#tom and jerry moral of the story | Explore Tumblr Posts and Blogs

maxwell-grant · 1 year

Note

Could I hear more of your thoughts on Doc Savage and the archetype he created? How does it relate to modern superheroes more specifically Reed Richards? (I know that you dislike Doc Savage, so sorry if this bothers you.)

Sorta like this, if we take a look at how Doc's archetype was formed and consolidated, and how that affected the Superheroes and Reed Richards specifically. (also please don't apologize, you all can ask me questions about whatever, seriously)

"Doc Savage" is recognizable in lots of other characters but there is a difference between specific pastiches or tributes or parodies of Doc (Doc Samson, Edison Rex, Jonas Venture), and characters who are evoking Doc Savage as his own archetype to draw initial inspiration from (Tom Strong, Bane, Clark Kent), and if we pull at Doc's roots we're gonna get to prior characters like Tarzan and Sherlock who were the ones to introduce or codify much of what are now commonplace superhero traits or the ones to introduce much of what Doc was originally pulling from.

I wanna draw some lines in the sand separating what is it that these characters brought to the table, in the road to get to Reed Richards and what exactly is it that Reed and Doc have in common vs things they have that are mainly taken from characters before them/grandfathered in their respective mediums. So let's go over the Archetypes here:

The Sci-Fi Superman: Coined by Peter Coogan. Through some strange birth or scientific intervention, these characters have superhuman powers and abilities that set them irrevocably apart from humanity, nearly forcing them to usually fall into the roles of saviors, rulers, destroyers, or ostracized/self-imposed hermits. Unless they find a purpose requiring said abilites, they cannot be permitted to exist and usually meet a tragic demise or is stripped of said power. Formative example is The Creature from Frankenstein (Mary Shelley), and others include Hugo Danner from Gladiator (Phillip Wylie) and Bill Dunn from The Reign of The Superman (Jerry Siegel). Coogan considers John Carter the first wholly positive and heroic SF superman, which is disputable, but more on Carter later.

Pulp Ubermensch: The Great Man turned do-gooding adventurer with a prosocial agenda. A human who is physically, mentally, and/or morally superior to those around him as a result of training/upbringing, skilled at everything the story requires him to, who applies his talents and abilities near-exclusively to fight evil. Formative example is Nick Carter (created by John R. Coryell and penned by Frederick Van Rensselaer Dey), who established much of what would eventually become pulp hero and superhero convention consequently.

The Great Adventurer: I'm naming these as a counterpoint to The Great Detective, the fantastical globetrotting adventurer/explorer hero who can go anywhere and do anything, who takes to the world as the detective takes to the city. The idea of a wealthy, offbeat, yet good-natured pulp hero who goes around righting wrongs with like-minded assistants. Formative example here is Rocambole (Ponson du Terrail), in most ways a definitive early Pulp Ubermensch, and arguably the first proto-superhero to assemble a gang of odd companions with a variety of talents and backgrounds to aid him, which is what both the Fabulous Five and the Fantastic Four can trace roots back to.

Pulp Supermen: Offshoots of the Sci-Fi Superman as adventure protagonists in serialized stories, where their superhuman natures and status are alleviated and redirected by the need of their capabilities somewhere or in service of something, and thus they get around the ruler/savior/destroyer fate by being heroes with a social calling akin to the Pulp Ubermensch, dedicated to use their powers near-exclusively to fight injustice without rocking the boat of society by their presence (or if necessary, assert dominion ONLY in a setting outside of human society, such as the jungle or Martian civilization). Distinguished from the Pulp Ubermensch by their greater larger-than-life explicitly superhuman abilities, that they don't need to be morally/mentally superior to the extent of a Pulp Ubermensch, and by the fantastical settings and tone of their adventures. Formative examples are John Carter of Mars and Tarzan of the Apes (both created by Edgar Rice Burroughs), with Tarzan quoted by Lester Dent as a specific influence on Doc (there are others but we're skipping most of those not relevant here)

The Science Adventurer: A frequently-used name to describe Doc Savage and Doc Savage-alikes. Doc Savage can be described, in archetype word salad terms, as a Pulp Superman who calls upon the Pulp Ubermensch's great man-ness and urban social calling, and who combines a Sci-Fi Superman origin and physical traits with The Great Adventurer's explorer disposition, righteousness and band of companions. The main thing that sets him apart from the characters listed prior is his focus on scientific prowess, technology, reasoning and polymathic skills, the importance of the "Doc" part of his name as it where.

The Superhero: you already know what these are and how they relate to the above. I've written a couple of things about the differences between pulp heroes and superheroes and it's a subject I'm of constantly mixed opinions on even regarding stuff I wrote, so I'm linking these two written a year apart if you want an idea of where those differences are.

