#toad to redemption

[amphibia-a-day]

Day 1019 of Amphibia Screenshots

Episode: Toad to Redemption

[writesailingdreams]

I think Toad to Redemption feels like the most out of place episode to me. Only a short while before, Toadstool was all for dressing up Wartwood as a tourist destination. Though he did take some blame for the sinking and he was trying to make the town more profitable for the town's sake, so...I guess setup? Still, it (again) strikes me as kind of coming out of nowhere. \(:/)/

[heart-wit-strength]

Yeah it’s almost Sad how Ivy and Maddie weren’t given bigger roles to play while Freaking JEREMY who Literally DIED once back in Season 1 was given an episode in Season 3B.

along with Toad to Redemption’s continuity and slight world building that went Nowhere with, accept making Toadstool nicer (which I could care less about imo) Jacinda, Bog, Fens, and Mire being cast out of the show never to be seen again. Least a short reference in the series finale time skip. God they could've been good side villains during Sasha and Grime's time protecting Wartwood, even a parallel with how Grime used to be Vs Bog and Jacinda hwo would refernce what they Used to be.

iirc Toad to Redemption was to address how toads were just as much oppressed in the caste system as the frogs were, followed by the rebellion. Sooo ig it gets a point for that.

But yeah could've absolutely been a good parallel to have Grime against his old tower mates and the bully he used to be, maybe a bit on what came to the formation of the Resistance.

S3b feels like it made a genuine attempt at bringing back elements from previous seasons, but as you already stated, there could've been better choices. The only good one I could think of is Domino 2 moth probably.

But as blunt as it is, i couldn't care less for Jeremy's plant cult, or Sasha's Angels being about Toadie finally snapping. Or idk Sasha's arc of forgiveness being associated with the two random olms from s2 literally no one even remember, and not Percy and Braddock instead who btw absolutely deserved better and a conclusion in Sasha's story arc after how she changed, but ig not all the things you let go makes its way back to you (shrugs)

[essektheylyss]

Because I mentioned my Heroes fandom time and once I start thinking about Heroes I will not stop, it remains funny as shit that Heroes was like, "Here's our serial killer villain. He's not a sociopath or mentally ill or any of that bullshit, he doesn't even need to resort to this to get what he wants, he's just a fucked up little freak obsessed with power and he can stop anytime he likes. We're going to give him an utterly incomprehensible redemption arc for no reason. And it's gonna slap."

[arc-angel-o]

I wish the last batch of interviews had asked about Toad more, because I certainly have some questions about him.

[mdhwrites]

Did TOH Need More Time For Its Ambitions?

No. Because Amphibia exists. Why can I say that so confidently? Because Sasha and Amity show a VERY clear comparison in how the storytelling in each show is handled and how that shows that even with a similar amount of appearances, TOH is just lacking in actually doing anything with its concepts.

(Quick interjection: Consider this effectively a part 2/rehash on why Anne's arc in S1 is so much better than Amity's arc period, which is a blog I did a LONG time ago that analyzed critical portions of character arcs in general. This one though uses the more obvious pairing and also the two with much closer screen time and narrative importance... though with TOH that term is entirely fucked.)

Both characters are enemies to allies. Both have complicated relationships with the main character and are motivated by that relationship to change themselves for the better. Both have positions in the world and priorities that explicitly makes them opposed to the main character not only ideologically but sociologically. And, above all else:

Sasha's redemption arc, from her first appearance to Turning Point when she explicitly turns full good, is 9 segments. Ten/Eleven if you count Reunion/True Colors as two.

Amity's redemption can range anywhere from seven A plots to nine/ten depending on if A: you count Hooty's Moving Hassle, which I don't, and B: if you count the end of her redemption arc at Winging it Like Witches (when she rebukes her old friends), Escaping Expulsion (when she rebukes her parents) or Looking Glass Ruins, the first episode where she is 100% an ally. Or hell, you could actually for FIVE episodes and say it's Understanding Willow as she apologizes for the past and promises to stop bullying at least Willow at that point, which was her first antagonistic act before.

And mind you... Understanding Willow is in S1. LONG before the shortening took effect. Even the latest one of these puts it at before the shortening. So I think these are fair comparisons of just how the two's arcs were handled with the amount of time spent on them. Which raises the question: What did we get in that time?

Well... We got an actual arc with Sasha while Amity just changes randomly. That's not even really a joke. I'll try to bounce between the two to really highlight the difference, especially in storytelling.

In her first appearance, we get pretty much all possible suspicions about Sasha based on Anne confirmed. She is manipulative, self serving, self aggrandizing and tells people what they want to hear to get them to do what she wants. She is your friend so she can control you. However, she isn't all bad. She could have just ran during the Heron attack but instead helps save the day though it's very possible that she recognized she was better off staying as an equal of Grime's than running off on her own. The Toads are opposed to the Frogs in Amphibia's society though, creating an inherent conflict between Sasha and Anne due to the social dynamics of the world they are in.

Meanwhile, Amity in her first appearance actually makes a strong case for herself. She looks down on those magically challenged, which Luz is, is a bully while Luz is an outcast who has struggled with friends and has a drive to succeed conventionally while Luz uses more unconventional methods. The opposing elements are actually lined up really well between the two but we don't get a lot of Amity's actual personality. She just comes off as an entertaining, almost neurotic bitch. We get more of her personality in her second episode where she is a little more in control of her emotions, shows a potential softer side, and also sets up another sociological conflict in that Luz inherently is on the side of the wild witches due to her mentor and her magic style while Amity is full on the coven train, even to the point to wanting to one day potentially lead the Emperor's Coven. Though, importantly... The only thing that's challenged about Amity's worldview in this episode is the idea that someone she thinks is weak could actually be strong, something that theoretically could have been said to have been covered by the end of Teenage Abomination when Willow proves herself with the seed. Hell, it's also reinforced in an episode I don't usually count for this but is kind of important: Hooty's Moving Hassle. So that's one problem addressed but only tangentially and it's by no means the biggest issue between Amity and Luz. Amity is still a bully after all.

Meanwhile, Reunion goes for the core, both sociologically and personally. The Toads want Hop Pop dead and Sasha doesn't care. Not only that but Sasha assumes that if she tells Anne not to care, Anne won't because in her eyes, Anne serves her. She is the one in charge after all and she won't take no for an answer. Period. We're even shown this explicitly in the flashbacks. The problem is... Anne has gone through an entire character arc to make it so she can stand up to Sasha and challenges pretty much all of Sasha's beliefs. Her need for control, her callousness towards others and her warped view of reality where she is the hero and all else are best off listening to her. Sasha even gives in for a moment in an act of genuine selflessness by letting go of Anne's hand so her and the Plantars can live. It does a lot of work but... It might be considered rushed if that were the end of her primary antagonism.

