Hi Pia.
I'm curious; do you think Mallory and Mount is going to be as 'epic' or as complex as Fae tales Verse?
And do you mind sharing some of it's worldbuilding with us?
Hi anon!
Mallory & Mount will have more complex building than the Fae Tales Verse, because it's not set on earth at all. It has different names for the days of the week, the months of the year, and its currency system is different, for a start. It has different festivals per different culture. It has new species of dog, and tree, and bird, for example (though some are recognisably based on dogs and trees and birds we have here).
It won't be as epic in some ways however because the characters aren't fae, so their stories can't stretch across decades in the same way. They can't heal from the same bombastic ridiculous injuries. They can't go and literally die and then literally come back from the dead because a Mage sacrificed some of her lifespan to save someone. In fact many of the characters have chronic illnesses and disabilities.
And it won't be as long, I don't think. The length of Fae Tales is now daunting to many new readers. So I don't really want to write a series that long again.
It will definitely be epic in other ways though! There are definitely life and death stakes, a lot of dangers, and big potentially morality destroying decisions on the line.
There's a metric fuckton of worldbuilding that has gone into the Mallory & Mount world, enough that I have a 150+ page private Wiki about it complete with hyperlinks. I'm going to share one file lol:
Blaubaas: Horse
A heavy drafthorse originating in Skemmerlicht and also found in Donwall, who often trade blaubass for the Whytefern draft. Blaubass means 'blue boss.'
They are blue-to-black drafthorses with a heavy winter coat, suited for mountaineering, difficult journeys and sled-pulling. They are slow but determined and weather dock-work well, and do not stain as badly as the Whytefern draft. Frugal and economical on food, and survives well on horsebread.
Function: Crate and stock pulling, carriages, heavy transport, mountain passes, cold weather journeys.
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I know it's not that interesting, anon, but I really don't want to reveal any spoilers yet, and I'm worried I will. You can always check out the mandm tag for more about the world itself.
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thinking about how the rapture-and-bliss…… isn’t really hope. or maybe it is, but it’s hope corrupted, perverted. because it doesn’t give seb and dev hope, only fantasy. it’s escapism. that’s not what hope is, not the same hope that convinced hayward and paige to birth a god, not the same hope that makes carpenter work for a better world despite all her cynicism.
hope in its truest form is a driving, radicalizing force. what the man in the walls sells is the opposite. its victims literally live in a dream. it’s hope stripped of action. it’s forced optimism to the point of destructiveness. and it just drives home the point that no gods in this universe — the biggest metaphors for oppressive systems and capitalism and overconsumption — can take hold of anything good without corrupting it. because a god must feed.
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btw completely unrelated note and i really really hope it goes without saying, but if i ever talk about liking a warrior cats character who happens to be in some creepy and uncomfortable relationship/has been said to have a romantic interest in an apprentice or something (pinestar, onestar, i'm not a huge spottedleaf fan but this would apply to her too, etc) pleeease do not take that as me condoning that specific element of the writing. i really wish i was able to enjoy some of these characters who have unique or interesting characters without a big glaring footnote that says "*ASIDE FROM THE AWFUL POINTLESS RELATIONSHIP THING THEY COULD HAVE VERY EASILY WRITTEN AROUND" but alas and alack they do this a lot
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After what happened in today’s Limited Life session, I wanted to write some Flower Ranchers.
o7 our canary
This AU is one of my older ones. Soon after Double Life everyone (who didn’t win) got their memories back, immediately followed by every soulbond being reconnected. Soon after that, everyone gained a hybrid trait from their soulmate. Due to the chaos/issues that could cause, Grian creates a peaceful server for every life series member to meet on and help their soulmate deal with their new hybrid traits. Jimmy, Scott, and Tango regularly use that server as a way to meet up together often, considering that they don’t all live on the same server.
Finally writing fluff between all of my angst drabbles, to which I’ll return to shortly.
They tease each other because they love each other.
—————
“Hey Tango!” Jimmy calls as he enters the third version of their ranch house.
The blazeborn startles, wings flaring our as he turns to face them. Scott snickers as one of his wings knocks over the lamp on a nearby table. He flushes, “like you haven’t knocked over something!” Scott fully bursts into laughter then. Tango looks over to Jimmy, almost looking like he’s begging for help.
“Well,” Jimmy starts slowly, and suddenly Scott sobers up.
“Don’t.”
“When I went to check on him after Pearl texted me, his house was quite a mess.”
“Jimmy!” Scott hisses.
Jimmy grins, “it’s really quite easy, I don’t understand how you’re having issues.”
Tango, after briefly looking relieved at the support, becomes affronted again, “hey!”
“At least I didn’t set anything on fire,” Scott counters.
Now it’s Jimmy’s turn to splutter, “hey! I- it’s not my fault! B-Besides, it definitely created less of a mess than what you caused.”