And so we get to Reed, who I'm naming a Science-Adventurer Superhero as a merger of the last two. Both Stan Lee and Jack Kirby mentioned several times that they read Doc Savage aplenty during the Depression and it shows in elements such as the Baxter Building (an expansion of Doc's headquarters in the Empire State Building - instead of just the 86th floor, The Four get the entire skyscraper), the specialized aircraft and vehicles, the fights and antagonism between the cantankerous and anti-social Ben Grimm and the smart-mouthed Johnny Storm mirroring the bickering spats between the bestial Monk and the silver-tongued Ham, and of course Beast from X-Men being more closeled modeled on Monk's ape-ish traits and scientific expertise (there's a fairly large argument to be made, that I think accounts for some of why Beast is, like that, in recent comics, that Ben Grimm and Hank McCoy both divided Monk Mayfair's every trait between themselves and ultimately flipped the script in the long run before taking it to the farthest extremes possible as polarized opposites of each other, with Ben initially getting most of the bad parts and making them the best ones, and Hank initially getting all the good ones and making them into the worst ones)

As far as I know, Reed Richards was not consciously modeled after Doc Savage (although Jack Kirby and Joe Simon's Private Strong used the origin story of a professor raising his son in a lab to be perfect in total isolation of other humans, which Lester likely may have pulled from Phillip Wylie's The Savage Gentleman to begin with), although it's commonly said that the direct precursors of the Four, the Challengers of the Unknown, were modeled after Doc Savage and the Fabulous Five's make-up. The members of the Fantastic Four are all based on 50s sci-fi archetypes, with Reed as the quintessential scientist, the grey-templed pipe-smoking patriarch frontman of the expeditions, and some creators over the years seem to have drawn upon Doc Savage as a model Reed. I'm thinking specifically of Mark Waid here, who openly named Doc Savage in his pitch bible:

The eternal problem with Scientifically Inclined Genius Adventures, the reason they don't ring true, is because in real life scientists spend all their damn time in the lab. Not Reed.

F'r pete's sake, we know he undertook all sorts of Indiana Jones missions as a younger man, we've seen that he actively enlisted in a war, and oh yeah, he stole a rocketship and tried to take it to the moon."

Tommy B put his finger on it when he suggested I stop thinking of Reed as the Professor from Gilligan's Island and instead think of him more like Doc Savage. When Reed encounters mental or logistic obstacles in his quest for knowledge, he thinks through them.

Doc Savage, of course, isn't the perfect model - he's a little more blood-and-gristle than Reed, more invested in the search for justice than for knowledge, and a little more "in the moment" as a general rule. Reed's more like Peter Weller as Buckaroo Banzai, they have the same aloof, detached nature. Unless active danger is staring him right in the face, Reed often seems a bit distant and not completely here because his mind is ten minutes in the future.

That addresses the Science-Adventurer aspect, which leaves us with the Superhero side of the equation.

With Doc Savage you of course have one of the, if not the, main archetypal pulp heroes, a character that both Superman and Batman would take a great deal from, and "pulp hero" in itself is a term that exists to define these characters more so in relation to superheroes than what they were actually like in their own stories, time periods and mediums. The superhero as a concept is founded on Superman and Batman and their dychotomy. Costumed Avenger vs Ubermensch, mortal and immortal, light and dark, Dayman and Nightman (AHH-ahhh-AAHHHHH!), and that dynamic is specifically a result of Superman and Batman being direct descendants from Doc Savage and The Shadow respectively, who were Street & Smith's (and by extension the American pulps) Big Two, the top dogs of 1930s hero pulps, and direct opposites to each other.

Doc Savage was created in response to The Phantom Detective (who was the first successful Shadow imitator and thus defined it as the thing everyone was gonna have to do or respond to) and was in many ways a modernized revamp-almost-copy of Street & Smith's Nick Carter during his heyday, in origin and first case and super strength and omnicapable skills and general Great Man-ness and gadgetry and mission statement and so on. Doc was co-created by the editor of Nick Carter Magazine, John Nanovic, and the first response to the Phantom Detective that S&S planned was a reboot of Nick Carter as a generic hardboiled detective, published on March 1933, the same month as Doc's debut, and obviously Doc would go on to achieve much greater success and thus would popularize those traits again with himself as the figurehead archetype of them (not unlike what Superman and Batman would later do).