You know where this is going. In her third major appearance, forth appearance overall... Amity is a neutral entity and a friend by the end of Lost in Language. Honestly, if you wanted to argue that the majority of Amity's arc, especially friends to allies, was three episodes, you'd be actually making a very compelling point. This episode after all is the one where she effectively stops being a bully. She just is now the overly dedicated smart girl. She is explicitly not the antagonist though but instead the victim and the one we're primarily supposed to sympathize with. Then, thanks to Azura, she befriends Luz by the end of the episode. They are already allies and... There isn't much reason for it besides one time teaming up. Sure, Luz has challenged Amity's perceptions but even she calls out in this episode that each time they meet up, Amity gets in trouble or/amd embarrassed. Luz has actually done extremely little to deserve this because all Luz has actually done with Amity before this episode is a declaration of combat and then their last talk in Covention which was just about maybe rethinking if someone could or couldn't do something, not about Amity's morality. Also, Luz is important to consider here. These sorts of arcs involve the MC in a pretty crucial way because they're the one the antagonist wants to become allies with and so the MC needs to accept them. Amity hasn't done fuck all at this point to deserve Luz's attention because she's a bully and is cruel to her mostly besides her final act in Covention. It is literally NARRATIVE TROPES that make Luz forgive Amity and want to befriend. Literally. Nothing about Amity's actions or actual character, Luz just wants to live out her fanfic.

And that brings up the fact that Anne does keep giving Sasha chances but they have an established history and that push and pull of trust is a large part of this. It's the main driving factor for why Sasha will change at all and why the lengths she goes both for manipulation and redemption are important. It's also important to show WHY Anne might have wanted someone like Sasha around. Toad Catcher is not crucial for Sasha's arc, Barrel's Warhammer also shows how much Anne's rebuke of her and choosing the Plantars over her fucks with her mentally, but it does let you see why people follow her. The motivation she can bring them because Sasha does see the best in people... But mostly because people's bests are also the most useful for her. It also doubles down on her good quality that she rarely gives up on someone she chooses to ally with. All while still making it clear that if given the chance, she'll try to get back at Anne because accepting Anne was right is too antithetical to how she sees the world.

And then for both, we get episodes that mostly just explore the characters. A sort of holding pattern for both arcs with Barrel's Warhammer, Third Temple, The Sleepover and The Battle of the Bands for Sasha while we have Adventure in the Elements, Understanding Willow and Grom for Amity. This is also where you can extend this to include Winging it Like Witches and/or Escaping Expulsion depending on where you count Amity's arc as fully ending. For both characters though, the status quote they're primarily in doesn't change a lot. Amity is a tentative ally who has to get dragged into things and is generally a good person but not hanging out with everyone else casually yet. Meanwhile, Sasha is barely controlling her growing rage and insecurity about losing her power over Anne, exacerbated by Marcy coming into the mix and, from Sasha's perspective, siding with Anne. Though, there is a critical difference.

One is actually exploring the character, their motivations and their mindset. In all the episodes I listed for Amity, Amity gets small steps but they're NOTHING we don't already know. She's a generally good person who has a compulsion to succeed until suddenly in Escaping Expulsion that she's let her grades slip. There's nothing about what drives her towards success, no exploration on if these changes are difficult on her, both of which are actually in Battle of the Bands to some extent for Sasha. We don't see how this stuff is affecting her besides her growing crush and if that's getting her to act out. That takes until fucking Looking Glass Ruins to actually manifest while Barrel's Warhammer shows how much the idea of changing is fucking with Sasha's head but also why her behavior is toxic. How her best traits can also be her worst. Amity's traits are barely even being examined. She's just slowly becoming more and more obsessed with Luz and bleeding personality for it by becoming a very generically good person.

THEN we get Sasha's big relapse. Her denial of her arc. The attempt to wrestle back control because she saw an oppurtunity to be on top and took it. This is book 2's ending for Zuko. A moment of weakness where the character's vices means they at least have to question their character arc. If that's what they want or if they want to continue being who they always were. True Colors is this for Sasha, even to the point where she is willing to throw out parts of her past if she can't find a way to keep them. It is that same weakness that makes her plans fail though because once she can try to justify her actions and bring Anne back to her, she can't fight Anne properly and loses for a second time. Again, that push and pull of trust and control.

And Amity doesn't have this. The closest there is to it is Escaping Expulsion... Where she doesn't do shit. Calling that an Amity episode is FRUSTRATING for me because she is barely in it. Not only that, but she doesn't decide to do villainy. Instead, it's that she is a teenager with a controlling mother. But don't worry, despite only showing up for like four minutes of the episode, Amity can just tell her mom to piss off and that's that. It isn't motivated by a push or pull, Amity doesn't want to go back at all and she actively is miserable the entire episode despite having explicitly chosen to be a bully for YEARS before this. After all, her parents only told her she couldn't be friends with Willow. They never told Amity to bully her for years and become queen bitch of the school over all. That was Amity's choice.

And then finally resolution. When the character themselves accepts the change and stops shifting morality. This is actually why I consider Turning Point the end of Sasha'a arc. Commander Anne is follow through but it's just reinforcing the version of Sasha that takes form in this moment. The Sasha, who reading how much her betrayal hurt Anne but how much trust she had for the mean girl, who has to face all she's lost in her pursuit of power, takes the mantle of guardian seriously. It is not a moment of weakness like in Reunion that makes her put other lives over hers but instead a moment self actualization and determination. A moment of strength and one she'll stick to for the most part. She is no longer manipulative, she is a commander, even if she doesn't have the title yet. This is especially satisfying because... Well, we've seen EVERYTHING that motivates this moment. Not just Anne's stuff but Grime's loyalty to her and how much that means to her. Percy and Braddock abandoning her and her trying to use the calculus of war to be okay with that. We can see MOUNTAINS of evidence for why she would choose this over her old self. Over one more time to try to conquer Amphibia like Grime suggests.

I... Genuinely can't really say when this happens for Amity. This actually has way less to do with how many times she rejects her past self and more to do with... Why does she? Why does she ever change in fact? What are her motivations? Because even in Escaping Expulsion, Luz's conversation with Amity isn't "You need to stand up to your parents because you shouldn't let others dictate your life." It's instead, "You should stand up to your parents so I can go back to witch school." And this happens CONSTANTLY. Remember: You can argue her villain role ends on her third major appearance and Luz NEVER talks morality with her. Never has Amity actually learn something.

It actually comes down to an inherent storytelling choice with TOH as a whole: Very few episodes are about anyone other than Luz and Luz actually really sucks at helping people during their episodes. Gus actually has some of the best episodes dedicated to a side character as they're actually addressing a core element of the character... And in his first one, Luz is a bystander. She does fucking NOTHING except maybe give Gus a pep talk. She is mcguffin than anything. With Amity though? Covention is mostly about Luz learning about the coven system. Lost in Language is about Luz and the twins and her want to befriend Amity, not the why she wants to befriend Amity. Adventure in the Elements: About Luz having a Winter Adventure where Amity is a perfectly good person. Understanding Willow is actually one of the better ones because at least for that one, Amity makes her final choice because she's nostalgic for an old friend. Grom has her only stand up though when Luz in trouble. Winging it Like Witches? It's just Luz being in danger that motivates her. Escaping Expulsion? Luz being in danger. Looking Glass? Luz needs her.