“At least I didn’t need to replace anything.”
Tango’s laughter breaks them out of their back and forth teasing, there’s humor glinting in his eyes. He opens his arms, “come here, I missed you both.”
With only one last glance at each other, Jimmy and Scott rushed Tango with a hug.
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I think about this moment a lot.
Like. It feels really rude that Fushi’s just brushing Tonari off like this, jerking his hand away as if he’s annoyed she even tried to touch him in the first place. The fact that we don’t even see his expression when he does this makes it feel extra brutal. But I think a lot of people see this scene as if Fushi rejecting Tonari’s ‘advances,’ so to speak, and I’m not convinced that’s what’s happening here.
Like, yeah we see that big love bubble at the corner of the panel while she’s telling Fushi how important he is to her, but Tonari’s just reflected on how she feels about him and ultimately rejected her own feelings. Romantic love is not something she wants to feel for Fushi. So I don’t think she was working her way up to a confession. At least, not intentionally (it’s not her fault Fushi’s an empath)!
Instead I think this scene is supposed to be a parallel of the moment that happens between Gugu and Rean.
Gugu doesn’t tear his hand away from Rean’s because he doesn’t want to hear her confession. He isn’t running away because he doesn’t love her back. Gugu pulls away from Rean because he’s rejecting the concern she has for him and his safety. He realizes there’s something greater that he needs to focus on, something he feels only he‘s strong enough to take care of. And he wants to take care of it to keep her and the people he loves safe. Gugu loves her, it’s just not the right time for him to indulge in it.
In my opinion Fushi feels similarly to Gugu (not the reciprocation part though). He appreciates Tonari’s concern and love for him- that’s why he smiles a little and thanks her- but it’s not the right time for him to indulge in that. He‘s still trying to prove that the world is at peace (something he’s doing because of her, for her), he doesn’t need or want her getting involved in his fight against the nokkers.
I wanna reemphasize that I’m not trying to argue that Fushi secretly reciprocates Tonari’s romantic feelings- he’s already said he’s never felt that way about anyone before. I just don’t think he’s outright rejecting them either.
I think the hands in this scene are also what get people thinking this scene is a little more romantic than it is. It’s a standard cliche where one character stops another from leaving after all lmao. But this to me is what solidifies this as a scene that’s not inherently romantic.
Them grabbing at each other like this is a much older, a much deeper thing for them. Back when they were on Jananda, they’d often grab at each other’s wrists because they could never quite see eye to eye. Tonari specifically would grab at Fushi’s wrists a lot when trying to impose her will on him and drag him along. Once they start understanding each other, however, their hands actually touch (ex. Tonari pressing Oopa’s blow dart to the back of Fushi’s hand).
This scene is a little mix of the two. Tonari’s grabbing Fushi’s wrist to stop him from leaving (imposing her will on him) but her hand overlaps with his palm a little (trying to understand him). Tonari doesn’t know what’s happening completely, but she knows enough to know something’s wrong. In a way, Tonari grabbing for his hand is her appealing to Fushi to open up, to let her in, follow through on this connection that’s always been theirs.
But he doesn’t. Fushi rejects it.
I think the chapter image shows it all pretty well too. They’re both reaching out for each other. But while Tonari’s solid in her attempts to reach him, Fushi's all fuzzy. It's as if these are his emotions. Like, subconsciously he wants to reach out, but he can't. So close, yet so far…
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a lil tip, a lil Suggestion for anyone who plans to have kids or who already has tiny kids....
if you have a choice, maybe don't live in a location where the only thing surrounding you for miles and miles is just more houses :/
like, either live somewhere where there's easy access to nature/outdoor recreation, or live somewhere where there's easy access to a wide variety of activities - museums, sports, concert venues, rec centers, music lessons, dance lessons, blah blah.
maybe don't live somewhere where it will be a huge inconvenience for you to take your kid out to do/see things that interest them on a regular basis.
it is so fucking depressing to be a kid and to almost never get to do or see anything you think is neat because it's Too Far for your parents to feel like taking you there.
honestly like. it's a big enough deal that i legit feel like parents should absolutely be willing to completely relocate if it means living somewhere where their kid can do what makes them happy.
like, if you live in fuckinnn florida and your kid wants to be a rock climber, you better pack your shit up and move to colorado or whereverthefuck. if you live in kansas and your kid wants to surf, move to california, goddammit.
i mean obviouslyyyyyyyyyyyyyyyyy it's not always possible to live anywhere but where you're currently living for a myriad of reasons, but if it is possible, even if it's not easy, please please please don't doom your kid to a childhood of longing and unfulfillment just because you live in the wrong place omg.
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i already have plans/ideas but people should let me know what kind of cotl artwork to do next because i am on a rowl :3
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