“Yes.” Kevin said, but didn’t elaborate.

“You promised to teach me even though we both thought,” Neil had to pause, because he didn’t actually know what the end of that sentence was.

“We both thought you were going to be de*d by the end of the season.” Kevin supplied the answer.

That was it. They both knew that it was pointless, but yet Kevin promised to practice with Neil every night. 

“I didn’t d*e, though.” He said with relief. 

Even though he knew that all of the things already happened and he came out of them on top, sometimes he was still scared and it was nice to remind himself that he survived. 

“You didn’t d*e and you are going to be Court.” Kevin said with such conviction Neil instantly believed him. 

Without realizing he put his hand on his cheek to the place where his skin was now burned, but he knew that for a breath time that spot was painted with a tattoo.

Kevin shook his head. “No, not his Court. He doesn’t matter, not anymore.” Hearing those words from Kevin filled him with excitement. “We are going to get everything we deserve, Neil and it’s not going to be because of him. It will be because of us.”

Neil nodded and put his hand down. He smiled at Kevin and gripped his racket with determination. “Then you better start teaching me those drills again.”

“You are going to pick them up in no time. Your body remembers way more than your mind does.”

That was true, but Neil wasn’t sure how Kevin knew that.

Kevin looked at him and his next words filled Neil with anger. “You pick Andrew to shreds with your words, but it doesn’t change the fact that you are more relaxed with him in the room than any other time.”

“F*ck off” Neil gritted through his teeth and went to warn himself up accompanied by Kevin’s quiet laughter. 

[earnestecho]

Was listening to a podcast I like and they started talking about crows and I ended up falling down a rabbit hole of googling crow facts. With this new information I got struck with the realization: Jean is not a raven. He’s a crow.

Sure, if you don’t know much about birds they look identical. They’re both big and black. An easy mistake to make, though they’re rather different.

Ravens are found in isolation. In forests, wildlife reserves, and the like. Crows flourish in two types of areas: 1) large, open habitats like agricultural fields and 2) urban areas like parks and city centers. Jean belongs outside of the nest and in the light of day surrounded by others.

Crows are a large bird, but they’re smaller than ravens. The tail of a raven is tapered, causing raven tails to have a pointed end and giving an overall diamond shape to their appearance. Crows have tails that fan at the end. In addition, ravens have longer wingspans and heavier beaks where crows have shorter wings and thinner beaks which speaks to agility. Jean, like the crow, cannot be described as soft. However, in comparison to the raven, he is less harsh.

The two birds have different calls as well, which (for birdwatchers) is the best way to tell them apart. The crow has a high pitched caw, while the raven has a deeper, throatier croak. The crow call is similar to birdsong in that it is used to signify presence within a territory rather than mark it. In fact, both birds do not use their call as a way to mark territory but rather as a way to communicate with other birds of their species within the territory, specifically their families. The reason i bring attention to this point is because Jean has always been speaking in a language unavailable to his teammates. He has been using crow calls to speak to ravens that do not view him as family, in the species sense of the word. His words are only given power when he speaks to what becomes his own family, whether that be Kevin in the nest (who is also not a raven) or the Trojans.

The way that they deal with mean humans is an important point as well. Crows are extremely intelligent and inquisitive. A crow is known to never forget a face, and when encountering a mean and potentially dangerous human it teaches others in its family how to identify that human. I don’t think I need to draw the clearest line here to Jean “is Cody safe” Moreau. He speaks for himself.

My final point comes in the form of false beliefs about crows. One of the biggest beliefs surrounding them is their love for shiny objects (which i was going to evidence Jean’s experiences with bisexuality until I started to read more on it lol). However, this is a common myth. In fact, crows show little preference to shiny objects (the same is true of magpies!). It is simply a falsehood, if you would, that is believed by many people…sound familiar to any rumors floating around about Jean?

How in the hell is a crow supposed to survive in a raven’s nest?