This is why Amity feels like she changes just for a pretty girl. Luz actually does NOTHING to ever try and change Amity. To ever actually interact with Amity's arc. Reaching Out will be the pinnacle of this where Amity has suddenly written off the entire coven system, one of the only things besides Luz we've been told she cares about... And Luz has never once talked to her about the coven system or Belos. Because Luz has barely actually talked to her about her besides to call her cool and pretty. It is remarkable how little Luz actually interacts properly with Amity and how few real conversations they have, especially about their differences and feelings about each other. Each time Sasha and Anne are in the same room, you know their philosophies and relationship is going to come up in some way. It's too omnipresent for both to ignore. Meanwhile... There's a lot of episodes where Lumity exchange cute jokes and that's it, despite the main plot focusing on those two characters for that episode. And remember: TOH's A plots explicitly have more time to include those sorts of slower conversations. Oh, and, you know, one of these pairs are just friends while the other GETS INTO A ROMANTIC RELATIONSHIP.

And the pinnacle of all of this: Amphibia does this amazing character arc while also making it plot relevant and REALLY important to its themes. Sasha is a primary antagonist for two seasons technically. She genuinely challenges both the message of change being good from a meta perspective but also challenges Anne's own character arc from a narrative perspective. Her degradation of care is contrasted by how Amphibia makes Anne care so much about others that it makes it harder and harder for her to write off Sasha despite what Sasha did. Then, Sasha changing her perspective and treatment of others, while keeping the core of herself true, is what helps keep Wartwood alive while Anne is gone while also demonstrating the power of change but also that you don't have to change literally EVERYTHING about you.

Meanwhile, it was a fucking meme in the TOH community that if Amity was on screen, nothing could happen and that stayed almost true for literally half the series. Not only that but Amity's complete change for Luz doesn't really feel coherent with the themes of self acceptance and not changing for others. It tries because the show posits that Amity just needed a better environment to go back to being the good person she always was but A: that's never explored because challenging her environment is not actually a part of what motivates her changes, just B: Luz is the whole reason for her change and she changes effectively into Azura, Luz's favorite character. That doesn't feel like becoming her own person and instead changing literally every aspect of yourself for your partner which... Yikes. To put it mildly.

You can cut EVERYTHING to do with Amity out of the show and you lose literally nothing except representation. You cut Sasha out of Amphibia though? You do not have the same story. Period. You have to rewrite a good bit because despite her lack of appearances, she is important. A lot of elements of Amphibia are important like that.

And Amphibia did it with smart storytelling that actually explored its own elements, not because it had three full seasons. Not when Sasha takes up so much less time of her show than Amity does.

This is all because Amphibia actually was interested in telling a character arc instead of just kind of weakly being able to claim it had a character arc. You can even extend that to almost literally any element that TOH and Amphibia both did. And not because of time, simply because one is written a hell of a lot better and was more interested in actually telling its story rather than making a bunch of statements that Twitter could freak out about.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[willowshimmer]

My entire reaction to season 4 of The Dragon Prince Mystery of Aaravos

- Claudia at first I was like "aw" then when she tricked Rayla into thinking she threw the coins I was like "FUCK YOU" but then when Terry convinced her to give them I was like " YES GO MY FAVORITE TRANS BOY"

- GIVE ME MORE SCREEN TIME FOR SOREN

- Claudia be like " Guess what I have a boyfriend now unlike you" and Soren's like "JOKES ON YOU I HAVE A BOYFRIEND AND HIS NAMES CORVUS"

- Give me more Rayllum content

- STELLAS SOOOO CUTE

- and Zym

- I LOVE ZYMS MOM SHE'S THE BEST

- Janaya

- My reaction to the Janaya proposal "YESS MY FAVORITE LESBIANS"

- Fuck you Karim

- I hope Viren gets a bit more of a redemption arc but after what happened I don't think there's gonna be more of that

- kinda want to know what the 7 cakes of Xadia are sounds delicious

- I LOVE JANAYA CONTENT

- My fav trans boy Terry

- Really hoped there'd be more Rayllum

- We only get to see Aaravos for a couple minutes when the season is literally called Mystery of Aaravos bruh😑

- Can we get Runaan reuniting with Ethari PLSSS

- YESSS RAYLA GOT THE COINS THEY CAN BE FREE!!!

- I love everyone's new designs

- Soren being my favorite himbo

- Soren and Corvus are really giving me "meet my dumb himbo boyfriend" vibes this season and they are really fruity this season

- I really like N'than like he seems really nice

- I love how Zym doesn't want to eat his vegetables relatable

- I really don't like Karim

- I love how Viren isn't even bothered that his daughter is dating a trans elf

- Claudia really gives me asexual vibes

- I love how they kept the fact that Ezran can still talk to animals

- BAIT MY FAVORITE GLOW TOAD

- DESTROY THAT CUBE

Overall I liked this season just wish we learned more about Aaravos's past and I need more Rayllum content

[tharrb]

Anne: gets people who just met her to risk their lives for her.

Sprig: constantly gets into trouble, yet people still fawn over him

Sasha: tries to kill hop pop, and is only using the toads for her own ends, still forms a genuine bond grime and has wartwood support her redemption

Marcy: actively tries to befriend others, helps newtopia for months out of gratitude, yet not a single person cares if she lives or dies.

[zahramorningstar]

Abraxas is the sun, and at the same time

the eternally sucking gorge of the void,

the belittling and dismembering devil.

The power of Abraxas is twofold; but ye see it not, because for your eyes the warring opposites of this power are extinguished.

What the god-sun speaketh is life.

What the devil speaketh is death.

But Abraxas speaketh that hallowed and acursed word which is life and death at the same time.

Abraxas begetteth truth and lying, good and evil, light and darkness, in the same word and in the same act.

Wherefore is Abraxas terrible.

It is splendid as the lion in the instant he striketh down his victim.

It is beautiful as a day of spring.

It is the great Pan himself and also the small one. It is Priapos.

It is the monster of the under-world, a thousand

armed polyp, coiled knot of winged serpents, frenzy.

It is the hermaphrodite of the earliest beginning.

It is the lord of the toads and frogs, which live in the water and go up on the land, whose chorus ascendeth at noon and at midnight.

It is abundance that seeketh union with emptiness.

It is holy begetting.

It is love and love's murder.

It is the saint and his betrayer.

It is the brightest light of day and the darkest night of madness.

To look upon it, is blindness.

To know it, is sickness.

To worship it, is death.

To fear it, is wisdom.

To resist it not, is redemption.

God dwelleth behind the sun, the devil behind the night. What god bringeth forth out of the light the devil sucketh into the night.

But Abraxas is the world, it's becoming and its passing.

Upon every gift that cometh from the god-sun the devil layeth his curse.