Unlike The Shadow, Doc Savage does not operate under a secret identity or mask. He is not the hidden master of the city and has no division between his alter egos, and because he performs in broad daylight as a celebrity, is theorically held to social scrutiny, and is fully sanctioned and approved by law enforcement and works with the authorities with public transparency (minus the crime college but let's just, not, for now), it greatly upends and affects the approach he takes to fighting crime. He only has one identity, the greatest man of all time as the stories will remind you at every turn, by his author's own words he "manifests Christliness", and while not much separates Doc Savage's skills from Nick Carter's, he is explicitly and textually framed as superhuman (even a "superman", that term was deployed a few times), and he operates in a contemporary, urban setting that most Pulp Supermen cannot touch without veering into Sci-Fi Superman territory.

Within the hero pulp format that S&S started with Nick Carter and renewed with The Shadow, with the scientific explorer angle, you could argue Doc Savage, in almost exactly the same way as he does in his stories, worked out the solution to an unfixable problem: Turns out you can be as over-the-top super as you want, so long as you have a procession of equivalent super menaces to fight, don't upset society (and if you do it, not where the public where can see, keep it a secret that you can be blackmailed over by crooks you will inevitably silence okay look I'll stop now), have whatever incredible miracle cures and achievements and charity you do work on take place off screen where you never have to deal with them too seriously, and know how to pick your fights.

His service to others resolves the ruler/savior/destroyer conundrum. Savage aids individuals who face problems beyond their control, does great work in advancing medicine and science, and alleviates suffering through charity work, but he leaves the institutions of society in place.

He faces a never-ending succession of villains threatening society, an eternal frontier of gangsters and super-scientific menaces who play the role that Indians take in frontier narratives. The unresolvable nature of crime makes this frontier eternal, so Savage can place his superiority in service to the community and never risk turning into a ruler, savior, or destroyer because he can find challenges sufficient to absorb his energies.

The Savage solution—the hero position would be adopted by the creators of other prosocial supermen to come, including Superman, although only the adventures of Superman would be set in contemporary America.

Thus instead of marking an end to the bourgeois domination of society, as Nietzsche foresaw, the superman serves to protect that domination through myth-narratives. - Superhero: The Secret Origin of a Genre, by Peter Coogan

Reed Richards, in turn, is defined (INCORRECTLY, I say, feeling a plasma crackle barely miss my skull) as the smartest man on the planet, a mental superhuman who operates on a level above and beyond that of everyone around him, and a freak accident during a space travel grants him physical superhumanity to match, with his body able to morph and bend under his will. He alleviates the ruler/savior/destroyer conundrum Coogan described in much of the exact same way described above, kept busy with an endless procession of strange dimensions and aliens and supervillain challenges, and Mark Waid's famous confession scene in Fantastic Four #489 addresses the fate that looms over the Sci-Fi Superman directly, with the "very arrogant man who did something very stupid" pointificating to his toddler child just how necessary it was to ensure that the world would not fear and destroy the people he'd irreversibly mutated as a result of hubris, what is even the point of his grandstanding title and colorful outfit and public adventures and all that.

The life of superpowered adventurer celebrities was a necessity, and his superhero persona, Mr Fantastic, is a tabloid-catching act of penitence to mask his ultimate shame and to compensate the people he loves most. He lives for science, he craves discovery above all, but as far back as the Lee/Kirby stories, he still drags the team into awful intrusive press conferences none of them want to go but must, he sits through meetings with hardass generals to buy his team more leeway and trust, he takes the time to stretch across the city to visit sick children in hospitals and say hello to passing helicopters, he has to be the stick-in-the-mud dad who stretches himself thin to keep Johnny and Ben from ditching the team or seriously hurting each other (those first Johnny and Ben spats get way more violent than you'd expect), and he has to make difficult and even manipulative and harsh decisions even then to save the most lives he can. He carries a responsability to his family and loved ones first and foremost, and fashioning himself and them into superheroes is how he lives up to that responsability. It's what allows them to exist and thrive in-universe as much as out of it.

(We're not gonna play catch-up to the "why doesn't Reed Richards cure cancer" conversation but even that, in itself, is an extension of a thread that we can trace back to Doc and the Sci-Fi Supermen before him, when seams in the fantasy start showing with the introduction of consequence, a trend that particularly catches up to these scientist superhero characters who followed in Doc Savage's wake, and obviously caught up to Doc himself several times by now, for reasons @artbyblastweave describes as "a consequence of contemporary writers being Allowed To Notice And Unpack Things" and elaborates on very neatly here)

As a superhero, Reed Richards exists in conversation with Superman and Batman, same as every other character within the superhero "genre", which means he also exists in conversation with those traits borrowed from Doc Savage, and The Shadow, and all these other guys listed who were crucial in their development and a lot of others I'm leaving out of the conversation for now. A crucial part of that conversation and where the Fantastic Four figure into it is the fact that they were designed to not be traditional superheroes but to flip most if not all the conventions established on it's head, a part of that being their initial lack of uniforms (and when they did get uniforms they were just that, uniforms, rather than costumes), the lack of a secret identity, and the fact that the Four are scientists and explorers first, and crimefighting superheroes a distant second they're forced to frequently make a close second or first priority. Marvel made it's big defining pop culture splash with the Fantastic Four by turning superhero convention on it's head and doing as much as they could to do the opposite of what Brand Echh was doing.

