#touch switch

[primezenindia]

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[pianokantzart]

I try to make an effort not to debate people online about completely pointless nonsense like Switch 2 misinformation.

So imagine my absolute delight when my sister and brother in law tried to explain to me that “you won’t really own any of your switch 2 games because they’re all on keycards,” accidentally giving me permission to ascend into my true form: the most insufferable nerd you’ve ever met.

[itadooori]

you're shyin' away // i'll be comin' for you anyway

[leopardmuffinxo]

Trying to impress? I like it.

[moeblob]

It's like wishing for a second genie and the second genie gives you three more wishes. Should be illegal! But now I'm the proud owner of a Mystery Shirt so.

[goatvaxing]

AND SHOUTOUT TO MY BEST FRIEND RAIDOU KUZUNOHA

[arsenicflame]

(im only on chapter 5, don't tell me if it follows through or not)

[bittsandpieces]

genuinely concerned that the next time i fuck somebody theyre gonna say something nice to me and im gonna burst into tears

[primezenindia]

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[mayasaura]

one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

[brokenhardies]

inspired by @sanders-sides-uncorrect-quotes post here

Which Side Gives The Best Hugs? (according to my completely biased opinion)

Patton - He very much gets into hugs, I imagine that he moves a lot. Just... Very squishy, big strong hugs, almost feeling like you're about to lose your ribcage. aka my kind of hugs

Remus - I know its a controversial opinion but hear me out, Remus seems like he would be the type to just... not let you go. Very tight gripper. Also I imagine that he's surprisingly soft when it comes to hugs

Roman - He picks you up and spins you round! You get some good air time from him. Much less squishy than Patton or Remus, but still very strong. Will also whisper compliments into your ears

Virgil - He gives hugs better than he receives them. Prefers side hugs where he just leads his head into the crook of your neck and wraps his arm around you

Janus - It's not that he doesn't give good hugs, its just that he doesn't like to. You go for a hug and he just pats you on the back. It's almost funny tbh

Logan - Actual image of Logan getting hugged below

[cursedtulip]

This was my splatfest post 🫡

...now kiss!

[lenichque]

i know we talk about lot about fav tropes but today i want to ask you what tags will most likely make you NOT click on the fic

[leafsfromthevine]

sokka and zuko laying on top of each other i mean what omg who said that