Everything that ye entreat from the god-sun begetteth a deed of the devil.

Everything that ye create with the god-sun giveth effective power to the devil.

That is terrible Abraxas.

It is the mightiest creature, and in it the creature is afraid of itself.

It is the manifest opposition of creatura to the pleroma and its nothingness.

It is the son's horror of the Mother.

It is the Mother's love for the Son.

It is the delight of the earth and the cruelty of the heavens.

Before its countenance man becometh like stone.

Before it there is no question and no reply.

It is the life of creatura.

It is the operation of distinctiveness.

It is the love of man.

It is the speech of man.

It is the appearance and the shadow of man.

It is illusory reality.

Seven Sermons - Carl G Jung

‘The bird struggles out of the egg. The egg is the world. Whoever wants to be born, must first destroy a world. The bird flies to God. That God’s name is Abraxas’ —

Demian, Herman Hesse

[linuxgamenews]

Discover Thrones of Decay: New Lords, Units, and Features for Total War: WARHAMMER III

Thrones of Decay is the latest game DLC pack for Total War: WARHAMMER III on Linux, Mac, and Windows PC. Thanks to CREATIVE ASSEMBLY and Feral Interactive for their incredible work. Due to make its way onto Steam. Big news for Total War: WARHAMMER III fans. SEGA Europe Limited and The Creative Assembly Limited just announced the latest DLC pack, Thrones of Decay, due to release on April 30th. It also adds a ton of fresh content for the Empire, Nurgle, and Dwarfs. Think legendary lords, battle units, campaign features – it's a fully packed game update. And Feral Interactive also continues to keep up with Linux ports.

Elspeth

Let's start with Elspeth Von Draken from the Empire in Thrones of Decay. She’s a powerhouse Amethyst Wizard, teetering on the brink of life and death. What's special is that she brings some unique campaign features. For instance, the Imperial Gunnery School in Wissenland & Nuln lets you upgrade units and get powerful abilities in exchange for Schematics you earn in battle. Then there's the Gardens of Morr, these are fast-travel points across Empire settlements, but they also come with a cost and cool down. In battle, Elspeth is a force to be reckoned with. She rides a Carmine Dragon and uses her magical skills to control the battlefield before diving into the fray. The Empire also gets a boost with new units like the Marienburg Landship, Steam Tank Volley Gun, and more. Theodore Bruckner, as a Legendary Hero, is particularly impressive.

Total War: WARHAMMER III - Thrones of Decay Game Trailer

Tamurkhan

Now, onto Nurgle’s champion, Tamurkhan, the Maggot Lord. A sentient maggot in a rotting Ogre Tyrant's corpse – that’s Tamurkhan. His goal? Spread death and disease everywhere. His campaign features include Tamurkhan’s Chieftains, where he gathers a warhost while dominating and recruiting warlords. In battle, he's also a juggernaut, riding a Toad Dragon and wielding a two-headed axe. His ability, Feast of the Maggot Lord, deals damage to enemies even as he’s down, keeping him in action longer. In Thrones of Decay, Nurgle's forces get support with new units like Plague Ogres, Rot Knights, and Toad Dragons.

Malakai

For the Dwarfs, we have Malakai Makaisson, the Slayer Engineer. He's a mix of smarts and strength, looking for redemption through a valiant death. He brings things like the Spirit of Grungi, an upgradable airborne machine that also increases his combat skills. Malakai's Adventures let him test and improve his engineering inventions in dangerous battles. His battle style? A perfect mix of range and close combat, due to use everything from explosives to shotguns and even a huge spanner. Dwarf ranks are enhanced with new units like the Daemonslayer, Dragonslayer, and Doomseekers. And let’s not forget the Slayer Pirates – they sound like a blast! Thrones of Decay also comes with Patch 5.0, adding free content, quality of life upgrades, and bug fixes. So expect a new Legendary Lord, a Hero unit, the Nemesis Crown campaign feature, and campaign reworks for the Empire, Dwarfs, and Nurgle. This DLC can be purchased as a pack or individually, which is great for flexibility. Total War: WARHAMMER III is shaping up to be a solid update and I look forward to diving into new features and units. Stay tuned for more updates, and let's get ready to experience this epic expansion. Be sure to Wishlist each including Elspeth on Steam, Malakai on Steam, and Tamurkhan on Steam. Coming to Linux, Mac, and Windows PC on April 30th.

[amphibia-a-day]

Day 457 of Amphibia Screenshots

Episode: Toad to Redemption

[sepublic]

The way Grime says he was just a bully before he met Sasha. How he basically began as a starter boss in the narrative, or at least occupying a role that would lend itself to that; Especially with his portrayal in the Amphibiland concept as essentially a Saturday morning cartoon villain. And how Sasha helped Grime redeem himself, be more than just a bit-player in both this world and the narrative, as more than just another Toad flunkey of the monarchy.

And when he goes down, to himself and others, Grime won’t just be some generic bad guy but a real person who grew and changed and was given the redemption to become a hero, to others and in his own story, truly! Venerated like Barrel the Brave, whose hammer he now wields; More than just a side character but a person who made his decisions and had his arc now. Grime truly got to live and be, exist, thanks to Sasha and that’s why he’s so fine with death, not just as a natural warrior but because he can die now for having actually lived, instead of a prolonged yet meaningless, empty existence like Andrias.

Grime was always more than a one-dimensional arc villain but a person with feelings and struggles and his own perspective; An antagonist but an ironically human one with his own beliefs and view of himself as the hero, as his proper debut showed us; And so he got to break from that meta, narrative curse and be freed as a result! Not just in life but in memory and death, his soul actually exists now, and it’s a true life and immortality that the Core failed to establish, with its mindless, faceless collectivism; Nobody knows the Core as a person because it isn’t, and save for Aldrich, nobody knows the faces and names of its components, because they basically don’t have any, even animation-wise!

This is what real life is; Change, including death. If you can’t die then you can’t live, and for Grime, he got to be more than just another face in the crowd; He got become himself and more than what anyone else expected of him! I guess it’s like Anne finally asking what she wants for herself, and Sasha found another ‘Anne’ to do things right with... Grime chose to take charge for himself, and while that initially manifested as taking charge of Amphibia, it was a recognition and self-love that he was more than what the system dismissed him as, that incentivized Grime to step up; Self-care, instead of being depressed and resigned to being forgotten and tossed aside, withering away in hiding from Yunnan before Sasha reignited that spirit!

[heart-wit-strength]

Speaking of Marcy’s approach to Amphibias politics, she’s probably the most competent person in the newtopian government(fixing the sewer system, rescuing civilians, supporting farmers, and is down for societal reforms)

Ah the only shitty politics I'll ever talk about on this blog ✨racist newts✨

Speaking of newt politics...