And that's kinda the main reason they end up inviting similarities with Doc Savage and other pulp heroes, because they're going out of their way to imitate and subvert traits and tropes that Superman and Batman were already imitating and subverting from those guys in the first place, that they in turn were imitating and subverting from guys that came before them, and etc.

Archetypes are breakthroughs, and no breakthrough happens in a vacuum. In the end, a lot of these strands and connections between these characters are less specifically the result of writers consciously following in the footsteps of Doc Savage and those that came before or alongside him, and more so with the fact that there's only so many left turns you can take before you just end up in a circle, or reinventing the wheel as it were.

#replies tag #pulp heroes #pulp fiction #superheroes #marvel #marvel comics #doc savage #lester dent #reed richards #fantastic four #stan lee #jack kirby #mark waid #comics

73 notes · View notes

yakketymax · 9 months

Text

One my favorite story elements for Funnel is the fact that they're pretty much the only person still afraid of them at this point. The point we pick up with Funnel is, at most, eight years after they've Run Away from The Kitchen and like five years after they've started the circus. They're constantly upfront and honest with their employees about being The Ringmaster for a multitude of reasons (some moral, some legal) so it's not like the fact surprises anyone for maybe more than a few days because that's all it takes for them to see that The Ringmaster- o' fabled horrific monster of fire and ribbons -is actually now just some guy in their mid 30s. Some guy in their 30s who has made a name for themself with this circus but still just some guy at this point. Your new boss tells you that they're The Ringmaster and you're kind of terrified, but then within the same hour, you are no longer terrified because now you're giggling over the fact that the fucking Ringmaster listens to Weird Al.

Funnel is the only person still afraid of The Ringmaster. Everybody else has watched the fucker walk face first into a pole and knock their head off their shoulders like a fucking Tom and Jerry skit.

#funnel cake #gingerfolk universe #Funnel is like 'I'm an irredeemable monster' and the circus performers are like 'no you aren't you just haven't eaten lunch today'

7 notes · View notes

self-loving-vampire · 2 years

Note

Can you explain the thing with Kohaku and the needles?

I feel like I've seen a post about her working on breast enhancement drugs, but I don't think I've ever seen the original text for that scene with her threatening to inject Shiki with estrogen, and I have no idea what's up with that Melty Blood sprite of her injecting herself and then passing out.

Sorry if this is like an inside joke because of something spoilerly about Tsukihime feel free to toss it under a cut etc.

She had a special move in Melty Blood where she injects herself.

And there is a bad ending in Kagetsu Tohya in which she takes Shiki captive in the basement and injects him with drugs, then seemingly decides she'll just keep and raise him there forever.

It's probably worth noting that a lot of the characters get simplified and exaggerated in post-Tsukihime media like this.

Kohaku is one of the characters most affected by this shift to comedy and is essentially a completely different person in these stories (although I love both versions in different ways).

In Tsukihime, Kohaku is shown as jovial and helpful (although there is more to her than meets the eye). She gives off the impression of being a polite, kind girl who is always smiling but also has a sort of dignified poise and a high level of competence at everything but cleaning. She still has funny moments, but none as extreme as what she does elsewhere.

Post-Tsukihime, she is outright goofy and hyperactive, and the deeper issues going on with her have already seemingly been resolved completely. She now poses enthusiastically, behaves like a force of chaos, and is often the force behind all kinds of absurd events.

In Tsukihime, Kohaku has one rather dark plan that she clings to and devotes her whole life to. Her actions are not outright malicious or hateful, but she is rather ruthless and manipulative all the same. She uses her medical training to carry out this plot.

Post-Tsukihime, Kohaku is kind of a mad doctor with evil plans within evil plans, many of which seem to be just for fun. While she was a (very sympathetic) villain before, she is now joyfully twisted and seems to enjoy playing the role with things like an army of robots that look like her sister, unethical human experimentation, and even a nuclear weapon. She has no morals and loves it.

Even her complicated and unhealthy relationship with Akiha gets turned into a sort of dark Tom & Jerry routine where Kohaku keeps tricking Akiha into getting wrecked for comedy while also sometimes having her plans backfire or get her violently punished (which is fine because she still seems very resistant to pain).

In short, it's kind of like she immediately underwent the whole fandom exaggeration process after the events of Tsukihime.

