Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
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There’s something so important about Gillion - who never heals himself, who rushes into danger, who hides his wounds- facing death and realizing he isn’t unafraid as he was raised to be. He uses his magic on himself to help with the exhaustion, to keep his life intact. And still he tries to comfort Jay and Chip while he’s coherent, being realistic about his chances but refusing to make it painful. Wanting their possible last moments to be light, to be about seemingly inconsequential things, small favorites that still mean the world to him purely because they’re Chip and Jay’s favorites. And then when all is said and done, he makes a raccoon for Jay. He talks about raspberries for Chip. He uses his last saved up arcane energy to try desperately to stay awake, and it works, and it saves him in the final hour.
It’s just. There’s something about how he hasn’t had a chance to rest since the Feywild, really, truly rest. How this whole time he’s been down on himself and taking extreme risks. And now, at what might be the end of it all, he realizes he doesn’t want to die. He wants to live. And not to be able to save others, not to fulfill his destiny, not out of obligation to anyone else - but purely for himself. For all the little things. And though it’s not quite healing in the literal term, his nearly final act was spent trying to save himself - and it worked.
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like i can’t imagine being jonathan finding out my whole world aka my little brother is dead and then my mom believing he’s still alive and wishing so badly that i could believe her too but having to fight against that and tell myself that she’s just in denial and i can’t let myself hope at all because someone has to be the rational one
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WHY isn't there an option to tell Scribe Haylen that killing Danse was never and WILL NOT be my plan? 😡 I don't CARE if anyone hears me saying it! I'll yell it from the rooftops! Queen I'll more than "Hear him out" I absolutely promise, Maxson can go to hell- I'm NOT killing a friend in cold blood just because of where and how he was born!!!!
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you are so right about hawks and shigaraki... I think about those two constantly. I just want to know if anyone found it kinda weird that Hawks first debuted with seemingly no connections, hero school, or even name and somehow got into the top ten as a teenager and had the funds to open his own agency??? like did no one find that suspicious??
gripping you by the shoulders THANK YOU. like why was it CELEBRATED that an eighteen year old was in the top 10 and running his own agency and going out to risk his life day in day out as a hero. that's a teenager. how is that even legal. and even if it is, it should at least be frowned upon or warrant SOMEONE to side eye it a bit, and on top of the fact like you said he's got NO ACCESSIBLE HISTORY not even a NAME like i firmly believe he was just locked up in the HPSC until he debuted bc they didn't want anyone knowing about the whole. you know. child trafficking so like. WHY DID NO ONE QUESTION THIS. WHY IS NOT A SINGLE PERSON CONCERNED
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people who think that putting guns and blood and violence into a story automatically makes it mature or even good are so fucking annoying and your story sucks shit if that's all you do with it. go play pokemon mystery dungeon explorers of sky for the nintendo ds.
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i feel like fandom people love to put characters into archetypal family roles, especially like "adoptive parent", and it's so fucking annoying because half the time the characters in question are not parental at all, and should not under any circumstances act in a parent capacity. they just have a meaningful intergenerational friendship/mentorship and that's inconceivable
it's worse when the younger character has a canon family that's actually decent. the idea that an adult mentor should only function as a replacement for or extension of the family is so perverse. you familypilled fascists
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