Idk it's just...vague what Marcy exactly thinks of the system itself I just feel like I can't make a direct call on this, it's so left out open ended in the journal too. Plus all with how she values farmers as underappreciated backbones of society

I agree Marcy is the only competent person with a braincell in this government. I doubt how much she involves in them at all though. Surely theme song takeover shows she even writes royal verdicts while Andrias snoozes and all that

In tc her response to the toad rebellion is to 'redesign the political system' and make sure 'this kind of uprising never happens again.' Her first instinct is the approach she took for Wartwood, changing the political system overnight like fixing sewers, part of me wonders Marcy even has a clue why the rebellion happened to begin with. She doesn't know Andrias purposefully made things this way, she knows what Andrias lets her see. She has faith she talk him out of changing things.

Yet somehow there's still the ranger oath that tells her a newt's life should matter above the rest—

Should've been her first red flag if I were honest. She knows casteism exist she doesn't understand the problems of it bc the newts don't make it out to be. Let's admit, she's 13 freaking years old. The journal also shows she was actively being kept away from learning truths.

Toad to Redemption is one episode that talks about the oppression on toads by Newtopian authorities, and my biggest focus here that Marcy is still in Wartwood while this happens. Coincidentally, she's purposefully made busy in an outhouse with Frobo for this very episode. This is one of the weirdest things to me bc it's like the show itself is trying to keep her in the dark and short-sighted. Keep her from having reasons to question her faith in Andrias.

She has been limited to the ruling class view in this new world. And that makes sense because it was one of the things that could perhaps bring her to disagree with the King, had she seen the other side of the story.

[onyx-archer]

I Don’t Really Like Sasha Waybright: A Look Into Redemption Arcs

Oh boy, it’s time for me to make another analysis piece based on some dumb Disney cartoon. This time though, it’s about the Frog Show™ and not the Owl Show™, because I also like Amphibia, warts and all. (yes, that was an intentional toad pun)

As the title would suggest though, we’re going into territory about a character I’m not particularly fond of, despite how much the fanbase seems to collectively like her, and that’s Sasha Waybright. I’ve never really been a fan of her, which some people I know have found somewhat amusing given that I tend to like similar characters. While that is sort of true, I’d argue it’s not quite true either. It’s complicated. In order to really get into it, I’m going to have to talk about spoilers for several shows... so spoilers for Amphibia, The Owl House, Gravity Falls, and The Ghost and Molly McGee. As always, it’ll be under the cut.

Oh, and before I get under the cut, I just wanna say one thing real quick for the people who see this under the Sasha Waybright tag: I’m not trying to shit on your good time, I’m tagging the post with her name because it’s largely about my opinion of the character (and to a lesser extent, Sasha ships, but I won’t be tagging the ships because that’s not relevant enough for the bulk of the post).

Anyway, onto the meat of the post:

Watching Amphibia is something that came about for me because I enjoyed The Owl House immensely, and because Matt Braly also worked on Gravity Falls (which was, until TOH wrapped, my favorite show). The show has a charm that took a little bit for me to really “get,” but I’ve since come to really appreciate the show in a lot of ways. Particularly, I think “The Hardest Thing” is singlehandedly one of the best finales of all time, and I’d personally rank it higher than both The Owl House’s AND Gravity Falls’ (though I don’t really like GF’s finale, which I’m gonna make a post about eventually). I think Amphibia’s emotional moments are genuinely better than the ones in TOH, but the show is still not quite as good over all. This isn’t meant to be a dig at Matt and his team, I still love Amphibia, but it’s not my favorite show, y’know?

As far as the cast of Amphibia is concerned, I grew to like Anne a lot as the series progressed, and she exhibited a strong character arc from a bit of an entitled brat that shirked responsibility into a responsible person who is empathetic to the needs of others. Her and her found frog family are a highlight of the show, and lead to some great comedy and emotional moments. When Marcy debuted, I was instantly like “yes this is my favorite character” because she’s just a genuine delight to watch, and I’m really sad she didn’t get used more as the series went along.

Sasha, on the other hand, was a character that I just never clicked with. The first impression I had of the character was that she was going to showcase the opposite end of the development spectrum, where she would gradually become a worse person, or that her negative qualities would be highlighted more so than her positive ones. I wasn’t entirely wrong by the end of Season 2, and when we got to her sort of redemption in Season 3, the show kind of lost me a bit.

The problem I have with the character is basically rooted in the fact that she enters the show a kind of toxic person, and then she just kind of decides to change because one of her friends got mortally wounded, and she feels guilty over stuff that happened as a result of her treacherous actions earlier in the story. She was willing to do whatever it took to get home, even if it meant manipulating people and killing those who stood in her way. She had no issue with the idea of killing the Planters, and often showed she didn’t care if she hurt people until it was too late. I get this was done to emphasize that Sasha needed to grow up, change, and become a better person... but I still think the way it was done leaves a lot to be desired.

The issue is more so how it was built up. For basically two seasons, we get to know this girl who is all kinds of toxic, and the show works hard to showcase that she’s not above lying to her close friends about her intentions to get what she wants. She learned nothing from the events at Toad Tower, despite suggesting Anne would be better off without her in the end of that whole thing. The next time we see her, she’s pissed that Anne didn’t side with her, and that she sided with frogs, which she has been told are lower on the societal/racial hierarchy by the toads. There’s a racism allegory in there somewhere, but I’m not particularly interested in getting too deep into that can of worms.

She then shrugs off Percy and Braddock’s desire to leave when facing the Narwhal Worm in “Barrel’s Warhammer,” despite saying she would leave if they wanted to. She then basically plays Anne and Marcy for fools by inciting a rebellion in Newtopia in “True Colors.” She put up the front of being better to Anne and Marcy because she wanted control, because she’s made to be the toxic “friend” that craves control. Sure, she has moments where she clearly feels a bit bad for being like this, but she doesn’t learn her lesson until one of her friend is nearly killed in front of her. She only cares about the consequences of her shitty behavior after she has to face losing someone she cares about for real.

Now, I know someone would likely point out that a lot of characters that can come off as mean or toxic have similar moments of revelation... but I don’t really think this is the case.

Let’s take one of the biggest points of comparison for Sasha from The Owl House, Amity Blight, and compare elements of their arcs from “jerk” to “good person.”

Amity obviously starts the series as something of a bully character, with a need to be seen as “the best,” and is willing to humiliate Willow to remind everyone how great she is. It takes her being humiliated by Lilith and Eda’s cheating during her and Luz’s duel, and Luz showing how determined she is to be a witch for Amity to soften up. She recognizes Luz is doing her best, despite being a magicless human in a world of witches and demons, and softens up. She’s still wary of Luz until after Luz helps her deal with the corrupted Otabin in “Lost in Language” for her to really see that Luz is a good person. From here, she gradually continues to become a better person, because Luz’s positivity has that effect on her.