The way she unethically drugs Shiki multiple times in the original story ended up making her into a character who gets credibly accused of medical terrorism in subsequent media because of this process.

And so Estrogen Kohaku was born. Many of us just seem to agree that she has that autistic trans woman energy despite what the canon is, and this is only more true of the sillier version of her.

It's kind of a feeling you get when you know enough autistic trans women and start recognizing subtle patterns.

I think she might enjoy Fallout: New Vegas.

Edited to add: The breast enhancement drugs are also canon from Melty Blood. She mentions she’s going to perfect one after using drugs to make Akiha into a giant.

#oh this got long #tsukihime spoilers

11 notes · View notes

vibesxpblog · 2 years

Text

Most Famous Cartoon In India To Unwind Your Mind With Nostalgia

Kids of today’s age are seldom away from their cell phones, and they are usually occupied with social media and streaming services like Netflix. However, many animated Hindi cartoons were shown on television throughout our youth, particularly among the 90s generation.

There was no better method to soothe down a newborn than to show him cartoons, which were accessible at the time.

Most Famous Cartoon In India

Here is the guide for you to take you through a list of the most famous cartoon in India.

1. The Jungle Book

The Jungle Book is one of the most well-known animated films, not just in India but also around the globe. Mowgli’s experiences in the bush are famous among children. The plot of ‘The Jungle Book’ revolves around the life of a little boy called Mowgli, who lives in the jungle with the wild animals, who are amused by and engage in playful interactions with him.

Mowgli is a human kid who does not dwell among people and is thus unfamiliar with the human world. His ability to interpret animal communication has allowed him to live with them since he was a child, even though they are not human beings.

2. Dragon Ball Z

If you are a lover of adventure and like watching action-packed animated programs, you may have seen Dragon Ball Z at some point. Even though the program first aired in 1989, it continues to enjoy unrivalled success.

The plot of the anime series is mainly focused on Goku, the main protagonist, and his many exploits and adventures. Goku embarks on a journey to save the world from the evil forces. During Goku’s trek to save the earth, the Z Warriors accompany him on his trip.

The cartoon series is full of spectacular action sequences which its viewers purposely enjoy. In addition, the events of the series teach you moral and character attributes such as collaboration, friendship, loyalty, trustworthiness, and a slew of other traits and characteristics.

Additionally, the anime supports the theme of good against evil while still providing its viewers with entertainment.

Read Here- Most Popular Indian Cartoon Characters That Are Timeless

3. Pokemon

Pokémon is considered the most famous cartoon in India by teenagers. The show’s fictitious characters, presented in various ways, are the most popular among viewers.

The adventure of a young boy named Ash Ketchum, who aspires to become a Pokémon Master, is the focus of the animated series. His first Pokémon, Pikachu, is a yellow-electric Pokémon, and he decides to go on this exciting voyage after obtaining it from his mother.

Even though on his road to becoming the greatest Pokémon master, Ash encounters various characters like Brock, Misty, May, Dawn, Serena, and many more, he is the only one who can defeat them all.

However, they remain with him for some time and follow him on his quest to capture and master various Pokémon to become the finest Pokémon master in all of Pokémon land.

4. Mr Bean

Mr Bean, a fastidious bachelor, is the main character of the animation series, and the story revolves around his life. In addition to delighting the audience and making them laugh more, his unusual solutions to everyday issues make them laugh even more complex.

Mr Bean is in love with his little brown small teddy bear, from whom he will never be separated no matter what happens. However, he finds himself in a lot of problems due to this.

Read Here- Most Popular Female Cartoon Characters That Will Remain In Our Heart

5. Tom & Jerry

To a large extent, the tale of ‘Tom and Jerry centers on two central characters: Tom, an orange tabby cat, and Jerry, a little mouse. Jerry consistently upsets Tom, causing him to become enraged and compelled to pursue Jerry to exact retribution.

On the other hand, Jerry manages to get away the majority of the time. Despite all of Tom’s activities to get vengeance on Jerry, he largely succeeds in amusing the audience and so fails to exact revenge on Jerry.

The hilarious battles between the two well-known characters cause the audience to burst out laughing. Even though it first aired in the early 1900s, the cartoon continues to be one of the most popular forms of amusement for children.

Read more about the best episodes of crime junkie

#famous cartoon in India #vibesxp

1 note · View note

mi4011nayaninarayana · 1 year

Text

3. Gene Deitch

From an early age Gene Deitch has had an interest in drawing and considered Walt Disney and Jim Flora to be his main graphic influences.

He first started out as a technical illustrator at North American Aviation, he later got a side project to draw cover illustrations and interior comics for a jazz magazine, The Record Changer.

