#told you i'm starting that tag

[uncanny-tranny]

Important tip for trans men/transmascs/whoever needs the reminder: Even if you pass as a man to cis people, you still need to have either some form of self-protection on you (e.g., mace, knives (if you can use them effectively), ect.) or know some form of self-defense. Please take it from me, you don't know what will happen out there at any given time.

You might assume that if you pass as a cis man to cis people, you will be safe from any harm. While I wish that were true, it simply isn't the world most of us live in. Please do whatever you can to protect yourself out there.

[hrokkall]

HOW TO PIN YOUR INSECTS:

Position limbs into desired arrangement and pin in place

Maintain eye contact

Pin should pass through the center of the thorax

Move slowly; lest the divine light leak out along with the ichor

Wait for the embers to die.

Wait for the embers to reignite.

[cboffshore]

what you say about Jay's condition in the skybound fics is actually very true. 90% of the fandom portrays him as falling at the slightest degree of pain, bursting into tears and begging when in canon Jay NEVER cries or begs in all his torture with Nadakhan. All he does at most is complain silently, and continue talking shit about everyone

we actually need more fics of Jay being a little shit that fights dirty, cheats, and deals damage using the meanest ways to defend himself and attack even when he's getting his ass kicked. I just feel like a lot of fics don't really embody the fact that Jay didn't sit back and let them torture him while he cried, but he actually fought back, he actually continued to be stubborn to the point that nothing Nadakhan did worked.

You're so right and you should absolutely say it. I am not the biggest Jay enjoyer (don't get me wrong, I like him, but I'm not winning the Jay Fan contest any day soon), but I particularly enjoy his arc in Skybound and how that persistence plays into it. Seeing it get put to the side in favor of whatever all these crying sessions are trying to do honestly makes me wonder - do people who write this flavor of sadboy Jay actually enjoy/appreciate Skybound to the same degree that inspires so many of us to write about it, or are they just there for the angst openings? Which does Jay such a huge disservice. I'm still in awe whenever Jay gets that Target ball sized ball and chain slammed into his chest and still gets back up. This is the guy everyone's relegating to weep in a corner? He's throwing stray insults at every opening and then some and the popular fanon consensus is, "yeah, he's completely broken, send him to the pit"??

Now, don't get me wrong, the occasional show of vulnerability is great. Key word there is occasional. To be fair, I would likely be just as unsettled as I am by the sobfest trend if Jay just did Bugs Bunny shenanigans the entire time without ever cracking. It's about balance! Show that development off! Have him get tougher over time! A strategically placed breakdown or slip-of-the-tongue beg can work so well, it's just got to be handled carefully. (Tried it with Nya once in my own Skybound fics, and can confirm: watch where and when it happens and you can say a lot about whoever does it. Granted, I have never tried it with Jay, but same principle!) Sure, let him do it - but not for the sake of doing it. What would Jay think after the fact? How would the crew's reactions affect him? (Fun idea: would he weaponize it, like the back pain scene where he's literally grinning the whole time? Would he deliberately turn on the waterworks often enough that if it ever happens for real, nobody tries to take advantage of it?)

I didn't mean to go on for that long, but yeah! It's a frustrating topic, and I really wish I knew where it came from. Thanks for dropping in and letting me ramble!

[lightningidle]

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[derrygirlstrash]

Not to start shit, if you know me you know I'm a "ship and let ship" kinda gal and saying this I truly have no problem with James/Orla as a ship it harms no one and plenty of people like it, I like people having fun... that said...

I have never understood the common argument that James/Erin as a ship makes no sense and James/Orla should have been the ship instead. Often one of the arguments is that James/Erin wasn't set up while James/Orla was and I'm sorry... what? James/Erin have at least one ship heavy episode each season as well as plenty of background moments and several significant moments in Erin's Diary.

Even if you ignore all the background moments of the two holding hands, being inside each others personal space, the times where they're clearly matching and whatnot. There is at LEAST the implication that Erin would ignore her supposed crush for James, that she cares what he thinks, that Erin is James's type, that they're aligned in creative values and match each others energies, that Erin thinks he's handsome, that James thinks she's beautiful, that she can't imagine her life without him, etc.

James/Orla have some touchy moments... that's kinda all they have as far as romantic coding and I don't see how those two hugging in the Season 2 finale is somehow more significant than what setup James/Erin have throughout all the seasons.

Honestly, while I can see Orla liking James - you could build a case for it and convince me even though I see Orla as ace/aro in my own personal headcanons... no one has ever been able to give me a convincing argument for James liking Orla back. It kinda feels like you have to ignore that he never has a reason to fancy Orla back and just project onto him that.

Which, again, go off if that's your bag I think their friendship is fun and I could see making a ship out of it, but the common argument is that the SHOW makes a better case for James/Orla and like, no? No it really doesn't? It's just not main girl/main boy and some people really don't like that trope or Erin as a main and I think that if you say the show didn't set up James/Erin well and you argue the show would have been better with James/Orla based on what's in the show, you just might not like Erin very much?

I've also never been able to make sense of the argument that James/Erin is somehow the trope that 'guys and girls can't just be friends' like, is that not also James/Orla? Y'know, besides that Orla isn't a girl. They do use she/her during the show time period though and some people who argue this think Orla is a girl, they just think they're not THE girl. So somehow it's better even though it's the same thing.

Basically what I'm saying is that shipping is fun and we all oughta do it. Every ship besides the obvious ones is potentially fun and I'm down for it, but there is one ship the show was setting up and we all know what that ship was and I think it would be better if we all were honest about it.