By the time she has to face the consequences of trying to uphold her reputation nearly causing Willow to lose all of her memories, Amity realizes that she’d become a bad person, and actively begins to truly improve. She attempts to mend the rift between her and Willow that was caused by her parents demands as a kid, and she eventually distances herself from Boscha during the events of “Wing It Like Witches,” saying that she made her social life better by cutting Boscha out of it. Her growing feelings for Luz culminate in her finally standing up to her mother’s abusive ass to save the person she’s grown to love, who is also the person that lit the fires of change within her. She accomplishes this in a way that is organic. Seeing her go from stuck up to a girl doing her best to make her girlfriend happy just makes me smile.

Let’s use another example: Pacifica Northwest from Gravity Falls.

Pacifica starts her time in Gravity Falls as a foil to Mabel, serving as the bratty rich girl who thinks she’s above everyone. She gets humbled a few times as part of a gag, but when “The Golf War” and “Northwest Mansion Mystery” (which is my favorite episode of the show btw) take place, Pacifica begins to showcase some added depth. We see first hand that she has a lot of expectations placed on her by her parents, and they have a Pavlovian response to an abusive method of control via her father’s bell that she is conditioned to see as “you’re acting out of line for a Northwest.”

When she learns that her family’s current situation (the Lumberjack Ghost) is a result of the family’s poor attitude about “common folk” and lies told in the past, she is visibly shaken that her family is as bad as Dipper said it was. She then decides she wants to break free of her family’s twisted values, and while we don’t get to see that pay off much, she’s still seen as a better character by the end. This is one of the reasons I’m bitter that Gravity Falls only has 2 Seasons, as I feel like this would have allowed us to see Pacifica become an even better character, among other characters. To briefly mention shipping, part of the reason I love the idea of Dipcifica is because it highlights how Dipper had a profoundly positive impact on Pacifica’s life, even if just for that one episode, because it’s through her interactions with him that she was forced to confront how her family truly is, and how she desires to improve as a result. It’s kind of like... a straight prototype for how Lumity panned out, ironically enough.

To use a more modern example: Andrea Davenport from The Ghost and Molly McGee.

Andrea’s not really a character with a full blown arc, but she is far from the worst person around. She’s a girl who has her moments that reflect Pacifica’s early days, but with a more livestreamer mindset, and she has more compassion from the outset than Pacifica. She does things so her parents will praise her, much like Amity, but is also fully committed to helping people who are nice to her. Even though her and Molly got off on the wrong foot, the fact that Andrea is shown to be Molly’s friend when things get bad for Molly and her family around “Home is Where the Haunt Is,” Andrea uses her social media influence to help raise money to save the McGee’s house.

Season 2 of the show, thus far, has shown Andrea to be a good person, and is super supportive of Libby during “A Period Piece,” despite their past history. In the most recent episode of time of writing, “Davenport’s On Demand,” Molly gets Andrea into coding, and makes an app to help her family’s business. When she learns how the app is threatening the livelihoods of the other businesses of Brighton, she decides to delete the app, and works with Molly (and, unknowingly, a reluctant Scratch) to do so. It’s at least somewhat clear that Andrea actually values Molly’s opinion at this point, and seems to be positively influenced by Molly’s chipper vibes. While it’s not the most drastic character arc or anything, and actually feels like it’s missing a little bit of context, it still works because Andrea is has more room to grow, as the show is not finished yet.

Something the three I just mentioned all have in common is a positive influence on their lives. While it can certainly be argued that the positive impacts aren’t super comparable, insofar that they have varying degrees of depth of impact on said characters, it’s undeniable that there’s a moment where, because of a positive influence in their lives, the three girls begin to change for the better. Think of it like a sort of Olive Branch to become a better person, and they take it. How far they get in that journey of self improvement is not important, because they got the chance to improve and took it. They all feel earned to some extent, in my opinion, because there’s a bit of a gradual curve to seeing how they act.

Sasha, on the other hand, doesn’t feel like she earned her sudden chance at redemption. While she certainly puts on a good show, and makes good on her desire to change for the better, I find that because we had two whole seasons of her being a pretty crappy person, only to have the show give her one episode to improve as a person before Anne gets back to Amphibia and works with Sasha again... it just feels like Sasha got replaced at some point, and while the character looks and sounds like her, we didn’t really see much of the transformation, and I find that extremely jarring.

Pacifica is a character that, in basically 2 episodes, managed to get the depth needed to make her shift into a better person feel like we got to see her improve in real time. We even have a comic where we get to see Pacifica improve a bit more helps too.

In the case of Andrea, we see how her need for validation from her parents has affected her, and that’s why she’s so obsessed with the instant gratification of her online following’s praise, and why, after Molly helped her like, once, she was so quick to call Molly her best friend. Plus, there’s still more time for her to improve even more, as The Ghost and Molly McGee is currently airing it’s second season at time of writing.

Amity is the one that has the best arc of the ones mentioned, because we see her gradually change. They showed a gradual shift in her character, and the reason for that shift being Luz also lead into the best lesbian romance we’ve ever had in almost anything ever, period. We get a full display of how Amity grows as a person, and that helps make her shift feel believable and earned.

Sasha doesn’t really have that moment. She changes as a result of a bad thing happening to her. While you could say that is a realistic response, we don’t really get much in the way of a change. One day she decides to be a better person, and then we see her as a better person. While I’m not saying we needed a whole ass season dedicated to Sasha improving as a person, it’d have felt a lot better from a writing stand point if she was given more than a single episode to actually turn over a new leaf.

While one could easily argue that Sasha had moments throughout the show of expressing some semblance of doubt in regards to how she was acting, and that she showed signs of regret for being the way she was, she continued to be that kind of person anyway. She continued to manipulate people, and try to control things, until Marcy got a sword shoved through her chest. And while that’s not the worst reason for a change, people don’t just change who they are overnight, or even a few days. She needed more time to show that the change was something that she had earned, rather than just tell us “Sasha’s gonna be a better person starting... now!”

As for me mentioning ships... I feel like this is one of those instances where I know I’m going to get a little heat for saying it, but like, it genuinely feels like some people give Sasha a pass because she’s confirmed Bisexual, and we are sorely lacking positive queer characters in popular culture as a whole. I could make a whole ass post about queer characters (because man, as a queer person, I have a lot to say on how we view queer characters on the whole), but that’s for another time. I’ve never really liked Sashanne, Sasharcy, or Sashanarcy (I’m 10000% fine with polycules and polygamy, and if you aren’t, you can fuck right off), largely because I feel the romance well is too poisoned by Sasha’s past actions. I don’t really fuck with the idea of enemies to lovers much, and while they weren’t “enemies” persay, I feel like Anne and Marcy having dealt with Sasha’s more toxic side for as long as they did would make them wary of entering a romantic relationship with her, even if she didn’t regress into that mindset during said relationship. The shipping thing is totally a personal opinion though.

Anyway, hopefully I got across my feelings on Sasha as a character, and why I’m not the biggest fan. If you have anything you need me to try and clarify, then by all means, ask away via reblogs or replies. Otherwise, I look forward for the shit I’m gonna get for disliking a popular character. I guess I’ll see people in my next post lol.