Deitch started working at the animation studio, UPA as a creative director of Terrytoons and created characters such as Sidney the Elephant, Tom Terrific, Clint Clobber and Gaston Le Crayon.

He collaborated with Zdeňka Najmanová on the animated short based on the children's novel Munro, which is about a boy who mistakenly enroll in the American army without nobody realizing his age. He also collaborated with Rembrandt films to direct Popeye and Tom and Jerry intended for television.

In Tom and Jerry, Deitch created a new owner for Tom called Clint Clobber and also gave an unintentional surreal tone to their version of the series. The animation was simple and jerky with angular backgrounds that lacked depth. With many gags mistimed and dialogues replaced by gibberish, the cat and mouse duo was also often found in different contexts from their original domestic setting, the viewers had not reacted well due to the drastic reimagining.

His Academy Award winning creation, Munro was inspired by his time in the US military. He decided to find a unique way of attacking the morally corrupt institution while actually making an impact. Which led him to make a deceptively sweet film about the pernicious machinations of war.

Deitch had explained: “I came up with the story of Munro because I understood that if you’re really in a rage and really want to attack someone in cartoon form, the least effective way is to jump up and down and scream and yell and to be polemical—something a lot of cartoonists have never learned. The best way is to go in the other direction and feign innocence, and bring the reader along in a quiet way."

Over the years, Deitch co-adapted other children's books and novels into animated cartoons such as; Crockett Johnson's 'A Picture for Harold's Room' (1971) and 'Harold's Fairy Tale' (1974), Isaac Bashevis Singer's 'Zlateh the Goat' (1973) etc.

0 notes

evikdpriagung · 2 years

Text

20230122 #3 20.54 WIB

22/365 Days 11,967

Lumayan aja lah penghibur hati yang lara…. Udah berhari2 bahkan berminggu2 lo hati ini lara. Simple dan ketawa tipis2 aja. Dulu waktu kecil pas nonton ini movie selalu bertanya2. Ni kapan sih mereka bisa akur. Akur bertengkar eeeh bertengkar lagi. Ya gitu deh kalian Tom and Jerry. I just love the moral value, whatever its is please say honestly. Say the truth. Do not cover it with a good thing. Here is my Score:

Acting: 8

Story: 7

Visual: 7

Music: 8

Plot: 7.5

Moral Value: 8.5

Average: 7.67/10

#Movie #Animation #Comedy #Drama #Family #TomAndJerry #HBOGo #Pancoran #Jakarta #Indonesia #Sunday #January #22nd #2023

0 notes

rivaltimes · 2 years

Text

Democracy Tom & Jerry

The former president of Peru Pedro Castillo.— (EFE / Presidency of Peru) The criminal feint of Pedro Castillo, the salty escape, his tumultuous arrest on the way to an embassy, the morality of Andres Manuel Lopez Obrador and his femented Estrada doctrine, the crazy story of the drug in the drink that a lawyer improvised; All of this, while being very rude, but very entertaining, does not make…

View On WordPress

0 notes

sleepy-stories · 6 months

Text

1/24

#tom and jerry moral of the story #storyboard #thumbnails

0 notes

libidomechanica · 2 years

Text

Untitled Poem # 8649

but as they do not kill Whistle, and resources of half glad, Are so many people as the pendulous shows the North. the scorn, upon him, and let me down-razed and that utterd, the sun for my homes innumerable Dick the

pendulous stone, bright and make me, love and streets, hearts, suck our day without pity thee. While Pan and this our martial moan had more there one good enough, O girls, to unfurl the spacious sighs could be knows in his defect,— “

for the darkness from Syrian hymns divine ( and purple, none in gay remarkably sweet, and come— the first the merry words could crack open lay with lifes gay scene and vague, fatal fleshed to the absent for long travelling

out of emblems of the Berkshire hounds can supple me, suffers not he; of lightning from the tear, and his arte. that so our shore; Have to ruminate, ) the moon was petrified; he had grew all the home in

sighs. What still I visitant at lengths its power of our close, but luckily, the heart to their house I breath Now turn an army in the sepulchre, yet faded majestic pace; there wert thoughts that? And serene abode wherefore he make all

that of Nessus, as even as a dying swallows and passing foil for the more, but being rowes; you talk from the last; and I burn, I shall croak the song, ‘between Englishman. Into the real the gloomy rest?

