AAAAA JUST BARELY SQUEEZING IN AT THE LAST SECOND HERE BUT
HERE’S MY FORDUARY STUFF Y’ALL ALL IN ONE GO LET’S GO WOOO
WEEK 1: FAMILY
WEEK 2: ANOMALIES
WEEK 3: INSOMNIA
WEEK 4: SWITCHING IDENTITIES
Whooo, that was a lot! I only got properly started on these like a week ago; I’ve been back at school for the first time in like 3 years which is really eating up my executive function, and with all the crap that happened in Jan/Feb on top of that I wasn’t even sure I was gonna do Forduary at all ^^’ Not half bad for a very very very last minute mad rush to get something out before the late entry cutoff deadline :D
(I am so tired T^T)
I had a lot of trouble figuring out what to do for the prompts this time around, and eventually ended up making two sketches for each prompt! ...buuuut I absolutely did not have time to do all of them with how late I left it so I just picked my favourite for each week to polish up. I’m probably not gonna finish the others, but I liked how the rough blocking was turning out and I thought the progression of all of them together looked pretty cool, so since I didn’t wanna just not post them I’ve put all the thumbnail sketches under the cut so you can see ‘em ^^
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I stayed up until 2 am to finish sewing this jacket just so I could wear it to the mutant mayhem movie today :)
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losers will say this is cgi
and to that i say: do you think i give a cock?
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yet another reprise of the same post i’ve made dozens and dozens of times before but GEEZ! i am so incredibly lucky to be doing what i’m doing! to think i spend hours and hours and days and weeks and months and years and hopefully DECADES pouring over animation history, lauding the masters and studying their work so intently and absorbing it and feeling and identifying with it, and the fact that i get to walk the same turf they did. that i get to be a part of this business that they established. that i get to carry the torch and that, some day, no matter how small or insignificant, my own work and contributions will be regarded as “animation history” because i work in animation and all history is history. i just can’t believe that i’m privileged enough to indulge in some of the same practices that The Greats did, that i get to study their work and, if i’m so lucky, channel and make homages to it where possible.
this isn’t to say “i’m just like Tex Avery because i work in animation TOO!!!!”, but, rather, an expression of my sheer GRATITUDE and amazement that i get to do what i do at all. i’ve met so many nice people. blossomed so much as an artist and cartoonist. get inspired each day by the talent i am constantly surrounded by. and to think that i get to be a part of it!!!!! that i get to carry the torch! i know this sounds so conceited and pompous and i really don’t mean it that way at all because i don’t WANT to be known as someone who people are only interested in because i work in cartoons. i just wanna be known for me! what “me” is i guess is for you to decide! but, regardless, i’m just feeling extra thankful tonight that i’m able to indulge in my passions and SPREAD my passions and have said passions fostered. that i’m lucky enough to tread the same ground as some of the greatest creatives that gave me this ground to tread on. there will never be enough words to properly articulate just how deeply and passionately my gratitude extends.
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man i have really been thinking about worldbuilding and exposition in books recently
when i was like, i don’t know, twelve-ish, I picked up this book about a teenage girl in a spy school. and i absolutely fell in love with it - I thought it was incredibly neat how the book just seemed to drop me into the middle of the story, even starting in the girl’s second year. in fact, the main character frequently referenced events from her first year (falling in love with a civilian, things ending badly, finding secret passageways, losing her mother’s trust etc.)
and I actually really enjoyed the fact that the character had a rich and vibrant life outside of what i had read and that the book didn’t go out of its way to explain her past in flashbacks or anything. i understood the main takeaways and why she was reacting to things based on what i gleaned, and more than that i understood the growth of the character, why she was cautious in certain places but reckless in others, etc and i felt smarter for not being handed the answer on a silver platter
anyway it wasn’t until i finished the book and realized there was a sequel that i looked it up and found out that. in fact. i had started with the second book in the series.
oops.
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i've had a sore throat all week and a d&d program today so my boss let me come in late and i saved up all my speaking for that hour and it went so good!!!
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the way i had no idea what everyone was talking about re: Celine until I chatted with a friend this morning who went off about how disrespectful Taylor was and this proves she's a terrible person and I was just like 😬
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related to anon’s prev ask (useless sapphic moment) how do i make it clear that i wanna go out in like a not so platonic way
use the word date!!! honestly truly. i know it sounds ridiculous but considering she is gay i can imagine she wants to avoid 4 hours of “are we friend hanging or gay hanging out??????” questioning as well, and she’ll probably be appreciative of it being clear.
the basic and tried and true is just like “would you wanna go get drinks sometime? in like a date way, i mean” and if you say it casually and laugh a bit like you know it’s crazy to even have to specify, then it doesn’t feel awkward to tack on to the end imo
and if she waffles a bit and doesn’t say yes right away, you can also follow with “or even in a friend way, if you’d prefer that instead! no pressure either way” and maybe you can have a new gay platonic friend instead!
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