[dalekofchaos]

Sakura should've had sage mode or why Sakura should've fought Sasuke alongside Naruto in the end

Honest opinion. The final battle in Naruto should have been Naruto and Sakura vs Sasuke. No matter how much I love Sasuke and Sakura together, I can't stand how dirty Kishimoto did her.

I get Kishi wanted it to be between Naruto and Sasuke because of the whole Ashura and Indra, but he it should've been about Team 7 and how far Sakura has finally come to being on par or even surpassing Naruto and Sasuke. Sakura should have fought Sasuke in the end alongside Naruto.

Sakura was well written in concept, but not in execution. The fact that there was toad and snake sage mode but not slug literally made zero sense and only held her back even further. Every student surpassed their masters in massive ways except for her & that was a crime.

Now how would a Slug sage mode work you may ask?

The usual Increase in Strength, Speed, and Durability that comes with Sage Mode.

Being able to Heal Major Injuries without using up their lifespan (as they do when accessing the Byakogu Seal).

Spitting acid that can melt rocks, though there’s would probably be more flexible and varied in shape than what we saw from katsuyu

It would have healing abilities like katsuyu

The ability to Slip out of tight Grasps due to making their body Slimy like Katsuyu.

immune to some physical attacks seeing as katsuyu can’t be crushed to death nor can she be impaled fatally so they’d probably have the same perk

Optional: The ability to separate any part of their body to avoid an attack and then regrow/reattach… Similar to Katsuyu

really durable and defensive seeing as katsuyu tanked allmighty push in human size and planetary devastation in it’s mini form, they wouldn’t be on that level tho

Hell, even give Sakura Earth/Mokuton jutsu, cause honestly she deserves some powerful elemental jutsu

You might be asking when could Sakura have learned sage mode. Give Sakura and Tsunade a mini arc while preparing for the war. Tsunade takes Sakura to the Shikkotsu Forest to finish what Tsunade could not and complete Slug Sage mode.

Sakura should be the one to master it rather than tsunade just for the sake of Sakura finally having her own jutsu and power-up rather than just using Tsunade's powers.

Sakura should've had a Slug Sage mode, and been on par with Naruto and Sasuke. Sakura should've been there to knock sense into Sasuke for him to finally come home. Then give Sasuke a journey of redemption like he does in canon and properly work up to Sasusaku happening.

I. Said. What. I. Said.

[mdhwrites]

So, what do you think would have happened to Amphibia if its third season got shortened down to three hour long specials like Owl House did?

So A: this question is flawed. The shortening wasn't told to TOH's crew post S2. They were told WELL in advance. Dana is on record (source) for having said as much. The news came down on episode 7 of S2. Reasonably, this probably meant not a lot of S2A could have been changed due to deadlines but I don't know how all this works that well. For the sake of this, I'm going to mostly assume that something could have started changing starting episode eight and more drastic changes could be done after the mid season hiatus.

B: TOH needed S2B to mostly look identical to setup for going into the human realm, for having the Day of Unity as the finale and for the Collector to be set up as a villain by then. There are maybe two episodes you could change but nothing that is emblematic of the problems of S2B as a whole. Here's an entire blog about that. Btw, I published that blog before the finale came out and my opinion is mostly that that blog is kinder than it should have been.

C: I am not going to say this is a better version of Amphibia. Some might though. A lot of people think S2B and S3 of Amphibia is loaded with what they see as filler. Even I agree that you could probably cut a fair amount and not lose the core of the show. I'm about to demonstrate that. Also, just inherently because of a faster pace, the show would have to be more about the trio, or feel that way at least (again, I'll get into it), which the majority of the Amphibia fandom argues is what the show should have done anyways. So yeah, it's kind of an interesting conundrum.

D: I'll mostly talk about the weaknesses of this rewrite once I'm done. For anyone who needs a refresher though: S2, Episode 7 of Amphibia, the last one before this change, is one after Marcy at the Gates and has the segments "Scavenger Hunt" and "The Plantars Check In." Oh and before I get to the three specials, I'll mostly just be trying to slot in episode segments because that feels the most fair to actually capture a reasonable timeline for the show. Like I'm not coming up with cheats to handwave issues that this change would cause. As such, I'm not going to do something like cut The First Temple in half just for the sake of claiming more time. Once we get to the specials, that will change because those episodes' structures would have inherently changed, kind of like how The Hardest Thing has a different structure due to its extended run time. Until then though? I'll mostly be trying to effectively Mad Libs this off of what we already have despite the fact that the creators would have, at least if they're responsible, made changes to work within their new time frame. I'm going to give myself one unreasonable shift in return for this handicap effectively of not being able to change the core structure of the show or its plot points.

ANYWAYS. With that out of the way:

For the sake of pacing, you probably do Lost in Newtopia and then the Sleepover to End All Sleepovers as episode 8 because we can't literally go straight into leaving Newtopia and one could argue that the sleepover is important foreshadowing. However, the next episode is then a double whammy of A Day at the Aquarium to say farewell to Newtopia and still have that touching confirmation of the found family before then skipping Night Drivers and going straight to Return to Wartwood for the second segment, bringing us up to nine.

Then I would actually move Toad to Redemption into the first slot for episode ten because it is thematically important and a good rallying moment for Wartwood. You could also replace with Ivy on the Run for the sake of Sprivy and just make episode 13 into episode 10 by making After the Rain be the mid season finale. It's dramatic enough to do so and lets:

The First Temple opens S2B and episode 15 of the normal show, New Wartwood and Friend or Frobo stays too in order to help setup Wartwood's relationship with humans besides Anne and to get Frobo in. That brings the count to 12.

Then you do episode 17 as episode 13, Barrel's Warhammer and The Second Temple, because we do still need a bit more time with Sasha to prep for True Colors and The Second Temple is obvious. However, I'd probably swap their positions because then episode 14 is The Third Temple (so you don't have two temples literally back to back, even if the two are different episodes like in the actual show) and The Dinner... With Battle of the Bands being cut. It's Sasha's weakest episode, is just kind of reinforcement of a few elements and some expansion on the three's relationship, though mostly Anne and Sasha. The Dinner is needed though to get Sasha with the other two and heading to Newtopia because...

There is a quarter season finale now with True Colors. It is ABSOLUTELY the most radical choice in this rewrite and you could arguably say that it's not fair because Disney wouldn't have allowed them to have that episode as anything but a season finale. This is the only 'cheat' I'll give myself since I'm not altering episodes drastically or the like to fit in with the new time frame. Plus side: They'd have the compelling pitch that in five episodes, they CAN get back to Amphibia to make that the season finale. Otherwise there isn't really much to change before S3 because so much has to wait on the major turn of Andrias becoming the main villain. That version of this outline though, that S2 doesn't change at ALL, is... A genuine nightmare on a lot of fronts and honestly less reasonable than thinking this would be allowed and I'll get to why after the outline. Oh, there is one change that needs to happen unfortunately: Frobo probably doesn't make it in this version after this. Polly and him unfortunately just aren't important enough to really get the wrap up they do in S3. It does mean that mechanic Polly during the ending probably has an RC robo or the like with her to help explain where her being a mechanic came from.