The night cadencing about! Or hope, or be afraid of clay, awake him, answering little too, what thus, for this abundant issue seemd loth to Lady Adeline enquiring lips and all the purpose nothing light gleaming from for One,

and with children change and ten those degrees, wind and the sun, oer may move from myself are half-awaken, the way when Loves manly god must household through as the streames bespeak The devils foot, watch his pale yet forth her soul Eolian

tund for something of a knell too in your story of mournful plain that living smile of the hues of thralled the stead of dreaming rolled in the ground; and moral leper, mellow Room, contempt no second courteous region be thy morrow:

then is bent, while the Rose, together field with official move—all the sky retired, and the poor part descend, from Tom & Jerry, and in the morrows life, in brief, and blue- bell pinch faded them both. Euils both

trampled arms, to your count Wares, by whose sacrifice. Which brings here, though the most veil of pride, as shadow of our joy: ’“tis we, who sung news of better many times a childbirth, as they arent afraid of an impartial indemnification at

thence came. A mere same dark; but that rage had felt some sudden sun: we took it off; for sale, but death too were lean, be she streaked vases flushd high thrones, built thou ask proof, and impious use, receives its pool lay, half in dead, a heart-ballads of Being

blink. Medicined death, lighted wiping— ‘oh Khalífahs Supper pushd, with necks unyoked ; nor, up-pild,’ the creeper, I, to watch-tower, shorn of lightly harmony w as a girdle spangled between mine eyes, in springtime, thats that the Muses

than the gulf of delirious; something voices from me all streams collect, where, her freight of these spindly throats were wilt beyond, on light, nigh, all thou strain. Out of earthly root,” and we must borrowed, his feet; contention of a great

is “t matter hour, when some sad look of Fate; as equal were borne” call ardency than they illumine; and anon, uprose the people take things to boasted from sacred blood-shed from our close, touch I the speculating

swelld league on League, one fountains or Christ, where ’“twas herded ewes, and unlade her, maid, be pitiful and sore the dream not a scorn, upon that dark curls fell but now and fro fluctuated, her with you. I feel existence, as through

to-day by feeding it universe: nothing must as the South, Or thee. It! but trim our strong expectation with the chaste there. She wanton and out thy beauteous face? Nothing of your sleep, protected and at home!”’”

#poetry #automatically generated text #Patrick Mooney #Markov chains #Markov chain length: 6 #127 texts

1 note · View note

creativestalkerrs · 2 years

Text

rivals and rivalries

I posted this on my Substack blog as well, subscribe to that for more content. Apart of creativestalkerr’s writing lessons.

how to write a rival character and making a good rivalry.

When writing a good rivalry there s a few things you might want to keep in mind. Although there is a handful of rivalries that could be written and looked at, we will talk about the basic tools to create a well-rounded rivalry that serves both the plot and your character as well as keeping your consumer engaged with another element of your story.

The Foil Character: Although this topic will have its own lesson, later on, it’s important to get an understanding of a foil character and the relationship t had with a rivalry.

A foil character’s purpose is to accentuate or draw attention to the qualities of your character. Having your FC be a rival to your main character can allow your consumer to see the qualities and flaws in your character and how they handle themselves in situations that arise as a result of the rivalry at hand.

The Mirror Character: Similarly to the foil character, a mirror character reflects your MC’s best and worst qualities. Having a mirror character as a rival can reflect on your character as a whole and the reasoning and details of the rival.

Overview: Writing a good rival can be tricky. We want a rival/rivalry to challenge and contrast your protagonist. You want your MC to be pushed and even bend their morals and get inside their heads, even revealing their own inner conflicts.

Look at your MC and the character they have as a rival and ask yourself what tone dose your rival your writing has. Is it serious, friendly, or somewhere in the middle? Or is it something completely different? Thinking about the tone and playing with it can see how the two characters interact with each other and even give reasons as to why they interact that way.

While writing it’s always important to not favor one character over the other, they should have an equal focus and shouldn’t be a vehicle to constantly make your MC look good.

Both characters don’t necessarily have to be opposite of each other but they should have something in common--maybe the reason why they have the rivalry in the first place.

You don’t need to worry too much about trying to make it ‘obvious’ that they are rivals. As long as the two bring out each other's qualities, and even flaws, your consumer can understand the dynamic the two have.

Your rival character might just be as important as your MC itself. Establish their relationship with your protagonist as naturally and as quickly as you can in your story.

Examples of Good Rivals:

Princess Carolyn vs. Vanessa Gekko (Bojack Horseman)

It is established that PC and Vanessa Gekko are business rivals, often comparing them and their clients. This is seen throwout the show, but at the end of it, they are seen being friendly and the two are talking about balancing work and motherhood, Vanessa states that she ‘never hated’ PC as PC made herself believe that the two did hate each other during their rivalry.

Dr. Heinz Doofenshmirtz vs. Perry the Platypus (Phinease and Ferb)

It is obvious these two are rivals, as the two have a ‘Tom and Jerry’ type of relationship. Although they are rivals, they do not heavily influence each other and in a way, need one another. (These two are more on the nemesis level than anything)

A Quick List of Rival Tropes (from tvtropes.com)

Betty and Veronica: Two girls are rivals in being the main character's love interest.

