#though very vague

[futureofdespair-xiv]

Not the boy I used to be.

[alfheimr]

erosion

[lucabyte]

Almost, but not quite.

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

[aroaceleovaldez]

Here is a link to the Cherokee Nation's official site. Here is the Visit Cherokee Nation youtube channel. Here is a playlist for learning Cherokee (and here's one for learning Ojibwe, as a bonus cause i'm biased). Here is a link to Daybreak Star Radio, which is a radio station based in Seattle dedicated to showcasing international first nations and indigenous music that you can listen to online. Here is a pdf of various recipes, including references to which tribes they originate from. Here is a link to The-aila-test's buy native tag, and here is a link to Beyond Buckskin's buy native list (though some of the links are broken). Here is a link to the Cherokee Phoenix newspaper's official site.

now go take a minute and come back once you've done some research so everybody can stop being weird about Piper.

[nakaremfarlei]

Was just thinking about the amount of animals Obi-Wan interacts with compared to literally everyone else and in the Clone Wars episode where Kamino gets attacked he literally gets saved twice by the same ray-like animal and just...

The growth from judging Qui-Gon for the 'pathetic lifeforms' he picks up to whatever he has going on during the Clone Wars era. He must have gotten that from Qui-Gon though, right?

And because it's my brain and it's rotting with all the star wars stuff I am consuming I was thinking of Obi-Wan saving all these creatures and the 212th having to deal with that. Surely they made one of the rooms pet proof in case one of them needs a new home. There also have to be clones who love that because of course Obi-Wan can't really take care of rescues on top of all his duties.

After the first few times this happens Cody learns to order animal food and other necessities. And if the Republic doesn't fulfill these requests or asks too many questions he'll just have to make sure to organize them on planet during the campaigns.

[little-pup-pip]

Hi! I would love a Miffy moodboard if you feel like making that :) neutral/masc leaning without paci please. Thank you for all your moodboards!

Here you go!!

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[cartoonrival]

even though all the springs do is superficially change your appearance into whatever drowned in that particular part of the spring, ranma blames it for the fact that he also FEELS more like a girl than he ever has and thinks that if the curse is reversed then he’ll go back to being fine with being only a guy. “i’ll be a real man again” isn’t just “i’ll be a man who doesn’t turn into a woman” but also “i’ll be a man who doesn’t even WANT to turn into a woman.” like his intense NEED to cure his curse is obviously at odds with how much he actually enjoys being seen as a girl, and while part of that does obviously come from “this is not what a man is supposed to look like,” it also comes from “this is not what a man is supposed to FEEL like and i know it’s shameful and weird that i’m acting this way and enjoying myself. but that can be blamed on this curse that i have, and will surely be cured if i am no longer able to turn into a girl all the time.” this is of course not true though and if it was undone then he would just end up feeling trapped in his skin and he would never eat another parfait. would probably be even more scared of parfait than before

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[cricketclan]

grousespots is absolutely talking to fallenclan about jayberry trying to fight cinderstone Quailcall and Ficklefern belong to @fallenclan !! I almost drew Mudspash here but as much as I love her i felt like hes got sooooo much art and the other two mediators deserved some love (even tho theyre like super tiny in this)

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[chirpsythismorning]

When the interviewer asked when we should expect s5 to be coming out, that’s when Shawn mentioned that a little bit of an answer to that might be out there soon.

He actually mentions that this answer could be out by the time the video for this interview comes out, and since this interview was filmed mid-May and it’s now mid-June, I’m assuming we could be getting something soon or within the next couple months, potentially about a release date aka possibly a small teaser with 2025 stamped at the end…

[raycatz]

WIP ask game, artist edition! (writing welcome too)

RULES: make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! then tag as many people as you have WIPs.

It's been really fun reading about what everyone's working on! Let's get the artists involved, too! I want to see everyone's aaa.fileextention and aaaa.fileextention pieces hehe.

I have so many LU comic ideas! For most of them I have the dialogue, visuals, and acting written out. Some have art! Everything from initial concepts to multi-chapter fic.

Here's the .csp wips I have atm! Some of them are tied to comic ideas and some are stand alone.

shunk

haha tanlines

apple tree

chores

wind_maya_19_simpleRig_pose.mb

smack_audio_shorter

theblorbos

pixels2

om nom

nehneh

sleeps

full sprint

headache

ico

uuuuuhhhhh

mftrainsbro

huhwha & hhhwa

beetleeeee

Non LU writing & art wips

lizard

whee

wobbles

corn

sleepy ocs

Moe the Moblin (the idea lives on the LU ideas google doc but it's gen loz. could be LU if you wanted it to be, though! Open to interpretation.)

SSBU Links - Chateau Romani

SSBU Links - Get Out Of The Water!

Mina's Linkverse - Goat Plushie

Team Ico AU

Major & Minor Beats & Shot Types: Dragon Tower

While tagging as many people as I have wips might be possible, maybe, it would definitely be excessive! I'm tagging: @zolanort, @liccy, @luwyv, @mizaruwu, @theegh0st,

@bluevaractyl, @grenapple0547, @starrysorry, @twilight-linkess, @genderfluid-puddle-of-soup,

@awkwardpossum0, @ghostlykidplaidbanana, @jellydragons, @off-mozzarella, @kikker-oma (Oma, do you have any projects outside of Fan Joy July you want to share? :D ) and anyone who wants to play!

(also feel free to ignore the @. This is for fun and only if you want to!)

[heartscrypt]

i dont remember the context for this doodle but regardless this is cater ace siblings propaganda

[cowboy-kidd]

Caregiver!Bruce Wayne (The Batman; 2007)

x - x - x

x - x - x

x - x - x

// pt - dni: nsfw accounts //

[chaos-has-a-tmblr-now]

I know this is me overanalyzing silly stuff about a silly show that has no logical plot whatsoever each episode but I can't stop reminding myself the fact that in G1 during the Nightbird episode it was implied Megatron liked her and then there's the fact that her entire programation was Soundwave's job.

What if. What if Soundwave just basically copypasted a majority of his own traits as spy and such to her. Does that make any sense? Megatron not realizing he's just pinning for a ninja robot that copies Soundwave's skills, and Soundwave watching him compliment her all the time while awkardly trying to figure out if he's overthinking it too much.

Don't get me wrong, I love Nightbird's character as her own and I think she was wasted potential for only a single episode, but I also think this post could be used as a silly dumb self-indulgent ship idea sometimes. I love them all.