Anywhos: Episode 16 is The New Normal... Mixed with Anne-sterminator. Anne is honest about the danger they're in from go and instead of the quarantine montage, we get her actually beating the Cloak Bot first try to show how far she's come to her parents and to show off the new powers alongside their cost.

Then you do Fight at the Museum followed by Turning Point for episode 17 to start the ball rolling on getting back as well as get Sasha into place and finish up her arc.

Episode 18 has Temple Frogs because the Plantars DO need to still connect with Earth and Temple Frogs is EASILY the best episode of that as it explores how different Anne is from the start of the show and how that isn't entirely a good thing because of the things she's now ignoring, fits thematically with the show as a whole and is just a lot of fun. The other side meanwhile is Olivia and Yunan. I would almost not advocate for keeping this episode for a lot of reasons but it's kind of necessary in order to set up for:

The Core and the King is in episode 19 because Andrias' backstory is REALLY important to how he is beat and to also understand what the Core is and what the kingdom of Amphibia can do. What the stakes are to all of this. It is also the one segment in the actual show itself that explores the villain so you can't really cut it. The other half of the episode though is If You Give a Frog a Cookie because we need Terry.

Especially because you might have noticed that I didn't include Mr. X. There just isn't room for them for the most part which luckily... Is okay. He's fun but his parts can be mostly replaced either with faceless people or Terry. You can also just go with his first appearance actually being him taking the Plantars in this episode. Maybe there's been foreshadowing at the end of Earth segments of someone watching. Something that only takes a few seconds but builds up to honestly having Escape to Amphibia be mostly the same as it was but with a reduced cast and less familiarity with Mr. X as a villain.

So that covers S2. Now there are 3 45 minute specials on average to cover all of S3B. Or more so there's two specials to cover the seven episodes between Escape to Amphibia and The Hardest Thing because Amphibia's finale already had an extended time slot. As 45 minutes is effectively two episodes each, you need to save on three episodes. Six segments.

That's... easier said than done because the segments are actually incredibly important to Amphibia's storytelling and these specials could technically be split into four segments each but more likely they actually have to tell a through line story per special. You can't jump AS MUCH as you could before.

So Special 1 starts with effectively Commander. The reintroduction to Wartwood and the finalizing of Sasha's new self after her character arc is not something you can really leave out. Plus side is that Commander Anne is a really efficient eleven minutes to introduce what Amphibia is like now and you probably don't do the pampered brat routine with the Plantars which is not a real loss. The theme of this special though is allies so the target of Sasha's mission when Anne gets back changes.

The goal is now to free Mother Olm. This way you can skip the Olms themselves and still get the prophecy and foresight from Mother Olm that sets up the finale. It also allows a smooth transition into meeting with Mother Olm in general. She warns them they'll need allies once they're done and we get a montage of the a lot of what people consider filler in S3 with getting allies, though mostly the Toads, Newts and the Killerpillars probably. You could also do this with people splitting up so that each one gets a truncated version of the full segment to get them. Then the final portion of the special is Sasha and Anne hoping their efforts paid off before Sprig shows Lief's hidden room to get Lief's letter.

Then Special 2 is effectively episodes 16 and 17 of S3. Just consolidating the army, heading out, then protecting Earth after midway through the special everything goes wrong. Not really anything even has to be changed here really except just smoothing out the transitions between segments. Admittedly, the Plantars probably rely more on Domino 2 to replace the loss of Frobo and unfortunately Polly just doesn't have a lot to do in All In.

Then Special 3 is literally just The Hardest Thing. Pretty much no changes I think because the elements for it have still been covered.

And that's it. It's not by any means perfect of course. Elements are rushed and some elements probably feel neglected or abandoned entirely. I already mentioned Polly but this version also means Sprivy is ignored post S1 effectively and just has a nice come back at the end of the finale (which is a good argument for Ivy on the Run over Toad of Redemption for the filler segment in episode 10 of the rewrite). Worse yet... Sprig is kind of ignored and Anne and his friendship is mostly left fallow. I admittedly don't think the show does the best job keeping it burning post S1 but S1 sells it HARD already as part of the stable base of the show so it's not a big problem. It also harms the connection to Amphibia itself so a line like "They aren't Amphibia's greatest treasure" doesn't hit as hard.

It would almost certainly feel actually rushed... Which is a fuckton better than what happened with TOH because TOH doesn't feel rushed. Its three specials are incredibly bloated with plotlines THEY introduce, or S2B introduced, that go nowhere. Or hell, resolutions that mean nothing, like how Luz finishes her character arc THREE. FUCKING. TIMES. Even people who love TOH still will admit the majority of For the Future is filler. That it does nothing to actually move anything forward, wrap much of anything up that couldn't have been left alone (besides Stringbean but that moment is cut off at the knees immediately by the finale's dream sequence) and those are people who won't bring up how Willow had her power problems resolved literally two seasons ago. S3 is so bankrupt on what to do to fill the time that they bring it back anyways, alongside Kikimora who has NO REASON to still be a villain we're dealing with.

That is the HUGE difference here. TOH doesn't actually feel like we're missing out on anything with its S3 besides fluff and maybe a bit of exploration on the whole Grimmwalker thing. The specials just don't feel like they actually know what to do in the first place though. It makes it feel like we're mostly missing out on filler but there's already so much of that in these episodes. Even the elements that could have been expanded, like Belos backstory, the human realm shenanigans and the Collector's redemption are rough because none of these are from before the shortening. Only Hunter's arc is really something stared BEFORE THE SHORTENING. Belos' backstory and the contradictory nature of The Collector, like how he absolutely knows what death is during Hollow Mind and is a complete evil fucker there... Are written in S2B. They were included and written as part of the shortening. Hell, the human realm and the Collector as a whole weren't even planned for S3 supposedly. They were things they wanted to do but didn't have a place for them and so just jammed in these MASSIVE new elements that needed more time than was available with no care for the fact that they had NO TIME. (I don't have a source for this unfortunately.)

Admit you didn't have a plan for your show without admitting you didn't have a plan.

That also brings up an element that I brought up at the top: How much the story might have actually changed. I'm having to work off of the main outline provided by the show but it's entirely possible that The Core might not have been included. That Earth might not have. Changes would have happened to the overall story and it's kind of impossible to reasonably guess how. After all, I wouldn't have guessed that an all powerful child and a trip to the human realm would have been responses to a shortening for The Owl House.

So I did my best and I still stand by that this would still be a fine to good version of the show. That it wouldn't have been impossible to tell a full narrative with the time given. One that is still thematically coherent, has a strong finale that doesn't contradict itself and still has plenty of fun in it to counterbalance the higher focus on the more dramatic elements.

That's still a LOT better than can be said for TOH's finale, let alone its three specials.

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I ended up just rewriting the outline as a way to give it more thought instead of copy and pasting the first one I wrote. *whimpers*

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.