Dartboard of Hate: Someone throws darts at a picture of someone they dislike.

Feuding Families: A rivalry between two whole families.

Working with the Ex: A couple who have broken up are forced into a position where they have to work together.

Personal Hate Before Common Goals: These characters now have similar mindsets, and could actually be allies, if it weren't because at least one of them hates the other too much.

Friendly Rivalry: Rivals who are chummy and only being competitive toward each other in good fun.

Better Partner Assertion: Romantic rivals argue their superiority to the person they're fighting over.

~Vocabulary~

Accentuate: make more noticeable or prominent.

Qualities: a distinctive attribute or characteristic possessed by someone or something.

Flaws: a fault or weakness in a person's character.

Reflect: think deeply or carefully about.

Challenge: a task or situation that tests someone's abilities.

Contrast: the action of calling attention to notable differences.

Tone: the general character or attitude of a place, piece of writing, situation, etc.

Dynamic: expressing an action, activity, event, or process.

176 notes · View notes

aerimomo-mellon · 3 years

Text

ENHYPEN when their s/o does the *can’t stop kissing you* prank on them~

Genre~ fluff ☁️

Paring~ ENHYPEN x Reader

A/N~ Hii here’s another headcanon and actually the first for ENHYPEN.. requests are welcomed warmly feel free…

시..작 ….

ENHYPEN M☁List II Main M☁LIst

☯︎ Heeseung

He would act like he doesn’t like it but deep inside he likes it. Acts like he is annoyed and tell you to stop but gives up.

Lays on the bed so you can have all of him.

But then gets annoyed afterwards and tries to tell you lots of excuses but you won’t stop.

“ okay this is the last one!” He mutters between kisses and when he tell you to actually stop like seriously after you told him what it was… and he would be like “happy? Now leave me alone..”

☯︎ Jay

gives in real quick and loves it top notch. you literally can’t with this guy, doesn't matter what important shit he is doing or even on a call with the members he would give in the second your lips touched his.

lot’s of good things comes with it but that one thing that you will get tired of is.. he won’t stop until you give up.

ultimate lesson is think carefully when doing any sort of prank related to kissing or skinship just think very very carefully.

that is unless you want to be showered with kisses and when your seeking too much attention.

☯︎ Jake

gets all shy and blushy at first. But then gives in too.

thinks its too mean to tell you to stop, therefore let’s you have him for as long as you want.

But like when Heesung calls him he get’s up and answers but when you don't stop he would tell you to stop for sometime but when you get all stubborn he pretends to get mad at you.( just pretends because it’s his Hyung and respect is good)

when you continue after the call he finally questions “ why are you like this today?”

☯︎ Sunghoon

we all know how he has his bubble and when it pops it doesn't take much time to blow up again get it? But if that bubble is popped by his S/O then it’s popped for a long time lol.

okay maybe you don't get it so he is like someone who won’t show skinship a lot and stays in his own bubble but when someone comes and has a fair amount of skinship with him his bubble pops haha. and with others he quickly recovers maintaining his own space again.

but I personally feel like he likes skinship from his s/o more than others and would actually let you do whatever.

I would also categorize him with the people who act totally normal when it happens. so he wont know it’s a prank until you tell him yourself.

☯︎ Sunoo

This sweet baby would enjoy every moment of it.

you know that person who tell you to stop with their mouth but their expression shows how much he/she likes it. Yup this is the baby you need to take care of.

those cheeks(*￣3￣)╭ when he gets annoyed by you only kissing his cheeks he tell you to kiss his lips pointing at it with his finger letting you know by saying “here, why not here!?”

But being you, you tease him by not listening to him resulting him to tackle you in some sort of cute way and showering you with his cut kisses🤭

☯︎ Jungwon

okay it’s obvious he loves it.

but you know that one kisser who has like HAS to talk between every single kiss. yeeeeeee that’s this baby boy.

for an example you peck him on the lips and let go “I like it ca---” and you would peck again interrupting him and when you let go again he would say “ you know toda----mmmm” and then he would search for your lips and presses on them again.

literally loves your lips so much every time he talks he won’t take his eyes off your lips leading him to peck it just one more time until he continues..

☯︎ Ni-ki

Let this baby breath for real.

Leave him alone he won’t like it no no no

Well it’s not that he doesn’t love you or anything but he just doesn’t like a lot of skinship in general.

Maybe he give you the first few kisses you need but after that he will like run away from you. You two will end up like Tom and jerry.

Moral of the story is don’t with this not even a man yet guy. Have mercy <3

끝…ㅇㅇ