PS: "James was gay the whole time!" Truthers, if you made it through this post somehow I'd like to offer a compromise: James Maguire is the most bisexual coded male character in media history we can all win here.

[music-for-them-asses]

This is my third Pride since I've realized I'm not straight, but I'm still hesitant to put a label on it for a thousand different reasons. But I'm learning that I don't need to know exactly what to call it, and that I don't need the ~ExPeRiEnCe~ to be considered LGBTQ+. Maybe this time next year I'll feel more confident about it.

Happy pride, everyone 🌈

[beeholyshit]

I'm so emotional rn

[tanicus-caesareth]

guarana drama, damage control

[torybrennan]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[arttsuka]

.

[bumblingbabooshka]

Tuvok’s Children [Sek, Elieth, Asil & Varith] + Vibes

[janaknandini-singh999]

currently thinking about how even the most cruel and cold emperor Aurangzeb got so melted and mesmerized by a Hindu classical dancer mistress that he legit FAINTED on seeing her for the first time in a garden

full story here

[rowenabean]

.

[zukkaoru]

🌟 all the world is paved in gold 🌟

“Why are you even late today?” Kunikida grumbles, and he actually spares a glance up from his work to look at Dazai.

“Oh!” Dazai claps his hands together. “I brought a present! Not for you, though, sorry. Well, I can give you something later~” he wiggles his eyebrows suggestively.

“Dazai.”

“Kidding!” He’s not, but the rest of the Agency doesn’t need to know that. He picks up his grocery bag and carries it over to Kenji’s desk. “Here,” he says, dropping it on top of a stack of papers. “For your shoulders.”

Kenji hesitates, staring at the bag. “Huh?”

“Heat helps with the pain, right? These heating pads are disposable, and they’ll stick to your back so you can wear them while you work.”

5 times the ada helps kenji + 1 time he thanks them

🌟 5.4k words || kenji & the ada 🌟 🌟 written for @that-was-anticlimactic for tourette's awareness month 💓

[giantkillerjack]

Yo I don't know if anyone else is seriously bothered by this but those "good luck" posts where everyone goes wow this post really works you HAVE to reblog it or else you won't get the good thing that happens when you reblog it and therefore it's your fault if the good thing doesn't happen because you didn't reblog the post,

Yeah, those posts. They don't ummmmmmmmm

They don't work.

Like, listen, a little prayer of good luck to give yourself hope is one thing, but every single one of these posts has a comment that is like "this is literally magic I received life-altering amounts of money because of this post REBLOG THIS NOW." And assuming these accounts aren't just also the original poster emotionally manipulating people - And brushing over how foolish/cruel it feels to give false hope and additional tasks to those in poverty AND moving on from how absolutely shitty these posts are for people with compulsion-related disorders or difficulty discerning reality--

it feels to me that the more we make up magic that doesn't exist in this world, the harder it is to see how things really are, and the more it obscures from us the magic that actually does exist. Things like magnetism, electricity, human thought and connection, emotion, storytelling, machinery, fire. That's the sort of magic we have in this world. These magics are real and they can be manipulated in miraculous and terrible ways.

And maybe it's just the way my mind works, but if I am able to convince myself that a photo of a four-leaf clover has any amount of cosmic power over my life, then I am no longer looking clearly at my situation and what I need to do to change it. I am no longer able to truly see the magic that IS there.

I feel the same way about astrology honestly. I don't think it's bad to believe in as long as you're not ascribing it to unwilling people, but I personally do feel like if I believed the shapes the Romans saw in the stars made me who I am, then not only would I deny myself autonomy, but also I would miss out on the magic of the stars as huge lonely nuclear light giants indifferent to and ignorant of the lives of humans in terrifying and beautiful ways. I might even dismiss scientific discoveries that didn't fit my view. And I think I've seen enough of the damage that can do for one lifetime. (I am aware that I probably wouldn't have so many problems with astrology if I wasn't a furious ex-Catholic. But again, there's nothing wrong with faith as long as you're not slapping it onto other people.)

But, gods, I hate these fucking good luck posts.

I am not poor due to the stars or the lack of luck-money posts on my dashboard. I am poor because I live in oppressive power structures that I hope to see burn in my lifetime. I need as clear a view of this reality as possible.

If you want to spread positive magic, you have to spread love and information and images/stories of a beautiful shared future that other people are invited to be a part of.

I'm a big believer in Hope. I believe hope is a sacred thing. But I'm not a big fan of false hope.

So in conclusion, if you reblog this post and then tomorrow something very lucky and seemingly unrelated happens, it had nothing to do with this post.

The only Magic will be the magic of unfathomably huge amounts of data transferring all across the world instantaneously to reach you and show you words that came from someone else's heart and mind.

The only Magic will be however it makes you feel to know that if you need luck, at least one other person in this world wants good things to happen to you: I care that you are found. I care that you are loved. I care that you are safe. I care that you live long enough to find or be found by happiness and that you then live for a very long time after that. And I don't need to meet you to know that I'm right.

Know that I will spend the rest of my life working to build spaces where you would be welcome. And maybe you and I will never meet, but I happen to know there's a whole lot of people like me in this world. And I happen to know that as long as you are alive, there is a chance you will grow old in warmth and comfort, surrounded by friends. There is a chance that your old eyes will be crinkled at the sides with laugh lines. And that's magic. That's real magic.